Entertainment and media law Books

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Book SynopsisHow sharing, linking, and liking have transformed the media and marketing industries Spreadable Media is a rare inside look at today's ever-changing media landscape. The days of corporate control over media content and its distribution have been replaced by the age of what the digital media industries have called user-generated content. Spreadable Media maps these fundamental changes, and gives readers a comprehensive look into the rise of participatory culture, from internet memes to presidential tweets. The authors challenge our notions of what goes viral and how by examining factors such as the nature of audience engagement and the environment of participation, and by contrasting the concepts of stickinessaggregating attention in centralized placeswith spreadabilitydispersing content widely through both formal and informal networks. The former has often been the measure of media success in the online world, but the latter describes the actual ways Trade ReviewContent today, the authors suggest, can travel not only from the top down but also from the inside out. It is a remarkably different terrain than what we have been used to, one they effectively and stridently analyze. * Publishers Weekly *In Spreadable Media, media theorist Henry Jenkins, formerly of MIT and now at USC, and his coauthors, digital strategists Sam Ford and Joshua Green, make a convincing case that fan involvement in the re-creation and circulation of media content is not just an interesting side effect of man-to-many multimedia networks and smartphone video editing apps, but a significant force for empowerment and exploitation in and of itself...If you are in the music, move, television, or game business, this book is a must read. * Strategy and Business *It's about time a group of thinkers put the marketing evangelists of the day out to pasture with a thorough look at what makes content move from consumer to consumer, marketer to consumer and consumer to marketer. Instead of latching on to the notion that you can create viral content, Jenkins, Ford, and Green question the assumptions, test theories and call us all to task. Spreadable Media pushes our thinking. As a result, we'll become smarter marketers. Why wouldn't you read this book? -- Jason Falls,CEO of Social Media Explorer and co-author of No Bullshit Social MediaThe best analysis to date of the radically new nature of digital social media as a communication channel. Its insights, based on a deep knowledge of the technology and culture embedded in the digital networks of communication, will reshape our understanding of cultural change for years to come. -- Manuel Castells,Wallis Annenberg Chair of Communication Technology and Society, University of Southern CaliforniaBy critically interrogating the ways in which media artifacts circulate, Spreadable Media challenges the popular notion that digital content magically goes & viral. This book brilliantly describes the dynamics that underpin people's engagement with social media in ways that are both theoretically rich and publicly meaningful. -- danah boyd, Microsoft ResearchFinally, a way of framing modern media creation and consumption that actually reflects reality and allows us to talk about it in a way that makes sense. It's a spreadable world and we are ALL part of it. Useful for anyone who makes media, analyzes it, consumes it, markets it or breathes. -- Jane Espenson,writer-producer of Battlestar Galactica, Once Upon a Time, and HusbandsSomething new is emerging from the collision of traditional entertainment media, Internet-empowered fan cultures, and the norms of sharing that are encouraged and amplified by social media. Spreadable Media is a compelling guide, both entertaining and rigorous, to the new norms, cultures, enterprises, and social phenomena that networked culture is making possible. Read it to understand what your kids are doing, where Hollywood is going, and how online social networks spread cultural productions as a new form of sociality. -- Howard Rheingold,author of Net SmartSolid analysis and detailed examples to make it sticky enough for the intended readerships of media scholars, media professionals, and fans. * International Journal of Communication *Spreadable Media is an essential read for anyone who wants to understand how media works today. * Deep Media *A wide-ranging examination of the contemporary media environment as individuals increasingly control their own creation of content. * Kirkus *

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Book SynopsisWorldwide, people are circulating damaging lies and falsehoods through powerful social media platforms that reach billions. They range from claims that COVID-19 is a hoax to the theory that vaccines cause autism. In Liars, Cass Sunstein argues that free societies must generally allow falsehoods and lies, which cannot be excised from democratic debate. At the same time, governments should regulate specific kinds of falsehoods: those that genuinely endangerhealth, safety, and the capacity of the public to govern itself. Sunstein concludes that government and private institutions, like Facebook and Twitter, currently allow far too many lies, including those that threaten public health and democracy.Trade ReviewThis is a closely argued examination of lying and fake news, mainly in relation to US laws and organisations... He certainly shows it is a complex subject and offers some suggestions on how to deal with our Age of Deception without embracing Orwellian controls and restrictions. * Nigel Watson, Fortean Times *Sunstein has provided an excellent foundation for understanding the possible roles that the legal system and private institutions in the United States can play, bearing in mind, all the while, adherence to the First Amendment. * Clay Calvert, Criminal Law and Criminal Justice Books *A passionate and forceful argument from America's pre-eminent legal scholar that our law ought to do more to protect the public from the harms of falsehood. * Robert Post, Sterling Professor of Law, Yale Law School *An increasing amount of what we hear and read is demonstrably factually false, and the acceptance of falsity has grave consequences for democratic decision-making. Drawing on legal doctrine, psychological research, and an impressive command of the dynamics of modern media, Cass Sunstein offers a sobering explanation of why factual falsity is increasingly prevalent in contemporary public discourse and why American free speech doctrine may do more to exacerbate than alleviate the problem. This book is essential reading in the modern political and media environment. * Frederick Schauer, David and Mary Harrison Distinguished Professor of Law, University of Virginia *An insightful, balanced, and readable book, by one of America's leading legal scholars — whether you ultimately agree with its suggestions or not, you will learn much from its analysis. * Eugene Volokh, Gary T. Schwartz Professor of Law, UCLA School of Law *Table of ContentsChapter 1: Lies and Falsehoods Chapter 2: A Framework Chapter 3: Ethics Chapter 4: Stolen Valor Chapter 5: Truth Chapter 6: Falsehoods Fly Chapter 7: Your Good Name Chapter 8: Harm Chapter 9: Truth Matters Appendix: Excerpts from Policies of Facebook, Twitter, and YouTube Acknowledgments

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Book SynopsisTrade ReviewThis book is strongly recommended for those interested in the intersection of social media and politics and for instructors looking for readily comprehensible articles for their upper-division courses. * J. McQuiston, CHOICE *In this elegant volume, equally valuable to specialists and lay readers, two lifelong scholars of First Amendment jurisprudence gather an array of experts to explore the problems presented by digital technology and their possible solutions. * Jessica T. Mathews, Foreign Affairs *Lee Bollinger and Geoffrey Stone have done a great public service by assembling this extraordinary group of contributors to think through the risks to democracy posed by social media and the internet. Protecting our constitutional traditions, in the face of seismic technological change, and the unmooring of democratic foundations is one of the greatest challenges of our times. Yet, what emerges from this volume's thoughtfully constructed collection of essays, and the hard choices made by a commission tasked with synthesizing the many perspectives presented here, is invaluable guidance for what must be done now if we are to preserve meaningful public discourse and our democracy. The fact that so many distinguished leaders from government, academia, the tech industry, and journalism devoted their time to this project underscores the urgent need to chart a new course. * Valerie Jarrett, Former Senior Advisor to the President of the United States *I can think of no better introduction to the highly consequential question of regulating speech on social media. Bollinger and Stone have assembled an outstanding array of authors who, with clarity, felicity, and deep knowledge, cover the many facets of this pressing problem. * Robert Post, , Sterling Professor of Law, Yale Law School *Events in recent years have made plain the challenges that social media platforms present to our democracy-harmful speech, divisive speech, misinformation, foreign interference, and more. The First Amendment stands as both an ideal and a potential obstacle in addressing these challenges. Bollinger and Stone have enlisted an extraordinary array of leading experts to tackle these issues from all angles. This volume is invaluable for understanding and charting the future of American democracy. * Jack Goldsmith, Learned Hand Professor of Law, Harvard University *Table of ContentsAcknowledgments List of Contributors Opening Statement Lee C. Bollinger and Geoffrey R. Stone Regulating Harmful Speech on Social Media: The Current Legal Landscape and Policy Proposals Andrew J. Ceresney, Jeffrey P. Cunard, Courtney M. Dankworth, and David A. O'Neil Part One: An Overview of the Problem 1 Social Media and First Amendment Fault Lines David A. Strauss: 2 A Deliberate Leap in the Opposite Direction: The Need to Rethink Free Speech Larry Kramer: 3 The Disinformation Dilemma Emily Bazelon: 4 A Framework for Regulating Falsehoods Cass R. Sunstein: Part Two: Reforming Section 5 The Free Speech Industry Mary Anne Franks: 6 The Golden Era of Free Speech Erwin Chemerinsky and Alex Chemerinsky: 7 Section 230 Reforms Sheldon Whitehouse: Part Three: Content Moderation and the Problem of Algorithms 8 Algorithms, Affordances, and Agency Renée DiResta: 9 The Siren Call of Content Moderation Formalism evelyn douek: 10 Free Speech on Public Platforms Jamal Greene: 11 The Limits of Antidiscrimination Law in the Digital Public Sphere Genevieve Lakier: 12 Platform Power, Online Speech, and the Search for New Constitutional Categories Nathaniel Persily: 13 Strategy and Structure: Understanding Online Disinformation and How Commitments to "Free Speech" Complicate Mitigation Approaches Kate Starbird: Part Four: Other Possible Reforms 14 To Reform Social Media, Reform Informational Capitalism Jack M. Balkin: 15 Follow the Money, Back to Front Yochai Benkler: 16 The First Amendment Does Not Protect Replicants Lawrence Lessig: 17 Social Media, Distrust, and Regulation: A Conversation Newton N. Minow, Nell Minow, Martha Minow, and Mary Minow: 18 Profit Over People: How to Make Big Tech Work for Americans Amy Klobuchar: Report of the Commission Katherine Adams, Martin Baron, Lee C. Bollinger, Hillary Clinton, Jelani Cobb, Russ Feingold, Christina Paxson, Geoffrey R. Stone Concluding Statement Lee C. Bollinger and Geoffrey R. Stone Notes Index

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Book SynopsisArt on trial: exploring the Supreme Court's rulings on free expressionTrade Review"Bezanson writes in an accessible styles that engages even the uninformed reader and uses case studies to present a wide range of core issues and topics involving art and free speech. . . . Highly recommended."--Choice"Bezanson's dialectic is a mind feast."--AEJMC Hot Topics"Enormously stimulating and useful, this work reaches beyond legal theory to explore the role of art as a human product, its production, consumption, and meaning. Art and Freedom of Speech represents a brilliant mind at work--in a lovely, intellectually playful tone--on a very important human and political issue."--Linda R. Hirshman, author of Get to Work: . . . And Get a Life, Before It's Too Late"A comprehensive, in-depth examination of First Amendment principles as they pertain to the arts. Bezanson's detailed and lively analyses of Supreme Court arguments help clarify the conceptual bases of each case."--Joan DelFattore, author of The Fourth R: Conflicts Over Religion in America's Public SchoolsTable of ContentsIntroduction 1PART 1. ART AND THE AESTHETIC Story 1. Performance Art 7National Endowment for the Arts . Finley Story 2. The Artistic Turn? 50Barnes v. Glen Theatre Inc.PART 2. "WHAT MATTER WHO'S SPEAKING?" Story 3. Sources of Expression 83Boy Scouts of America v. Dale Story 4. Speaking Out of Thin Air 109Hurley v. Irish-American Gay, Lesbian and Bisexual Group of BostonPART 3. TRANSFORMATION Story 5. Politics and Community 155Jenkins v. Georgia Story 6. Genre: Rap and Rock 184Campbell [2 Live Crew] v. Acuff-Rose Story 7. Dangerous Art 214Virginia v. Black PART 4. GOOD ART Story 8. Art and Craft 261J. S. G. Boggs v. Bowron Judging Art and Its Quality: Reflections on Art and Free Speech 277 Notes 297 Index 309

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Book SynopsisSports figures cope with a level of celebrity once reserved for the stars of stage and screen. In Game Faces , Sarah K. Fields looks at the legal ramifications of the cases brought by six of them--golfer Tiger Woods, quarterback Joe Montana, college football coach Wally Butts, baseball pitchers Warren Spahn and Don Newcombe, and hockey enforcer Tony Twist--when faced with what they considered attacks on their privacy and image. Placing each case in its historical and legal context, Fields examines how sports figures in the U.S. have used the law to regain control of their image. As she shows, decisions in the cases significantly affected the evolution of laws related to privacy, defamation, and publicity--areas pertinent to the lives of the famous sports figure and the non-famous consumer alike. She also tells the stories of why the plaintiffs sought relief in the courts, uncovering motives that delved into the heart of issues separating individual rights from the public''s perceiTrade Review“Recommended."--Choice "Sarah Fields' work on the history of sports and law dispels all doubt about the legitimacy of sports law as a field of study. Game Faces presents a convincing argument that cases about sports have made unique and important contributions to the law of privacy and free speech."--Erin Buzuvis, Western New England University"Sarah Fields combines her talents as a historian and a lawyer to guide us to and through the intersection of sport, celebrity, and the law. The precision and depth of this study is a gift to all interested in the rights of privacy and the control of one's public image."--Richard C. Crepeau, author of NFL Football: A History of America's New National Pastime"Game Faces is unique, effective, and impressive. I learned a great deal from it and appreciate how Fields addresses some complicated legal and ethical issues. Although most of us are not celebrities, many people in many disciplines will profit from considering the tension between the media and the freedom they are provided by the First Amendment and the personal autonomy of famous people to control (and profit from) their names, images, and likenesses. In part because we live in a celebrity obsessed culture, many readers should find Game Faces enlightening."--Daniel A. Nathan, author of Saying It's So: A Cultural History of the Black Sox Scandal"Game Faces marks an important contribution to the field that is sure to shape and generate further discussion of the links between sport, law, identity, and power."--Journal of Sport History"This is an excellent book that clearly exhibits the painstaking research that went into this thought-provoking subject."--International Journal of Sport Communication

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Book SynopsisHow and why the First Amendment fails to protect speech rightsTrade Review"This is a thoughtful analysis ranging over history and recent cases."--Communication Booknotes Quarterly"An important work, offering sophisticated yet engaging analyses of First Amendment law and the media landscape in which we find ourselves in the United States."--Matthew Bunker, Reese Phifer Professor of Journalism, University of Alabama"A forceful and intellectually comprehensive argument that the First Amendment should be a positive, not simply a negative, guarantee that empowers and perhaps obliges government to protect the public ends of free expression. . . . Stein brings a breadth of perspectives and material to the subject that few, if any, have managed to do. Her book is an original and important contribution to our understanding of free expression in America."--Randall P. Bezanson, author of How Free Can the Press Be?

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Book SynopsisSports figures cope with a level of celebrity once reserved for the stars of stage and screen. In Game Faces , Sarah K. Fields looks at the legal ramifications of the cases brought by six of them--golfer Tiger Woods, quarterback Joe Montana, college football coach Wally Butts, baseball pitchers Warren Spahn and Don Newcombe, and hockey enforcer Tony Twist--when faced with what they considered attacks on their privacy and image. Placing each case in its historical and legal context, Fields examines how sports figures in the U.S. have used the law to regain control of their image. As she shows, decisions in the cases significantly affected the evolution of laws related to privacy, defamation, and publicity--areas pertinent to the lives of the famous sports figure and the non-famous consumer alike. She also tells the stories of why the plaintiffs sought relief in the courts, uncovering motives that delved into the heart of issues separating individual rights from the public''s perceiTrade Review“Recommended."--Choice "Sarah Fields' work on the history of sports and law dispels all doubt about the legitimacy of sports law as a field of study. Game Faces presents a convincing argument that cases about sports have made unique and important contributions to the law of privacy and free speech."--Erin Buzuvis, Western New England University"Sarah Fields combines her talents as a historian and a lawyer to guide us to and through the intersection of sport, celebrity, and the law. The precision and depth of this study is a gift to all interested in the rights of privacy and the control of one's public image."--Richard C. Crepeau, author of NFL Football: A History of America's New National Pastime"Game Faces is unique, effective, and impressive. I learned a great deal from it and appreciate how Fields addresses some complicated legal and ethical issues. Although most of us are not celebrities, many people in many disciplines will profit from considering the tension between the media and the freedom they are provided by the First Amendment and the personal autonomy of famous people to control (and profit from) their names, images, and likenesses. In part because we live in a celebrity obsessed culture, many readers should find Game Faces enlightening."--Daniel A. Nathan, author of Saying It's So: A Cultural History of the Black Sox Scandal"Game Faces marks an important contribution to the field that is sure to shape and generate further discussion of the links between sport, law, identity, and power."--Journal of Sport History"This is an excellent book that clearly exhibits the painstaking research that went into this thought-provoking subject."--International Journal of Sport Communication

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Book SynopsisAs esports has grown, the need for professional legal representation has grown with it. Justin's Essential Guide to the Business & Law of Esports & Professional Video Gaming provides a great baseline and will help prevent the legal horror stories of esports in the past. Mitch Reames, AdWeek and Esports InsiderJustinâs exploration of the business and law side of the esports sector fills a gap of knowledge that is an absolute necessity in truly understanding the esports space.Kevin Hitt, The Esports ObserverThe Essential Guide to the Business & Law of Esports & Professional Video Gaming covers everything you need to know about the past, present, and future of esports and professional video gaming. The book is written by one of the foremost attorneys and business practitioners in todayâs esports and professional gaming scene, Justin M. Jacobson, Esq. This guide is meant to provide you with an in-depth look at the business aTable of Contents1 Introduction to Esports & Professional Video Gaming Law 12 Intellectual Property Law and Its Impact on The Esports Business Ecosytem 553 Business and Tax Law and Its Impact on the Esports Business Ecosytem 734 Immigration and Employment Law and Its Impact on the Esports Business Ecosystem 895 Contract Law and Its Impact on the Esports Business Ecosytem 1036 Some Other Ancillary Esports Legal and Business Topics 171

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Book SynopsisThis comprehensive textbook provides a thoughtful introduction to both the legal and ethical considerations relevant to students pursuing careers in communication and media.The fully revised, sixth edition continues to integrate fundamental legal and ethical principles with cases and examples from both landmark moments and recent history. It expands upon the previous edition''s exploration of international and non-U.S. law, introduces a new chapter on digital and social media, and incorporates discussion of new technologies and media throughout its coverage of core topics such as privacy, intellectual property, defamation and commercial speech. Coverage of contemporary court cases and congressional hearings brings readers up to date on the evolving discussion surrounding Facebook, Twitter and today's other major online players.This hybrid textbook is ideal for undergraduate and graduate courses in media and communication that combine law and ethics.Online resourTrade Review"This new edition of Media Law and Ethics is a highly valuable and clearly written guide for media students and professionals who not only want to follow the law but also do the right thing. Through its use of real-life examples, it provides a practical approach to handling legal and ethical dilemmas in an era of rampant disinformation, rapid technological change, and media globalization." Jon Marshall, Medill School of Journalism, Northwestern University, USA Table of Contents1. American Law, the Legal System and the Judicial Processes 2. Media Ethics: A Cognitive Framework 3. Prior Restraint 4. Defamation 5. Right of Privacy 6. Indecency and Obscenity 7. Digital and Social Media 8. Corporate Commercial Speech 9. Intellectual Property 10. Internatonal and Foreign Law

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Book SynopsisWhat they won't teach you in film school:This expertly written reference guide breaks down copyrightlaws for screenwriters. Inspired by Strunk & White'sThe Elements of Style,this elegant, short reference is the perfect guide for screenwriters and creative artists looking to succeed as industry professionals.Readers will quickly understand the laws that govern creativity, idea-making, and selling, and learn how to protect themselves and their worksfrom the legal quagmires they may encounter.Written by an unrivaled pair of experts, John L. Geiger and Howard Suber, who use real-life case studies to cover topics such as clearance, contracts, collaboration, and infringement,Creativity and Copyrightis poised to become an indispensable resource for beginners and experts alike.Trade Review"A screenwriter seeking a basic understanding of the most important legal issues that pertain to the field will likely find Creativity and Copyright useful and readable." * Publishing Research Quarterly *Table of ContentsAcknowledgments Disclaimer Introduction 1. Free for the Taking: What You Can Steal from Others, and What Others Can Steal from You 2. Clearance Required: What You Do Need Permission to Use 3. Collaboration 4. Selling to Others and Implied-in-Fact Contracts 5. Copyright Infringement 6. Your Legal Team 7. Confessions of an Expert Witness: Free for the Telling Epilogue: Creativity and Copyright Appendix A. Copyright Fundamentals Appendix B. Collaboration Problems Notes Index

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Book SynopsisWhat they won't teach you in film school:This expertly written reference guide breaks down copyrightlaws for screenwriters. Inspired by Strunk & White'sThe Elements of Style,this elegant, short reference is the perfect guide for screenwriters and creative artists looking to succeed as industry professionals.Readers will quickly understand the laws that govern creativity, idea-making, and selling, and learn how to protect themselves and their worksfrom the legal quagmires they may encounter.Written by an unrivaled pair of experts, John L. Geiger and Howard Suber, who use real-life case studies to cover topics such as clearance, contracts, collaboration, and infringement,Creativity and Copyrightis poised to become an indispensable resource for beginners and experts alike.Trade Review"A screenwriter seeking a basic understanding of the most important legal issues that pertain to the field will likely find Creativity and Copyright useful and readable." * Publishing Research Quarterly *Table of ContentsAcknowledgments Disclaimer Introduction 1. Free for the Taking: What You Can Steal from Others, and What Others Can Steal from You 2. Clearance Required: What You Do Need Permission to Use 3. Collaboration 4. Selling to Others and Implied-in-Fact Contracts 5. Copyright Infringement 6. Your Legal Team 7. Confessions of an Expert Witness: Free for the Telling Epilogue: Creativity and Copyright Appendix A. Copyright Fundamentals Appendix B. Collaboration Problems Notes Index

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Book SynopsisA history of U.S. public health emergencies and how we can turn the tide. Despite enormous advances in medical science and public health education over the last century, access to health care remains a dominant issue in American life. U.S. health care is often hailed as the best in the world, yet the public health emergencies of today often echo the public health emergencies of yesterday: consider the Great Influenza Pandemic of 191819 and COVID-19, the displacement of the Dust Bowl and the havoc of Hurricane Maria, the Reagan administration's antipathy toward the AIDS epidemic and the lack of accountability during the water crisis in Flint, Michigan. Spanning the period from the presidency of Woodrow Wilson to that of Donald Trump, American Health Crisis illuminates howdespite the elevation of health care as a human right throughout the worldvulnerable communities in the United States continue to be victimized by structural inequalities across disparate geographies, income levels, and ethnic groups. Martin Halliwell views contemporary public health crises through the lens of historical and cultural revisionings, suturing individual events together into a narrative of calamity that has brought us to our current crisis in health politics. American Health Crisisconsiders the future of public health in the United States and, presenting a reinvigorated concept of health citizenship, argues that now is the moment to act for lasting change.Trade Review"An ambitious work. . . .a book on public health can and should only be written in a way that is as inclusive, reflective, accessible in language, and structured as Halliwell’s. It is an important read for any practitioner of public health." * Amerikastudien/American Studies: A Quarterly *"Noteworthy." * American Historical Review *Table of ContentsPreface Introduction 1918: Woodrow Wilson, Crisis, and the Arc of Public Health Part 1: Geographies of Vulnerability: Environmental Health Crises 1. Disaster: Mississippi Flood, Buffalo Creek, Hurricane Katrina 2. Poverty: Dust Bowl, Urban Ghetto, Indian Reservation 3. Pollution: Nuclear Fallout, Water Contamination, Climate Change Part 2: States of Vulnerability: Crises of Prevention and Treatment 4. Virus: Influenza, Polio, HIV/AIDS 5. Care: Postwar Hospitals, Community Action, Vet Centers 6. Drugs: Methadone, Diazepam, Fentanyl Conclusion 2018: Obama, Trump, and the Future of Health Citizenship Coda 2020 Acknowledgments Notes Selected Bibliography Index

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Book SynopsisNEW YORK TIMES BESTSELLER • The inspiration for Impeachment: American Crime Story on FXThe definitive account of the Clinton-Lewinsky sex scandals, the extraordinary ordeal that nearly brought down a president—with a new preface by the author that reframes the events in light of the Me Too movement “A story as taut and surprising as any thriller . . . [an] unimpeachable page-turner.”—People First published a year after the infamous impeachment trial, this propulsive narrative captures the full arc of the Clinton sex scandals—from their beginnings in a Little Rock hotel to their culmination on the floor of the United States Senate with only the second vote on presidential removal in American history. Rich in character and fueled with the high octane of a sensational legal thriller, A Vast Conspiracy has indelibly shaped our understanding of this disastrous moment in Ame

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Book SynopsisFrom athletes to victims of revenge porn, people have been transformed into intellectual property. Who controls one's identity? Jennifer Rothman uses the right of publicity a little-known law to answer this question. By tracing the right's origins to privacy laws in the 1800s, she finds a way to reclaim privacy for a public world.Trade ReviewA fascinating read for anyone who is interested in the nuts and bolts of right of publicity law and how the doctrine evolved to where it is today. It also will serve as a valu­able resource for litigators looking for guidance on how to reconcile the seemingly contradictory precedent in a way that is understandable…This book will quickly become one of the most cited sources by litigants and courts grappling with right of publicity issues. -- Stephanie S. Abrutyn * Communications Lawyer *An unquestionably important book. Masterfully researched and deftly crafted, it is probably the best single source for gaining a deep understanding of the doctrine’s history, context, and politics… Deserves a place among the must-reads of American right of publicity law. -- Eric E. Johnson * IP Law Book Review *A formidable book that maps out the contours of the publicity right in an appealing and timely way. -- Eleanor Wilson * Journal of Intellectual Property Law and Practice *Rothman’s important book is an excellent contribution to the field, one that will hopefully provoke courts and legislatures to rethink their headlong expansion of the right of publicity. It should be required reading for anyone dealing with the right of publicity. -- Mark Lemley * Michigan Law Review *Rothman provides a complete legal and cultural history of the right of publicity, tracing its development from the late 1800s to its modern-day expansion as a transferable right of property. Fascinating details of the individuals behind the cases, including celebrities and private citizens, inform how the law’s current contours have been shaped…Indispensable. -- Rachel Bridgewater * Library Journal *This is the definitive biography of the right of publicity, whose boundaries have exploded in recent years. Jennifer Rothman tells the story with zest, explaining how we should restructure this right in our fame-obsessed age. -- Jack M. Balkin, Yale Law SchoolThe book is a fascinating read for anyone interested in gaining a better understanding of the nuts and bolts of right of publicity law and how the doctrine evolved to where it is today. Rothman concisely connects the dots among seemingly irreconcilable court decisions while debunking myths about the early case-law. -- Stephanie Abrutyn, Senior Vice President and Chief Counsel, Litigation at HBORothman makes a crucial argument that goes to the heart of the current legal doctrine. -- Jessica Litman, author of Digital CopyrightJennifer Rothman has written an important, informative study of the right of publicity as it has developed in the United States and its connections to a robust privacy right. By reexamining the past, she has elaborated principles that will be useful in defining both publicity and privacy rights for the digital age. -- Rebecca Tushnet, Harvard Law School

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Book SynopsisRoberto Rossellini's ""Il Miracolo"" is deceptively simple: a demented peasant woman is seduced by a stranger she believes to be Saint Joseph, is socially ostracized for becoming pregnant out of wedlock, but is finally redeemed through motherhood. This book explores the unique place that the movies occupy in American culture.

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Book SynopsisIn recent years, the changing nature of audiovisual services has had a significant impact on regulatory policy and practice. The adoption of digital technology means that broadcasting, cable, satellite, the Internet and mobile telephony are converging, enabling each of them to deliver the same kinds of content and allowing users to exercise much greater choice over the kind of material that they receive and when they receive it. The essays examine the implications for regulatory design, asking whether there is still a role for traditional-style state controls, or whether other techniques, such as competition in the market and self-regulation, are more appropriate. They also explore how, in the digital era, structural issues of media ownership and control become problems of access and interconnection between services and how content regulation focuses more on problems raised by the interactions between providers and users, the relationship between freedom of information and technologiesTable of ContentsContents: Introduction; Part I Convergence and Regulation: New challenges for European multimedia policy: a German perspective, Wolfgang Hoffmann-Riem; Regulatory convergence? Douglas W. Vick. Part II Techniques of Regulation: Television and the public interest, Cass R. Sunstein; Self regulation and the media, Angela J. Campbell; Controlling the new media: hybrid responses to new forms of power, Andrew Murray and Colin Scott; Shielding children: the European way, Michael D. Birnhack and Jacob H. Rowbottom. Part III Structural Regulation: Media Concentration and Ownership: Rethinking European Union competence in the field of media ownership: the internal market, fundamental rights and European citizenship, Rachael Craufurd Smith; The goal of pluralism and the ownership rules for private broadcasting in Germany: re-regulation or de-regulation? Peter Humphreys; Architectural censorship and the FCC, Christopher S. Yoo; Media structure, ownership policy, and the 1st Amendment, C. Edwin Baker; Control over technical bottlenecks - a case for media ownership law?, Thomas Gibbons. Part IV Issues in Regulating New Media: The regulation of interactive television in the United States and the European Union, Hernan Galperin and François Bar; The 'right to information' and digital broadcasting: about monsters, invisible men and the future of European broadcasting regulation, Natali Helberger; Access to content by new media platforms: a review of the competition law problems, Damien Geradin; Television as something special? Content control technologies and free-to-air TV, Andrew T. Kenyon and Robin Wright; Yahoo! Cyber-collision of cultures: who regulates?, Horatia Muir Watt; Spectrum auctions: yesterday's heresy, today's orthodoxy, tomorrow's anachronism: taking the next step to open spectrum access, Eli Noam; Spectrum flash dance: Eli Noam's proposal for 'open access' to radio waves, Thomas W. Hazlett; Name Index.

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Book SynopsisComparing law to the American practice of common courtesy, this book explains how our courts not only survive under conditions of suspected hypocrisy, but actually depend on these conditions to function.Trade Review"In using courtesy to account for the current state of our legal system, Bybee offers a fresh take on debates over judicial legitimacy and legal realism. Rejecting the contention that the public is simply confused, he presents an original answer to the puzzle of the public's paradoxical perceptions of the judiciary. The pull of his explanation and the unconventional but commonsense appeal of his account are engaging and provocative." -- Helena Silverstein * Law and Social Inquiry *"All Judges Are Political—Except When They Are Not successfully points out the conflicting roles that judges fill and demonstrates that these roles do not intrinsically compromise legal legitimacy. In the course of achieving this goal, Bybee uses substantive sources and unique comparisons to present intriguing ideas and theories. I recommend the book for anyone with an interest in the subject matter who does not mind a distinctly scholarly approach. The book would make a great addition to collegiate and law school libraries." -- Jeff McGowan * Law Library Journal *"Bybee offers a truly fresh and important response to one of the most important questions in the cultural study of law: how can law sustain its legitimacy in the face of the understanding that it is essentially political? Arguing that law's hypocrisy actually strengthens it, Bybee makes a connection to courtesy that is really quite ingenious and illuminating. This is a wonderful new vehicle for understanding how courts work." -- Austin Sarat * Amherst College *"Judicial authority is not in grave danger, at least in the terms that some alarmists imagine. In conversation with mainstream approaches to judicial practice, this remarkably original work contends that law's deceits sustain order and moderate conflict, all the while sustaining hierarchy. A major accomplishment." -- Michael W. McCann * University of Washington *"Between costly partisan judicial elections and a Supreme Court that appears frozen in an ideological 5-4 split, there has never been a more apt time to answer conclusively the question of whether judges are apolitical oracles or ideological politicians. Bybee's answer—they are both—sounds at first like a discomfiting one. But in this fascinating book he shows that the courts' very survival in fact rests on the white lie of this fundamental tension." -- Dahlia Lithwick, Senior Editor * Slate.com *

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Book SynopsisTrade Review"What do celebrity baby bumps, boobs, and booties have to do with the law? In this compelling and creative new book, Renée Cramer suggests that contemporary culture's fascination with these subjects reveals much about the complex web of social and legal regulations that shape our understanding of pregnancy, the body and femininity." -- Susan Burgess * Ohio University *"When people hear I study celebrity, they often ask, 'What's going on with the obsession with celebrity pregnancy and baby bumps?' Finally, I have somewhere to direct them. Pregnant with the Stars takes a nuanced and engaging look at celebrity pregnancy, connecting the baby bump craze to larger issues governing women's bodies and what we expect and demand from them." -- Anne Helen Petersen * Features Writer at BuzzFeed and author of Scandals of Classic Hollywood: Sex, Deviance, and Drama from the Golden Age of American Cinema *"Pregnant with the Stars is as entertaining as it is illuminating. Cramer has a rare gift for drawing our attention to everyday forms of power that occur at the intersection of popular culture, politics and the law and converge in our gaze on women's bodies." -- Claire Rasmussen * University of Delaware *"Americans have voraciously consumed images of gorgeous, famous pregnant bodies—from Demi to Kiera—while ordinary women have officially lost rights, dignity, and safety as fertile persons. Renée Cramer cracks open interpretations of this development, inviting us to consider the consequences of celebrating those beyond our reach, while millions of real women are threatened with ignobility and ignominy." -- Rickie Solinger * author of Reproductive Politics: What Everyone Needs to Know *"Cramer's examination of celebrity pregnancy reminds us that robust analysis can also be wildly fun. Pregnant with the Stars reveals how the pop culture portrayal of pregnant women's bodies undermines equality and deeply-held social values. Readers of all kinds will enjoy the book and want to talk about it—online, at work, in the classroom, and beyond." -- Chrysanthi Leon * University of Delaware *"Cramer sees our obsession with pregnant celebrities as a distraction from birth-control politics....She urges women not to let what is an individual experience be influenced by celebrity-pregnancy hype." -- Crystal Erickson * Bitch Magazine *Table of ContentsContents and AbstractsIntroduction: Obsession with the Celebrity Bump chapter abstractThis chapter explains why it is important to understand contemporary interest in the celebrity baby bump, and situates that interest within the law and society literature. The chapter argues that by compelling us to "watch" and to "want," media coverage of the pregnant celebrity body becomes an interpretive lens through which to view the twin pillars of the state in late neoliberalism: an expansion of technologies of governance through proxies that enable state- and self-regulation, and totalizing commodification via global capitalism. The chapter explains the feminist, sociolegal, and interpretive approach taken in the research and provides a narrative of the author's interaction with the topic. 1Law, Popular Culture, and Pregnancy in America chapter abstractUsing the famous Demi Moore cover for Vanity Fair as a frame of reference, this chapter traces the changing ways that law and popular culture have treated pregnancy, from the 1970s to the contemporary period. It examines jurisprudence relating to pregnancy and pregnancy discrimination, as well as abortion and birth control, to argue that women have achieved a measure of equality under the law – while being constructed as more responsible for the outcomes of their pregnancy than ever before. The chapter simultaneously examines televised and filmic representations of pregnancy in the popular culture – from I Love Lucy to Murphy Brown to Friends to demonstrate an increasing comfort with pregnant women in the public eye. 2Celebrity Bumps, Boobs, and Booties chapter abstractThis chapter examines media coverage of celebrity pregnancies to analyze the normative and idealized views of femininity in evidence in them. It argues that the media offers a limited range of possibilities for pregnant women: they can be "good girls," "bad girls (and those redeemed by motherhood," "hot, sexy mamas," and "yummy mummies." In all of these possibilities it is clear that dominant norms of race, class, and femininity are driving the media representations of these stars. 3Wanting the Bump chapter abstractThis chapter examines the commodification of pregnancy, and all things pregnancy related, through media coverage of celebrity pregnancies. It argues that when women are told to want the pregnant celebrity body, they are confronted by the objectification of that body and multiple modes of commodification: of pregnancy, of the child itself – or at least its image, and of the "rockin' beach-worthy post-baby body." And, even as women are confounded by our inability to attain what they are told is perfection, they are provided strategies and products that promise rescue, for a cost. 4Surveilling the Stars chapter abstractThis chapter argues that when women watch the pregnant celebrity, they are encouraged, to surveil, to gossip, and to judge. Ultimately, they are enlisted in the regulation of the bodies of all pregnant women, even as women are called on to accept and internalize their own regulation. The medicalization of pregnancy and childbirth necessitates high levels of surveillance during gestation and birth, and facilitates an intimate, but mediated, relationship between the woman and the fetus. The chapter argues that as women judge and regulate the bodies of pregnant celebrities, they are simultaneously accepting and internalizing the very same regulations of themselves. 5Governing the Body through the Bump chapter abstractThis chapter investigates the various moments and places where governance occurs of pregnant women. It shows that the state, through legislation and jurisprudence, plays an active role in constraining women's choices about and during pregnancy, and looks at very recent bills and laws that limit women's power. It also argues that the state engages proxies: corporations, media, and average people on the street – to govern pregnant women in the most mundane and daily ways imaginable. 6Rebel Renderings and a Micro-politics of Inscrutability chapter abstractThis chapter examines spaces of hope – coverage of celebrity pregnancies that deviate from the norm. It argues that coverage of the pregnancies and pregnant performances of M.I.A., Pink, and Christina Aguilera highlight "bold bumps" that envision motherhood in rebellious ways. The chapter also includes a discussion of surrogacy, lesbian-headed households, and single mothers, and argues that they disrupt patriarchal assumptions of mothering and pregnancy. The chapter closes with a look at the pregnancy of Mila Kunis, about whom the press was unable to write a coherent narrative, and whose performances of pregnancy remained inscrutable. Drawing on work by James Scott and Boaventura de souse Santos, the chapter argues that emancipation and liberation are achieved through small, inscrutable daily practices of living under the radar of the watching state and its proxies.

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Book SynopsisTrade Review"What do celebrity baby bumps, boobs, and booties have to do with the law? In this compelling and creative new book, Renée Cramer suggests that contemporary culture's fascination with these subjects reveals much about the complex web of social and legal regulations that shape our understanding of pregnancy, the body and femininity." -- Susan Burgess * Ohio University *"When people hear I study celebrity, they often ask, 'What's going on with the obsession with celebrity pregnancy and baby bumps?' Finally, I have somewhere to direct them. Pregnant with the Stars takes a nuanced and engaging look at celebrity pregnancy, connecting the baby bump craze to larger issues governing women's bodies and what we expect and demand from them." -- Anne Helen Petersen * Features Writer at BuzzFeed and author of Scandals of Classic Hollywood: Sex, Deviance, and Drama from the Golden Age of American Cinema *"Pregnant with the Stars is as entertaining as it is illuminating. Cramer has a rare gift for drawing our attention to everyday forms of power that occur at the intersection of popular culture, politics and the law and converge in our gaze on women's bodies." -- Claire Rasmussen * University of Delaware *"Americans have voraciously consumed images of gorgeous, famous pregnant bodies—from Demi to Kiera—while ordinary women have officially lost rights, dignity, and safety as fertile persons. Renée Cramer cracks open interpretations of this development, inviting us to consider the consequences of celebrating those beyond our reach, while millions of real women are threatened with ignobility and ignominy." -- Rickie Solinger * author of Reproductive Politics: What Everyone Needs to Know *"Cramer's examination of celebrity pregnancy reminds us that robust analysis can also be wildly fun. Pregnant with the Stars reveals how the pop culture portrayal of pregnant women's bodies undermines equality and deeply-held social values. Readers of all kinds will enjoy the book and want to talk about it—online, at work, in the classroom, and beyond." -- Chrysanthi Leon * University of Delaware *"Cramer sees our obsession with pregnant celebrities as a distraction from birth-control politics....She urges women not to let what is an individual experience be influenced by celebrity-pregnancy hype." -- Crystal Erickson * Bitch Magazine *Table of ContentsContents and AbstractsIntroduction: Obsession with the Celebrity Bump chapter abstractThis chapter explains why it is important to understand contemporary interest in the celebrity baby bump, and situates that interest within the law and society literature. The chapter argues that by compelling us to "watch" and to "want," media coverage of the pregnant celebrity body becomes an interpretive lens through which to view the twin pillars of the state in late neoliberalism: an expansion of technologies of governance through proxies that enable state- and self-regulation, and totalizing commodification via global capitalism. The chapter explains the feminist, sociolegal, and interpretive approach taken in the research and provides a narrative of the author's interaction with the topic. 1Law, Popular Culture, and Pregnancy in America chapter abstractUsing the famous Demi Moore cover for Vanity Fair as a frame of reference, this chapter traces the changing ways that law and popular culture have treated pregnancy, from the 1970s to the contemporary period. It examines jurisprudence relating to pregnancy and pregnancy discrimination, as well as abortion and birth control, to argue that women have achieved a measure of equality under the law – while being constructed as more responsible for the outcomes of their pregnancy than ever before. The chapter simultaneously examines televised and filmic representations of pregnancy in the popular culture – from I Love Lucy to Murphy Brown to Friends to demonstrate an increasing comfort with pregnant women in the public eye. 2Celebrity Bumps, Boobs, and Booties chapter abstractThis chapter examines media coverage of celebrity pregnancies to analyze the normative and idealized views of femininity in evidence in them. It argues that the media offers a limited range of possibilities for pregnant women: they can be "good girls," "bad girls (and those redeemed by motherhood," "hot, sexy mamas," and "yummy mummies." In all of these possibilities it is clear that dominant norms of race, class, and femininity are driving the media representations of these stars. 3Wanting the Bump chapter abstractThis chapter examines the commodification of pregnancy, and all things pregnancy related, through media coverage of celebrity pregnancies. It argues that when women are told to want the pregnant celebrity body, they are confronted by the objectification of that body and multiple modes of commodification: of pregnancy, of the child itself – or at least its image, and of the "rockin' beach-worthy post-baby body." And, even as women are confounded by our inability to attain what they are told is perfection, they are provided strategies and products that promise rescue, for a cost. 4Surveilling the Stars chapter abstractThis chapter argues that when women watch the pregnant celebrity, they are encouraged, to surveil, to gossip, and to judge. Ultimately, they are enlisted in the regulation of the bodies of all pregnant women, even as women are called on to accept and internalize their own regulation. The medicalization of pregnancy and childbirth necessitates high levels of surveillance during gestation and birth, and facilitates an intimate, but mediated, relationship between the woman and the fetus. The chapter argues that as women judge and regulate the bodies of pregnant celebrities, they are simultaneously accepting and internalizing the very same regulations of themselves. 5Governing the Body through the Bump chapter abstractThis chapter investigates the various moments and places where governance occurs of pregnant women. It shows that the state, through legislation and jurisprudence, plays an active role in constraining women's choices about and during pregnancy, and looks at very recent bills and laws that limit women's power. It also argues that the state engages proxies: corporations, media, and average people on the street – to govern pregnant women in the most mundane and daily ways imaginable. 6Rebel Renderings and a Micro-politics of Inscrutability chapter abstractThis chapter examines spaces of hope – coverage of celebrity pregnancies that deviate from the norm. It argues that coverage of the pregnancies and pregnant performances of M.I.A., Pink, and Christina Aguilera highlight "bold bumps" that envision motherhood in rebellious ways. The chapter also includes a discussion of surrogacy, lesbian-headed households, and single mothers, and argues that they disrupt patriarchal assumptions of mothering and pregnancy. The chapter closes with a look at the pregnancy of Mila Kunis, about whom the press was unable to write a coherent narrative, and whose performances of pregnancy remained inscrutable. Drawing on work by James Scott and Boaventura de souse Santos, the chapter argues that emancipation and liberation are achieved through small, inscrutable daily practices of living under the radar of the watching state and its proxies.

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Book SynopsisIn the 1980s and 1990s, the internet became a major player in the global economy and a revolutionary component of everyday life for much of the United States and the world. The author illustrates the conflicting and indirect ways in which culture and policy combined to produce this transformative technology.Trade ReviewThe strengths of Cached: Decoding the Internet in Global Popular Culturelie in its rich, detailed, engaging, and engrossing stories of the Internet. Schulte convincingly shows technology as a product of historical legacies, as well as cultural and politics. -- Bessie Chu * International Journal of Communication *This is the most culturally sophisticated history of the Internet yet written. We can't make sense of what the Internet means in our lives without reading Schulte's elegant account of what the Internet has meant at various points in the past 30 years. -- Siva Vaidhyanathan,Chair of the Department of Media Studies at The University of VirginiaSchulte (Univ. of Arkansas) captures the reader's attention in the first chapter by showing how the science fiction film WarGames(1983) gave the Internet both a game for teenagers and a 'potential weapon for global destruction....' A useful, scholarly resource for readers interested in the cultural development of the Internet. * Choice *Cachedclosely captures popular struggles over the narration of computing technology, and the ensuing responses by society in both trying to dismantle as well as reinforce the boundaries of access to computer networking technologies. Schulte convincingly narrates these struggles by engaging with the changing debates on the functionalism of computing technologies. * Telecommunications Policy *Table of ContentsAcknowledgmentsIntroduction 1 The "WarGames Scenario": Regulating Teenagers and Teenaged Technology 2 The Internet Grows Up and Goes to Work: User-Friendly Tools for Productive Adults 3 From Computers to Cyberspace: Virtual Reality, the Virtual Nation, and the CorpoNation 4 Self-Colonizing eEurope: The Information Society Merges onto the Information Superhighway5 Tweeting into the Future: Affecting Citizens and Networking Revolution Conclusion Appendix Notes Bibliography Index About the Author

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Book SynopsisIntervenes in debates about both reality television and audience research, offering the concept of the reflexive self to move these debates forwardTrade ReviewLike all ground-breaking studies of culture, The Makeover, appropriately, tells us not just about its object, narrowly construed, but about ourselves, the society we have created, and the contradictions that permeate both. Sender combines detailed empirical research with thoughtful and nuanced interpretation to provide us with a timely meditation on the limitsand potentialsof reflexivity. The result is a smart and original contribution to the way we think about popular culture and its relation to broader questions of self-hood, identity, and power. -- Mark Andrejevic,University of QueenslandWith its central focus on audience practices, Senders lucidly-written book is unique among the growing body of scholarship on reality TV. While offering a smart and provocative analysis of the complex appeal of specific & makeover shows, she also makes a major contribution to active audience theory. In particular, she problematizes the issue of reflexivity, in the context both of viewers relationships with the shows and in their roles as research participants. In doing so she challenges all audience scholars to examine more carefully the very nature of the research encounter. -- S. Elizabeth Bird,author of The Audience in Everyday LifeA success on multiple levels. Sender's analysis... provides strong insight into the social significance of reality television. * Contemporary Sociology *Table of ContentsSelf-Projects: Makeover Shows and the Reflexive Imperative2 Gender and Genre: Making Over Women's Culture 3 Not Like Paris Hilton: Instruction and Consumption in Makeover Shows4 Shame on You: Schadenfreude and Surveillance5 Feeling Real: Empirical Truth and Emotional Authenticity6 Mirror, Mirror: The Reflexive Self7 Research Reflexivity: Audiences and Investigators in Context8 Once More with Feeling: Reconsidering Reflexivity

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Book SynopsisWinner of the Alan Bray Memorial Book Prize presented by the GL/Q Caucus of the Modern Language AssociationFinalist for the 2015 LGBT Studies Award presented by the Lambda Literary FoundationSexual Futures, Queer Gestures and Other Latina Longings proposes a theory of sexual politics that works in the interstices between radical queer desires and the urgency of transforming public policy, between utopian longings and everyday failures. Considering the ways in which bodily movement is assigned cultural meaning, Juana María Rodríguez takes the stereotypes of the hyperbolically gestural queer Latina femme body as a starting point from which to discuss how gestures and forms of embodiment inform sexual pleasures and practices in the social realm.Centered on the sexuality of racialized queer female subjects, the book's varied archivewhich includes burlesque border crossings, daddy play, pornography, sodomy laws, and sovereignty claimsseeks to bring to the Trade ReviewThe books intriguing methodological protocols, its vibrant archives, and its foregrounding of a Latina femme perspective make it a commanding contribution to performance studies, porn studies, women of color feminisms, Latinastudies, and queer of color critique. That is productively engages such a wide range of disciplines speaks to the success of its own amorous gesturing. * GLQ: A Journal of Lesbian and Gay Studies *Fun, sensual, and theoretically sophisticated, Sexual Futures, Queer Gestures, and Other Latina Longings questions facile binary oppositions by exploring the intricate and perverse world of fantasy and pleasure, particularly in contexts in which marginality, submission, and racialization seem to foreclose key moments of identification for queer subjects of color. -- Yolanda Martínez-San Miguel,author of Coloniality of Diasporas: Rethinking Intra-Colonial Migrations in a Caribbean Context With a distinctly lush style of inquiry, Sexual Futures, Queer Gestures, and Other Latina Longings mobilizes the stereotype of the hyperbolically gestural Latina femme with and for both pleasure and politics. Juana María Rodríguez is a fierce critic in all the best senses of that word. -- Elizabeth Freeman, author of Time Binds: Queer Temporalities, Queer HistoriesThrough sensuous and seductive prose, Juana María Rodríguez demonstrates how queer gesture highlights the tension between socially inscribed corporeal regulation and agential enactments of subjectivity. Pivoting away from this binary through a reading of Latin@ excess, Sexual Futures, Queer Gestures, and Other Latina Longings demands that we radically reclaim abject sex as a site of queer futurity. -- E. Patrick Johnson, author of Sweet Tea: Black Gay Men of the South—An Oral History Table of Contents" v Contents Acknowledgments vii Introduction 1 1. Who's Your Daddy? Queer Kinship and Perverse Domesticity 29 2. Sodomy, Sovereignty, and Other Utopian Longings 69 3. Gesture in Mambo Time 99 4. Latina Sexual Fantasies, the Remix 139 The Afterglow 183

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Book SynopsisUsing examples from both mainstream and niche media - from prime-time television series to specialty Christian media and audience interactions on social media, this book draws upon a variety of disciplines including communication studies, sociology, and cultural studies in order to understand emergent strategies for framing post-racial America.Trade ReviewThrough a series of well chosen and meticulously analyzed case studies, Squires illuminates how postracialism came to be part of the national imaginary and makes a convincing argument for why it ultimately cannot camouflage the ways in which race still matters in the U.S. social life. * Journal of Communication *Table of ContentsAcknowledgments Introduction: Welcome to Post-Racial America 1. Post-Racial News: Covering the "Joshua Generation" 2. Brothers from Another Mother: Rescripting Religious Ties to Overcome the Racial Past 3. The Post-Racial Family: Parenthood and the Politics of Interracial Relationships on TV 4. Post-Racial Audiences: Discussions of Parenthood's Interracial Couple 5. Not "Post-Racial," Race-Aware: Blogging Race in the Twenty-First Century Conclusion: Back to the Post-Racial Future Notes Index About the Author

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Book SynopsisDiscusses what happens when the most common way we participate in social activism is by buying somethingTrade ReviewWithout doubt this important collection of essays will contribute significantly to the new and growing field of 'critical consumer studies'. -- J.R. Mitrano * CHOICE *Commodity activism has a long history but never has its significance been more complex to unravel than today, when the boundaries and direction of political action are unclear, commercial forces mobilize consumers values to secure their emotional loyalty, and individual consumers hope their choices mean that & something is being done. Roopali Mukherjee and Sarah Banet-Weiser's smart, empirically rich and globally wide-ranging new collection provides us with very welcome coordinates in this difficult terrain. -- Nick Couldry,author of Why Voice Matters: Culture and Politics After NeoliberalismCommodity Activism is eminently useful. Mukherjee and Banet-Weisers collection is animportant intervention into what had become a tired debate about political agency and consumer culture. It is also a very timely anthology, helping us better understand the practices of a current generation ofactivists who recognize that the terrain upon which they struggle is not some idealized land of pure politics outside the influence of consumer culture, but instead, a challenging topography of brands and logos, style and story, celebrity and spectacle. * International Journal of Communication *Commodity Activism will be out of interest to a wide range of scholars, including those focused on critical/consumer studies, American studies, media studies, and critical rhetorical studies. Any academic interested in exploring consumer politics, or contemporary trends in social activism, or in constituting social controversy, will find this text replete with starting points for future scholarship. * Journal of American Culture *Table of ContentsAcknowledgments Foreword Marita Sturken Introduction: Commodity Activism in Neoliberal Times Sarah Banet-Weiser and Roopali MukherjeePart One: Brand, Culture, Action 1 Brand Me "Activist" Alison Hearn 2 "Free Self-Esteem Tools?" Sarah Banet-Weiser 3 Citizen Brand Laurie Ouellette 4 Good Housekeeping Jo LittlerPart Two: Celebrity, Commodity, Citizenship 5 Make It Right? Brad Pitt, Post-Katrina Rebuilding, and the Spectacularization of Disaster Kevin Fox Gotham 6 Diamonds (Are from Sierra Leone): Roopali Mukherjee 7 Salma Hayek's Celebrity Activism Isabel Molina-Guzman 8 Mother Angelina Alison Trope 9 "Fair Vanity" Melissa M. BroughPart Three: Community, Movements, Politics 10 Civic Fitness Samantha King 11 Eating for Change Josee Johnston and Kate Cairns 12 Changing the World One Orgasm at a Time Lynn Comella 13 Pay-for Culture John McMurria 14 Feeling Good While Buying Goods Mari Castaneda About the Contributors Index

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Book SynopsisCelebrates the fluid media landscape and its possibilitiesTrade Review"The Social Media Reader [is] groundbreaking in both form and content: evidence of the transformative power and potential of social media." * Studies in American Culture *"The book already casts a broad net and brings in many treasures exploring issues around social media in so many fields. It makes for an excellent, vital read and makes a necessary to push into more thoughtful explorations on the topic." * Hyperallergic.com *"Collective intelligence, shareable goods, collaborative learning, demand media: all are explained by this wonderful book, and all are embodied by it. Many of the biggest names in digital and new media studies are here in a tome ready for the classroom that collects both canonical and original work. An outstanding addition to any media scholar or enthusiasts personal library." -- Jonathan Gray,author of Show Sold SeparatelyTable of ContentsAcknowledgments Introduction 1 The People Formerly Known as the Audience 2 Sharing Nicely 3 Open Source as Culture/Culture as Open Source 4 What Is Web 2.0? Design Patterns and Business Models for the Next Generation of Software 5 What Is Collaboration Anyway? 6 Participating in the Always-On Lifestyle 7 From Indymedia to Demand Media 8 Phreaks, Hackers, and Trolls: The Politics of Transgression and Spectacle 9 The Language of Internet Memes 10 The Long Tail 11 REMIX 12 Your Intermediary Is Your Destiny 13 On the Fungibility and Necessity of Cultural Freedom 14 Giving Things Away Is Hard Work 15 Quentin Tarantino's Star Wars? Grassroots Creativity Meets the Media Industry 16 Gin, Television, and Social Surplus 17 Between Democracy and Spectacle 18 DIY Academy? Cognitive Capitalism, Humanist Scholarship, and the Digital Transformation About the Contributors Index

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Book SynopsisCelebrates the fluid media landscape and its possibilitiesTrade Review"The Social Media Reader [is] groundbreaking in both form and content: evidence of the transformative power and potential of social media." * Studies in American Culture *"The book already casts a broad net and brings in many treasures exploring issues around social media in so many fields. It makes for an excellent, vital read and makes a necessary to push into more thoughtful explorations on the topic." * Hyperallergic.com *"Collective intelligence, shareable goods, collaborative learning, demand media: all are explained by this wonderful book, and all are embodied by it. Many of the biggest names in digital and new media studies are here in a tome ready for the classroom that collects both canonical and original work. An outstanding addition to any media scholar or enthusiasts personal library." -- Jonathan Gray,author of Show Sold SeparatelyTable of ContentsAcknowledgments Introduction 1 The People Formerly Known as the Audience 2 Sharing Nicely 3 Open Source as Culture/Culture as Open Source 4 What Is Web 2.0? Design Patterns and Business Models for the Next Generation of Software 5 What Is Collaboration Anyway? 6 Participating in the Always-On Lifestyle 7 From Indymedia to Demand Media 8 Phreaks, Hackers, and Trolls: The Politics of Transgression and Spectacle 9 The Language of Internet Memes 10 The Long Tail 11 REMIX 12 Your Intermediary Is Your Destiny 13 On the Fungibility and Necessity of Cultural Freedom 14 Giving Things Away Is Hard Work 15 Quentin Tarantino's Star Wars? Grassroots Creativity Meets the Media Industry 16 Gin, Television, and Social Surplus 17 Between Democracy and Spectacle 18 DIY Academy? Cognitive Capitalism, Humanist Scholarship, and the Digital Transformation About the Contributors Index

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Book SynopsisUsing examples from both mainstream and niche media - from prime-time television series to specialty Christian media and audience interactions on social media, this book draws upon a variety of disciplines including communication studies, sociology, and cultural studies in order to understand emergent strategies for framing post-racial America.Trade ReviewThrough a series of well chosen and meticulously analyzed case studies, Squires illuminates how postracialism came to be part of the national imaginary and makes a convincing argument for why it ultimately cannot camouflage the ways in which race still matters in the U.S. social life. * Journal of Communication *Table of ContentsAcknowledgments Introduction: Welcome to Post-Racial America 1. Post-Racial News: Covering the "Joshua Generation" 2. Brothers from Another Mother: Rescripting Religious Ties to Overcome the Racial Past 3. The Post-Racial Family: Parenthood and the Politics of Interracial Relationships on TV 4. Post-Racial Audiences: Discussions of Parenthood's Interracial Couple 5. Not "Post-Racial," Race-Aware: Blogging Race in the Twenty-First Century Conclusion: Back to the Post-Racial Future Notes Index About the Author

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Book SynopsisWhat's going on with the rise of tv law programs - both fictional and documentary, and how does that affect our lives and real court rooms.Trade ReviewLaw and Justice as Seen on TV provides a comprehensive and sophisticated look at the ways law appears nightly in the living rooms of millions of Americans. Combining valuable insights about the workings of the television industry with an insightful argument about the criminalization of American life, Elayne Rapping has made a distinctive contribution to interdisciplinary legal scholarship. Her work shows how valuable the analysis of popular culture can be in illuminating some of the most important legal and social issues of our time. -- Austin Sarat,William Nelson Cromwell Professor of Jurisprudence and Political Science, Amherst CollegeIn recent years, an expanding wave of law and criminal justice programs has emerged on American television. Elayne Rapping proves a masterful guide in her overview of a wide range of TV narrative fiction series, Court TV, talk shows, news, and other programs that deals with law, order, criminality, and justice, contextualizing TV crime and justice in the context of fierce political battles over these topics in the past decades of American history. -- Douglas Kellner,author of Media Culture and Media SpectacleLaw and Justice as Seen on TV is deliberately provocative. * Akron Beacon Journal *Lively and engagingly written, it explores as Rapping writes, "an interplay of aesthetics, politics, and legal history [that] come together in complex and often contradictory ways. Anyone who has watched these shows will appreciate seeing them in a new way. Much of the enjoyment in reading the book comes from Rapping's ability to draw on a wide range of cultural and intellectual interests and present them in down-to-earth language. * Trial *Accessible and lucid. * www.sirreadalot.org *Table of ContentsContentsAcknowledgments Introduction I Fiction and Entertainment Genres1 The Return of the Attorney-Hero: Politics and Justice in the Prime-Time Courtroom 2 Aliens, Nomads, Mad Dogs, and Road Warriors: Tabloid TV and the New Face of Criminal Violence 3 Signs of the Times: Oz and the Sudden Visibility of Prisons on Television II News and Documentary Genres4 Cameras, Court TV, and the Rise of the Criminal Trial as Major Media Event 5 The Politics of Representation: Gender Violence and Criminal Justice 6 Television and Family Dysfunction: From the Talk Show to the Courtroom 1697 Television and the Demonization of Youth 8 Television, Melodrama, and the Rise of the Victims' Rights Movement 236Conclusion: The Criminalization of American Life

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Book SynopsisFrom a look at classics like Psycho and Double Indemnity to recent films like Traffic and Thelma & Louise, Nicole Rafter and Michelle Brown show that criminological theory is produced not only in the academy, through scholarly research, but also in popular culture, through film. This book provides a fresh way of looking at cinema.Trade ReviewAuthors Nicole Rafter and Michelle Brown have come up with an effective way of keying theory to film...[they] have managed to present a coherent summary of the most important theories that seek to explain crime, and to do it in a readable (sometimes even amusing) way. -- Ben Pesta,California LawyerAn interesting...book. * CHOICE *Table of ContentsList of Illustrations Preface 1 Introduction: Crime, History, Science Part I Biological Theories in the 19th Century 2 Moral Insanity and the Origins of Criminology 3 Phrenology: The Abnormal Brain 4 Criminal Anthropology: The Atavistic Brain 5 Evolutionary Theories: The Degenerate Brain Part II Biological Theories in the 20th Century 6 Stupidity Theories: The Backward Brain 7 Constitutional Theory: Bodytypes and Criminality 8 Criminology's Darkest Hour: Biocriminology in Nazi Germany 9 Contemporary Biocriminology Part III Biological Theories in the 21st Century 10 A Criminology for the 21st Century Notes References Index About the Author

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Book SynopsisTrade ReviewIn this compelling study, Govil traces the ways in which the two production entities have shared finance, production, and distribution concerns, and demonstrates that far from being a recent phenomenon, this has been going on for a long time. Writing in a direct and accessible style with great economy and authority, Govil effectively delineates how Hollywood and Bollywood are, in fact, inextricably intertwined, and how this intermarriage will continue to flourish in the future. * Choice *Table of Contentsv Contents Acknowledgments vii Introduction: Narrating Encounter 1 1. Framing the Copy: Media Industries and the Poetics of Resemblance 41 2. Managing Exchange: Geographies of Finance in the Media Industries 77 3. The Theater of Influence: Reimagining Indian Film Exhibition 115 4. Economies of Devotion: Affective Engagement and the Subject(s) of Labor 153 Conclusion: Close Encounters of the Industrial Kind 183 Notes 193 Index 235 About the Author 245 Govil_i_245.indd 5 1/26/15 12:48 PM

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Book SynopsisArgues that we can't understand contemporary queer cultures without looking through the lens of social classTrade ReviewDrawn along disciplinary lines of queer theory, feminist theory, and critical cultural studies, Love and Moneycontributes vital scholarly debates over the emancipatory potential of cultural recognition versus economic redistribution. As a scholar of communication, Henderson adds valuable complexity to this discussion, highlighting the ways in which queer visibility depends on a class - race reduction mediated through tropes of bodily excess, disenfranchisement, and trauma. Through timely and profound analysis she weaves together disparate experiences and expressions from a variety of queer cultural texts to present a language of queer-class engagement that articulates the categories of race and gender while working to recenter class as a vital frame through which to understand the production of sexual difference. -- Meg Rooney * QED: A Journal in GLBTQ Worldmaking *In Love and MoneyHenderson attempts to look at contemporary queer cultures through the lens of social class. Henderson is critical of the distorted ways in which American media represents queer cultures and identity and seeks to study the difference that social class makes on queer subjectivity and representation. -- Rohit K. Dasgupta * Transnational Cinemas *It may be that the book is, at its core, an unusually intimate excavation of media-cultural experience. This much is evident in the carefully crafted prose and the frequent self-reflexive passages in which the author's various rolesas researcher, critic, fan, and consumer, but also as queer and classed subjectare laid more bare than is customary. Henderson reveals herself as voracious observer, situation her half-dozen primary objects in a jam-packed mediascape, where no one-off episode or festival favorite is too far off the mainstream radar. This is commendable, and invigorating, while the field tends to compartmentalize mainstream and experimental film and media as nonconversant tracks.Love and Moneyis also, irrefutably, hopeful. This may also be a suit that many of us are unaccustomed to wearing, especially as regards class politics at the current historical juncture. But in these pages, it might pay to try. It is, at least, as Henderson herself concludes, 'a place to start.' -- Cynthia Crisis * International Journal of Communication *Love and Money is at once fiercely intellectual and full of heart, formidable and invitingly funny. In this series of essays, Lisa Henderson offers some of the sharpest, most imaginative analysis of queerness and social class out there, shaking up entrenched ideas about how the two are and should be related. -- Joshua Gamson,University of San FranciscoHendersons affective approach to the case history yields rich accounts of the resourceful survival strategies through which queer films and novels get made despite limited means. Exemplifying the values of love and solidarity that she finds in her cases, her critical practice offers innovative approaches to thinking queer and class together and fresh answers to longstanding questions about what it means to make art in a market economy. -- Ann Cvetkovich,University of Texas, Austin'Throughout, Henderson grounds queer cultural criticism in the liminal movements and moments of everyday life, treating this criticism as art and understanding criticism as inside of, and a contributor to, cultural production. She also formulates a new kind of classed-queerness, one characterized by softness and slowness, of people trying hard to live and survive as best as they can. Summing Up: Highly recommended. * CHOICE *Table of Contents1. The Class Character of Boys Don't Cry 2. Queer Visibility and Social Class 3. Every Queer Thing We Know 4. Recognition: Queers, Class, and Dorothy Allison 5. Queer Relay 6. Plausible Optimism Conclusion: A Cultural Politics of Love and Solidarity

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Book SynopsisArgues that we can't understand contemporary queer cultures without looking through the lens of social classTrade ReviewDrawn along disciplinary lines of queer theory, feminist theory, and critical cultural studies, Love and Moneycontributes vital scholarly debates over the emancipatory potential of cultural recognition versus economic redistribution. As a scholar of communication, Henderson adds valuable complexity to this discussion, highlighting the ways in which queer visibility depends on a class - race reduction mediated through tropes of bodily excess, disenfranchisement, and trauma. Through timely and profound analysis she weaves together disparate experiences and expressions from a variety of queer cultural texts to present a language of queer-class engagement that articulates the categories of race and gender while working to recenter class as a vital frame through which to understand the production of sexual difference. -- Meg Rooney * QED: A Journal in GLBTQ Worldmaking *In Love and MoneyHenderson attempts to look at contemporary queer cultures through the lens of social class. Henderson is critical of the distorted ways in which American media represents queer cultures and identity and seeks to study the difference that social class makes on queer subjectivity and representation. -- Rohit K. Dasgupta * Transnational Cinemas *It may be that the book is, at its core, an unusually intimate excavation of media-cultural experience. This much is evident in the carefully crafted prose and the frequent self-reflexive passages in which the author's various rolesas researcher, critic, fan, and consumer, but also as queer and classed subjectare laid more bare than is customary. Henderson reveals herself as voracious observer, situation her half-dozen primary objects in a jam-packed mediascape, where no one-off episode or festival favorite is too far off the mainstream radar. This is commendable, and invigorating, while the field tends to compartmentalize mainstream and experimental film and media as nonconversant tracks.Love and Moneyis also, irrefutably, hopeful. This may also be a suit that many of us are unaccustomed to wearing, especially as regards class politics at the current historical juncture. But in these pages, it might pay to try. It is, at least, as Henderson herself concludes, 'a place to start.' -- Cynthia Crisis * International Journal of Communication *Love and Money is at once fiercely intellectual and full of heart, formidable and invitingly funny. In this series of essays, Lisa Henderson offers some of the sharpest, most imaginative analysis of queerness and social class out there, shaking up entrenched ideas about how the two are and should be related. -- Joshua Gamson,University of San FranciscoHendersons affective approach to the case history yields rich accounts of the resourceful survival strategies through which queer films and novels get made despite limited means. Exemplifying the values of love and solidarity that she finds in her cases, her critical practice offers innovative approaches to thinking queer and class together and fresh answers to longstanding questions about what it means to make art in a market economy. -- Ann Cvetkovich,University of Texas, Austin'Throughout, Henderson grounds queer cultural criticism in the liminal movements and moments of everyday life, treating this criticism as art and understanding criticism as inside of, and a contributor to, cultural production. She also formulates a new kind of classed-queerness, one characterized by softness and slowness, of people trying hard to live and survive as best as they can. Summing Up: Highly recommended. * CHOICE *Table of Contents1. The Class Character of Boys Don't Cry 2. Queer Visibility and Social Class 3. Every Queer Thing We Know 4. Recognition: Queers, Class, and Dorothy Allison 5. Queer Relay 6. Plausible Optimism Conclusion: A Cultural Politics of Love and Solidarity

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Book SynopsisThe first book to focus exclusively on the significance of trial films for both film and legal studies. Chapters cover a variety of topics, such as how and why film audiences adopt the role of the jury, the narrative and visual conventions employed by directors, and the ways trial films offered insights into the events of the late 20th century.Trade ReviewTrial Films on Trial successfully brings together distinguished and emerging scholars to engage important questions about law's representation in film and, fascinatingly, film's law-like logic."" - Daniel LaChance, author of Executing Freedom: The Cultural Life of Capital Punishment in the United States""A marvelously generative text which will, I am certain, stand as an important and defining contribution to the field of law and film."" - Patricia Ewick, coauthor of The Common Place of Law: Stories from Everyday LifeTable of Contents Acknowledgments Introduction: The Pleasures and Possibilities of Trial Films by Austin Sarat, Jessica Silbey, Martha Merrill Umphrey Chapter 1. Law and the Order of Popular Culture by Carol J. Clover Chapter 2. Knowing It When We See It: Realism and Melodrama in American Film Since The Birth of a Nation by Ticien Marie Sassoubre Chapter 3. Reasonable Doubts, Unspoken Fears: Reassessing the Trial Film's ""Heroic Age"" by Barry Langford Chapter 4. Disorder in Court: Representations of Resistance to Law in Trial Film Dramas by Norman W. Spaulding Chapter 5. ""I Am Here. I Was There."": Haunted Testimony in The Memory of Justice and The Specialist by Katie Model Chapter 6. The Appearance of Truth: Juridical Reception and Photographic Evidence in Standard Operating Procedure by Jennifer Petersen Works Cited Contributors Index

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Book SynopsisIn this expanded and updated second edition, esteemed television executive and Harvard lecturer Ken Basin offers a comprehensive and readable overview of the business, financial, and legal structure of the U.S. television industry, as well as its deal-making norms.The Business of Television explores the basic structure and recent history of the television and streaming business, rights and talent negotiations, intellectual property, backend deals, licensing, international production, and much more. This expanded and updated second edition also features an in-depth exploration of the evolution of the streaming business, offers valuable new insights about negotiation, reflects the historic impacts of the 2020 Covid-19 pandemic and 2023 WGA and SAG-AFTRA strikes, addresses the intersection of artificial intelligence technology and intellectual property law, and provides a greater breadth and depth of technical material about a wide variety of common television deals. The

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Book SynopsisThis book provides a socio-legal examination of the mediaâs influence on the development and implementation of criminal justice policy.This impact is often assumed. And, especially in the wake of high-profile crimes, the press is routinely observed calling for sentences to be harsher, and for governments to be tougher on crime. But how do we know that there is a connection? To answer this question, the book draws on a case study of the media reporting of the rape and murder of Jill Meagher in Melbourne, Australia; as well as other well-known cases, including those of James Bulger, Sarah Payne, Stephen Lawrence and Michael Brown, among others. Deploying a socio-legal framework to examine how the mediaâs often powerful and emotive narratives play a crucial role in the development and implementation of law, the book provides a deep and critical reflection on its influence. The book concludes with a number of suggestions for media reform: both to moderate the mediaâs influence, a

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Book SynopsisIn this textbook, social media professor Jeremy Harris Lipschultz introduces students to the study of social media law and ethics, integrating legal concepts and ethical theories.This second edition explores freedom of expression, as it applies to students, media industry professionals, content creators and audience members. Key issues and practices covered include copyright law, data privacy, defamation, global law and ethics, generative AI, government censorship, social media platform rules, and employer policies. The book also addresses the U.S. government TikTok law and other recent regulation. Research techniques are also used to suggest future trends in social media law and ethics. Touching on themes and topics of significant contemporary relevance, this accessible textbook can be used in standalone law and ethics courses, as well as emerging social media courses that are disrupting traditional public relations, advertising, marketing and journalism curricula.Case studies, discussion questions, and online resources help students engage with the practicalities, complexities and ambiguities of this future-oriented area of media law, making this an ideal textbook for students of media law, policy and ethics, mass media, and communication studies.

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Book SynopsisThis Research Handbook critically examines the complex relationship between social media and the law. Expert scholars and practitioners analyze key issues through both practical and theoretical lenses, highlighting opportunities for advancing legal scholarship in the field.

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Book SynopsisTrade ReviewAcclaim for the first edition:‘Mark Greenberg's Comic Art, Creativity and the Law outlines the protective, and often restrictive, aspects of the relationship between the law and the comic book industry. Greenberg's text is a very accessible, even enjoyable read. While Comic Art, Creativity and the Law is fascinating, even compelling, its principle audience is entertainment comic book creators, attorneys, and fans.’ -- Allen Berry, Technical Communication’Talk about an interesting project! This really quite riveting book from Edward Elgar’s Law and Entrepreneurship series explores a not very much explored area of the law; that is the effect, for better or worse, of the law on creativity and the creative process. . . While the book could be considered a guide to ‘the law of comics’, it is more than that. There is much analysis and commentary on the history, structure and modes of comic art, after which, the discussion turns to two legal doctrines: contract and copyright law. The impact of tax and obscenity laws is also discussed. . . With the ten pages ‘table of authorities’ and extensive footnoting, the book is a carefully researched academic study as well as a fascinating read. No doubt it will end up as an exceptionally well-thumbed volume in practitioners’ libraries on both sides of the Atlantic – and fans anywhere, of cartoons and comics will love it.’ -- The Barrister Magazine’Marc Greenberg combines his professional expertise and deep knowledge of comics history to provide the first book-length treatment of the subject of law as it applies to comics. . . an invaluable resource for understanding the issues.’ -- Rob Salkowitz, ICV2‘Comic Art, Creativity and the Law is a highly welcome addition to the literature on the development of comic art. The book stands out in its knowledge of the comic industry and analysis of the legal challenges confronting creative artists. You will enjoy reading it whether you are an art law specialist or a Spiderman fan.’ -- Peter K. Yu, Drake University Law School, US‘In comics, justice always prevails, but the business of comics is a lot trickier. Marc Greenberg combines the expertise of a legal scholar with the passion and insight of a long-time comics fan, untangling the morass of legal issues facing comics – and all creative enterprises – in the past, present and future. Comic Art, Creativity and the Law is essential reading for anyone interested in understanding the multi-billion dollar global industry that comics has spawned.’ -- Rob Salkowitz, author of Comic-Con and the Business of Pop Culture‘Marc Greenberg’s Comic Art, Creativity and the Law gives a detailed, thoughtful “look under the hood” of one of the United States’ most vibrant and under appreciated creative industries. For anyone who cares about truly understanding the creative process and the lives of authors in our times, this should be part of your library.’ -- Justin Hughes, Loyola Law School and chief US negotiator for the Beijing and Marrakesh copyright treaties‘An intellectual tour de force and a compelling read . . . Far beyond a practical guide to the law of comics (though it is that too), Greenberg’s book touches on the nature of creativity, the basis for IP law and the history of this fascinating medium.’ -- Mark A. Lemley, Stanford Law School, USTable of ContentsContents: PART I INTRODUCTION TO THE SECOND EDITION PART II CREATIVITY AND THE LAW 1. The neuroscience of creativity 2. How the law views the creative process PART III COMIC ART – HISTORY, STRUCTURE AND MODE 3. A brief history of comic art 4. The structure and common modes for comic art PART IV THE IMPACT OF LAW ON THE CREATION AND STRUCTURE OF COMIC ART 5. Uneasy bedfellows: comic art creators and publishers – how comic art 6. Copyright law’s impact on the creative process in comic art 7. Fan-based creations – a look at Fan Fiction, Fan Art, Fan Films and Cosplay PART V CONSTRAINING CREATIVITY: THE EFFECT OF TAX LAW AND OBSCENITY LAW ON THE CREATIVE PROCESS 8. The power to tax and the First Amendment: Mavrides v. Board of Equalization 9. Censoring creativity, the Comics Code Authority and the birth of the Comic Book Legal Defense Fund 10. Obscenity law and the First Amendment: CBLDF to the defense 11. The bigger picture: obscenity, the First Amendment and the moral education of the young PART VI COMIC ART AND LAW IN THE INTERNATIONAL AND DIGITAL MARKETS 12. Comic art and the law in the international marketplace 13. Eight tips for licensing comics for film and television 14. Comic art, law and the digital revolution 15. Concluding remarks Index

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Book SynopsisAlready among the most important sectors of the US economy, the entertainment and media industries are continuing to grow worldwide. Fully updated, the tenth edition of Entertainment Industry Economics is the definitive reference on the economics of film, music, television, advertising, broadcasting, cable, casinos, publishing, arts and culture, performing arts, toys and games, sports, and theme parks. Its synthesis of a vast amount of data provides an up-to-date guide to the economics, financing, accounting, production, marketing, and history of these sectors in the United States and countries across the globe. This edition offers new material on streaming services, the relationship between demographics and entertainment spending, electromagnetic spectrum for broadcasters, and revised FASB accounting rules for film and television. Financial analysts and investors, economists, industry executives, accountants, lawyers, regulators, and journalists, as well as students preparing to join these professionals will benefit from this invaluable source.Table of ContentsPreface; Part I. Introduction: 1. Economic perspectives; 2. Basic elements; Part II. Media-Dependent Entertainment: 3. Movie macroeconomics; 4. Making and marketing movies; 5. Financial accounting in movies and television; 6. Music; 7. Broadcasting; 8. Cable; 9. Publishing; 10. Toys and games; Part III. Live Entertainment: 11. Gaming and wagering; 12. Sports; 13. Performing arts and culture; 14. Amusement/theme parks; Part IV. Roundup: 15. Performance and policy; Appendix A. Sources of information; Appendix B. Major games of chance; Appendix C. Supplementary data; Glossary; References; Index.

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Book SynopsisThis book updates and revalidates critical political economy of communication approaches. It is destined to become a work of reference for those interested in delving into debates arising from the performance of traditional and new media, cultural and communication policy-making or sociocultural practices in the new digital landscape.Table of ContentsPART I: THE POLITICAL ECONOMY OF COMMUNICATION 1. Current Challenges In The Critical Economy Of Communication And Culture; Ramón Zallo 2. The Political Economy Of Communication: A Living Tradition; Vincent Mosco PART II: CULTURAL OR CREATIVE INDUSTRIES? 3. Intellectuals And Cultural Policies; Philip Schlesinger 4. Cultural Industries, Creative Economy And Information Society; Gaëtan Tremblay 5. Creativity Versus Culture?; Enrique Bustamante PART III: CULTURAL CONSUMPTION FROM A CRITICAL PERSPECTIVE 6. Studying Cultural Behaviours, Consumptions, Habits And Practices; Armand Mattelart 7. New Approaches For New Sociocultural Practices; Micael Herschmann 8. Cultural Consumption And Media Power; Francisco Sierra PART IV: CHALLENGES IN THINKING ABOUT COMMUNICATION AND CULTURE 9. Digital Networks And Services: A New Political And Technological Agenda; Luis A. Albornoz 10. Communication And Epistemological Struggle; César Bolaño 11. Culture And Communication: A Political Economy View; Delia Crovi Druetta

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Book SynopsisMass Media Law, 22nd ed., provides college students with a timely, comprehensive, and up-to-date examination of some of the most important principles, doctrines, and cases affecting communications law and the First Amendment freedoms of speech, press, and assembly. The book is packed with current, real-life examples and the latest legal rulings that are relevant for students studying journalism, advertising, public relations, telecommunications, and other facets of the media and communications professions.Table of ContentsChapter 1: The American Legal SystemChapter 2: The First Amendment: The Meaning of FreedomChapter 3: The First Amendment: Contemporary ProblemsChapter 4: Defamation: Establishing a CaseChapter 5: Defamation: Proof of FaultChapter 6: Defamation: Defenses and DamagesChapter 7 Invasion of Privacy: Appropriation and Intrusion Chapter 8: Invasion of Privacy: Publication of Private Information and False LightChapter 9: Gathering Information: People, Places, Records, and RecordingsChapter 10: Protection of News Sources/Contempt PowerChapter 11: Free Press–Fair Trail: Trail-Level Remedies and Restrictive OrdersChapter 12: Free Press–Fair Trail: Closed Judicial ProceedingsChapter 13: Regulation of Obscene and Other Erotic MaterialChapter 14: Copyright and TrademarkChapter 15: Regulation of AdvertisingChapter 16: Telecommunications Regulation

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Book SynopsisAs technology makes it easier for people to work together, large-scale collaboration is becoming increasingly prevalent. In this context, the question of how to determine authorship and hence ownership - of copyright in collaborative works is an important question to which current copyright law fails to provide a coherent or consistent answer. In Copyright and Collective Authorship, Daniela Simone engages with the problem of how to determine the authorship of highly collaborative works. Employing insights from the ways in which collaborators understand and regulate issues of authorship, the book argues that a recalibration of copyright law is necessary, proposing an inclusive and contextual approach to joint authorship that is true to the legal concept of authorship but is also more aligned with creative reality.Trade Review'Cited by the Court of Appeal of England and Wales in Kogan v Martin [2019] EWCA 1645.''Dr Daniela Simone identifies root causes of the deficiencies in the law's treatment of (joint) authorship, and provides an admirable roadmap and analytical framework to orient the judiciary and all others concerned about ascertaining who should be the authors of collective works … A must-read for anyone interested in the interaction between law and the creative process. This book made me think differently about copyright law and what it promotes and values when it comes to (not) recognizing those who contribute to the creation of works.' Pascale Chapdelaine, Intellectual Property Journal'By and large, the book makes a compelling case for taking collaborative creativity seriously in the long-lasting process of the modernisation of copyright law … also a valuable input for further evidence-based research on the effectiveness of co-authorship rules at national, supranational and international level.' Giulia Priora, European Intellectual Property ReviewTable of Contents1. Copyright law and collective authorship; 2. Authorship and joint authorship; 3. Wikipedia; 4. Australian Indigenous art; 5. Scientific collaborations; 6. Film; 7. Characteristics of collective authorship and the role of copyright law; 8. An inclusive, contextual approach to the joint authorship test.

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Book SynopsisWith women leading only twenty-four Fortune 500 companies, female founders receiving only 2.2 percent of US venture capital, and the continued presence of sexual harassment and double standards, the gender gap continues to hinder the advancement of women in the professional world.  In Digital Goddess, Montgomery-Brown—founder of Big Think, a collection of experts across all fields and disciplines that are either at the top of their field or disrupting it, shares her story in an entertaining and educational light. Told from the unique, female entrepreneurial perspective that unpacks all the hurdles other female founders may face in their own journey to the top, Montgomery-Brown shares the real-world lessons she’s learned along the way, such as: Never lie to your investors, even when you just gotTrade Review'Funny, fearless, and sometimes raw, Victoria Montgomery Brown's book doesn't pull any punches as she details the successes and setbacks of being a female entrepreneur. It's a delicious read from beginning to end, and I'd encourage any young woman intent on chasing her dreams to use it as a valuable resource.' --Rita McGrath, Professor at Columbia Business School and bestselling author of The End of Competitive Advantage'This book is a must-read for any woman who is looking to grow her career or start a business. Victoria has embraced the volatility of entrepreneurship with unflinching grace and fierce, bring-it-on determination. Anyone who wants to thrive in the age of uncertainty can learn from her example.' --Francis Frei, UPS Foundation Professor of Service Management, Harvard Business School'Victoria Brown is a shining example of a modern entrepreneurial leader. She possesses the full start-up toolkit of smarts, competitive drive, and operational focus, together with the vital leadership skill to inspire those around her to achieve a common goal.' --Tom Glocer, Former CEO of Thomson Reuters and Venture Investor

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Book SynopsisWhen compared to terrorism, drugs and violent crimes that occupy the news today art is not considered as important. But, as it turns out, art and cultural crime is currently ranked as the third-largest criminal enterprise in the world. What exactly is art crime? Why does art matter? And what is law enforcement doing to prevent this crime today? Due to the misleading portrayal of art crime in the entertainment industry people have the flawed belief that art and cultural crime doesn't damage anyone in a direct way. And the truth of the matter is that this crime results in the loss of billions of dollars annually. Art and cultural crime is not simply focused on museums or private displays, the loss of art directly affects our cultural identity and history. Napoleon moved from one region to the next collecting art and sending as much as possible back to France. The Nazis looted cultural property from every territory they occupied. And there have been various cases of ISIL and ISIS destroyiTrade ReviewThough it first brings to mind cinematic heists and Hollywood glamour, art crime is in fact a serious international problem, involving organized crime and even terrorism. Books like this one go a long way to introducing the real facts about this phenomenon, and delve deep into the dark side of the art world. -- Noah Charney, Phd, professor specializing in art crime and founder of ARCA (Association for Research into Crimes against Art)Stealing History: A Deeper Understanding to Art and Cultural Crimes is an excellent read. This book is concise and yet rich with material covering an under-addressed area of criminal justice studies—crimes relating to art and culture. Consequently, the book fills an important void in the literature. The book is well-written and well-sourced and would make an excellent primary or supplemental text in any number of criminology and law enforcement courses. -- Jeff Bumgarner, Department Head and Professor of Criminal Justice and Political Science, North Dakota State UniversityTable of ContentsIntroduction 1: Medias Portrayal of Art Crime 2: Why Does Art Matter? 3: What is Art Crime? 4: History of Art, and Art Related Crimes 5: Cultural Differences Between United States and Europe, and How it Affects Art Crime 6: Looting of Art and Archaeological Sites 7: Economic Impact of Art and Art Related Crimes 8: Museums: Our Identity and Culture 9: Police Demands, Scrutiny, Education, And The Future 10: Ways in Which Law Enforcement Can Focus on Art Crimes 11: Security & Policing in Art Crime Throughout the World 12: Growth of Art Crime, and Art Crime Prevention Bibliography

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