Digital, video and new media arts Books
Titan Books Ltd Star Trek Shipyards The Borg and the Delta
Book SynopsisFeaturing ships of the Borg and vessels of the Delta Quadrant, the first of two companion volumes of ships from STAR TREK: VOYAGER. This volume begins with the ships operated by STAR TREK's greatest villains: the Borg, including the Borg Cube and Sphere, the Borg Queen's Ship, the Renegade Borg Vessel and the Borg Tactical Cube. From there, it profiles more than thirty-five ships operated by the species Voyager encountered in the Delta Quadrant, featuring ships from A - Akritirian to K - Krenim. With technical overviews and operational histories, the ships are illustrated with CG artwork - including original VFX models made for the show. The vessels include warships, fighters, transports, hospital ships, patrol ships, racing ships, and shuttles. Each ship is illustrated with CG artwork, including original VFX models made for the TV show, and is presented with its technical data and operational history. A size chart showing Borg ships to scale is included, and an appendix of listin
£23.99
Design Studio Press Talexi - The Concept Art of Alessandro Taini:
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£999.99
Fordham University Press Expanded Cinema
Book SynopsisTable of ContentsList of Illustrations | ix Introduction to the Fiftieth Anniversary Edition | xiii Introduction by R. Buckminster Fuller | 15 Inexorable Evolution and Human Ecology by R. Buckminster Fuller | 37 Preface | 41 Part One: The Audience and the Myth of Entertainment | 45 Radical Evolution and Future Shock in the Paleocybernetic Era | 50 The Intermedia Network as Nature | 54 Popular Culture and the Noosphere | 57 Art, Entertainment, Entropy | 59 Retrospective Man and the Human Condition | 66 The Artist as Design Scientist | 70 Part Two: Synaesthetic Cinema: The End of Drama | 75 Global Closed Circuit: The Earth as Software | 78 Synaesthetic Synthesis: Simultaneous Perception of Harmonic Opposites | 81 Syncretism and Metamorphosis: Montage as Collage | 84 Evocation and Exposition: Toward Oceanic Consciousness | 92 Synaesthetics as Kinaesthetics: The Way of All Experience | 97 Mythipoeiai: The End of Fiction | 106 Synaesthetics and Synergy | 109 Synaesthetic Cinema and Polymorphous Eroticism | 112 Synaesthetic Cinema and Extra-Objective Reality | 122 Image-Exchange and the Post-Mass Audience Age | 128 Part Three: Toward Cosmic Consciousness | 135 2001: The New Nostalgia | 139 The Stargate Corridor | 151 The Cosmic Cinema of Jordan Belson | 157 Part Four: Cybernetic Cinema and Computer Films | 179 The Technosphere: Man/Machine Symbiosis | 180 The Human Bio-Computer and His Electronic Brainchild | 183 Hardware and Software | 185 The Aesthetic Machine | 189 Cybernetic Cinema | 194 Computer Films | 207 Part Five: Television as a Creative Medium | 257 The Videosphere | 260 Cathode-Ray Tube Videotronics | 265 Synaesthetic Videotapes | 281 Videographic Cinema | 317 Closed-Circuit Television and Teledynamic Environments | 337 Part Six: Intermedia | 345 The Artist as Ecologist | 346 World Expositions and Nonordinary Reality | 352 Cerebrum: Intermedia and the Human Sensorium | 359 Intermedia Theatre | 365 Multiple-Projection Environments | 387 Part Seven: Holographic Cinema: A New World | 399 Wave-Front Reconstruction: Lensless Photography | 400 Dr. Alex Jacobson: Holography in Motion | 404 Limitations of Holographic Cinema | 407 Projecting Holographic Movies | 411 The Kinoform: Computer-Generated Holographic Movies | 414 Technoanarchy: The Open Empire | 415 Selected Bibliography | 421 Index | 427
£25.19
MIT Press Cloud Between Paris and Tehran
Book SynopsisA theoretical examination of veiling, shame, and modesty in the films of the Iranian director Abbas Kiarostami through the lenses of Islamic philosophy and Lacanian psychoanalysis.In Cloud: Between Paris and Tehran, Joan Copjec examines the films of the Iranian director Abbas Kiarostami. The key to these films, she argues, lies in the image of a fragile yet sheltering tree that appears in several of his films. This simple image depicts a central concept of Islamic philosophy, which is known as the ?Cloud? or the ?Imaginal World.? It designates the place out of which all the things of this world manifest themselves and ?covers,? or veils, that which must remain hidden. The concept of the Cloud plays a significant role in defining: 1) the unique nature of the Islamic God, who is not a creator or father; 2) the nature of the image, which assumes a priority and a greater power than it is elsewhere accorded; and 3) the nature of modesty, shame, and sexuality.Copjec walks her readers through the thicket of Islamic philosophy while demonstrating how its abstract concepts produce what audiences see on screen. The most ambitious aspect of the book lies in its attempt to demonstrate the inheritance by psychoanalysis of a new notion of knowledge, or gnosis, formulated by Muslim thinkers, who radically redefined the relation between body and thought.
£31.35
Little, Brown & Company The Queens of Animation The Untold Story of the
Book Synopsis From the bestselling author of Rise of the Rocket Girls, the untold, 'richly detailed' story of the women of Walt Disney Studios, who shaped the iconic films that have enthralled generations (Margot Lee Shetterly, New York Times bestselling author of Hidden Figures). From Snow White to Moana, from Pinocchio to Frozen, the animated films of Walt Disney Studios have moved and entertained millions. But few fans know that behind these groundbreaking features was an incredibly influential group of women who fought for respect in an often ruthless male-dominated industry and who have slipped under the radar for decades. In The Queens of Animation, bestselling author Nathalia Holt tells their dramatic stories for the first time, showing how these women infiltrated the boys' club of Disney's story and animation departments and used early technologies to create the rich artwork and unf
£22.50
Harvard University Press Understanding Korean Webtoon Culture
Book SynopsisThe rise of webtoons has altered the Korean cultural market due to the growth of transmedia storytelling—the flow of a story from the original text to various other platforms, such as films, television, and games. Understanding Korean Webtoon Culture demonstrates the dynamics between structural forces and textual engagement in global media.Trade ReviewAs the first book-length study of webtoons, Jin’s monograph has a lot to offer to scholars and students interested in cultural globalization and media convergence in relation to digital technologies. The book is well-written and a joy to read. Any reader, with or without relative academic background, can benefit from it. -- Haixia Man * International Journal of Communication *
£18.86
Manchester University Press Aesthetic Theory and the Video Game
Book SynopsisThis book analyses video games like Grand Theft Auto and Resident Evil as aesthetic objects. Drawing on philosophical theories of art from Kant to Ranciere, it focuses on what games feel like to players and argues that their appeal can only be adequately understood by relating them to developments in contemporary art and recent cultural history.Trade Review"An established scholar of the sociology of gaming and computers, Kirkpatrick (Univ. of Manchester, UK) argues video games are autonomous cultural forms that should be considered art.""Kirkpatrick positions the aesthetics of video games in interactivity, outside the traditional realm of formal or literary representation.""......adds a distinct, if rather conservative, perspective on video game play to the burgeoning field of game studies."I have yet to encounter a book as extensive and thought-provoking as Aesthetic Theory and the Video Game....Kirkpatrick’s book is an illuminating exploration of how a players body and a game intertwine, or how, “a generation of young men have grown up dancing with their hands.”There is no doubt that this book is important: for the academic theorization of gameplay, aesthetic theory, and cultural studies in its broadest, interdisciplinary or ‘indisiciplined’ manifestations… Rancière is one of a plethora of writers with whom Kirkpatrick artfully weaves propositions and readings of games to accumulate a coherently mapped theory of gaming as an aesthetic cultural practice... I have yet to encounter a book as extensive and thought provoking as Aesthetic Theory and the Video Game.You’ll never look at a controller the same way again after Kirkpatrick explains how we’ve been conditioned to use carefully designed blobs of plastic to influence an image. -- .Table of ContentsAcknowledgementsIntroduction1. The Aesthetic ApproachWhy an aesthetic approach?Play and formForm, taste and societyArt and politicsCulture industry revisited2. Ludology, Space and TimeFrom ergodicity to ludologyGameness and its limitsAbstraction, virtual space and simulacraThe rhythm of suspended timeLudology, narratology and aesthetics3. Controller, Hand, ScreenForm, vision and matterHands and touchThe controllerVideo game imageEmbodied activity and culture4. Games, Dance and GenderDance and artHabitus and embodied playChoreography in ‘Mirror’s Edge’A dance aesthetic Choreography and discourseAesthetics and gender5. Meaning and Virtual WorldsFictional worldnessNeo-baroque entertainment cultureForm and fictional contentDeath and allegoryPlay and mourning6. Political AestheticsUnit operationsRhetoric and persuasionBadiou’s inaestheticsThe ludological truth-eventDancing our way to where?Index
£18.99
Running Press,U.S. Turner Classic Movies Christmas in the Movies
Book SynopsisNow revised and expanded with more beloved films and loads of special features and photos across 70+ pages of new content, this is the must-have viewing guide for the holidays, showcasing the greatest and most beloved Christmas movies of all time. Nothing brings the spirit of the season into our hearts quite like a great holiday movie. Turner Classic Movies' Christmas in the Movies showcases the very best among this uniquely spirited strain of cinema. Each film is profiled on what makes it a 'Christmas movie,' along with behind-the-scenes stories of its production, reception, and legacy. Complemented by a trove of full-color and black-and-white photos, this volume is a glorious salute to a collection of the most treasured films of all time. Among the 35 films included: The Shop Around the Corner, Holiday Inn, Meet Me in St. Louis, It's a Wonderful Life, Mir
£22.50
Rizzoli International Publications Matthew Barney Secondary
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£86.25
Film & Video Umbrella Decoy Jane Prophet
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£9.95
Cambridge University Press The Challenges of BornDigital Fiction
Book SynopsisThis Element argues that when the emulation and migration of born-digital media translate the work's code, it also impacts the edition and version outputted in the process and potentially our experience with the work.
£17.00
Bloomsbury Publishing PLC The Fundamentals of Fashion Filmmaking
Book SynopsisOver the last decade fashion film''s presence has become ubiquitous. From the retail environments where fashion film is projected onto windows and buildings, to the online arenas of fashion brands and labels through to art gallery installations, fashion communication is on the move.With examples from dozens of groundbreaking international films, including QR codes linking to the films online, The Fundamentals of Fashion Filmmaking places fashion film in its broader industry, cultural and historical context. You'll also learn about the process of making fashion film, exploring how it works across multiple technologies, platforms and audiences. Interviews with filmmakers bring together a wealth of industry expertise on everything from storyboarding to finding an audience.Table of Contents1 Introduction: Understanding Fashion Film What Is Fashion Film? The Still Image Fashion’s Digital Image Understanding Fashion: Definitions and Explanations Film as an Expression of Fashion Film: An Integral Part of the Fashion Communication Industry Fashion Film: A Hybrid Genre The Pluralism of Fashion Film Understanding Fashion Film Defining Fashion Film: Fashion as Protagonist In Their Own Words: Diane Pernet In Their Own Words: Nick Knight 2 Fashion Film History Broadcast, Celebrate, Sell: Promoting Fashion through Film Brand Buy-in: Promotional Fashion Film in the Digital Age Experiments with Fashion Film: Poetry and Abstraction Body, Image, Time: Experimental Fashion Dreams in a Digital Age Documenting Fashion on Film: Capturing “The Real” Capturing Reality: Documenting Fashion and Style Post-Digital Slices of Fashion Life Fashion on the Big Screen: Narrative and Storytelling Films of the Moment Post-Millennial Fashion on the Big Screen Hybridizing Fashion: Subculture, Music, and Film Film Fusion: Style, Music, and Subculture In Their Own Words: John Maybury In Their Own Words: Isaac Julien CBE 3 The Contemporary Landscape Growing Status and Visibility for Fashion Film Social Media and Fashion Film Fashion Film and Online Editorial The Fashion Industry and Instagram Fashion Film on the Catwalk Fashion Film in Retail Fashion Film and Music Video In Their Own Words: Katie Baron In Their Own Words: Ian Pons Jewell 4 Trends in Fashion Film The Long and the Short Fashion and Social Responsibility Narrative and Storytelling Spanning Slapstick to Highbrow: From Comedy to Art In Their Own Words: Lernert & Sander Machine Versus the Hand Choreography and Meaningful Movement Documentary and “The Real” In Their Own Words: Declan Higgins In Their Own Words: Alex Turvey 5 So, You Want to Make a Fashion Film? Subject Knowledge and Ideas How to Capture and Catalog Ideas From Inspiration to Research Who Is the Audience? What Is the Message or Story? What Is the Film’s Purpose and Context? What’s the Approach? What’s the Budget? In Their Own Words: Kathryn Ferguson In Their Own Words: Marie Schuller 6 Fashion Filmmaking Creating a Pitch Planning the Production Casting Storyboarding and/or Scripting Locating the Right World: Where Will the Film Be Shot? Hair and Makeup The Big Day Styling: Dressing the Cast Accountability: Completing the Paperwork Post-Production Workflows Editing the Film Working with Music In Their Own Words: Lynden Campbell Sync Audio and Foley Sound In Their Own Words: Sally Cooper Working with Color In Their Own Words: Faith Millin In Their Own Words: Monica Menez In Their Own Words: Edgar Dubrovskiy In Their Own Words: Mark Connell 7 Getting Your Fashion Film Seen Getting Ready to Present a Film Fashion Film Festivals Social Media and Film Dissemination Turning Passion into a Profession Watch Films Practice, Practice, Practice Network and Build Contacts Experience and Knowledge Self-Promotion and Proactivity in the Industry Portfolio Building Build Your Brand with Integrity In Their Own Words: Stephen Whelan 8 Technology’s New Frontiers and the Future of Fashion Film Fashion’s New Realities—and Fantasies Virtual Reality: Immersion and Other Worlds Augmented Reality: Participation and Interaction Mixed Reality: Perception, Illusion, and Magic Fragmentation of Identity: Reality and Superreality In Their Own Words: Anna Radchenko In Their Own Words: Nirma Madhoo In Conclusion Bibliography Further Reading Index
£27.54
Bloomsbury Publishing Plc David Bowie and the Art of Music Video
Book SynopsisThe first in-depth study of David Bowie's music videos across a sustained period takes on interweaving storyworlds of an iconic career. Remarkable for their capacity to conjure elaborate imagery, Bowie's videos provide fascinating exemplars of the artistry and remediation of music video. When their construction is examined across several years, they appear as time-travelling vessels, transporting kooky characters and strange story-world components across time and space. By charting Bowie's creative and collaborative process across five distinct phases, David Bowie and the Art of Music Video shows how he played a vital role in establishing music video as an artform. Filling a gap in the existing literature, this book shines a light on the significant contributions of directors such as Mick Rock, Stanley Dorfman and David Mallet, each of whom taught Bowie much about how to use the form. By examining Bowie''s collaborative process, his use of surrealist strategies and his integration of avant-garde art with popular music and media, the book provides a history of music video in relation to the broader fields of audiovisual media, visual music and art.Trade ReviewIn this wonderful book, Lisa enables us to see and hear the remarkable assemblages that we find in David Bowie’s time-travelling audio-visual work. Art and culture, the aesthetics of fashion and performance, and the politics of race and otherness, are the inter-planetary orbits that are deftly explored through close examination of Bowie’s television, promotional and music video performances. Bowie emerges as a figure who remade himself and recast the artforms that he visited – always alien-like, in flux, thirsting for water that would replenish him and us. A must-read addition to the literature on the Starman who killed and saved the world. * Sean Redmond, Professor of Film and Television, Deakin University, Australia *In David Bowie and the Art of Music Video Lisa Perrott takes us on an entertaining yet scholarly journey through David Bowie’s early music videos, from the pre-fame promos of Love You ‘Till Tuesday in 1969, all the way up to 1983’s global smash Let’s Dance. With thoughtful and satisfying analysis, she drills down through layers of representation and reference, revealing new insights into Bowie’s creative practice. Perrott’s book looks at Bowie’s work with music video as the interconnected, interdisciplinary, richly nuanced body of work that it is. She makes a compelling case for the cultural and scholarly significance of music video as a collaborative, transmedial artform, worthy of deep study. * Leah Kardos, Senior Lecturer in Music, Kingston University, UK, and author of Blackstar Theory (Bloomsbury, 2022) *It’s been a long time coming, but the wait is over! Finally, a book-length study about the music videos of David Bowie. Lisa Perrott has written a comprehensive and thought-provoking study of the music videos of Bowie from the 1969-83 (the sequel, dealing with the later videos is being published this year). This is a significant work that examines the role Bowie played as an avant-garde creator and collaborator who transformed (and helped create) the music video into an art form that generated a dialogue with music, theatre, film, dance, and other artistic forms. The writing is engaging and accessible and Perrott takes the reader on a journey through the cultural, social, and artistic processes that fuelled the mind of this larger-than-life figure and his various personas. It was an utter pleasure diving into the deep analysis of classics such as Space Oddity, Jean Genie, and Ashes to Ashes, while also reading about the intertextual threads that ran across many of the videos across time. This is a must read. * Angela Ndalianis, Professor of Screen and Entertainment Media, Swinburne University of Technology, Australia *Table of ContentsList of figures Acknowledgements Preface 1. The Art of Music Video 2. Traversing Stage and Screen 3. Opening the Third Eye 4. Painting the Truth 5. Future Nostalgia 6. Eclosion Epilogue Bibliography Index
£20.89
Dark Horse Comics,U.S. Miniature Final Fantasy
Book SynopsisRelive classic moments from the Final Fantasy series... only much much smaller.
£17.09
Dark Horse Comics,U.S. Making Of Assassin's Creed: 15th Anniversary, The
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£67.49
Dark Horse Comics,U.S. Art of Assassins Creed Shadows Deluxe Edition
Book SynopsisTwo compelling new protagonists, Naoe - an adept shinobi assassin from Iga Province - and Yasuke - the powerful African samurai of historical renown - emerge from the shadows of 15th Century Japan to discover their common destiny. Along the way, they''re joined and confronted by charismatic characters, will master a variety of weapons and tools, and traverse across dynamic and dangerous Sengoku-era Japanese landscapes - all of which is explored in this comprehensive deluxe edition set. This package includes an exclusive cover treatment that depicts the striking profiles of Naoe and Yasuke, a decorative slipcase, and a portfolio enclosing a gallery-quality print. The Art of Assassin''s Creed Shadows celebrates and chronicles the venerable series'' first foray into the landscape of feudal Japan. Dark Horse Books and Ubisoft have combined their efforts to produce an art book in the tradition of the world-spanning Brotherhood, aiming to satisfy and inspire shinobi assassin and samurai of all generations.
£67.49
Penguin Random House Group The Art of Marvel SNAP
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£37.49
Penguin Random House Group The Art of Cuphead The Delicious Last Course
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£67.49
Manchester University Press Algerian National Cinema
Book SynopsisThis topical and innovative study is the first book on Algerian cinema to be published in English since the 1970s. At a time when North African and Islamic cultures are of increasing political significance, Algerian National Cinema presents a dynamic, detailed and up to date analysis of how film has represented this often misunderstood nation. Algerian National Cinema explores key films from The Battle of Algiers (1966) to Mascarades (2007). Introductions to Algerian history and to the national film industry are followed by chapters on the essential genres and themes of filmmaking in Algeria, including films of anti-colonial struggle, representations of gender, Berber cinema, and filming the ‘black decade’ of the 1990s. This thoughtful and timely book will appeal to all interested in world cinemas, in North African and Islamic cultures, and in the role of cinema as a vehicle for the expression of contested identities. By the author of the critically-acclaimed Contemporary French Cinema.Table of Contents1. An introduction to modern Algerian history and politics2. A brief history of Algerian cinema 3. The war of liberation on screen: trauma, history, myth4. Representing gender: tradition and taboo5. Berber cinema, historical and ahistorical6. After 'Black October': mourning and melancholia7. Screening the 'invisible war'8. Memory and identity: from lost sites to reclaimed images9.Conclusion: Algerian national cinemasFilmographyIndex
£15.19
Design Studio Press Cinematics Storyboard Workshop: Filmmaking
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£12.59
Square Enix Final Fantasy Xiv: Stormblood -- The Art Of The
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£30.39
Square Enix Final Fantasy Xiv: A Realm Reborn -- The Art Of
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£32.29
Square Enix The Art Of Tactics Ogre: Let Us Cling Together
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£30.39
Square Enix Final Fantasy VII Rebirth Poster Collection
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£26.39
Collective Ink Animatic Apparatus, The: Animation, Vitality, and
Book SynopsisUnprecedented kinds of experience, and new modes of life, are now produced by simulations, from the CGI of Hollywood blockbusters to animal cloning to increasingly sophisticated military training software, while animation has become an increasingly powerful pop-cultural form. Today, the extraordinary new practices and radical objects of simulation and animation are transforming our neoliberal-biopolitical “culture of life”. The Animatic Apparatus offers a genealogy for the animatic regime and imagines its alternative futures, countering the conservative-neoliberal notion of life’s sacred inviolability with a new concept and ethics of animatic life.
£9.49
Eastbridge Books Lights! Camera! Kaishi!: In-depth Interviews with
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£18.99
Intellect Books The Poetics of Poetry Film: Film Poetry,
Book SynopsisSet to generate and influence discussions in the field for years to come, this is an encyclopaedic work on the ever-evolving genre of poetry film. It will set the benchmark for all subsequent works on the subject, being the first book of its kind. Poetry films are a genre of short film, usually combining the three main elements: the poem as verbal message; the moving film image and diegetic sounds; and additional non-diegetic sounds or music, which create a soundscape. This book examines the formal characteristics of the poetic in poetry film, film poetry and video poetry, particularly in relation to lyric voice and time. Provides an introduction to the emergence and history of poetry film in a global context, defining and debating terms both philosophically and materially. Examines the formal characteristics of the poetic in poetry film, particularly in relation to lyric voice and time. Includes interviews, analysis and a rigorous and thorough investigation of the poetry film from its origins to the present. This is a very important, groundbreaking work on film poetry. The ideas discussed here are of great importance, and the diversity and breadth of the volume is especially impressive and very useful. This book brings together in one place crucial ideas and information for practitioners, students and academics, and is clearly and accessibly written. Including over 40 contributors and showcasing the work of an international array of practitioners, this will be an industry bible for anyone interested in poetry, digital media, filmmaking, art and creative writing, as well as poetry filmmakers. It explores working practices, processes of collaboration and the mechanisms which make these possible. It also reveals the network of festivals disseminating and theorizing poetry film and presents a compelling bibliography. This is the most incisive and complete analysis of filmic poetry to date. It is poised to become a major text in the field. Essential reading for academics teaching poetry filmmaking, moving image, film, media and media poetry, writing and art. Undergraduate and postgraduate students in those fields. Great potential for textbook adoption. Also relevant to poets, filmmakers, visual artists, graphic artists and theorists, filmmakers, screenwriters, art historians, philosophers, cultural commentators, arts journalists.Trade Review'Sarah Tremlett’s The Poetics of Poetry Film is a unique and extraordinary contribution to this vibrant field of expression. Her landmark volume elegantly articulates the conceptual foundations, language, grammar, and vocabulary of poetry film and its cognate forms; delivers a concise and incisive history of the genre, and introduces students, practitioners and scholars to the field’s contemporary pioneers, methods of making, and varied narrative forms. Laden with rich and provocative illustration and example, The Poetics of Poetry Film functions as Bible, Guide to the Perplexed, and indispensable reference, fluidly integrating interviews with and notes by forty contributors into a coherent and beautifully structured progression. This book—a wonder in its variety, complexity, and ambition—is a superb read.' -- Marc Zegans, poet, poetry film and immersive theatre artist'The sentence on the cover says it all for me. Hard to believe it’s been more than 50 years since Sympathies of War, my first videopoem. I’m thankful that a book like this, the first of its kind, of its sheer scope, finally exists and humbled that I had a part to play in the flowering of a new genre of poetry. No one better than the indefatigable doyenne of videopoems, my good friend Sarah Tremlett to make it come true.' -- Tom Konyves, videopoet and theorist'This is an encyclopaedic, groundbreaking manuscript on an area of film production that definitely needs more attention, and stands to be the book to surpass for quite some time; the author knows her territory intimately ... It is the most incisive and complete analysis of filmic poetry to date; it’s very diverse, includes women, minorities and transgender filmmakers, and Tremlett's descriptions of the films, and the intent of the filmmaker poets, and is both accessible and clearly written. This is a sharp, up to the minute manuscript on the bleeding edge of film criticism. ... A book exploding with dazzling, evocative images and trenchant analysis.' -- Gwendolyn Audrey Foster, Willa Cather Professor of English & Film Studies, University of Nebraska–Lincoln'This is a gem of a book. It brings together in one place crucial ideas and information for practitioner and academic. I wish very much that it had been available when I found my way into videopoetry ... Considering the scope of the subject matter, what has been achieved here in terms of clarifying and anatomizing is remarkable.' -- Dr Meriel Lland, writer, photographer and film-artist‘I loved reading this book. The Poetics of Poetry Film is an amazing resource for scholars and everyone interested in contemporary poetry.’ -- Dr Rebecca Kosick, Senior Lecturer in Translation and co-director of the Bristol Poetry Institute in the School of Modern Languages, University of Bristol'An exhaustive study of Video Poetry by the remarkable Sarah Tremlett and over 40 contributors! I was fortunate enough to have read with Sarah at the Bury Text Festival and found her work to be amazing. She also appears in an issue of Ekleksographia edited by Judith Skillman. I recognize some names among the pioneers of the movement, including the Polypoet Enzo Minarelli. Congrats on this fantastic book! This is really wonderful!' -- Jesse Glass, American poet, artist, folklorist and Professor of American Literature at Meikai University, Japan.'Sarah Tremlett’s The Poetics of Poetry Film: Film Poetry, Videopoetry, Lyric Voice, Reflection offers a breathtaking range of glimpses at the historical flashpoints, formal anatomy, and major and minor contemporary makers and trends in what Tremlett alternately calls film poems and poetry film (and their sister, video poetry). [...] The book is impressively comprehensive in its representation and acknowledgment of the wide diversity of formal experiments and elements that constitute the history and present of “poetry film,”. [...] The Poetics of Poetry Film should serve as an important resource for scholars and filmmakers interested in contemporary aesthetic trends in this interdisciplinary field. It also offers an important archive of festivals and conferences on poetry film through its inclusion of interviews with festival organizers and writings by contemporary filmmakers working at the intersection of poetry and film.' -- Rebecca A. Sheehan, Projections: The Journal for Movies and MindTable of ContentsIllustrations Foreword Valerie LeBlanc Preface xix Introduction: Poetry, Song, Philosophy – The Combined Lyric Aesthetic PART ONE: FORM AND STRUCTURE 1. Terminology across Time 2. Realization and Structure 3. Voice and Narrative 4. Time and Mind 5. Constructing Dynamic Spatio- Temporality 6. Tonality, Light and Colour 7. Sound Design 8. Poet on Screen: Persona and Subjectivity PART TWO: ARTISTS’ VOICES 9. Contemporary Pioneers George Aguilar Enzo Minarelli Enzo Minarelli Tom Konyves Javier Robledo Peter Todd Valerie LeBlanc and Daniel H. Dugas Stuart Pound and Rosemary Norman Rosemary Norman Stuart Pound Heather Haley Thomas Zandegiacomo del Bel Zata Banks Gabrielė Labanauskaitė Dave Bonta Alastair Cook Marc Neys 10. Making Chaucer Cameron Marie Craven Lucy English Ian Gibbins Jane Glennie Suzie Hanna Kate Jessop Adeena Karasick Martha McCollough Matt Mullins Adele Myers Charles Olsen Caleb Parkin and Helmie Stil Helmie Stil Caleb Parkin Maciej Piatek Dave Richardson Othniel Smith Howard Vause Susanne Wiegner 11. Poetry Film and Videopoetry in Portugal and Spain: Alive and Thriving Charles Olsen Alexandre Braga Manuel Vilarinho Eduardo Yagüe Tarha Erena Alejandro Céspedes Celia Parra Jordan T. Caylor Belén Gache Santiago Parres Lola López- Cózar Agustín Fernández Mallo David Argüelles Redondo Ángel Guinda and Sándor M. Salas 12. Experimental Poetry in Argentina from the 1960s to the 1990s: Political Voice and Prefiguring the Turn to Digital Literature and Video Poetry Marisol Bellusci 13. Liberated Words: Developing a Poetry Film Festival and Workshops Butterflies Haven Workshop Helen Moore Howard Vause PART THREE: SELECTED NARRATIVE FORMS 14. Collections John D. Scott 15. Text- on- Screen 16. Video Haiku and Video Haiga Katia Viscogliosi and Francis Magnenot Judy Kendall 17. A Documentary Approach to Poetry Film 18. Dance and Movement Helen Mort 19. The Ecopoetry Film Meriel Lland Janet Lees Janet Lees Helen Moore and Howard Vause Helen Moore Overview Examples of Leading Poetry Film Festivals References Artists and Authors Index
£38.00
Archaeopress The Past as a Digital Playground: Archaeology,
Book SynopsisThe Past as Digital Playground: Archaeology, Virtual Reality, and Video Games collects the contributions to a two-day conference which illustrate a digital project developed at the Archaeological and Technological Park of Poggibonsi (Siena, Tuscany), where Virtual Reality and an educational video game are being used to enhance the archaeological content deriving from the excavation of the medieval site. In recent decades, digital technologies have pervaded every aspect of the production of archaeological knowledge, from data collection to analysis and interpretation, to interaction with the public. The increasing convenience of 3D and interactive technologies has led to a proliferation of digital tools (VR, AR, mobile applications) used to communicate the past in a more engaging way, offering the public an experience that takes place largely outside of the traditional channels. Alongside the experience at Poggibonsi, the book also gathers important contributions originating from other Italian and international case studies in the fields of digital technologies applied to archaeological heritage.Table of ContentsIndice ; Introduzione – Stefano Bertoldi, Samanta Mariotti ; (Re)living Vindolanda: Designing Educational Computer Games for Outdoor Environments – Barbara Birley, Richard Davison, Claire Stocks ; Virtual Neapolis. Un’esperienza di visita immersiva in VR per le vie di Napoli – Francesco Gabellone, Maria Chiffi ; Virtual tour di Poggio Bonizio: teoria, tecnologia e applicazioni dalla grafica 3d alla VR – Stefano Bertoldi ; Designing video games for history classrooms – Juan Hiriart ; Archeologia, interazione, gioco: come il digitale ha mutato la disciplina. L’osservatorio di Archeovirtual – Augusto Palombini ; Hold the Hut, il progetto di valorizzazione della capanna arcaica di San Chirico Nuovo (Potenza, Basilicata) – Sabrina Mutino, Lucia Colangelo, Michele Scioscia ; A video game for the Archaeological Park of Poggibonsi (Italy). Towards new promotional and educational trends: potentials, challenges, and perspectives – Samanta Mariotti ; Tavola rotonda moderata da Stefano Bertoldi – Marco Valenti, Nicola Berti, Federico Salzotti, Maurizio Amoroso ; La “fine” ed un nuovo inizio: il Metaverso in archeologia – Stefano Bertoldi, Samanta Mariotti
£27.55
University of Wales Press Queer for Fear: Horror Film and the Queer
Book SynopsisQueer for Fear analyses the relationship queer people have to horror film, building upon decades of theory that previously emphasised horror’s queerness as being subtextual, allegorical and figurative. This groundbreaking interdisciplinary empirical study of the LGBTQ+ community not only offers the first inclusive understanding of the horror-loving queer spectator’s opinions, habits and tastes, but also evidences how and why queers have a distinctive relationship to horror. Leveraging original survey data, in-depth oral histories and theory, Petrocelli evidences that queer people have ontological connections to the horror genre, and concludes that horror is queer to the queer spectator. This study also establishes that queer spectators actively engage with horror to work through their trauma, knowingly have a camp relationship to horror, and joyously commune through horror screenings featuring drag performance. Queer for Fear is an overdue contribution to the fields of queer, film, horror, trauma, camp and live cinema studies.
£57.00
Film & Video Umbrella Portraits
Book SynopsisPortraiture has always been a feature of Roderick Buchanan's photographic and film and video work. This survey publication, released to coincide with the artist's solo exhibition at Camden Arts Centre, London, in 2005, traces a number of portrait pieces produced over the course of a career spanning over fifteen years and includes a keynote essay by critic Jan Verwoert.Encompassing classic early photo-series such as Coast to Coast Dennistoun', and Yankees' (1996) and ending on recent film works such as Harriers' (2002) and History Painting' (2005), the book presents a collection of faces, highlighting Buchanan's preoccupation with the codes and iconographies of cultural allegiance and identity and his equally insistent focus on the individual subject as part of a wider field of social and cultural relationships. ?Published in association with the British Council.
£10.00
3DTotal Publishing Ltd Character Design Quarterly 18
Book SynopsisCharacter Design Quarterly (CDQ) is a lively, creative magazine bringing inspiration, expert insights, and leading techniques from professional illustrators, artists, and character art enthusiasts worldwide. Each issue provides detailed tutorials on creating diverse characters, enabling you to explore the processes and decision making that go into creating amazing characters. Learn new ways to develop your own ideas, and discover from the artists what it is like to work for prolific animation studios such as Disney, Warner Bros., and DreamWorks. The cover of issue 18 comes from animation character designer and art director Max Ulichney, who creates fun, production-worthy characters, and scenes with bold cinematography at the forefront. Also in this awesome issue, we speak to the directors of Panimation Studio and learn how to redesign classic characters with hugely popular artist Marta García Navarro.
£10.45
3DTotal Publishing Ltd The Art of Pascal Campion
Book SynopsisIllustrator Pascal Campion shares his professional journey, galleries of work, and narrative-influenced tutorials, with charming art inspired by family life.It was after graduating in 2000 from the Arts Decoratifs de Strasbourg, France, with a diploma in Narrative Illustration, Pascal’s brother built him a computer. This was a new tool for Pascal and a digital artist was born. Roles in commercial art, animation, games, concept design, visual development and more have supplied Pascal with unique experience and skills to share with 3dtotal readers. He has freelanced for several prestigious clients on exciting projects. But it was his Sketch of the Day project (every morning, first thing, he creates a full-color sketch and story) that helped him to build his Instagram account. More than 860K fans follow Pascal’s daily comic strip stories, with characters and stories inspired by his work and family life. This discipline combined with the ability to communicate with such relatable and charming spontaneity will fascinate readers. Pascal digs deep to pinpoint how his style and skills have evolved, helped by galleries of work past and present, including exclusives created just for this book. Tutorials with tips on storytelling, creating ambiance, and channelling personal experience will delight artists who want to pursue the storytelling side of their art.
£27.00
3DTotal Publishing Ltd Golden Hour
Book SynopsisGolden Hour: The Art of Raide is the debut art book from popular self-taught digital illustrator Raide. This unique book allows readers behind-the-scenes insight into the artist’s creative process, including the tools and techniques she uses to create her stunning portraits and whimsical scenes.Driven by her passion for character art, Raide has collaborated with big industry names such as Clip Studio Paint, XP-Pen, Huion, and HarperCollins. Fans will also know that Raide creates popular online art courses on Domestika, and in this book, they will discover brand-new tutorials and studies that focus on some of her many artistic strengths, such as lighting and expression. Readers will also be able to follow her early creative years, from education to her first professional steps, and learn about what it takes to become a social-media success. Thanks to its high-quality finish and beautiful image-focused design, Golden Hour is a keepsake art book to treasure for
£27.00
Dancing Foxes Press A.K. Burns: Negative Space
Book SynopsisChronicling an epic multimedia project 10 years in the making, A.K. Burns’ first monograph grapples with climate change, community and sociopolitical agency Deploying science fiction, material feminism, eco-anarchism, queer theory and technoscience, New York–based artist A.K. Burns (born 1975) explores the fraught relationships between humanity and nature in an epic multimedia work, Negative Space (2015–23). This nonlinear allegory provokes questions about marginalized bodies, environmental fragility and technology. Developed as a cycle of four video installations, Negative Space imagines new relationships to the spaces we occupy and the impact of our bodies in these spaces through imagery, research and critical and creative writings. Set in a speculative present, the tetralogy envisions a new materialist cosmology wherein hierarchical relations are transformed.
£24.30
Viz Media, Subs. of Shogakukan Inc Star Wars: Tribute to Star Wars
Book SynopsisForty-five of Japan’s leading manga artists illustrate Star Wars!Explore the galaxy through the beautiful artwork of 45 outstanding Japanese manga artists and illustrators, including Akira Himekawa, Kamome Shirahama, and Taiyo Matsumoto.Celebrating the universal appeal of these iconic characters and their timeless stories, this collection presents each artist’s unique tribute to the Star Wars universe and is a must-have for fans of Star Wars and manga alike!
£16.99
Poursuite editions The Third Atlas
Book Synopsis
£31.50
Pie International Seekers
Book Synopsis
£19.54
Pie Intl Inc Kusamori Shuichi Animation Artworks
£67.50
Geijutsu Shimbun-Sha Co., Ltd. TOKYO GENSO ART WORKS II
Book Synopsis
£23.99
Leuven University Press Francis Alys. The Nature of the Game
Book SynopsisThe first multidisciplinary analysis of one of the most impactful and popular contemporary artworks of recent years.In 1999, a short video of a solitary boy kicking an empty bottle up a hill in Mexico City became the first instalment of Children’s Games, a series of works by artist Francis Alÿs (b. Antwerp, 1959). The ongoing project, which now numbers around thirty-five works, has gradually given shape to an extensive collection of videos of children at play. For almost twenty-five years, Alÿs and his collaborators Félix Blume, Julien Devaux, and Rafael Ortega have been travelling around the world to document the distinctive ways in which children interact with each other and their physical environment. They have gone from remote villages in the Democratic Republic of the Congo, Afghanistan, Venezuela, and Nepal to the mountains of Switzerland and metropoles like Hong Kong and Paris, but have also visited the war-torn city of Mosul in Iraq, the border between Mexico and the United States, and the strait of Gibraltar that divides Africa and Europe. The resulting images are standing proof of the seriousness of play and of children’s stunning powers of resilience in the face of conflict.This volume provides a multidisciplinary perspective to the many layers of Children’s Games. It includes an interview with Francis Alÿs and Rafael Ortega, a series of essays by well-known scholars and art critics, curatorial statements, and a logbook related to the presentation of Children’s Games at the Venice Biennale of 2022.Contributors: Francis Alÿs (artist), Gerard-Jan Claes (filmmaker, artistic director of Sabzian), Tim Ingold (anthropologist, University of Aberdeen), Zeynep Kubat (art historian, curator and writer), Karen Lang (art historian, Royal Society of Arts), Rafael Ortega (artist), Rodrigo Perez de Arce (architect, Pontificia Universidad Católica de Chile), Juan Martín Pérez García (Network for the Rights of Children in Mexico (REDIM), Giulio Piovesan (journalist and photographer), John Potter (media education, University College London), Virginia Roy (curator at the University Museum of Contemporary Art of the National Autonomous University of Mexico), Stéphane Symons (professor of philosophy, KU Leuven), Hilde Teerlinck (Han Nefkens Foundation /curator of the Belgian Pavilion at the Venice Art Biennale 2022).Ebook available in Open Access.Table of ContentsPrefaceFrancis Alÿs. The Nature of the Game Gerard-Jan Claes and Stéphane SymonsInterview with Francis Alÿs and Rafael Ortega, Nov. 9, 2022 Gerard-Jan Claes and Stéphane SymonsChildren’s Games. A Reflection on the Work of Francis Alÿs Tim IngoldFrancis Alÿs. Children’s Games Karen LangNot a Playground Rodrigo Pérez de Arce AntoncicA Space to Play Zeynep KubatEntering the Game Virginia RoyThe Right to Play Juan Martín Pérez GarciaThe Echo of the Children’s Games Hilde TeerlinckCurating Connection and Cultural Memory. Reflections on an Encounter with The Nature of the Game at the Venice Biennale in 2022 John PotterSharing the Game Giulio PiovesanIllustration Credits Acknowledgements
£27.55
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Pentagram Design Ltd Watch This Space [Second Edition]: 2
Book Synopsis
£19.95
Chicago Review Press A Long Time Ago in a Cutting Room Far, Far Away:
Book Synopsis"For its sheer excellence, diversity, and cultural impact, Paul Hirsch's filmography speaks for itself. They say a film is made in the editing room, and this book is easily the most comprehensive, revelatory, and illuminating account of this essential cinematic art. A must-read for both the casual moviegoer and the serious cinephile alike." —Mark HamillA Long Time Ago in a Cutting Room Far, Far Away provides a behind-the-scenes look at some of the most influential films of the last fifty years as seen through the eyes of Paul Hirsch, the Oscar-winning film editor who worked on such classics as George Lucas’s Star Wars and The Empire Strikes Back, Brian De Palma’s Carrie and Mission: Impossible, Herbert Ross’s Footloose and Steel Magnolias, John Hughes’s Ferris Bueller’s Day Off and Planes, Trains & Automobiles, Joel Schumacher’s Falling Down, and Taylor Hackford’s Ray. Hirsch breaks down his career movie by movie, offering a riveting look at the decisions that went into creating some of cinema’s most iconic scenes. He also provides behind-the-scenes insight into casting, directing, and scoring and intimate portraits of directors, producers, composers, and stars.Part film school primer, part paean to legendary filmmakers and professionals, this funny and insightful book will entertain and inform aficionados and casual moviegoers alike.Trade Review"Paul Hirsch, a master of his craft, has written an intelligent, perceptive, compelling memoir of his editing life, from the late '60s through today. From the heights of Star Wars to the depths of Pluto Nash , if you want to know how the sausage is cut, this is the book for you. I should know, I was with him in the beginning and through our misadventure to Mars. Congratulations, Paul, for remembering all the things we forgot." Brian De Palma"It shouldn't be surprising that a great storyteller can tell great stories. From the man in the (cutting) room where it happened on many of our favorite films comes a glorious piece of work that makes you feel that you were there yourself. How do I feel about this book? Not 'ipsy-pipsy.' If you want to decipher that, read it!" J.J. Abrams"Paul's written a terrific expert's view of the editing process, which I believe will be an important technical and historical narrative for future filmmakers and film lovers." Taylor Hackford"Storyteller and showman, film editor Paul Hirsch narrates the ups and downs of his fifty-year career on the jungle gym of cinema with fascinating inside-the-boiler-room tales of how classic hits and flops were constructedand deconstructed. Jaw-dropping tales of working with George Lucas on Star Wars and The Empire Strikes Back and on eleven Brian De Palma films ( Carrie , Phantom of the Paradise , etc.). Paul's invaluable tips and insights, hard won through experience, will brilliantly illuminate the creative process for aspiring filmmakers and enthusiasts alike." Walter Murch"For its sheer excellence, diversity, and cultural impact, Paul Hirsch's filmography speaks for itself. They say a film is made in the editing room, and this book is easily the most comprehensive, revelatory, and illuminating account of this essential cinematic art. A must-read for both the casual moviegoer and the serious cinephile alike." Mark Hamill"Veteran Hollywood film editor Hirsch's memoir overflows with fascinating insights and anecdotes" Publishers Weekly"The stories and insights from a veteran editor will appeal to cinephiles and anyone looking to learn more about the craft." Booklist"Mr. Hirsch paints a vivid picture of the crucial work done by film editors." Wall Street JournalTable of ContentsIntroduction ix 1. My First Hit: Carrie 1 2. Ten Years Earlier 18 3. My First Feature Film 26 4. Back to Trailers 32 5. My Next Big Break: Benny 35 6. Phantom and Its Horrors 50 7. Obsession 61 8. Star Wars 76 9. The Fury 124 10. King of the Gypsies and Home Movies 129 11. The Empire Strikes Back 146 12. Blow Out 163 13. The Black Is Back 169 14. Footloose in L.A. 178 15. Protocol 196 16. Ferris Bueller’s Day Off 201 17. The Secret of My Success 212 18. Planes, Trains & Automobiles 217 19. Steel Magnolias 227 20. I Become a Studio Bigwig 241 21. Falling Down 255 22. The Trouble with Trouble 264 23. Mission: Impossible 275 24. Mighty Joe Young 286 25. Mission to Mars 292 26. Pluto Nash 300 27. Lean Times 304 28. Ray 307 29. A Fallow Stretch 316 30. Back to the Big Time 322 31. The Elder Statesman 340 Postscript 347 Acknowledgments 351 Index 355
£17.95
Art Gallery of Hamilton and Smithsonian National Museum of the American Indian Shelley Niro: 500 Year Itch
Book Synopsis
£31.19
Dark Horse Comics,U.S. The Art Of Halo Infinite
Book Synopsis
£29.63
Penguin Random House Group NieR Poster Collection
£32.63
Phaidon Press Ltd Internet_Art: From the Birth of the Web to the
Book SynopsisA leading figure in the world of networked culture explores the artists and events that defined the mass medium of our time Since 1989, the year the World Wide Web was born, the art world has grappled with the rise of networked culture. This unprecedented survey of the artists and innovators in this area from 1989 to today is interwoven with the personal narrative of one of the leading voices on the digital world. In this book, Omar Kholeif, whose prolific career parallels the growth of the internet, tells the story of this mass medium and how it has fostered new possibilities for artists, both analog and digital. The book showcases work spanning a range of media from legendary artists including Lawrence Abu Hamdan, Lynn Hershman Leeson, Nam June Paik, Heather Phillipson, and Wu Tsang. Tracing the key artists and innovators from the emergence of browser-based art to the dawn of NFTs, this is a tale for the present and the future.Trade Review ‘A deep dive into the moments that have defined art within the digital age.’ – HYPEBEAST‘Omar Kholeif’s INTERNET_ART explores how our cyberreality has shaped creative consumption since the 1960s. Alienation from the self, in Kholeif’s telling, is art’s new crisis. I await [their] sequel 20 years hence.’ – New York Times‘Not a conventional survey in any sense, [Internet_Art] zips between Roy Ascott’s computer-based art of the early ’80s and the recent NFT craze of the past two years, stopping at various points in between to consider works [by] many other giants of the trajectory.’ – ARTnews‘[Internet_Art] tells the story of digital culture as never before told ... Dr. Kholeif successfully manages to spotlight the underrepresented voices in digital culture, particularly those who documented it [since] 1989.’ – Hypebae ‘Informative and fast-moving … Kholeif’s takes on how art can change (and be changed by) technology are shrewd. Art historians and those interested in contemporary art will find much to gain.’ – Publishers Weekly‘An accessible and enjoyable experience … Kholeif is your personal guide on a fast-paced voyage through time and cyberspace. The content in Internet_Art is thorough, comprehensive and up-to-the-minute. No stone is left unturned.’ – Aesthetica‘This will be an enlightening, intellectual ride through how the most important technological development of our time fuelled and finessed art around the world. For others, it will be a David Foster Wallace doom scroll, navel-gazing at its own anxiety spiral.‘ – New York Journal of Books'Kholeif makes a compelling case for paying special attention to artists’ voices as this great debate [about the internet] unfolds.' – Los Angeles Review of Books‘Compulsively readable and relatable. Internet_Art is a remarkable feat—a field guide and a meta-exhibition catalogue of human history. It is a rightfully gilded portrait of our less-than-gilded era.’ – Prof. Bruce Jenkins, Professor of Film, Video, New Media, and Animation at the School of the Art Institute of Chicago and co-author, Andy Warhol Film Catalogue Raisonne‘In Internet_Art , Omar Kholeif expertly traces the history of art in the networked age. Revealing new insights throughout, the author examines the work of those who contextualize and proliferate art—the individuals who far too often are overlooked.’ – Jay Mollica, Director of Digital Engagement, Perez Art Museum, Miami ‘Part memoir, part social history, this book is akin to a piece of travel writing through the internet, meeting a host of artists who challenge and make visible what the internet is, or could be. The World Wide Web is a territory we all surf, but have not experienced with the specificity or breadth of Omar Kholeif’s very personal account. There are caleidoscopic jewels all over this.’ – Khalid Abdalla, actor, activist and filmmaker‘More than a history of internet art, Kholeif has woven a vivid autobiographical tapestry. In the patterns and cultural shifts of the past three decades, they find the beauty and bravery that marked this era of experimentation.’ – Prof. Kate Crawford, author of Atlas of AI‘Outstandingly charming and insightful.’ – Prof. Roy Ascot, Artist; Founding President of the Planetary Collegium, Emeritus Professor of Technoetic Arts Plymouth University, and the De Tao Master of Technoetic Arts at the DeTao Masters Academy, Shanghai‘Kholeif has authored a memoir that seeks to challenge perceptions of representation as much as a field guide to the world of all things digital.’ – Osman Yousefzada, Artist and author of The Go-Between ‘There's no way A.I. could have written this book. It took Kholeif's genuine intelligence and their broad knowledge of recent history to make sense of something that most often feels unstructured and random.’ – Douglas Coupland, Author of Generation X, JPod, and Bit Rot‘Omar Kholeif's innovative act of storytelling brings a subterranean history of artists' endeavors to light, revealing the basis for and pointing towards the future of the most relevant themes in contemporary culture. An absolutely essential guide.’ – Trevor Paglen, Artist, author, and MacArthur "Genius" Fellow‘An essential guide and companion to what will undoubtedly be our century's most transformative journey. A gifted writer and cultural commentator, Kholeif's personal odyssey gives form and insight to the contours of a cultural landscape whose further shores have yet to be defined.’ – Neville Wakefield, Writer, Curator; Artistic Director, Desert X‘Not a standard compendium ... but an altogether odder, more intimate affair … Kholeif is adept and entertaining at showing internet art not as a school of art but work of any type characterised by its ‘knowing awareness of the networked nature of our collective culture (be that cat memes or revolutions, fake news or Twitter mobs.’ – Oliver Basciano, Art Quarterly
£25.46
Phaidon Press Ltd CryptoPunks
Book Synopsis
£63.96
Arnoldsche Art Publishers Fabian Gatermann
£25.20
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