Description

Book Synopsis
"For its sheer excellence, diversity, and cultural impact, Paul Hirsch's filmography speaks for itself. They say a film is made in the editing room, and this book is easily the most comprehensive, revelatory, and illuminating account of this essential cinematic art. A must-read for both the casual moviegoer and the serious cinephile alike." —Mark Hamill

A Long Time Ago in a Cutting Room Far, Far Away provides a behind-the-scenes look at some of the most influential films of the last fifty years as seen through the eyes of Paul Hirsch, the Oscar-winning film editor who worked on such classics as George Lucas’s Star Wars and The Empire Strikes Back, Brian De Palma’s Carrie and Mission: Impossible, Herbert Ross’s Footloose and Steel Magnolias, John Hughes’s Ferris Bueller’s Day Off and Planes, Trains & Automobiles, Joel Schumacher’s Falling Down, and Taylor Hackford’s Ray.

Hirsch breaks down his career movie by movie, offering a riveting look at the decisions that went into creating some of cinema’s most iconic scenes. He also provides behind-the-scenes insight into casting, directing, and scoring and intimate portraits of directors, producers, composers, and stars.

Part film school primer, part paean to legendary filmmakers and professionals, this funny and insightful book will entertain and inform aficionados and casual moviegoers alike.

Trade Review
"Paul Hirsch, a master of his craft, has written an intelligent, perceptive, compelling memoir of his editing life, from the late '60s through today. From the heights of Star Wars to the depths of Pluto Nash , if you want to know how the sausage is cut, this is the book for you. I should know, I was with him in the beginning and through our misadventure to Mars. Congratulations, Paul, for remembering all the things we forgot." Brian De Palma
"It shouldn't be surprising that a great storyteller can tell great stories. From the man in the (cutting) room where it happened on many of our favorite films comes a glorious piece of work that makes you feel that you were there yourself. How do I feel about this book? Not 'ipsy-pipsy.' If you want to decipher that, read it!" J.J. Abrams
"Paul's written a terrific expert's view of the editing process, which I believe will be an important technical and historical narrative for future filmmakers and film lovers." Taylor Hackford
"Storyteller and showman, film editor Paul Hirsch narrates the ups and downs of his fifty-year career on the jungle gym of cinema with fascinating inside-the-boiler-room tales of how classic hits and flops were constructedand deconstructed. Jaw-dropping tales of working with George Lucas on Star Wars and The Empire Strikes Back and on eleven Brian De Palma films ( Carrie , Phantom of the Paradise , etc.). Paul's invaluable tips and insights, hard won through experience, will brilliantly illuminate the creative process for aspiring filmmakers and enthusiasts alike." Walter Murch
"For its sheer excellence, diversity, and cultural impact, Paul Hirsch's filmography speaks for itself. They say a film is made in the editing room, and this book is easily the most comprehensive, revelatory, and illuminating account of this essential cinematic art. A must-read for both the casual moviegoer and the serious cinephile alike." Mark Hamill
"Veteran Hollywood film editor Hirsch's memoir overflows with fascinating insights and anecdotes" Publishers Weekly
"The stories and insights from a veteran editor will appeal to cinephiles and anyone looking to learn more about the craft." Booklist
"Mr. Hirsch paints a vivid picture of the crucial work done by film editors." Wall Street Journal

Table of Contents
Introduction ix
1. My First Hit: Carrie 1
2. Ten Years Earlier 18
3. My First Feature Film 26
4. Back to Trailers 32
5. My Next Big Break: Benny 35
6. Phantom and Its Horrors 50
7. Obsession 61
8. Star Wars 76
9. The Fury 124
10. King of the Gypsies and Home Movies 129
11. The Empire Strikes Back 146
12. Blow Out 163
13. The Black Is Back 169
14. Footloose in L.A. 178
15. Protocol 196
16. Ferris Bueller’s Day Off 201
17. The Secret of My Success 212
18. Planes, Trains & Automobiles 217
19. Steel Magnolias 227
20. I Become a Studio Bigwig 241
21. Falling Down 255
22. The Trouble with Trouble 264
23. Mission: Impossible 275
24. Mighty Joe Young 286
25. Mission to Mars 292
26. Pluto Nash 300
27. Lean Times 304
28. Ray 307
29. A Fallow Stretch 316
30. Back to the Big Time 322
31. The Elder Statesman 340
Postscript 347
Acknowledgments 351
Index 355

A Long Time Ago in a Cutting Room Far, Far Away:

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    Order before 4pm today for delivery by Wed 24 Jun 2026.

    A Paperback / softback by Paul Hirsch

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      View other formats and editions of A Long Time Ago in a Cutting Room Far, Far Away: by Paul Hirsch

      Publisher: Chicago Review Press
      Publication Date: 04/05/2021
      ISBN13: 9781641605243, 978-1641605243
      ISBN10: 1641605243

      Description

      Book Synopsis
      "For its sheer excellence, diversity, and cultural impact, Paul Hirsch's filmography speaks for itself. They say a film is made in the editing room, and this book is easily the most comprehensive, revelatory, and illuminating account of this essential cinematic art. A must-read for both the casual moviegoer and the serious cinephile alike." —Mark Hamill

      A Long Time Ago in a Cutting Room Far, Far Away provides a behind-the-scenes look at some of the most influential films of the last fifty years as seen through the eyes of Paul Hirsch, the Oscar-winning film editor who worked on such classics as George Lucas’s Star Wars and The Empire Strikes Back, Brian De Palma’s Carrie and Mission: Impossible, Herbert Ross’s Footloose and Steel Magnolias, John Hughes’s Ferris Bueller’s Day Off and Planes, Trains & Automobiles, Joel Schumacher’s Falling Down, and Taylor Hackford’s Ray.

      Hirsch breaks down his career movie by movie, offering a riveting look at the decisions that went into creating some of cinema’s most iconic scenes. He also provides behind-the-scenes insight into casting, directing, and scoring and intimate portraits of directors, producers, composers, and stars.

      Part film school primer, part paean to legendary filmmakers and professionals, this funny and insightful book will entertain and inform aficionados and casual moviegoers alike.

      Trade Review
      "Paul Hirsch, a master of his craft, has written an intelligent, perceptive, compelling memoir of his editing life, from the late '60s through today. From the heights of Star Wars to the depths of Pluto Nash , if you want to know how the sausage is cut, this is the book for you. I should know, I was with him in the beginning and through our misadventure to Mars. Congratulations, Paul, for remembering all the things we forgot." Brian De Palma
      "It shouldn't be surprising that a great storyteller can tell great stories. From the man in the (cutting) room where it happened on many of our favorite films comes a glorious piece of work that makes you feel that you were there yourself. How do I feel about this book? Not 'ipsy-pipsy.' If you want to decipher that, read it!" J.J. Abrams
      "Paul's written a terrific expert's view of the editing process, which I believe will be an important technical and historical narrative for future filmmakers and film lovers." Taylor Hackford
      "Storyteller and showman, film editor Paul Hirsch narrates the ups and downs of his fifty-year career on the jungle gym of cinema with fascinating inside-the-boiler-room tales of how classic hits and flops were constructedand deconstructed. Jaw-dropping tales of working with George Lucas on Star Wars and The Empire Strikes Back and on eleven Brian De Palma films ( Carrie , Phantom of the Paradise , etc.). Paul's invaluable tips and insights, hard won through experience, will brilliantly illuminate the creative process for aspiring filmmakers and enthusiasts alike." Walter Murch
      "For its sheer excellence, diversity, and cultural impact, Paul Hirsch's filmography speaks for itself. They say a film is made in the editing room, and this book is easily the most comprehensive, revelatory, and illuminating account of this essential cinematic art. A must-read for both the casual moviegoer and the serious cinephile alike." Mark Hamill
      "Veteran Hollywood film editor Hirsch's memoir overflows with fascinating insights and anecdotes" Publishers Weekly
      "The stories and insights from a veteran editor will appeal to cinephiles and anyone looking to learn more about the craft." Booklist
      "Mr. Hirsch paints a vivid picture of the crucial work done by film editors." Wall Street Journal

      Table of Contents
      Introduction ix
      1. My First Hit: Carrie 1
      2. Ten Years Earlier 18
      3. My First Feature Film 26
      4. Back to Trailers 32
      5. My Next Big Break: Benny 35
      6. Phantom and Its Horrors 50
      7. Obsession 61
      8. Star Wars 76
      9. The Fury 124
      10. King of the Gypsies and Home Movies 129
      11. The Empire Strikes Back 146
      12. Blow Out 163
      13. The Black Is Back 169
      14. Footloose in L.A. 178
      15. Protocol 196
      16. Ferris Bueller’s Day Off 201
      17. The Secret of My Success 212
      18. Planes, Trains & Automobiles 217
      19. Steel Magnolias 227
      20. I Become a Studio Bigwig 241
      21. Falling Down 255
      22. The Trouble with Trouble 264
      23. Mission: Impossible 275
      24. Mighty Joe Young 286
      25. Mission to Mars 292
      26. Pluto Nash 300
      27. Lean Times 304
      28. Ray 307
      29. A Fallow Stretch 316
      30. Back to the Big Time 322
      31. The Elder Statesman 340
      Postscript 347
      Acknowledgments 351
      Index 355

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