Media studies Books

Book SynopsisThe concept of media logic, a theoretical framework for explaining the relationship between mass media and culture, was first introduced in Altheide and Snow''s influential work, Media Logic. In Media Worlds in the Postjournalism Era, the authors expand their analysis of how organizational considerations promote a distinctive media logic, which in turn is conductive to a media culture. They trace the ethnography of that media culture, including the knowledge, techniques, and assumptions that encourage media professionals to acquire particular cognitive and evaluative criteria and thereby present events primarily for the media''s own ends.Case studies and examples of the mass media presentation of entertainment, news, politics, organized religion, and sports during the past twenty years illustrate how scheduling, sources of information, style, format, and professional awards influence how the world is portrayed in the various media. The authors analyze the influence of media logic on soTable of Contents1 THE MEDIA AS CULTURE, 2 MEDIA ENTERTAINMENT, 3 POSTJORNALISM MEDIA VIEWS, 4 MEDIA POLITICS I: THE POLITCIANS, 5 MEDIA POLITICS II: THE BERT LANCE CASE AND BEYOND, 6 A POLITICAL KALEIDOSCOPE, 7 MEDIA MINSTRY, 8 MEDIA SPORTS, 9 CONCLSUION: OUR MEDIA CONDITION. REFERENCES, NAME AND SUBJECT INDEX

Read more less

Book SynopsisPacked with more than 400 time-saving tips and techniques that improve the readers' proficiency with the Final Cut Pro Studio toolset.Trade Review"What a breath of fresh air! Amongst all my FCP books, "Final Cut Pro 4 On the Spot" is quickly becoming one of the most dog-eared! I highly recommend this book for folks that are motivated to take their knowledge of FCP to new heights. Bravo Gentlemen!"Kevin Monahan, Author-"Motion Graphics and Effects in Final Cut Pro" Apple Certified Instructor"...provides you with wonderful tips and tricks, most of which you won't get anywhere else." --This text refers to an out of print or unavailable edition of this title. Michael Horton, president, Los Angeles Final Cut Pro User GroupWhat a breath of fresh air! . I highly recommend this book for folks that are motivated to take their knowledge of FCP to new heights. Bravo Gentlemen!Kevin Monahan, author-Motion Graphics and Effects in Final Cut Pro, www.fcpworld.com...provides you with wonderful tips and tricks, most of which you won't get anywhere else. Michael Horton, president, Los Angeles Final Cut Pro User GroupWhat a great collection of tips and tricks.everyone will learn something from this book; or be reminded of that great old tip that you'd forgotten.Tom Wolsky, South Coast Productions, creativecow.net cowmunity leaderTable of ContentsPlugging in; Setting Yourself up for success; Notching it up; A cut above; Fixing it in post; Type-Oh!; One-click wonders; Sounds good; Still life; Master of your domain; Crisis management; The finish line; A place for Everything; I didn't know you could do that; Out of the box; Mixing it up; New and improved

Read more less

Book SynopsisAn innovative investigation of the inner workings of Spotify that traces the transformation of audio files into streamed experience.Spotify provides a streaming service that has been welcomed as disrupting the world of music. Yet such disruption always comes at a price. Spotify Teardown contests the tired claim that digital culture thrives on disruption. Borrowing the notion of “teardown” from reverse-engineering processes, in this book a team of five researchers have playfully disassembled Spotify's product and the way it is commonly understood.Spotify has been hailed as the solution to illicit downloading, but it began as a partly illicit enterprise that grew out of the Swedish file-sharing community. Spotify was originally praised as an innovative digital platform but increasingly resembles a media company in need of regulation, raising questions about the ways in which such cultural content as songs, books, and films are now typically made availa

Read more less

a huge range and FREE tracked UK delivery on ALL orders.

Read more less

a huge range and FREE tracked UK delivery on ALL orders.

Read more less

a huge range and FREE tracked UK delivery on ALL orders.

Read more less

Book SynopsisLISA BLACKMAN is a critical psychologist who teaches media studies and researches new forms of subjectivity, such as psychiatric user groups and emerging forms of spiritual practice. She is Lecturer in the Department of Media and Communications at Goldsmiths College.VALERIE WALKERDINE is a critical psychologist who works at the intersection of psychology, social and cultural theory. She is Foundation Professor of Critical Psychology at University of Western Sydney, Nepean and the author of a number of books including Daddy's Girl (Macmillan 1997) and Growing Up Girl (Macmillan, forthcoming).

Read more less

Book SynopsisAfter graduating in film and literature from Warwick University, NICK LACEY worked in a variety of media institutions including Times Newspapers, EMAP and Yorkshire Television. He has been teaching media studies since 1991 and is currently Head of Media Studies at Benton Park School in West Yorkshire.

Read more less

a huge range and FREE tracked UK delivery on ALL orders.

Read more less

a huge range and FREE tracked UK delivery on ALL orders.

Read more less

a huge range and FREE tracked UK delivery on ALL orders.

Read more less

Book SynopsisDrawing on innovations in the business of journalism, this book offers a comprehensive guide to using the human-centred design methods of product management to serve readers and bolster digital success in news organizations.An Introduction to News Product Management sets out how product thinking should be used in news organizations and practiced in accordance with journalistic ethics and customs. Beginning by looking at the history and theory behind the profession, this book builds a foundational understanding of what product management is and why news is a unique product. In the second unit, the author discusses how the human-centred design philosophy of product management aligns with the mission and ethics of journalism, and how that influences the view of audiences and frames strategies. The third unit of the book focuses on the daily use of product management in news organizations, providing students with a guide to its use in researching, prioritizing, and buildinTable of ContentsAcknowledgementsIntroductionWhat Is Product Management?1. The News Product Manager2. A Brief History of Product Management3. Theories of Product Management4. Theories of InnovationProduct Management in News5. The Business of Content6. Managing News Innovation7. The Mission of News ProductMaking News Products8. Product Is Research9. Product Is Prioritization10. Product Is Building11. Product Is LearningGlossaryIndex

Read more less

Book Synopsis

Read more less

Book SynopsisFirst published in 2004. English stage comedy has weathered centuries of social and theatrical change. How did it survive? English Stage Comedy 1490â1990 is a unique and beautifully written study of the comedy of the English stage from the Tudor period to the late twentieth century. Organized thematically, it shows how this remarkably enduring genre has dealt with the tensions of social life, using its conventions as tools for social inquiry. Through an examination of comedy Alexander Leggatt demonstrates that an approach through genre, neglected in recent criticism, can have much to say about our current concerns with the relations between literature and society. English Stage Comedy 1490â1990 surveys five centuries of classic comic drama, focusing on major playwrights such as: Shakespeare, Jonson, Etherege, Wycherley, Congreve, Vanbrugh, Goldsmith, Sheridan, Wilde, Shaw, Coward, Orton, Ayckbourn and many lesser-known figures.Table of ContentsIntroduction: Five centuries of a genre, 1 Getting control, 2 Watching society, 3 Loners, 4 Other places, 5 Parents and children, 6 Negotiations, 7 Comedy against itself, Conclusion

Read more less

Book SynopsisThe death of Diana, Princess of Wales, on September 1 1997, prompted public demonstrations of grief on an almost unprecented global scale. But, while global media coverage of the events following her death appeared to create an international ''community of mourning'', popular reacions in fact reflected the complexities of the princess''s public image and the tensions surrounding the popular conception of royalty. Mourning Diana examines the events which followed the death of Diana as a series of cultural-political phenomena, from the immediate aftermath as crowds gathered in public spaces and royal palaces, to the state funeral in Westminister Abbey, examining the performance of grief and the involvement of the global media in the creation of narratives and spectacles relating to the commemoration of her life. Contributors investigate the complex iconic status of Diana, as a public figure able to sustain a host of alternative identifications, and trace the posthumous rTrade Review'Mourning Diana deserves a place in any collection of background reading on the unfortunate event it commemorates.' - Royalty DigestTable of ContentsPreface: Mourning Diana and the Scholarly Ethic, Adrian Kear and Deborah Lynn Steinberg Ghost Writing, Adrian Kear and Deborah Lynn Steinberg Exemplary Differences: Mourning (and not mourning) a Princess, Richard Johnson Our Lady of Flowers: The ambiguous politics of Diana's Floral Revolution, Susan Greenhalgh Be(long)ing: New Labour, New Britain and the Dianaisation of Politics, Valerie Hey 'That which is taken from me is not mine':Rhetoric, Nation and the People's Property, Joe Kelleher The Crowd in the Age of Diana: Ordinary Inventiveness and the Popular Imagination, Valerie Walkerdine Diana and Race: Romance and the Reconfiguration of the Nation, Mica Nava Mourning Diana, Jatinder Verma Celebrity and the Politics of Charity: Memories of a Missionary Departed, Arvind Rajagopal Mourning at a Distance: Australians and the Death of a British Princess Jean Duruz and Carol Johnson I'd Rather be the Princess than the Queen! Mourning Diana as Gay Icon, William J.Spurlin Diana Between Two Deaths: Spectral Ethics and the Time of Mourning, Adrian Kear Downloading Grief: Minority Populations Mourn Diana, Diana Taylor

Read more less

Book SynopsisFrom two distinguished academics, Stars: The Film Reader brings together key writings and new perspectives on stars and stardom in cinema including coverage of stars and star systems from Europe and Asia as well as Hollywood, such as Mario Lanza, Oprah Winfrey and Roseanne Barr.Including contributions from top scholars such as Richard Dyer, the book addresses questions of production, labour and circulation, and examines neglected areas of study such as the Avant-Garde star, the non-American stars, and the question of ethnicity.Grouped in thematic sections, the articles explore key issues and developments in the study of stardom, providing a comprehensive overview of stardom across the world and in different genres and media.Table of ContentsPart 1: Re-Forming the Star Canon 1. Labour and the Commodity Form 2. Marlene: Modernity, and the Biopic 3. Action Movie Hysteria, or Eastwood Bound Part 2: The European and Asian Popular Cinema Star 4. Negotiating Exoticism: Hollywood, Film Europe and the Cultural Reception of Anna May Wong 5. Sophia Loren, Italian Icon 6. Reigning Stars: The Political Career of South Indian Cinema 7. Muscles and Subjectivity: A Short History of the Masculine Body in Hong Kong Popular Culture Part 3: The Avant-Garde and Underground Star 8. Performance and Persona in the U.S Avant-Garde: The Case of Maya Deren 9. Camping with Lady Divine: Star Persona and Parody Part 4: Race, Ethnicity and the American Star 10. Stars and Ethnicity: Hollywood and the United States, 1932-51 11. Hollywood Exoticism 12. Paul Robeson: Crossing Over 13. Opera and Popular Culture: The Case of Mario Lanza Part 5: The Network Television Star 14. Roseanne: The Unruly Woman as Domestic Goddess 15. C'mon Girl: Operah Winfrey and the Discourse of Feminine Talk 16. The Moving Image in Crisis

Read more less

Book SynopsisBritish Queer Cinema draws together a diverse range of innovative new essays that explore, for the first time, the provocative history of lesbian, gay and queer representation in British cinema.From the early years of âPre-Gayâ film, through to the social upheaval of post-war âpermissivenessâ, Gay Liberation and the âpost-AIDSâ queer generation, contributors examine the shifting and complex nature of queer identity, desire and spectatorship across a number of classical and contemporary British popular film genres and traditions. Through case studies of key works such as The Killing of Sister George, Prick Up Your Ears and Beautiful Thing, a reappraisal of the films of Anthony Asquith, Terence Davies and Derek Jarman, to the âqueernessâ of the heritage film, the homoerotic âNew Waveâ, or the star performances of Dirk Bogarde, Beryl Reid and Stephen Fry, this timely collection maps the relationship between contemporary queer sexuality and its socio-historical, national and critical contexts.Trade Review'an excellent overview' - Journal of British Cinema and Television"it opens up numerous areas worth further inquiry..." --The Gay and Lesbian Review/Worldwide'an excellent overview' - Journal of British Cinema and TelevisionTable of ContentsList of Illustrations Notes on Contributors Acknowledgements Introduction: Queer Britannia – A Century of Sinema ROBIN GRIFFITHS 1 In Search of Nebulous Nancies: Looking for British Cinema’s Pre-Gay Queers ANDY MEDHURST 2 Behind the Masks: Anthony Asquith and Brian Desmond Hurst STEPHEN BOURNE 3 An Instrument with a Flaming Sword: Conservative Queerness in A Canterbury Tale ALEXANDER DOTY 4 Are There Stars Out Tonight? KEITH HOWES 5 Sad and Angry: Queers in Sixties British Cinema ROBIN GRIFFITHS 6 ‘A Comic Monster of Revue’: Beryl Reid, Sister George and the Performance of Dykery LIZZIE THYNNE 7 ‘Come and Have a Bathe!’ : Landscaping the Queer Utopia MICHAEL WILLIAMS 8 Intermingling under Controlled Conditions: The Queerness of Prick Up Your Ears KENNETH MACKINNON 9 Terence Davies and the Unheimlich Home Movie JIM ELLIS 10 ‘It’s My Nature’ : AIDS Narratives and the Moral Re-branding of Queerness in the mid-1990s GREGORY WOODS 11 Beyond the Pale: The Politics of The Crying Game ANDREW MOOR 12 More Jiggery Than Pokery: Derek Jarman’s Edward II RAYMOND ARMSTRONG 13 Taming Oscar Wilde: Queerness, Heritage and Stardom GLYN DAVIS 14 Interview with Lisa Gornick: Reflections on a ‘First Draft’ Film about Love and its Labels ANI RITCHIE 15 Beautiful Thing: British Queer Cinema, Positive Unoriginality and the Everyday ROS JENNINGS Selective Filmography Index

Read more less

Book SynopsisUsing our favourite Springfield family as a case study, Watching with The Simpsons examines the textual and social role of parody in offering critical commentary on other television programs and genres. Jonathan Gray brings together textual theory, discussions of television and the public sphere, and ideas of parody and comedy. Including primary audience research, it focuses on how The Simpsons has been able to talk back to three of televisionâs key genres - the sitcom, adverts and the news - and on how it holds the potential to short-circuit these genreâs meanings, power, and effects by provoking reinterpretations and offering more media literate recontextualizations.Examining television and media studies theory, the text of The Simpsons, and the showâs audience, Gray attempts to fully situate the showâs parody and humour within the lived realities of its audiences. In doing so, he further explores the possibilities for popular entertainmentTrade Review'essential reading for fan and academic alike.' - The Velvet Light TrapTable of ContentsPart 1: Reading Through Intertextuality 1. Intertextuality and the Study of Texts Part 2: Watching with the Simpsons 2. Domesticom Parody, Genre, and Critical Intertextuality 3. Ad Parody and The Logic of Television 4. News Parody and the Public Sphere Part 3: Talking with the Simpsons 5. Parody and/as Interpretive Community 6 ‘The Simpsons Attitude’ Conclusion

Read more less

Book SynopsisDrawing a comparison between religion and cinema-going, this text examines a range of contemporary films in relation to key theological concepts.Trade ReviewBy starting from issues explored in particular films, the book helps to ground theological debates in relation to human questions and experience. This really helps to bring the discipline of theology alive, and I wish this book had been available when I was a theology student.Gordon Lynch, Senior Lecturer in Religion and Culture, University of Birmingham, UKMarsh is correct! Theology is not just cognitive, but affective, aesthetic and ethical. And film has become a primary resource. Here is a helpful work-book for culturally-savy theology students and theologically-interested film-lovers.Robert K. Johnston, author of Reel Spirituality: Theology and Film in DialogueMarsh never reduces the theological analysis of culture to an imposition of theological concepts onto culture; rather, theology is developed in critical engagement with popular culture, within "peaceful mutual critique." He accomplishes this task with clarity, open-mindedness, and grace.John Lyden, Professor and Chair of Religion, Dana CollegeIn this thought-provoking book, one of the leading scholars in this rapidly growing area of study provides an imaginative series of connections between theology and film. Taking seriously the multiple backgrounds and contexts of the viewer, Marsh skilfully shows how films can open many windows onto profound theological questions and themes. He outlines with clarity the rich resources available for thinking creatively about the interactions between theology and the movies.Dr Jolyon Mitchell, New College, Edinburgh University'By starting from issues explored in particular films, the book helps to ground theological debates in relation to human questions and experience. This really helps to bring the discipline of theology alive, and I wish this book had been available when I was a theology student.' – Gordon Lynch, Senior Lecturer in Religion and Culture, University of Birmingham, UK'Marsh is correct! Theology is not just cognitive, but affective, aesthetic and ethical. And film has become a primary resource. Here is a helpful work-book for culturally-savy theology students and theologically-interested film-lovers.' – Robert K. Johnston, author of Reel Spirituality: Theology and Film in DialogueTable of ContentsPart One: Contextualizing Theology in a Media Age Part Two: A Systematic Theology through Film Part Three: Christian Theology in Practice

Read more less

Book SynopsisThe past century has witnessed an ever-accelerating revolution in the ways by which we communicate with each other, and that revolution is far from complete. Understanding how our literacy skills and behaviours are evolvingâhow we make use of old technologies and adapt to new onesâand how critical development may be fostered is arguably one of the greatest challenges of the twenty-first century. It is vital to education, to civic participation, to political and commercial judgement, and to many other areas of contemporary life.One of the principal barriers to gaining a comprehensive grasp of how people understand and use contemporary media lies in differential adoption of media technologies. This differential adoption, whether generational, financial, or geographic, has major implications for the development of literacies related to particular media. Official educational practices often lag far behind behaviours âon the groundâ, and the ways in which learners develop new strategies for relating to media are as likely to be tacitly acquired through play as explicitly articulated in formal learning processes. It is essential, therefore, to pay careful attention to peopleâs implicit assumptions about media use as well as to look at what is more explicitly understood.To help make sense of these complexities and the global explosion of interest and research in media and digital education, this four-volume collection, a new title in the Routledge Major Work series, Major Themes in Education, brings together the best research and theory on issues relating to literacies in both old- and new-media technologies.The volumes in the collection gather both canonical and the finest cutting-edge scholarship on media literacies, exploring media technologies from a variety of perspectives. As well as focusing on the theoretical questions and the practical educational issues arising out of the constantly changing nature of the technological revolution, Media Literacies also examines the behaviours of media users themselves, from their first tacit understandings of how to make sense of a new kind of text to their later articulated and critical responses. This attention to users is reflected in the organization of the volumes. The editor, a leading scholar in the field, has organized the collection under the âverbsâ of media behaviour: viewing, listening, game-playing, using the Internet, interacting with other people, information-seeking, and reading and writing in new times. The set also comprises a general introductory section and a final section exploring some of the engines that have driven media change (such as aesthetic developments, corporate priorities, political pressures, and a few select âglobal acceleratorsâ of change: sports, religion, and the movement of people across national boundaries).Media Literacies is an essential collection and is destined to be valued as a vital research resource by all scholars and students with an interest in the subject.

Read more less

Book SynopsisProjected Shadows presents a new collection of essays exploring films from a psychoanalytic perspective, focusing specifically on the representation of loss in European cinema. This theme is discussed in its many aspects, including: loss of hope and innocence, of youth, of consciousness, of freedom and loss through death. Many other themes familiar to psychoanalytic discourse are explored in the process, such as: Establishment and resolution of Oedipal conflicts Representation of pathological characters on the screen Use of unconscious defence mechanisms The interplay of dreams, reality and fantasy Projected Shadows aims to deepen the ongoing constructive dialogue between psychoanalysis and film. Andrea Sabbadini has assembled a remarkable number of internationally renowned contributors, both academic film scholars and psychoanalysts from a variety of cultural backgrounds, who use an array of contemporary methodologiesTable of ContentsGabbard, Foreword. Sabbadini, Introduction. Kline, The Night of Melancholia and the Daylight of Mourning: Anne Fontaine’s Comment j’ai tué mon père. Goisis, Quest for a Lost Mother: Alina Marazzi’s Un’ora sola ti vorrei. Wigoder, Berman, Is There Light at the End of the Tunnel? Keren Yedaya's Or (Mon Tresor). Costantini, Golinelli, The Anorexic Paradox: Matteo Garrone’s First Love. Zwiebel, Reparation and the Empathic Other: Christian Petzold’s Wolfsburg. Sabbadini, The Talking Cure from Freud to Almodóvar: Hable con ella. Portuges, Intergenerational Transmission: The Holocaust in Central European Cinema. Webber, Cut and Laced: Traumatism and Fetishism in Luis Buñuel’s Un Chien Andalou. Taylor Robinson, Two Short Films by Jan Svankmajer: Jabberwocky and Punch and Judy. Mulvey, Compilation Film as ‘Deferred Action’: Vincent Monnikendam’s Mother Dao, the Turtle-like. Weinstein, Moving Beyond the Constraints of the Mortal Self: Universal Images of Narcissism in Jan Troell’s The Flight of the Eagle. Stein, Tricycles, Bicycles, Life Cycles: Psychoanalytic Perspectives on Childhood Loss and Transgenerational Parenting in Sylvain Chômet’s Belleville Rendez-Vous. Diamond, Loss, Mourning and Desire in Midlife: François Ozon’s Under the Sand and Swimming Pool. Sabbadini, Three Sisters: Sibling Knots in Bergman's Cries and Whispers. Christie, Time Regained: The Complex Magic of Reverse Motion. Films Index.

Read more less

Book SynopsisAS Communication and Culture: The Essential Introduction is fully revised for the current GCE Communication and Culture Advanced Subsidiary specification with full colour throughout, over 120 images, new case studies and examples. The authors introduce students step-by-step to the skills of reading communication texts and understanding the link between communication and culture, as well as taking students through the tasks expected of them to pass the AQA AS Communication and Culture exam. The book is supplemented with a website featuring additional activities and resources, quizzes and tests.Areas covered include: an introduction to communication and culture cultural and communication codes semiotics, communication process and models the individual and contemporary culture cultural contexts and practices how to do the coursework how to do the exam examples from advertising, fashion, music, magazines, body language, film and more. AS Communication and Culture: The Essential Introduction clearly guides students through the course and gives them the tips they need to become proficient in understanding and deconstructing communication texts and everyday culture.Trade Review'The use of direct address, rhetorical questions and a chatty conversational tone, with lots of concrete, everyday examples will involve students in a way that more conventional Communication studies textbooks do not ... Your students will enjoy this more up-to-date approach.' – www.communicationandculture.co.uk'The use of direct address, rhetorical questions and a chatty conversational tone, with lots of concrete, everyday examples will involve students in a way that more conventional Communication studies textbooks do not... Your students will enjoy this more up-to-date approach.' - www.communicationandculture.co.ukTable of ContentsSection A: Introducing Communication and Culure. Section B: Codes. Section C: Identity and the Self. Section D: Toolkits; The Process and Semiotic Approaches. Section E: Practical Analysis and Case Studies. Section F: The Individual and Contemoporary Culture. Section G: Cultural Context and Practices. Section H: Doing the Coursework. Section I: Passing Exams. Glossary

Read more less

Book SynopsisThis book discusses the role of the trickster figure in contemporary film against the cultural imperatives and social issues of modernity and postmodernity, and argues that cinematic tricksters always reflect psychological, economic and social change in society. It covers a range of films, from Charlie Chaplin's classics such as Modern Times (1936) and The Great Dictator (1940) to contemporary comedies and dramas with trickster actors' such as Jim Carrey, Sacha Baron-Cohen, Andy Kaufman and Jack Nicholson. The Trickster in Contemporary Film offers a fresh perspective on the trickster figure not only in cinema but in Western culture in general. Alongside original film analyses, it touches upon a number of psychosocial issues including sovereignty of the individual, tricksterish qualities of the media, and human relationships in the mercurial digital age. Further topics of discussion include: common motifs in trickster narratives<Trade Review"This book surprises us and gratifies us with its scope, its detail and how, like the trickster himself, it challenges our beliefs about the function of popular culture." - Christopher Hauke, Senior Lecturer, Goldsmiths, University of London. Table of ContentsIntroduction. Common Motifs in Trickster Narratives. The Trickster and Personal Relationships. The Trickster and the Economic System. The Trickster and Contemporary Powers. Gonzo-Trickster and the Art of Comic Insurrection. Conclusion.

Read more less

Book SynopsisThis collection of essays appears on the wave of digital media tutoring developments in university and college writing centers in the United States and around the world. It provides students and scholars of literacy, new media, and communication as well as writing center practitioners with a valuable new tool for understanding the progress and direction of new media debates at the intersection of writing, technology, and communication. Comprised of twenty essays by leading scholars in media, communication, composition, and writing center studies, Writing Centers and New Media is a major new reader that provides rich cross-disciplinary scholarship. As a rich resource for students and scholars, and as a sourcebook for writing center practitioners, this collection fills a critical gap in writing center scholarship that is essential and significant for the emerging practice of new media tutoring and for future developments in writing center studies. Table of ContentsContributors include:Richard LanhamLev ManovichNew London GroupJay David Bolter Richard GrusinJohn TrimburGunther Kress Theo Van LeeuwenRichard E. MayerN. Katherine HaylesMichael PembertonKevin LaGrandeur Stuart SelberDànielle Nicole DeVossEllen CushmanJeffrey T. Grabill Lawrence LessigRussell CarpenterAndrea A. Lunsford Lisa EdeCynthia L. SelfeJackie Grutch McKinneyJennifer SheppardDavid M. Sheridan

Read more less

Book SynopsisHow can we understand the history of film? Historical facts donât answer the basic questions of film history. History, as this fascinating book shows, is more than the simple accumulation of film titles, facts and figures. This is a survey of over 100 years of cinema history, from its beginnings in 1895, to its current state in the 21st century. An accessible, introductory text, Movie History: A Survey looks at not only the major films, filmmakers, and cinema institutions throughout the years, but also extends to the production, distribution, exhibition, technology and reception of films. The textbook is divided chronologically into four sections, using the timeline of technological changes Written by two highly respected film scholars and experienced teachers, Movie History is the ideal textbook for students studying film history.Trade Review"Covering everything from Edison to Avatar, Gomery and Pafort-Overduin have written the clearest, best organized, and most user-friendly film history textbook on the market. It masterfully distills the major trends and movements of film history, so that the subject can be taught in one semester. And each chapter includes a compelling case study that highlights an important moment in movie history and, at the same time, subtly introduces a methodological approach. This book is a pleasure to read and to teach." Peter Decherney, University of Pennsylvania, USA "In addition to providing a comprehensive overview of the development of film around the world, the book gives us examples of how to do film history, including organizing the details and discussing their implications." Hugh McCarney, Western Connecticut State University, USA"Douglas Gomery and Clara Pafort-Overduin have created an outstanding textbook with an impressive breadth of content, covering over 100 years in the evolution of cinema. Movie History: A Survey is an engaging book that will reward readers with a contemporary perspective of the history of motion pictures and provide a solid foundation for the study of film." Matthew Hanson, Eastern Michigan University, USATable of ContentsAcknowledgements Illustrations Preface Section 1: The Silent Cinema 1895-1927 1. The Invention and Innovation of the Motion Pictures Case Study 1: Who Went to See Early Movies in the USA? 2. The Triumph of Hollywood Case Study 2: Government Control of What Audiences Saw – The Battle on Film Censorship in Germany and the USA 3. Hollywood Establishes the Classic Narrative Style Case Study 3: The Acceptance of the Classical Hollywood Filmmaking Style 4. Influential Alternatives to Hollywood: European Cinema Case Study 4: Carl Dreyer – A Danish Individualist 5. Experiments in Filmmaking: The USSR Case Study 5: Evaluation in Movie History – The Case of Odessa Steps Section 2: The Hollywood Studio Era 1928-1950 6. The Coming of Sound & the Studio System Case Study 6: The Coming of Sound to Europe - The Triumph of National Film Production in Holland 7. The First Golden Age of Hollywood Movie Making Case Study 7: How was the Moviegoer Affected by the Movies? – Reconstructing the Meaning of Movies and Movie Going with the Help of Oral History. 8.: European Alternatives to Hollywood: France, Britain, Germany and Italy Case Study 8: What Did the European Moviegoer Really Like? – Reconstructing the taste of the Moviegoer with the Help of Film Programming and Statistics. Section 3: The Television Era 1951-1975 9. Television, Wide-Screen and Colour Case Study 9: Film Societies as Alternative Spaces for Movie Exhibition 10. A Transformation of Hollywood Movie-Making Case Study 10: A Critic who Changed the Status of Hollywood Movies 11. The European Art Cinema Alternative Case Study 11: Art Movie Theaters in the USA 12. Alternative Film Industries – The Soviet Union, Eastern Europe, South America, Australia and Japan Case Study 12: The Importance of Film Festivals Section 4: The Video to Digital Era 1975-2010 13. Contemporary World Cinema History – 1975 and Beyond Case Study 13: Film Historical Research in the Digital Age 14. Hollywood Thrives Case Study 14: The Reception of James Cameron’s Avatar Bibliography Glossary Index

Read more less

Book SynopsisIn Production House Cinema: Starting and Running Your Own Cinematic Storytelling Business, renowned video storyteller Kurt Lancaster offers both students and professionals a practical guide to starting their own video production company and creating cinematic, client-based video content. Utilizing practical know-how along with in-depth analysis and interviews with successful independent production houses like Stillmotion and Zandrak, Lancaster follows the logistics and inspiration of creating production house cinema from the initial client pitch all the way through financing and distribution. The book includes: An examination of the cinematic and narrative style and how to create it; A discussion of the legal procedures and documents necessary for starting and operating a production house; Advice on crafting a portfolio, reel, and website that both demonstrates your unique style and vision and attracts clients; A guide to the finanTrade Review"Kurt Lancaster has done it again. He has identified a developing trend in the rapidly changing video landscape, talked to the right people, and asked all of the right questions. This book is a must read for any video student or professional considering starting their own production studio." —Wes Pope, co-director of the Multimedia Journalism master's program at the University of Oregon "Production House Cinema combines wonderfully detailed advice about the pragmatics of launching a professional filmmaking studio with insights into the aesthetic and formal approaches vital to strong cinematic storytelling. Building on his excellent body of work as an author and professional producer, Kurt Lancaster offers comprehensive and clear "how-to" guides that every filmmaker -- from the beginner to the veteran – will find useful. I plan to assign this book to my production students at both the undergraduate and graduate levels, and to add it to my own collection of essential reading." —Jennifer Maytorena Taylor, Producer/Director, Specific Pictures, Assistant Professor of Social Documentation/Film and Digital Media at University of California, Santa Cruz "In his book Production House Cinema, Kurt Lancaster has created THE complete one-stop shop for building your own production company—top to bottom. His extensive experience as a filmmaker combined with an acute business sense infuse this book with advice and recommendations both practical and creative. If you want to have your own storytelling business, purchasing this book is your first, most important investment." —William McDonald, Professor & Chair, Department of Film, Television and Digital Media, UCLA School of Theater, Film & Television Table of ContentsForeword by Patrick Moreau Introduction: The Business of Cinematic Storytelling in a Video Production House PART I. CREATING AN INDEPENDENT VIDEO PRODUCTION HOUSE BUSINESS 1. Telling versus Showing: The Tools of Cinema in Client-Based Storytelling 2. Creating a Vision: The Cinematic Style Video Production House 3. Making it Legal: Filing an LLC, Writing Contracts, Using Music, and Getting Insurance 4. Building Presence: The Portfolio Reel and Website that Reflects Your Style and Vision Part II. RUNNING AN INDEPENDENT PRODUCTION HOUSE BUSINESS 5. Making Money: The Cost of Doing Business, Generating Income Streams, Setting Up Invoices, and Planning Your Taxes 6. Developing a Client’s Story: Making a Connection, Finding the Story, and Writing a Pitch, Proposal, and Budget 7. Cinematic Gear: What You Need and What it Does Part III. CRAFTING THE CINEMATIC STYLE CASE STUDIES 8. A Book Promotion Case Study: From Key Words to Storyboards in Stillmotion’s My Utopia 9. An App Promotion Case Study: Directing with Spontaneity in Zandrak’s Moodsnap 10. Side Projects: Finance and Distribute Your Passion Films Appendix: Sample Contract and Forms

Read more less

Book SynopsisThe Actress: Hollywood Acting and the Female Star investigates the contemporary film actress both as an artist and as an ideological construct. Divided into two sections, The Actress first examines the major issues in studying film acting, stardom, and the Hollywood actress. Combining theories of screen acting and of film stardom, The Actress presents a synthesis of methodologies and offers the student and scholar a new approach to these two subjects of study.Table of ContentsPart I Acting, Stardom, and the Hollywood Actres; Chapter 1 The Hollywood Star–Actress and Studies of Acting; Chapter 2 The Hollywood Star–Actress and Studies of Stardom; Chapter 3 Star Acting and the Hollywood Star–Actress; Part II Case Studies of Contemporary Star—Actresses; Chapter 4 : Meryl Streep; Chapter 5 Susan the Siren: Susan Sarandon; Chapter 6 “;A Perfect Acting Machine”: Jodie Foster; Chapter 7 Angela the Icon: Angela Bassett; Chapter 8 The First Lady of Miramax: Gwyneth Paltrow; Chapter 9 Conclusion;

Read more less

Book Synopsis

Read more less

Book SynopsisDetailed descriptions of each step of the judicial process along with tips from top journalists allow for a comprehensive analysis of courtroom activities.Trade ReviewA must-read for any reporter whose beat might include the courts. Alexander methodically steps the reader through the processes in clear, concise style. Starting with an overview of the fair trial/free press conflict built into the First and Sixth amendments, she uses current examples from high-profile trials to illustrate how the courts and media have collided. Alexander's book is comprehensive without being overwhelming for the journalist who needs to learn about this field. * Judicature *Table of ContentsChapter 1 Preface Chapter 2 Introduction Chapter 3 The Judicial System Chapter 4 Criminal Procedure Chapter 5 Civil Procedure Chapter 6 Criminal Cases: Pre-Trial Coverage Chapter 7 Criminal Cases: The Trial Chapter 8 Criminal Cases: Post-Trial Activity Chapter 9 Civil Cases Chapter 10 Cameras in Courtrooms Chapter 11 Covering the Courts Part 12 Codes of Ethics Part 13 Canons, Standards, and Rules Part 14 Guidelines for Coverage

Read more less

Book SynopsisMedia Power, Media Politics examines the role and influence of the media in every sphere of American politics. Organized thematically, the book analyzes the relationship between the media and key institutions, political actors, and nongovernmental entities, as well as the role of the new media, media ethics, and foreign policy coverage.Trade ReviewMedia Power, Media Politics provides an excellent overview of the interaction between different governmental figures and the media. It clearly illustrates how the media covers political actors, and also how political actors seek to utilize the media. The well-written chapters are a great foundation for spurring class discussion. Of the three books I assigned for my Mass Media and Government class, this was clearly the favorite! -- Allison Clark, University of GeorgiaMy students found Media Power, Media Politics easy to read and it gave them the academic foundation with which to base their theoretical understanding of the media. It is an excellent text that does not seem to go out of date quickly. -- Alison Dagnes, Shippensburg UniversityTable of ContentsPart 1 Introduction: Media Power, Media Politics Part 2 The Presidency and News Media Part 3 The Congress and News Media Chapter 5 Interview: The Honorable Stephanie Herseth Sandlin (D-SD) Part 6 Press Coverage of the United States Supreme Court Chapter 7 Assignment: Generational Change in Media Consumption Part 8 Civil Rights and Liberties: The Gatekeeping Power of the Media Chapter 9 Interview: Janet Terry, Local News Writer/Producer Part 10 Bureaucracy and the Media Chapter 11 Assignment: media Exposure Survey Part 12 A Little Knowledge is a Dangerous Thing: What We Know About the Role of Media in State Politics Chapter 13 Interview: Brenna Holmes, Online Political Activist/Consultant Part 14 Political Parties and the Media Part 15 Presidential Elections and the Media Chapter 16 Interview: David Marks, Politics Editor of Politico.com Part 17 The News Meida and Organized Interests in the United States Chapter 18 Assignment: The Political Message of your Favorite Movie Part 19 The Media and Public Opinion Chapter 20 Assignment: Playing Politics on Social Networks Part 20 The New Bully Pulpit: Global Media and Foreign Policy Part 21 The Central Role of Media and Communication in Terrorism and Counterterrorism Chapter 22 Interview: Ed Morrissey, Political Blogger Part 23 The New Media

Read more less

Book SynopsisThis study of alternative and activist media provides an introduction to alternative media theories, audiences and practices. It brings diverse voices and concepts from outside the commercial media world to the fore, enriching and challenging mass media. Illustrated with historical and current examples, from both a UK and international perspective, it also includes carefully constructed exercises and discussion topics based on case studies and available texts.Topics include the place of alternative media in a mass-media world; a history of alternative and activist media; media participation and consumption by marginalised audiences; the use of pirate and community radio, video and television by community and minority groups; fanzines and other small publishing ventures by individuals; the use of alternative media for explorations in design; the blurring of boundaries between alternative and mass media; and new technology and its possibilities for alternative media.Trade ReviewThis lively and accessible examination of alternative media draws on a rich variety of examples from all over the world. Throughout the book Mitzi Waltz involves the student in fascinating and valuable exercises. An excellent teaching resource for this important area. -- Dr Chris Atton, School of Communication Arts, Napier University This lively and accessible examination of alternative media draws on a rich variety of examples from all over the world. Throughout the book Mitzi Waltz involves the student in fascinating and valuable exercises. An excellent teaching resource for this important area.Table of ContentsIntroduction; Chapter 1: Who needs an alternative?: An introduction to the role of alternative and media; Chapter 2: A brief history of alternative media; Chapter 3: Unheard voices, unseen images; Chapter 4: Anyone with a cheap transmitter can do radio; Chapter 5: Broadcasting beyond the corporate sphere; Chapter 6: Artistic impulses; Chapter 7: Creating media spaces for the personal; Chapter 8: 'Cyberculture': A study of the latest wave of alternative media; Chapter 9: From the margins to the mainstream; Chapter 10: New directions for a new century; Bibliography; Internet Resources.

Read more less