Ethnic studies / Ethnicity Books

Book SynopsisBlack Celebrity examines representations of postbellum black athletes and artist-entertainers by novelists Caryl Phillips and Jeffery Renard Allen and poets Kevin Young, Frank X Walker, Adrian Matejka, and Tyehimba Jess. Inhabiting the perspectives of boxer Jack Johnson and musicians “Blind Tom” Wiggins and Sissieretta Jones, along with several others, these writers retrain readers’ attention away from athletes’ and entertainers’ overdetermined bodies and toward their complex inner lives. Phillips, Allen, Young, Walker, Matejka, and Jess especially plumb the emotional archive of desire, anxiety, pain, and defiance engendered by the racial hypervisibility and depersonalization that has long characterized black stardom. In the process, these novelists and poets and, in turn, the present book revise understandings of black celebrity history while evincing the through-lines between the postbellum era and our own time. Table of ContentsIntroduction: Portraits of Black Fame, or The Past as Blueprint for the Present Chapter 1: “my black body / thrown free”: The Legacy of Jack Johnson in Kevin Young’s To Repel Ghosts: The Remix from the Original Masters Chapter 2: “More of a man than you”: The Many Faces of Jack Johnson in Adrian Matejka’s The Big Smoke Chapter 3: “The Sting of Race and Sport”: Revivifying Isaac Burns Murphy in Frank X Walker’s Isaac Murphy: I Dedicate This Ride Chapter 4: “the overwhelming evidence of his artistry”: Wiping Away the Minstrel Mask in Caryl Phillips’s Dancing in the Dark Chapter 5: “Blind Tom, Musical Prodigy of the Age”: Unrecoverability in Jeffery Renard Allen’s Song of the Shank Chapter 6: “Let this belting be our / unbinding”: Reconceptualizing Black Entertainment in Tyehimba Jess’s Olio Bibliography Endnotes Index

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Book SynopsisA meditation on freedom making in the academy for women scholars of color. Weaving personal narrative with political analysis, Community as Rebellion offers a meditation on creating liberatory spaces for students and faculty of color within academia. Much like other women scholars of color, Lorgia García Peña has struggled against the colonizing, racializing, classist, and unequal structures that perpetuate systemic violence within universities. Through personal experiences and analytical reflections, the author invites readers—in particular Black, Indigenous, Latinx, and Asian women—to engage in liberatory practices of boycott, abolition, and radical community-building to combat the academic world’s tokenizing and exploitative structures.García Peña argues that the classroom is key to freedom-making in the university, urging teachers to consider activism and social justice as central to what she calls “teaching in freedom”: a progressive form of collective learning that prioritizes the subjugated knowledge, silenced histories, and epistemologies from the Global South and Indigenous, Black, and brown communities. By teaching in and for freedom, we not only acknowledge the harm that the university has inflicted on our persons and our ways of knowing since its inception, but also create alternative ways to be, create, live, and succeed through our work.Trade Review"A life-saving and life-affirming text, Community as Rebellion offers us the trenchant analysis and fearless strategy radical scholar-activists have long needed. But Lorgia García Peña’s intervention is especially valuable at this moment, as we collectively consider how our most important social institutions might be reimagined beyond the strongholds of white supremacy, heteropatriarchy, and racial capitalism more broadly."—Angela Y. Davis, author of Freedom is a Constant Struggle“Community as Rebellion is a must read for anyone serious about confronting institutional racism, sexism, and elitism. Lorgia García Peña, one of her generation's most brilliant scholar-activists, challenges us to confront academia as a ‘colonial and colonizing’ space as the first step toward resistance and transformation. Her own experiences undergird her analysis and serve as a powerful call to action.” —Barbara Ransby, author of Eslanda“Lorgia García Peña is one of the few courageous and brilliant intellectuals grounded in rigorous and visionary grassroots education. This pedagogical guide for genuine freedom struggles is so badly needed in our neo-fascist times!”—Cornel West, Union Theological Seminary“Some key words that I think of when I think of Lorgia García Peña and her work: brilliant, courageous, loving, stubborn, ferocious, truth-teller. Community as Rebellion combines piercing diagnosis with an invitation to think about how we organize resistance and mobilize communities…. Generative and powerful.”—Ruha Benjamin, Princeton University“Unflinching, brilliant, and absolutely necessary. In these pages, Lorgia García Peña shares her experiences—and others’—to reflect on what it means to be ‘the stranger’ in academia: that sole symbol for diversity that still remains an outsider. Unwavering in its clarity and compassion, this powerful book reminds us that true belonging comes from actively building communities unafraid to center care and rebellion. Everyone should read this.” —Maaza Mengiste, author of The Shadow King"‘What does it mean to teach for freedom?’ Dr. García Peña asks and boldly beckons us toward its practice across the policed borders of discipline, nation, theoretical traditions, and entrenched racial categories. A capacious thinker, rigorous researcher, brilliant activist, and path-breaking scholar, Dr. García Peña calls on us not simply, as she writes, to ‘mind the historical gaps’ for long-subjugated stories but alerts us to the ways these gaps have been historically mined in extractive ways in the service of colonial projects and neoliberal calls for diversity. Her astonishing work gathers us under its broad canopy to plot and persevere toward communal rebellion and renewal.” —Deborah Paredez, Columbia University“With characteristic clarity, courage, and conviction, Lorgia García Peña draws on her remarkable history as an engaged scholar and committed activist to demonstrate the necessity of living in community and accompanying others as keys to both personal liberation and social transformation.” —George Lipsitz, author, The Possessive Investment in Whiteness“Community as Rebellion is partly an incisive and deeply personal expose of the neoliberal university and its racializing and patriarchal practices of denigrating women of color scholars while extracting their intellectual, administrative, and emotional labor. But it is, above all, a mandate to transform higher education that begins with recognizing our mutual obligations to each other and to the world we study, extending 'community' beyond the ivory tower, and co-creating with our students new, autonomous intellectual spaces. Lorgia García Peña wrote this book not from a dream or an abstract theory but from building rebel communities for over a decade. She knows that there can be no free education without freedom.”—Robin D. G. Kelley, author of Freedom Dreams: The Black Radical Imagination"Community as Rebellion is a powerhouse of a manifesto that tells the truth about structural violence in academia and invites us to do the hard work of dismantling white supremacy as we learn, teach and labor within oppressive institutions. By breaking the code of silence that upholds the university’s racism, colonialism, elitism and sexism, Lorgia Garcìa Peña creates much needed space for marginalized communities to disrupt and transform the politics and praxis of knowledge production. A love letter to ethnic studies and a roadmap for enacting change, this is the book so many of us have been waiting for."— Crystal M. Fleming, Professor of Sociology and Africana Studies, SUNY Stony BrookTable of ContentsTable of Contents:1. On being “the One”: The first chapter relates the challenges of being tokenized within the academy as a women of color scholar. The chapter provides personal examples and posits a proposition to contrast the individualistic model of success with one of community.2. Complicity: This chapter lays out what the author considers a structure of complicity that sustains unequal labor practices that systematically affect women of color. Based on a series of interviews and autoethnographic interventions, the chapter takes on tenure, labor appropriation, mentoring as some of the main sites of complicity. 3. Freedom: This chapter proposes teaching as an act of freedom making and offers practical examples of how to teach in/for freedom, how to create communities that promote collective learning and engage in justice-making practices in the classroom that can lead to long-term positive changes in our society.4. Ethnic Studies as Rebellion: This final chapter meditates on ethnic studies as a critical site from which to fight against the hegemonic practices of exclusion that uphold Eurocentric and Euro-American knowledge as the only way to see the world while relegating knowledge that comes from everywhere else to the periphery. The chapter is an invitation to rebel through centering subjugated knowledge and the epistemologies of oppressed peoples.

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Book SynopsisIn 1990, Blood in the Face: The Ku Klux Klan, Aryan Nations, Nazi Skinheads, and the Rise of a New White Culture was the first book to uncover the contours, beliefs, leaders, and wider influence of the American racist far right movement. It told their story from the inside out, complete with interviews, recruiting pamphlets, cartoons, rants, sermons, threats, police reports, and more. The accompanying analysis by veteran investigative reporter James Ridgeway detailed the movement 's volatile history and its expansion beginning in the 1980s, insisting that the groups making up this "fringe" culture were too powerful—and too much a part of American culture—to be ignored or dismissed.When the book 's prescience about the dangers of the racist far-right became manifest in the Oklahoma City bombing of 1995, a second edition of Blood in the Face was released with a new introduction charting the rise of the Militia Movement to which Timothy McVeigh and his co-conspirators were connected. Since then, both the book and the documentary film that accompanied its release (also titled Blood in the Face), have earned cult followings.In the past 25 years, Ridgeway 's final warning—that the "fringe was becoming part of the fabric" of American politics and culture—has come to chilling fruition in the rise of the Tea Party, the racist backlash against the presidency of Barack Obama, the resurgence of anti-immigrant Nativism, the growth of racist far-right media, and the election of Donald Trump with the thunderous support of white nationalists.Trade Review"Few listened when journalist James Ridgeway sounded the alarm about the resurgent far-right. Hand this book to anyone who thinks that the racist movement ended with the Trump presidency."—James Tracy, Co-author No Fascist USA: The John Brown Anti-Klan Committee and Lessons for Today's Movements"[A] guidebook through the nether regions of the racist universe." —New York Times"Ridgeway is a skilled guide through the bewildering and amorphous network of racists, radical tax resisters, skinheads, Nazis and Klansmen that composes what he terms 'an organized and, at times, violent, new far-right movement." —Los Angeles Times"[A] comprehensive view of racist politics in the United States (with some reference to Western European politics)." —Library Journal"With startling detail, this volume sets forth the violent histories of such organizations as the Ku Klux Klan, founded in 1866 by six former Confederate soldiers; the John Birch Society, an anti civil rights group masquerading as an anti Communist force; and the Po sse Comitatus, whose members gather in posses to "protect" the white race from the scourge of Jews, blacks and other minorities. Examining their influence on the political climate of the U.S., Ridgeway profiles such leaders as David Dukes, the former head of the Knights of the Ku Klux Klan in Louisiana who ran for the Senate in 1990. Readers may feel overwhelmed by the amount of information this fascinating book imparts...." —Publishers Weekly"Clear and comprehensive." —Kirkus"[P]aint[s] a worrying picture of groups and ideologies that inspire Dylann Roof." —Guardian

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Book SynopsisIn recent years, the debate over the future of Confederate monuments has taken center stage and caused bitter clashes in communities throughout the American South. At the heart of the debate is the question of what these monuments represent. The arguments and counterarguments are formulated around sets of assumptions grounded in Southern history, politics, culture, and race relations. Comprehending and evaluating accurately the associated claims and counterclaims calls for a careful examination of facts and legal considerations relevant to each side's assertations. In Monumental Harm, Roger C. Hartley offers a road map to addressing and resolving this acrimonious debate.Although history and popular memory play a vital role in the discussion, there have been distortions of both parts. Monumental Harm reviews the fact-based history of the initial raising of these monuments and distinguishes it from the popular memory held by many Confederate-monument supporters. Hartley also addresses concerns regarding the potential erasure of history and the harm these monuments have caused the African American community over the years, as well as the role they continue to play in politics and power.The recent rise in White nationalism and the video-recorded murders of Black citizens at the hands of White police officers have led to nationwide demonstrations and increased scrutiny of Confederate monuments on public land. As injustice is laid bare and tempers flare, the need for a peaceful resolution becomes ever-more necessary. Monumental Harm offers a way to break the rhetorical deadlock, urging that we evaluate the issue through the lens of the U.S. Constitution while employing the overarching democratic principle that no right is absolute. Through constructive discourse and good-faith compromise, a more perfect union is within reach.

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Book SynopsisA visionary anthology that examines and reimagines the archive as a form of collective record-keeping, featuring work by Alexis Pauline Gumbs, Douglas Kearney, Brenda Shaughnessy, Mahogany L. Brown, and many new and emerging voices.Inspired by Naima Yael Tokunow’s research into the Black American record (and its purposeful scarceness), Permanent Record asks, what do we gain when we engage with our flawed cultural systems of remembrance? How does questioning and creating a deep relationship to the archive, and in some cases, spinning thread from air where there is none, allow us to prefigure the world that we want? Including reflections on identity and language, diasporic and first generation lived experiences, and responses to the ways the record upholds harm and provides incomplete understandings, Permanent Record hopes to reframe what gets to be a part of collective remembrance, exploring “possibilities for speculating beyond recorded multiplicity.”

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Book SynopsisSteven Leyva’s second collection of poetry renders beauty through a Black man’s lens in a post-pandemic world populated with superheroes and characters from ancient mythology.In The Opposite of Cruelty, Steven Leyva’s poems ask readers to see and remember beauty when the world seems to be in ruins, to notice and praise “the industrious cherry // trees budding despite a summer / full of bullets to come.” For Leyva, beauty can be found in lineage and memory, in the heroes of the comics and TV shows he watched as a boy, in taking his children to the movies to see an afro-latino Spider-man on the big screen, and in doing so passing down that beauty, those means of survival. In these sonnets and urban pastorals you’ll find Selena, UGK and Outkast, Storm, Static, and Batman, as well as Sisyphus, Medusa, Perseus, and Grendel. This weaving of modern culture and the ancient world calls attention to our need for stories, how heroes and villains take up residence inside us, how important it is to see one’s self represented in art and film. This book does not look away from life''s hard and cruel moments, it simply dares to ask “What is the opposite of cruelty?” The answers: The beauty of a Black boy in his school picture, the beauty of one man’s hand touching another man’s face at the barber, the beauty of a family home or a memory of what it once was, "not a season of phantasmal peace, but what’s left / when the world’s terrors retreat.”

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Book SynopsisBreak away from diet culture while still honoring your body and incorporating cultural foods in this fresh, expansive guide from the registered dietitian and creator of Your Latina Nutritionist.?Witty and warm, The Latina Anti-Diet is the perfect way to begin to heal your relationship with food and by proxy your body.??Mikki Kendall, New York Times bestselling author of Hood FeminismDiet culture is facing a reckoning, and intuitive eating has been leading the charge. The movement has taken the internet by storm, encouraging us to stop dieting and make food choices that feel good for our bodies rather than follow influencers and their shakes. But intuitive eating is missing a key ingredient: culture. Like many movements, intuitive eating has become co-opted by a select few?placing the focus on ?mainstream? food while discounting cultural cuisines. But how can we gain a healthy attitude toward food when our foods?our arroz, habichuelas, and plátanos?are left out of the conversation? Dalina Soto is here to add them back to our plates. As a registered dietitian, Soto understands the pros and cons of intuitive eating. As a first-generation Dominican American, she?s also seen firsthand how this movement has only catered to a certain demographic. With her easy-to-follow CHULA method, Soto teaches us how to? Challenge negative thoughts? Honor ourbodies and health? Understand our needs? Listen to our hunger? Acknowledge our emotionsShegives us tools to confront diet culture and the whitewashing of food so we can go back to eating what we love while managing our health. Engaging and incisive, The Latina Anti-Diet is for everyone who?s been told to lay off the tortillas and swap their white rice for brown. Soto shows us that food is so much more than calories; it?s about celebrating our culture and living a life full of flavor.

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Book SynopsisIn Western Journeys, Teow Lim Goh charts her journeys immigrating from Singapore and spending the last fifteen years living in and exploring the American West. Goh chronicles her lived experiences while building on the longer history of immigrants from Asia during the nineteenth and twentieth centuries, bringing various, and often new insights to places, the historical record, and memory. These vital essays consider how we access truth in the face of erasure. In exploring history, nature, politics, and art, Goh asks, “What does it mean for an immigrant to be at home?” Looking beyond the captivating landscapes of the American West, Goh uncovers stories of the Chinese people who came to America during the exclusion era, the Indigenous peoples who have been written out of popular narratives, and the mountaineers’ merciless ambitions, among many others. She examines the links between the transcontinental railroad, the cowboy myth, and the anti-Chinese prejudice that persists today. These essays explore such subjects as the early efforts to climb Colorado’s highest peaks, the massacre of Chinese miners in Rock Springs, Wyoming, and the increasingly destructive fire seasons in the West. Goh’s essays create a complex, varied, and sometimes contradictory story of people and landscape that asks more questions than it answers.Trade ReviewWestern Journeys is compelling, powerful, and important. The erasure that Goh wants to combat can only be addressed one word at a time. That is the power and the pain of recovery—it is slow—but once the hidden gets pulled into the light it cannot be lost again. Each of these essays is an act of hauling the past into the present, of naming what many might prefer to ignore or deny."—Jennifer Sinor, author of Sky Songs: Meditations on Loving a Broken World and Ordinary Trauma"The writing in Western Journeys is gorgeous, alternatingly spare and lush, in explicating how Teow Lim Goh found her writerly voice as an immigrant enthralled by an American West built upon the legislated and violent erasure of non-whites."—Michelle Liu, University of WashingtonTable of Contents I: Beyond the Myths Hollywood Pilgrims Coastlines Dreams of Golden Mountain Firecracker At the Ruins II: Ordinary Legacies Western Journeys Ascent The Ideology of Paradise A Memory of Hills At the Ponds III: Visions of Land The Road Home: On Christo and Jeanne- Claude’s Over the River Flowers of Prison: Ai Weiwei on Alcatraz Split Footsteps on the Sea Letter to the Arctic IV: Apocalypses Borders and Citizens Refuge: Rocky Flats, Colorado The Ghosts of Bitter Creek Home Lands Fire SeasonV: Off the Page The Stories that Bind Us The Subjective Passions Lost and Found: On Kate Zambreno’s Heroines On Tenacity The Dehumanizing Politics of Likability Notes Bibliography Acknowledgments

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Book SynopsisAncestral Self-Care Practices for Black WomenFrom navigating hostile work environments and healing from trauma to exploring African American home remedies and promoting holistic well-being, Protecting My Peace is a comprehensive guide for black women seeking to prioritize their mental, emotional, and physical health.Reclaim your peace. Protecting My Peace: Embracing Inner Beauty and Ancestral Power focuses on transforming self-perception, recreating ancestral traditions, and channeling the spiritual power of the African feminine divine. Delve into transformative self-care practices and go beyond traditional approaches to physical and mental well-being. Find strategies to connect with ancestral roots, embrace spirituality, and foster personal growth. Prioritize your mental, emotional, and physical health with practical advice on African American home remedies, how to be healthy, and overcoming trauma. Rediscover your inner strength. Enter a transformative journey toward self-acceptance and belonging. Learn to perceive physical beauty through a fresh lens, embrace your whole self, and let your spirit radiate with the essence of your African ancestry.A must-read for black women seeking to reclaim their power and well-being. Understand the philosophy of the African feminine divine. Find empowerment in the idea that places women of the African diaspora at the heart of their cultures. Learn how embracing this power can improve self-confidence, self-esteem, mental health, and emotional well-being.Inside, you’ll find: An exploration of the perception of physical beauty The sense of peace that comes with fully embracing our ancestral traditions An introduction to the philosophy of the African feminine divine If you liked Emotional Self-Care for Black Women, Real Self-Care, or I’m Not Yelling, you’ll love Protecting My Peace.Table of ContentsIntroduction Chapter 1: Movement and Dance Chapter 2: Plant-Based Diet and Natural Remedies Chapter 3: Feminine Power Chapter 4: Beauty and Wellbeing Chapter 5: Music and Drumming Chapter 6: Ritual and the Ancestors Chapter 7: Joy and Community Chapter 8: Meditation and Affirmations ConclusionDETAILED TOC Introduction: The introduction sets the tone for the book, outlining its purpose and what readers can expect from it. It highlights the focus on professional Black women and the unique challenges they face in the workplace. Chapter 1: Movement and Dance at Work: This chapter explores how movement and dance can help professional women express themselves, release work-related stress and tension, and improve overall well-being. Chapter 2: Plant-Based Diet and Natural Remedies for the Working Woman: The author discusses the benefits of a plant-based diet and natural remedies for maintaining physical and mental health in a demanding work environment. Chapter 3: Feminine Power in the Workplace: This chapter focuses on embracing feminine power and the strength that comes with it, despite societal expectations and norms that may attempt to suppress it in professional settings. Chapter 4: Beauty, Wellbeing, and the Professional Woman: The author discusses self-love and recognizing one's beauty and worth, regardless of external societal pressures and standards, while navigating the workplace. Chapter 5: Music and Drumming for Workplace Empowerment: This chapter explores the power of music and drumming as a means of expression, empowerment, and healing in professional environments. Chapter 6: Ritual, Ancestors, and the Working Woman: This chapter discusses the importance of connecting with ancestors and engaging in ritual practices to find strength and guidance in difficult times, especially when facing challenges in the workplace. Chapter 7: Joy, Community, and the Professional Sisterhood: This chapter emphasizes the importance of community and finding joy amid struggle and oppression through building supportive relationships and engaging in uplifting activities with fellow professional women. Chapter 8: Meditation and Affirmations for the Workplace: The author discusses the benefits of meditation and affirmations for mental and emotional well-being and provides practical tips for incorporating these practices into daily work routines. Conclusion: The conclusion summarizes the book's central themes and encourages readers to continue their self-love, healing, and empowerment journey as they navigate the professional world.

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Book SynopsisAn Americas Award Commended TitleRaw, honest and powerful, these moving bilingual poems by noted Salvadoran poet Jorge Argueta explore a young Indigenous boy''s connection to Mother Earth and how he is healed from the terrible wounds of racism he has endured. Tetl has learned from his grandmother about the spirituality of his ancestors, about how they viewed the earth as alive with sacred meaning. This helps him move from doubt and fear, created by the taunts of other children, to self-acceptance and a discovery of his love for nature.Mountains, wind, corn and stones all speak to Tetl, almost seeming to vibrate with life. He feels deep roots in them and, through them, he learns to speak and sing. They reveal his Nahuatl self and he realizes that he is special, beautiful and sacred.These gripping poems have something to teach us all, perhaps especially those who have been either intentionally or casually cruel or racist, as well as those who have been t

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Book SynopsisIn this erudite and comprehensive study Adrian Pearce offers a detailed survey of British trade with Spanish America in the latter half of the eighteenth century drawing together a variety of sources and looking at all aspects of commercial activity. The history and vicissitudes of the free port system are documented in a much fuller way than heretofore and the interests of competing interest groups are mapped out. Pearce re-examines the share of British export trade provided through Spanish America in one of the most important interventions in the field in recent years.Trade ReviewReviews'This is without doubt the most important contribution to Anglo-Spanish (and Latin) American trade history since D.C.M. Platt’s Latin America and British Trade, 1806-1914 (London: Adam & Charles Black, 1972)... This is an outstanding monograph, very well written, very engaging, which I am sure will become the definitive work on this subject.'Manuel Llorca-Jaña, Business History'Pearce concedes that some of his conclusions are provisional – an almost unnecessarily modest remark since many readers will be at a loss to suggest what more he might have done... His argument is credible precisely because it is so well rooted in the records of the age.' David Maclean, Journal of British Studies * Journal of British Studies *All students of colonial Spanish American history and British imperial and economic history should read this fine study. Mark Burkholder, International History Review * International History Review *'His research in twelve archives in six countries...is incredibly impressive. The presentation of the research findings is exemplary; Pearce is always cautious, presenting alternative interpretations to test his own argument, and seeking points of strength among his collation of fragmentary and incomplete sources.' Matthew Brown, Bulletin of Latin American Research'This ambitious work manages difficult, complex material in a carefully reasoned, engaging manner. The first comprehensive treatment of Britain’s trade with Spanish America in modern times, it will undoubtedly remain the standard work for years to come.' Allan Kuethe, Bulletin of Hispanic Studies * Bulletin of Hispanic Studies *'Pearce’s detailed and cautious study is of great interest... Magnificent.' Renate Pieper, Anuario de Estudios Americanos'Moves..towards a broader and more modern vision that goes beyond the strictly national horizon, to seek to throw light on problems common to the mercantilist nations and their (diverse or similar) means of participation in European trade with the Atlantic.' Ana Crespo Solana, Revista de Indias * Revista de Indias *Table of Contents List of Tables and Maps Preface List of Abbreviations Note on Exchange Rates and Values Introductory Essay by Professor John R. Fisher 1 The Origins of British Trade with the Spanish Colonies, Sixteenth Century to 1763 2 The ‘Spanish Trade’, 1763-83: Geographical Expansion and the Free Ports 3 The Comercio de Colonias and the Consolidation of the Free Port System, 1783-96 4 Trade during Wartime (1796-1808): The Spanish Licensed Trade in the British West Indies 5 Trade during Wartime (1796-1808): British Contraband and the Spanish-American Perspective 6 Trade during Wartime (1796-1808): Neutral Trade, the Bullion Contracts, and the ‘Secret Trade’ 7 Conclusions Maps Statistical Appendix: British Trade with the Spanish Colonies, 1788-95 Note on Archival Sources Bibliography for the Study of British Trade with the Spanish Colonies Index

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Book SynopsisIn the last quarter of the twentieth century a considerable number of Spanish films were involved in the task of essaying the nation, that is, of attempting to make it or make it over, of trying to reshape a national identity inexorably dictated by General Francisco Franco up to his death. The book explores four major issues in this regard: 1) the filmic negotiations of the borders of the nation, focusing particularly on the debated and controversial development of Basque cinema vis-à-vis the films produced in the rest of Spain; 2) the persistence of the old obsession with violence, thought of as an inescapable native trait, in a large amount of post-dictatorial films; 3) the newfound insatiable appetite for cinematic travelling, for going out and coming in through all possible variations of the road and travel movie genres; 4) and the vindication of the mother qua a benign emblem of the land and its people, of the nation. There is a narrative in Spanish cinema, taken as a collective discourse, which ties together these four cinematic topoi and proposes a nation whose specificity must be precisely its impurity—difference within as essence—a hybrid nation located in temporal and spatial rendezvous of past and present, tradition and novelty, centre and margin, inside and outside, on and beyond.Trade ReviewReviews 'Zamora's insightful observations and reflections, bolstered by illustrations, further understanding of how many recent Spanish fiction and nonfiction features have fruitfully undertaken the task of “essaying”—his term—the post-Franco nation. The thorough scholarly apparatus includes an extensive bibliography, and the volume was meticulously produced.' D West, CHOICE'Expansive in scope and analytically incisive, Featuring Post-National Spain makes a valuable and dynamic contribution to the fields of Hispanic Studies and Film and Visual Culture.' Fiona Noble, Bulletin of Spanish Visual StudiesTable of ContentsList of FiguresAcknowledgementsPrologue1. Borders (The Exemplary Basque Case)2. Violence (Spanish Eyes)3. Travel (The Transhumant Model)4. Mothers5. Final Remarks (For an Impure Nation)Works CitedIndex of NamesIndex of Film Titles and Directors

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Book SynopsisOver the last decade Spain and Mexico have both produced an extraordinary wealth of television drama. Drawing on both national practices of production and reception and international theories of textual analysis this book offers the first study of contemporary quality TV drama in two countries where television has displaced cinema as the creative medium that shapes the national narrative. As dramatized societies, Spain and Mexico are thus at once reflected and refracted by the new series on the small screen.Trade ReviewReviews ‘A groundbreaking contribution to Hispanic cultural and media studies. Highly readable and well structured, the volume is a unique comparative transnational study of the two principal Spanish-language television markets/industries/cultures. Such comparative scholarship requires expertise on many levels in the two media cultures as well as a grasp of conceptual and theoretic underpinnings of mass media in the context of cultural studies, all of which Smith has in abundance and he uses his knowledge to provide a richly detailed and stimulating reading.’ Professor Marvin D'Lugo, Clark University'Dramatized Societies is an extremely valuable contribution to cultural studies. The balanced combination of introductory critical discourses on relevant issues and close readings of individual works offers a very useful and fertile grounding for seminars and classes on contemporary Spanish and Latin-American television.'Mario Santana, Bulletin of Spanish Visual Studies‘Clear, yet erudite and peppered with witty asides, this book is as informative as it is pleasurable … This book works on multiple levels. Not only does it shed light upon little-known quality TV series, but on a meta-critical level, it is a model for successfully approaching the challenges of television studies.’ Olivia Cosentino, Revista de Estudios HispánicosTable of ContentsIntroduction: Cold Opens Part I: Spain 1 The TV Mini-series as historical memory: from the 23-F (TVE-1, 2009) to Marisol (Antena 3, 2009) (6803) 2 Transnational telenovela redux: Sin tetas no hay paraíso(Telecinco, 2008-9) (11162) 3 Youth culture in television: El internado (Antena 3, 2007-10), Física o química (Antena 3, 2008-11) (10513) 4 Post-colonial TV: El tiempo entre costuras (Antena 3, 2013-14) and El Príncipe (Telecinco, 2014) (13552) Part II: Mexico 5 Educational TV: XY (Canal 11, 2009-12) (11448) 6 Aesthetic TV: Soy tu fan (Canal 11, 2010-12), Pacientes(Canal 11, 2012-13) (9106) 7 Race on TV: Crónica de castas (Canal 11, 2014) (9876) 8 HBO Latino Effect: Capadocia (HBO Latino, 2008-12)(11442) Conclusion: Love Bites

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Book SynopsisEmilia Pardo Bazán was born in the Galician town of A Coruña into a noble family who nurtured her lifelong thirst for knowledge. She is undoubtedly the most controversial, influential and prolific Spanish female writer of the nineteenth century, publishing a vast number of essays, social commentaries, articles, reviews, poems, plays, novels, novellas and short stories. Her third novel, La Tribuna, heralds a new age in Spanish literature, a naturalist work of fiction that examines the situation of contemporary women workers. The author's preparation for the novel involved reading and consulting contemporary pamphlets and newspapers, as well as spending two months in a Galician tobacco factory observing and listening to conversations. This method, common in English writers like Dickens and frequently adopted in France by the masters of Realism, was almost unprecedented in Spain. Set against a background of turmoil and civil unrest, La Tribuna reflects the author's interest in the position of women in Spanish society. The working-class heroine, Amparo, develops from a shapeless, apolitical street urchin into a masterpiece of femininity, a charismatic orator who becomes a 'tribune' of the people. At the same time, however, she allows herself to be seduced by a prosperous middle-class youth whose promises prove to be just as empty as the revolutionary slogans in which she believes so fervently.Table of Contents Acknowledgements Introduction 1. Foreword 2. Emilia Pardo Bazán: her life 3. Feminism 4. The social and political background: revolution and republicanism 5. The literary context: Realism, Naturalism and other -isms 6. Emilia Pardo Bazán: her works 7. La Tribuna 8. Language 9. Translation Bibliography La Tribuna/The Tribune Notes

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Book SynopsisEmilia Pardo Bazán was born in the Galician town of A Coruña into a noble family who nurtured her lifelong thirst for knowledge. She is undoubtedly the most controversial, influential and prolific Spanish female writer of the nineteenth century, publishing a vast number of essays, social commentaries, articles, reviews, poems, plays, novels, novellas and short stories. Her third novel, La Tribuna, heralds a new age in Spanish literature, a naturalist work of fiction that examines the situation of contemporary women workers. The author's preparation for the novel involved reading and consulting contemporary pamphlets and newspapers, as well as spending two months in a Galician tobacco factory observing and listening to conversations. This method, common in English writers like Dickens and frequently adopted in France by the masters of Realism, was almost unprecedented in Spain. Set against a background of turmoil and civil unrest, La Tribuna reflects the author's interest in the position of women in Spanish society. The working-class heroine, Amparo, develops from a shapeless, apolitical street urchin into a masterpiece of femininity, a charismatic orator who becomes a 'tribune' of the people. At the same time, however, she allows herself to be seduced by a prosperous middle-class youth whose promises prove to be just as empty as the revolutionary slogans in which she believes so fervently.Table of Contents Acknowledgements Introduction 1. Foreword 2. Emilia Pardo Bazán: her life 3. Feminism 4. The social and political background: revolution and republicanism 5. The literary context: Realism, Naturalism and other -isms 6. Emilia Pardo Bazán: her works 7. La Tribuna 8. Language 9. Translation Bibliography La Tribuna/The Tribune Notes

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Book SynopsisGalician audio/visual culture has experienced an unprecedented period of growth following the process of political and cultural devolution in post-Franco Spain. This creative explosion has occurred in a productive dialogue with global currents and with considerable projection beyond the geopolitical boundaries of the nation and the state, but these seismic changes are only beginning to be the subject of attention of cultural and media studies. This book examines contemporary audio/visual production in Galicia as privileged channels through which modern Galician cultural identities have been imagined, constructed and consumed, both at home and abroad. The cultural redefinition of Galicia in the global age is explored through different media texts (popular music, cinema, video) which cross established boundaries and deterritorialise new border zones where tradition and modernity dissolve, generating creative tensions between the urban and the rural, the local and the global, the real and the imagined. The book aims for the deperipheralization and deterritorialization of the Galician cultural map by overcoming long-established hegemonic exclusions, whether based on language, discipline, genre, gender, origins, or territorial demarcation, while aiming to disjoint the center/periphery dichotomy that has relegated Galician culture to the margins. In essence, it is an attempt to resituate Galicia and Galician studies out of the periphery and open them to the world.Table of ContentsList of Illustrations viiIntroduction: Peripheries are not what they used to be 1Part 1 Roots and Routes: Remapping Galician Culture in the Global Age1 Peripheral Visions, Global Positions 192 Deterritorialization and Deperipheralization: Galician Studies atthe Global Crossroads 443 Sound and Vision: All Roads Lead to Santiago 74Part 2 Peripheral Visions4 Made in Galicia: Making the Invisible Visible 1035 Reimagining Galician Cinema: Utopian Visions? 1206 The Galician Magic Kingdom: Nation and Animation from theGlocal Forest 1427 A Peripheral Focus: The Rebirth of the Novo Cinema Galego 168Part 3 Global Sounds8 Peripheral Movidas: Cannibalizing Galicia 2099 Smells Like Wild Spirit: Galician Rock Bravú, Between theRurban and the Glocal 23910 Bagpipes, Bouzoukis, and Bodhráns: The Reinvention ofGalician Folk Music 266Coda: Leaving the Periphery Behind 294Works Cited 309Index 321

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Book SynopsisRooted in lived experiences and real conversations, this book challenges mixed-race studies which often prioritise Black/white binaries in the Global North while excluding multiracial experiences across the Global South.

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Book SynopsisThe Ghost in the Constitution offers a reflection on the political use of the concept of historical memory foregrounding the case of Spain. The book analyses the philosophical implications of the transference of the notion of memory from the individual consciousness to the collective subject and considers the conflation of epistemology with ethics. A subtheme is the origins and transmission of political violence, and its endurance in the form of symbolic violence and “negationism” in the post-Franco era. Some chapters treat of specific “traumatic” phenomena such as the bombing of Guernica and the Holocaust.Trade ReviewReviews 'Intellectually engaging, thoughtful, coherent, and logically developed. Resina writes with an elegance of style uncommon among scholars ...the most apt synthesis and expansion of ideas on memory and latency that I have read in recent years.' David Herzberger, University of California Riverside‘There is ample thought-provoking material and some stimulating insight in The Ghost in the Constitution, resulting from extensive research presented in polished writing.’José Colmeiro, Journal of Spanish Cultural StudiesTable of ContentsAcknowledgments ix Introduction 1 1 Historical Memory and the Limits of Retrospection 9 2 Why Memory? Reflections on a Politics of Mourning 22 3 Memory and Imputation 39 4 Denial and the Ethics of Memory 58 5 Warming Up for the War: The Cultural Transmission of Violence in Spain since the Early Twentieth Century 72 6 Guernica as a Sign of History 103 7 Delenda est Catalonia: The Unwelcome Memory 114 8 Allez, Allez! The 1939 Exodus from Catalonia and Internment in French Concentration Camps 135 9 The Corpse in One’s Bed: Mercè Rodoreda and the Concentrationary Universe 147 10 Transatlantic Reversals: Exile and Anti-History 155 11 The Weight of Memory and the Lightness of Oblivion: The Dead of the Spanish Civil War 168 12 Between Testimony and Fiction: Jorge Semprún’s Autobiographical Memory 184 13 It Wasn’t This: Latency and Epiphenomenon of the Transition 224 14 Window of Opportunity: The Television Documentary as After-Image of the War 243 15 Anachronism and Latency in Spanish Democracy 260 16 Negationism and Freedom of Speech 276 17 Exhaustion of the Transition Pact: Revisionism and Symbolic Violence 292 Bibliography 307 Index 323

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Book SynopsisThis book examines life trajectories among three categories of women living beyond the bounds of heteronormativity in Jakarta and Delhi, two major cities with substantively different religious and social values: women who have lost their husbands, either through divorce or death; sex workers; and young, urban lesbians. Delhi has a large Hindu majority and a sizeable Muslim minority, amongst other religious and cultural pluralities. The Indian state is constitutionally committed to secularism and equal respect to all regions despite right-wing Hindu fundamentalism. Jakarta is the capital of a sprawling archipelago with a large variety of ethnic cultures, Indonesia having the largest Muslim population of the world, as well as sizeable ethnic and religious minorities comprising Christians, Hindus, Buddhists and others. The Indonesian state is constitutionally secular, but religion plays a large role in public life and is embedded in regulations that strongly impact people's private lives. Recently, there have been strong political currents to impose stricter Islamic codes. The public arena of sexual politics, in which the media play an important role, is explored in both cities. Hot sex is a major media selling point, particularly in Indonesia. Heteronormativity entails a system of symbolic violence in the sense that it punishes those that it excludes and polices those that it includes; the ways its powers are subverted are likewise symbolic. Passionate aesthetics refers to the dynamics, motivations, codes of behavior and presentation, subjectivities and identities that together make up the complex workings of erotic attraction, sexual relations and partnerships patterns. By charting the lives of women who live beyond the boundaries of the heteronormative, commonalities are revealed; boundaries and regulatory mechanisms in the context of symbolic violence are delineated; and the issue of the struggle for sexual rights for marginalised groups, and their open rebellion, brought to the fore. At the heart of the book lies elaboration of the ways Asian families are constructed -- their social, economic, sexual and religious agency, and how these engage with state-led values.Table of ContentsThe Essays; Apparatus; Translations into English; Style, notes, & chronology; Using the Works Cited; A Biography of Laura Esquivel; An Introduction to Esquivel Criticism; Like Water for Chocolate Like Water for Chocolate: The novels early critical reception; Like Water for Chocolate: The novel & the critics; Like Water for Chocolate: The film & the critics; The Law of Love; Swift as Desire; Malinche: A Novel; Future directions in Esquivel criticism; Laura Esquivels Mexican Chocolate; El chocolate mexicano de Laura Esquivel; Crossing Gender Borders: Subversion of Cinematic Melodrama in Like Water for Chocolate; Unmasked Men: Sex Roles in Like Water for Chocolate; The Absence of God & the Presence of Ancestors in Laura Esquivels Like Water for Chocolate; Gendered Spaces, Gendered Knowledge: A Cultural Geography of Kitchenspace in Central Mexico; Transformation, Code, & Mimesis: Healing the Family in Like Water for Chocolate; Cultural Identity & the Cosmos: Laura Esquivels Predictions for a New Millennium in The Law of Love; Laura Esquivels Quantum Leap in The Law of Love; The Two Mexicos of Swift as Desire; Malinche: Fleshing out the Foundational Fictions of the Conquest of Mexico; Esquivels Malinalli: Refusing the Last Word on La Malinche; Esquivels Fiction in the Context of Latin American Womens Writing; Glossary of Spanish & Nahuatl Words & Phrases; Index.

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Book SynopsisSoutheast Asia has long been a crossroad of cultural influence and transnational movement, but the massive migration of Southeast Asians throughout the world in recent decades is historically unprecedented. Dispersal, compelled by economic circumstance, political turmoil, and war, engenders personal, familial, and spiritual dislocation, and provokes a questioning of identity and belonging. This volume features original works by scholars from Asia, America, and Europe that highlight these trends and perspectives on Southeast Asian migration within and beyond the Asia-Pacific region. Adopting an interdisciplinary approach -- with contributions from sociology, political science, anthropology, and history -- and anchored in empirical case studies from various Southeast Asian countries, it extends the scope of inquiry beyond the economic concerns of migration, and beyond a single country source or destination, and disciplinary focus. Analytic focus is placed on the forces and factors that shape migration trajectories and migrant incorporation experiences in Asia and Europe; the impact of migration and immigration status on individuals, families, and institutions, on questions of equity, inclusion, and identity; and the triangulated relationships between diasporic communities, the sending and receiving countries. Of particular importance is the scholarly attention to lesser known populations and issues such as Vietnamese in Poland, children and the 1.5 generation immigrants, health and mental consequences of state sponsored violence and protracted encampment, ethnic media, and the challenges of both transnational parenting and family reunification. In examining the complex and creative negotiations that immigrants engage locally and transnationally in their daily lives, it foregrounds immigrant resilience in the strategies they adopt not only to survive but thrive in displacement.

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Book SynopsisThis book is a series of original, critical meditations on short stories and novels from Central America between 1995 and 2016. During the Cold War, literary art in Central America, as in Latin America in general, was strongly over-determined by the politics of the Cold War, which gave rise to popular struggle and three major armed civil wars in the 1970s and 1980s in Nicaragua, El Salvador and Guatemala. The period produced intense literary activity with political ideology central, personified by social denunciation in the testimonial novel and revolutionary poetry. Since then, though themes of violence are still at much of its core, Central American fiction has become more complex. We have witnessed a resurgence of literary writing and criticism with a focus squarely on the artistic side of narrative art: writing aware of its own figurative manoeuvres and inventiveness, its philosophical and affective dimensions, and its carefully crafted syntax. This collection of essays by Jeffrey Browitt attempts to trace some of the contours of this new literature and the contemporary subjectivities of its writers through close readings of Guatemalas Rodrigo Rey Rosa, Eduardo Halfon and Denise Phe-Funchal; Nicaraguas Franz Galich and Sergio Ramirez; Belizes David Ruiz Puga; El Salvadors Jacinta Escudos and Claudia Hernandez; and Costa Ricas Carlos Cortes. Key themes are gender, subjectivity and affect as these intersect with the deconstruction of the family, hegemonic masculinity, motherhood, revolutionary romanticism, and the relationship of humans with animals.

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Book SynopsisThe struggles for independence in Latin America during the first half of the nineteenth century were accompanied by a wide-ranging debate about political rights, nationality and citizenship. In South American Independence, Catherine Davies, Claire Brewster and Hilary Owen investigate the neglected role of gender in that discussion. Examining women writers from Brazil, Argentina, Chile, Peru, and Colombia, the book traces the contradictions inherent in revolutionary movements that, while arguing for the rights of all, remained ambivalent, at best, about the place of women. Through studies of both published and unpublished writings, South American Independence reveals the complex role of women in shaping the vexed ideologies of independence.Trade ReviewA novel, original, suggestive, and profoundly thought-provoking study of Latin American independence. I genuinely think this is a classic in the making. Will Fowler, University of St AndrewsThe authors should be praised for in covering several hitherto unknown or forgotten texts, mainly those written by women, as well as for a cautious analysis of these and the scholarly literature written on the subject. ...a valuable contribution to the study if gender roles and female agency in the first half of the nineteenth century in Latin America, and a fine example of the important of an interdisciplinary approach to Latin American independence.Hispanic American Historical Review, Volume 88, No. 3This book offers an appealing blend of history and literary criticism, with the added benefit on an important focus on women and gender, a theme long neglected in studies of South American Independence. It could be used successfully in upper-level undergraduate and graduate courses in history, literature and Latin American studies. And it goes without saying that for scholars of the independence era it is an important addition to bibliographies and book-shelves.Latin American Studies, Volume 41Table of Contents List of plates Acknowledgements Part I 1. South American Independence: War, Liberty, Gender, Text 2. Figuring the Feminine: The Writings of Simón Bolivar (1783-1830) 3. Troped Out of History: Gender Slippage and Woman in the Poetry of Andrés Bello 4. Competing Masculinities and Political Discourse: The Writings of Esteban Echeverria (1805-51) 5. Satirised Woman and Counter-Strategies Part II 6. Women, War and Spanish American Independence 7. Women, Letter-Writing and the Wars of Independence in Chile 8. Gender, Patriotism and Social Capital: Josefa Acevedo and Mercedes Martin 9. Gender and Revolution in Southern Brazil: Restitching the Farroupilha Revolt in the Works of Delfina Benigna da Cunha and Ana de Barandas 10. Juana Manso (1819-75): Women in History 11. Conclusions: South America, Gender, Politics, Text Bibliography Index

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Book SynopsisThe Reinvention of Mexico explores the ideological conflict between neoliberalism and nationalism that has been at the core of economic and political developments in Latin America since the mid-1980s. It focuses on Mexico, which offers a unique opportunity to study one of the ruptures in 20th-century political thought that has come to define an era of unprecedented globalization. The book examines how neoliberals dismantling the statist economy in Mexico under President Carlos Salinas de Gortari (1988-94) confronted the dominant, official ideology upon which the country’s development had hitherto been based: revolutionary nationalism. It also considers how intellectuals and the main political forces to the left and right of the PRI grappled with the issues generated by the climate of market reform, in a period when there appeared to be few ideological alternatives to it, and the broader effort to reconcile economic liberalism with revolutionary nationalism that Salinas was attempting. Showing that the case of Mexico during the 1990s had important implications for the study of nationalism, the book offers timely insights into national responses to globalization and the form taken by debates about the most appropriate vision of political economy in Latin America. The highly contested result of Mexico’s 2006 election demonstrated the extent to which the fateful ideological conflict between neoliberalism and nationalism remains unresolved.Trade ReviewReviews'Recommended. Graduate, research, and professional collections.'Choice, Vol. 48, No. 11'Those who desire a thorough exploration of its content, or the definitive account of the PRI's attempt to redefine it in the 1990s, would do well to read this book.'Latin American Studies, Vol. 43'An invaluable contribution to the area of the discursive analysis of nationalism and in particular its interplay with liberalism.' Bulletin of Latin American Research Vol. 31, No. 4Table of Contents Preface I Nationalism and Liberalism Introduction 1. From Nation-Building to Crisis II Construction: State Discourses 2. ‘New Nationalism’ and ‘Social Liberalism’ 3. The Reform of Article 27 4. Free Trade III Contestation: Opposition Discourses 5. The Intellectual Reassessment of National Ideology 6. Nationalism and the Left: The PRD 7. Nationalism and the Right: The PAN Conclusion Endnotes Bibliography

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Book SynopsisFernan Gonzalez lived from about AD 910 to 970. The popular image of him is of a fearsome warrior who gave his people protection from their enemies (both Muslim and Christian), and a wise and respected lord who enabled them to live in security and harmony. He was generally accepted to have played a strategic role in achieving independence for Castile and freeing it from dominance by the kingdom of Leon. The Poema de Fernan Gonzalez was composed (by an unknown author) in the mid-thirteenth century as an enduring celebration of his triumphs and account of his life and deeds. Fact and legend have become intertwined and there is much within its stanzas that is certainly not closely based on historic facts! This new translation is set against a detailed study of the historic context of the Castillian conflicts and a factual account of the life and achievements of Fernan Gonzalez. The political situation of the time in which the poem was composed is also considered, as is the manner in which the‘history' it espouses came to be handed down over three centuries, the possibility of a pre-existing rich oral tradition surrounding this iconic figure, and the possible sources employed by the poet in constructing the poem.Table of ContentsAcknowledgements Map of the county of Castile after 932 as depicted in the Poema de Fernán González Map of the Iberian Peninsula in 1252 From the Islamic invasion to the reign of Alfonso X: a chronology The dynasty of the counts of Castile in the early tenth century The rulers of Castile (House of Burgundy): 1126-1284 Illustrations Introduction 1. The tale of Fernán González (i) The figure of Fernán González: the intertwining of fact and legend (ii) The manuscript of the Poema de Fernán González and evidence of its missing content (iii) The account of the hero’s deeds in the Poema de Fernán González and its relationship with historical fact (iv) The epic,‘popular’ and ‘learned’ (v) The Poema de Fernán González and epic tradition 2. Inventing the past: a tenth-century hero in a thirteenth-century context (i) The recovery of Christian Spain, the rise of the kingdom of León and the emergence of the county of Castile (ii) The career and achievements of Fernán González (iii) After Fernán González: the age of al-Mansur, conflict among the Christian kingdoms and their eventual supremacy over the Muslims (iv) The twelfth century: the re-emergence of Navarre and rivalry between Castile and León (v) The Plantagenets, the Castilian monarchy and an age of triumph (vi) The Castilian court: a centre of learning and literary creation (vii) The invention of a historical tradition (viii) The monastery of San Pedro de Arlanza and its part in the development of a tradition (ix) The reign of Alfonso X, the crisis of 1253-1255 and the African crusade: the background to the composition of the Poema de Fernán González 3. Men of learning and juglares: the art of the mester de clerecía and the use of stylistic features associated with oral poetry (i) The Libro de Alexandre and the mester de clerecía (ii) Elements of oral narrative poetry incorporated in the work of the clerecía poets: direct speech, direct address and features of the spoken language (iii) Other features of oral-formulaic style:‘epic’ epithets, ‘pair phrases’ and ‘physical expressions’ (iv) The Poema de Fernán González and the world of learning (v) The construction of the Poema: features of folk narrative? (vi) The creation of the Poema: drawing together the materials 4. Kingship and the social order, conquest and crusade: the themes of the Poema de Fernán González (i) The portrait of the hero (ii) Sancha: a heroine in a masculine world of conflict (iii) Castile and the Castilians: a chosen people (iv) The Crown of Castile under Alfonso X: king and state, loyalty and treachery (v) Fernán González: a model and inspiration for a thirteenth-century monarch in a time of conflict (vi) Castile and León (vii) Christianity and Islam: the ruler’s duty (viii) Interpreting the Poema (ix) Binding the poem together: the image of the hunt 5. Note on the Spanish text 6. The translation Select bibliography The POEMA DE FERNÁN GONZÁLEZ: text, translation and notes

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Book SynopsisMiguel de Unamuno, one of Spain's foremost literary figures, is better known for his essays and novels than for his poetry. Yet it was as a poet that he wished to be remembered and it is in his poems that he reveals the most intimate and sensitive part of his complex personality. To truly get to know Unamuno as creator it is necessary to read his poetry. This anthology of 50 poems, though modest in comparison to his large poetic output, offers the reader some of his most characteristic poems, with an English version prepared by a well-known Unamuno scholar. The English renderings are sufficiently free to allow for the use of rhyme and regular metre, but strive to capture Unamuno's highly personal way of looking at our human circumstance and destiny. In effect the anthology offers a way of approaching Unamuno that differs significantly from an approach via his prose works: it projects a more meditative and warm-hearted individual than the combative Unamuno of popular perception. The 50 poems, each with a short commentary relating it to Unamuno's personal circumstances and to his thought, are arranged under six headings: (1) Family and Home; (2) God and Mortality; (3) The Land; (4) Exile; (5) Language and Poetry; (6) Philosophical Meditations. The anthology thus offers a microcosm of Unamuno's poetic world and should be useful to those who have little or no knowledge of him. It provides a way of learning something about the man and the writer through a part of his production that has received less attention than it deserves and which projects a significantly different image from the widespread view we have of him. The poems are preceded by a substantial introduction which explores the importance and relevance of Unamuno's poetry, his major themes, and his style.Table of ContentsINTRODUCTION Unamuno's Poetic Production Poetic Themes: Home Life The Land Writing. Mortality The Translation Editions of Unamuno's Poetry Select Bibliography I FAMILY AND HOME 1 Volviendo a casa Returning Home 2 El hogar Home 3 Dulce, silencioso pensamiento Sweet, Silent Thought 4 Al nino enfermo To the Sick Child 5 En la muerte de Concha Upon the Death of Concha 6 En mi estudio In my Study 7 El nino y el muneco The Child and the Doll 8 La presencia de Concha Concha's Presence II GOD AND MORTALITY 9 Silencios vacios Empty Silence 10 Para despues de mi muerte After I Cease to Be 11 Leyendo un libro vivo de un Reading the Living Book of a amigo muerto Dead Friend 12 A la espera Waiting 13 Rios de mi vida Rivers of my Life 14 Irrequietum cor Restless Heart 15 La oracion del ateo The Atheist's Prayer

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Book SynopsisMiguel de Unamuno, one of Spain's foremost literary figures, is better known for his essays and novels than for his poetry. Yet it was as a poet that he wished to be remembered and it is in his poems that he reveals the most intimate and sensitive part of his complex personality. To truly get to know Unamuno as creator it is necessary to read his poetry. This anthology of 50 poems, though modest in comparison to his large poetic output, offers the reader some of his most characteristic poems, with an English version prepared by a well-known Unamuno scholar. The English renderings are sufficiently free to allow for the use of rhyme and regular metre, but strive to capture Unamuno's highly personal way of looking at our human circumstance and destiny. In effect the anthology offers a way of approaching Unamuno that differs significantly from an approach via his prose works: it projects a more meditative and warm-hearted individual than the combative Unamuno of popular perception. The 50 poems, each with a short commentary relating it to Unamuno's personal circumstances and to his thought, are arranged under six headings: (1) Family and Home; (2) God and Mortality; (3) The Land; (4) Exile; (5) Language and Poetry; (6) Philosophical Meditations. The anthology thus offers a microcosm of Unamuno's poetic world and should be useful to those who have little or no knowledge of him. It provides a way of learning something about the man and the writer through a part of his production that has received less attention than it deserves and which projects a significantly different image from the widespread view we have of him. The poems are preceded by a substantial introduction which explores the importance and relevance of Unamuno's poetry, his major themes, and his style.Table of Contents Introduction 1 Unamuno’s Poetic Production 1 Poetic Themes 7 The Translation 18 Editions of Unamuno’s Poetry 22 Select Bibliography 24 I Family And Home 1 Volviendo a casa / Returning Home 28 2 El hogar / Home 30 3 Dulce, silencioso pensamiento / Sweet, Silent Thought 32 4 Al niño enfermo / To the Sick Child 34 5 En la muerte de Concha / Upon the Death of Concha 38 6 En mi estudio / In my Study 40 7 El niño y el muñeco / The Child and the Doll 44 8 La presencia de Concha / Concha’s Presence 46 II God And Mortality 9 Silencios vacíos / Empty Silence 52 10 Para después de mi muerte / After I Cease to Be 54 11 Leyendo un libro vivo de un amigo muerto / Reading the Living Book of a Dead Friend 60 12 A la espera / Waiting 62 13 Ríos de mi vida / Rivers of my Life 64 14 Irrequietum cor / Restless Heart 66 15 La oración del ateo / The Atheist’s Prayer 68 16 Salmo II / Psalm II 70 III The Land 17 Salamanca / Salamanca 76 18 Tierra del Tormes / Land of the Tormes 80 19 Al Tormes / To the River Tormes 82 20 La peña de Francia / The Rock of France 84 21 El lago de San Martín / The Lake at San Martín 86 22 Medina de Rioseco / Medina de Rioseco 88 23 La voz de la campana / The Voice of the Bell 90 24 Portugal (i) / Portugal (i) 92 25 Portugal (ii) / Portugal (ii) 94 IV Exile 26 Mi otro sino / My Other Fate 98 27 Olas lejanas / Distant Waves 100 28 Betancuria / Betancuria 102 29 Fuerteventura / Fuerteventura 104 30 En el exilio / In Exile 106 31 Romances fronterizos / Frontier Ballads 108 32 Orhoit gutaz / Remember Us 110 33 El cementerio de Hendaya / The Cemetery at Hendaye 114 V Language and Poetry 34 Las caras de la poesía / The Faces of Poetry 120 35 La labor del poeta / The Task of the Poet 122 36 La palabra que vibra / The Vibrant Word 124 37 La palabra cruel / The Cruel Word 126 38 La palabra símbolo / The Word as Symbol 128 39 Non omnis moriar / Not All of Me Will Die 130 40 El nombre del Hombre / The Name of Man 132 41 Los hijos de silencio / The Children of Silence 134 VI Philosophical Meditations 42 Kant y la rana / Kant and the Frog 140 43 ¿Libres? / Are we Free? 144 44 Dios y la palabra / God and the Word 146 45 Entropía / Entropy 148 46 Las agujas del reloj / The Hands of the Clock 150 47 Filosofemas / Philosophemes 152 48 La última palabra de Hamlet / Hamlet’s Last Word 154 49 Anamnesis / Reminiscence 158 Conclusion 50 La muerte es sueño / Death is a Dream 162 Commentaries on the Poems 165

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Book SynopsisIn 2010, while working on a PhD in South Korea, Andray Abrahamian visited the other Korea, a country he had studied for years but never seen. He returned determined to find a way to work closely with North Koreans. Ten years and more than thirty visits later, Being in North Korea tells the story of his experiences helping set up and run Choson Exchange, a non-profit that teaches North Koreans about entrepreneurship and economic policy.Abrahamian was provided a unique vantage into life in North Korea that belies stereotypes rampant in the media, revealing instead North Koreans as individuals ranging from true believers in the system to cynics wishing the Stalinist experiment would just end; from introverts to bubbly chatterboxes, optimists to pessimists. He sees a North Korea that is changing, invalidating some assumptions held in the West, but perhaps reinforcing others.Amid his stories of coping with the North Korean system, of the foreigners who frequent Pyongyang, and of everyday relationships, Abrahamian explores the challenges of teaching the inherently political subject of economics in a system where everyone must self-regulate their own minds; he looks at the role of women in the North Korean economy, and their exclusion from leadership; and he discusses how information is restricted, propaganda is distributed and internalized, and even how Pyongyang’s nominally illicit property market functions. Along with these stories, he interweaves the historical events that have led to today’s North Korea.Drawing on the breadth of the author’s in-country experience, Being in North Korea combines the intellectual rigor of a scholar with a writing style that will appeal to a general audience. Through the personal elements of a memoir that provide insights into North Korean society, readers will come away with a more realistic picture of the country and its people, and a better idea of what the future may hold for the nation.

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Book SynopsisIn this account of the Algerian War's effect on French political structures and notions of national identity, Todd Shepard asserts that the separation of Algeria from France was truly a revolutionary event with lasting consequences for French social...Trade Review"Although he acknowledges that France's 'civilizing mission' never lived up to its press notices, Todd Shepard is probably correct when he notes that the war exposed once and for all the conceit that France's 'Republican universalism' could unite peoples of different races, cultures, and languages around a single vision of national unity."—Douglas Porch, Times Literary Supplement, September 21, 2007"A detailed, inventive, and engaging analysis of the debates surrounding the thorny issue of who could be French and under what conditions that arose as eight years of armed conflict drew to a close."—French History"With the tremendous interest in French colonialism and identity, in the relationship of the former colonies to the French nation and in colonial and postcolonial discourses, Todd Shepard's timely and significant work will be of interest to a wide range of scholars. Using Algeria as a case study, Shepard shows how the history of French imperialism and anti-imperialism was rewritten after Algerian independence by bureaucrats, politicians, and journalists in such a way as to present decolonization as 'a predetermined end point' that was inevitable, rather than as the failure of a genuine project of national integration in the colonies."—Modern and Contemporary France"The need for historically specific accounts of decolonization has arguably never been more urgent. The Invention of Decolonization illuminates how 'the end of French Algeria' reconfigured the social, sexual, and political orders of postwar France. Todd Shepard thereby joins the story of the Algerian War and its aftermath not just to histories of postcolonialism, but as provocatively to contemporary debates about national belonging, racialized citizenship, confessional politics, and state-sponsored efforts at remembrance, repatriation, and reconciliation."—Antoinette Burton, Professor of History and Bastian Professor of Global and Transnational Studies, University of Illinois, Urbana-Champaign"Todd Shepard's examination of the way representations of Judaism, sexual orientation, and gender figured into political debates about decolonization is pathbreaking. Shepard makes a compelling analysis of how the war in Algeria and efforts to resolve the issues it raised were crucial to the making of the Fifth Republic. His excellent book is exemplary of new developments in conceiving and writing the history of France and Algeria."—Donald M. Reid, University of North Carolina-Chapel Hill"Todd Shepard's powerful book shows both how the decolonization of Algeria became thinkable in metropolitan France and why the French failed to come to terms with the contradictions inherent to the republican project, as they simultaneously distanced themselves from responsibility for the war. Shepard convincingly reveals the war's crucial role in recasting definitions of French identity and citizenship, which continue to shape current debates about racial inequality, exclusion, assimilation, immigration, and the place of Islam in France."—Caroline Ford, University of California, Los Angeles"Todd Shepard, in this highly original and well-researched account, uncovers how France, attempting to hold together its empire after World War II, tried to become more inclusive—extending citizenship rights and a form of affirmative action to Muslim Algerians, only to reverse itself after losing Algeria in 1962. Abolishing by fiat Muslims' citizenship rights, now acting as if 'colony' and 'metropole' were necessarily starkly separated, France redefined itself as a singular nation in a more unambiguous and more exclusionary manner than had been the case before."—Frederick Cooper, New York University, author of Colonialism in Question: Theory, Knowledge, History"The Algerian War has attracted huge attention in France during the last ten years. Most historians, however, have assumed that their task is simply to describe the workings of an apparently unstoppable process and they have, to a large extent, concentrated on the behavior of the French army. Todd Shepard's book approaches this debate from a new angle. Partly by looking through a wide lens—one that encompasses everything from Brigitte Bardot to Gaston Monnerville—and partly by taking the arguments in defense of Algérie Française seriously, he shows how departure from Algeria helped to create a new idea of Frenchnesss. This is an important book with implications for the current state of France as well as for many aspects of French history between 1830 and 1962."—Richard Vinen, King's College, LondonTable of ContentsList of Abbreviations Chronology of French Occupation of AlgeriaIntroductionPart I; The Making and Forgetting of French Algeria 1. Muslim French Citizens from Algeria: A Short History 2. Inventing Decolonization 3. The "Tide of History" versus the Laws of the Republic 4. Forgetting French AlgeriaPart II: Between France and Algeria 5. Making Algerians 6. Repatriation Rather Than Aliyah: The Jews of France and the End of French Algeria 7. Veiled "Muslim" Women, Violent Pied Noir Men, and the Family of France: Gender, Sexuality, and Ethnic DifferencePart III: The Exodus and After 8. Repatriating the Europeans 9. Rejecting the Muslims 10. The Post-Algerian RepublicConclusion: Forgetting Algerian FranceBibliography of Primary Sources Index

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Book Synopsis''It''s brave and honest, and not a moment too soon.'' Afua Hirsch, Brit(ish)''[An] outstanding myth-busting book. Everyone should read it.'' Bernardine EvaristoWhat is the experience of Black men in Britain today? Never has the conversation about racism and inclusion been more important; there is no better time to explore this question and give Black British men a platform to answer it. SAFE: 20 Ways to be a Black Man in Britain Today is that platform. Including essays from top poets, writers, musicians, actors and journalists, this timely and accessible book is in equal parts a celebration, a protest, a call to arms, and a dismantling of the stereotypes surrounding being a Black man. What does it really mean to reclaim and hold space in the landscape of our society? Where do Black men belong in school, in the media, in their own families, in the conversation about mental health, in the LGBTQ+ community, in grime music -Trade ReviewA much needed anthology -- Layla Haidrani * Cosmopolitan *This landmark anthology of essays exploring the Black British male experience from Derek Owusu isn't strictly an LGBTQ+ book. But an impressive roster of contributors, journalist Musa Okwonga's chapter The Good Bisexual is a long overdue - and delicate - insight into the challenges black bisexual men face, from queer puberty, the double burden of racism and homophobia, homophobic harassment in the workplace, and ultimately, self-acceptance. A refreshing insight, given that black, bi men's experiences are routinely rendered invisible. * Dazed *An outstanding book of essays' * INDEPENDENT.CO.UK *These essays burn with passion, dismay, pride, and longing. They're a wake-up call, a prayer, a plea, a promise. They say: this is who we are, and this is what you've been missing. * Stephen Kelman, author of Man Booker-shortlisted Pigeon English *An urgent, moving, inspiring series of essays that pulses with honesty and directness. I found myself nodding with recognition as I read so many of the pieces; I felt heard and understood as I read so many of the pieces. It's a collection that I - we - need so much right now. * Michael Donkor, author of Hold *Black men have been reduced to stock one dimensional characters in the public imagination. This collection explodes those myths, exploring the multi-hued textures of Black British masculinity in all its strength, vulnerability and diversity, providing an intimate window into the lives beyond the statistics, the stereotypes and the headlines. Charged with the air of the confessional, I imagine these stories will be the catalyst for many long overdue, and often taboo, conversations. * Emma Dabiri *Safe is the literary equivalent of secretly watching a black British male wake up, wash his brutalised body, plaster over his wounds and, with a final grimace, wear the clothes that he will allow the world to see. There is a quality of searing honesty, a revelation of the fears and doubts that haunt the men in this collection (and their like) daily - and a confession of the utter exhaustion of walking through the world bent under the weight of stereotypes. Here, the contributors have found, as Jesse Bernard puts it, 'a safe pocket' to express themselves in, and in so doing, in Courttia Newland's words to 'walk in a straight line and to live'. Safe is a vital book of witness and validation; an important read for everyone, but for young men of certain hues, it contains islands of affirmation that may well save a life or two. * Nii Ayikwei Parkes *This is not a book you read, but a book you witness. Derek Owusu has brought together important voices in British culture, authors you can actually feel digging deep into their experiences and sharing things that have not been written before. It's brave and honest, and not a moment too soon. * Afua Hirsch *This is an inspiring collection of essays. There is nothing like reading the thoughts of black men speaking honestly, openly, personally and intellectually. There is nothing like this because it seldom happens. This really is where the revolution starts. Every page of this book breaks down stereotypes of what being a black man is. It is refreshing to read the truth of men expressed as eloquently as they are in these pages. I was inspired. I found hope.This is power stuff my people. There is no holding back here. These might be essays by black British men, but they are relevant to all of us in the diaspora. Hold this book close to you and stay Safe. * Benjamin Zephaniah *We all know the narrative, images and media stories around Black men often play to negative stereotypes, but in this collection, we see Black men re-writing those scripts to explore their identities and their experiences in their own words.This anthology is utterly unique... I can't think of a book like it. * Diane Abbott MP *A really eye-opening and vital book on the Black British male experience. * Matt Haig *SAFE is rarely polemic, its aim is not to influence policy, but to depict the Black British experience in all its messy glory, thereby showing that young black men have rich and varied lives. * VICE *This outstanding myth-busting book asks us to consider our black British brothers as individuals who are as multi-dimensional as the rest of the human race. Everyone should read it. * Bernardine Evaristo *With sharp commentary and frequent bursts of honesty and humour, SAFE is unafraid to share its authors's vulnerabilities and make public their ambitions * NEW STATESMAN *A seminal and vital book that passes the mic back to black men. -- Kemi Alemoru * gal-dem *

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Book SynopsisHuey P. Newton's powerful legacy to the Black Panther movement and the civil rights struggle has long been obscured. Conservatives harp on Newton's drug use and on the circumstances of his death in a crack-related shooting. Liberals romanticize his black revolutionary rhetoric and idealize his message. In Huey P. Newton: The Radical Theorist, Judson L. Jeffries considers the entire arc of Newton's political role and influence on civil rights history and African American thought. Jeffries argues that, contrary to popular belief, Newton was one of the most important political thinkers in the struggle for civil rights. Huey P. Newton's political career spanned two decades. Like many freedom fighters, he was a complex figure. His international reputation was forged as much from his passionate defense of black liberation as from his highly publicized confrontations with police. His courage to address police brutality won him admirers in ghettos, on college campuses, and in select Hollywood circles. Newton gave Black Power a compelling urgency and played a pivotal role in the politics of black America during the 1960s and 1970s. Few would deny that Newton's life (1942-1989) was strewn with incidences of violence and that his police record was long. But Newton's struggles with police took place in a rich and troubled context that included urban unrest, police brutality, government repression, and an intense debate over civil rights tactics. Stripped of history and interpretation, the violence of Newton's life brought emphatic indictments of him. Newton's death attracted widespread media attention. However, pundits offered little on Newton as freedom fighter or as theoretician and activist. Huey P. Newton: The Radical Theorist dispels myths about Newton's life, but the book is primarily an in-depth examination of Newton's ideas. By exploring this charismatic leader, Jeffries's book makes a valuable contribution to the scant literature on Newton, while also exposing the core tenets and evolving philosophies of the Black Panther Party. Judson L. Jeffries is an assistant professor of political science at Purdue University. He is the author of Virginia's Native Son: The Election and Administration of Governor L. Douglas Wilder (2000), and his work has been published in such periodicals as Western Journal of Black Studies, Journal of Political Science, and Ethnic and Racial Studies.

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Book Synopsis Drawing on both personal experience and critical theory, Carole Boyce Davies illuminates the dynamic complexity of Caribbean culture and traces its migratory patterns throughout the Americas. Both a memoir and a scholarly study, Caribbean Spaces: Escapes from Twilight Zones explores the multivalent meanings of Caribbean space and community in a cross-cultural and transdisciplinary perspective.   From her childhood in Trinidad and Tobago to life and work in communities and universities in Nigeria, Brazil, England, and the United States, Carole Boyce Davies portrays a rich and fluid set of personal experiences. She reflects on these movements to understand the interrelated dynamics of race, gender, and sexuality embedded in Caribbean spaces, as well as many Caribbean people''s traumatic and transformative stories of displacement, migration, exile, and sometimes return. Ultimately, Boyce Davies reestablishes the connections between theory and pracTrade Review"Persuasive and comprehensive, Caribbean Spaces achieves an intriguing sequence of intricate journeys through Caribbean and African diasporic cultural spaces, political landscapes, historiographies, and literary-artistic terrains, each keenly observed. The result is a powerful engagement of the politics and realities of diaspora with black women’s histories in particular."--Thomas Glave, author of Among the Bloodpeople: Politics and Flesh “I can't think of a book that better combines the experiential with the theoretical, the political with the commonsensical, in prose that is lyrical, evocative, and lucid."--Kenneth A. McClane, W.E.B. DuBois Professor of Literature, Cornell University"Eminently readable and often entertaining… Instead of going easy on the spices, Boyce Davies provides us with a savory feast of experiences, memories, and reflections on her personal and professional life."--Research in African Literatures"Carole Boyce Davies has constructed a colorful, highly readable narrative containing memoir, notes on family history, sociocultural analysis, and literary criticism."--Journal of African American History"The book is engaging in its discussion of gender identity and expressions of a feminist sensibility… Caribbean Spaces, a series of meditations inviting readers to explore and interrogate carious Caribbean world spaces, has a lot more to discover. Enjoy the journey."--New West Indian Guide"Carole Boyce Davies has deftly used the personal to illuminate the universal. Her writing about her mother's innate brilliance and sauciness, like her wonderful autobiographical pilgrimage from Trinidad to Upstate New York, proves, yet again, why she is so crucial to us as a cultural critic. I can't think of a book that better combines the experiential with the theoretical, the political with the commonsensical, in prose that is lyrical, evocative, and lucid."--Kenneth A. McClane, W.E.B. DuBois Professor of Literature, Cornell University"With a superb alloy of intellect and imagination, Carole Boyce Davies has brought exceptional excitement to paradigms of space that conceal more than they reveal. Caribbean Spaces: Escapes From Twilight Zones advances the extreme of phenomenal questions. Her endeavor here is heroic."--Leroy Clarke, Caribbean artist

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Book SynopsisIn Geologic Life, Kathryn Yusoff theorizes the processes by which race and racialization emerged geologically. Examining both the history of geology as a discipline and ongoing mineral and resource extraction, Yusoff locates forms of imperial geology embedded in Western and Enlightenment thought and highlights how it creates anti-Black, anti-Indigenous, and anti-Brown environmental and racial injustices. Throughout, she outlines how the disciplines of geology and geography—and their conventions: surveying, identifying, classifying, valuing, and extracting—established and perpetuated colonial practices that ordered the world and people along a racial axis. Examining the conceptualization of the inhuman as political, geophysical, and paleontological, Yusoff unearths an apartheid of materiality as distinct geospatial forms. This colonial practice of geology organized and underpinned racialized accounts of space and time in ways that materially made Anthropocene Earth. A

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Book SynopsisFrom the #1 New York Times bestselling author, rapper, and activist—Sister Souljah uses her passionate voice to deliver what is at once a fiercely candid autobiography and a survival manual for any Black woman determined to keep her heart open and her integrity intact in modern America. Each chapter of No Disrespect is devoted to someone who made a difference in Sister Souljah’s life—from the mother who raised her to the men who educated (and mis-educated) her about love—and each bares a controversial truth about the Black condition in America: the disintegration of families; the unremitting combat between the sexes; and the thousand and one ways in which racism continues to circumscribe how Black people see themselves and treat one another. The result is an outspoken and often courageous rejoinder to the pieties of race, class, and gender by a writer who is at once wise, bawdy, brutally funny, and as sensitive

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Book SynopsisTrade Review“Katherine Johnson’s personal story never gets old, and never fails to inspire.” — Margot Lee Shetterly, Author of the New York Times bestseller Hidden Figures “Katherine Johnson was a fierce intellect, a commanding presence, a determined boundary breaker, a passionate advocate for justice, and, simultaneously, one of the most kind, gentle, and humble spirits I have ever met. The story of this human computer whose calculations changed the world is also the story of a woman of deep, abiding faith whose trust in God and whose determination to excel changed everyone around her. In this book, in her own words, her story rises like a rocket, triumphantly and majestically. Reading it, you will feel your spirit soar.” — Brian K. Blount, President of the Union Presbyterian Seminary, and Former Pastor to Katherine “Her brilliance and numbers helped me and many others reach the stars. A storied and rich legacy that will resonate with many generations of explorers.” — Astronaut Leland Melvin, author of Chasing Space “A telling and inspirational look into the amazing life of Katherine G. Johnson that goes beyond the numbers to tell a story of brilliance, perseverance and compassion. Katherine’s journey charted a course to the stars both compelling and beautiful. A story of her humanity, her genius and her compassion that enabled both the dreams of a Nation and of every individual she encountered.” — Clayton P. Turner, Director of NASA’s Langley Research Center “This compelling memoir takes us on Katherine’s journey as she navigates social forces, great loss, and personal triumph. Katherine demonstrated self-responsibility, determination, a great work ethic, and as her father taught her, she remained humble even after receiving many prestigious recognitions and awards. Her memoir captures the essence of the values our program wants to exemplify and having her name on our building inspires us to honor her legacy.” — Gregory Blaney, Director, NASA’s Katherine Johnson Independent Verification and Validation Facility, Fairmont, WV “Katherine Johnson’s story shows us how to make it to the moon and back...and beyond.” — Ted Melfi, Director of Hidden Figures “Katherine Johnson's story of accomplishment and persistence deserves to be part of the nation's Civil Rights archive. Her narrative--from the Allegheny Mountains in West Virginia to a key position at NASA—illustrates a triumph of intellect, optimism and grace that is too often ignored in the first draft of history, especially in the case of accomplished Black mathematicians and scientists. My Remarkable Journey offers a rare private glimpse into an admirable arc of the life of this distinguished centenarian, reaching from White Sulphur Springs farm roads to Barack Obama's White House.” — Howell Raines, former executive editor of The New York Times, is a Pulitzer Prize winner and author of My Soul Is Rested, an oral history of the civil rights movement. "Examples of relentless determination in the face of adversity linger with the reader, showing what truly makes Johnson’s journey remarkable. Yes, her mathematical genius was inspiring. Equally inspiring was her grit." — Science News “Johnson’s work at NASA is only one part of her extraordinary life, as recounted in this lovely posthumous memoir, co-written with her daughters. . . . Readers will enjoy Johnson’s personal accounts of the space race and the roles of Black women in STEM. This wonderful, insightful memoir is the perfect companion piece to Margot Lee Shetterly’s best-selling Hidden Figures, which recounted the lives of Johnson and her colleagues Dorothy Vaughan and Mary Jackson.” — Library Journal (starred review) “Johnson is a warm and compassionate author, filling her pages with the most personal of stories while also illuminating the times she lived through with an appreciation for all the dramatic changes occurring round her. Truly a lovely read, this is an important addition to every bookshelf devoted to great Americans.” — Booklist (starred review)

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Book Synopsis?Soulful, spirited, and often joyful, Black Earth Wisdom is sustained by a deep reverence for the Earth and its ?symbiotic living ecosystems.? The result is a potent look at the overlap between the environmental and racial justice movements.??Publishers WeeklyA soulful collection of illuminating essays and interviews that explore Black people?s spiritual and scientific connection to the land, waters, and climate, curated by the acclaimed author of Farming While BlackAuthor of Farming While Black and co-founder of Soul Fire Farm, Leah Penniman reminds us that ecological humility is an intrinsic part of Black cultural heritage. While racial capitalism has attempted to sever our connection to the sacred earth for 400 years, Black people have long seen the land and water as family and understood the intrinsic value of nature.This thought-provoking anthology brings together today?s most respected and influential Black environmentalist voices ?leaders who have cultivated the skill of listening to the Earth ?to share the lessons they have learned. These varied and distinguished experts include Pulitzer Prize and National Book Award-winning author Alice Walker; the first Queen Mother and official spokesperson for the Gullah/Geechee Nation, Queen Quet; marine biologist, policy expert, and founder and president of Ocean Collectiv, Dr. Ayana Elizabeth Johnson; and the Executive Director of the North Carolina Association of Black Lawyers, Land Loss Prevention Project, Savi Horne. In Black Earth Wisdom, they address the essential connection between nature and our survival and how runaway consumption and corporate insatiability are harming the earth and every facet of American society, engendering racial violence, food apartheid, and climate injustice.Those whose skin is the color of soil are reviving their ancestral and ancient practice of listening to the earth for guidance. Penniman makes clear that the fight for racial and environmental justice demands that people put our planet first and defer to nature as our ultimate teacher.Contributors include:Alice Walker ?adrienne maree brown ? Dr. Ross Gay ? Dr. Ayana Elizabeth Johnson ? Rue Mapp ? Dr. Carolyn Finney ? Audrey Peterman ? Awise Agbaye Wande Abimbola ? Ibrahim Abdul-Matin ? Kendra Pierre-Louis ? Latria Graham ? Dr. Lauret Savoy ?Ira Wallace ? Savi Horne ? Dr. Claudia Ford ? Dr. J. Drew Lanham ? Dr. Leni Sorensen ? Queen Quet ? Toshi Reagon ? Yeye Luisah Teish ? Yonnette Fleming ? Naima Penniman ? Angelou Ezeilo ? James Edward Mills ? Teresa Baker ? Pandora Thomas ? Toi Scott ? Aleya Fraser ? Chris Bolden-Newsome ? Dr. Joshua Bennett ? B. Anderson ? Chris Hill ? Greg Watson ? T. Morgan Dixon ? Dr. Dorceta Taylor ? Colette Pichon Battle ? Dillon Bernard ? Sharon Lavigne ? Steve Curwood ? and Babalawo Enroue HalfkennyTrade Review“Penniman and the interviewees offer a staggering range of reparative projects, including farms and community agricultural projects rooted in traditional African farming practices, heirloom seed cooperatives, nature therapy programs for juvenile offenders, and hiking groups for Black women and teens. It’s clear that Penniman and her contributors view Black environmentalism as healing therapy not only for Black individuals but for the planet.” — Booklist (starred review) “Soulful, spirited, and often joyful, [Black Earth Wisdom] is sustained by a deep reverence for the Earth and its “symbiotic living ecosystems.” The result is a potent look at the overlap between the environmental and racial justice movements.” — Publishers Weekly "A powerful and passionate collection of instructive perspectives on nature.” — Kirkus Reviews "A moving and powerful how-to book for Black farmers to reclaim the occupation and the contributions of the BIPOC community that introduced sustainable agriculture." — Book Riot on Farming While Black "An extraordinary book...part agricultural guide, part revolutionary manifesto." — Vogue on Farming While Black “Provides practical tools along with a beautiful visionary template for practicing land development that is rooted in healing and transformation.” — Patrisse Khan-Cullors on Farming While Black "Leah Penniman is . . . opening the door for the next generation of farmers." — CBS This Morning on Farming While Black “Leah is truly changing our food system, one bite at a time.” — PBS on Farming While Black “Farming While Black offers a guide to reclaiming food systems from white supremacy.” — Bon Appetit on Farming While Black “A guidebook to dismantle systemic racism.” — Civil Eats on Farming While Black “Penniman is part of a growing movement to reclaim Black farmers’ hard-won place in our country’s agriculture.” — Mother Jones on Farming While Black “What I find so important about the work that [Penniman does] is that it’s reconnecting things that were torn asunder [and] challenging assumptions.” — Food & Wine on Farming While Black

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Book SynopsisTrade Review"With We Carry Their Bones, Erin Kimmerle continues to unearth the true story of the Dozier School, a tale more frightening than any fiction. In a corrupt world, her unflinching revelations are as close as we'll come to justice." — Colson Whitehead, Pulitzer-Prize Winning author of The Nickel Boys and The Underground Railroad “Gripping….Kimmerle speaks eloquently to official crimes that have yet to be fully accounted for, giving a closely observed account of forensic investigation along the way. A horrific story of true crime, unjust punishment, and the quest for justice for the victims of a cruel state.” — Kirkus Reviews (starred review)

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Book SynopsisGathers Ernesto Galarza's key writings, reflecting a constructive concern for the working class in the face of America's growing influence over Mexico's economic system.Trade ReviewA Choice Outstanding Academic Title, 2013. "Ernesto Galarza was a prescient analyst and powerful writer, a scholar, poet, and social activist whose work has profoundly influenced and interested so many. This book will be of use to activists who interrogate political economy and develop strategies that address inequities in class and race."--Patricia Zavella, author of I'm Neither Here nor There: Mexicans' Quotidian Struggles with Migration and Poverty"This outstanding compilation of the selected writings of Ernesto Galarza features an excellent introduction, despite the fact that relatively little is known about Galarza's private life other than what he reveals in his autobiography. Highly Recommended."--Choice "Ibarra and Torres are to be commended for their efforts to provide students and scholars new access to the writings of Ernesto Galarza. Man on Fire serves as both an effective summation of his work and a starting point for detailed investigation of a scholar-activist whose output and activities have sadly fallen into undeserved obscurity." --Labor

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Book SynopsisExplores the multivalent meanings of Caribbean space and community in a cross-cultural and transdisciplinary perspective.Trade Review"Persuasive and comprehensive, Caribbean Spaces achieves an intriguing sequence of intricate journeys through Caribbean and African diasporic cultural spaces, political landscapes, historiographies, and literary-artistic terrains, each keenly observed. The result is a powerful engagement of the politics and realities of diaspora with black women’s histories in particular."--Thomas Glave, author of Among the Bloodpeople: Politics and Flesh “I can't think of a book that better combines the experiential with the theoretical, the political with the commonsensical, in prose that is lyrical, evocative, and lucid."--Kenneth A. McClane, W.E.B. DuBois Professor of Literature, Cornell University"Eminently readable and often entertaining… Instead of going easy on the spices, Boyce Davies provides us with a savory feast of experiences, memories, and reflections on her personal and professional life."--Research in African Literatures"Carole Boyce Davies has constructed a colorful, highly readable narrative containing memoir, notes on family history, sociocultural analysis, and literary criticism."--Journal of African American History"The book is engaging in its discussion of gender identity and expressions of a feminist sensibility… Caribbean Spaces, a series of meditations inviting readers to explore and interrogate carious Caribbean world spaces, has a lot more to discover. Enjoy the journey."--New West Indian Guide"Carole Boyce Davies has deftly used the personal to illuminate the universal. Her writing about her mother's innate brilliance and sauciness, like her wonderful autobiographical pilgrimage from Trinidad to Upstate New York, proves, yet again, why she is so crucial to us as a cultural critic. I can't think of a book that better combines the experiential with the theoretical, the political with the commonsensical, in prose that is lyrical, evocative, and lucid."--Kenneth A. McClane, W.E.B. DuBois Professor of Literature, Cornell University"With a superb alloy of intellect and imagination, Carole Boyce Davies has brought exceptional excitement to paradigms of space that conceal more than they reveal. Caribbean Spaces: Escapes From Twilight Zones advances the extreme of phenomenal questions. Her endeavor here is heroic."--Leroy Clarke, Caribbean artist

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Book SynopsisCritics often characterize white consumption of African American culture as a form of theft that echoes the fantasies of 1950s-era bohemians, or "White Negroes," who romanticized black culture as anarchic and sexually potent. The author claims such a view fails to describe the varied politics of racial crossover over the years.Trade ReviewLois P. Rudnick Book Prize, New England American Studies Association, 2014. "[Davis's] readings are astute and innovative. Her study of the cross-racial empathy of white rappers and her comparison/contrast of Do the Right Thing and Crash are especially effective. With a solid scholarly foundation, she takes real risks in her thinking about race." --Cecilia Konchar Farr, author of Reading Oprah: How Oprah's Book Club Changed the Way America Reads"Davis’s book is a timely analysis of the relationship between audience reception and antiracist action. . . . Davis’s argument goes beyond the claim that educating whites in African American history and culture can lead to antiracist reading practices to say that antiracist reading is one part of white engagement with African American culture more broadly."--Reception: Texts, Readers, Audiences, History

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