Description

Book Synopsis

First published in 2004. English stage comedy has weathered centuries of social and theatrical change. How did it survive? English Stage Comedy 1490â1990 is a unique and beautifully written study of the comedy of the English stage from the Tudor period to the late twentieth century. Organized thematically, it shows how this remarkably enduring genre has dealt with the tensions of social life, using its conventions as tools for social inquiry. Through an examination of comedy Alexander Leggatt demonstrates that an approach through genre, neglected in recent criticism, can have much to say about our current concerns with the relations between literature and society. English Stage Comedy 1490â1990 surveys five centuries of classic comic drama, focusing on major playwrights such as: Shakespeare, Jonson, Etherege, Wycherley, Congreve, Vanbrugh, Goldsmith, Sheridan, Wilde, Shaw, Coward, Orton, Ayckbourn and many lesser-known figures.



Table of Contents

Introduction: Five centuries of a genre, 1 Getting control, 2 Watching society, 3 Loners, 4 Other places, 5 Parents and children, 6 Negotiations, 7 Comedy against itself, Conclusion

English Stage Comedy 14901990 The Persistence of

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    A Hardback by Alexander Leggatt

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      View other formats and editions of English Stage Comedy 14901990 The Persistence of by Alexander Leggatt

      Publisher: Taylor & Francis Ltd
      Publication Date: 20/08/1998
      ISBN13: 9780415189361, 978-0415189361
      ISBN10: 0415189365

      Description

      Book Synopsis

      First published in 2004. English stage comedy has weathered centuries of social and theatrical change. How did it survive? English Stage Comedy 1490â1990 is a unique and beautifully written study of the comedy of the English stage from the Tudor period to the late twentieth century. Organized thematically, it shows how this remarkably enduring genre has dealt with the tensions of social life, using its conventions as tools for social inquiry. Through an examination of comedy Alexander Leggatt demonstrates that an approach through genre, neglected in recent criticism, can have much to say about our current concerns with the relations between literature and society. English Stage Comedy 1490â1990 surveys five centuries of classic comic drama, focusing on major playwrights such as: Shakespeare, Jonson, Etherege, Wycherley, Congreve, Vanbrugh, Goldsmith, Sheridan, Wilde, Shaw, Coward, Orton, Ayckbourn and many lesser-known figures.



      Table of Contents

      Introduction: Five centuries of a genre, 1 Getting control, 2 Watching society, 3 Loners, 4 Other places, 5 Parents and children, 6 Negotiations, 7 Comedy against itself, Conclusion

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