Description
Book SynopsisIn
Dreams in Double Time Jonathan Leal examines how the musical revolution of bebop opened up new futures for racialized and minoritized communities. Blending lyrical nonfiction with transdisciplinary critique and moving beyond standard Black/white binary narratives of jazz history, Leal focuses on the stories and experiences of three musicians and writers of color: James Araki, a Nisei multi-instrumentalist, soldier-translator, and literature and folklore scholar; Raúl Salinas, a Chicano poet, jazz critic, and longtime activist who endured the US carceral system for over a decade; and Harold Wing, an Afro-Chinese American drummer, pianist, and songwriter who performed with bebop pioneers before working as a public servant. Leal foregrounds that for these men and their collaborators, bebop was an affectively and intellectually powerful force that helped them build community and dream new social possibilities. Bebop’s complexity and radicality, Leal contends, made it
Trade Review“With
Dreams in Double Time, Jonathan Leal proves he has ‘something to say.’ I use this phrase in the prosaic sense that he contributes new understanding and opens fresh areas of inquiry, and in the sense associated with a jazz musician’s solo. Almost every page treats readers to surprising revelation and provocation, and the figures Leal focalizes his history through are compelling as subjects on their own. This book is a tremendous achievement, a gift to readers seeking cultural history and methodologically innovative work.” -- Anthony Reed, author of * Soundworks: Race, Sound, and Poetry in Production *
“In this fascinating and compelling book, Jonathan Leal works against the grain of jazz criticism by focusing on three relatively unknown figures for whom bebop proposed new ways of being in the world. Leal’s ‘trio,’ as he calls them, offer readers a glimpse into a much larger population of marginalized, often poor people of color who heard bebop as a radical, creative challenge to the totalizing singularity of what ‘white’ stood for during the second half of the twentieth century.” -- Ronald Radano, coeditor of * Audible Empire: Music, Global Politics, Critique *
"Deftly drawing together the major trends in recent jazz scholarship, Leal makes an important intervention. . . . By explicitly focusing on minor figures, putting them in relationship to one another, Leal draws attention to the other side of bebop musicking: its emphasis on collaboration and conversation. . . . In the words of James Baldwin’s “Sonny’s Blues,” a story to which Leal returns several times,
Dreams in Double Time keeps both bebop and jazz writing 'new, at the risk of ruin, destruction, madness, and death, in order to find new ways to make us listen.'" -- Sam V. H. Reese * Los Angeles Review of Books *
"If you’re interested in the relationship between jazz, sociology, racism and history, this book (a product of feeling as well as hard work) could prove highly rewarding." -- Graham Colombé * Jazz Journal *
Table of ContentsAcknowledgments ix
Introduction. Dreaming Otherwise 1
1. After-Hours 25
2. Layered Time 46
3. Quartered Notes 74
4. Among Others 114
Epilogue. Affinities 152
Notes 161
Bibliography 207
Index 227
