Description
Book SynopsisWhile James Van Der Zee is widely known and praised for his studio portraits from the Harlem Renaissance era, much of the diversity and expansive reach of his work has been overlooked. From the major role his studio played for decades photographing ordinary people and events in the Harlem community to the inclusion of his photographs in the landmark
Harlem on My Mind exhibition at the Metropolitan Museum of Art in 1969, Van Der Zee was a foundational Black photographer whose work illustrates the shifting ways photography serves as a constitutive force within Black life. In
A Nimble Arc, Emilie Boone considers Van Der Zee’s photographic work over the course of the twentieth century, showing how it foregrounded aspects of Black daily life in the United States and in the larger African diaspora. Boone argues that Van Der Zee’s work exists at the crossroads of art and the vernacular, challenging the distinction between canonical art photographs and the kind of out
Trade Review“In her innovative and timely revisiting of the work of America’s most iconic Black photographer, James Van Der Zee, Emilie Boone reinvigorates the practice of this singular artist through a careful and considered unpacking of the social function his images served as quotidian objects.
A Nimble Arc takes readers on a captivating journey into the social life of Van Der Zee’s photographs in ways that allow us to see iconic images anew and recognize the enduring value of photography as a community-building project that exceeds the intentions and aspirations of any individual photographer.” -- Tina M. Campt, author of * A Black Gaze: Artists Changing How We See *
“This is a truly exceptional work. Exquisitely written, researched, and argued,
A Nimble Arc is the most comprehensive study of James Van Der Zee’s practice in almost thirty years. I predict a long and fruitful life for this book.” -- Kellie Jones, author of * South of Pico: African American Artists in Los Angeles in the 1960s and 1970s *
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A Nimble Arc broadens James Van Der Zee’s legacy amid a savvied history of twentieth-century Harlem." -- Meg Nola * Foreword Reviews *
Table of ContentsList of Illustrations ix
Acknowledgments xv
Introduction. To Pivot Lightly: Adding the Vernacular to Art History’s Sight Line 1
1. “More, Many More”: Van Der Zee’s World of Harlem Renaissance Studio Photographers 29
2. The Newspaper and Ubiquity: 1924 Photographs as Moving Objects of the African Diaspora 71
3. A Reframing of Value: Van Der Zee’s Restoration Work of the 1940s and Beyond 113
4. Black Quotidian Experiences: Revisiting the Met’s
Harlem on My Mind Exhibition of 1969 153
Coda. To Nimbly Rewind: Fixing a New Constellation of Ideas circa 1994 199
Notes 213
Bibliography 241
Index 259
