Entertainment and media law Books

Book SynopsisWhen compared to terrorism, drugs and violent crimes that occupy the news today art is not considered as important. But, as it turns out, art and cultural crime is currently ranked as the third-largest criminal enterprise in the world. What exactly is art crime? Why does art matter? And what is law enforcement doing to prevent this crime today? Due to the misleading portrayal of art crime in the entertainment industry people have the flawed belief that art and cultural crime doesn't damage anyone in a direct way. And the truth of the matter is that this crime results in the loss of billions of dollars annually. Art and cultural crime is not simply focused on museums or private displays, the loss of art directly affects our cultural identity and history. Napoleon moved from one region to the next collecting art and sending as much as possible back to France. The Nazis looted cultural property from every territory they occupied. And there have been various cases of ISIL and ISIS destroyiTrade ReviewThough it first brings to mind cinematic heists and Hollywood glamour, art crime is in fact a serious international problem, involving organized crime and even terrorism. Books like this one go a long way to introducing the real facts about this phenomenon, and delve deep into the dark side of the art world. -- Noah Charney, Phd, professor specializing in art crime and founder of ARCA (Association for Research into Crimes against Art)Stealing History: A Deeper Understanding to Art and Cultural Crimes is an excellent read. This book is concise and yet rich with material covering an under-addressed area of criminal justice studies—crimes relating to art and culture. Consequently, the book fills an important void in the literature. The book is well-written and well-sourced and would make an excellent primary or supplemental text in any number of criminology and law enforcement courses. -- Jeff Bumgarner, Department Head and Professor of Criminal Justice and Political Science, North Dakota State UniversityTable of ContentsIntroduction 1: Medias Portrayal of Art Crime 2: Why Does Art Matter? 3: What is Art Crime? 4: History of Art, and Art Related Crimes 5: Cultural Differences Between United States and Europe, and How it Affects Art Crime 6: Looting of Art and Archaeological Sites 7: Economic Impact of Art and Art Related Crimes 8: Museums: Our Identity and Culture 9: Police Demands, Scrutiny, Education, And The Future 10: Ways in Which Law Enforcement Can Focus on Art Crimes 11: Security & Policing in Art Crime Throughout the World 12: Growth of Art Crime, and Art Crime Prevention Bibliography

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Book SynopsisThis book delivers an original, theoretically informed analysis of the legal regulation of online speech. Rejecting the narrow pluralism of elitist and deliberative accounts of the citizen’s role in political discourse, the book defends a participatory account of speech in non-deliberative settings. The latter account of political pluralism best captures the republican democratic aspiration for popular, on-going authorship of the laws and the centrality of freedom to dissent in democratic theory. The legal and policy implications for governments and social media platforms of this inclusive envisioning of public discourse are then elaborated upon. In the digital world, anyone with access to the internet can be a speaker. Speech on public platforms has become democratised. At the same time, aspects of online speech are plainly problematic. Concerns exist about disinformation, ‘fake news’, ‘deep fakes’, ‘weaponised speech’ and ‘trolls’. Offensive speech and the polarising effects of robustly expressed political opinion are also troublesome. These assorted downsides of democratised speech are said to undermine the integrity of democratic processes and institutions. Public debate is distorted and coarsened and the electorate are misled. How ought the liberal democratic state respond to these challenges? The discussion is intended to be read by academics and researchers with interests in democratic theory, digital communications and freedom of expression. It offers a stimulating and distinctive contribution to debates about online speech.Table of Contents1. Damaging Democracy? ‘Fake News’ and Moral Panics Introduction Issues of Principle – How Open Should the Channels of Political Communication be in a Liberal Democracy? Tensions between Liberalism and Democracy Popular Sovereignty in Liberal Constitutionalist Thinking The Popular Sovereignty Challenge to Liberal Constitutionalism and Two Anxieties Mapping Liberalism’s Ochlophobia – Current Restrictions on Freedom of Political Expression and a Republican Argument for Keeping the Channels of Political Change Open 2. Closing Off the Agon: Legal Norms, Deliberative Democracy and ‘Improved’ European Public Discourse Introduction The Liberal and the Democratic Polity Privileging ‘Responsible’ Media – The Council of Europe’s Narrowed Conception of Political Pluralism Threats to Political Pluralism from Liberal Elitist, Deliberative (Civic Republican), Epistemic Accounts of Democracy Containing Majoritarian Passions – Pettit’s Aristocratic Republic of Reason and Critics Conclusion – Ongoing Ineliminable Conflict: Truly Plural, Participatory Politics 3. Enlightenment Rationality vs Machiavellian Pluralism Introduction Enlightenment Roots of Deliberative Democracy and Some Counter-Enlightenment Objections Public Reason and the Reasonable Citizen in Deliberative Democracy Scholarship Conclusion 4. Populism and Ochlophobia: The Denouncements of Popular Participation in Liberal Democracy Introduction Anti-populist Themes in Mainstream Culture and Politics Populism in Political Theory – A Response to Modern Representative Democracy and Redemptive Possibilities Defending Oligarchical Rule Down the Ages – From Thucydides and Plato via Madison and Tocqueville to the Twentieth-century Critics of Mass Culture Denying Isonomia Today – Ochlophobia in Liberal and Republican Political Theory Countering Ochlophobia – Popular (Arendtian) Participation and the Value of Roman Discord Conclusion 5. Popular Participation and Political Dissent in Post-Revolutionary America: A Case Study of the Democratic Republicans Introduction Federalist and Patrician Republican Accounts of the Political Citizen Arendt, Human Action and the Mediated (Oligarchic) Political Life – The Failure of the US Founders to Preserve the Revolutionary Spirit Jefferson’s Ward-republic: Preserving the Revolutionary Spirit The Counter-Publics of Democratic Republican Clubs Conclusion 6. Official and Corporate Gatekeeping of Online Expression with Special Reference to False Statements on Public Affairs Introduction Protecting False Statements in Political Discourse – Some Principled Arguments The Long Reach of UK Criminal Law into Online Political Discourse and Selected Comparisons Across Western Liberal Democracies State Regulation of Contentious Expression – OFCOM and the Coronavirus Disinformation Unit The State as a Producer of False Statements Conclusion 7. Restoring the Agon: Re-opening the Channels of Political Change Introduction – Swimming against the Liberal Tide Dealing with the Problem of the ‘Ins’ and the Role of Plural Political Expression in Preserving Open and Fractious Republican Liberty Common Carriers Not Editors – Public Forums and Banning Viewpoint Discrimination by Social Media Platforms Final Thoughts: The Threat to Self-government

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Book SynopsisEntertainment and Media Law in Ireland explains the typical issues which arise in the media and entertainment industry in Ireland to better equip the reader with a valuable working knowledge of the fundamentals. It seeks to serve the needs of time-pressed professionals working in this area by providing a helpful quick-reference guide. Entertainment and Media Law in Ireland can be viewed as a series of signposts in the form of best practice principles and is written from a practical and business perspective. It is presented in straightforward, non-specialist, jargon-free language while simultaneously citing legislation, EU law and common law for the benefit of its legal and more experienced audience. The chapters are kept as concise as practicable. With 30 chapters divided into four parts, this book covers a wide range of issues including: Media; General Entertainment; Film, Television and Radio Show Production; and Music Production and Performances. This book also discusses sample contract clauses and provides extracts from relevant agreements, where appropriate. Entertainment and Media Law in Ireland is the first book of its kind in Ireland collating a wealth of information sources to address the myriad of crucial business and legal considerations confronting creative practitioners and lawyers alike, from the `why' and `how' to obtain filming permits, to the hazards of court reporting and defamation for journalists and bloggers, to ensuring all production paperwork is in order to allow full, commercial exploitation of a music composition or film. It draws on the author's substantial legal experience as well as his deep appreciation and in-depth understanding of music, television, film and radio production. The book emerged from a prompt discovery of the dearth of authoritative sources available covering the subject issues and his yearning to provide a one-stop resource to redress this glaring deficiency.Table of ContentsPart I: Media The Broadcasting Authority of Ireland Commission for Communications Regulation Defamation, Product Disparagement, Satire and Blasphemy Court Reporting and Contempt of Court Broadcasting Regulation And Product Placement Setting Up a Production Company or Media Business Part II: General Entertainment Artist Exemptions From Taxation Occasional Licences (Sale Of Intoxicating Liquor) For Marquees Licensing Of Clubs, Festivals And Public Events; Planning Regulations Regulation Of Lotteries, Gambling and Betting Permits for Busking and Street Performances Premium Rate Services Bars and Nightclubs: Defending Personal Injuries Actions Part III: Film, Television And Radio Show Productions Funding, Section 481 Film Relief And The Irish Film Board Chain of Title Copyrights and Related Rights Use of Trade Marks and Trade Mark Infringement Safety, Health and Welfare At Work Insurance For Media Businesses Filming Permits Releases and Consents Employment of Children and Young Persons Music Clearances, Film Scoring and Pre-Cleared Production Music Contracts For Writers, Cast and Crew Performers: Remuneration and Residuals Distribution Agreements Part IV: Music Production And Performances Copyright and Music Publishing Royalties and Performance Rights/Collecting Societies Licensing Music For Film, Television, Radio and Commercials Filming and Licensing of Music Videos

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Book SynopsisEntertainment and Media Law in Ireland is the first textbook of its kind in Ireland collating a wealth of domestic and international legal sources which impact the sector. It addresses the myriad practical considerations when developing, producing and commercially exploiting content. Creative practitioners and business/legal advisors alike are equipped with a series of signposts in the form of best practice procedures as summarised from a hands-on, practical perspective. The work is presented in straightforward language for market entrants while simultaneously citing legislation, EU/international law and case law precedent from Ireland and a number of other common law jurisdictions for the benefit of its more industry-experienced audience. With 36 chapters divided into six parts, this body of work covers an extensive range of topics from business set-up and risk mitigation to effecting policies of production and professional indemnity insurance. It explores copyright, performer rights and moral rights, funding and distribution of films and television output, legal clearances, data protection and privacy, life rights, trademarks, music law and the regulation of audiovisual content, together with the legal and ethical issues affecting present-day journalism and broadcasting.Table of ContentsContent Includes Part I : Business Management, Regulation and Risk Mitigation • Business Set-up, Private Companies and Taxation/Self-Assessment • Media, Event and Film Production Insurance • Safety, Health and Welfare at Work • Defamation, Parody & Satire and Norwich Pharmacal Orders • Defamation of a Body Corporate and Product/Brand Disparagement Part II: Audiovisual, Stage and Radio Productions • Film Distribution • Private Funding of Film • Section 481 • Screen Ireland Funding • (Pt 1) Chain of Title, Copyright and Moral Rights; (Pt 2) Copyright and Related Rights: Performer Rights • New Rights for Content Authors and Performers: Directive on Copyright and Related Rights in the Digital Single Market • Trademarks, Trademark Infringement and Passing Off • GDPR and the Data Protection Act 2018 • Filming Permits and Drone Operation • Employment of Children and Young Persons • Animal Actors and Circus Animals • Crew Agreements, Production Releases and Music Clearance • Life Rights; Right of Publicity; Commercials, Image Rights & False Endorsement; Passing Off • Stage Productions • Radio Documentaries • Royalties and Residuals for Actors, Writers, Directors and Producers Part III: Music Production and Performances • Joint Authorship, Band Partnership Agreements and Recording Contract/Artist Management Litigation • Music Publishing, Master Recordings, Royalties, Collection Societies & Music Streaming • Music Copyright Infringement Litigation • Music Insurance; Shooting Music Videos Part IV: General Entertainment • Occasional Licences for Marquees; Licensing of Concerts, Festivals, Public Events; Theatre Licences • Fire Safety, Occupiers’ Liability, Event Security and Licensing Indoor Events • Permits for Busking and Street Performances • Regulation of Gambling and Lotteries; Premium Rate Services; Commission for Communications Regulation Part V : Digital Safety, Broadcasting Regulation and Audiovisual Media Services • Harmful Content Regulation; Establishment of the Media Commission and the EU Digital Services Act Package • The Media Commission: Compliance, Enforcement, Codes & Standards • Audiovisual Media Services Directive; Directive on Certain Online Transmissions and Retransmissions of Television and Radio Programmes Part VI : Journalism Law, Regulation and Ethics • Court Reporting and Contempt of Court • Gagging Orders and Super-Injunctions; Covert Investigative Filming and Prior Restraint Applications • Privacy, Breach of Confidence and Parental Consent • The Press Council of Ireland and Office of the Press Ombudsman; Protection of Journalistic Sources

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Book SynopsisFor approaching two decades, family courts have been accused of making life changing decisions about children and who they live with made in secret, away from the scrutiny of the public gaze. Recognising the force of these accusations, senior family courts judges have, over that time, implemented a raft of rule changes, pilot projects and judicial guidance aimed at making the family justice more accountable and transparent. But has any progress been made? Are there still suspicions that family judges make irrevocable, unaccountable decisions in private hearings? And if so, are those suspicions justified and what can be done to dispel them? In this important and timely new book, Clifford Bellamy, a recently retired family judge who has been at the sharp end of family justice during all these changes, attempts to answer those questions and more. He has spoken to leading journalists, judges and academic researchers to find out what the obstacles to open reporting are – be they legal, economic or cultural - and interweaves their insights with informed analysis on how the laws regulating family court reporting operate. Along the way he provides a comprehensive review of the raft of initiatives he has seen come and go, summarises the position now and uses this experience to suggest how this fundamental aspect of our justice system could adapt in the face of this criticism. Every professional working in the family justice system – lawyers, social workers, court staff and judges - as well as those who job it is to report on legal affairs, should read this informative, nuanced exposition of what open justice means and why it matters so much to those whose lives are upended by the family justice system.

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Book SynopsisIntroduction.- 3D Bioprinting Innovation: Past, Present and Future.- 3D Bioprinted Tissues and Bioinks: Falling In or Out of the Scope of Subject Matter Requirements of Australian Patent Law.- Are 3D Bioprinted Tissues and Bioinks Patentable Subject Matter in the US?.- Patentable Subject Matter Assessment of 3D Bioprinted Tissues and Bioinks: European Perspective.- Evaluation of Patent Prosecution Data of Patent Applications Claiming 3D Bioprinted Tissues and Bioinks.- Conclusion.

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Book SynopsisArt on trial: exploring the Supreme Court's rulings on free expressionTrade Review"Bezanson writes in an accessible styles that engages even the uninformed reader and uses case studies to present a wide range of core issues and topics involving art and free speech. . . . Highly recommended."--Choice"Bezanson's dialectic is a mind feast."--AEJMC Hot Topics"Enormously stimulating and useful, this work reaches beyond legal theory to explore the role of art as a human product, its production, consumption, and meaning. Art and Freedom of Speech represents a brilliant mind at work--in a lovely, intellectually playful tone--on a very important human and political issue."--Linda R. Hirshman, author of Get to Work: . . . And Get a Life, Before It's Too Late"A comprehensive, in-depth examination of First Amendment principles as they pertain to the arts. Bezanson's detailed and lively analyses of Supreme Court arguments help clarify the conceptual bases of each case."--Joan DelFattore, author of The Fourth R: Conflicts Over Religion in America's Public SchoolsTable of ContentsIntroduction 1PART 1. ART AND THE AESTHETIC Story 1. Performance Art 7National Endowment for the Arts . Finley Story 2. The Artistic Turn? 50Barnes v. Glen Theatre Inc.PART 2. "WHAT MATTER WHO'S SPEAKING?" Story 3. Sources of Expression 83Boy Scouts of America v. Dale Story 4. Speaking Out of Thin Air 109Hurley v. Irish-American Gay, Lesbian and Bisexual Group of BostonPART 3. TRANSFORMATION Story 5. Politics and Community 155Jenkins v. Georgia Story 6. Genre: Rap and Rock 184Campbell [2 Live Crew] v. Acuff-Rose Story 7. Dangerous Art 214Virginia v. Black PART 4. GOOD ART Story 8. Art and Craft 261J. S. G. Boggs v. Bowron Judging Art and Its Quality: Reflections on Art and Free Speech 277 Notes 297 Index 309

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Book SynopsisSports figures cope with a level of celebrity once reserved for the stars of stage and screen. In Game Faces , Sarah K. Fields looks at the legal ramifications of the cases brought by six of them--golfer Tiger Woods, quarterback Joe Montana, college football coach Wally Butts, baseball pitchers Warren Spahn and Don Newcombe, and hockey enforcer Tony Twist--when faced with what they considered attacks on their privacy and image. Placing each case in its historical and legal context, Fields examines how sports figures in the U.S. have used the law to regain control of their image. As she shows, decisions in the cases significantly affected the evolution of laws related to privacy, defamation, and publicity--areas pertinent to the lives of the famous sports figure and the non-famous consumer alike. She also tells the stories of why the plaintiffs sought relief in the courts, uncovering motives that delved into the heart of issues separating individual rights from the public''s perceiTrade Review“Recommended."--Choice "Sarah Fields' work on the history of sports and law dispels all doubt about the legitimacy of sports law as a field of study. Game Faces presents a convincing argument that cases about sports have made unique and important contributions to the law of privacy and free speech."--Erin Buzuvis, Western New England University"Sarah Fields combines her talents as a historian and a lawyer to guide us to and through the intersection of sport, celebrity, and the law. The precision and depth of this study is a gift to all interested in the rights of privacy and the control of one's public image."--Richard C. Crepeau, author of NFL Football: A History of America's New National Pastime"Game Faces is unique, effective, and impressive. I learned a great deal from it and appreciate how Fields addresses some complicated legal and ethical issues. Although most of us are not celebrities, many people in many disciplines will profit from considering the tension between the media and the freedom they are provided by the First Amendment and the personal autonomy of famous people to control (and profit from) their names, images, and likenesses. In part because we live in a celebrity obsessed culture, many readers should find Game Faces enlightening."--Daniel A. Nathan, author of Saying It's So: A Cultural History of the Black Sox Scandal"Game Faces marks an important contribution to the field that is sure to shape and generate further discussion of the links between sport, law, identity, and power."--Journal of Sport History"This is an excellent book that clearly exhibits the painstaking research that went into this thought-provoking subject."--International Journal of Sport Communication

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Book SynopsisSports figures cope with a level of celebrity once reserved for the stars of stage and screen. In Game Faces , Sarah K. Fields looks at the legal ramifications of the cases brought by six of them--golfer Tiger Woods, quarterback Joe Montana, college football coach Wally Butts, baseball pitchers Warren Spahn and Don Newcombe, and hockey enforcer Tony Twist--when faced with what they considered attacks on their privacy and image. Placing each case in its historical and legal context, Fields examines how sports figures in the U.S. have used the law to regain control of their image. As she shows, decisions in the cases significantly affected the evolution of laws related to privacy, defamation, and publicity--areas pertinent to the lives of the famous sports figure and the non-famous consumer alike. She also tells the stories of why the plaintiffs sought relief in the courts, uncovering motives that delved into the heart of issues separating individual rights from the public''s perceiTrade Review“Recommended."--Choice "Sarah Fields' work on the history of sports and law dispels all doubt about the legitimacy of sports law as a field of study. Game Faces presents a convincing argument that cases about sports have made unique and important contributions to the law of privacy and free speech."--Erin Buzuvis, Western New England University"Sarah Fields combines her talents as a historian and a lawyer to guide us to and through the intersection of sport, celebrity, and the law. The precision and depth of this study is a gift to all interested in the rights of privacy and the control of one's public image."--Richard C. Crepeau, author of NFL Football: A History of America's New National Pastime"Game Faces is unique, effective, and impressive. I learned a great deal from it and appreciate how Fields addresses some complicated legal and ethical issues. Although most of us are not celebrities, many people in many disciplines will profit from considering the tension between the media and the freedom they are provided by the First Amendment and the personal autonomy of famous people to control (and profit from) their names, images, and likenesses. In part because we live in a celebrity obsessed culture, many readers should find Game Faces enlightening."--Daniel A. Nathan, author of Saying It's So: A Cultural History of the Black Sox Scandal"Game Faces marks an important contribution to the field that is sure to shape and generate further discussion of the links between sport, law, identity, and power."--Journal of Sport History"This is an excellent book that clearly exhibits the painstaking research that went into this thought-provoking subject."--International Journal of Sport Communication

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Book SynopsisWhat they won't teach you in film school:This expertly written reference guide breaks down copyrightlaws for screenwriters. Inspired by Strunk & White'sThe Elements of Style,this elegant, short reference is the perfect guide for screenwriters and creative artists looking to succeed as industry professionals.Readers will quickly understand the laws that govern creativity, idea-making, and selling, and learn how to protect themselves and their worksfrom the legal quagmires they may encounter.Written by an unrivaled pair of experts, John L. Geiger and Howard Suber, who use real-life case studies to cover topics such as clearance, contracts, collaboration, and infringement,Creativity and Copyrightis poised to become an indispensable resource for beginners and experts alike.Trade Review"A screenwriter seeking a basic understanding of the most important legal issues that pertain to the field will likely find Creativity and Copyright useful and readable." * Publishing Research Quarterly *Table of ContentsAcknowledgments Disclaimer Introduction 1. Free for the Taking: What You Can Steal from Others, and What Others Can Steal from You 2. Clearance Required: What You Do Need Permission to Use 3. Collaboration 4. Selling to Others and Implied-in-Fact Contracts 5. Copyright Infringement 6. Your Legal Team 7. Confessions of an Expert Witness: Free for the Telling Epilogue: Creativity and Copyright Appendix A. Copyright Fundamentals Appendix B. Collaboration Problems Notes Index

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Book SynopsisWhat they won't teach you in film school:This expertly written reference guide breaks down copyrightlaws for screenwriters. Inspired by Strunk & White'sThe Elements of Style,this elegant, short reference is the perfect guide for screenwriters and creative artists looking to succeed as industry professionals.Readers will quickly understand the laws that govern creativity, idea-making, and selling, and learn how to protect themselves and their worksfrom the legal quagmires they may encounter.Written by an unrivaled pair of experts, John L. Geiger and Howard Suber, who use real-life case studies to cover topics such as clearance, contracts, collaboration, and infringement,Creativity and Copyrightis poised to become an indispensable resource for beginners and experts alike.Trade Review"A screenwriter seeking a basic understanding of the most important legal issues that pertain to the field will likely find Creativity and Copyright useful and readable." * Publishing Research Quarterly *Table of ContentsAcknowledgments Disclaimer Introduction 1. Free for the Taking: What You Can Steal from Others, and What Others Can Steal from You 2. Clearance Required: What You Do Need Permission to Use 3. Collaboration 4. Selling to Others and Implied-in-Fact Contracts 5. Copyright Infringement 6. Your Legal Team 7. Confessions of an Expert Witness: Free for the Telling Epilogue: Creativity and Copyright Appendix A. Copyright Fundamentals Appendix B. Collaboration Problems Notes Index

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Book SynopsisA history of U.S. public health emergencies and how we can turn the tide. Despite enormous advances in medical science and public health education over the last century, access to health care remains a dominant issue in American life. U.S. health care is often hailed as the best in the world, yet the public health emergencies of today often echo the public health emergencies of yesterday: consider the Great Influenza Pandemic of 191819 and COVID-19, the displacement of the Dust Bowl and the havoc of Hurricane Maria, the Reagan administration's antipathy toward the AIDS epidemic and the lack of accountability during the water crisis in Flint, Michigan. Spanning the period from the presidency of Woodrow Wilson to that of Donald Trump, American Health Crisis illuminates howdespite the elevation of health care as a human right throughout the worldvulnerable communities in the United States continue to be victimized by structural inequalities across disparate geographies, income levels, and ethnic groups. Martin Halliwell views contemporary public health crises through the lens of historical and cultural revisionings, suturing individual events together into a narrative of calamity that has brought us to our current crisis in health politics. American Health Crisisconsiders the future of public health in the United States and, presenting a reinvigorated concept of health citizenship, argues that now is the moment to act for lasting change.Trade Review"An ambitious work. . . .a book on public health can and should only be written in a way that is as inclusive, reflective, accessible in language, and structured as Halliwell’s. It is an important read for any practitioner of public health." * Amerikastudien/American Studies: A Quarterly *"Noteworthy." * American Historical Review *Table of ContentsPreface Introduction 1918: Woodrow Wilson, Crisis, and the Arc of Public Health Part 1: Geographies of Vulnerability: Environmental Health Crises 1. Disaster: Mississippi Flood, Buffalo Creek, Hurricane Katrina 2. Poverty: Dust Bowl, Urban Ghetto, Indian Reservation 3. Pollution: Nuclear Fallout, Water Contamination, Climate Change Part 2: States of Vulnerability: Crises of Prevention and Treatment 4. Virus: Influenza, Polio, HIV/AIDS 5. Care: Postwar Hospitals, Community Action, Vet Centers 6. Drugs: Methadone, Diazepam, Fentanyl Conclusion 2018: Obama, Trump, and the Future of Health Citizenship Coda 2020 Acknowledgments Notes Selected Bibliography Index

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Book SynopsisFrom athletes to victims of revenge porn, people have been transformed into intellectual property. Who controls one's identity? Jennifer Rothman uses the right of publicity a little-known law to answer this question. By tracing the right's origins to privacy laws in the 1800s, she finds a way to reclaim privacy for a public world.Trade ReviewA fascinating read for anyone who is interested in the nuts and bolts of right of publicity law and how the doctrine evolved to where it is today. It also will serve as a valu­able resource for litigators looking for guidance on how to reconcile the seemingly contradictory precedent in a way that is understandable…This book will quickly become one of the most cited sources by litigants and courts grappling with right of publicity issues. -- Stephanie S. Abrutyn * Communications Lawyer *An unquestionably important book. Masterfully researched and deftly crafted, it is probably the best single source for gaining a deep understanding of the doctrine’s history, context, and politics… Deserves a place among the must-reads of American right of publicity law. -- Eric E. Johnson * IP Law Book Review *A formidable book that maps out the contours of the publicity right in an appealing and timely way. -- Eleanor Wilson * Journal of Intellectual Property Law and Practice *Rothman’s important book is an excellent contribution to the field, one that will hopefully provoke courts and legislatures to rethink their headlong expansion of the right of publicity. It should be required reading for anyone dealing with the right of publicity. -- Mark Lemley * Michigan Law Review *Rothman provides a complete legal and cultural history of the right of publicity, tracing its development from the late 1800s to its modern-day expansion as a transferable right of property. Fascinating details of the individuals behind the cases, including celebrities and private citizens, inform how the law’s current contours have been shaped…Indispensable. -- Rachel Bridgewater * Library Journal *This is the definitive biography of the right of publicity, whose boundaries have exploded in recent years. Jennifer Rothman tells the story with zest, explaining how we should restructure this right in our fame-obsessed age. -- Jack M. Balkin, Yale Law SchoolThe book is a fascinating read for anyone interested in gaining a better understanding of the nuts and bolts of right of publicity law and how the doctrine evolved to where it is today. Rothman concisely connects the dots among seemingly irreconcilable court decisions while debunking myths about the early case-law. -- Stephanie Abrutyn, Senior Vice President and Chief Counsel, Litigation at HBORothman makes a crucial argument that goes to the heart of the current legal doctrine. -- Jessica Litman, author of Digital CopyrightJennifer Rothman has written an important, informative study of the right of publicity as it has developed in the United States and its connections to a robust privacy right. By reexamining the past, she has elaborated principles that will be useful in defining both publicity and privacy rights for the digital age. -- Rebecca Tushnet, Harvard Law School

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Book SynopsisRoberto Rossellini's ""Il Miracolo"" is deceptively simple: a demented peasant woman is seduced by a stranger she believes to be Saint Joseph, is socially ostracized for becoming pregnant out of wedlock, but is finally redeemed through motherhood. This book explores the unique place that the movies occupy in American culture.

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Book SynopsisComparing law to the American practice of common courtesy, this book explains how our courts not only survive under conditions of suspected hypocrisy, but actually depend on these conditions to function.Trade Review"In using courtesy to account for the current state of our legal system, Bybee offers a fresh take on debates over judicial legitimacy and legal realism. Rejecting the contention that the public is simply confused, he presents an original answer to the puzzle of the public's paradoxical perceptions of the judiciary. The pull of his explanation and the unconventional but commonsense appeal of his account are engaging and provocative." -- Helena Silverstein * Law and Social Inquiry *"All Judges Are Political—Except When They Are Not successfully points out the conflicting roles that judges fill and demonstrates that these roles do not intrinsically compromise legal legitimacy. In the course of achieving this goal, Bybee uses substantive sources and unique comparisons to present intriguing ideas and theories. I recommend the book for anyone with an interest in the subject matter who does not mind a distinctly scholarly approach. The book would make a great addition to collegiate and law school libraries." -- Jeff McGowan * Law Library Journal *"Bybee offers a truly fresh and important response to one of the most important questions in the cultural study of law: how can law sustain its legitimacy in the face of the understanding that it is essentially political? Arguing that law's hypocrisy actually strengthens it, Bybee makes a connection to courtesy that is really quite ingenious and illuminating. This is a wonderful new vehicle for understanding how courts work." -- Austin Sarat * Amherst College *"Judicial authority is not in grave danger, at least in the terms that some alarmists imagine. In conversation with mainstream approaches to judicial practice, this remarkably original work contends that law's deceits sustain order and moderate conflict, all the while sustaining hierarchy. A major accomplishment." -- Michael W. McCann * University of Washington *"Between costly partisan judicial elections and a Supreme Court that appears frozen in an ideological 5-4 split, there has never been a more apt time to answer conclusively the question of whether judges are apolitical oracles or ideological politicians. Bybee's answer—they are both—sounds at first like a discomfiting one. But in this fascinating book he shows that the courts' very survival in fact rests on the white lie of this fundamental tension." -- Dahlia Lithwick, Senior Editor * Slate.com *

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Book SynopsisTrade Review"What do celebrity baby bumps, boobs, and booties have to do with the law? In this compelling and creative new book, Renée Cramer suggests that contemporary culture's fascination with these subjects reveals much about the complex web of social and legal regulations that shape our understanding of pregnancy, the body and femininity." -- Susan Burgess * Ohio University *"When people hear I study celebrity, they often ask, 'What's going on with the obsession with celebrity pregnancy and baby bumps?' Finally, I have somewhere to direct them. Pregnant with the Stars takes a nuanced and engaging look at celebrity pregnancy, connecting the baby bump craze to larger issues governing women's bodies and what we expect and demand from them." -- Anne Helen Petersen * Features Writer at BuzzFeed and author of Scandals of Classic Hollywood: Sex, Deviance, and Drama from the Golden Age of American Cinema *"Pregnant with the Stars is as entertaining as it is illuminating. Cramer has a rare gift for drawing our attention to everyday forms of power that occur at the intersection of popular culture, politics and the law and converge in our gaze on women's bodies." -- Claire Rasmussen * University of Delaware *"Americans have voraciously consumed images of gorgeous, famous pregnant bodies—from Demi to Kiera—while ordinary women have officially lost rights, dignity, and safety as fertile persons. Renée Cramer cracks open interpretations of this development, inviting us to consider the consequences of celebrating those beyond our reach, while millions of real women are threatened with ignobility and ignominy." -- Rickie Solinger * author of Reproductive Politics: What Everyone Needs to Know *"Cramer's examination of celebrity pregnancy reminds us that robust analysis can also be wildly fun. Pregnant with the Stars reveals how the pop culture portrayal of pregnant women's bodies undermines equality and deeply-held social values. Readers of all kinds will enjoy the book and want to talk about it—online, at work, in the classroom, and beyond." -- Chrysanthi Leon * University of Delaware *"Cramer sees our obsession with pregnant celebrities as a distraction from birth-control politics....She urges women not to let what is an individual experience be influenced by celebrity-pregnancy hype." -- Crystal Erickson * Bitch Magazine *Table of ContentsContents and AbstractsIntroduction: Obsession with the Celebrity Bump chapter abstractThis chapter explains why it is important to understand contemporary interest in the celebrity baby bump, and situates that interest within the law and society literature. The chapter argues that by compelling us to "watch" and to "want," media coverage of the pregnant celebrity body becomes an interpretive lens through which to view the twin pillars of the state in late neoliberalism: an expansion of technologies of governance through proxies that enable state- and self-regulation, and totalizing commodification via global capitalism. The chapter explains the feminist, sociolegal, and interpretive approach taken in the research and provides a narrative of the author's interaction with the topic. 1Law, Popular Culture, and Pregnancy in America chapter abstractUsing the famous Demi Moore cover for Vanity Fair as a frame of reference, this chapter traces the changing ways that law and popular culture have treated pregnancy, from the 1970s to the contemporary period. It examines jurisprudence relating to pregnancy and pregnancy discrimination, as well as abortion and birth control, to argue that women have achieved a measure of equality under the law – while being constructed as more responsible for the outcomes of their pregnancy than ever before. The chapter simultaneously examines televised and filmic representations of pregnancy in the popular culture – from I Love Lucy to Murphy Brown to Friends to demonstrate an increasing comfort with pregnant women in the public eye. 2Celebrity Bumps, Boobs, and Booties chapter abstractThis chapter examines media coverage of celebrity pregnancies to analyze the normative and idealized views of femininity in evidence in them. It argues that the media offers a limited range of possibilities for pregnant women: they can be "good girls," "bad girls (and those redeemed by motherhood," "hot, sexy mamas," and "yummy mummies." In all of these possibilities it is clear that dominant norms of race, class, and femininity are driving the media representations of these stars. 3Wanting the Bump chapter abstractThis chapter examines the commodification of pregnancy, and all things pregnancy related, through media coverage of celebrity pregnancies. It argues that when women are told to want the pregnant celebrity body, they are confronted by the objectification of that body and multiple modes of commodification: of pregnancy, of the child itself – or at least its image, and of the "rockin' beach-worthy post-baby body." And, even as women are confounded by our inability to attain what they are told is perfection, they are provided strategies and products that promise rescue, for a cost. 4Surveilling the Stars chapter abstractThis chapter argues that when women watch the pregnant celebrity, they are encouraged, to surveil, to gossip, and to judge. Ultimately, they are enlisted in the regulation of the bodies of all pregnant women, even as women are called on to accept and internalize their own regulation. The medicalization of pregnancy and childbirth necessitates high levels of surveillance during gestation and birth, and facilitates an intimate, but mediated, relationship between the woman and the fetus. The chapter argues that as women judge and regulate the bodies of pregnant celebrities, they are simultaneously accepting and internalizing the very same regulations of themselves. 5Governing the Body through the Bump chapter abstractThis chapter investigates the various moments and places where governance occurs of pregnant women. It shows that the state, through legislation and jurisprudence, plays an active role in constraining women's choices about and during pregnancy, and looks at very recent bills and laws that limit women's power. It also argues that the state engages proxies: corporations, media, and average people on the street – to govern pregnant women in the most mundane and daily ways imaginable. 6Rebel Renderings and a Micro-politics of Inscrutability chapter abstractThis chapter examines spaces of hope – coverage of celebrity pregnancies that deviate from the norm. It argues that coverage of the pregnancies and pregnant performances of M.I.A., Pink, and Christina Aguilera highlight "bold bumps" that envision motherhood in rebellious ways. The chapter also includes a discussion of surrogacy, lesbian-headed households, and single mothers, and argues that they disrupt patriarchal assumptions of mothering and pregnancy. The chapter closes with a look at the pregnancy of Mila Kunis, about whom the press was unable to write a coherent narrative, and whose performances of pregnancy remained inscrutable. Drawing on work by James Scott and Boaventura de souse Santos, the chapter argues that emancipation and liberation are achieved through small, inscrutable daily practices of living under the radar of the watching state and its proxies.

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Book SynopsisTrade Review"What do celebrity baby bumps, boobs, and booties have to do with the law? In this compelling and creative new book, Renée Cramer suggests that contemporary culture's fascination with these subjects reveals much about the complex web of social and legal regulations that shape our understanding of pregnancy, the body and femininity." -- Susan Burgess * Ohio University *"When people hear I study celebrity, they often ask, 'What's going on with the obsession with celebrity pregnancy and baby bumps?' Finally, I have somewhere to direct them. Pregnant with the Stars takes a nuanced and engaging look at celebrity pregnancy, connecting the baby bump craze to larger issues governing women's bodies and what we expect and demand from them." -- Anne Helen Petersen * Features Writer at BuzzFeed and author of Scandals of Classic Hollywood: Sex, Deviance, and Drama from the Golden Age of American Cinema *"Pregnant with the Stars is as entertaining as it is illuminating. Cramer has a rare gift for drawing our attention to everyday forms of power that occur at the intersection of popular culture, politics and the law and converge in our gaze on women's bodies." -- Claire Rasmussen * University of Delaware *"Americans have voraciously consumed images of gorgeous, famous pregnant bodies—from Demi to Kiera—while ordinary women have officially lost rights, dignity, and safety as fertile persons. Renée Cramer cracks open interpretations of this development, inviting us to consider the consequences of celebrating those beyond our reach, while millions of real women are threatened with ignobility and ignominy." -- Rickie Solinger * author of Reproductive Politics: What Everyone Needs to Know *"Cramer's examination of celebrity pregnancy reminds us that robust analysis can also be wildly fun. Pregnant with the Stars reveals how the pop culture portrayal of pregnant women's bodies undermines equality and deeply-held social values. Readers of all kinds will enjoy the book and want to talk about it—online, at work, in the classroom, and beyond." -- Chrysanthi Leon * University of Delaware *"Cramer sees our obsession with pregnant celebrities as a distraction from birth-control politics....She urges women not to let what is an individual experience be influenced by celebrity-pregnancy hype." -- Crystal Erickson * Bitch Magazine *Table of ContentsContents and AbstractsIntroduction: Obsession with the Celebrity Bump chapter abstractThis chapter explains why it is important to understand contemporary interest in the celebrity baby bump, and situates that interest within the law and society literature. The chapter argues that by compelling us to "watch" and to "want," media coverage of the pregnant celebrity body becomes an interpretive lens through which to view the twin pillars of the state in late neoliberalism: an expansion of technologies of governance through proxies that enable state- and self-regulation, and totalizing commodification via global capitalism. The chapter explains the feminist, sociolegal, and interpretive approach taken in the research and provides a narrative of the author's interaction with the topic. 1Law, Popular Culture, and Pregnancy in America chapter abstractUsing the famous Demi Moore cover for Vanity Fair as a frame of reference, this chapter traces the changing ways that law and popular culture have treated pregnancy, from the 1970s to the contemporary period. It examines jurisprudence relating to pregnancy and pregnancy discrimination, as well as abortion and birth control, to argue that women have achieved a measure of equality under the law – while being constructed as more responsible for the outcomes of their pregnancy than ever before. The chapter simultaneously examines televised and filmic representations of pregnancy in the popular culture – from I Love Lucy to Murphy Brown to Friends to demonstrate an increasing comfort with pregnant women in the public eye. 2Celebrity Bumps, Boobs, and Booties chapter abstractThis chapter examines media coverage of celebrity pregnancies to analyze the normative and idealized views of femininity in evidence in them. It argues that the media offers a limited range of possibilities for pregnant women: they can be "good girls," "bad girls (and those redeemed by motherhood," "hot, sexy mamas," and "yummy mummies." In all of these possibilities it is clear that dominant norms of race, class, and femininity are driving the media representations of these stars. 3Wanting the Bump chapter abstractThis chapter examines the commodification of pregnancy, and all things pregnancy related, through media coverage of celebrity pregnancies. It argues that when women are told to want the pregnant celebrity body, they are confronted by the objectification of that body and multiple modes of commodification: of pregnancy, of the child itself – or at least its image, and of the "rockin' beach-worthy post-baby body." And, even as women are confounded by our inability to attain what they are told is perfection, they are provided strategies and products that promise rescue, for a cost. 4Surveilling the Stars chapter abstractThis chapter argues that when women watch the pregnant celebrity, they are encouraged, to surveil, to gossip, and to judge. Ultimately, they are enlisted in the regulation of the bodies of all pregnant women, even as women are called on to accept and internalize their own regulation. The medicalization of pregnancy and childbirth necessitates high levels of surveillance during gestation and birth, and facilitates an intimate, but mediated, relationship between the woman and the fetus. The chapter argues that as women judge and regulate the bodies of pregnant celebrities, they are simultaneously accepting and internalizing the very same regulations of themselves. 5Governing the Body through the Bump chapter abstractThis chapter investigates the various moments and places where governance occurs of pregnant women. It shows that the state, through legislation and jurisprudence, plays an active role in constraining women's choices about and during pregnancy, and looks at very recent bills and laws that limit women's power. It also argues that the state engages proxies: corporations, media, and average people on the street – to govern pregnant women in the most mundane and daily ways imaginable. 6Rebel Renderings and a Micro-politics of Inscrutability chapter abstractThis chapter examines spaces of hope – coverage of celebrity pregnancies that deviate from the norm. It argues that coverage of the pregnancies and pregnant performances of M.I.A., Pink, and Christina Aguilera highlight "bold bumps" that envision motherhood in rebellious ways. The chapter also includes a discussion of surrogacy, lesbian-headed households, and single mothers, and argues that they disrupt patriarchal assumptions of mothering and pregnancy. The chapter closes with a look at the pregnancy of Mila Kunis, about whom the press was unable to write a coherent narrative, and whose performances of pregnancy remained inscrutable. Drawing on work by James Scott and Boaventura de souse Santos, the chapter argues that emancipation and liberation are achieved through small, inscrutable daily practices of living under the radar of the watching state and its proxies.

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Book SynopsisRenowned for its unique visual style, Homicide fundamentally changed the police procedural genre. The show was an anomaly in the ‘90s for its honest portrayals and discussions of race. Lisa Doris Alexander uses Critical Race Theory as a lens to highlight how the show illustrated the impacts that racial politics can have on policing.

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Book SynopsisIn the 1980s and 1990s, the internet became a major player in the global economy and a revolutionary component of everyday life for much of the United States and the world. The author illustrates the conflicting and indirect ways in which culture and policy combined to produce this transformative technology.Trade ReviewThe strengths of Cached: Decoding the Internet in Global Popular Culturelie in its rich, detailed, engaging, and engrossing stories of the Internet. Schulte convincingly shows technology as a product of historical legacies, as well as cultural and politics. -- Bessie Chu * International Journal of Communication *This is the most culturally sophisticated history of the Internet yet written. We can't make sense of what the Internet means in our lives without reading Schulte's elegant account of what the Internet has meant at various points in the past 30 years. -- Siva Vaidhyanathan,Chair of the Department of Media Studies at The University of VirginiaSchulte (Univ. of Arkansas) captures the reader's attention in the first chapter by showing how the science fiction film WarGames(1983) gave the Internet both a game for teenagers and a 'potential weapon for global destruction....' A useful, scholarly resource for readers interested in the cultural development of the Internet. * Choice *Cachedclosely captures popular struggles over the narration of computing technology, and the ensuing responses by society in both trying to dismantle as well as reinforce the boundaries of access to computer networking technologies. Schulte convincingly narrates these struggles by engaging with the changing debates on the functionalism of computing technologies. * Telecommunications Policy *Table of ContentsAcknowledgmentsIntroduction 1 The "WarGames Scenario": Regulating Teenagers and Teenaged Technology 2 The Internet Grows Up and Goes to Work: User-Friendly Tools for Productive Adults 3 From Computers to Cyberspace: Virtual Reality, the Virtual Nation, and the CorpoNation 4 Self-Colonizing eEurope: The Information Society Merges onto the Information Superhighway5 Tweeting into the Future: Affecting Citizens and Networking Revolution Conclusion Appendix Notes Bibliography Index About the Author

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Book SynopsisIntervenes in debates about both reality television and audience research, offering the concept of the reflexive self to move these debates forwardTrade ReviewLike all ground-breaking studies of culture, The Makeover, appropriately, tells us not just about its object, narrowly construed, but about ourselves, the society we have created, and the contradictions that permeate both. Sender combines detailed empirical research with thoughtful and nuanced interpretation to provide us with a timely meditation on the limitsand potentialsof reflexivity. The result is a smart and original contribution to the way we think about popular culture and its relation to broader questions of self-hood, identity, and power. -- Mark Andrejevic,University of QueenslandWith its central focus on audience practices, Senders lucidly-written book is unique among the growing body of scholarship on reality TV. While offering a smart and provocative analysis of the complex appeal of specific & makeover shows, she also makes a major contribution to active audience theory. In particular, she problematizes the issue of reflexivity, in the context both of viewers relationships with the shows and in their roles as research participants. In doing so she challenges all audience scholars to examine more carefully the very nature of the research encounter. -- S. Elizabeth Bird,author of The Audience in Everyday LifeA success on multiple levels. Sender's analysis... provides strong insight into the social significance of reality television. * Contemporary Sociology *Table of ContentsSelf-Projects: Makeover Shows and the Reflexive Imperative2 Gender and Genre: Making Over Women's Culture 3 Not Like Paris Hilton: Instruction and Consumption in Makeover Shows4 Shame on You: Schadenfreude and Surveillance5 Feeling Real: Empirical Truth and Emotional Authenticity6 Mirror, Mirror: The Reflexive Self7 Research Reflexivity: Audiences and Investigators in Context8 Once More with Feeling: Reconsidering Reflexivity

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Book SynopsisIntervenes in debates about both reality television and audience research, offering the concept of the reflexive self to move these debates forwardTrade ReviewLike all ground-breaking studies of culture, The Makeover, appropriately, tells us not just about its object, narrowly construed, but about ourselves, the society we have created, and the contradictions that permeate both. Sender combines detailed empirical research with thoughtful and nuanced interpretation to provide us with a timely meditation on the limitsand potentialsof reflexivity. The result is a smart and original contribution to the way we think about popular culture and its relation to broader questions of self-hood, identity, and power. -- Mark Andrejevic,University of QueenslandWith its central focus on audience practices, Senders lucidly-written book is unique among the growing body of scholarship on reality TV. While offering a smart and provocative analysis of the complex appeal of specific & makeover shows, she also makes a major contribution to active audience theory. In particular, she problematizes the issue of reflexivity, in the context both of viewers relationships with the shows and in their roles as research participants. In doing so she challenges all audience scholars to examine more carefully the very nature of the research encounter. -- S. Elizabeth Bird,author of The Audience in Everyday LifeA success on multiple levels. Sender's analysis... provides strong insight into the social significance of reality television. * Contemporary Sociology *Table of ContentsSelf-Projects: Makeover Shows and the Reflexive Imperative2 Gender and Genre: Making Over Women's Culture 3 Not Like Paris Hilton: Instruction and Consumption in Makeover Shows4 Shame on You: Schadenfreude and Surveillance5 Feeling Real: Empirical Truth and Emotional Authenticity6 Mirror, Mirror: The Reflexive Self7 Research Reflexivity: Audiences and Investigators in Context8 Once More with Feeling: Reconsidering Reflexivity

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Book SynopsisWinner of the Alan Bray Memorial Book Prize presented by the GL/Q Caucus of the Modern Language AssociationFinalist for the 2015 LGBT Studies Award presented by the Lambda Literary FoundationSexual Futures, Queer Gestures and Other Latina Longings proposes a theory of sexual politics that works in the interstices between radical queer desires and the urgency of transforming public policy, between utopian longings and everyday failures. Considering the ways in which bodily movement is assigned cultural meaning, Juana María Rodríguez takes the stereotypes of the hyperbolically gestural queer Latina femme body as a starting point from which to discuss how gestures and forms of embodiment inform sexual pleasures and practices in the social realm.Centered on the sexuality of racialized queer female subjects, the book's varied archivewhich includes burlesque border crossings, daddy play, pornography, sodomy laws, and sovereignty claimsseeks to bring to the Trade ReviewThe books intriguing methodological protocols, its vibrant archives, and its foregrounding of a Latina femme perspective make it a commanding contribution to performance studies, porn studies, women of color feminisms, Latinastudies, and queer of color critique. That is productively engages such a wide range of disciplines speaks to the success of its own amorous gesturing. * GLQ: A Journal of Lesbian and Gay Studies *Fun, sensual, and theoretically sophisticated, Sexual Futures, Queer Gestures, and Other Latina Longings questions facile binary oppositions by exploring the intricate and perverse world of fantasy and pleasure, particularly in contexts in which marginality, submission, and racialization seem to foreclose key moments of identification for queer subjects of color. -- Yolanda Martínez-San Miguel,author of Coloniality of Diasporas: Rethinking Intra-Colonial Migrations in a Caribbean Context With a distinctly lush style of inquiry, Sexual Futures, Queer Gestures, and Other Latina Longings mobilizes the stereotype of the hyperbolically gestural Latina femme with and for both pleasure and politics. Juana María Rodríguez is a fierce critic in all the best senses of that word. -- Elizabeth Freeman, author of Time Binds: Queer Temporalities, Queer HistoriesThrough sensuous and seductive prose, Juana María Rodríguez demonstrates how queer gesture highlights the tension between socially inscribed corporeal regulation and agential enactments of subjectivity. Pivoting away from this binary through a reading of Latin@ excess, Sexual Futures, Queer Gestures, and Other Latina Longings demands that we radically reclaim abject sex as a site of queer futurity. -- E. Patrick Johnson, author of Sweet Tea: Black Gay Men of the South—An Oral History Table of Contents" v Contents Acknowledgments vii Introduction 1 1. Who's Your Daddy? Queer Kinship and Perverse Domesticity 29 2. Sodomy, Sovereignty, and Other Utopian Longings 69 3. Gesture in Mambo Time 99 4. Latina Sexual Fantasies, the Remix 139 The Afterglow 183

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Book SynopsisUsing examples from both mainstream and niche media - from prime-time television series to specialty Christian media and audience interactions on social media, this book draws upon a variety of disciplines including communication studies, sociology, and cultural studies in order to understand emergent strategies for framing post-racial America.Trade ReviewThrough a series of well chosen and meticulously analyzed case studies, Squires illuminates how postracialism came to be part of the national imaginary and makes a convincing argument for why it ultimately cannot camouflage the ways in which race still matters in the U.S. social life. * Journal of Communication *Table of ContentsAcknowledgments Introduction: Welcome to Post-Racial America 1. Post-Racial News: Covering the "Joshua Generation" 2. Brothers from Another Mother: Rescripting Religious Ties to Overcome the Racial Past 3. The Post-Racial Family: Parenthood and the Politics of Interracial Relationships on TV 4. Post-Racial Audiences: Discussions of Parenthood's Interracial Couple 5. Not "Post-Racial," Race-Aware: Blogging Race in the Twenty-First Century Conclusion: Back to the Post-Racial Future Notes Index About the Author

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Book SynopsisDiscusses what happens when the most common way we participate in social activism is by buying somethingTrade ReviewWithout doubt this important collection of essays will contribute significantly to the new and growing field of 'critical consumer studies'. -- J.R. Mitrano * CHOICE *Commodity activism has a long history but never has its significance been more complex to unravel than today, when the boundaries and direction of political action are unclear, commercial forces mobilize consumers values to secure their emotional loyalty, and individual consumers hope their choices mean that & something is being done. Roopali Mukherjee and Sarah Banet-Weiser's smart, empirically rich and globally wide-ranging new collection provides us with very welcome coordinates in this difficult terrain. -- Nick Couldry,author of Why Voice Matters: Culture and Politics After NeoliberalismCommodity Activism is eminently useful. Mukherjee and Banet-Weisers collection is animportant intervention into what had become a tired debate about political agency and consumer culture. It is also a very timely anthology, helping us better understand the practices of a current generation ofactivists who recognize that the terrain upon which they struggle is not some idealized land of pure politics outside the influence of consumer culture, but instead, a challenging topography of brands and logos, style and story, celebrity and spectacle. * International Journal of Communication *Commodity Activism will be out of interest to a wide range of scholars, including those focused on critical/consumer studies, American studies, media studies, and critical rhetorical studies. Any academic interested in exploring consumer politics, or contemporary trends in social activism, or in constituting social controversy, will find this text replete with starting points for future scholarship. * Journal of American Culture *Table of ContentsAcknowledgments Foreword Marita Sturken Introduction: Commodity Activism in Neoliberal Times Sarah Banet-Weiser and Roopali MukherjeePart One: Brand, Culture, Action 1 Brand Me "Activist" Alison Hearn 2 "Free Self-Esteem Tools?" Sarah Banet-Weiser 3 Citizen Brand Laurie Ouellette 4 Good Housekeeping Jo LittlerPart Two: Celebrity, Commodity, Citizenship 5 Make It Right? Brad Pitt, Post-Katrina Rebuilding, and the Spectacularization of Disaster Kevin Fox Gotham 6 Diamonds (Are from Sierra Leone): Roopali Mukherjee 7 Salma Hayek's Celebrity Activism Isabel Molina-Guzman 8 Mother Angelina Alison Trope 9 "Fair Vanity" Melissa M. BroughPart Three: Community, Movements, Politics 10 Civic Fitness Samantha King 11 Eating for Change Josee Johnston and Kate Cairns 12 Changing the World One Orgasm at a Time Lynn Comella 13 Pay-for Culture John McMurria 14 Feeling Good While Buying Goods Mari Castaneda About the Contributors Index

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Book SynopsisCelebrates the fluid media landscape and its possibilitiesTrade Review"The Social Media Reader [is] groundbreaking in both form and content: evidence of the transformative power and potential of social media." * Studies in American Culture *"The book already casts a broad net and brings in many treasures exploring issues around social media in so many fields. It makes for an excellent, vital read and makes a necessary to push into more thoughtful explorations on the topic." * Hyperallergic.com *"Collective intelligence, shareable goods, collaborative learning, demand media: all are explained by this wonderful book, and all are embodied by it. Many of the biggest names in digital and new media studies are here in a tome ready for the classroom that collects both canonical and original work. An outstanding addition to any media scholar or enthusiasts personal library." -- Jonathan Gray,author of Show Sold SeparatelyTable of ContentsAcknowledgments Introduction 1 The People Formerly Known as the Audience 2 Sharing Nicely 3 Open Source as Culture/Culture as Open Source 4 What Is Web 2.0? Design Patterns and Business Models for the Next Generation of Software 5 What Is Collaboration Anyway? 6 Participating in the Always-On Lifestyle 7 From Indymedia to Demand Media 8 Phreaks, Hackers, and Trolls: The Politics of Transgression and Spectacle 9 The Language of Internet Memes 10 The Long Tail 11 REMIX 12 Your Intermediary Is Your Destiny 13 On the Fungibility and Necessity of Cultural Freedom 14 Giving Things Away Is Hard Work 15 Quentin Tarantino's Star Wars? Grassroots Creativity Meets the Media Industry 16 Gin, Television, and Social Surplus 17 Between Democracy and Spectacle 18 DIY Academy? Cognitive Capitalism, Humanist Scholarship, and the Digital Transformation About the Contributors Index

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Book SynopsisUsing examples from both mainstream and niche media - from prime-time television series to specialty Christian media and audience interactions on social media, this book draws upon a variety of disciplines including communication studies, sociology, and cultural studies in order to understand emergent strategies for framing post-racial America.Trade ReviewThrough a series of well chosen and meticulously analyzed case studies, Squires illuminates how postracialism came to be part of the national imaginary and makes a convincing argument for why it ultimately cannot camouflage the ways in which race still matters in the U.S. social life. * Journal of Communication *Table of ContentsAcknowledgments Introduction: Welcome to Post-Racial America 1. Post-Racial News: Covering the "Joshua Generation" 2. Brothers from Another Mother: Rescripting Religious Ties to Overcome the Racial Past 3. The Post-Racial Family: Parenthood and the Politics of Interracial Relationships on TV 4. Post-Racial Audiences: Discussions of Parenthood's Interracial Couple 5. Not "Post-Racial," Race-Aware: Blogging Race in the Twenty-First Century Conclusion: Back to the Post-Racial Future Notes Index About the Author

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Book SynopsisWhat's going on with the rise of tv law programs - both fictional and documentary, and how does that affect our lives and real court rooms.Trade ReviewLaw and Justice as Seen on TV provides a comprehensive and sophisticated look at the ways law appears nightly in the living rooms of millions of Americans. Combining valuable insights about the workings of the television industry with an insightful argument about the criminalization of American life, Elayne Rapping has made a distinctive contribution to interdisciplinary legal scholarship. Her work shows how valuable the analysis of popular culture can be in illuminating some of the most important legal and social issues of our time. -- Austin Sarat,William Nelson Cromwell Professor of Jurisprudence and Political Science, Amherst CollegeIn recent years, an expanding wave of law and criminal justice programs has emerged on American television. Elayne Rapping proves a masterful guide in her overview of a wide range of TV narrative fiction series, Court TV, talk shows, news, and other programs that deals with law, order, criminality, and justice, contextualizing TV crime and justice in the context of fierce political battles over these topics in the past decades of American history. -- Douglas Kellner,author of Media Culture and Media SpectacleLaw and Justice as Seen on TV is deliberately provocative. * Akron Beacon Journal *Lively and engagingly written, it explores as Rapping writes, "an interplay of aesthetics, politics, and legal history [that] come together in complex and often contradictory ways. Anyone who has watched these shows will appreciate seeing them in a new way. Much of the enjoyment in reading the book comes from Rapping's ability to draw on a wide range of cultural and intellectual interests and present them in down-to-earth language. * Trial *Accessible and lucid. * www.sirreadalot.org *Table of ContentsContentsAcknowledgments Introduction I Fiction and Entertainment Genres1 The Return of the Attorney-Hero: Politics and Justice in the Prime-Time Courtroom 2 Aliens, Nomads, Mad Dogs, and Road Warriors: Tabloid TV and the New Face of Criminal Violence 3 Signs of the Times: Oz and the Sudden Visibility of Prisons on Television II News and Documentary Genres4 Cameras, Court TV, and the Rise of the Criminal Trial as Major Media Event 5 The Politics of Representation: Gender Violence and Criminal Justice 6 Television and Family Dysfunction: From the Talk Show to the Courtroom 1697 Television and the Demonization of Youth 8 Television, Melodrama, and the Rise of the Victims' Rights Movement 236Conclusion: The Criminalization of American Life

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Book SynopsisTrade ReviewIn this compelling study, Govil traces the ways in which the two production entities have shared finance, production, and distribution concerns, and demonstrates that far from being a recent phenomenon, this has been going on for a long time. Writing in a direct and accessible style with great economy and authority, Govil effectively delineates how Hollywood and Bollywood are, in fact, inextricably intertwined, and how this intermarriage will continue to flourish in the future. * Choice *Table of Contentsv Contents Acknowledgments vii Introduction: Narrating Encounter 1 1. Framing the Copy: Media Industries and the Poetics of Resemblance 41 2. Managing Exchange: Geographies of Finance in the Media Industries 77 3. The Theater of Influence: Reimagining Indian Film Exhibition 115 4. Economies of Devotion: Affective Engagement and the Subject(s) of Labor 153 Conclusion: Close Encounters of the Industrial Kind 183 Notes 193 Index 235 About the Author 245 Govil_i_245.indd 5 1/26/15 12:48 PM

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Book SynopsisTrade ReviewIn this compelling study, Govil traces the ways in which the two production entities have shared finance, production, and distribution concerns, and demonstrates that far from being a recent phenomenon, this has been going on for a long time. Writing in a direct and accessible style with great economy and authority, Govil effectively delineates how Hollywood and Bollywood are, in fact, inextricably intertwined, and how this intermarriage will continue to flourish in the future. * Choice *Table of Contentsv Contents Acknowledgments vii Introduction: Narrating Encounter 1 1. Framing the Copy: Media Industries and the Poetics of Resemblance 41 2. Managing Exchange: Geographies of Finance in the Media Industries 77 3. The Theater of Influence: Reimagining Indian Film Exhibition 115 4. Economies of Devotion: Affective Engagement and the Subject(s) of Labor 153 Conclusion: Close Encounters of the Industrial Kind 183 Notes 193 Index 235 About the Author 245 Govil_i_245.indd 5 1/26/15 12:48 PM

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Book SynopsisArgues that we can't understand contemporary queer cultures without looking through the lens of social classTrade ReviewDrawn along disciplinary lines of queer theory, feminist theory, and critical cultural studies, Love and Moneycontributes vital scholarly debates over the emancipatory potential of cultural recognition versus economic redistribution. As a scholar of communication, Henderson adds valuable complexity to this discussion, highlighting the ways in which queer visibility depends on a class - race reduction mediated through tropes of bodily excess, disenfranchisement, and trauma. Through timely and profound analysis she weaves together disparate experiences and expressions from a variety of queer cultural texts to present a language of queer-class engagement that articulates the categories of race and gender while working to recenter class as a vital frame through which to understand the production of sexual difference. -- Meg Rooney * QED: A Journal in GLBTQ Worldmaking *In Love and MoneyHenderson attempts to look at contemporary queer cultures through the lens of social class. Henderson is critical of the distorted ways in which American media represents queer cultures and identity and seeks to study the difference that social class makes on queer subjectivity and representation. -- Rohit K. Dasgupta * Transnational Cinemas *It may be that the book is, at its core, an unusually intimate excavation of media-cultural experience. This much is evident in the carefully crafted prose and the frequent self-reflexive passages in which the author's various rolesas researcher, critic, fan, and consumer, but also as queer and classed subjectare laid more bare than is customary. Henderson reveals herself as voracious observer, situation her half-dozen primary objects in a jam-packed mediascape, where no one-off episode or festival favorite is too far off the mainstream radar. This is commendable, and invigorating, while the field tends to compartmentalize mainstream and experimental film and media as nonconversant tracks.Love and Moneyis also, irrefutably, hopeful. This may also be a suit that many of us are unaccustomed to wearing, especially as regards class politics at the current historical juncture. But in these pages, it might pay to try. It is, at least, as Henderson herself concludes, 'a place to start.' -- Cynthia Crisis * International Journal of Communication *Love and Money is at once fiercely intellectual and full of heart, formidable and invitingly funny. In this series of essays, Lisa Henderson offers some of the sharpest, most imaginative analysis of queerness and social class out there, shaking up entrenched ideas about how the two are and should be related. -- Joshua Gamson,University of San FranciscoHendersons affective approach to the case history yields rich accounts of the resourceful survival strategies through which queer films and novels get made despite limited means. Exemplifying the values of love and solidarity that she finds in her cases, her critical practice offers innovative approaches to thinking queer and class together and fresh answers to longstanding questions about what it means to make art in a market economy. -- Ann Cvetkovich,University of Texas, Austin'Throughout, Henderson grounds queer cultural criticism in the liminal movements and moments of everyday life, treating this criticism as art and understanding criticism as inside of, and a contributor to, cultural production. She also formulates a new kind of classed-queerness, one characterized by softness and slowness, of people trying hard to live and survive as best as they can. Summing Up: Highly recommended. * CHOICE *Table of Contents1. The Class Character of Boys Don't Cry 2. Queer Visibility and Social Class 3. Every Queer Thing We Know 4. Recognition: Queers, Class, and Dorothy Allison 5. Queer Relay 6. Plausible Optimism Conclusion: A Cultural Politics of Love and Solidarity

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Book SynopsisArgues that we can't understand contemporary queer cultures without looking through the lens of social classTrade ReviewDrawn along disciplinary lines of queer theory, feminist theory, and critical cultural studies, Love and Moneycontributes vital scholarly debates over the emancipatory potential of cultural recognition versus economic redistribution. As a scholar of communication, Henderson adds valuable complexity to this discussion, highlighting the ways in which queer visibility depends on a class - race reduction mediated through tropes of bodily excess, disenfranchisement, and trauma. Through timely and profound analysis she weaves together disparate experiences and expressions from a variety of queer cultural texts to present a language of queer-class engagement that articulates the categories of race and gender while working to recenter class as a vital frame through which to understand the production of sexual difference. -- Meg Rooney * QED: A Journal in GLBTQ Worldmaking *In Love and MoneyHenderson attempts to look at contemporary queer cultures through the lens of social class. Henderson is critical of the distorted ways in which American media represents queer cultures and identity and seeks to study the difference that social class makes on queer subjectivity and representation. -- Rohit K. Dasgupta * Transnational Cinemas *It may be that the book is, at its core, an unusually intimate excavation of media-cultural experience. This much is evident in the carefully crafted prose and the frequent self-reflexive passages in which the author's various rolesas researcher, critic, fan, and consumer, but also as queer and classed subjectare laid more bare than is customary. Henderson reveals herself as voracious observer, situation her half-dozen primary objects in a jam-packed mediascape, where no one-off episode or festival favorite is too far off the mainstream radar. This is commendable, and invigorating, while the field tends to compartmentalize mainstream and experimental film and media as nonconversant tracks.Love and Moneyis also, irrefutably, hopeful. This may also be a suit that many of us are unaccustomed to wearing, especially as regards class politics at the current historical juncture. But in these pages, it might pay to try. It is, at least, as Henderson herself concludes, 'a place to start.' -- Cynthia Crisis * International Journal of Communication *Love and Money is at once fiercely intellectual and full of heart, formidable and invitingly funny. In this series of essays, Lisa Henderson offers some of the sharpest, most imaginative analysis of queerness and social class out there, shaking up entrenched ideas about how the two are and should be related. -- Joshua Gamson,University of San FranciscoHendersons affective approach to the case history yields rich accounts of the resourceful survival strategies through which queer films and novels get made despite limited means. Exemplifying the values of love and solidarity that she finds in her cases, her critical practice offers innovative approaches to thinking queer and class together and fresh answers to longstanding questions about what it means to make art in a market economy. -- Ann Cvetkovich,University of Texas, Austin'Throughout, Henderson grounds queer cultural criticism in the liminal movements and moments of everyday life, treating this criticism as art and understanding criticism as inside of, and a contributor to, cultural production. She also formulates a new kind of classed-queerness, one characterized by softness and slowness, of people trying hard to live and survive as best as they can. Summing Up: Highly recommended. * CHOICE *Table of Contents1. The Class Character of Boys Don't Cry 2. Queer Visibility and Social Class 3. Every Queer Thing We Know 4. Recognition: Queers, Class, and Dorothy Allison 5. Queer Relay 6. Plausible Optimism Conclusion: A Cultural Politics of Love and Solidarity

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Book SynopsisThe first book to focus exclusively on the significance of trial films for both film and legal studies. Chapters cover a variety of topics, such as how and why film audiences adopt the role of the jury, the narrative and visual conventions employed by directors, and the ways trial films offered insights into the events of the late 20th century.Trade ReviewTrial Films on Trial successfully brings together distinguished and emerging scholars to engage important questions about law's representation in film and, fascinatingly, film's law-like logic."" - Daniel LaChance, author of Executing Freedom: The Cultural Life of Capital Punishment in the United States""A marvelously generative text which will, I am certain, stand as an important and defining contribution to the field of law and film."" - Patricia Ewick, coauthor of The Common Place of Law: Stories from Everyday LifeTable of Contents Acknowledgments Introduction: The Pleasures and Possibilities of Trial Films by Austin Sarat, Jessica Silbey, Martha Merrill Umphrey Chapter 1. Law and the Order of Popular Culture by Carol J. Clover Chapter 2. Knowing It When We See It: Realism and Melodrama in American Film Since The Birth of a Nation by Ticien Marie Sassoubre Chapter 3. Reasonable Doubts, Unspoken Fears: Reassessing the Trial Film's ""Heroic Age"" by Barry Langford Chapter 4. Disorder in Court: Representations of Resistance to Law in Trial Film Dramas by Norman W. Spaulding Chapter 5. ""I Am Here. I Was There."": Haunted Testimony in The Memory of Justice and The Specialist by Katie Model Chapter 6. The Appearance of Truth: Juridical Reception and Photographic Evidence in Standard Operating Procedure by Jennifer Petersen Works Cited Contributors Index

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Book SynopsisThis Research Handbook critically examines the complex relationship between social media and the law. Expert scholars and practitioners analyze key issues through both practical and theoretical lenses, highlighting opportunities for advancing legal scholarship in the field.

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Book SynopsisTrade ReviewAcclaim for the first edition:‘Mark Greenberg's Comic Art, Creativity and the Law outlines the protective, and often restrictive, aspects of the relationship between the law and the comic book industry. Greenberg's text is a very accessible, even enjoyable read. While Comic Art, Creativity and the Law is fascinating, even compelling, its principle audience is entertainment comic book creators, attorneys, and fans.’ -- Allen Berry, Technical Communication’Talk about an interesting project! This really quite riveting book from Edward Elgar’s Law and Entrepreneurship series explores a not very much explored area of the law; that is the effect, for better or worse, of the law on creativity and the creative process. . . While the book could be considered a guide to ‘the law of comics’, it is more than that. There is much analysis and commentary on the history, structure and modes of comic art, after which, the discussion turns to two legal doctrines: contract and copyright law. The impact of tax and obscenity laws is also discussed. . . With the ten pages ‘table of authorities’ and extensive footnoting, the book is a carefully researched academic study as well as a fascinating read. No doubt it will end up as an exceptionally well-thumbed volume in practitioners’ libraries on both sides of the Atlantic – and fans anywhere, of cartoons and comics will love it.’ -- The Barrister Magazine’Marc Greenberg combines his professional expertise and deep knowledge of comics history to provide the first book-length treatment of the subject of law as it applies to comics. . . an invaluable resource for understanding the issues.’ -- Rob Salkowitz, ICV2‘Comic Art, Creativity and the Law is a highly welcome addition to the literature on the development of comic art. The book stands out in its knowledge of the comic industry and analysis of the legal challenges confronting creative artists. You will enjoy reading it whether you are an art law specialist or a Spiderman fan.’ -- Peter K. Yu, Drake University Law School, US‘In comics, justice always prevails, but the business of comics is a lot trickier. Marc Greenberg combines the expertise of a legal scholar with the passion and insight of a long-time comics fan, untangling the morass of legal issues facing comics – and all creative enterprises – in the past, present and future. Comic Art, Creativity and the Law is essential reading for anyone interested in understanding the multi-billion dollar global industry that comics has spawned.’ -- Rob Salkowitz, author of Comic-Con and the Business of Pop Culture‘Marc Greenberg’s Comic Art, Creativity and the Law gives a detailed, thoughtful “look under the hood” of one of the United States’ most vibrant and under appreciated creative industries. For anyone who cares about truly understanding the creative process and the lives of authors in our times, this should be part of your library.’ -- Justin Hughes, Loyola Law School and chief US negotiator for the Beijing and Marrakesh copyright treaties‘An intellectual tour de force and a compelling read . . . Far beyond a practical guide to the law of comics (though it is that too), Greenberg’s book touches on the nature of creativity, the basis for IP law and the history of this fascinating medium.’ -- Mark A. Lemley, Stanford Law School, USTable of ContentsContents: PART I INTRODUCTION TO THE SECOND EDITION PART II CREATIVITY AND THE LAW 1. The neuroscience of creativity 2. How the law views the creative process PART III COMIC ART – HISTORY, STRUCTURE AND MODE 3. A brief history of comic art 4. The structure and common modes for comic art PART IV THE IMPACT OF LAW ON THE CREATION AND STRUCTURE OF COMIC ART 5. Uneasy bedfellows: comic art creators and publishers – how comic art 6. Copyright law’s impact on the creative process in comic art 7. Fan-based creations – a look at Fan Fiction, Fan Art, Fan Films and Cosplay PART V CONSTRAINING CREATIVITY: THE EFFECT OF TAX LAW AND OBSCENITY LAW ON THE CREATIVE PROCESS 8. The power to tax and the First Amendment: Mavrides v. Board of Equalization 9. Censoring creativity, the Comics Code Authority and the birth of the Comic Book Legal Defense Fund 10. Obscenity law and the First Amendment: CBLDF to the defense 11. The bigger picture: obscenity, the First Amendment and the moral education of the young PART VI COMIC ART AND LAW IN THE INTERNATIONAL AND DIGITAL MARKETS 12. Comic art and the law in the international marketplace 13. Eight tips for licensing comics for film and television 14. Comic art, law and the digital revolution 15. Concluding remarks Index

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Book SynopsisJennifer Petersen constructs a genealogy of the legal conceptions of what counts as “speech” within free speech law, showing how changes in media technology influenced changing legal definitions of speech.Trade Review“What does it mean for speech to be free? This rigorous, counterintuitive history reveals how changes in media technologies have transformed our answers to that question in the law and well beyond. As it shows, media technologies don’t just deliver speech; they model it. And when they do, they change the categories of thought and action through which we live our lives.” -- Fred Turner, author of * The Democratic Surround: Multimedia and American Liberalism from World War II to the Psychedelic Sixties *“At the intersection of legal studies, cultural history, and media history, Jennifer Petersen’s book is a brilliant and groundbreaking study of the ways that modern First Amendment law has been shaped by judicial and cultural responses to the advent of new media technologies.” -- Samantha Barbas, Professor of Law, University at Buffalo School of Law“[How Machines Came to Speak] provides many discussion opportunities—and questions—for anyone interested in the intricacies of free speech theory. Petersen does not claim to resolve the debate but invites readers to ‘rethink some of our fundamental assumptions about speech.’ All readers will benefit from heeding her invitation. Recommended.” -- D. Caristi * Choice *"The book not only deftly weaves together an analysis of legal texts but also considers the drafts of judgements as discursive repositories to help substantiate the technocultural context and historical debates that informed them. One of the most interesting . . . throughlines in the book is in the meta-research on communication theory and research and its in fluence over legal decisions at distinct points of her historiography." -- Vipulya Chari * H-Sci-Med-Tech, H-Net Reviews *"How Machines Came to Speak remains one of the most exciting and intellectually powerful books I have read in years, particularly in the fields of legal history and technology studies." -- Alex Sayl Cummings * Society for U.S. Intellectual History *Table of ContentsAcknowledgments vii Introduction. The “Speech” in Freedom of Speech 1 1. Moving Images and Early Twentieth-Century Public Opinion 24 2. “A Primitive but Effective Means of Conveying Ideas”: Gesture and Image as Speech 57 3. Transmitters, Relays, and Messages: Decentering the Speaker in Midcentury Speech Law 87 4. Speech without Speakers: How Speech Became Information 119 5. Speaking Machines: The Uncertain Subjects of Computer Communication 157 Conclusion. The Past and Future of Speech 190 Appendix on Methods 205 Notes 207 Bibliography 257 Index 271

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Book SynopsisJennifer Petersen constructs a genealogy of the legal conceptions of what counts as “speech” within free speech law, showing how changes in media technology influenced changing legal definitions of speech.Trade Review“What does it mean for speech to be free? This rigorous, counterintuitive history reveals how changes in media technologies have transformed our answers to that question in the law and well beyond. As it shows, media technologies don’t just deliver speech; they model it. And when they do, they change the categories of thought and action through which we live our lives.” -- Fred Turner, author of * The Democratic Surround: Multimedia and American Liberalism from World War II to the Psychedelic Sixties *“At the intersection of legal studies, cultural history, and media history, Jennifer Petersen’s book is a brilliant and groundbreaking study of the ways that modern First Amendment law has been shaped by judicial and cultural responses to the advent of new media technologies.” -- Samantha Barbas, Professor of Law, University at Buffalo School of Law“[How Machines Came to Speak] provides many discussion opportunities—and questions—for anyone interested in the intricacies of free speech theory. Petersen does not claim to resolve the debate but invites readers to ‘rethink some of our fundamental assumptions about speech.’ All readers will benefit from heeding her invitation. Recommended.” -- D. Caristi * Choice *"The book not only deftly weaves together an analysis of legal texts but also considers the drafts of judgements as discursive repositories to help substantiate the technocultural context and historical debates that informed them. One of the most interesting . . . throughlines in the book is in the meta-research on communication theory and research and its in fluence over legal decisions at distinct points of her historiography." -- Vipulya Chari * H-Sci-Med-Tech, H-Net Reviews *"How Machines Came to Speak remains one of the most exciting and intellectually powerful books I have read in years, particularly in the fields of legal history and technology studies." -- Alex Sayl Cummings * Society for U.S. Intellectual History *Table of ContentsAcknowledgments vii Introduction. The “Speech” in Freedom of Speech 1 1. Moving Images and Early Twentieth-Century Public Opinion 24 2. “A Primitive but Effective Means of Conveying Ideas”: Gesture and Image as Speech 57 3. Transmitters, Relays, and Messages: Decentering the Speaker in Midcentury Speech Law 87 4. Speech without Speakers: How Speech Became Information 119 5. Speaking Machines: The Uncertain Subjects of Computer Communication 157 Conclusion. The Past and Future of Speech 190 Appendix on Methods 205 Notes 207 Bibliography 257 Index 271

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