Entertainment and media law Books

Book SynopsisWhat's going on with the rise of tv law programs - both fictional and documentary, and how does that affect our lives and real court rooms.Trade ReviewLaw and Justice as Seen on TV provides a comprehensive and sophisticated look at the ways law appears nightly in the living rooms of millions of Americans. Combining valuable insights about the workings of the television industry with an insightful argument about the criminalization of American life, Elayne Rapping has made a distinctive contribution to interdisciplinary legal scholarship. Her work shows how valuable the analysis of popular culture can be in illuminating some of the most important legal and social issues of our time. -- Austin Sarat,William Nelson Cromwell Professor of Jurisprudence and Political Science, Amherst CollegeIn recent years, an expanding wave of law and criminal justice programs has emerged on American television. Elayne Rapping proves a masterful guide in her overview of a wide range of TV narrative fiction series, Court TV, talk shows, news, and other programs that deals with law, order, criminality, and justice, contextualizing TV crime and justice in the context of fierce political battles over these topics in the past decades of American history. -- Douglas Kellner,author of Media Culture and Media SpectacleLaw and Justice as Seen on TV is deliberately provocative. * Akron Beacon Journal *Lively and engagingly written, it explores as Rapping writes, "an interplay of aesthetics, politics, and legal history [that] come together in complex and often contradictory ways. Anyone who has watched these shows will appreciate seeing them in a new way. Much of the enjoyment in reading the book comes from Rapping's ability to draw on a wide range of cultural and intellectual interests and present them in down-to-earth language. * Trial *Accessible and lucid. * www.sirreadalot.org *Table of ContentsContentsAcknowledgments Introduction I Fiction and Entertainment Genres1 The Return of the Attorney-Hero: Politics and Justice in the Prime-Time Courtroom 2 Aliens, Nomads, Mad Dogs, and Road Warriors: Tabloid TV and the New Face of Criminal Violence 3 Signs of the Times: Oz and the Sudden Visibility of Prisons on Television II News and Documentary Genres4 Cameras, Court TV, and the Rise of the Criminal Trial as Major Media Event 5 The Politics of Representation: Gender Violence and Criminal Justice 6 Television and Family Dysfunction: From the Talk Show to the Courtroom 1697 Television and the Demonization of Youth 8 Television, Melodrama, and the Rise of the Victims' Rights Movement 236Conclusion: The Criminalization of American Life

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Book SynopsisFrom a look at classics like Psycho and Double Indemnity to recent films like Traffic and Thelma & Louise, Nicole Rafter and Michelle Brown show that criminological theory is produced not only in the academy, through scholarly research, but also in popular culture, through film. This book provides a fresh way of looking at cinema.Trade ReviewAuthors Nicole Rafter and Michelle Brown have come up with an effective way of keying theory to film...[they] have managed to present a coherent summary of the most important theories that seek to explain crime, and to do it in a readable (sometimes even amusing) way. -- Ben Pesta,California LawyerAn interesting...book. * CHOICE *Table of ContentsList of Illustrations Preface 1 Introduction: Crime, History, Science Part I Biological Theories in the 19th Century 2 Moral Insanity and the Origins of Criminology 3 Phrenology: The Abnormal Brain 4 Criminal Anthropology: The Atavistic Brain 5 Evolutionary Theories: The Degenerate Brain Part II Biological Theories in the 20th Century 6 Stupidity Theories: The Backward Brain 7 Constitutional Theory: Bodytypes and Criminality 8 Criminology's Darkest Hour: Biocriminology in Nazi Germany 9 Contemporary Biocriminology Part III Biological Theories in the 21st Century 10 A Criminology for the 21st Century Notes References Index About the Author

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Book SynopsisTrade ReviewIn this compelling study, Govil traces the ways in which the two production entities have shared finance, production, and distribution concerns, and demonstrates that far from being a recent phenomenon, this has been going on for a long time. Writing in a direct and accessible style with great economy and authority, Govil effectively delineates how Hollywood and Bollywood are, in fact, inextricably intertwined, and how this intermarriage will continue to flourish in the future. * Choice *Table of Contentsv Contents Acknowledgments vii Introduction: Narrating Encounter 1 1. Framing the Copy: Media Industries and the Poetics of Resemblance 41 2. Managing Exchange: Geographies of Finance in the Media Industries 77 3. The Theater of Influence: Reimagining Indian Film Exhibition 115 4. Economies of Devotion: Affective Engagement and the Subject(s) of Labor 153 Conclusion: Close Encounters of the Industrial Kind 183 Notes 193 Index 235 About the Author 245 Govil_i_245.indd 5 1/26/15 12:48 PM

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Book SynopsisArgues that we can't understand contemporary queer cultures without looking through the lens of social classTrade ReviewDrawn along disciplinary lines of queer theory, feminist theory, and critical cultural studies, Love and Moneycontributes vital scholarly debates over the emancipatory potential of cultural recognition versus economic redistribution. As a scholar of communication, Henderson adds valuable complexity to this discussion, highlighting the ways in which queer visibility depends on a class - race reduction mediated through tropes of bodily excess, disenfranchisement, and trauma. Through timely and profound analysis she weaves together disparate experiences and expressions from a variety of queer cultural texts to present a language of queer-class engagement that articulates the categories of race and gender while working to recenter class as a vital frame through which to understand the production of sexual difference. -- Meg Rooney * QED: A Journal in GLBTQ Worldmaking *In Love and MoneyHenderson attempts to look at contemporary queer cultures through the lens of social class. Henderson is critical of the distorted ways in which American media represents queer cultures and identity and seeks to study the difference that social class makes on queer subjectivity and representation. -- Rohit K. Dasgupta * Transnational Cinemas *It may be that the book is, at its core, an unusually intimate excavation of media-cultural experience. This much is evident in the carefully crafted prose and the frequent self-reflexive passages in which the author's various rolesas researcher, critic, fan, and consumer, but also as queer and classed subjectare laid more bare than is customary. Henderson reveals herself as voracious observer, situation her half-dozen primary objects in a jam-packed mediascape, where no one-off episode or festival favorite is too far off the mainstream radar. This is commendable, and invigorating, while the field tends to compartmentalize mainstream and experimental film and media as nonconversant tracks.Love and Moneyis also, irrefutably, hopeful. This may also be a suit that many of us are unaccustomed to wearing, especially as regards class politics at the current historical juncture. But in these pages, it might pay to try. It is, at least, as Henderson herself concludes, 'a place to start.' -- Cynthia Crisis * International Journal of Communication *Love and Money is at once fiercely intellectual and full of heart, formidable and invitingly funny. In this series of essays, Lisa Henderson offers some of the sharpest, most imaginative analysis of queerness and social class out there, shaking up entrenched ideas about how the two are and should be related. -- Joshua Gamson,University of San FranciscoHendersons affective approach to the case history yields rich accounts of the resourceful survival strategies through which queer films and novels get made despite limited means. Exemplifying the values of love and solidarity that she finds in her cases, her critical practice offers innovative approaches to thinking queer and class together and fresh answers to longstanding questions about what it means to make art in a market economy. -- Ann Cvetkovich,University of Texas, Austin'Throughout, Henderson grounds queer cultural criticism in the liminal movements and moments of everyday life, treating this criticism as art and understanding criticism as inside of, and a contributor to, cultural production. She also formulates a new kind of classed-queerness, one characterized by softness and slowness, of people trying hard to live and survive as best as they can. Summing Up: Highly recommended. * CHOICE *Table of Contents1. The Class Character of Boys Don't Cry 2. Queer Visibility and Social Class 3. Every Queer Thing We Know 4. Recognition: Queers, Class, and Dorothy Allison 5. Queer Relay 6. Plausible Optimism Conclusion: A Cultural Politics of Love and Solidarity

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Book SynopsisArgues that we can't understand contemporary queer cultures without looking through the lens of social classTrade ReviewDrawn along disciplinary lines of queer theory, feminist theory, and critical cultural studies, Love and Moneycontributes vital scholarly debates over the emancipatory potential of cultural recognition versus economic redistribution. As a scholar of communication, Henderson adds valuable complexity to this discussion, highlighting the ways in which queer visibility depends on a class - race reduction mediated through tropes of bodily excess, disenfranchisement, and trauma. Through timely and profound analysis she weaves together disparate experiences and expressions from a variety of queer cultural texts to present a language of queer-class engagement that articulates the categories of race and gender while working to recenter class as a vital frame through which to understand the production of sexual difference. -- Meg Rooney * QED: A Journal in GLBTQ Worldmaking *In Love and MoneyHenderson attempts to look at contemporary queer cultures through the lens of social class. Henderson is critical of the distorted ways in which American media represents queer cultures and identity and seeks to study the difference that social class makes on queer subjectivity and representation. -- Rohit K. Dasgupta * Transnational Cinemas *It may be that the book is, at its core, an unusually intimate excavation of media-cultural experience. This much is evident in the carefully crafted prose and the frequent self-reflexive passages in which the author's various rolesas researcher, critic, fan, and consumer, but also as queer and classed subjectare laid more bare than is customary. Henderson reveals herself as voracious observer, situation her half-dozen primary objects in a jam-packed mediascape, where no one-off episode or festival favorite is too far off the mainstream radar. This is commendable, and invigorating, while the field tends to compartmentalize mainstream and experimental film and media as nonconversant tracks.Love and Moneyis also, irrefutably, hopeful. This may also be a suit that many of us are unaccustomed to wearing, especially as regards class politics at the current historical juncture. But in these pages, it might pay to try. It is, at least, as Henderson herself concludes, 'a place to start.' -- Cynthia Crisis * International Journal of Communication *Love and Money is at once fiercely intellectual and full of heart, formidable and invitingly funny. In this series of essays, Lisa Henderson offers some of the sharpest, most imaginative analysis of queerness and social class out there, shaking up entrenched ideas about how the two are and should be related. -- Joshua Gamson,University of San FranciscoHendersons affective approach to the case history yields rich accounts of the resourceful survival strategies through which queer films and novels get made despite limited means. Exemplifying the values of love and solidarity that she finds in her cases, her critical practice offers innovative approaches to thinking queer and class together and fresh answers to longstanding questions about what it means to make art in a market economy. -- Ann Cvetkovich,University of Texas, Austin'Throughout, Henderson grounds queer cultural criticism in the liminal movements and moments of everyday life, treating this criticism as art and understanding criticism as inside of, and a contributor to, cultural production. She also formulates a new kind of classed-queerness, one characterized by softness and slowness, of people trying hard to live and survive as best as they can. Summing Up: Highly recommended. * CHOICE *Table of Contents1. The Class Character of Boys Don't Cry 2. Queer Visibility and Social Class 3. Every Queer Thing We Know 4. Recognition: Queers, Class, and Dorothy Allison 5. Queer Relay 6. Plausible Optimism Conclusion: A Cultural Politics of Love and Solidarity

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Book SynopsisThe first book to focus exclusively on the significance of trial films for both film and legal studies. Chapters cover a variety of topics, such as how and why film audiences adopt the role of the jury, the narrative and visual conventions employed by directors, and the ways trial films offered insights into the events of the late 20th century.Trade ReviewTrial Films on Trial successfully brings together distinguished and emerging scholars to engage important questions about law's representation in film and, fascinatingly, film's law-like logic."" - Daniel LaChance, author of Executing Freedom: The Cultural Life of Capital Punishment in the United States""A marvelously generative text which will, I am certain, stand as an important and defining contribution to the field of law and film."" - Patricia Ewick, coauthor of The Common Place of Law: Stories from Everyday LifeTable of Contents Acknowledgments Introduction: The Pleasures and Possibilities of Trial Films by Austin Sarat, Jessica Silbey, Martha Merrill Umphrey Chapter 1. Law and the Order of Popular Culture by Carol J. Clover Chapter 2. Knowing It When We See It: Realism and Melodrama in American Film Since The Birth of a Nation by Ticien Marie Sassoubre Chapter 3. Reasonable Doubts, Unspoken Fears: Reassessing the Trial Film's ""Heroic Age"" by Barry Langford Chapter 4. Disorder in Court: Representations of Resistance to Law in Trial Film Dramas by Norman W. Spaulding Chapter 5. ""I Am Here. I Was There."": Haunted Testimony in The Memory of Justice and The Specialist by Katie Model Chapter 6. The Appearance of Truth: Juridical Reception and Photographic Evidence in Standard Operating Procedure by Jennifer Petersen Works Cited Contributors Index

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Book SynopsisIn this expanded and updated second edition, esteemed television executive and Harvard lecturer Ken Basin offers a comprehensive and readable overview of the business, financial, and legal structure of the U.S. television industry, as well as its deal-making norms.The Business of Television explores the basic structure and recent history of the television and streaming business, rights and talent negotiations, intellectual property, backend deals, licensing, international production, and much more. This expanded and updated second edition also features an in-depth exploration of the evolution of the streaming business, offers valuable new insights about negotiation, reflects the historic impacts of the 2020 Covid-19 pandemic and 2023 WGA and SAG-AFTRA strikes, addresses the intersection of artificial intelligence technology and intellectual property law, and provides a greater breadth and depth of technical material about a wide variety of common television deals. The

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Book SynopsisThis book provides a socio-legal examination of the mediaâs influence on the development and implementation of criminal justice policy.This impact is often assumed. And, especially in the wake of high-profile crimes, the press is routinely observed calling for sentences to be harsher, and for governments to be tougher on crime. But how do we know that there is a connection? To answer this question, the book draws on a case study of the media reporting of the rape and murder of Jill Meagher in Melbourne, Australia; as well as other well-known cases, including those of James Bulger, Sarah Payne, Stephen Lawrence and Michael Brown, among others. Deploying a socio-legal framework to examine how the mediaâs often powerful and emotive narratives play a crucial role in the development and implementation of law, the book provides a deep and critical reflection on its influence. The book concludes with a number of suggestions for media reform: both to moderate the mediaâs influence, a

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Book SynopsisIn this textbook, social media professor Jeremy Harris Lipschultz introduces students to the study of social media law and ethics, integrating legal concepts and ethical theories.This second edition explores freedom of expression, as it applies to students, media industry professionals, content creators and audience members. Key issues and practices covered include copyright law, data privacy, defamation, global law and ethics, generative AI, government censorship, social media platform rules, and employer policies. The book also addresses the U.S. government TikTok law and other recent regulation. Research techniques are also used to suggest future trends in social media law and ethics. Touching on themes and topics of significant contemporary relevance, this accessible textbook can be used in standalone law and ethics courses, as well as emerging social media courses that are disrupting traditional public relations, advertising, marketing and journalism curricula.Case studies, discussion questions, and online resources help students engage with the practicalities, complexities and ambiguities of this future-oriented area of media law, making this an ideal textbook for students of media law, policy and ethics, mass media, and communication studies.

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Book SynopsisThis Research Handbook critically examines the complex relationship between social media and the law. Expert scholars and practitioners analyze key issues through both practical and theoretical lenses, highlighting opportunities for advancing legal scholarship in the field.

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Book SynopsisTrade ReviewAcclaim for the first edition:‘Mark Greenberg's Comic Art, Creativity and the Law outlines the protective, and often restrictive, aspects of the relationship between the law and the comic book industry. Greenberg's text is a very accessible, even enjoyable read. While Comic Art, Creativity and the Law is fascinating, even compelling, its principle audience is entertainment comic book creators, attorneys, and fans.’ -- Allen Berry, Technical Communication’Talk about an interesting project! This really quite riveting book from Edward Elgar’s Law and Entrepreneurship series explores a not very much explored area of the law; that is the effect, for better or worse, of the law on creativity and the creative process. . . While the book could be considered a guide to ‘the law of comics’, it is more than that. There is much analysis and commentary on the history, structure and modes of comic art, after which, the discussion turns to two legal doctrines: contract and copyright law. The impact of tax and obscenity laws is also discussed. . . With the ten pages ‘table of authorities’ and extensive footnoting, the book is a carefully researched academic study as well as a fascinating read. No doubt it will end up as an exceptionally well-thumbed volume in practitioners’ libraries on both sides of the Atlantic – and fans anywhere, of cartoons and comics will love it.’ -- The Barrister Magazine’Marc Greenberg combines his professional expertise and deep knowledge of comics history to provide the first book-length treatment of the subject of law as it applies to comics. . . an invaluable resource for understanding the issues.’ -- Rob Salkowitz, ICV2‘Comic Art, Creativity and the Law is a highly welcome addition to the literature on the development of comic art. The book stands out in its knowledge of the comic industry and analysis of the legal challenges confronting creative artists. You will enjoy reading it whether you are an art law specialist or a Spiderman fan.’ -- Peter K. Yu, Drake University Law School, US‘In comics, justice always prevails, but the business of comics is a lot trickier. Marc Greenberg combines the expertise of a legal scholar with the passion and insight of a long-time comics fan, untangling the morass of legal issues facing comics – and all creative enterprises – in the past, present and future. Comic Art, Creativity and the Law is essential reading for anyone interested in understanding the multi-billion dollar global industry that comics has spawned.’ -- Rob Salkowitz, author of Comic-Con and the Business of Pop Culture‘Marc Greenberg’s Comic Art, Creativity and the Law gives a detailed, thoughtful “look under the hood” of one of the United States’ most vibrant and under appreciated creative industries. For anyone who cares about truly understanding the creative process and the lives of authors in our times, this should be part of your library.’ -- Justin Hughes, Loyola Law School and chief US negotiator for the Beijing and Marrakesh copyright treaties‘An intellectual tour de force and a compelling read . . . Far beyond a practical guide to the law of comics (though it is that too), Greenberg’s book touches on the nature of creativity, the basis for IP law and the history of this fascinating medium.’ -- Mark A. Lemley, Stanford Law School, USTable of ContentsContents: PART I INTRODUCTION TO THE SECOND EDITION PART II CREATIVITY AND THE LAW 1. The neuroscience of creativity 2. How the law views the creative process PART III COMIC ART – HISTORY, STRUCTURE AND MODE 3. A brief history of comic art 4. The structure and common modes for comic art PART IV THE IMPACT OF LAW ON THE CREATION AND STRUCTURE OF COMIC ART 5. Uneasy bedfellows: comic art creators and publishers – how comic art 6. Copyright law’s impact on the creative process in comic art 7. Fan-based creations – a look at Fan Fiction, Fan Art, Fan Films and Cosplay PART V CONSTRAINING CREATIVITY: THE EFFECT OF TAX LAW AND OBSCENITY LAW ON THE CREATIVE PROCESS 8. The power to tax and the First Amendment: Mavrides v. Board of Equalization 9. Censoring creativity, the Comics Code Authority and the birth of the Comic Book Legal Defense Fund 10. Obscenity law and the First Amendment: CBLDF to the defense 11. The bigger picture: obscenity, the First Amendment and the moral education of the young PART VI COMIC ART AND LAW IN THE INTERNATIONAL AND DIGITAL MARKETS 12. Comic art and the law in the international marketplace 13. Eight tips for licensing comics for film and television 14. Comic art, law and the digital revolution 15. Concluding remarks Index

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Book SynopsisAlready among the most important sectors of the US economy, the entertainment and media industries are continuing to grow worldwide. Fully updated, the tenth edition of Entertainment Industry Economics is the definitive reference on the economics of film, music, television, advertising, broadcasting, cable, casinos, publishing, arts and culture, performing arts, toys and games, sports, and theme parks. Its synthesis of a vast amount of data provides an up-to-date guide to the economics, financing, accounting, production, marketing, and history of these sectors in the United States and countries across the globe. This edition offers new material on streaming services, the relationship between demographics and entertainment spending, electromagnetic spectrum for broadcasters, and revised FASB accounting rules for film and television. Financial analysts and investors, economists, industry executives, accountants, lawyers, regulators, and journalists, as well as students preparing to join these professionals will benefit from this invaluable source.Table of ContentsPreface; Part I. Introduction: 1. Economic perspectives; 2. Basic elements; Part II. Media-Dependent Entertainment: 3. Movie macroeconomics; 4. Making and marketing movies; 5. Financial accounting in movies and television; 6. Music; 7. Broadcasting; 8. Cable; 9. Publishing; 10. Toys and games; Part III. Live Entertainment: 11. Gaming and wagering; 12. Sports; 13. Performing arts and culture; 14. Amusement/theme parks; Part IV. Roundup: 15. Performance and policy; Appendix A. Sources of information; Appendix B. Major games of chance; Appendix C. Supplementary data; Glossary; References; Index.

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Book SynopsisThis book updates and revalidates critical political economy of communication approaches. It is destined to become a work of reference for those interested in delving into debates arising from the performance of traditional and new media, cultural and communication policy-making or sociocultural practices in the new digital landscape.Table of ContentsPART I: THE POLITICAL ECONOMY OF COMMUNICATION 1. Current Challenges In The Critical Economy Of Communication And Culture; Ramón Zallo 2. The Political Economy Of Communication: A Living Tradition; Vincent Mosco PART II: CULTURAL OR CREATIVE INDUSTRIES? 3. Intellectuals And Cultural Policies; Philip Schlesinger 4. Cultural Industries, Creative Economy And Information Society; Gaëtan Tremblay 5. Creativity Versus Culture?; Enrique Bustamante PART III: CULTURAL CONSUMPTION FROM A CRITICAL PERSPECTIVE 6. Studying Cultural Behaviours, Consumptions, Habits And Practices; Armand Mattelart 7. New Approaches For New Sociocultural Practices; Micael Herschmann 8. Cultural Consumption And Media Power; Francisco Sierra PART IV: CHALLENGES IN THINKING ABOUT COMMUNICATION AND CULTURE 9. Digital Networks And Services: A New Political And Technological Agenda; Luis A. Albornoz 10. Communication And Epistemological Struggle; César Bolaño 11. Culture And Communication: A Political Economy View; Delia Crovi Druetta

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Book SynopsisMass Media Law, 22nd ed., provides college students with a timely, comprehensive, and up-to-date examination of some of the most important principles, doctrines, and cases affecting communications law and the First Amendment freedoms of speech, press, and assembly. The book is packed with current, real-life examples and the latest legal rulings that are relevant for students studying journalism, advertising, public relations, telecommunications, and other facets of the media and communications professions.Table of ContentsChapter 1: The American Legal SystemChapter 2: The First Amendment: The Meaning of FreedomChapter 3: The First Amendment: Contemporary ProblemsChapter 4: Defamation: Establishing a CaseChapter 5: Defamation: Proof of FaultChapter 6: Defamation: Defenses and DamagesChapter 7 Invasion of Privacy: Appropriation and Intrusion Chapter 8: Invasion of Privacy: Publication of Private Information and False LightChapter 9: Gathering Information: People, Places, Records, and RecordingsChapter 10: Protection of News Sources/Contempt PowerChapter 11: Free Press–Fair Trail: Trail-Level Remedies and Restrictive OrdersChapter 12: Free Press–Fair Trail: Closed Judicial ProceedingsChapter 13: Regulation of Obscene and Other Erotic MaterialChapter 14: Copyright and TrademarkChapter 15: Regulation of AdvertisingChapter 16: Telecommunications Regulation

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Book SynopsisAs technology makes it easier for people to work together, large-scale collaboration is becoming increasingly prevalent. In this context, the question of how to determine authorship and hence ownership - of copyright in collaborative works is an important question to which current copyright law fails to provide a coherent or consistent answer. In Copyright and Collective Authorship, Daniela Simone engages with the problem of how to determine the authorship of highly collaborative works. Employing insights from the ways in which collaborators understand and regulate issues of authorship, the book argues that a recalibration of copyright law is necessary, proposing an inclusive and contextual approach to joint authorship that is true to the legal concept of authorship but is also more aligned with creative reality.Trade Review'Cited by the Court of Appeal of England and Wales in Kogan v Martin [2019] EWCA 1645.''Dr Daniela Simone identifies root causes of the deficiencies in the law's treatment of (joint) authorship, and provides an admirable roadmap and analytical framework to orient the judiciary and all others concerned about ascertaining who should be the authors of collective works … A must-read for anyone interested in the interaction between law and the creative process. This book made me think differently about copyright law and what it promotes and values when it comes to (not) recognizing those who contribute to the creation of works.' Pascale Chapdelaine, Intellectual Property Journal'By and large, the book makes a compelling case for taking collaborative creativity seriously in the long-lasting process of the modernisation of copyright law … also a valuable input for further evidence-based research on the effectiveness of co-authorship rules at national, supranational and international level.' Giulia Priora, European Intellectual Property ReviewTable of Contents1. Copyright law and collective authorship; 2. Authorship and joint authorship; 3. Wikipedia; 4. Australian Indigenous art; 5. Scientific collaborations; 6. Film; 7. Characteristics of collective authorship and the role of copyright law; 8. An inclusive, contextual approach to the joint authorship test.

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Book SynopsisWith women leading only twenty-four Fortune 500 companies, female founders receiving only 2.2 percent of US venture capital, and the continued presence of sexual harassment and double standards, the gender gap continues to hinder the advancement of women in the professional world.  In Digital Goddess, Montgomery-Brown—founder of Big Think, a collection of experts across all fields and disciplines that are either at the top of their field or disrupting it, shares her story in an entertaining and educational light. Told from the unique, female entrepreneurial perspective that unpacks all the hurdles other female founders may face in their own journey to the top, Montgomery-Brown shares the real-world lessons she’s learned along the way, such as: Never lie to your investors, even when you just gotTrade Review'Funny, fearless, and sometimes raw, Victoria Montgomery Brown's book doesn't pull any punches as she details the successes and setbacks of being a female entrepreneur. It's a delicious read from beginning to end, and I'd encourage any young woman intent on chasing her dreams to use it as a valuable resource.' --Rita McGrath, Professor at Columbia Business School and bestselling author of The End of Competitive Advantage'This book is a must-read for any woman who is looking to grow her career or start a business. Victoria has embraced the volatility of entrepreneurship with unflinching grace and fierce, bring-it-on determination. Anyone who wants to thrive in the age of uncertainty can learn from her example.' --Francis Frei, UPS Foundation Professor of Service Management, Harvard Business School'Victoria Brown is a shining example of a modern entrepreneurial leader. She possesses the full start-up toolkit of smarts, competitive drive, and operational focus, together with the vital leadership skill to inspire those around her to achieve a common goal.' --Tom Glocer, Former CEO of Thomson Reuters and Venture Investor

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Book SynopsisWhen compared to terrorism, drugs and violent crimes that occupy the news today art is not considered as important. But, as it turns out, art and cultural crime is currently ranked as the third-largest criminal enterprise in the world. What exactly is art crime? Why does art matter? And what is law enforcement doing to prevent this crime today? Due to the misleading portrayal of art crime in the entertainment industry people have the flawed belief that art and cultural crime doesn't damage anyone in a direct way. And the truth of the matter is that this crime results in the loss of billions of dollars annually. Art and cultural crime is not simply focused on museums or private displays, the loss of art directly affects our cultural identity and history. Napoleon moved from one region to the next collecting art and sending as much as possible back to France. The Nazis looted cultural property from every territory they occupied. And there have been various cases of ISIL and ISIS destroyiTrade ReviewThough it first brings to mind cinematic heists and Hollywood glamour, art crime is in fact a serious international problem, involving organized crime and even terrorism. Books like this one go a long way to introducing the real facts about this phenomenon, and delve deep into the dark side of the art world. -- Noah Charney, Phd, professor specializing in art crime and founder of ARCA (Association for Research into Crimes against Art)Stealing History: A Deeper Understanding to Art and Cultural Crimes is an excellent read. This book is concise and yet rich with material covering an under-addressed area of criminal justice studies—crimes relating to art and culture. Consequently, the book fills an important void in the literature. The book is well-written and well-sourced and would make an excellent primary or supplemental text in any number of criminology and law enforcement courses. -- Jeff Bumgarner, Department Head and Professor of Criminal Justice and Political Science, North Dakota State UniversityTable of ContentsIntroduction 1: Medias Portrayal of Art Crime 2: Why Does Art Matter? 3: What is Art Crime? 4: History of Art, and Art Related Crimes 5: Cultural Differences Between United States and Europe, and How it Affects Art Crime 6: Looting of Art and Archaeological Sites 7: Economic Impact of Art and Art Related Crimes 8: Museums: Our Identity and Culture 9: Police Demands, Scrutiny, Education, And The Future 10: Ways in Which Law Enforcement Can Focus on Art Crimes 11: Security & Policing in Art Crime Throughout the World 12: Growth of Art Crime, and Art Crime Prevention Bibliography

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Book SynopsisINDEPENDENT PUBLISHER BOOK AWARDS BEST REGIONAL NONFICTION OF THE SOUTH GOLD MEDAL “When an elderly couple is charged with murder in the drowning deaths of thirty-five bed-ridden residents of St. Rita's Nursing Home, an emotional edge-of-your-seat thriller takes off like a shot! The players: a wily and profane defense lawyer, a ferocious prosecutor, vengeful families of the victims, and a ravenous media that brands the defendants ‘Monsters of Hurricane Katrina.’ My advice—block out enough time to read this wonderful book in one sitting.”—John Berendt, Midnight in the Garden of Good and Evil “A passionate and personal book, artfully constructed.”—Washington Post “A war story of jurisprudence. . . . a book you wish wouldn't end.”—Daily Beast

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Book SynopsisDrawing on a wealth of experience, Stephen McGowan guides you through the often-perplexing patchwork of statute, policy, convention and jurisprudence that all amount to Scottish licensing law. There is no better guide to how Scottish alcohol licensing law works and often does not work in practice.

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Book SynopsisJennifer Petersen constructs a genealogy of the legal conceptions of what counts as “speech” within free speech law, showing how changes in media technology influenced changing legal definitions of speech.Trade Review“What does it mean for speech to be free? This rigorous, counterintuitive history reveals how changes in media technologies have transformed our answers to that question in the law and well beyond. As it shows, media technologies don’t just deliver speech; they model it. And when they do, they change the categories of thought and action through which we live our lives.” -- Fred Turner, author of * The Democratic Surround: Multimedia and American Liberalism from World War II to the Psychedelic Sixties *“At the intersection of legal studies, cultural history, and media history, Jennifer Petersen’s book is a brilliant and groundbreaking study of the ways that modern First Amendment law has been shaped by judicial and cultural responses to the advent of new media technologies.” -- Samantha Barbas, Professor of Law, University at Buffalo School of Law“[How Machines Came to Speak] provides many discussion opportunities—and questions—for anyone interested in the intricacies of free speech theory. Petersen does not claim to resolve the debate but invites readers to ‘rethink some of our fundamental assumptions about speech.’ All readers will benefit from heeding her invitation. Recommended.” -- D. Caristi * Choice *"The book not only deftly weaves together an analysis of legal texts but also considers the drafts of judgements as discursive repositories to help substantiate the technocultural context and historical debates that informed them. One of the most interesting . . . throughlines in the book is in the meta-research on communication theory and research and its in fluence over legal decisions at distinct points of her historiography." -- Vipulya Chari * H-Sci-Med-Tech, H-Net Reviews *"How Machines Came to Speak remains one of the most exciting and intellectually powerful books I have read in years, particularly in the fields of legal history and technology studies." -- Alex Sayl Cummings * Society for U.S. Intellectual History *Table of ContentsAcknowledgments vii Introduction. The “Speech” in Freedom of Speech 1 1. Moving Images and Early Twentieth-Century Public Opinion 24 2. “A Primitive but Effective Means of Conveying Ideas”: Gesture and Image as Speech 57 3. Transmitters, Relays, and Messages: Decentering the Speaker in Midcentury Speech Law 87 4. Speech without Speakers: How Speech Became Information 119 5. Speaking Machines: The Uncertain Subjects of Computer Communication 157 Conclusion. The Past and Future of Speech 190 Appendix on Methods 205 Notes 207 Bibliography 257 Index 271

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Book SynopsisJennifer Petersen constructs a genealogy of the legal conceptions of what counts as “speech” within free speech law, showing how changes in media technology influenced changing legal definitions of speech.Trade Review“What does it mean for speech to be free? This rigorous, counterintuitive history reveals how changes in media technologies have transformed our answers to that question in the law and well beyond. As it shows, media technologies don’t just deliver speech; they model it. And when they do, they change the categories of thought and action through which we live our lives.” -- Fred Turner, author of * The Democratic Surround: Multimedia and American Liberalism from World War II to the Psychedelic Sixties *“At the intersection of legal studies, cultural history, and media history, Jennifer Petersen’s book is a brilliant and groundbreaking study of the ways that modern First Amendment law has been shaped by judicial and cultural responses to the advent of new media technologies.” -- Samantha Barbas, Professor of Law, University at Buffalo School of Law“[How Machines Came to Speak] provides many discussion opportunities—and questions—for anyone interested in the intricacies of free speech theory. Petersen does not claim to resolve the debate but invites readers to ‘rethink some of our fundamental assumptions about speech.’ All readers will benefit from heeding her invitation. Recommended.” -- D. Caristi * Choice *"The book not only deftly weaves together an analysis of legal texts but also considers the drafts of judgements as discursive repositories to help substantiate the technocultural context and historical debates that informed them. One of the most interesting . . . throughlines in the book is in the meta-research on communication theory and research and its in fluence over legal decisions at distinct points of her historiography." -- Vipulya Chari * H-Sci-Med-Tech, H-Net Reviews *"How Machines Came to Speak remains one of the most exciting and intellectually powerful books I have read in years, particularly in the fields of legal history and technology studies." -- Alex Sayl Cummings * Society for U.S. Intellectual History *Table of ContentsAcknowledgments vii Introduction. The “Speech” in Freedom of Speech 1 1. Moving Images and Early Twentieth-Century Public Opinion 24 2. “A Primitive but Effective Means of Conveying Ideas”: Gesture and Image as Speech 57 3. Transmitters, Relays, and Messages: Decentering the Speaker in Midcentury Speech Law 87 4. Speech without Speakers: How Speech Became Information 119 5. Speaking Machines: The Uncertain Subjects of Computer Communication 157 Conclusion. The Past and Future of Speech 190 Appendix on Methods 205 Notes 207 Bibliography 257 Index 271

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Book SynopsisExplores the culture that made military shooter video games popular, and key in understanding the War on TerrorNo video game genre has been more popular or more lucrative in recent years than the military shooter. Franchises such as Call of Duty, Battlefield, and those bearing Tom Clancy's name turn over billions of dollars annually by promising to immerse players in historic and near-future battles, converting the reality of contemporary conflicts into playable, experiences. In the aftermath of 9/11, these games transformed a national crisis into fantastic and profitable adventures, where seemingly powerless spectators became solutions to these virtual Wars on Terror. Playing War provides a cultural framework for understanding the popularity of military-themed video games and their significance in the ongoing War on Terror. Matthew Payne examines post-9/11 shooter-style game design as well as gaming strategies to expose how these practices perpetuate and challenge reigning political bTrade ReviewA unique and ambitious analysis of the relationship between the military and the video game industry. With a tremendous breadth of knowledge, Payne weaves together contemporary cultural criticism of war and post-9/11 politics with play theory, production studies, and textual analyses. Impressively crafted,Playing Waris sure to take its place among the growing body of key works that define game studies. -- Nina Huntemann,co-editor of Gaming Globally: Production, Play, and PlaceAs the first book-length work examining military shooting games, Matthew Thomas Paynes Playing War is a critical analysis of war games, how they frame war, and how war itself is treated like a game. Recommended for scholars of war games and military studies alike. -- Mark J. P. Wolf,co-editor of The Video Game Theory Reader

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Book SynopsisThe teenager has often appeared in culture as an anxious figure, the repository for American dreams and worst nightmares, at once on the brink of success and imminent failure. Spotlighting the troubled teen as a site of pop cultural, medical, and governmental intervention, Chronic Youth traces the teenager as a figure through which broad threats to the normative order have been negotiated and contained. Examining television, popular novels, science journalism, new media, and public policy, Julie Passanante Elman shows how the teenager became a cultural touchstone for shifting notions of able-bodiedness, heteronormativity, and neoliberalism in the late twentieth century. By the late 1970s, media industries as well as policymakers began developing new problem-driven edutainment' prominently featuring narratives of disabilityfrom the immunocompromised The Boy in the Plastic Bubble to ABC's After School Specials and teen sick-lit. Although this conjoining of disability and Trade Review[] Elmans critiques of particular media content have value. * The Journal of American History *Julia Passanante Elman has written a fine cross-disciplinary study that pulls from the fields of disability studies, popular culture, adolescent literature, queer theory, sociology, and history. * Children's Literature Association Quarterly *Chronic Youth is cultural studies at the top of its gamea whip-smart read that makes groundbreaking contributions across a diversity of disciplines. Its voice is passionate; its case studies are meticulously parsed; and its conclusions more than mere food for thought. It is, in sum, a profound treatise on how and why we worry, police, manufacture, and delude ourselves into the faux crisis that is the teenager in contemporary American cultures. -- Scott Herring,author of Another Country: Queer Anti-UrbanismWith rigorous and insightful analysis of popular media representations, Elman shows how disability has increasingly become an all-purpose referent for the & problem years of transition from childhood to adulthood. Bringing disability and femininity into the framework of youth studies in order to address a neglected intersection of experiences, Chronic Youth provides a wonderful example of what disability studies can bring to media studies of the body. * David T. Mitchell,George Washington University *Chronic Youthis a gripping read; a fascinating and much welcome addition to studies of disability and youth moving beyond dominating and naturalised tropes of youth-as-becoming and disability-to-be-overcome to instead engage with the politics of & adulthood. * Disability and Society *In her rigorous, ambitious, and timely study, Chronic Youth, Julie Passanante Elman powerfully demonstrates how the transformation of the teenager from rebel to patient in the US not only reflects an understanding of the teenager as a problem to be managed and solved but has also participated more broadly in an ongoing normalization of a culture of rehabilitation as & coterminous with good citizenship for everyone. * Journal of American Studies *Chronic Youth is a timely study whose meaning message of & growing up will appeal to readers of the journal, and Elmans clear and concise writing will enthrall others as well. * ournal of the History of Childhood and Youth *Table of ContentsContents Acknowledgments ix Introduction: From Rebel to Patient 1 1 Medicine Is Magical and Magical Is Art: Liberation and Overcoming in The Boy in the Plastic Bubble 29 2 After School Special Education: Sex, Tolerance, and Rehabilitative Television 63 3 Cryin' and Dyin' in the Age of Aliteracy: Romancing Teen Sick-Lit 93 4 Crazy by Design: Neuroparenting and Crisis in the Decade of the Brain 131 Conclusion: Susceptible Citizens in the Age of Wiihabilitation 167 Notes 177 Bibliography 205 Index 231 About the Author 243

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Book SynopsisIn Paris, a static video camera keeps watch on a bourgeois home. In Portland, a webcam documents the torture and murder of kidnap victims. And in clandestine intelligence offices around the world, satellite technologies relentlessly pursue the targets of global conspiracies. Such plots represent only a fraction of the surveillance narratives that have become commonplace in recent cinema. Catherine Zimmer examines how technology and ideology have come together in cinematic form to play a functional role in the politics of surveillance. Drawing on the growing field of surveillance studies and the politics of contemporary monitoring practices, she demonstrates that screen narrative has served to organize political, racial, affective, and even material formations around and through surveillance. She considers how popular culture forms are intertwined with the current political landscape in which the imagery of anxiety, suspicion, war, and torture has become part of daily life. FroTrade ReviewSurveillance Cinemapresents cutting-edge scholarship in the field of cinema studies in its reconceptualization of the centrality of surveillance to film narratives, subject formations, and temporalities. Smartly pushing beyond the critical models that have long been associated with surveillance in and outside of cinema, Zimmer makes a persuasive case for examining surveillance within historical and political contexts. An excellent book, both far-reaching and convincing in its claims,Surveillance Cinemais sure to become one of the central works in the emerging field of surveillance studies.- -- Aviva Briefel,co-editor of Horror after 9/11: World of Fear, Cinema of Terror[A] genuinely groundbreaking study. Timely, ideologically engaged and passionate in its critique both of contemporary geopolitics and the cinematic works that depict its sites of contestation, this is a book of significant interest to scholars in the fields of film studies and surveillance studiesand to those of us who are, quite justifiably, haunted by the sense that someone, somewhere is watching. -- Linnie Blake * Times Higher Education *Catherine ZimmersSurveillance Cinemaexplores the increasing presence of surveillance narratives in tandem with the socio-political ideologies underpinning the proliferation and normalization of monitoring technologies. * Surveillance & Society *InSurveillance Cinema, Catherine Zimmer sets out to claim that our popular imagination of surveillanceconstructed by decades of espionage thrillers, police procedurals, and torture horror flicksserves to create and sustain the actual methods of surveillance that have come to encompass almost all cultural and social life. * Rain Taxi *Surveillance Cinemais a thorough, innovative project useful to scholars researching surveillance. * Creative Commons *Catherine Zimmer offers a generative analysis of surveillance as aesthetic and structuring logic....an exciting project that will surely open doors in critical examinations of surveillance, popular culture, and power. * Film Criticism *Zimmers absorbing study zeroes in on the work of & surveillance cinemaher term for films in this modein the near present. Indeed, rather than focusing on the construction of an elaborate genealogy, Surveillance Cinematurns specifically to the & millennial surge in films and television series organized around and by surveillance technologies. * Film Quarterly *Table of Contentsvii Contents Acknowledgments ix Author's Note xi Introduction: Surveillance Cinema in Theory and Practice 1 1. Video Surveillance, Torture Porn, and Zones of Indistinction 31 2. Commodified Surveillance: First-Person Cameras, the Internet, and Compulsive Documentation 73 3. The Global Eye: Satellite, GPS, and the "Geopolitical Aesthetic" 115 4. Temporality and Surveillance I: Terrorism Narratives and the Melancholic Security State 157 5. Temporality and Surveillance II: Surveillance, Remediation, and Social Memory in Strange Days 181 Conclusion 209 Notes 221 Bibliography 251 Index 261 About the Author 273 9781479864379 zimmer text.indd 7 1/20/15 3:32 PM

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Book SynopsisSpotlighting the "troubled teen" as a site of pop cultural, medical, and governmental intervention, this book traces the teenager as a figure through which broad threats to the normative order have been negotiated and contained. It shows how teenagers became a lynchpin for a culture of perpetual rehabilitation and neoliberal governmentality.Trade Review[] Elmans critiques of particular media content have value. * The Journal of American History *Julia Passanante Elman has written a fine cross-disciplinary study that pulls from the fields of disability studies, popular culture, adolescent literature, queer theory, sociology, and history. * Children's Literature Association Quarterly *Chronic Youth is cultural studies at the top of its gamea whip-smart read that makes groundbreaking contributions across a diversity of disciplines. Its voice is passionate; its case studies are meticulously parsed; and its conclusions more than mere food for thought. It is, in sum, a profound treatise on how and why we worry, police, manufacture, and delude ourselves into the faux crisis that is the teenager in contemporary American cultures. -- Scott Herring,author of Another Country: Queer Anti-UrbanismWith rigorous and insightful analysis of popular media representations, Elman shows how disability has increasingly become an all-purpose referent for the & problem years of transition from childhood to adulthood. Bringing disability and femininity into the framework of youth studies in order to address a neglected intersection of experiences, Chronic Youth provides a wonderful example of what disability studies can bring to media studies of the body. * David T. Mitchell,George Washington University *Chronic Youthis a gripping read; a fascinating and much welcome addition to studies of disability and youth moving beyond dominating and naturalised tropes of youth-as-becoming and disability-to-be-overcome to instead engage with the politics of & adulthood. * Disability and Society *In her rigorous, ambitious, and timely study, Chronic Youth, Julie Passanante Elman powerfully demonstrates how the transformation of the teenager from rebel to patient in the US not only reflects an understanding of the teenager as a problem to be managed and solved but has also participated more broadly in an ongoing normalization of a culture of rehabilitation as & coterminous with good citizenship for everyone. * Journal of American Studies *Chronic Youth is a timely study whose meaning message of & growing up will appeal to readers of the journal, and Elmans clear and concise writing will enthrall others as well. * ournal of the History of Childhood and Youth *Table of ContentsContents Acknowledgments ix Introduction: From Rebel to Patient 1 1 Medicine Is Magical and Magical Is Art: Liberation and Overcoming in The Boy in the Plastic Bubble 29 2 After School Special Education: Sex, Tolerance, and Rehabilitative Television 63 3 Cryin' and Dyin' in the Age of Aliteracy: Romancing Teen Sick-Lit 93 4 Crazy by Design: Neuroparenting and Crisis in the Decade of the Brain 131 Conclusion: Susceptible Citizens in the Age of Wiihabilitation 167 Notes 177 Bibliography 205 Index 231 About the Author 243

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Book SynopsisExplores the culture that made military shooter video games popular, and key in understanding the War on TerrorNo video game genre has been more popular or more lucrative in recent years than the military shooter. Franchises such as Call of Duty, Battlefield, and those bearing Tom Clancy's name turn over billions of dollars annually by promising to immerse players in historic and near-future battles, converting the reality of contemporary conflicts into playable, experiences. In the aftermath of 9/11, these games transformed a national crisis into fantastic and profitable adventures, where seemingly powerless spectators became solutions to these virtual Wars on Terror. Playing War provides a cultural framework for understanding the popularity of military-themed video games and their significance in the ongoing War on Terror. Matthew Payne examines post-9/11 shooter-style game design as well as gaming strategies to expose how these practices perpetuate and challenge reigning political bTrade Review"A unique and ambitious analysis of the relationship between the military and the video game industry. With a tremendous breadth of knowledge, Payne weaves together contemporary cultural criticism of war and post-9/11 politics with play theory, production studies, and textual analyses. Impressively crafted,Playing Waris sure to take its place among the growing body of key works that define game studies." -- Nina Huntemann,co-editor of Gaming Globally: Production, Play, and Place"As the first book-length work examining military shooting games, Matthew Thomas Paynes Playing War is a critical analysis of war games, how they frame war, and how war itself is treated like a game. Recommended for scholars of war games and military studies alike." -- Mark J. P. Wolf,co-editor of The Video Game Theory Reader

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Book SynopsisUsing a transnational approach, this volume explores the ownership, importation, and circulation of talent and content from Latin America, placing the dynamics of the global political economy and cultural politics in the foreground of contemporary analysis of Latina/o media.Trade Review"Contemporary Latina/o Mediaprovides scholars with a much-needed resource for rethinking media studies and will undoubtedly emerge as a touchstone volume on its topic. Scholars of Latino/a media will seek it out for several of its groundbreaking essays, and students at all levels will find the writing accessible and sophisticated." * American Studies Journal *"With the changing demographics of the US, Latina/os are playing an important role in redefining Latina/o media. Davila and Rivero bring together media, cultural, and ethnic studies scholars to develop a contemporary analysis of Latina/o media through a transnational lens." * Choice *"With a finger on the pulse of critical issues in media studies writ large,Contemporary Latina/o Mediaprovides a serious study of Latina/o media as a constellation of transnational industries always in search of the Latina/o consumer. In an age in which Latin American economies may surpass the US in terms of growth, this collections focus on Latina/o media markets as a terrain of struggle is a timely and significant contribution to scholarship in the field." -- Vicki Mayer,author of Producing Dreams, Consuming Youth: Mexican Americans and Mass MediaTable of ContentsPart I. Production 1. Corporate Transnationalism: The US Hispanic and 21 Latin American Television Industries Juan Pinon 2. Converging from the South: Mexican Television in the 44 United States Rodrigo Gomez, Toby Miller, and Andre Dorce 3. NuvoTV: Will It Withstand the Competition? 62 Henry Puente 4. One Language, One Nation, and One Vision: 82 NBC Latino, Fusion, and Fox News Latino Christopher Joseph Westgate 5. The Gang's Not All Here: The State of Latinos in 103 Contemporary US Media Frances Negron-Muntaner 6. Latinos at the Margins of Celebrity Culture: 125 Image Sales and the Politics of Paparazzi Vanessa Diaz Part II. Circulation, Distribution, Policy 7. Anatomy of a Protest: Grey's Anatomy, Colombia's 149 A corazon abierto, and the Politicization of a Format Yeidy M. Rivero 8. Colombianidades Export Market 169 Omar Rincon and Maria Paula Martinez 9. The Role of Media Policy in Shaping the US Latino 186 Radio Industry Mari Castaneda 10. Lost in Translation: The Politics of Race and Language 206 in Spanish-Language Radio Ratings Dolores Ines Casillas 11. The Dark Side of Transnational Latinidad: 223 Narcocorridos and the Branding of Authenticity Hector Amaya Part III. Cultural Politics 12. "No Papers, No Fear": DREAM Activism, New Social 245 Media, and the Queering of Immigrant Rights

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Book SynopsisThe election of President Barack Obama signaled for many the realization of a post-racial America, a nation in which racism was no longer a defining social, cultural, and political issue. This title helps you examine television's role as the major discursive medium in the articulation and contestation of racialized identities in the United States.Trade Review"Collectively the essays document the dominance of colorblind ideology, which, the volume argues, has been enabling the continuation of 'racial apathy.' This volume contributes to postracial discourse and is also a valuable resource for those interested in media criticism." * Choice *"Overall, The Colorblind Screen is a timely anthology that joins a smallbut, I hope, growingnumber of works that address colorblind and post-race discourses in media. This collection demonstrates the continued need to consider the central role television plays in the articulation, construction, and contestation of contemporary racial politics . . . . This collection is essential for anyone interested in exploring current racial politics and representations of racial difference in media." * International Journal of Communication *Table of ContentsIntroduction Sarah Nilsen and Sarah E. TurnerPart I: Theories of Colorblindness1. Shades of ColorblindnessAshley ("Woody") Doane 2. Rhyme and ReasonRoopali Mukherjee3. The End of Racism? Colorblind Racism and Popular Media Eduardo Bonilla-Silva and Austin AshePart II: Icons of Post-Racial America4. Oprah Winfrey5. The Race Denial CardDavid J. Leonard and Bruce Lee Hazelwood 6. Representations of Arabs and Muslims in Post-9/11 Television DramasEvelyn Alsultany7. Maybe Brown People Aren't So Scary If They're Funny ComediesDina IbrahimPart III: Reinscribing Whiteness8. "Some People Just Hide in Plain Sight"Sarah Nilsen9. Watching TV with White SupremacistsC. Richard King10. BBFFsPart IV: Post-Racial Relationships11. Matchmakers and Cultural CompatibilityShilpa Dave12. Mainstreaming Latina IdentityPhilip A. Kretsedemas13. Race in Progress, No Passing ZoneJinny Huh About the Contributors Index

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Book Synopsis"Due to the graphic nature of this program, viewer discretion is advised." Most of us have encountered this warning while watching television at some point. It is typically attached to a brand of reality crime TV that Paul Kaplan and Daniel LaChance call "crimesploitation": spectacles designed to entertain mass audiences by exhibiting "real" criminal behavior and its consequences. This book examines their enduring popularity in American culture. Analyzing the structure and content of several popular crimesploitation shows, including Cops, Dog: The Bounty Hunter, and To Catch a Predator, as well as newer examples like Making a Murderer and Don't F**K with Cats, Kaplan and LaChance highlight the troubling nature of the genre: though it presents itself as ethical and righteous, its entertainment value hinges upon suffering. Viewers can imagine themselves as deviant and ungovernable like the criminals in the show, thereby escaping a law-abiding lifestyle. Alternatively, they can identify with law enforcement officials, exercising violence, control, and "justice" on criminal others. Crimesploitation offers a sobering look at the depictions of criminals, policing, and punishment in modern America. Trade Review"Insisting that the consumption of other people's pain is a defining feature of the neoliberal carceral state, Crimesploitation will not let us meaninglessly 'escape' into our true crime media streaming and listening. Instead, Kaplan and LaChance move us toward a critical reckoning with the exploitative forms of (un)freedom that media's spectacle of crime and punishment have conjured. A powerful dose of thoughtful accountability, this volume points the way to getting truly 'real' about—and intervening in—the suffering that a culture of punishment has produced. I cannot wait to cite, teach, and buy copies of this book for friends and family."—Michelle Brown, The University of Tennessee"Kaplan and LaChance show that crimesploitation programs help to maintain the status quo of the neoliberal carceral state. Crimesploitation's focus on individual pathology as a cause of crime and 'law and order' as the solution to crime steers viewers away from important structural causes of crime and the need for reform in the criminal justice system and society-at-large. They do so while exploiting people in their worst moments, showing a 'reality' of crime that carefully avoids being too real."—Andrew J. Baranauskas, Criminal Law and Criminal Justice Books"[Crimesploitation] presents a well-grounded, readable argument for rethinking crime and justice reality television. It is unhesitantly recommended."—Ray Surette, Criminal Justice Review"Kaplan and LaChance provide excellent and easily digestible accounts of the politics of reality TV crimesploitation, and their emphasis on connecting media representations of crime and punishment to existing social, political, and economic inequalities in the neoliberal era will provide political scientists, sociologists, and media scholars with abundant resources to continue exploring the relationship between popular culture and the practices and ideologies of policing in America."—Emma Cytrynbaum, Law, Culture, and HumanitiesTable of Contents1. Humiliation, Inc.: Policing the Criminal on Primetime 2. Watching the Night Creatures: Crimesploitation and Boredom 3. Cuffs of Love: Punishment and Redemption in Crimesploitation 4. Middlebrow Crimesploitation Epilogue: W(h)ither Crimesploitation?

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Book SynopsisIn Copy This Book!, Paul J. Heald draws on a vast knowledge of copyright scholarship and a deep sense of irony to explain what's gone wrong with copyright in the twenty-first century. Distilling extensive empirical data to clearly show the implications of copyright laws and doctrine for public welfare, he illustrates his findings with lighthearted references to familiar (and obscure) works and their creators (and sometimes their creators' oddball relations). Among the questions he tackles: How does copyright deter composers from writing new songs? Why are so many famous photographs unprotected orphans, and how does Getty Images get away with licensing them? What can the use of music in movies tell us about the proper length of the copyright term? How do publishers get away with claiming rights in public domain works and extracting unmerited royalties from the public? Heald translates piles of data, complex laws, and mysterious economics, equipping readers with the tools for judging past and future copyright law.Trade Review"Heald has pioneered the use of cleverly gathered evidence to demonstrate copyright law's sometimes perverse effects on important outcomes, such as whether long ago–published books are actually available to consumers today. Both entertaining and authoritative, this wonderful book provides a leading expert's guided tour of copyright." -- Joel Waldfogel * University of Minnesota *"This should be the most important book on copyright policy in America today. Wrapped in a beautifully compelling narrative, the book will quickly become a classic, and hopefully trigger a more classical view of the role of government-backed monopoly in the creation and spread of culture and knowledge." -- Lawrence Lessig * Harvard University *"This book is so engaging and sensible. This will sound ridiculous, but I can't put it down." -- Saul Levmore * University of Chicago *

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Book SynopsisIn Copy This Book!, Paul J. Heald draws on a vast knowledge of copyright scholarship and a deep sense of irony to explain what's gone wrong with copyright in the twenty-first century. Distilling extensive empirical data to clearly show the implications of copyright laws and doctrine for public welfare, he illustrates his findings with lighthearted references to familiar (and obscure) works and their creators (and sometimes their creators' oddball relations). Among the questions he tackles: How does copyright deter composers from writing new songs? Why are so many famous photographs unprotected orphans, and how does Getty Images get away with licensing them? What can the use of music in movies tell us about the proper length of the copyright term? How do publishers get away with claiming rights in public domain works and extracting unmerited royalties from the public? Heald translates piles of data, complex laws, and mysterious economics, equipping readers with the tools for judging past and future copyright law.Trade Review"Heald has pioneered the use of cleverly gathered evidence to demonstrate copyright law's sometimes perverse effects on important outcomes, such as whether long ago–published books are actually available to consumers today. Both entertaining and authoritative, this wonderful book provides a leading expert's guided tour of copyright." -- Joel Waldfogel * University of Minnesota *"This should be the most important book on copyright policy in America today. Wrapped in a beautifully compelling narrative, the book will quickly become a classic, and hopefully trigger a more classical view of the role of government-backed monopoly in the creation and spread of culture and knowledge." -- Lawrence Lessig * Harvard University *"This book is so engaging and sensible. This will sound ridiculous, but I can't put it down." -- Saul Levmore * University of Chicago *

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Book Synopsis"Due to the graphic nature of this program, viewer discretion is advised." Most of us have encountered this warning while watching television at some point. It is typically attached to a brand of reality crime TV that Paul Kaplan and Daniel LaChance call "crimesploitation": spectacles designed to entertain mass audiences by exhibiting "real" criminal behavior and its consequences. This book examines their enduring popularity in American culture. Analyzing the structure and content of several popular crimesploitation shows, including Cops, Dog: The Bounty Hunter, and To Catch a Predator, as well as newer examples like Making a Murderer and Don't F**K with Cats, Kaplan and LaChance highlight the troubling nature of the genre: though it presents itself as ethical and righteous, its entertainment value hinges upon suffering. Viewers can imagine themselves as deviant and ungovernable like the criminals in the show, thereby escaping a law-abiding lifestyle. Alternatively, they can identify with law enforcement officials, exercising violence, control, and "justice" on criminal others. Crimesploitation offers a sobering look at the depictions of criminals, policing, and punishment in modern America. Trade Review"Insisting that the consumption of other people's pain is a defining feature of the neoliberal carceral state, Crimesploitation will not let us meaninglessly 'escape' into our true crime media streaming and listening. Instead, Kaplan and LaChance move us toward a critical reckoning with the exploitative forms of (un)freedom that media's spectacle of crime and punishment have conjured. A powerful dose of thoughtful accountability, this volume points the way to getting truly 'real' about—and intervening in—the suffering that a culture of punishment has produced. I cannot wait to cite, teach, and buy copies of this book for friends and family."—Michelle Brown, The University of Tennessee"Kaplan and LaChance show that crimesploitation programs help to maintain the status quo of the neoliberal carceral state. Crimesploitation's focus on individual pathology as a cause of crime and 'law and order' as the solution to crime steers viewers away from important structural causes of crime and the need for reform in the criminal justice system and society-at-large. They do so while exploiting people in their worst moments, showing a 'reality' of crime that carefully avoids being too real."—Andrew J. Baranauskas, Criminal Law and Criminal Justice Books"[Crimesploitation] presents a well-grounded, readable argument for rethinking crime and justice reality television. It is unhesitantly recommended."—Ray Surette, Criminal Justice Review"Kaplan and LaChance provide excellent and easily digestible accounts of the politics of reality TV crimesploitation, and their emphasis on connecting media representations of crime and punishment to existing social, political, and economic inequalities in the neoliberal era will provide political scientists, sociologists, and media scholars with abundant resources to continue exploring the relationship between popular culture and the practices and ideologies of policing in America."—Emma Cytrynbaum, Law, Culture, and HumanitiesTable of Contents1. Humiliation, Inc.: Policing the Criminal on Primetime 2. Watching the Night Creatures: Crimesploitation and Boredom 3. Cuffs of Love: Punishment and Redemption in Crimesploitation 4. Middlebrow Crimesploitation Epilogue: W(h)ither Crimesploitation?

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Book SynopsisThis book delivers an original, theoretically informed analysis of the legal regulation of online speech. Rejecting the narrow pluralism of elitist and deliberative accounts of the citizen’s role in political discourse, the book defends a participatory account of speech in non-deliberative settings. The latter account of political pluralism best captures the republican democratic aspiration for popular, on-going authorship of the laws and the centrality of freedom to dissent in democratic theory. The legal and policy implications for governments and social media platforms of this inclusive envisioning of public discourse are then elaborated upon. In the digital world, anyone with access to the internet can be a speaker. Speech on public platforms has become democratised. At the same time, aspects of online speech are plainly problematic. Concerns exist about disinformation, ‘fake news’, ‘deep fakes’, ‘weaponised speech’ and ‘trolls’. Offensive speech and the polarising effects of robustly expressed political opinion are also troublesome. These assorted downsides of democratised speech are said to undermine the integrity of democratic processes and institutions. Public debate is distorted and coarsened and the electorate are misled. How ought the liberal democratic state respond to these challenges? The discussion is intended to be read by academics and researchers with interests in democratic theory, digital communications and freedom of expression. It offers a stimulating and distinctive contribution to debates about online speech.Table of Contents1. Damaging Democracy? ‘Fake News’ and Moral Panics Introduction Issues of Principle – How Open Should the Channels of Political Communication be in a Liberal Democracy? Tensions between Liberalism and Democracy Popular Sovereignty in Liberal Constitutionalist Thinking The Popular Sovereignty Challenge to Liberal Constitutionalism and Two Anxieties Mapping Liberalism’s Ochlophobia – Current Restrictions on Freedom of Political Expression and a Republican Argument for Keeping the Channels of Political Change Open 2. Closing Off the Agon: Legal Norms, Deliberative Democracy and ‘Improved’ European Public Discourse Introduction The Liberal and the Democratic Polity Privileging ‘Responsible’ Media – The Council of Europe’s Narrowed Conception of Political Pluralism Threats to Political Pluralism from Liberal Elitist, Deliberative (Civic Republican), Epistemic Accounts of Democracy Containing Majoritarian Passions – Pettit’s Aristocratic Republic of Reason and Critics Conclusion – Ongoing Ineliminable Conflict: Truly Plural, Participatory Politics 3. Enlightenment Rationality vs Machiavellian Pluralism Introduction Enlightenment Roots of Deliberative Democracy and Some Counter-Enlightenment Objections Public Reason and the Reasonable Citizen in Deliberative Democracy Scholarship Conclusion 4. Populism and Ochlophobia: The Denouncements of Popular Participation in Liberal Democracy Introduction Anti-populist Themes in Mainstream Culture and Politics Populism in Political Theory – A Response to Modern Representative Democracy and Redemptive Possibilities Defending Oligarchical Rule Down the Ages – From Thucydides and Plato via Madison and Tocqueville to the Twentieth-century Critics of Mass Culture Denying Isonomia Today – Ochlophobia in Liberal and Republican Political Theory Countering Ochlophobia – Popular (Arendtian) Participation and the Value of Roman Discord Conclusion 5. Popular Participation and Political Dissent in Post-Revolutionary America: A Case Study of the Democratic Republicans Introduction Federalist and Patrician Republican Accounts of the Political Citizen Arendt, Human Action and the Mediated (Oligarchic) Political Life – The Failure of the US Founders to Preserve the Revolutionary Spirit Jefferson’s Ward-republic: Preserving the Revolutionary Spirit The Counter-Publics of Democratic Republican Clubs Conclusion 6. Official and Corporate Gatekeeping of Online Expression with Special Reference to False Statements on Public Affairs Introduction Protecting False Statements in Political Discourse – Some Principled Arguments The Long Reach of UK Criminal Law into Online Political Discourse and Selected Comparisons Across Western Liberal Democracies State Regulation of Contentious Expression – OFCOM and the Coronavirus Disinformation Unit The State as a Producer of False Statements Conclusion 7. Restoring the Agon: Re-opening the Channels of Political Change Introduction – Swimming against the Liberal Tide Dealing with the Problem of the ‘Ins’ and the Role of Plural Political Expression in Preserving Open and Fractious Republican Liberty Common Carriers Not Editors – Public Forums and Banning Viewpoint Discrimination by Social Media Platforms Final Thoughts: The Threat to Self-government

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Book SynopsisThe second edition of this groundbreaking book looks at the key debates and issues in media law, a fast-developing area of scholarship that raises many high-profile and controversial questions.Recent issues include the privacy rights of public figures, the use of legal tools to silence critics, the right to access information held by public bodies, the political power of media owners, the future of public service broadcasting and the regulation of the digital media. The chapters examine the rights to reputation and privacy, the administration of justice, the role of government censorship, the protection of the newsgathering process, the regulation of the media and the impact of digital communications.The analysis is grounded in an account of media freedom that looks at the important democratic functions performed by the media and journalism. Examining various key themes, the book shows how those functions continue to evolve in a changing political culture and

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Book SynopsisThe second edition of this groundbreaking book looks at the key debates and issues in media law, a fast-developing area of scholarship that raises many high-profile and controversial questions.Recent issues include the privacy rights of public figures, the use of legal tools to silence critics, the right to access information held by public bodies, the political power of media owners, the future of public service broadcasting and the regulation of the digital media. The chapters examine the rights to reputation and privacy, the administration of justice, the role of government censorship, the protection of the newsgathering process, the regulation of the media and the impact of digital communications.The analysis is grounded in an account of media freedom that looks at the important democratic functions performed by the media and journalism. Examining various key themes, the book shows how those functions continue to evolve in a changing political culture and also how the media are subject to a range of legal and informal constraints. The book asks whether the law strikes the right balance in protecting media freedom while preventing the abuse of media power, and considers the future of media law in the digital era.Authoritative and accessible, the book is essential reading for students and scholars of media law alike.

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Book SynopsisThe New York Times bestseller – now in paperback, with a new afterword“A must-read for those who care about justice and integrity in our public institutions.” —Alan M. Dershowitz, Esq.The Definitive Story of One of the Most Infamous Murders of the Twentieth Century and the Heartbreaking Miscarriage of Justice That Followed On Halloween, 1975, fifteen-year-old Martha Moxley’s body was found brutally murdered outside her home in swanky Greenwich, Connecticut. Twenty-seven years after her death, the State of Connecticut spent some $25 million to convict her friend and neighbor, Michael Skakel, of the murder. The trial ignited a media firestorm that transfixed the nation. Now Skakel’s cousin Robert F. Kennedy, Jr., solves the baffling whodunit and clears Michael Skakel’s name. In this revised edition, which includes developments following the Connecticut Supreme Court decision, Kennedy chronicles how Skakel was railroaded amidst a media frenzy and a colorful cast of characters—from a crooked cop and a narcissistic defense attorney to a parade of perjuring witnesses.Trade Review“Robert F. Kennedy Jr.’s new book, Framed, is a furious and fascinating condemnation of the persecution of Michael Skakel. This account will shock and astound those who read the press reports of the case at the time, particularly Dominick Dunne’s reportage, and believed Skakel to be the monster portrayed there. It is deeply researched, bitingly written, and entirely convincing.” —Stuart Woods, #1 New York Times bestselling author of the Stone Barrington series and Holly Barker series “A brilliantly written autopsy of a wrongful prosecution and conviction, Kennedy’s book is a masterpiece that chronicles the Kafkaesque persecution of an innocent man. It is a riveting narrative of greed, hubris, envy and sloth. Michael Skakel’s saga is a heartbreaking account of an abuse of power paralleled in infamy only by the Duke Lacrosse prosecutors.” —Anne Bremner, American attorney, television personality, defense counsel in Amanda Knox’s Italian murder trial “Bobby Kennedy pulls no punches in making the compelling case for his cousin’s, Michael Skakel’s, absolute innocence. But he goes much further: indicting those who he believes were complicit in what he calls a frame up by prosecu¬tors, police, and the media. . . . This book is a devastating indictment of our justice system and media for their systemic unwillingness to confront their own errors. It is a must-read for those who care about justice and integrity in our public institutions.” —Alan M. Dershowitz, author of Taking the Stand: My Life in the Law “An exciting page turner.” —Morris Dees, author, attorney, and co-founder of the Southern Poverty Law Center “In Framed, Robert F. Kennedy Jr., with Capote-like precision, tells his grip¬ping story of an innocent man caught up in a Kafkaesque nightmare between a corrupt prosecution and a disastrously inept criminal defense that resulted in 11½ years in prison for a crime Skakel didn’t and couldn’t have committed. RFK Jr. lays it all out in a page-turner that will convince all but the most rabid Kennedy haters. Then again, the arguments are so compelling, maybe even they’ll be convinced.” —Michael Shapiro, Perennial Superlawyer, Former Queens County District Attorney, New York Special Prosecutor, faculty Benjamin N. Cardoza School of Law, adjunct Harvard Law School “Framed is the riveting true story of a life turned upside down by unethical prosecutors and irresponsible journalists in a justice system which is anything but. It is both the story of one man’s nightmare and a cautionary tale for us all . . . because while it is true that we can ensure that we do not COMMIT a crime, we can never ensure that we are not CHARGED with one. Kudos to Kennedy, not only for writing a page-turner, but for never giving up his quest for the Truth.” —Shawn Holley, defense attorney for O.J. Simpson’s Dream Team and in over 60 trials for high-profile clients, including Tupac Shakur, Snoop Dogg, Paris Hilton, Nicole Ritchie, Lindsay Lohan, and others “Crime thrillers and true crime stories both aim to explore our notions of jus¬tice. Framed by Robert Kennedy Jr. combines the best of both with a power¬ful story that grabbed me in the first few pages and wouldn’t let go. Kennedy meticulously torpedoes the case that convicted his cousin Michael Skakel of murder. He chronicles a decades-long horror show of incompetence, prejudice, malfeasance, and outright misconduct. What I didn’t expect, though, were the feelings that surfaced while I was reading. Kennedy took me from rage to tears at the injustices suffered by his cousin and family. Framed is a must-read for anyone who cares about our judicial system.” —Libby Fischer Hellmann, award-winning author of Easy Innocence and other crime thrillers “An electrifying, meticulous exposé. Kennedy shows how his cousin was wrong¬fully convicted by a grim yet fascinating cast of characters cruelly assembled, as it were, to thwart justice; corrupt police and prosecutors, an incompetent defense lawyer, a judge who falls in love with the 24 hour news cycle while forgetting his role as neutral arbiter, and the TV “commentators” who directed the outcome of the case for ratings and not justice—all conspiring to convict an innocent man while allowing the real murderers to go free. Kennedy gives the reader a front-row seat, and, unlike the jury, all of the evidence necessary to watch, in horror, the conviction of yet another innocent man. If this book does not wake people up to the terrifying reality of how our criminal justice has become a game not of seeking justice but of winning, I do not know what will. This book is mandatory reading for anyone who cares about truth, individual rights, and the corruption of justice in America.” —Joe Cheshire, attorney in the Duke Lacrosse case, North Carolina’s “Top Lawyer” three years running by SuperLawyer.com “Kennedy exposes the toxic brew of incompetence and sensationalism that led to his cousin’s conviction. The ‘cold case’ had every ingredient that made it an irresistible stew that fed the ambition and corruption by press, prosecutors, and police; the brutal, senseless murder of a privileged teenage girl, a self-seeking prosecutor with ‘elastic ethics’, a society gossip fabulist who stirred the brew, a crooked cop, sloppy police work, a cavalier defense lawyer, and a ‘Kennedy cousin’ with an ironclad alibi who nevertheless became the perfect suspect. “Now, years after a monumental miscarriage of justice, Kennedy, by careful investigation, deconstructs the prosecution’s case, convincingly shows Michael Skakel’s innocence, and identifies the true culprits who have escaped justice for decades.” —Dick DeGuerin, considered one of America’s top lawyers, most notably for his defense of Tom DeLay, David Koresh, Robert Durst, and others “An awful, awful story brilliantly told. How many more innocent men and women will be wrongfully convicted and punished with long and terrible jail sentences? This book is a scream for change.” —Martin Garbus, legendary criminal and constitutional attorney, educator, and author of Courting Disaster and other books. “The definitive account of the perfect storm that led to Michael Skakel’s wrongful conviction, Kennedy recounts the blunders of investigators, the miscon¬duct of prosecutors, the perjury of witnesses, the legal ineptitude of judges and defense lawyers, and the failings of a criminal justice system that cares more about defending a conviction, even one that is wrongful, than in delivering justice. And he answers the question that has remained unanswered for more than 40 years: Who killed Martha Moxley?” —David Cameron, Professor of Political Science, Yale University, and member of Connecticut’s Eyewitness Task Force “With Capote-like precision, Kennedy tells his gripping story of an innocent man caught up in a Kafkaesque nightmare of a corrupt prosecution and a disastrously inept criminal defense.” — Michael Shapiro, Esq. “This book is a must-read for anyone who has been interested in the Martha Moxley case. It is also an important illustration for us all that miscarriages of justice can and do occur when the need for results, power, fame, and money supersede the need for justice.” —Ann Marie Palladino, Book Review Blogger, “Lit. Wit. Wine & Dine.” “Kennedy explains with new clarity and detail the pervasive corruption in the Connecticut State Prosecutor’s Office that led to Michael’s wrongful conviction. He shows, in a persuasive, compelling narrative, of how four writers, pursuing their own craven ambitions, orchestrated Michael’s media lynching and wrongful conviction.” —Randy Wayne White, New York Times bestselling crime writer, author of more than 40 books, including the Doc Ford series, former member of the Florida Judicial Nominating Committee and Florida Bar Association Grievance Committee “If you think you know about this case, you don’t. If you think that this case ended in justice being served, it didn’t. I was literally left both speechless and enraged while reading this book and learning what actually happened.” —Mark Geragos, Esq. , noted criminal defense attorney“Robert F. Kennedy Jr.’s new book, Framed, is a furious and fascinating condemnation of the persecution of Michael Skakel. This account will shock and astound those who read the press reports of the case at the time, particularly Dominick Dunne’s reportage, and believed Skakel to be the monster portrayed there. It is deeply researched, bitingly written, and entirely convincing.” —Stuart Woods, #1 New York Times bestselling author of the Stone Barrington series and Holly Barker series “A brilliantly written autopsy of a wrongful prosecution and conviction, Kennedy’s book is a masterpiece that chronicles the Kafkaesque persecution of an innocent man. It is a riveting narrative of greed, hubris, envy and sloth. Michael Skakel’s saga is a heartbreaking account of an abuse of power paralleled in infamy only by the Duke Lacrosse prosecutors.” —Anne Bremner, American attorney, television personality, defense counsel in Amanda Knox’s Italian murder trial “Bobby Kennedy pulls no punches in making the compelling case for his cousin’s, Michael Skakel’s, absolute innocence. But he goes much further: indicting those who he believes were complicit in what he calls a frame up by prosecu¬tors, police, and the media. . . . This book is a devastating indictment of our justice system and media for their systemic unwillingness to confront their own errors. It is a must-read for those who care about justice and integrity in our public institutions.” —Alan M. Dershowitz, author of Taking the Stand: My Life in the Law “An exciting page turner.” —Morris Dees, author, attorney, and co-founder of the Southern Poverty Law Center “In Framed, Robert F. Kennedy Jr., with Capote-like precision, tells his grip¬ping story of an innocent man caught up in a Kafkaesque nightmare between a corrupt prosecution and a disastrously inept criminal defense that resulted in 11½ years in prison for a crime Skakel didn’t and couldn’t have committed. RFK Jr. lays it all out in a page-turner that will convince all but the most rabid Kennedy haters. Then again, the arguments are so compelling, maybe even they’ll be convinced.” —Michael Shapiro, Perennial Superlawyer, Former Queens County District Attorney, New York Special Prosecutor, faculty Benjamin N. Cardoza School of Law, adjunct Harvard Law School “Framed is the riveting true story of a life turned upside down by unethical prosecutors and irresponsible journalists in a justice system which is anything but. It is both the story of one man’s nightmare and a cautionary tale for us all . . . because while it is true that we can ensure that we do not COMMIT a crime, we can never ensure that we are not CHARGED with one. Kudos to Kennedy, not only for writing a page-turner, but for never giving up his quest for the Truth.” —Shawn Holley, defense attorney for O.J. Simpson’s Dream Team and in over 60 trials for high-profile clients, including Tupac Shakur, Snoop Dogg, Paris Hilton, Nicole Ritchie, Lindsay Lohan, and others “Crime thrillers and true crime stories both aim to explore our notions of jus¬tice. Framed by Robert Kennedy Jr. combines the best of both with a power¬ful story that grabbed me in the first few pages and wouldn’t let go. Kennedy meticulously torpedoes the case that convicted his cousin Michael Skakel of murder. He chronicles a decades-long horror show of incompetence, prejudice, malfeasance, and outright misconduct. What I didn’t expect, though, were the feelings that surfaced while I was reading. Kennedy took me from rage to tears at the injustices suffered by his cousin and family. Framed is a must-read for anyone who cares about our judicial system.” —Libby Fischer Hellmann, award-winning author of Easy Innocence and other crime thrillers “An electrifying, meticulous exposé. Kennedy shows how his cousin was wrong¬fully convicted by a grim yet fascinating cast of characters cruelly assembled, as it were, to thwart justice; corrupt police and prosecutors, an incompetent defense lawyer, a judge who falls in love with the 24 hour news cycle while forgetting his role as neutral arbiter, and the TV “commentators” who directed the outcome of the case for ratings and not justice—all conspiring to convict an innocent man while allowing the real murderers to go free. Kennedy gives the reader a front-row seat, and, unlike the jury, all of the evidence necessary to watch, in horror, the conviction of yet another innocent man. If this book does not wake people up to the terrifying reality of how our criminal justice has become a game not of seeking justice but of winning, I do not know what will. This book is mandatory reading for anyone who cares about truth, individual rights, and the corruption of justice in America.” —Joe Cheshire, attorney in the Duke Lacrosse case, North Carolina’s “Top Lawyer” three years running by SuperLawyer.com “Kennedy exposes the toxic brew of incompetence and sensationalism that led to his cousin’s conviction. The ‘cold case’ had every ingredient that made it an irresistible stew that fed the ambition and corruption by press, prosecutors, and police; the brutal, senseless murder of a privileged teenage girl, a self-seeking prosecutor with ‘elastic ethics’, a society gossip fabulist who stirred the brew, a crooked cop, sloppy police work, a cavalier defense lawyer, and a ‘Kennedy cousin’ with an ironclad alibi who nevertheless became the perfect suspect. “Now, years after a monumental miscarriage of justice, Kennedy, by careful investigation, deconstructs the prosecution’s case, convincingly shows Michael Skakel’s innocence, and identifies the true culprits who have escaped justice for decades.” —Dick DeGuerin, considered one of America’s top lawyers, most notably for his defense of Tom DeLay, David Koresh, Robert Durst, and others “An awful, awful story brilliantly told. How many more innocent men and women will be wrongfully convicted and punished with long and terrible jail sentences? This book is a scream for change.” —Martin Garbus, legendary criminal and constitutional attorney, educator, and author of Courting Disaster and other books. “The definitive account of the perfect storm that led to Michael Skakel’s wrongful conviction, Kennedy recounts the blunders of investigators, the miscon¬duct of prosecutors, the perjury of witnesses, the legal ineptitude of judges and defense lawyers, and the failings of a criminal justice system that cares more about defending a conviction, even one that is wrongful, than in delivering justice. And he answers the question that has remained unanswered for more than 40 years: Who killed Martha Moxley?” —David Cameron, Professor of Political Science, Yale University, and member of Connecticut’s Eyewitness Task Force “With Capote-like precision, Kennedy tells his gripping story of an innocent man caught up in a Kafkaesque nightmare of a corrupt prosecution and a disastrously inept criminal defense.” — Michael Shapiro, Esq. “This book is a must-read for anyone who has been interested in the Martha Moxley case. It is also an important illustration for us all that miscarriages of justice can and do occur when the need for results, power, fame, and money supersede the need for justice.” —Ann Marie Palladino, Book Review Blogger, “Lit. Wit. Wine & Dine.” “Kennedy explains with new clarity and detail the pervasive corruption in the Connecticut State Prosecutor’s Office that led to Michael’s wrongful conviction. He shows, in a persuasive, compelling narrative, of how four writers, pursuing their own craven ambitions, orchestrated Michael’s media lynching and wrongful conviction.” —Randy Wayne White, New York Times bestselling crime writer, author of more than 40 books, including the Doc Ford series, former member of the Florida Judicial Nominating Committee and Florida Bar Association Grievance Committee “If you think you know about this case, you don’t. If you think that this case ended in justice being served, it didn’t. I was literally left both speechless and enraged while reading this book and learning what actually happened.” —Mark Geragos, Esq. , noted criminal defense attorney

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