Ethnic studies / Ethnicity Books
Duke University Press Black Quare and Then to Where
Book SynopsisIn Black, Quare, and Then to Where jennifer susanne leath explores the relationship between Afrodiasporic theories of justice and Black sexual ethics through a womanist engagement with Maât the ancient Egyptian deity of justice and truth. Maât took into account the historical and cultural context of each human’s life, thus encompassing nuances of politics, race, gender, and sexuality. Arguing that Maât should serve as a foundation for reconfiguring Black sexual ethics, leath applies ancient Egyptian moral codes to quare ethics of the erotic, expanding what relationships and democratic practices might look like from a contemporary Maâtian perspective. She also draws on Pan-Africanism and examines the work of Alice Walker, E. Patrick Johnson, Cheikh Anta Diop, Sylvia Wynter, Sun Ra, and others. She shows that together these thinkers and traditions inform and expand the possibilities of Maâtian justice with respect to Black sexual experiences. AsTrade Review“Shaped by a quare-womanist-vindicationist lens, jennifer susanne leath gives us a vision of justice—both old and new—centered in a deep, complex, and genre-shattering Black sexual ethics that is seething with justices that affirm our being and personhood. This exciting must-read offers us a new and more inclusive vision of a future for all.” -- Emilie M. Townes, E. Rhodes and Leona B. Carpenter University Distinguished Professor of Womanist Ethics and Society and Gender and Sexuality Studies, Vanderbilt University“Carving out a new pathway for grappling with the Du Boisian Negro problem and the perennial crisis of American democracy, Black, Quare, and Then to Where offers a creative, compelling, and stunning exploration into how Pan-Africanism and Black nationalism lay the epistemic groundwork for building a new Black sexual ethics. I don’t know of any other womanists, feminists, or ethicists since Black Power who frame justice as broadly as jennifer susanne leath does in this powerful book.” -- Terrence L. Johnson, author of * We Testify with Our Lives: How Religion Transformed Radical Thought from Black Power to Black Lives Matter *Table of ContentsPreface ix Acknowledgments xiii Introduction. Introducing Maât 1 Part I. quare-womanist-vidicationist movement 1. A Prolegomenon to Justice Hermeneutics and Black Sexual Ethics 17 2. Naming (and Transforming) Justice: (Re)Imagining Black Sexual Ethics 35 Part II. justices 3. Flying Justice: Sun Ra’s Sexuality and Other Afrofutures 71 4. Heterexpectations: Jumping the Broom, Marriage, Democracy, and Entanglement Theory 101 5. Dancing Justice: Just Black HomoSexualities 137 6. Ancient Mixologies: Joel Augustus Rogers and Puzzling Interracial Intimacies 167 7. Black Web: Disrupting Transnational Pornographies for Post(trans)national Humanalities 205 Conclusion. Re-covering Maât 245 Notes 255 Bibliography 293 Index 313
£77.35
Duke University Press The Black Geographic
Book SynopsisThe contributors to The Black Geographic explore the theoretical innovations of Black Geographies scholarship and how it approaches Blackness as historically and spatially situated.Trade Review“This volume takes on the monumental task of pulling together scholarship from different geographic areas, time periods, and disciplines to put forth a view on the current state of Black Geographies while gesturing toward new futures. Pushing the field, The Black Geographic is a defining text.” -- Ashanté M. Reese, author of * Black Food Geographies: Race, Self-Reliance, and Food Access in Washington, D.C. *“The Black Geographic will continue to extend and push the tradition of Black Geographies in fresh, insightful, and important new ways through the insights of the newest generation of scholars who are defining and redefining the terrain of these discussions and debates. A superb collection.” -- Nik Heynen, Distinguished Research Professor of Geography, University of GeorgiaTable of ContentsIntroduction. Black Geographies: Material Praxis of Black Life and Study / Camilla Hawthorne and Jovan Scott Lewis 1 Part I. Praxis 1. Call Us Alive Someplace: Du Boisian Methods and Living Black Geographies / Danielle Purifoy 27 2. Shaking the Basemap / Judith Madera 50 3. “My Bad Attitude toward the Pastoral”: Race, Place, and Allusion in the Poetry of C. S. Giscombe / Chiyuma Elliott 72 Part II. Resistances 4. Blackness Out of Place and In Between in the Sahara / Ampson Hagan 97 5. Words Re(en)visioned: Black and Indigenous Languages for Autonomy / Diana Negrin 124 6. Blackness in the (Post)Colonial African City / Jordanna Matlon 145 7. Mariella Franco and Black Spatial Imaginaries / Solange Munoz 167 Part III. Futurity 8. Rendering Gentrification and Erasing Race: Sustainable Development and the (Re)visioning of Oakland, California, as a Green City / C. N. E. Corbin 189 9. “Need Black Joy?”: Mapping an Afrotechtonics of Gathering in Los Angeles / Matthew Jordan-Miller Kenyatta 213 10. The San Francisco Blues / Lindsey Dillon 246 11. Today Like Yesterday, Tomorrow Like Today: Black Geographies in the Breaks of the Fourth Dimension / Anna Livia Brand 264 12. A Black Geographic Reverie & Reckoning in Ink and Form / Sharita Towne 287 Contributors 323 Index 327
£77.35
Duke University Press Nimrods
Book SynopsisIn Nimrods, Kawika Guillermo chronicles the agonizing absurdities of being a newly minted professor (and overtired father) hired to teach in a Social Justice Institute while haunted by the inner ghosts of patriarchy, racial pessimism, and imperial arrogance. Charged with the “personal is political” mandate of feminist critique, Guillermo honestly and powerfully recounts his wayward path, from being raised by two preachers’ kids in a chaotic mixed-race family to his uncle’s death from HIV-related illness, which helped prompt his parents'' divorce and his mother’s move to Las Vegas, to his many attempts to flee from American gender, racial, and religious norms by immigrating to South Korea, China, Hong Kong, and Canada. Through an often crass, cringey, and raw hybrid prose-poetic style, Guillermo reflects on anger, alcoholism, and suicidal ideation—traits that do not simply vanish after one is cast into the treacherous role of fatherhood or theTrade Review“Punchy prose alternating with incantatory poems, and sometimes melding into a haibun, Kawika Guillermo’s Nimrods magnifies perspectives on the father-son relationship and mixed race and ups the bar for the memoir genre. Irreverent, edgy, and—the only kind worth reading—brutally honest.” -- R. Zamora Linmark, author of * The Importance of Being Wilde at Heart *“Lucid about the contradictions, Nimrods is incandescent in its rage, grief, and beauty. This is the poetry-story-theory we need to survive our battered and entangled inheritances and find our way into another time, unsettled but livable.” -- Larissa Lai, author of * Iron Goddess of Mercy *"In this raw mix of poetry and prose, Guillermo chronicles his early life and experiences in academia as a bisexual, mixed-race man. . . . An affecting, unmistakable narrative: one in which Guillermo catalogs his difficulties, considers their effects, . . . and learns to find hope anyway. Though not for the faint of heart, this chaotic, fascinating self-portrait lingers." * Publishers Weekly *"With stylistic techniques ranging from biblical verse to punk lyric, Guillermo paints an empathetic, yet resentful picture.” -- Julian Forst * The Ubyssey *"As the story of one man’s life, Nimrods is worthwhile due to its unconventional approach as well as Guillermo’s honesty, creativity, emotional maturity, and overall skill as a writer. As something even bigger, it is an effective meditation on the power of perseverance and the possibility of reconciliation between the people we once knew and the people that we are now." -- Logan Macnair * The British Columbia Review *"A dizzying blend of 'auto theory, queer punk poetry, musical ekphrasis, haibun,' and believe it or not, 'bad Dad jokes,' it is never boring" -- Gregg Shapiro * Out South Florida *Table of ContentsIn Vocation 1 Strophe: Ode to Patriarchy Nice Guys Read This Last 5 Get In the Car 15 OMG I'm Turning White Like My Dad 25 Repugnant 35 Scat 45 Doing Time 55 Dead Ends 65 I Hope You 85 Antistrophe: Holy Hai Bun Suicide's Last Call 89 The Last Ride 100 Binge 114 All Our Yellow Fevers 126 A Psalm of My Mother, Who, After Five Years Divorced, Returns to Portland 141 To Hell and Back to Hell Again 148 Long Gone Daddy 161 Epode: Three / Cord \ Digression Sissy / Sister \ Cis 181 Re / Con \ Sile 193 Me / More \ Ire 205 Envoi 219 Bibliography 225
£59.50
Duke University Press Unseen Flesh
Book SynopsisNessette Falu explores how Black lesbians in Brazil define and sustain their well-being and self-worth against persistent racial, sexual, class, and gender-based prejudice within hostile gynecological spaces.Trade Review“An original and necessary work, Unseen Flesh opens an important critical window on well-being and gynecological health in Brazil, which are colored and conditioned by race/color, class, and sexual identity. Nessette Falu’s focus on Black Brazilian lesbians is historic and significant in itself—the result of her long-term, invested, and loving encounters with people who had been silenced.” -- Jafari S. Allen, author of * There’s a Disco Ball between Us: A Theory of Black Gay Life *Table of ContentsAcknowledgments ix Introduction. Bearing Witness to Unseen Flesh 1 1. The Virgin Who Lives within Her Erotic Worth 21 2. Unseen Flesh: Gynecological Trauma, Emotional Power, and Intimate Sociomedical Violence 51 Interlude One: Angela 77 3. The Social Clinic: Mapping the Social and Colonial World of Gynecology 79 Interlude Two: It Doesn’t Matter 111 4. Are We Ethical Subjects? Seeing Ourselves in Shapeshifting Ethics 113 5. Bem-Estar Negra: Lésbicas Negras’ Beautiful Experiments of Worth 141 Notes 169 References 179 Index 195
£70.55
Duke University Press Black Enlightenment
Book SynopsisExamining the work of Black Enlightenment authors, Surya Parekh reimagines the Enlightenment from the position of the Black subject.Trade Review“Black Enlightenment does not excuse or accuse a monolithized ‘West,’ but rather shows how European theory could not acknowledge its transformation by Africa rising. Unusual and meticulous documentation, brilliant textual readings. Highly relevant to our annihilation of white supremacy.” -- Gayatri Chakravorty Spivak, author of * A Critique of Postcolonial Reason: Toward a History of the Vanishing Present *“Offering careful and close readings of key texts written by eighteenth-century Black thinkers, Surya Parekh decenters Kant and Hume from the Enlightenment to emphasize questions around enslavement, freedom, and subjecthood. This strong and important book will touch and inform many fields in current scholarship around the Black Atlantic and the intellectual history of the Enlightenment and beyond.” -- Laurent Dubois, coauthor of * Freedom Roots: Histories from the Caribbean *Table of ContentsAcknowledgments ix Introduction 1 1. Black Enlightenment 23 2. (Dis)Figuring Kant 50 3. The Changing Rhetoric of Race 74 4. The Character of Ignatius Sancho 106 5. Phillis Wheatley’s Providence 131 Notes 153 Bibliography 177 Index 195
£70.55
Duke University Press Feenin
Book SynopsisAlexander Ghedi Weheliye traces R&B music’s continued relevance for Black life since the late 1970s, showing how it remains a thriving venue for the continued expression of Black thought and life and a primary archive of the contemporary moment.Trade Review“This cutting-edge book demonstrates the work of a thinker who has devoted a great deal of research and care to the study of the sonic, historiographic, and aesthetic consequences of Blackness. Alexander Ghedi Weheliye’s concentration on the rich concurrences of Blackness and R&B is a true blessing. Deftly mapping out new avenues of critical pursuit devoted to the art of Blackness, Feenin is a stunning work.” -- Michael Boyce Gillespie, author of * Film Blackness: American Cinema and the Idea of Black Film *“Feenin is less a collection of essays and more a playlist of Alexander Ghedi Weheliye’s greatest hits. It assembles a series of captivating essays that register the complex sonic frequencies of Black life with resounding effect. The ‘tracks’ gathered here demonstrate the force of Weheliye’s incisive theorizing and its profound contribution to sounding the rhythm, vibes, and groove of Black studies in the ‘forceful fullness of the Now.’” -- Tina M. Campt, Roger S. Berlind ’52 Professor of Humanities, Princeton UniversityTable of ContentsTrack 0.0 Good Days: R&B Music and Critical Fabulation in the Frequencies of Now 1 Track 1.0 Engendering Phonographies: Sonic Technologies of Blackness / A Response to Tavia Nyong’o 23 Track 2.0 “Feenin": Posthuman Voices in R&B Music 37 Track 3.0 Rhythms of Relation: Black Popular Music and Mobile Technologies 75 Interlude 1. Calling My Phone 98 Track 4.0 My Volk to Come: Specters of Peoplehood in Diaspora Discourse and Afro-German Popular Music 100 Track 5.0 “White Brothers with No Soul": UnTuning the Historiography of Berlin Techno / Interview with Annie Goh 121 Interlude 2. Don't Take It Away 135 Track 6.0 New Waves, Shifting Terrains: Prince’s and David Bowie’s Transatlantic Crossovers 140 Interlude 3. #BeyondDeepBrandyAlbumCuts 153 Track 7.0 “Sounding That Precarious Existence": On R&B Music, Technology, and Blackness / An Interview with Nehal El-Hadi 158 Track 8.0 “Scream My Name Like a Protest": R&B Music as BlackFem Technology of Humanity in the Age of #Blacklivesmatter 178 Interlude 4. Songify Your Life 198 Track 9.0 808s and Heartbreak / Alexander Ghedi Weheliye and Katherine McKittrick 201 Track 10.0 Wayward Shuddering, Beautiful Tremors (AGW's Quiet Storm Remix) 237 Sources 245 Index 275
£75.65
Duke University Press Radical Health
Book SynopsisJulie Avril Minich examines Latinx artistic engagements with health politics to present alternate visions of health and wellbeing among the Latinx community.Trade Review“Radical Health is a necessary and timely intervention in the fields of critical race and disability studies. Julie Avril Minich challenges us to nuance our approaches to health as a structural and social issue. This book is immensely valuable to anyone studying health in the United States today, especially in the wake of the mass disablement caused by the COVID-19 pandemic.” -- Sami Schalk, author of * Black Disability Politics *“By drawing attention to the racialized, economic, and gendered forms of violence imposed on Latinx communities by the US healthcare system, Radical Health will alter the way that both Latinx studies and disability studies are practiced. I cannot stress how important this book is. Its urgency and timeliness makes it essential reading for everyone committed to the struggle for health justice.” -- Richard T. Rodríguez, author of * A Kiss Across the Ocean: Transatlantic Intimacies of British Post-Punk and US Latinidad *Table of ContentsAcknowledgments ix Introduction: Radical Health/Radical Unwellness 1 1. Unprotected Texts: Queer Latinx Expression in the Aftermath of AIDS 24 2. Sugar, Shame, Love: Diabetic Latinidades 52 3. Healing Without a Cure: Radical Health and Racialized Gender Violence 82 4. Mental Health and Migrant Justice: Family Separation and Reimagining Wellness 116 Remedio: The Navigator 150 Notes 167 References 187 Index 207
£72.25
Duke University Press Deathlife Hip Hop and Thanatological Narrations
Book SynopsisAnthony Pinn examines how hip hop artists challenge white supremacist definitions of Blackness by challenging white distinctions between life and death.Trade Review“Not since Orlando Patterson’s magisterial exploration of social death have we had as monumental an engagement with the ideas of life, death, and Blackness as Anthony Pinn delivers in his groundbreaking book Deathlife. Pinn uses hip hop’s struggles between life and death, and with life as death, to illumine both the white quest for immortality through slaying Blackness, and the Black hunger for meaning by staring nothingness in the eye. Deathlife captures the way that Blackness and being, and Blackness and nonbeing, have had no useful distinction in the lexicon of white supremacy, while brilliantly arguing for a rationale of Black existence that sees no value in separating life from death. A transcendent work of astonishing originality.” -- Michael Eric Dyson“Anthony B. Pinn shows how Black critical theory’s focus on the antagonism between the human and Blackness can be heard in hip hop and popular culture. His concept of deathlife—the merging together of death and life—underscores how the sphere of the (white) human relies on the fantasy of cordoning off life from death. Whiteness, Pinn argues, needs Black deathlife in order to understand life and death.” -- Joseph R. Winters, author of * Hope Draped in Black: Race, Melancholy, and the Agony of Progress *Table of ContentsAcknowledgments ix Introduction. Paradigms of Death (or Life) and Deathlife 1 Part I. Signifying Deathlife 1. The Orphic Hustler 45 2. The Anithero 73 Part II. Consuming Deathlife 3. Bacchic Intent 97 4. Zombic Hunger 125 Epilogue. Two Types of Melancholia 149 Notes 165 Discography 201 Bibliography 207 Index 223
£76.50
Duke University Press Fugitive Time
Book SynopsisIn Fugitive Time, Matthew Omelsky theorizes the embodied experience of time in twentieth- and twenty-first-century black artforms from across the world. Through the lens of time, he charts the sensations and coursing thoughts that accompany desires for freedom as they appear in the work of artists as varied as Toni Morrison, Yvonne Vera, Aimé Césaire, and Issa Samb. “Fugitive time” names a distinct utopian desire directed at the anticipated moment when the body and mind have been unburdened of the violence that has consumed black life globally for centuries, bringing with it a new form of being. Omelsky shows how fugitive time is not about attaining this transcendent release but is instead about sustaining the idea of it as an ecstatic social gathering. From the desire for ethereal queer worlds in the Black Audio Film Collective’s Twilight City to Sun Ra’s transformation of nineteenth-century scientific racism into an insurgent fugitiTrade Review“Fugitive Time represents the strength of diasporic thinking around a range of black aesthetic production that disrupts the Afro-pessimist/Afro-optimist binary through visions and understanding of time beyond the historical. By positing black aesthetics as the site of black theory and political thought, Matthew Omelsky demonstrates that alternate temporalities are the key to understanding blackness, embodied experience, aesthetics, and history.” -- Samantha Pinto, author of * Infamous Bodies: Early Black Women’s Celebrity and the Afterlives of Rights *“Bold and nimble, Fugitive Time follows the fugitive dreams and utopian urges that animate our black radical tradition. This pursuit brings Matthew Omelsky across a sprawling archive of fiction, photography, painting, poetry, plastic arts, music, cinema, and the quotidian—spanning the United States, Martinique, Senegal, Zimbabwe, Britain, Saturn, and uncharted worlds to come. In the process, this book builds its own mighty momentum that will move readers to vivid revelations about the space-times of black life. Full of beauty and urgency, Fugitive Time is a remarkable contribution to the study and cultivation of black radical imagination.” -- La Marr Jurelle Bruce, author of * How to Go Mad without Losing Your Mind: Madness and Black Radical Creativity *Table of ContentsAcknowledgments ix Introduction. Black Beyondness 1 1. Toni Morrison’s Anachronic Ease 33 2. Aimé Césaire, Wifredo Lam, and the Aesthetics of Surging Life 62 3. Black Audio’s Archival Flight 99 4. Sun Ra, Issa Samb, and the Drapetomaniacal Avant-Garde 132 5. Yvonne Vera, NoViolet Bulawayo, and the Imminence of Dreaming Air 172 Coda. Fugitive Ether 205 Notes 209 Bibliography 239 Index 259
£78.30
Duke University Press Stay Black and Die
Book SynopsisI. Augustus Durham examines melancholy and genius in black culture, letters, popular music, and media from the nineteenth century to the contemporary moment.Trade Review“What haunts and inspires black creativity in an antiblack world? In Stay Black and Die, I. Augustus Durham offers a gendered vernacular psychoanalytic reading of this question, which is to say that he offers a lush blues of genius’s complicated sustenance and insistence. And right there in this blues is the centrality of black femaleness—the maternal—that dapples the engagement with the object that is and is not lost. This richly researched book showcases genius as a notion traced through its motherline and, as such, Durham’s brilliance is a stay in every sense of the word: a hold, a refusal, a plea, and an inhabitance, a longing in which one can linger.” -- Kevin Quashie, author of * Black Aliveness, or A Poetics of Being *“I. Augustus Durham adds a fundamentally new and truly insightful spin to studies in blackness and melancholy. Bringing melancholy into the realm of nonromanticized genius, he moves seamlessly between the study of literature and the study of music. His analysis of music videos also makes his approach to black melancholy and genius a deep study of affect that refuses any boundaries between the literary, the sonic, and the visual. I am certain that Durham’s theorization of melancholic genius will become a portable, widely cited idea.” -- Margo Natalie Crawford, author of * Black Post-Blackness: The Black Arts Movement and Twenty-First-Century Aesthetics *Table of ContentsFigures viii Echo | I xi Thank | You; or, Acknowledgments xix Color | Blackness 1 Read | Frederick 39 Travel | Ralph 79 Man | Marvin 117 Woman | Gan 151 Love | Kendrick 179 Study | Us 213 Notes 225 Bibliography 273 Index 309
£80.10
Duke University Press Dreams in Double Time
Book SynopsisIn Dreams in Double Time Jonathan Leal examines how the musical revolution of bebop opened up new futures for racialized and minoritized communities. Blending lyrical nonfiction with transdisciplinary critique and moving beyond standard Black/white binary narratives of jazz history, Leal focuses on the stories and experiences of three musicians and writers of color: James Araki, a Nisei multi-instrumentalist, soldier-translator, and literature and folklore scholar; Raúl Salinas, a Chicano poet, jazz critic, and longtime activist who endured the US carceral system for over a decade; and Harold Wing, an Afro-Chinese American drummer, pianist, and songwriter who performed with bebop pioneers before working as a public servant. Leal foregrounds that for these men and their collaborators, bebop was an affectively and intellectually powerful force that helped them build community and dream new social possibilities. Bebop’s complexity and radicality, Leal contends, made itTrade Review“With Dreams in Double Time, Jonathan Leal proves he has ‘something to say.’ I use this phrase in the prosaic sense that he contributes new understanding and opens fresh areas of inquiry, and in the sense associated with a jazz musician’s solo. Almost every page treats readers to surprising revelation and provocation, and the figures Leal focalizes his history through are compelling as subjects on their own. This book is a tremendous achievement, a gift to readers seeking cultural history and methodologically innovative work.” -- Anthony Reed, author of * Soundworks: Race, Sound, and Poetry in Production *“In this fascinating and compelling book, Jonathan Leal works against the grain of jazz criticism by focusing on three relatively unknown figures for whom bebop proposed new ways of being in the world. Leal’s ‘trio,’ as he calls them, offer readers a glimpse into a much larger population of marginalized, often poor people of color who heard bebop as a radical, creative challenge to the totalizing singularity of what ‘white’ stood for during the second half of the twentieth century.” -- Ronald Radano, coeditor of * Audible Empire: Music, Global Politics, Critique *"Deftly drawing together the major trends in recent jazz scholarship, Leal makes an important intervention. . . . By explicitly focusing on minor figures, putting them in relationship to one another, Leal draws attention to the other side of bebop musicking: its emphasis on collaboration and conversation. . . . In the words of James Baldwin’s “Sonny’s Blues,” a story to which Leal returns several times, Dreams in Double Time keeps both bebop and jazz writing 'new, at the risk of ruin, destruction, madness, and death, in order to find new ways to make us listen.'" -- Sam V. H. Reese * Los Angeles Review of Books *"If you’re interested in the relationship between jazz, sociology, racism and history, this book (a product of feeling as well as hard work) could prove highly rewarding." -- Graham Colombé * Jazz Journal *Table of ContentsAcknowledgments ix Introduction. Dreaming Otherwise 1 1. After-Hours 25 2. Layered Time 46 3. Quartered Notes 74 4. Among Others 114 Epilogue. Affinities 152 Notes 161 Bibliography 207 Index 227
£19.94
Duke University Press The City after Property
Book SynopsisSara Safransky explores how Detroit’s recent classification of over one-third of the city’s land as vacant or abandoned represents conflicting and complex understandings of property, foregrounding how the making of—and challenges to—modern property regimes have shaped urban policy and politics.Trade Review“By asking ‘What comes after property?’ Sara Safransky opens up a captivating and incisive mix of political economy and urban geography to think with and against dominant discourses on Detroit’s decline. The result is a refreshing take on the entanglements of property, race, and urban politics that adeptly weaves ethnographic and archival research with political theory and global struggles for freedom into a rich analysis that makes The City after Property essential reading for scholars of racial capitalism and urban change.” -- Kate Derickson, Associate Professor of Geography, University of MinnesotaTable of ContentsAbbreviations ix Acknowledgments xi Prologue xv 1. Unbuilding a City 3 2. On Our Own Ground 23 3. Stealing Home 57 4. White Picket Fences 85 5. Accounting for Unpayable Debt 103 6. Conjuring Terra Nullius 123 7. Political Ecologies of Austerity 149 8. The Garden Is a Weapon in the War 169 Epilogue. Reconstructing the World 197 Notes 201 Bibliography 259 Index 291
£20.69
Duke University Press The Movies of Racial Childhoods
Book SynopsisCeline Parreñas Shimizu examines early twenty-first-century cinematic representations of Asian and Asian American children, showing how films allow viewers the opportunity to understand the demands and difficulties placed upon Asian American children.Trade Review“The relative absence of Asian Americans on the silver screen makes their representation something we cannot not want. In this profound and personal meditation, Celine Parreñas Shimizu cautions us not to assume that representation and belonging go hand in hand. Instead, she analyzes depictions of childhood in Asian American cinema as occasions for working through the psychic traumas that overdetermine our social attachments from the very moment we are born into a world of racial loss and grief.” -- David L. Eng, coauthor of * Racial Melancholia, Racial Dissociation: On the Social and Psychic Lives of Asian Americans *“The Movies of Racial Childhoods is like nothing I have ever read. It is a document of a mother grieving, a film scholar theorizing the healing work of narrative cinema, and a filmmaker who understands that ‘trauma demands representation so as to create new realities.’ Celine Parreñas Shimizu’s writing about the death of her child and her devotion to film is both tender and revelatory. Interweaving psychoanalysis, Asian American studies, trauma theory, cinema studies, and personal narrative, Shimizu cultivates space for us to collectively grieve and to reawaken the possibilities of childhood dreaming.” -- Nicole R. Fleetwood, author of * Marking Time: Art in the Age of Mass Incarceration *Table of ContentsPreface. Devastated Creator: Theorizing as Grieving Mother-Author-Spectator ix Acknowledgments xix Introduction: Agents of Our Own Lives, Centers of Our Own Stories 1 1. A Deluge of Delusions and Lies: Race, Sex, and Class in American Crime Story: The Assassination of Gianni Versace 41 2. The Inner Life of Cinema and Selfobjects: Queer Asian American Youth in Spa Night and Driveways 81 3. Adolescent Curiosity and Mourning: The Blossoming of Maximo Oliveros 117 4. The Courage to Compose Oneself: Healthy Narcissim and Self-Sovereignty in Yellow Rose 151 5. The Unexpected and the Unforeseen: Cultural Complexes in The Half of It 186 In Closing: The Power of Films about Racial Childhoods in the Time of Rampant Death 208 Notes 213 Bibliography 223 Index 233
£73.95
Duke University Press An Archive of Possibilities
Book SynopsisIn An Archive of Possibilities, anthropologist and surgeon Rachel Marie Niehuus explores possibilities of healing and repair in the eastern Democratic Republic of Congo against a backdrop of 250 years of Black displacement, enslavement, death, and chronic war. Niehuus argues that in a context in which violence characterizes everyday life, Congolese have developed innovative and imaginative ways to live amid and mend from repetitive harm. Drawing on ethnographic fieldwork and the Black critical theory of Achille Mbembe, Christina Sharpe, Alexis Pauline Gumbs and others, Niehuus explores the renegotiation of relationships with land as a form of public healing, the affective experience of living in insecurity, the hospital as a site for the socialization of pain, the possibility of necropolitical healing, and the uses of prophesy to create collective futures. By considering the radical nature of cohabitating with violence, Niehuus demonstrates that Congolese practices of healing imTrade Review“This ethnography of violence and repair, hospitals and therapeutics, is set in eastern Congo’s still warlike Kivu region. It is mediated by the astute eyes and sensibilities of the very talented American anthropologist and surgeon, Rachel Marie Niehuus. Her focus on the intimate, the clinical, and the traumatic, with her pressing arguments about repair, stands to transform how anthropologists and conflict studies scholars approach medical practice, violence, enmity, and injury in Congo and well beyond. Awash with original contributions to studies of violence, humanitarianism, and the affective, this moving book tells some crucial regional histories while it investigates lively strands about hope and possible futures.” -- Nancy Rose Hunt, author of * A Nervous State: Violence, Remedies, and Reverie in Colonial Congo *“In this outstanding work of storytelling and ethnography, Rachel Marie Niehuus delves deep into the harrowing realities of life in the war-torn landscape of eastern Congo. Beyond the hospital’s sterile walls, amid the constant specters of violence and death, Niehuus uncovers a resilient and profoundly human story of survival, repair, and healing. Vivid and eye-opening, An Archive of Possibilities is a poignant exploration of a people’s unwavering determination to create a future beyond the scars of their past. An immensely thought-provoking and illuminating book.” -- Laurence Ralph, author of * Sito: An American Teenager and the City That Failed Him *Table of ContentsAcknowledgments ix Introduction: Where the Scars Are So Thick 1 1. Dirt Work 21 Interlude 1: A Timeline 45 2. A Sea of Insecurity 47 Interlude 2: Running 69 3. The Body, the Flesh, and the Hospital 73 Interlude 3: Where War Is (Always) Coming 95 4. When Life Demands Release 99 Interlude 4: Joy 121 5. “We Are Creating a World We Have Never Seen” 123 Interlude 5: Otherwise 143 Conclusion: Cohabitation 147 Notes 157 Bibliography 179 Index
£72.25
Duke University Press Transhistoricizing Claude McKays Romance in
Book Synopsis
£16.14
Duke University Press Black Disability Politics
Book SynopsisDrawing on the archives of the Black Panther Party and the National Black Women's Health Project, Sami Schalk explores how issues of disability have been and continue to be central to Black activism from the 1970s to the present.Trade Review"With Sami Schalk’s incredible book, Black Disability Politics, we begin to move into a different kind of book doing intrinsically connected work—a rigorously researched look at all the ways that disabled people’s concerns have been foundational to Black resistance organizing. . . . If knowing your history is a key ingredient to success, Black Disability Politics presents a deeply researched and still incredibly readable map of the past, with implications for the shimmering future. This, along with what I can only describe as a muscular clarity in her writing, was incredible as a beginner to the topic to feel my understanding grow as I read, and that is only possible in the capable hands of a great writer like Schalk." -- S. Bear Bergman * Xtra! *"Sami Schalk explores the histories and essential lessons of Black disabled labor, politics and movements. This is a long-overdue and essential volume." -- Karla Strand * Ms. *"Black Disability Politics is a profound exploration and documentation of a cultural topic that has gone overlooked throughout the entire history of the Black American experience. . . . A deeply important view of the fight for the rights of disabled Black people in America since the 1970s." -- Jordannah Elizabeth * New York Amsterdam News *"This book will be of particular interest to undergraduate and graduate students because it invites continued exploration of Black disability studies and politics. Recommended. Undergraduates through faculty." -- S. Burch * Choice *Table of ContentsAcknowledgments vii Introduction. Black Health Matters 1 1. “We Have a Right to Rebel”: Black Disability Politics in the Black Panther Party 23 2. Fighting Psychiatric Abuse: The BPP and the Black Disability Politics of Mental and Carceral Institutions 48 Praxis Interlude One. Anti-ableist Approaches to Fighting Disabling Violence 69 3. Empowerment through Wellness: Black Disability Politics in the National Black Women’s Health Project 81 4. More Than Just Prevention: The NBWHP and the Black Disability of HIV/AIDS 110 Praxis Interlude Two. Approaches to Disability Identity in Black Disability Politics 129 5. Black Disability Politics Now 140 (Not a) Conclusion. The Present and Futures of Black Disability Politics 154 Notes 161 Bibliography 187 Index 199
£71.10
Duke University Press Mosaic
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£15.19
Duke University Press A Nimble Arc
Book SynopsisWhile James Van Der Zee is widely known and praised for his studio portraits from the Harlem Renaissance era, much of the diversity and expansive reach of his work has been overlooked. From the major role his studio played for decades photographing ordinary people and events in the Harlem community to the inclusion of his photographs in the landmark Harlem on My Mind exhibition at the Metropolitan Museum of Art in 1969, Van Der Zee was a foundational Black photographer whose work illustrates the shifting ways photography serves as a constitutive force within Black life. In A Nimble Arc, Emilie Boone considers Van Der Zee’s photographic work over the course of the twentieth century, showing how it foregrounded aspects of Black daily life in the United States and in the larger African diaspora. Boone argues that Van Der Zee’s work exists at the crossroads of art and the vernacular, challenging the distinction between canonical art photographs and the kind of outTrade Review“In her innovative and timely revisiting of the work of America’s most iconic Black photographer, James Van Der Zee, Emilie Boone reinvigorates the practice of this singular artist through a careful and considered unpacking of the social function his images served as quotidian objects. A Nimble Arc takes readers on a captivating journey into the social life of Van Der Zee’s photographs in ways that allow us to see iconic images anew and recognize the enduring value of photography as a community-building project that exceeds the intentions and aspirations of any individual photographer.” -- Tina M. Campt, author of * A Black Gaze: Artists Changing How We See *“This is a truly exceptional work. Exquisitely written, researched, and argued, A Nimble Arc is the most comprehensive study of James Van Der Zee’s practice in almost thirty years. I predict a long and fruitful life for this book.” -- Kellie Jones, author of * South of Pico: African American Artists in Los Angeles in the 1960s and 1970s *"A Nimble Arc broadens James Van Der Zee’s legacy amid a savvied history of twentieth-century Harlem." -- Meg Nola * Foreword Reviews *Table of ContentsList of Illustrations ix Acknowledgments xv Introduction. To Pivot Lightly: Adding the Vernacular to Art History’s Sight Line 1 1. “More, Many More”: Van Der Zee’s World of Harlem Renaissance Studio Photographers 29 2. The Newspaper and Ubiquity: 1924 Photographs as Moving Objects of the African Diaspora 71 3. A Reframing of Value: Van Der Zee’s Restoration Work of the 1940s and Beyond 113 4. Black Quotidian Experiences: Revisiting the Met’s Harlem on My Mind Exhibition of 1969 153 Coda. To Nimbly Rewind: Fixing a New Constellation of Ideas circa 1994 199 Notes 213 Bibliography 241 Index 259
£19.79
Duke University Press Nimrods
Book SynopsisIn this edgy and unconventional memoir, Kawika Guillermo reflects on being a newly minted professor, fatherhood, alcoholism, and suicidal ideation as well as his many attempts to flee from American gender, racial, and religious norms.Trade Review“Punchy prose alternating with incantatory poems, and sometimes melding into a haibun, Kawika Guillermo’s Nimrods magnifies perspectives on the father-son relationship and mixed race and ups the bar for the memoir genre. Irreverent, edgy, and—the only kind worth reading—brutally honest.” -- R. Zamora Linmark, author of * The Importance of Being Wilde at Heart *“Lucid about the contradictions, Nimrods is incandescent in its rage, grief, and beauty. This is the poetry-story-theory we need to survive our battered and entangled inheritances and find our way into another time, unsettled but livable.” -- Larissa Lai, author of * Iron Goddess of Mercy *"In this raw mix of poetry and prose, Guillermo chronicles his early life and experiences in academia as a bisexual, mixed-race man. . . . An affecting, unmistakable narrative: one in which Guillermo catalogs his difficulties, considers their effects, . . . and learns to find hope anyway. Though not for the faint of heart, this chaotic, fascinating self-portrait lingers." * Publishers Weekly *"With stylistic techniques ranging from biblical verse to punk lyric, Guillermo paints an empathetic, yet resentful picture.” -- Julian Forst * The Ubyssey *"As the story of one man’s life, Nimrods is worthwhile due to its unconventional approach as well as Guillermo’s honesty, creativity, emotional maturity, and overall skill as a writer. As something even bigger, it is an effective meditation on the power of perseverance and the possibility of reconciliation between the people we once knew and the people that we are now." -- Logan Macnair * The British Columbia Review *"A dizzying blend of 'auto theory, queer punk poetry, musical ekphrasis, haibun,' and believe it or not, 'bad Dad jokes,' it is never boring" -- Gregg Shapiro * Out South Florida *Table of ContentsIn Vocation 1 Strophe: Ode to Patriarchy Nice Guys Read This Last 5 Get In the Car 15 OMG I'm Turning White Like My Dad 25 Repugnant 35 Scat 45 Doing Time 55 Dead Ends 65 I Hope You 85 Antistrophe: Holy Hai Bun Suicide's Last Call 89 The Last Ride 100 Binge 114 All Our Yellow Fevers 126 A Psalm of My Mother, Who, After Five Years Divorced, Returns to Portland 141 To Hell and Back to Hell Again 148 Long Gone Daddy 161 Epode: Three / Cord \ Digression Sissy / Sister \ Cis 181 Re / Con \ Sile 193 Me / More \ Ire 205 Envoi 219 Bibliography 225
£15.19
Duke University Press The Black Geographic
Book SynopsisThe contributors to The Black Geographic explore the theoretical innovations of Black Geographies scholarship and how it approaches Blackness as historically and spatially situated. In studies that span from Oakland to the Alabama Black Belt to Senegal to Brazil, the contributors draw on ethnography, archival records, digital humanities, literary criticism, and art to show how understanding the spatial dimensions of Black life contributes to a broader understanding of race and space. They examine key sites of inquiry: Black spatial imaginaries, resistance to racial violence, the geographies of racial capitalism, and struggles over urban space. Throughout, the contributors demonstrate that Blackness is itself a situating and place-making force, even as it is shaped by spatial processes and diasporic routes. Whether discussing eighteenth- and nineteenth-century abolitionist print records or migration and surveillance in Niger, this volume demonstrates that Black Geographies is a mTrade Review“This volume takes on the monumental task of pulling together scholarship from different geographic areas, time periods, and disciplines to put forth a view on the current state of Black Geographies while gesturing toward new futures. Pushing the field, The Black Geographic is a defining text.” -- Ashanté M. Reese, author of * Black Food Geographies: Race, Self-Reliance, and Food Access in Washington, D.C. *“The Black Geographic will continue to extend and push the tradition of Black Geographies in fresh, insightful, and important new ways through the insights of the newest generation of scholars who are defining and redefining the terrain of these discussions and debates. A superb collection.” -- Nik Heynen, Distinguished Research Professor of Geography, University of GeorgiaTable of ContentsIntroduction. Black Geographies: Material Praxis of Black Life and Study / Camilla Hawthorne and Jovan Scott Lewis 1 Part I. Praxis 1. Call Us Alive Someplace: Du Boisian Methods and Living Black Geographies / Danielle Purifoy 27 2. Shaking the Basemap / Judith Madera 50 3. “My Bad Attitude toward the Pastoral”: Race, Place, and Allusion in the Poetry of C. S. Giscombe / Chiyuma Elliott 72 Part II. Resistances 4. Blackness Out of Place and In Between in the Sahara / Ampson Hagan 97 5. Words Re(en)visioned: Black and Indigenous Languages for Autonomy / Diana Negrin 124 6. Blackness in the (Post)Colonial African City / Jordanna Matlon 145 7. Mariella Franco and Black Spatial Imaginaries / Solange Munoz 167 Part III. Futurity 8. Rendering Gentrification and Erasing Race: Sustainable Development and the (Re)visioning of Oakland, California, as a Green City / C. N. E. Corbin 189 9. “Need Black Joy?”: Mapping an Afrotechtonics of Gathering in Los Angeles / Matthew Jordan-Miller Kenyatta 213 10. The San Francisco Blues / Lindsey Dillon 246 11. Today Like Yesterday, Tomorrow Like Today: Black Geographies in the Breaks of the Fourth Dimension / Anna Livia Brand 264 12. A Black Geographic Reverie & Reckoning in Ink and Form / Sharita Towne 287 Contributors 323 Index 327
£21.59
Duke University Press Black Quare and Then to Where
Book SynopsisIn Black, Quare, and Then to Where jennifer susanne leath explores the relationship between Afrodiasporic theories of justice and Black sexual ethics through a womanist engagement with Maât the ancient Egyptian deity of justice and truth. Maât took into account the historical and cultural context of each human’s life, thus encompassing nuances of politics, race, gender, and sexuality. Arguing that Maât should serve as a foundation for reconfiguring Black sexual ethics, leath applies ancient Egyptian moral codes to quare ethics of the erotic, expanding what relationships and democratic practices might look like from a contemporary Maâtian perspective. She also draws on Pan-Africanism and examines the work of Alice Walker, E. Patrick Johnson, Cheikh Anta Diop, Sylvia Wynter, Sun Ra, and others. She shows that together these thinkers and traditions inform and expand the possibilities of Maâtian justice with respect to Black sexual experiences. AsTrade Review“Shaped by a quare-womanist-vindicationist lens, jennifer susanne leath gives us a vision of justice—both old and new—centered in a deep, complex, and genre-shattering Black sexual ethics that is seething with justices that affirm our being and personhood. This exciting must-read offers us a new and more inclusive vision of a future for all.” -- Emilie M. Townes, E. Rhodes and Leona B. Carpenter University Distinguished Professor of Womanist Ethics and Society and Gender and Sexuality Studies, Vanderbilt University“Carving out a new pathway for grappling with the Du Boisian Negro problem and the perennial crisis of American democracy, Black, Quare, and Then to Where offers a creative, compelling, and stunning exploration into how Pan-Africanism and Black nationalism lay the epistemic groundwork for building a new Black sexual ethics. I don’t know of any other womanists, feminists, or ethicists since Black Power who frame justice as broadly as jennifer susanne leath does in this powerful book.” -- Terrence L. Johnson, author of * We Testify with Our Lives: How Religion Transformed Radical Thought from Black Power to Black Lives Matter *Table of ContentsPreface ix Acknowledgments xiii Introduction. Introducing Maât 1 Part I. quare-womanist-vidicationist movement 1. A Prolegomenon to Justice Hermeneutics and Black Sexual Ethics 17 2. Naming (and Transforming) Justice: (Re)Imagining Black Sexual Ethics 35 Part II. justices 3. Flying Justice: Sun Ra’s Sexuality and Other Afrofutures 71 4. Heterexpectations: Jumping the Broom, Marriage, Democracy, and Entanglement Theory 101 5. Dancing Justice: Just Black HomoSexualities 137 6. Ancient Mixologies: Joel Augustus Rogers and Puzzling Interracial Intimacies 167 7. Black Web: Disrupting Transnational Pornographies for Post(trans)national Humanalities 205 Conclusion. Re-covering Maât 245 Notes 255 Bibliography 293 Index 313
£19.19
Duke University Press Black Enlightenment
Book SynopsisExamining the work of Black Enlightenment authors, Surya Parekh reimagines the Enlightenment from the position of the Black subject.Trade Review“Black Enlightenment does not excuse or accuse a monolithized ‘West,’ but rather shows how European theory could not acknowledge its transformation by Africa rising. Unusual and meticulous documentation, brilliant textual readings. Highly relevant to our annihilation of white supremacy.” -- Gayatri Chakravorty Spivak, author of * A Critique of Postcolonial Reason: Toward a History of the Vanishing Present *“Offering careful and close readings of key texts written by eighteenth-century Black thinkers, Surya Parekh decenters Kant and Hume from the Enlightenment to emphasize questions around enslavement, freedom, and subjecthood. This strong and important book will touch and inform many fields in current scholarship around the Black Atlantic and the intellectual history of the Enlightenment and beyond.” -- Laurent Dubois, coauthor of * Freedom Roots: Histories from the Caribbean *Table of ContentsAcknowledgments ix Introduction 1 1. Black Enlightenment 23 2. (Dis)Figuring Kant 50 3. The Changing Rhetoric of Race 74 4. The Character of Ignatius Sancho 106 5. Phillis Wheatley’s Providence 131 Notes 153 Bibliography 177 Index 195
£18.99
Duke University Press FUTUREPRESENT
Book SynopsisBuilding on five years of national organizing by Arts in a Changing America, an artist-led initiative that challenges structural racism in the art world, FUTURE/PRESENT includes a range of poetry, essays and criticism, visual and performance art, artist manifestos, interviews, and reflections on community practice.Trade Review“FUTURE/PRESENT is an essential testament to the crucial work that artists, thinkers, and organizers are doing to work toward a more equitable future.” -- Darren Walker, President of the Ford Foundation“FUTURE/PRESENT so elegantly proposes a clear solution to a complex issue: to resist the monoculture we must work from many interconnected creative centers. The myriad voices in this book express exciting ripples of change in the arts and beautifully insist on culture’s vital role in progress. May we all take the call.” -- Thelma Golden, Director and Chief Curator, The Studio Museum in Harlem“FUTURE/PRESENT maps and captures how art, dance, and creative practice exist in our daily lives and act as mechanisms for anticolonial and antiracist practice. By lifting up the voices of artists and outlining the methods that can produce more inclusive spaces in the art world, this important book demonstrates how art is a constant source of strength for communities.” -- Mishuana Goeman, author of * Settler Aesthetics: Visualizing the Spectacle of Originary Moments in The New World *Table of ContentsIntroduction / Roberta Uno 1 The Call / Jeff Chang 17 vestibular mantra (or radical virtuosities for a brave new dance) / taisha paggett 29 Part 1. Cultural Presence: Placekeeping and Belonging Introduction / Daniela Alvarez 35 Aqui Estoy / Jose Ramirez 40 Beauty, Justice, and the Ritual of Performance / Patricia Berne & Nomy Lamm 42 An Accumulation of Things That Refuse to Be Discarded / Kiyan Williams 52 Counting Coup on the Compartmentalization of Indigenous-Made Rap Music / Talon Bazille Ducheneaux 54 Cultural Resiliency in the Face of Crisis: Learning from New Orleans / Carol Bebelle and Carol Zou 63 Collectively Directing the Current / Halima Afi Cassells 68 The New Eagle Creek Saloon / Sadie Barnette 74 Notes from Technotopia 3.0: On the “Creative City” Gone Wrong—An Antigentrification Philosophical Tantrum, 2012–2016 / Guillermo Gómez-Peña 76 “Building Temples for Tomorrow”: Cultural Workers as Construction Crews / Alesia Montgomery 87 Invasive Species / Aaron McIntosh 94 Sunny and 150 Years of Placekeeping in Little Tokyo / Scott Oshima 96 Local Fruit Still Life / Daniel Andres Alcazar 102 Stage One: Establishing Community / Garrett McQueen 104 Red 40 / Jazmín Urrea 108 More Noes from the Performance Essay Los Giros De La Siguinte/the turns of the Next / Devin Kenny 110 Part 2. Dismantling Borders, Building Bridges: Migration and Diasporas Introduction / Sarah Sophia Yanni 123 Mano Poderosa / Rosalie López 128 A Cosmos of Dis/Joints / Vinhay Keo 130 Cross-Border Citizens / Teddy Cruz and Fonna Foreman 136 Indian Alley, Where Art Is Healing / Pamela J. Peters 146 Vessels: A Conversation / Chanice Holmes, Mykia Jovan, Rebecca Mwase, and Mahalia Abéo Tibbs 151 Fence / Belise Nishimwe 158 A Touch of Otherness / Hayv Kahraman 160 Harmattan Haze / Njikeka Akunyili Crosby 166 Who Is the #EmergingUS? / Jose Antonio Vargas 168 Justice and Equity: We’re Coming for It All / Christine Her 171 building bricks for communal healing / Silvi Naçi 176 We Never Needed Documents to Thrive / Yosimar Reyes 178 prop•er / Kassandra L. Khalil 182 Alongside: On Chinese Students in the United States and the Fight for Black Lives / Evelyn Hang Yin 185 Love Spirals: Notes on Brown Feelings / J Molina-Garcia 191 Part 3. Creating a World without Prisons: Culture and the Carceral State Introduction / Kassandra L. Khalil 205 To Create in Prison / Spel 211 A Measure of Joy / Samara Gaev and Jarvis Jay Masters 214 There Is No Abolition or Liberation without Disability Justice / Lydia X. Z. Brown 224 HOGAR / Aydinaneth Ortiz 230 I Remember / Mark Menjívar 232 Coming Home / Dustina Gill 237 Singing Our Way to Abolition / Mary Hooks 241 Standing in the Gap: Music as First Responder / Duane Robert Garcia and Vijay Gupta 245 Locked in a Dark Calm / Tameca Cole 250 As Crazy as the World Is, I Do Believe / Kondani Fidel with images by Devin Allen 252 Jumpsuit Projects / Sherrill Roland 260 The Bonds of Aloha: Connecting to Culture Can Free Us / Hinaleimoana Kwai Kong Wong-Kula 262 The Nail That Sticks Out / Tani Ikeda 268 Art Is a Trojan Horse: Reclaiming Our Narratives / Faith Bartley, Courtney Bowles, and Mark Strandquist 272 Try/Step/Trip (Excerpt) / Dahlak Brathwaite 281 The Evanesced Series (2016–) / Kenyatta A. C. Hinkle 290 Part 4. Embodied Cartographies: Renegotiating Relationships with Land Introduction / Elizabeth M. Webb 295 Kiksuya / Michael Two Bulls 300 American Doesn’t Exist / Lyla June 302 Between the Real and the Imagined: A Conversation with Lyla June and Tanaya Winder / Lyla June and Tanaya Winder 304 Sopa de Ostión / Ruben Ulises Rodriguez Montoya 310 Island Earth: Water, Wayfinding, and the Currents That Connect Us / Nāʻāleu Anthony and Haunani Kane 312 ACCESS DENIED: Creating New Spatial Understandings / Jaklin Romine 321 Essential Economy / Jia Lok Pratt 326 Earth Mama II / Favianna Rodriguez 332 We Are Proud of This Land / Carlton Turner 334 Mauka House / Kapena Alapaʻi 340 Withholding an Image: Disciplinary Disobedience and Reciprocity in the Field / Ashley Hunt 343 Thinking through Fragments: Speculative Archives, Contested Histories, and a Tale of the Palestine Archaeological Museum / Dareen Hussein 354 Secrets That the Wind Carries Away / Morel Doucet 359 Ohiŋniyaŋ ded wati kte: This Place Will Always Be Home / Angela Two Stars 364 Ballers / Mel D. Cole 368 Part 5. Living Our Legacy: Ancestral Knowledge as Radical Futurity Introduction / Kapena Alapaʻi 373 These Roots Run Deep / Dyani White Hawk 378 The Future Is Ancient / Allison Akootchook Warden 380 Being in Oneness: Conversations with Nobuko Miyamoto, Kamau Ayubbi, and Asiya Ayubbi / Nobuko Miyamoto, Asiya Amatullah Ayubbi, and Imam Kamau Ayubbi 384 1619 / Douglas Kearney 396 Encircling the Circle: Blood Memory and Making the Village—a Conversation between Cleo Parker Robinson and Malik Robinson / Cleo Parker Robinson and Malik Robinson 400 Culture and Tradition: A Monument to Our Resilience / Ofelia Esparza 408 Español / Yanina Chicas 410 Apsáalooke Feminist #4 / Wendy Red Star 412 Mother’s Words and Grandmother’s Thoughts: Living the Right Way (a Conversation) / Maribel Alvarez and Ofelia Zepeda 414 The AIM Song / Elisa Harkins 421 Gullah/Geechee Sea Island Reflections of Futurity / Queen Quet Marquetta L. Goodwine 426 For Paradise / Elizabeth M. Webb 430 What Is the New Basket That We’re Going to Weave? / Lori Lea Pourier 436 I ka wā ma mua, i ka wā ma hope: Ōiwi Orientations toward a Radical Futurity / Jamaica Heolimeleikalani Osorio and Jonathan Kay Kamakawiwoʻole Osorio 442 The Art of Peer Pressure: Black Fire UVA! / Kevin Jerome Everson and Claudrena N. Harold 450 Part 6. Currents Beyond: Artists Shifting Paradigms of Inequity Introduction / Genevieve Fowler 461 Bang Bang / Natalie Ball 466 The Cultural New Deal for Cultural and Racial Justice / Michele Kumi Baer, Jeff Chang, María López De León, Tara Dorabji, Kassandra L. Khalil, Lori Pourier, Favianna Rodriguez, Nayantara Sen, Carlton Turner, Roberta Uno, and Elizabeth M. Webb 468 We Begin by Listening / Jeanette Lee 475 EMERGENYC: An Artistic Home for Emerging Artists / Marlène Ramírez-Cancio 482 Listening through Dance / Antoine Hunter 491 Scenes and Takes / Carrie Mae Weems 495 Feminist Coalition and Queer Movements across Time: A Conversation between Alok Vaid-Menon and Urvashi Vaid / Alok Vaid-Menon and Urvashi Vaid 504 What Would Upski Think? / Devin Kenny 516 all organizing is science fiction / adrienne maree brown 519 Rebirth Garments / Sky Cubacub 522 A Call to Action / Eleanor Savage 524 SOVEREIGN / X 538 Flexing Hope Is a Practice / Ananya Chatterjea 540 Azadi / Arshia Fatima Haq 546 Afterword / Daniela Alvarez and Elizabeth M. Webb 549 emergence / Sarah Sophia Yanni 551 Acknowledgments 553
£19.99
Duke University Press Radical Health
Book SynopsisJulie Avril Minich examines Latinx artistic engagements with health politics to present alternate visions of health and wellbeing among the Latinx community.Trade Review“Radical Health is a necessary and timely intervention in the fields of critical race and disability studies. Julie Avril Minich challenges us to nuance our approaches to health as a structural and social issue. This book is immensely valuable to anyone studying health in the United States today, especially in the wake of the mass disablement caused by the COVID-19 pandemic.” -- Sami Schalk, author of * Black Disability Politics *“By drawing attention to the racialized, economic, and gendered forms of violence imposed on Latinx communities by the US healthcare system, Radical Health will alter the way that both Latinx studies and disability studies are practiced. I cannot stress how important this book is. Its urgency and timeliness makes it essential reading for everyone committed to the struggle for health justice.” -- Richard T. Rodríguez, author of * A Kiss Across the Ocean: Transatlantic Intimacies of British Post-Punk and US Latinidad *Table of ContentsAcknowledgments ix Introduction: Radical Health/Radical Unwellness 1 1. Unprotected Texts: Queer Latinx Expression in the Aftermath of AIDS 24 2. Sugar, Shame, Love: Diabetic Latinidades 52 3. Healing Without a Cure: Radical Health and Racialized Gender Violence 82 4. Mental Health and Migrant Justice: Family Separation and Reimagining Wellness 116 Remedio: The Navigator 150 Notes 167 References 187 Index 207
£18.89
Duke University Press Unseen Flesh
Book SynopsisNessette Falu explores how Black lesbians in Brazil define and sustain their well-being and self-worth against persistent racial, sexual, class, and gender-based prejudice within hostile gynecological spaces.Trade Review“An original and necessary work, Unseen Flesh opens an important critical window on well-being and gynecological health in Brazil, which are colored and conditioned by race/color, class, and sexual identity. Nessette Falu’s focus on Black Brazilian lesbians is historic and significant in itself—the result of her long-term, invested, and loving encounters with people who had been silenced.” -- Jafari S. Allen, author of * There’s a Disco Ball between Us: A Theory of Black Gay Life *Table of ContentsAcknowledgments ix Introduction. Bearing Witness to Unseen Flesh 1 1. The Virgin Who Lives within Her Erotic Worth 21 2. Unseen Flesh: Gynecological Trauma, Emotional Power, and Intimate Sociomedical Violence 51 Interlude One: Angela 77 3. The Social Clinic: Mapping the Social and Colonial World of Gynecology 79 Interlude Two: It Doesn’t Matter 111 4. Are We Ethical Subjects? Seeing Ourselves in Shapeshifting Ethics 113 5. Bem-Estar Negra: Lésbicas Negras’ Beautiful Experiments of Worth 141 Notes 169 References 179 Index 195
£18.99
Duke University Press Stay Black and Die
Book SynopsisIn Stay Black and Die, I. Augustus Durham examines melancholy and genius in black culture, letters, and media from the nineteenth century to the contemporary moment. Drawing on psychoanalysis, affect theory, and black studies, Durham explores the black mother as both a lost object and a found subject often obscured when constituting a cultural legacy of genius across history. He analyzes the works of Frederick Douglass, Ralph Ellison, Marvin Gaye, Octavia E. Butler, and Kendrick Lamar to show how black cultural practices and aesthetics abstract and reveal the lost mother through performance. Whether attributing Douglass’s intellect to his matrilineage, reading Gaye’s falsetto singing voice as a move to interpolate black female vocality, or examining the women in Ellison’s life who encouraged his aesthetic interests, Durham demonstrates that melancholy becomes the catalyst for genius and genius in turn is a signifier of the maternal. Using psychoanalysis to deveTrade Review“What haunts and inspires black creativity in an antiblack world? In Stay Black and Die, I. Augustus Durham offers a gendered vernacular psychoanalytic reading of this question, which is to say that he offers a lush blues of genius’s complicated sustenance and insistence. And right there in this blues is the centrality of black femaleness—the maternal—that dapples the engagement with the object that is and is not lost. This richly researched book showcases genius as a notion traced through its motherline and, as such, Durham’s brilliance is a stay in every sense of the word: a hold, a refusal, a plea, and an inhabitance, a longing in which one can linger.” -- Kevin Quashie, author of * Black Aliveness, or A Poetics of Being *“I. Augustus Durham adds a fundamentally new and truly insightful spin to studies in blackness and melancholy. Bringing melancholy into the realm of nonromanticized genius, he moves seamlessly between the study of literature and the study of music. His analysis of music videos also makes his approach to black melancholy and genius a deep study of affect that refuses any boundaries between the literary, the sonic, and the visual. I am certain that Durham’s theorization of melancholic genius will become a portable, widely cited idea.” -- Margo Natalie Crawford, author of * Black Post-Blackness: The Black Arts Movement and Twenty-First-Century Aesthetics *Table of ContentsFigures viii Echo | I xi Thank | You; or, Acknowledgments xix Color | Blackness 1 Read | Frederick 39 Travel | Ralph 79 Man | Marvin 117 Woman | Gan 151 Love | Kendrick 179 Study | Us 213 Notes 225 Bibliography 273 Index 309
£21.84
Duke University Press The Movies of Racial Childhoods
Book SynopsisCeline Parreñas Shimizu examines early twenty-first-century cinematic representations of Asian and Asian American children, showing how films allow viewers the opportunity to understand the demands and difficulties placed upon Asian American children.Trade Review“The relative absence of Asian Americans on the silver screen makes their representation something we cannot not want. In this profound and personal meditation, Celine Parreñas Shimizu cautions us not to assume that representation and belonging go hand in hand. Instead, she analyzes depictions of childhood in Asian American cinema as occasions for working through the psychic traumas that overdetermine our social attachments from the very moment we are born into a world of racial loss and grief.” -- David L. Eng, coauthor of * Racial Melancholia, Racial Dissociation: On the Social and Psychic Lives of Asian Americans *“The Movies of Racial Childhoods is like nothing I have ever read. It is a document of a mother grieving, a film scholar theorizing the healing work of narrative cinema, and a filmmaker who understands that ‘trauma demands representation so as to create new realities.’ Celine Parreñas Shimizu’s writing about the death of her child and her devotion to film is both tender and revelatory. Interweaving psychoanalysis, Asian American studies, trauma theory, cinema studies, and personal narrative, Shimizu cultivates space for us to collectively grieve and to reawaken the possibilities of childhood dreaming.” -- Nicole R. Fleetwood, author of * Marking Time: Art in the Age of Mass Incarceration *Table of ContentsPreface. Devastated Creator: Theorizing as Grieving Mother-Author-Spectator ix Acknowledgments xix Introduction: Agents of Our Own Lives, Centers of Our Own Stories 1 1. A Deluge of Delusions and Lies: Race, Sex, and Class in American Crime Story: The Assassination of Gianni Versace 41 2. The Inner Life of Cinema and Selfobjects: Queer Asian American Youth in Spa Night and Driveways 81 3. Adolescent Curiosity and Mourning: The Blossoming of Maximo Oliveros 117 4. The Courage to Compose Oneself: Healthy Narcissim and Self-Sovereignty in Yellow Rose 151 5. The Unexpected and the Unforeseen: Cultural Complexes in The Half of It 186 In Closing: The Power of Films about Racial Childhoods in the Time of Rampant Death 208 Notes 213 Bibliography 223 Index 233
£19.79
Duke University Press An Archive of Possibilities
Book SynopsisIn An Archive of Possibilities, anthropologist and surgeon Rachel Marie Niehuus explores possibilities of healing and repair in the eastern Democratic Republic of Congo against a backdrop of 250 years of Black displacement, enslavement, death, and chronic war. Niehuus argues that in a context in which violence characterizes everyday life, Congolese have developed innovative and imaginative ways to live amid and mend from repetitive harm. Drawing on ethnographic fieldwork and the Black critical theory of Achille Mbembe, Christina Sharpe, Alexis Pauline Gumbs and others, Niehuus explores the renegotiation of relationships with land as a form of public healing, the affective experience of living in insecurity, the hospital as a site for the socialization of pain, the possibility of necropolitical healing, and the uses of prophesy to create collective futures. By considering the radical nature of cohabitating with violence, Niehuus demonstrates that Congolese practices of healing imTrade Review“This ethnography of violence and repair, hospitals and therapeutics, is set in eastern Congo’s still warlike Kivu region. It is mediated by the astute eyes and sensibilities of the very talented American anthropologist and surgeon, Rachel Marie Niehuus. Her focus on the intimate, the clinical, and the traumatic, with her pressing arguments about repair, stands to transform how anthropologists and conflict studies scholars approach medical practice, violence, enmity, and injury in Congo and well beyond. Awash with original contributions to studies of violence, humanitarianism, and the affective, this moving book tells some crucial regional histories while it investigates lively strands about hope and possible futures.” -- Nancy Rose Hunt, author of * A Nervous State: Violence, Remedies, and Reverie in Colonial Congo *“In this outstanding work of storytelling and ethnography, Rachel Marie Niehuus delves deep into the harrowing realities of life in the war-torn landscape of eastern Congo. Beyond the hospital’s sterile walls, amid the constant specters of violence and death, Niehuus uncovers a resilient and profoundly human story of survival, repair, and healing. Vivid and eye-opening, An Archive of Possibilities is a poignant exploration of a people’s unwavering determination to create a future beyond the scars of their past. An immensely thought-provoking and illuminating book.” -- Laurence Ralph, author of * Sito: An American Teenager and the City That Failed Him *Table of ContentsAcknowledgments ix Introduction: Where the Scars Are So Thick 1 1. Dirt Work 21 Interlude 1: A Timeline 45 2. A Sea of Insecurity 47 Interlude 2: Running 69 3. The Body, the Flesh, and the Hospital 73 Interlude 3: Where War Is (Always) Coming 95 4. When Life Demands Release 99 Interlude 4: Joy 121 5. “We Are Creating a World We Have Never Seen” 123 Interlude 5: Otherwise 143 Conclusion: Cohabitation 147 Notes 157 Bibliography 179 Index
£18.89
Duke University Press Millennial Style
Book SynopsisAliyyah I. Abdur-Rahman examines how contemporary avant-garde black art and writing by Wangechi Mutu, Marci Blackman, Alexandria Smith, Colson Whitehead, Toni Morrison, Harmony Holiday, and Essex Hemphill use experimental methods to represent and imaginatively remediate racial harm.Trade Review“In Millennial Style, Aliyyah I. Abdur-Rahman makes a forceful argument for specifying different modes of black experimentation and connecting them explicitly to modes not only of survival but of refusals of various forms of domination. Beautifully written and intellectually engaging, Millennial Style’s important sustained analyses of black experimental cultural production and vital insights make a major contribution.” -- Amber Jamilla Musser, author of * Between Shadows and Noise: Sensation, Situatedness, and the Undisciplined *“Without a doubt Aliyyah I. Abdur-Rahman is one of the most important scholars in black cultural theory, gender studies, and sexuality studies. With this new work, she focuses on the refusal of realism in contemporary black art practices to theorize blackness and being among disaster politics, environmental devastation, state killings of black people, perpetual poverty in the post-Civil Rights era. Millennial Style is a striking, beautifully written, and insistent text that needs to be read by the broadest audience possible.” -- Roderick A. Ferguson, author of * One-Dimensional Queer *Table of ContentsIntroduction. Toward a Radical Theory of the Black Avant-Garde 1 1. Black Grotesquerie 25 2. Hollowed Blackness 49 3. Black Cacophony 77 4. The Black Ecstatic 105 Epilogue. On Sustenance and Suture 131 Acknowledgments 137 Notes 141 Bibliography 157 Index 165
£70.55
Duke University Press Geologic Life
Book SynopsisIn Geologic Life, Kathryn Yusoff theorizes the processes by which race and racialization emerged geologically. Examining both the history of geology as a discipline and ongoing mineral and resource extraction, Yusoff locates forms of imperial geology embedded in Western and Enlightenment thought and highlights how it creates anti-Black, anti-Indigenous, and anti-Brown environmental and racial injustices. Throughout, she outlines how the disciplines of geology and geography—and their conventions: surveying, identifying, classifying, valuing, and extracting—established and perpetuated colonial practices that ordered the world and people along a racial axis. Examining the conceptualization of the inhuman as political, geophysical, and paleontological, Yusoff unearths an apartheid of materiality as distinct geospatial forms. This colonial practice of geology organized and underpinned racialized accounts of space and time in ways that materially made Anthropocene Earth. A
£95.20
Duke University Press Millennial Style
Book SynopsisIn Millennial Style, Aliyyah I. Abdur-Rahman looks at recent experiments in black expressive culture that begin in the place of ruin. By ruin, Abdur-Rahman means the political terror and social abjection that constitute the ongoing peril of black lives. Whereas earlier black writers and artists have employed realist modes of expression to represent racial harm and to imaginatively remediate it, the black avant-garde of today displays more experimental methods. Abdur-Rahman outlines four widely employed modes in contemporary African diasporic cultural production: Black Grotesquerie, Hollowed Blackness, Black Cacophony, and the Black Ecstatic. Mobilizing black feminist and black radical thought, she considers work by such cultural practitioners as Wangechi Mutu, Marci Blackman, Alexandria Smith, Colson Whitehead, Toni Morrison, Harmony Holiday, and Essex Hemphill. Writerly and experimental, Millennial Style theorizes contemporary black art as the holding (or hoarding) of blTrade Review“In Millennial Style, Aliyyah I. Abdur-Rahman makes a forceful argument for specifying different modes of black experimentation and connecting them explicitly to modes not only of survival but of refusals of various forms of domination. Beautifully written and intellectually engaging, Millennial Style’s important sustained analyses of black experimental cultural production and vital insights make a major contribution.” -- Amber Jamilla Musser, author of * Between Shadows and Noise: Sensation, Situatedness, and the Undisciplined *“Without a doubt Aliyyah I. Abdur-Rahman is one of the most important scholars in black cultural theory, gender studies, and sexuality studies. With this new work, she focuses on the refusal of realism in contemporary black art practices to theorize blackness and being among disaster politics, environmental devastation, state killings of black people, perpetual poverty in the post-Civil Rights era. Millennial Style is a striking, beautifully written, and insistent text that needs to be read by the broadest audience possible.” -- Roderick A. Ferguson, author of * One-Dimensional Queer *Table of ContentsIntroduction. Toward a Radical Theory of the Black Avant-Garde 1 1. Black Grotesquerie 25 2. Hollowed Blackness 49 3. Black Cacophony 77 4. The Black Ecstatic 105 Epilogue. On Sustenance and Suture 131 Acknowledgments 137 Notes 141 Bibliography 157 Index 165
£18.99
New York University Press Black and Queer on Campus
Book SynopsisAn inside look at Black LGBTQ college students and their experiences Black and Queer on Campus offers an inside look at what life is like for LGBTQ college students on campuses across the United States. Michael P. Jeffries shows that Black and queer college students often struggle to find safe spaces and a sense of belonging when they arrive on campus at both predominantly white institutions and historically black colleges and universities. Many report that in predominantly white queer social spaces, they feel unwelcome and pressured to temper their criticisms of racism amongst their white peers. Conversely, in predominantly straight Black social spaces, they feel ignored or pressured to minimize their queer identity in order to be accepted. This fraught dynamic has an impact on Black LGBTQ students in higher education, as they experience different forms of marginalization at the intersection of their race, gender, and sexuality.Drawing on interviews with sTrade ReviewThe stories collected in Black and Queer on Campus challenge most preconceived notions about queer life at historically Black colleges and universities. Relying on interviews with college students themselves, Michael P. Jeffries provides a cogent, compelling, and much-needed corrective about the history of activism, social movements, and intellectual thought at HBCUs. This groundbreaking book is required reading. * E. Patrick Johnson, author of Sweet Tea: Black Gay Men of the South—An Oral History *Black and Queer on Campus is a deeply compelling examination of the daily experiences of Black queer college students. With his particular interest in Black queer life at HBCUs, Jeffries turns much-needed attention to the Black ordinary: how Black queer students spend time on campus, participate in campus organizations, and navigate everyday experiences of antiblackness and homophobia. Jeffries displays a deep respect for his interlocutors’ wisdom, and leaves readers with a sense that the future is being actively re-imagined by Black queer college students who work—individually and collectively, politically and personally—to dream another world. * Jennifer C. Nash, author of Black Feminism Reimagined: After Intersectionality *In this beautifully written book, Jeffries reminds us that centering Black queer students is the key to reimagining the possibilities of our colleges and communities. Black queer collegians are part of a long genealogy of resistance and revolution. Their stories show us, too, that there’s magnificence in the mundane. Black and Queer on Campus is a must-read for all college students and educators. * Anthony Christian Ocampo, Brown and Gay in LA: The Lives of Immigrant Sons *Culling interviews with dozens of students from a wide range of colleges, [Jeffries] examines how Black queer students struggle for a sense of belonging, the inherent pressures when compared with white peers and predominantly white learning institutions, and solutions for coping with and finding pride within the college experience, despite these obstacles. These critical perspectives shed much-needed light on the learning institutions where being Black and queer pose everyday obstacles for young men and women eager to learn and contribute. -- Jim Piechota * The Bay Area Reporter *Jeffries interviews Black L.G.B.T.Q. college students at over a dozen colleges to illustrate the struggles they face in finding belonging at both predominantly white and historically Black institutions. * New York Times Book Review *Black and Queer on Campus is an overflowing archive of stories collected through interviews with black and/or queer students at different universities across the United States, without ever describing them in a homogeneous or uniform way, including their political views ... Their stories not only serve as a parameter for evaluating the university’s diversity affirmation policies and the construction of safe spaces by student organizations, but they are also an embodied window on difference that open up imaginative horizons otherwise oriented by black and queer lives. * Ethnic and Racial Studies *
£22.79
New York University Press The Sociology of W. E. B. Du Bois
Book SynopsisThe first comprehensive understanding of Du Bois for social scientistsThe Sociology of W. E. B. Du Bois provides a comprehensive introduction to the founding father of American sociological thought. Du Bois is now recognized as a pioneer of American scientific sociology and as someone who made foundational contributions to the sociology of race and to urban and community sociology. However, in this authoritative volume, noted scholars José Itzigsohn and Karida L. Brown provide a groundbreaking account of Du Bois's theoretical contribution to sociology, or what they call the analysis of racialized modernity. Further, they examine the implications of developing a Du Boisian sociology for the practice of the discipline today.The full canon of Du Bois's sociological works spans a lifetime of over ninety years in which his ideas evolved over much of the twentieth century. This broader and more systematic account of Du Bois's contribution to sociology explores hoTrade Review"José Itzigsohn and Karida L. Brown have written a book that will stand out for a long time and be debated for years. The Sociology of W. E. B. Du Bois is a guidepost that enables the reader to absorb penetrating analyses of this great scholar pertaining to racism and lessons to address it. Seldom do we find analyses of an extremely complex thinker made crystal clear. This is such a work for anyone interested in a pivotal issue of our time." -- Aldon Morris, author of The Scholar Denied: W.E.B. Du Bois and the Birth of Modern Sociology"This is a book for the times. The global protests in response to coronavirus disparities and anti-Black state violence have made it clear that the academy, too, must change. Sociology departments cannot continue to do business as usual. In The Sociology of W. E. B. Du Bois, José Itzigsohn and Karida L.Brown show that a Du Boisian sociology offers an analysis of our present moment where many other subfields of the discipline cannot […] The result of the authors’ comprehensive approach is an inspiring immersion into the mind of someone who theorized from the depths of his own internal pain to the breadth of world empires, sweeps of historical time, and complexity of economic arrangements." * American Journal of Sociology *"In this necessary, timely, and thorough-going book Itzigsohn and Brown powerfully and provocatively reclaim and present the near century of W. E. B. Du Bois’s sociological contributions with panache and undeniable rigor. Persuasive and well sourced, this book is sure to be a staple in homes and classrooms across the globe for years to come. A pathbreaking classic!" -- Marcus Anthony Hunter, author of Black Citymakers: How the Philadelphia Negro Changed Urban America"Itzigsohn and Brown offer a bounty of new analysis and a needed synthesis, a holistic view of the sociological contributions of a career that spanned from the 1890s to the 1960s... [The] book’s greatest strength ... is in the excavation and synthesis of Du Bois’s broad body of scholarship. Though scholars have made similar efforts ... Itzigsohn and Brown gift sociologists with what is surely the most comprehensive and ambitious summation of Du Bois’s epistemology." * Social Forces *"Overall, this impressive monograph acknowledges and reclaims Du Bois’s contributions to sociology. It is part of a growing movement that addresses the discipline’s neglect of this scholar. I highly recommend this monograph for advanced undergraduate and graduate theory courses in sociology and the social sciences." * Sociology of Race and Ethnicity *"Itzigsohn and Brown’s The Sociology of W. E. B. Du Bois is evidence of Black sociology’s enduring promise. Their book is more than an exegesis of Du Bois’s sociological oeuvre." -- Matthew Clair, Stanford University * Du Bois Review *
£21.59
New York University Press Faith and Power
Book SynopsisIlluminates how religion has shaped Latino politics and community buildingToo often religious politics are considered peripheral to social movements, not central to them. Faith and Power: Latino Religious Politics Since 1945 seeks to correct this misinterpretation, focusing on the postWorld War II era. It shows that the religious politics of this period were central to secular community-building and resistance efforts. The volume traces the interplay between Latino religions and a variety of pivotal movements, from the farm worker movement to the sanctuary movement, offering breadth and nuance to this history. This illuminates how broader currents involving immigration, refugee policies, de-industrialization, the rise of the religious left and right, and the Chicana/o, immigrant, and Puerto Rican civil rights movements helped to give rise to political engagement among Latino religious actors. By addressing both the influence of these larger trends on religious movements and how the relTrade Review"Features an array of fascinating topics, with appropriate diversity of historical period, religious affiliation, region, and subject. The editors have gathered an impressive group of scholars whose contributions form a compelling analysis of political action among Latinx religious communities." -- Timothy Matovina, University of Notre Dame"Historians of Latinx politics have typically downplayed the importance of religion, and studies of Latinx religion have tended to focus on spirituality, belief, and cultural expression, while ignoring politics. Featuring an extraordinary lineup of scholars—including some of the top influential Latinx historians—Faith and Power is an impressive resource for understanding Latinx religious politics." -- Geraldo Cadava, author of The Hispanic Republican: The Shaping of an American Political Identity, from Nixon to Trump"One of the book’s most appealing aspects for me was its use of narratives throughout, which provide, in anthropologist Clifford Geertz’s term, a “thick description” of the role of agency among populations, especially those who have endured decades of prejudice or oppression within their faith communities or outside of them. While the book’s range of scholarship—as the footnotes and index reveal—is certainly commendable, overall it makes for an interesting, colorful read. " * The Journal of Arizona History *"The strength of this volume lies in the breadth and diversity of expressions of Latino religious politics covered, ranging from rural agricultural contexts to urban centres of power, including histories from within Roman Catholicism, Pentecostalism, and even Mormonism... This is an insightful volume for scholars and students wanting to know more about and further reflect on an oft forgotten history." * Mission Studies *"Faith and Power demonstrates that an adequate understanding of Latina/o history requires an accounting for the role of religion. Scholars of Latina/o history might read Faith and Power as a provocative revisionist history, as well-known topics in the field are newly explored from the vantage point of faith communities." * American Religion *
£27.54
New York University Press Faith and Power
Book SynopsisIlluminates how religion has shaped Latino politics and community buildingToo often religious politics are considered peripheral to social movements, not central to them. Faith and Power: Latino Religious Politics Since 1945 seeks to correct this misinterpretation, focusing on the postWorld War II era. It shows that the religious politics of this period were central to secular community-building and resistance efforts. The volume traces the interplay between Latino religions and a variety of pivotal movements, from the farm worker movement to the sanctuary movement, offering breadth and nuance to this history. This illuminates how broader currents involving immigration, refugee policies, de-industrialization, the rise of the religious left and right, and the Chicana/o, immigrant, and Puerto Rican civil rights movements helped to give rise to political engagement among Latino religious actors. By addressing both the influence of these larger trends on religious movements and how the relTrade ReviewFeatures an array of fascinating topics, with appropriate diversity of historical period, religious affiliation, region, and subject. The editors have gathered an impressive group of scholars whose contributions form a compelling analysis of political action among Latinx religious communities. -- Timothy Matovina, University of Notre DameHistorians of Latinx politics have typically downplayed the importance of religion, and studies of Latinx religion have tended to focus on spirituality, belief, and cultural expression, while ignoring politics. Featuring an extraordinary lineup of scholars—including some of the top influential Latinx historians—Faith and Power is an impressive resource for understanding Latinx religious politics. -- Geraldo Cadava, author of The Hispanic Republican: The Shaping of an American Political Identity, from Nixon to TrumpOne of the book’s most appealing aspects for me was its use of narratives throughout, which provide, in anthropologist Clifford Geertz’s term, a “thick description” of the role of agency among populations, especially those who have endured decades of prejudice or oppression within their faith communities or outside of them. While the book’s range of scholarship—as the footnotes and index reveal—is certainly commendable, overall it makes for an interesting, colorful read. * The Journal of Arizona History *The strength of this volume lies in the breadth and diversity of expressions of Latino religious politics covered, ranging from rural agricultural contexts to urban centres of power, including histories from within Roman Catholicism, Pentecostalism, and even Mormonism... This is an insightful volume for scholars and students wanting to know more about and further reflect on an oft forgotten history. * Mission Studies *Faith and Power demonstrates that an adequate understanding of Latina/o history requires an accounting for the role of religion. Scholars of Latina/o history might read Faith and Power as a provocative revisionist history, as well-known topics in the field are newly explored from the vantage point of faith communities. * American Religion *
£69.70
New York University Press Latinas in the Criminal Justice System
Book SynopsisHow Latina girls and women become entangled in the criminal justice systemDespite representing roughly 16 percent of incarcerated women, Latina women and girls are often rendered invisible in accounts of American crime and punishment. In Latinas in the Criminal Justice System, Vera Lopez and Lisa Pasko bring together a group of distinguished scholars to provide a more complete, nuanced picture of Latinas as victims, offenders, and targets of deportation. Featuring Cecilia Menjívar, Lisa M. Martinez, Alice Cepeda, and others, this volume examines the complex histories, backgrounds, and struggles of Latinas in the criminal justice system. Contributors show us how Latinas encounter a variety of justice systems, including juvenile detention, adult court and corrections, and immigration and customs enforcement. Topics include Latina victims of crime and their perceptions of police officers; the impact of the US crimmigration system on undocumented Latina women;Trade ReviewLatinas in the Criminal Justice System shines an important light on a topic long neglected by criminologists and criminology. Lopez and Pasko elevate the often ignored voices and situations of Latina girls and women, who are often invisible in the many debates about immigration. A must read. -- Meda Chesney-Lind, co-author of Beyond Bad Girls: Gender, Violence and HypeContributing authors masterfully examine and vividly delineate the historical, social, legal, and ideological forces governing the Latina experience with the penal system and mainstream American society. In a highly charged political era, this book is a timely contribution to help educate readers about police, law and society, race/ethnic relations, and social and legal reform. -- M.G Urbina * Choice *
£69.70
New York University Press Broken
Book SynopsisPROSE Award- Media and Cultural Studies FinalistHow diversity initiatives end up marginalizing Arab Americans and US Muslims One of Donald Trump's first actions as President was to sign an executive order to limit Muslim immigration to the United States, a step toward the complete shutdown of Muslims entering the United States he had campaigned on. This extraordinary act of Islamophobia provoked unprecedented opposition: Hollywood movies and mainstream television shows began to feature more Muslim characters in contexts other than terrorism; universities and private businesses included Muslims in their diversity initiatives; and the criminal justice system took hate crimes against Muslims more seriously. Yet Broken argues that, even amid this challenge to institutionalized Islamophobia, diversity initiatives fail on their promise by only focusing on crisis moments.Evelyn Alsultany argues that Muslims get included through crisis diversity, whereTrade ReviewAlsultany carefully and brilliantly walks us through the minefield known as ‘diversity, equity, and inclusion’ to expose the hypocrisies embedded in American discourses of tolerance. Far from addressing the root problems of today’s inequities, Alsultany shows, contemporary tolerance talk often ends up reinscribing forms of intolerance while institutionalizing racism and Islamophobia. After you read this mind-bending book, not only will you understand the strange space in liberalism’s universe that Muslims occupy, where Muslims represent what must be tolerated and what must not be tolerated simultaneously, but you’ll also realize that the slogan ‘diversity, equity, and inclusion’ is missing the most significant term of all: justice. -- Moustafa Bayoumi * author of This Muslim American Life: Dispatches from the War on Terror *A fresh, passionate, and comprehensive exploration of where Muslims factor into American diversity initiatives. Employing a blend of scholarly research and personal experience, Alsultany deftly deconstructs the state of Muslim representation and inclusion in the media, universities and key US institutions. -- Lorraine Ali * LA Times *Alsultany details the limit of the liberal promise of inclusion in a brilliant and accessible way. Just when you think that Muslims have entered the doorway into humanity, you see that the inclusive move is itself how Muslim sub-personhood is secured. Broken is invaluable for anyone tempted to put their hopes in multicultural inclusion. Alsultany’s achievement is that we are now steps closer to imagining abolition, the end of systems that protect white property interests. -- Sherene H. Razack * author of Nothing Has to Make Sense: Upholding White Supremacy Through Anti-Muslim Racism *With eloquent prose and a compelling voice, Broken fundamentally shifts contemporary frames for understanding Muslim representation in media, corporations, government, and universities from ‘Islamophobia’ to ‘Anti-Muslim Racism.’ In doing so, she provides a razor-sharp analysis of the truly systemic reality of anti-Muslim racism. -- Ralina Joseph * author of Postracial Resistance: Black Women, Media, and the Uses of Strategic Ambiguity *Alsultany traces how Muslims and Arabs have been incorporated into the United States, represented and racialized in its culture and politics. In some ways, these processes follow the patterns other groups experienced. But the context of terrorism and national security concerns charge the question of Arab and Muslim “otherness” in unique ways. Broken helps us articulate the racialization of 'otherness' and nonbelonging in new and important ways. -- Natalia Molina * The Chronicle of Higher Education, Best Scholarly Books of 2022 *In this eye-opening, provocative work, Alsultany clearly demonstrates that many diversity initiatives fail when they’re centered around moments of crisis instead of lasting change. This narrative will stay with readers long after the last page. To gain understanding and achieve true allyship, this is an essential title to read. * Library Journal (starred) *
£15.19
New York University Press Black Mosaic
Book SynopsisHistorically, Black Americans have easily found common ground on political, social, and economic goals. Yet, there are signs of increasing variety of opinion among Blacks in the United States, due in large part to the influx of Afro-Latino, Afro-Caribbean, and African immigrants to the United States. This book tells their story.Trade Review"Black Mosaic addresses a significant, and often-neglected, subject in African American politics.The prose is engaging and accessible, the scholarship is first-rate, and the conclusions are illuminating.As our nation becomes increasingly diverse, this subject will only become more important over time." -- Vincent Hutchings,author of Public Opinion and Democratic Accountability"Smiths exceptional book provides a solid theoretical as well as an empirical road map for scholars wishing to increase their understanding of how Black Americans, Blacks from the Americas, as well as African immigrants conceptualize and think about the meaning of blackness. Black Mosaic surely will become required reading for students and scholars in the field." -- Ronald E. Brown,Associate Professor of Political Science, Wayne State University"This book is a welcome addition to scholarship on the politics of race and ethnicity in the United States. Candis Watts Smiths analysis reveals the complexity of Black racial identity within the context of greater ethnic diversity, and provides a robust and theoretically rich explanation for the boundaries of Black identity. Black Mosaic is a signal contribution and essential reading for scholars of American politics." -- Jane Junn,author of The Politics of Belonging: Race, Public Opinion, and ImmigrationTable of ContentsContents Acknowledgments ix Introduction 1 1 Black on Black History 19 2 Diasporic Consciousness: Theorizing Black Pan-Ethnic Identity and Intraracial Politics 45 3 From Group Membership to Group Identification 69 4 Broadening Black Identity: Evidence in National Data 110 5 Politicizing Identities: Linking Identity to Politics 133 6 Perspectives on Intraracial Coalition and Conflict 175 Conclusion: My President Is Black? 197 Appendix A: Presentation of Survey Items and Variable Measures 206 Appendix B: Interview Respondent Characteristics 210 Appendix C: Semistructured Interview Guide 214 Notes 219 Bibliography 249 Index 267 About the Author 277
£23.74
New York University Press Presumed Criminal
Book SynopsisA startling examination of the deliberate criminalization of black youths from the 1930s to todayA stark disparity exists between black and white youth experiences in the justice system today. Black youths are perceived to be older and less innocent than their white peers. When it comes to incarceration, race trumps class, and even as black youths articulate their own experiences with carceral authorities, many Americans remain surprised by the inequalities they continue to endure. In this revealing book, Carl Suddler brings to light a much longer history of the policies and strategies that tethered the lives of black youths to the justice system indefinitely. The criminalization of black youth is inseparable from its racialized origins. In the mid-twentieth century, the United States justice system began to focus on punishment, rather than rehabilitation. By the time the federal government began to address the issue of juvenile delinquency, the juvenile justice system shifted its prTrade Review"Suddler avoids jargon, so the narrative is accessible; the details in the book will provide starting points for many research papers. This is a book for those interested in law enforcement, New York City, African American studies, masculinity studies, late 20th-century US history, and, sadly, current events." -- Choice"A convincing, impressive book. Suddler bobs and weaves from discussing police actions to talking about the political, social, and media narratives that helped shape police logics and behavior. Along the way, he also explores how juvenile courts, jails, and other parts of the New York criminal punishment system also shaped Black kids’ experiences and constructed and 'reinforced a good kid/bad kid binary' in which race was 'the focus of youth criminality' ... The history Suddler tells here speaks some urgent truths not just about the history of racialized punishment in America but also about the treatment of Black children and young adults by law enforcement officers and other unofficial but legally sanctioned agents of violence today" * The Journal of African American History *"For anyone looking to understand the historical roots of our contemporary regime of racialized youth criminalization, Carl Suddler’s Presumed Criminal will be essential reading ... his examination casts an important lens into the construction of an enduring racist juvenile justice system which persists today." * Gotham: A Blog for New York City History *"In this powerful, timely, and deeply unsettling recovery of America’s criminal justice past, Suddler shines vital new light on the present. By brilliantly revealing the nation’s postwar effort to deal with troubled young people more humanely, this book forces us to face the extent to which the presumption of black criminality utterly undermined that effort and thereafter ensured that black boys and girls would forever be ensnared in a fundamentally unjust juvenile justice system." -- Heather Ann Thompson, Pulitzer Prize–winning author of Blood in the Water"The great value of this work is not only its rich historical analysis, but that this subject, this history, speaks so clearly and directly to the experiences of black youth today." -- Hasan Kwame Jeffries, author of Bloody Lowndes"A timely and critically important origins story of how black youth became over-policed and under-protected in one of the most liberal cities in America. They were victims of institutional racism and an increasingly hostile police force that refused to protect their right to protest and organize for racial justice. Young people’s bitter awakening to racial consciousness at the end of a police baton is, as Carl Suddler skillfully shows, the starting point for understanding why stop-and-frisk first made its debut in New York City over a half-century ago." -- Khalil Gibran Muhammad, author of The Condemnation of Blackness"Provides a direct historical context not only to understand mass incarceration but particularly the anti-black violence against black youth and the BlackLivesMatter movement." -- Shannon King, author of Whose Harlem Is This, Anyway?"Suddler does an excellent job of illustrating the struggles black youth faced in New York City in the early to mid-20th century. His effective way of contextualizing the atmosphere of that time gives the reader a vivid look into everyday struggles that the black community faced." * Journal of Youth and Adolescence *
£18.99
New York University Press Black Patience
Book Synopsis2024 College Language Association Book Award Winner2023 Hooks National Book Award Winner (Benjamin L. Hooks Institute for Social Change)Honorable Mention, Association for the Study of the Arts of the Present 2023 Book PrizeHonorable Mention, 2023 John W. Frick Book Award (American Theatre and Drama Society)Finalist, 2022 George Freedley Memorial Award of the Theatre Library Association.Finalist, Barnard Hewitt Award for Outstanding Research in Theatre History (ASTR)Finalist, ATHE Outstanding Book AwardA bold rethinking of the Civil Rights Movement through the lens of Black theaterFreedom, Now! This rallying cry became the most iconic phrase of the Civil Rights Movement, challenging the persistent command that Black people waitin the holds of slave ships and on auction blocks, in segregated bus stops and schoolyardsfor their long-deferred liberation. In Black Patience, Julius B. Fleming Jr.Trade ReviewDemonstrates how temporality as an analytic helps us understand the dynamics of antiblack racism within a political economy of black subjugation. By uncovering little-known plays or unexpected black spaces where plays were produced, Julius Fleming expands the Civil Rights Movement’s literary canon and indexes the multiple registers of ‘patience’ mobilized by blacks and whites within white supremacy and black resistance. Beautifully written and meticulously researched, Black Patience is a tour de force. * E. Patrick Johnson, author of Honeypot: Black Southern Women Who Love Women *Offers crucial insight into debates about black political action by carefully and convincingly locating progress in the ephemerality of the now. Adding a distinctive and powerful addition to the history and critical understanding of the Civil Rights Movement, Julius Fleming details the impact of direct action in the present to establish the importance of black theatre to black freedom. * Soyica Diggs Colbert, Georgetown University *Creating a new framework to understand the classical phase of the civil rights movement is no easy task given the number of published books on the topic. However, through his focus on temporality and the links between time and affect—patience is, definitionally, about time—Fleming has done just that. * Journal of Southern History *Fleming successfully accomplishes what he describes as a key purpose of the book: “to map a new cultural and political history of the Civil Rights Movement” (41). * American Literary History *
£62.90
New York University Press Black Patience
Book Synopsis2024 College Language Association Book Award Winner2023 Hooks National Book Award Winner (Benjamin L. Hooks Institute for Social Change)Honorable Mention, Association for the Study of the Arts of the Present 2023 Book PrizeHonorable Mention, 2023 John W. Frick Book Award (American Theatre and Drama Society)Finalist, 2022 George Freedley Memorial Award of the Theatre Library Association.Finalist, Barnard Hewitt Award for Outstanding Research in Theatre History (ASTR)Finalist, ATHE Outstanding Book AwardA bold rethinking of the Civil Rights Movement through the lens of Black theaterFreedom, Now! This rallying cry became the most iconic phrase of the Civil Rights Movement, challenging the persistent command that Black people waitin the holds of slave ships and on auction blocks, in segregated bus stops and schoolyardsfor their long-deferred liberation. In Black Patience, Julius B. Fleming Jr.Trade ReviewDemonstrates how temporality as an analytic helps us understand the dynamics of antiblack racism within a political economy of black subjugation. By uncovering little-known plays or unexpected black spaces where plays were produced, Julius Fleming expands the Civil Rights Movement’s literary canon and indexes the multiple registers of ‘patience’ mobilized by blacks and whites within white supremacy and black resistance. Beautifully written and meticulously researched, Black Patience is a tour de force. * E. Patrick Johnson, author of Honeypot: Black Southern Women Who Love Women *Offers crucial insight into debates about black political action by carefully and convincingly locating progress in the ephemerality of the now. Adding a distinctive and powerful addition to the history and critical understanding of the Civil Rights Movement, Julius Fleming details the impact of direct action in the present to establish the importance of black theatre to black freedom. * Soyica Diggs Colbert, Georgetown University *Creating a new framework to understand the classical phase of the civil rights movement is no easy task given the number of published books on the topic. However, through his focus on temporality and the links between time and affect—patience is, definitionally, about time—Fleming has done just that. * Journal of Southern History *Fleming successfully accomplishes what he describes as a key purpose of the book: “to map a new cultural and political history of the Civil Rights Movement” (41). * American Literary History *
£22.79
New York University Press Black Ephemera
Book SynopsisPROSE Award- Music and Performing Arts Category WinnerA framework for understanding the deep archive of Black performance in the digital eraIn an era of Big Data and algorithms, our easy access to the archive of contemporary and historical Blackness is unprecedented. That iterations of Black visual art, such as Bert Williams's 1916 silent film short A Natural Born Gambler or the performances of Josephine Baker from the 1920s, are merely a quick YouTube search away has transformed how scholars teach and research Black performance. While Black Ephemera celebrates this new access, it also questions the crisis and the challenge of the Black musical archive in a moment when Black American culture has become a global export. Using music and sound as its primary texts, Black Ephemera argues that the cultural DNA of Black America has become obscured in the transformation from analog to digital. Through a cross-reading of the relationship between the digital era and culture produced in the prTrade ReviewCovers, citations, and samples spill over the boundaries of form and technology in order to differently reveal the irrepressible, transformative Black archive. Neal displays his archeological talents in demonstration of Black music's ability to return, to sustain, and to answer. Vibrating with relation, Black Ephemera reveals the fact of Black genius and the dense possibility of Black forever through those wise and committed enough to listen * Shana L. Redmond, author of Everything Man: The Form and Function of Paul Robeson *A majestic study of the idea and practice of Black archives. As Mark Anthony Neal analyzes the sonic, digital, literary, and visual, he unveils the power of Black maroon archives, which preserve the opacities, sonic disruptions, and glimpses of possibility that are not meant to be consumed. Black Studies needs this brilliant analysis of the uncontainable wind of Black culture, the wind that blows through open windows. * Margo Natalie Crawford, author of Black Post-Blackness: The Black Arts Movement and Twenty-First-Century Aesthetics *In Black Ephemera, Neal conducts an impressive symphony of memory work. The digital frontier transformed what an archive looks like, how it functions, where it lives, and who gets access to it … As chapters diverge in theme and latitude, the book assumes the feel of a mixtape. There’s one on the pioneering Memphis record label Stax. There’s another chapter on the distillation of Black women’s trauma through pop culture, and one about how collective Black mourning is produced, shared, and preserved digitally. The whole is an impressive totem, and guide, to the importance of holding on to things forgotten in our haste to the future. * Wired *Black music is part of the cultural fabric of society, and Neal offers critical insights into how one can think and learn about it. Valuable for artists, archivists, and historians as well as music students and enthusiasts. -- J. T. Pekarek, Indiana University Northwest * CHOICE *
£20.89
New York University Press The Queer Nuyorican
Book SynopsisFinalist for The Barnard Hewitt Award for Outstanding Research in Theatre History, given by the American Society for Theatre Research.Silver Medal Winner of The Victor Villaseñor Best Latino Focused Non-Fiction Book Award, given by the International Latino Book Awards.Honorable Mention for the Best LGBTQ+ Themed Book, given by the International Latino Book Awards.A queer genealogy of the famous performance space and the nuyorican aesthetic One could easily overlook the Nuyorican Poets Cafe, a small, unassuming performance venue on New York City's Lower East Side. Yet the space once hosted the likes of Victor Hernández Cruz, Allen Ginsberg, and Amiri Baraka and is widely credited as the homespace for the emergent nuyorican literary and aesthetic movement of the 1990s. Founded by a group of counterculturalist Puerto Rican immigrants and artists in the 1970s, the space slowly transformed the Puerto RicTrade ReviewA thrilling meditation on the seldom-acknowledged wild and wily ways artists of color in the 1990s and 2000s queered Nuyorican poetic performance by astutely reconnecting with its corporeally fluid founding aesthetics. Karen Jaime’s The Queer Nuyorican is a timely and seductive invitation to explore nuyorican aesthetics as an inclusive, mobile, inspiringly contentious Open Room. * Arnaldo Cruz-Malavé, author of Queer Latino Testimonio, Keith Haring, and Juanito Xtravaganza: Hard Tails *Karen Jaime’s assessment of the aesthetics cultivated and mobilized at the Nuyorican Poets Cafe takes a groundbreaking turn to render queer contributions as central to the artistic, cultural, and political legacy and future of this beloved institution. Bringing to light previously unexamined archival materials and offering a proximity of analysis only possible from the vantage point of a creative participant in the scene, Karen Jaime allows us to discover the Nuyorican anew. This intimate and rigorous volume will shape all future scholarship on the Cafe and the nuyorican aesthetic. * Ramón H. Rivera-Servera, Dean of the College of Fine Arts at the University of Texas at Austin *The Queer Nuyorican has the potential to make readers hopeful for a queer future through its particular connection to the queer past. The book’s chapters, organized by artistic subjects, make for a gratifying read for specialists, as well as more general audiences, allowing for a more queer, and racially diverse, view of the field. * The Journal of American Drama and Theatre *"The Queer Nuyorican is an extremely compelling book. By positioning herself so centrally and working with such a rich and heretofore underutilized archive, Karen Jaime transforms our perception of this leading Puerto Rican, Latinx, African American, and queer of color institution in New York City." * Latino Studies Journal *
£62.90
New York University Press The Queer Nuyorican
Book SynopsisFinalist for The Barnard Hewitt Award for Outstanding Research in Theatre History, given by the American Society for Theatre Research.Silver Medal Winner of The Victor Villaseñor Best Latino Focused Non-Fiction Book Award, given by the International Latino Book Awards.Honorable Mention for the Best LGBTQ+ Themed Book, given by the International Latino Book Awards.A queer genealogy of the famous performance space and the nuyorican aesthetic One could easily overlook the Nuyorican Poets Cafe, a small, unassuming performance venue on New York City's Lower East Side. Yet the space once hosted the likes of Victor Hernández Cruz, Allen Ginsberg, and Amiri Baraka and is widely credited as the homespace for the emergent nuyorican literary and aesthetic movement of the 1990s. Founded by a group of counterculturalist Puerto Rican immigrants and artists in the 1970s, the space slowly transformed the Puerto RicTrade ReviewA thrilling meditation on the seldom-acknowledged wild and wily ways artists of color in the 1990s and 2000s queered Nuyorican poetic performance by astutely reconnecting with its corporeally fluid founding aesthetics. Karen Jaime’s The Queer Nuyorican is a timely and seductive invitation to explore nuyorican aesthetics as an inclusive, mobile, inspiringly contentious Open Room. * Arnaldo Cruz-Malavé, author of Queer Latino Testimonio, Keith Haring, and Juanito Xtravaganza: Hard Tails *Karen Jaime’s assessment of the aesthetics cultivated and mobilized at the Nuyorican Poets Cafe takes a groundbreaking turn to render queer contributions as central to the artistic, cultural, and political legacy and future of this beloved institution. Bringing to light previously unexamined archival materials and offering a proximity of analysis only possible from the vantage point of a creative participant in the scene, Karen Jaime allows us to discover the Nuyorican anew. This intimate and rigorous volume will shape all future scholarship on the Cafe and the nuyorican aesthetic. * Ramón H. Rivera-Servera, Dean of the College of Fine Arts at the University of Texas at Austin *The Queer Nuyorican has the potential to make readers hopeful for a queer future through its particular connection to the queer past. The book’s chapters, organized by artistic subjects, make for a gratifying read for specialists, as well as more general audiences, allowing for a more queer, and racially diverse, view of the field. * The Journal of American Drama and Theatre *"The Queer Nuyorican is an extremely compelling book. By positioning herself so centrally and working with such a rich and heretofore underutilized archive, Karen Jaime transforms our perception of this leading Puerto Rican, Latinx, African American, and queer of color institution in New York City." * Latino Studies Journal *
£22.79
New York University Press Digital Black Feminism
Book SynopsisWinner, Diamond Anniversary Book Award, awarded by the National Communication AssociationWinner, 2022 Nancy Baym Book Award, given by the Association of Internet ResearchersTraces the longstanding relationship between technology and Black feminist thoughtBlack women are at the forefront of some of this century's most important discussions about technology: trolling, online harassment, algorithmic bias, and influencer culture. But, Catherine Knight Steele argues that Black women's relationship to technology began long before the advent of Twitter or Instagram. To truly listen to Black women, Steele points to the history of Black feminist technoculture in the United States and its ability to decenter white supremacy and patriarchy in a conversation about the future of technology. Using the virtual beauty shop as a metaphor, Digital Black Feminism walks readers through the technical skill, communicative expertise, and entrepreneurial acumen of Black women's laborborn of survival strategies and economic necessityboth on and offline.Positioning Black women at the center of our discourse about the past, present, and future of technology, Steele offers a through-line from the writing of early twentieth-century Black women to the bloggers and social media mavens of the twenty-first century. She makes connections among the letters, news articles, and essays of Black feminist writers of the past and a digital archive of blog posts, tweets, and Instagram stories of some of the most well-known Black feminist writers of our time. Linking narratives and existing literature about Black women's technology use in the nineteenth, twentieth, and twenty-first century, Digital Black Feminism traverses the bounds between historical and archival analysis and empirical internet studies, forcing a reconciliation between fields and methods that are not always in conversation. As the work of Black feminist writers now reaches its widest audience online, Steele offers both hopefulness and caution on the implications of Black feminism becoming a digital product.Trade ReviewWith this accessible volume, Catherine Knight Steele has offered readers a compelling explanation of Black feminist technoculture. Black women have long been at the forefront of technological advances, creation and dialogue; Steele skillfully traces their influence into the present and future. * Ms. Magazine *First, Steele positions Black women online as central to the future of communication technology just as they've been central to its past. Second, per its title, Digital Black Feminism traces and critically examines a evolutionary shift in Black feminism thought, one driven and enabled by new technology … For a book with heft, it strikes an impressive balance of accessibility and intellectual innovation. * NPR Books *This book is a must-read in a time when we need to redouble our commitments to social justice. Catherine Knight Steele helps us understand and celebrate the powerful work that Black feminists do to make the world a better place. * Safiya Umoja Noble, author of Algorithms of Oppression: How Search Engines Reinforce Racism *Critically engages the digital possibilities of contemporary Black feminist thought and, in doing so, charts important new directions for Black feminism and technoculture. Steele argues that Black women’s creation of Digital Black Feminism reflects a sophisticated digital praxis that builds upon yet stands apart from historical traditions of Black feminist thought and hip hop feminism. A must-read book for understanding the possibilities and limitations of digital spaces for social justice projects. * Patricia Hill Collins, author of Black Feminist Thought: Knowledge, Consciousness and the Politics of Empowerment *Steele’s careful consideration of what and whom to research, particularly with regard to Black women and other marginalized groups, is an ethical model that other social media researchers should take seriously as well. Digital Black Feminism moves the work of digital black feminism from the margins to the center, where the personal is not only political but digital. * Film Quarterly *Steele emphasizes how digital Black feminists specifically broaden traditional conceptualizations of activism, complicate ideas of appropriate allegiances, and actively engage with contradictions in Black communities…The author’s analysis of contemporary Black feminist digital enclaves and counter publics and her engagement with current practices and vernacular within Black communities make the text topical and compelling. -- K. Gentles-Peart, Roger Williams University * Choice *Digital Black Feminism provides a framework for Black women to rightfully occupy a space in our society that acknowledges and values their existence, positioning Black feminists at the center of digital studies from the standpoint of Black women. * Resources for Gender and Women's Studies *Digital Black Feminism reemphasizes the history of marginalization of Black women in the field of technology that acts as tools for social justice by and for Black women, including physical and virtual beauty shops, digital platforms for storytelling, and creative works. Steele’s examination and definitive conversations regarding digital Black feminism are intuitive, inspiring, and engaging. * Journal of Popular Culture *
£20.89
New York University Press Digital Black Feminism
Book SynopsisWinner, Diamond Anniversary Book Award, awarded by the National Communication AssociationWinner, 2022 Nancy Baym Book Award, given by the Association of Internet ResearchersTraces the longstanding relationship between technology and Black feminist thoughtBlack women are at the forefront of some of this century's most important discussions about technology: trolling, online harassment, algorithmic bias, and influencer culture. But, Catherine Knight Steele argues that Black women's relationship to technology began long before the advent of Twitter or Instagram. To truly listen to Black women, Steele points to the history of Black feminist technoculture in the United States and its ability to decenter white supremacy and patriarchy in a conversation about the future of technology. Using the virtual beauty shop as a metaphor, Digital Black Feminism walks readers through the technical skill, communicative expertise, and entrepreTrade ReviewWith this accessible volume, Catherine Knight Steele has offered readers a compelling explanation of Black feminist technoculture. Black women have long been at the forefront of technological advances, creation and dialogue; Steele skillfully traces their influence into the present and future. * Ms. Magazine *First, Steele positions Black women online as central to the future of communication technology just as they've been central to its past. Second, per its title, Digital Black Feminism traces and critically examines a evolutionary shift in Black feminism thought, one driven and enabled by new technology … For a book with heft, it strikes an impressive balance of accessibility and intellectual innovation. * NPR Books *This book is a must-read in a time when we need to redouble our commitments to social justice. Catherine Knight Steele helps us understand and celebrate the powerful work that Black feminists do to make the world a better place. * Safiya Umoja Noble, author of Algorithms of Oppression: How Search Engines Reinforce Racism *Critically engages the digital possibilities of contemporary Black feminist thought and, in doing so, charts important new directions for Black feminism and technoculture. Steele argues that Black women’s creation of Digital Black Feminism reflects a sophisticated digital praxis that builds upon yet stands apart from historical traditions of Black feminist thought and hip hop feminism. A must-read book for understanding the possibilities and limitations of digital spaces for social justice projects. * Patricia Hill Collins, author of Black Feminist Thought: Knowledge, Consciousness and the Politics of Empowerment *Steele’s careful consideration of what and whom to research, particularly with regard to Black women and other marginalized groups, is an ethical model that other social media researchers should take seriously as well. Digital Black Feminism moves the work of digital black feminism from the margins to the center, where the personal is not only political but digital. * Film Quarterly *Steele emphasizes how digital Black feminists specifically broaden traditional conceptualizations of activism, complicate ideas of appropriate allegiances, and actively engage with contradictions in Black communities…The author’s analysis of contemporary Black feminist digital enclaves and counter publics and her engagement with current practices and vernacular within Black communities make the text topical and compelling. -- K. Gentles-Peart, Roger Williams University * Choice *Digital Black Feminism provides a framework for Black women to rightfully occupy a space in our society that acknowledges and values their existence, positioning Black feminists at the center of digital studies from the standpoint of Black women. * Resources for Gender and Women's Studies *Digital Black Feminism reemphasizes the history of marginalization of Black women in the field of technology that acts as tools for social justice by and for Black women, including physical and virtual beauty shops, digital platforms for storytelling, and creative works. Steele’s examination and definitive conversations regarding digital Black feminism are intuitive, inspiring, and engaging. * Journal of Popular Culture *
£62.90
New York University Press The Other Side of Terror
Book SynopsisWINNER, 2022 John Hope Franklin Prize, given by the American Studies Association HONORABLE MENTION, 2022 Gloria E. Anzaldúa Book Prize, given by the National Women''s Studies AssociationReveals the troubling intimacy between Black women and the making of US global powerThe year 1968 marked both the height of the worldwide Black liberation struggle and a turning point for the global reach of American power, which was built on the counterinsurgency honed on Black and other oppressed populations at home. The next five decades saw the consolidation of the culture of the American empire through what Erica R. Edwards calls the imperial grammars of blackness.This is a story of state power at its most devious and most absurd, and, at the same time, a literary history of Black feminist radicalism at its most trenchant. Edwards reveals how the long war on terror, beginning with the lateCold War campaign against organizations like theTrade ReviewBrilliantly maps the transformations in black women’s expressive culture in response to COINTELPRO, the war on drugs, and the long war on terror. A necessary, timely history of state power and black feminist radicalism, The Other Side of Terror is, at once, a critique of empire and its myriad violence, a refusal of servitude, and a poetics of dissent. As Edwards demonstrates persuasively and eloquently: radical black feminist thought is indispensable to our collective effort to survive. * Saidiya Hartman, author of Wayward Lives, Beautiful Experiments: Intimate Histories of Riotous Black Girls, Troublesome Women and Queer Radicals *In this highly informed and deeply researched interrogation of the global security state after 9/11, Erica Edwards asks us to read black women and black women’s expressive culture as both resistant to and complicit in American global power. To expose and critique the American security regime and the cultures of imperialism, Edwards turns to a tradition of black feminist radicalism and the insurgent texts of black feminists such as Alice Randall, June Jordan, Toni Cade Bambara, Gloria Naylor, and Nikki Finney. This is a brave and unsettling book, one that makes us think about black women not as fringe actors or minority figures, but as major players in the global arena. * Mary Helen Washington, author of The Other Blacklist: The African American Literary and Cultural Left of the 1950s *Erica R. Edwards presents a powerful analysis connecting politics and literature…This is a brilliant book that is likely to produce endless new insights. * Ethnic and Racial Studies *
£66.60
New York University Press The Other Side of Terror
Book SynopsisWINNER, 2022 John Hope Franklin Prize, given by the American Studies Association HONORABLE MENTION, 2022 Gloria E. Anzaldúa Book Prize, given by the National Women's Studies AssociationReveals the troubling intimacy between Black women and the making of US global powerThe year 1968 marked both the height of the worldwide Black liberation struggle and a turning point for the global reach of American power, which was built on the counterinsurgency honed on Black and other oppressed populations at home. The next five decades saw the consolidation of the culture of the American empire through what Erica R. Edwards calls the imperial grammars of blackness.This is a story of state power at its most devious and most absurd, and, at the same time, a literary history of Black feminist radicalism at its most trenchant. Edwards reveals how the long war on terror, beginning with the lateCold War campaign against organizations like the Black Panther Party for Self-Defense and the Black Liberation ATrade Review"Brilliantly maps the transformations in black women’s expressive culture in response to COINTELPRO, the war on drugs, and the long war on terror. A necessary, timely history of state power and black feminist radicalism, The Other Side of Terror is, at once, a critique of empire and its myriad violence, a refusal of servitude, and a poetics of dissent. As Edwards demonstrates persuasively and eloquently: radical black feminist thought is indispensable to our collective effort to survive." * Saidiya Hartman, author of Wayward Lives, Beautiful Experiments: Intimate Histories of Riotous Black Girls, Troublesome Women and Queer Radicals *"In this highly informed and deeply researched interrogation of the global security state after 9/11, Erica Edwards asks us to read black women and black women’s expressive culture as both resistant to and complicit in American global power. To expose and critique the American security regime and the cultures of imperialism, Edwards turns to a tradition of black feminist radicalism and the insurgent texts of black feminists such as Alice Randall, June Jordan, Toni Cade Bambara, Gloria Naylor, and Nikki Finney. This is a brave and unsettling book, one that makes us think about black women not as fringe actors or minority figures, but as major players in the global arena." * Mary Helen Washington, author of The Other Blacklist: The African American Literary and Cultural Left of the 1950s *"Erica R. Edwards presents a powerful analysis connecting politics and literature…This is a brilliant book that is likely to produce endless new insights." * Ethnic and Racial Studies *
£23.74
