Digital, video and new media arts Books

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Book SynopsisIn 2018 the National Portrait Gallery, the National Gallery and the Royal Academy of Arts will host major exhibitions of the work of Tacita Dean. Each will provide a different encounter with her art. This book brings together new and existing works from all three exhibitions - LANDSCAPE, PORTRAIT, STILL LIFE - with texts offering a unique insight into Dean's work by leading writers including Alexandra Harris, Alan Hollinghurst and Ali Smith. Published at a particularly prolific period for Dean, this book provides a new and authoritative view of a hugely influential artist who has been at the forefront of British art for over twenty years. The volume is published with three different covers.

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Book Synopsis"For its sheer excellence, diversity, and cultural impact, Paul Hirsch's filmography speaks for itself. They say a film is made in the editing room, and this book is easily the most comprehensive, revelatory, and illuminating account of this essential cinematic art. A must-read for both the casual moviegoer and the serious cinephile alike." —Mark HamillA Long Time Ago in a Cutting Room Far, Far Away provides a behind-the-scenes look at some of the most influential films of the last fifty years as seen through the eyes of Paul Hirsch, the Oscar-winning film editor who worked on such classics as George Lucas’s Star Wars and The Empire Strikes Back, Brian De Palma’s Carrie and Mission: Impossible, Herbert Ross’s Footloose and Steel Magnolias, John Hughes’s Ferris Bueller’s Day Off and Planes, Trains & Automobiles, Joel Schumacher’s Falling Down, and Taylor Hackford’s Ray. Hirsch breaks down his career movie by movie, offering a riveting look at the decisions that went into creating some of cinema’s most iconic scenes. He also provides behind-the-scenes insight into casting, directing, and scoring and intimate portraits of directors, producers, composers, and stars.Part film school primer, part paean to legendary filmmakers and professionals, this funny and insightful book will entertain and inform aficionados and casual moviegoers alike.Trade Review"Paul Hirsch, a master of his craft, has written an intelligent, perceptive, compelling memoir of his editing life, from the late '60s through today. From the heights of Star Wars to the depths of Pluto Nash , if you want to know how the sausage is cut, this is the book for you. I should know, I was with him in the beginning and through our misadventure to Mars. Congratulations, Paul, for remembering all the things we forgot." Brian De Palma"It shouldn't be surprising that a great storyteller can tell great stories. From the man in the (cutting) room where it happened on many of our favorite films comes a glorious piece of work that makes you feel that you were there yourself. How do I feel about this book? Not 'ipsy-pipsy.' If you want to decipher that, read it!" J.J. Abrams"Paul's written a terrific expert's view of the editing process, which I believe will be an important technical and historical narrative for future filmmakers and film lovers." Taylor Hackford"Storyteller and showman, film editor Paul Hirsch narrates the ups and downs of his fifty-year career on the jungle gym of cinema with fascinating inside-the-boiler-room tales of how classic hits and flops were constructedand deconstructed. Jaw-dropping tales of working with George Lucas on Star Wars and The Empire Strikes Back and on eleven Brian De Palma films ( Carrie , Phantom of the Paradise , etc.). Paul's invaluable tips and insights, hard won through experience, will brilliantly illuminate the creative process for aspiring filmmakers and enthusiasts alike." Walter Murch"For its sheer excellence, diversity, and cultural impact, Paul Hirsch's filmography speaks for itself. They say a film is made in the editing room, and this book is easily the most comprehensive, revelatory, and illuminating account of this essential cinematic art. A must-read for both the casual moviegoer and the serious cinephile alike." Mark Hamill"Veteran Hollywood film editor Hirsch's memoir overflows with fascinating insights and anecdotes" Publishers Weekly"The stories and insights from a veteran editor will appeal to cinephiles and anyone looking to learn more about the craft." Booklist"Mr. Hirsch paints a vivid picture of the crucial work done by film editors." Wall Street JournalTable of ContentsIntroduction ix 1. My First Hit: Carrie 1 2. Ten Years Earlier 18 3. My First Feature Film 26 4. Back to Trailers 32 5. My Next Big Break: Benny 35 6. Phantom and Its Horrors 50 7. Obsession 61 8. Star Wars 76 9. The Fury 124 10. King of the Gypsies and Home Movies 129 11. The Empire Strikes Back 146 12. Blow Out 163 13. The Black Is Back 169 14. Footloose in L.A. 178 15. Protocol 196 16. Ferris Bueller’s Day Off 201 17. The Secret of My Success 212 18. Planes, Trains & Automobiles 217 19. Steel Magnolias 227 20. I Become a Studio Bigwig 241 21. Falling Down 255 22. The Trouble with Trouble 264 23. Mission: Impossible 275 24. Mighty Joe Young 286 25. Mission to Mars 292 26. Pluto Nash 300 27. Lean Times 304 28. Ray 307 29. A Fallow Stretch 316 30. Back to the Big Time 322 31. The Elder Statesman 340 Postscript 347 Acknowledgments 351 Index 355

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Book SynopsisA leading figure in the world of networked culture explores the artists and events that defined the mass medium of our time Since 1989, the year the World Wide Web was born, the art world has grappled with the rise of networked culture. This unprecedented survey of the artists and innovators in this area from 1989 to today is interwoven with the personal narrative of one of the leading voices on the digital world. In this book, Omar Kholeif, whose prolific career parallels the growth of the internet, tells the story of this mass medium and how it has fostered new possibilities for artists, both analog and digital. The book showcases work spanning a range of media from legendary artists including Lawrence Abu Hamdan, Lynn Hershman Leeson, Nam June Paik, Heather Phillipson, and Wu Tsang. Tracing the key artists and innovators from the emergence of browser-based art to the dawn of NFTs, this is a tale for the present and the future.Trade Review ‘A deep dive into the moments that have defined art within the digital age.’ – HYPEBEAST‘Omar Kholeif’s INTERNET_ART explores how our cyberreality has shaped creative consumption since the 1960s. Alienation from the self, in Kholeif’s telling, is art’s new crisis. I await [their] sequel 20 years hence.’ – New York Times‘Not a conventional survey in any sense, [Internet_Art] zips between Roy Ascott’s computer-based art of the early ’80s and the recent NFT craze of the past two years, stopping at various points in between to consider works [by] many other giants of the trajectory.’ – ARTnews‘[Internet_Art] tells the story of digital culture as never before told ... Dr. Kholeif successfully manages to spotlight the underrepresented voices in digital culture, particularly those who documented it [since] 1989.’ – Hypebae ‘Informative and fast-moving … Kholeif’s takes on how art can change (and be changed by) technology are shrewd. Art historians and those interested in contemporary art will find much to gain.’ – Publishers Weekly‘An accessible and enjoyable experience … Kholeif is your personal guide on a fast-paced voyage through time and cyberspace. The content in Internet_Art is thorough, comprehensive and up-to-the-minute. No stone is left unturned.’ – Aesthetica‘This will be an enlightening, intellectual ride through how the most important technological development of our time fuelled and finessed art around the world. For others, it will be a David Foster Wallace doom scroll, navel-gazing at its own anxiety spiral.‘ – New York Journal of Books'Kholeif makes a compelling case for paying special attention to artists’ voices as this great debate [about the internet] unfolds.' – Los Angeles Review of Books‘Compulsively readable and relatable. Internet_Art is a remarkable feat—a field guide and a meta-exhibition catalogue of human history. It is a rightfully gilded portrait of our less-than-gilded era.’ – Prof. Bruce Jenkins, Professor of Film, Video, New Media, and Animation at the School of the Art Institute of Chicago and co-author, Andy Warhol Film Catalogue Raisonne‘In Internet_Art , Omar Kholeif expertly traces the history of art in the networked age. Revealing new insights throughout, the author examines the work of those who contextualize and proliferate art—the individuals who far too often are overlooked.’ – Jay Mollica, Director of Digital Engagement, Perez Art Museum, Miami ‘Part memoir, part social history, this book is akin to a piece of travel writing through the internet, meeting a host of artists who challenge and make visible what the internet is, or could be. The World Wide Web is a territory we all surf, but have not experienced with the specificity or breadth of Omar Kholeif’s very personal account. There are caleidoscopic jewels all over this.’ – Khalid Abdalla, actor, activist and filmmaker‘More than a history of internet art, Kholeif has woven a vivid autobiographical tapestry. In the patterns and cultural shifts of the past three decades, they find the beauty and bravery that marked this era of experimentation.’ – Prof. Kate Crawford, author of Atlas of AI‘Outstandingly charming and insightful.’ – Prof. Roy Ascot, Artist; Founding President of the Planetary Collegium, Emeritus Professor of Technoetic Arts Plymouth University, and the De Tao Master of Technoetic Arts at the DeTao Masters Academy, Shanghai‘Kholeif has authored a memoir that seeks to challenge perceptions of representation as much as a field guide to the world of all things digital.’ – Osman Yousefzada, Artist and author of The Go-Between ‘There's no way A.I. could have written this book. It took Kholeif's genuine intelligence and their broad knowledge of recent history to make sense of something that most often feels unstructured and random.’ – Douglas Coupland, Author of Generation X, JPod, and Bit Rot‘Omar Kholeif's innovative act of storytelling brings a subterranean history of artists' endeavors to light, revealing the basis for and pointing towards the future of the most relevant themes in contemporary culture. An absolutely essential guide.’ – Trevor Paglen, Artist, author, and MacArthur "Genius" Fellow‘An essential guide and companion to what will undoubtedly be our century's most transformative journey. A gifted writer and cultural commentator, Kholeif's personal odyssey gives form and insight to the contours of a cultural landscape whose further shores have yet to be defined.’ – Neville Wakefield, Writer, Curator; Artistic Director, Desert X‘Not a standard compendium ... but an altogether odder, more intimate affair … Kholeif is adept and entertaining at showing internet art not as a school of art but work of any type characterised by its ‘knowing awareness of the networked nature of our collective culture (be that cat memes or revolutions, fake news or Twitter mobs.’ – Oliver Basciano, Art Quarterly

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Book SynopsisA richly illustrated exploration of Sung Hwan Kim?s complex record of migrant stories, displacement and belonging, border-crossings and translation.In A Record of Drifting Across the Sea (2017?), Sung Hwan Kim turns to past histories of migration. The artist parses the traces?archival and bodily?left by undocumented Korean migrants who came to the US by way of Hawai?i at the turn of the last century, and ponders over their impact on other migrant and indigenous communities. As an ongoing film and installation series, comprising two chapters and a third in progress, A Record unsettles the limits of the "one work" with its distributive, open-ended and collaborative nature. In this speculative inquiry, Janine Armin explores each chapter in Kim?s multilayered work as a mycelial network of feelers entangling and extending the wider work in process. Engaging history through the senses, folklore and myth, as much as through archival material, Kim navigates and crosses the boundaries between displacement and belonging. Focusing on the artist?s attempt to escape from representation, Armin illuminates and attends to the different stories and non-sovereign ways of being together towards which his work points us. This title is part of the One Work book series, which focuses on artworks that have significantly changed the way we understand art and its history.

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Book SynopsisThe first multidisciplinary analysis of one of the most impactful and popular contemporary artworks of recent years.In 1999, a short video of a solitary boy kicking an empty bottle up a hill in Mexico City became the first instalment of Children’s Games, a series of works by artist Francis Alÿs (b. Antwerp, 1959). The ongoing project, which now numbers around thirty-five works, has gradually given shape to an extensive collection of videos of children at play. For almost twenty-five years, Alÿs and his collaborators Félix Blume, Julien Devaux, and Rafael Ortega have been travelling around the world to document the distinctive ways in which children interact with each other and their physical environment. They have gone from remote villages in the Democratic Republic of the Congo, Afghanistan, Venezuela, and Nepal to the mountains of Switzerland and metropoles like Hong Kong and Paris, but have also visited the war-torn city of Mosul in Iraq, the border between Mexico and the United States, and the strait of Gibraltar that divides Africa and Europe. The resulting images are standing proof of the seriousness of play and of children’s stunning powers of resilience in the face of conflict.This volume provides a multidisciplinary perspective to the many layers of Children’s Games. It includes an interview with Francis Alÿs and Rafael Ortega, a series of essays by well-known scholars and art critics, curatorial statements, and a logbook related to the presentation of Children’s Games at the Venice Biennale of 2022.Contributors: Francis Alÿs (artist), Gerard-Jan Claes (filmmaker, artistic director of Sabzian), Tim Ingold (anthropologist, University of Aberdeen), Zeynep Kubat (art historian, curator and writer), Karen Lang (art historian, Royal Society of Arts), Rafael Ortega (artist), Rodrigo Perez de Arce (architect, Pontificia Universidad Católica de Chile), Juan Martín Pérez García (Network for the Rights of Children in Mexico (REDIM), Giulio Piovesan (journalist and photographer), John Potter (media education, University College London), Virginia Roy (curator at the University Museum of Contemporary Art of the National Autonomous University of Mexico), Stéphane Symons (professor of philosophy, KU Leuven), Hilde Teerlinck (Han Nefkens Foundation /curator of the Belgian Pavilion at the Venice Art Biennale 2022).Ebook available in Open Access.Table of ContentsPrefaceFrancis Alÿs. The Nature of the Game Gerard-Jan Claes and Stéphane SymonsInterview with Francis Alÿs and Rafael Ortega, Nov. 9, 2022 Gerard-Jan Claes and Stéphane SymonsChildren’s Games. A Reflection on the Work of Francis Alÿs Tim IngoldFrancis Alÿs. Children’s Games Karen LangNot a Playground Rodrigo Pérez de Arce AntoncicA Space to Play Zeynep KubatEntering the Game Virginia RoyThe Right to Play Juan Martín Pérez GarciaThe Echo of the Children’s Games Hilde TeerlinckCurating Connection and Cultural Memory. Reflections on an Encounter with The Nature of the Game at the Venice Biennale in 2022 John PotterSharing the Game Giulio PiovesanIllustration Credits Acknowledgements

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Book SynopsisExploring how design can be used for good—prompting self-reflection, igniting the imagination, and affecting positive social change.Good design provides solutions to problems. It improves our buildings, medical equipment, clothing, and kitchen utensils, among other objects. But what if design could also improve societal problems by prompting positive ideological change? In this book, Bruce and Stephanie Tharp survey recent critical design practices and propose a new, more inclusive field of socially minded practice: discursive design. While many consider good design to be unobtrusive, intuitive, invisible, and undemanding intellectually, discursive design instead targets the intellect, prompting self-reflection and igniting the imagination. Discursive design (derived from “discourse”) expands the boundaries of how we can use design—how objects are, in effect, good(s) for thinking.Discursive Design invites us to see objects in a new ligh

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Book SynopsisAn in-depth look at how we make and circulate art today, and how creative and economic processes shape the meaning and value of artworks.In Ecologies of Artistic Practice, Ashley Lee Wong explores the economic relationships of artists working at the nexus of art and technology as they negotiate a means to make art in a neoliberal creative economy. Wong looks at the diverse ways in which artworks circulate, both online and offline, in galleries, on digital platforms, and media facades, and investigates some of the mechanisms that enable artists to create works, including selling artworks and NFTs, grants, licensing, commissions, and artist residencies. The book also looks at the ways in which artists collaborate with corporations and develop practices as commercial entities themselves. The book provides unique insights into the diverse creative and economic processes that shape the meaning and value of artworks. Wong seeks to shift away from notions of individual authorship and finite artworks that can be bought and sold, and instead toward an understanding of artistic practices as collaborative, social, and cultural processes.Rather than critique this economy, Ecologies of Artistic Practice opens space for engaging in hypercommercialized contexts, while considering how money is not an end goal, but a means to initiate or continue an artistic process.

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Book SynopsisA theoretical examination of veiling, shame, and modesty in the films of the Iranian director Abbas Kiarostami through the lenses of Islamic philosophy and Lacanian psychoanalysis.In Cloud: Between Paris and Tehran, Joan Copjec examines the films of the Iranian director Abbas Kiarostami. The key to these films, she argues, lies in the image of a fragile yet sheltering tree that appears in several of his films. This simple image depicts a central concept of Islamic philosophy, which is known as the ?Cloud? or the ?Imaginal World.? It designates the place out of which all the things of this world manifest themselves and ?covers,? or veils, that which must remain hidden. The concept of the Cloud plays a significant role in defining: 1) the unique nature of the Islamic God, who is not a creator or father; 2) the nature of the image, which assumes a priority and a greater power than it is elsewhere accorded; and 3) the nature of modesty, shame, and sexuality.Copjec walks her readers through the thicket of Islamic philosophy while demonstrating how its abstract concepts produce what audiences see on screen. The most ambitious aspect of the book lies in its attempt to demonstrate the inheritance by psychoanalysis of a new notion of knowledge, or gnosis, formulated by Muslim thinkers, who radically redefined the relation between body and thought.

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Book Synopsis From the bestselling author of Rise of the Rocket Girls, the untold, 'richly detailed' story of the women of Walt Disney Studios, who shaped the iconic films that have enthralled generations (Margot Lee Shetterly, New York Times bestselling author of Hidden Figures). From Snow White to Moana, from Pinocchio to Frozen, the animated films of Walt Disney Studios have moved and entertained millions. But few fans know that behind these groundbreaking features was an incredibly influential group of women who fought for respect in an often ruthless male-dominated industry and who have slipped under the radar for decades.  In The Queens of Animation, bestselling author Nathalia Holt tells their dramatic stories for the first time, showing how these women infiltrated the boys' club of Disney's story and animation departments and used early technologies to create the rich artwork and unf

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Book SynopsisThe rise of webtoons has altered the Korean cultural market due to the growth of transmedia storytelling—the flow of a story from the original text to various other platforms, such as films, television, and games. Understanding Korean Webtoon Culture demonstrates the dynamics between structural forces and textual engagement in global media.Trade ReviewAs the first book-length study of webtoons, Jin’s monograph has a lot to offer to scholars and students interested in cultural globalization and media convergence in relation to digital technologies. The book is well-written and a joy to read. Any reader, with or without relative academic background, can benefit from it. -- Haixia Man * International Journal of Communication *

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Book SynopsisTable of ContentsList of Plates and Figures | ix Introduction: The Body of Medusa | 1 1 China Girls in the Film Laboratory | 33 2 Gone Girls of Escamontage | 73 3 Gradivan Footsteps in the Film Archive | 102 Afterword | 129 Acknowledgments | 133 Notes | 135 Bibliography | 165 Index | 181 Color plates follow page 84

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Book SynopsisThe Brazilian German artist duo of Bárbara Wagner (born 1980) and Benjamin de Burca (born 1975), formed in 2011, counter the impulse to categorize culture in terms that are fixedor deemed folk by organizations such as UNESCOby exploring cultural change across generations and geographies. Their work celebrates and reframes vernacular cultural forms as they have manifested through time; as popular traditions become pop culture, for instance. Through their films, the artists examine a space in between, where cultural forms of the past adapt in response to changing economic conditionsparticularly in emerging economies or postcolonial geographical contextsand where popular genres persist through cultural mixing and diasporic refashioning. The artists look to how performative forms of colonial cultural resistance in Brazil's northeast, in particular, continue today but in revised expression. This book, designed by Lisa Kiss, leads a discussion about their films, including the work slated

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Book SynopsisThis book examines the values of interactive documentary as a social research method, exploring their exciting potential for illuminating and communicating pressing social issues. Providing a template for planning an i-doc, the novel book shows how the planning process alone can open new ways of understanding social research topics.

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Book SynopsisOver the last decade fashion film''s presence has become ubiquitous. From the retail environments where fashion film is projected onto windows and buildings, to the online arenas of fashion brands and labels through to art gallery installations, fashion communication is on the move.With examples from dozens of groundbreaking international films, including QR codes linking to the films online, The Fundamentals of Fashion Filmmaking places fashion film in its broader industry, cultural and historical context. You'll also learn about the process of making fashion film, exploring how it works across multiple technologies, platforms and audiences. Interviews with filmmakers bring together a wealth of industry expertise on everything from storyboarding to finding an audience.Table of Contents1 Introduction: Understanding Fashion Film What Is Fashion Film? The Still Image Fashion’s Digital Image Understanding Fashion: Definitions and Explanations Film as an Expression of Fashion Film: An Integral Part of the Fashion Communication Industry Fashion Film: A Hybrid Genre The Pluralism of Fashion Film Understanding Fashion Film Defining Fashion Film: Fashion as Protagonist In Their Own Words: Diane Pernet In Their Own Words: Nick Knight 2 Fashion Film History Broadcast, Celebrate, Sell: Promoting Fashion through Film Brand Buy-in: Promotional Fashion Film in the Digital Age Experiments with Fashion Film: Poetry and Abstraction Body, Image, Time: Experimental Fashion Dreams in a Digital Age Documenting Fashion on Film: Capturing “The Real” Capturing Reality: Documenting Fashion and Style Post-Digital Slices of Fashion Life Fashion on the Big Screen: Narrative and Storytelling Films of the Moment Post-Millennial Fashion on the Big Screen Hybridizing Fashion: Subculture, Music, and Film Film Fusion: Style, Music, and Subculture In Their Own Words: John Maybury In Their Own Words: Isaac Julien CBE 3 The Contemporary Landscape Growing Status and Visibility for Fashion Film Social Media and Fashion Film Fashion Film and Online Editorial The Fashion Industry and Instagram Fashion Film on the Catwalk Fashion Film in Retail Fashion Film and Music Video In Their Own Words: Katie Baron In Their Own Words: Ian Pons Jewell 4 Trends in Fashion Film The Long and the Short Fashion and Social Responsibility Narrative and Storytelling Spanning Slapstick to Highbrow: From Comedy to Art In Their Own Words: Lernert & Sander Machine Versus the Hand Choreography and Meaningful Movement Documentary and “The Real” In Their Own Words: Declan Higgins In Their Own Words: Alex Turvey 5 So, You Want to Make a Fashion Film? Subject Knowledge and Ideas How to Capture and Catalog Ideas From Inspiration to Research Who Is the Audience? What Is the Message or Story? What Is the Film’s Purpose and Context? What’s the Approach? What’s the Budget? In Their Own Words: Kathryn Ferguson In Their Own Words: Marie Schuller 6 Fashion Filmmaking Creating a Pitch Planning the Production Casting Storyboarding and/or Scripting Locating the Right World: Where Will the Film Be Shot? Hair and Makeup The Big Day Styling: Dressing the Cast Accountability: Completing the Paperwork Post-Production Workflows Editing the Film Working with Music In Their Own Words: Lynden Campbell Sync Audio and Foley Sound In Their Own Words: Sally Cooper Working with Color In Their Own Words: Faith Millin In Their Own Words: Monica Menez In Their Own Words: Edgar Dubrovskiy In Their Own Words: Mark Connell 7 Getting Your Fashion Film Seen Getting Ready to Present a Film Fashion Film Festivals Social Media and Film Dissemination Turning Passion into a Profession Watch Films Practice, Practice, Practice Network and Build Contacts Experience and Knowledge Self-Promotion and Proactivity in the Industry Portfolio Building Build Your Brand with Integrity In Their Own Words: Stephen Whelan 8 Technology’s New Frontiers and the Future of Fashion Film Fashion’s New Realities—and Fantasies Virtual Reality: Immersion and Other Worlds Augmented Reality: Participation and Interaction Mixed Reality: Perception, Illusion, and Magic Fragmentation of Identity: Reality and Superreality In Their Own Words: Anna Radchenko In Their Own Words: Nirma Madhoo In Conclusion Bibliography Further Reading Index

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Book SynopsisMusic videos play a critical role in our age of ubiquitous streaming digital media. They project the personas and visions of musical artists; they stand at the cutting edge of developments in popular culture; and they fuse and revise multiple frames of reference, from dance to high fashion to cult movies and television shows to Internet memes. Above all, music videos are laboratories for experimenting with new forms of audiovisual expression. The Rhythm Image explores all these dimensions. The book analyzes, in depth, recent music videos for artists ranging from pop superstar The Weeknd to independent women artists like FKA twigs and Dawn Richard. The music videos discussed in this book all treat the traditional themes of popular music: sex and romance, money and fame, and the lived experiences of race and gender. But they twist these themes in strange and unexpected ways, in order to reflect our entanglement with a digital world of social media, data gathering, and 24/7 demandsTrade ReviewA quarter-century back, MTV’s Amp showcased electronica videos, eerie creatures of beats-driven posthumanism. The show ended, but the videos multiplied, digital tinkering to visualize hip-hop, R&B, and new divas alongside EDM for stop-start viewing on YouTube. Steven Shaviro philosopher of speculative fiction, at last names this core category: the rhythm image. Gazing and auditing, applying theory as needed, he makes that tweak in the assemblage on your screen a frontier. The filmic nugget pulsates, in his cuts from micro to macro analysis, becoming a fundamental cultural reshaping—the visual groove as 21st century homeland. * Eric Weisbard, author of Songbooks: The Literature of American Popular Music *When is a book on music video not “just” a book on music video? When it deftly weaves descriptions of digital art-making with the ideas of Henri Bergson, Immanuel Kant, Marshall McLuhan, and Vivian Sobchack to expand on Gilles Deluge’s film-philosophy and articulate a new regime of the image: the rhythm image. Through luxuriant close readings and invigorating exposition, Shaviro shows how contemporary music videos immerse viewers in the new temporal and affective relationship that organize digital media culture. A delight to read and to contemplate! * Caetlin Benson-Allott, Professor of English and Film & Media Studies, Georgetown University, USA *In recent years, the once denigrated and impure object of the music video has received more serious attention and nowhere more so than in Steven Shaviro’s ground-breaking work, The Rhythm Image. Combining close engagement with the audiovisual expressive properties of specific digital music videos with broader sociological and philosophical concerns, this book argues for the emergence of a new diagram of audiovisual expression based neither in movement nor pure temporality but in rhythm. While, on the one hand this book engages with Deleuze’s cinema books and through them a range of philosophical references from Kant to Whitehead, read in conjunction with contemporary accounts of post-cinema and digital media, at its core is an intense engagement with the contemporary music videos for artists including Massive Attack, FKA Twigs, Tierra Whack and Tkay Maidza that it engages with in loving detail. Ultimately it suggests that these music videos allow for the grasping of contemporary social transformations affecting race, gender, sexuality and mediated desires intensively via moments of audiovisual bliss. * Michael N. Goddard, Reader in Film and Screen Media, Goldsmiths, University of London, UK *Table of ContentsList of Figures Preface 1. The Rhythm Image 2. Post-Cinematic Articulations of Sound and Vision (Massive Attack) 3. Cyborg Avatars (Dawn Richard) 4. Pulses of Distraction (Tierra Whack) 5. Living With Time-Space Compression (Bonobo) 6. The Passion According to FKA twigs 7. Vanishing Voices (Moses Sumney) 8. Metamorphoses of a Severed Head (The Weeknd) 9. Submerged (Tkay Maidza) Afterword Books and Articles Cited Music and Videos Cited Index

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Book SynopsisDark Horse honours Link, the chosen hero, with the Hero s Edition of The Legend Of Zelda: Breath Of The Wild - Creating A Champion.

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Book SynopsisGet transported to the golden age of 1930s animation with the official Cuphead artbook for the acclaimed indie game!

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Book SynopsisRelive classic moments from the Final Fantasy series... only much much smaller.

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Book SynopsisOfficial art and creator commentary for one of the most anticipated games of the year.

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Book SynopsisTwo compelling new protagonists, Naoe - an adept shinobi assassin from Iga Province - and Yasuke - the powerful African samurai of historical renown - emerge from the shadows of 15th Century Japan to discover their common destiny. Along the way, they''re joined and confronted by charismatic characters, will master a variety of weapons and tools, and traverse across dynamic and dangerous Sengoku-era Japanese landscapes - all of which is explored in this comprehensive deluxe edition set. This package includes an exclusive cover treatment that depicts the striking profiles of Naoe and Yasuke, a decorative slipcase, and a portfolio enclosing a gallery-quality print. The Art of Assassin''s Creed Shadows celebrates and chronicles the venerable series'' first foray into the landscape of feudal Japan. Dark Horse Books and Ubisoft have combined their efforts to produce an art book in the tradition of the world-spanning Brotherhood, aiming to satisfy and inspire shinobi assassin and samurai of all generations.

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Book SynopsisA full-colour introduction to he highly anticipated FF VII remake.

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Book SynopsisUnprecedented kinds of experience, and new modes of life, are now produced by simulations, from the CGI of Hollywood blockbusters to animal cloning to increasingly sophisticated military training software, while animation has become an increasingly powerful pop-cultural form. Today, the extraordinary new practices and radical objects of simulation and animation are transforming our neoliberal-biopolitical “culture of life”. The Animatic Apparatus offers a genealogy for the animatic regime and imagines its alternative futures, countering the conservative-neoliberal notion of life’s sacred inviolability with a new concept and ethics of animatic life.

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Book SynopsisSet to generate and influence discussions in the field for years to come, this is an encyclopaedic work on the ever-evolving genre of poetry film. It will set the benchmark for all subsequent works on the subject, being the first book of its kind. Poetry films are a genre of short film, usually combining the three main elements: the poem as verbal message; the moving film image and diegetic sounds; and additional non-diegetic sounds or music, which create a soundscape. This book examines the formal characteristics of the poetic in poetry film, film poetry and video poetry, particularly in relation to lyric voice and time. Provides an introduction to the emergence and history of poetry film in a global context, defining and debating terms both philosophically and materially. Examines the formal characteristics of the poetic in poetry film, particularly in relation to lyric voice and time. Includes interviews, analysis and a rigorous and thorough investigation of the poetry film from its origins to the present. This is a very important, groundbreaking work on film poetry. The ideas discussed here are of great importance, and the diversity and breadth of the volume is especially impressive and very useful. This book brings together in one place crucial ideas and information for practitioners, students and academics, and is clearly and accessibly written. Including over 40 contributors and showcasing the work of an international array of practitioners, this will be an industry bible for anyone interested in poetry, digital media, filmmaking, art and creative writing, as well as poetry filmmakers. It explores working practices, processes of collaboration and the mechanisms which make these possible. It also reveals the network of festivals disseminating and theorizing poetry film and presents a compelling bibliography. This is the most incisive and complete analysis of filmic poetry to date. It is poised to become a major text in the field. Essential reading for academics teaching poetry filmmaking, moving image, film, media and media poetry, writing and art. Undergraduate and postgraduate students in those fields. Great potential for textbook adoption. Also relevant to poets, filmmakers, visual artists, graphic artists and theorists, filmmakers, screenwriters, art historians, philosophers, cultural commentators, arts journalists.Trade Review'Sarah Tremlett’s The Poetics of Poetry Film is a unique and extraordinary contribution to this vibrant field of expression. Her landmark volume elegantly articulates the conceptual foundations, language, grammar, and vocabulary of poetry film and its cognate forms; delivers a concise and incisive history of the genre, and introduces students, practitioners and scholars to the field’s contemporary pioneers, methods of making, and varied narrative forms. Laden with rich and provocative illustration and example, The Poetics of Poetry Film functions as Bible, Guide to the Perplexed, and indispensable reference, fluidly integrating interviews with and notes by forty contributors into a coherent and beautifully structured progression. This book—a wonder in its variety, complexity, and ambition—is a superb read.' -- Marc Zegans, poet, poetry film and immersive theatre artist'The sentence on the cover says it all for me. Hard to believe it’s been more than 50 years since Sympathies of War, my first videopoem. I’m thankful that a book like this, the first of its kind, of its sheer scope, finally exists and humbled that I had a part to play in the flowering of a new genre of poetry. No one better than the indefatigable doyenne of videopoems, my good friend Sarah Tremlett to make it come true.' -- Tom Konyves, videopoet and theorist'This is an encyclopaedic, groundbreaking manuscript on an area of film production that definitely needs more attention, and stands to be the book to surpass for quite some time; the author knows her territory intimately ... It is the most incisive and complete analysis of filmic poetry to date; it’s very diverse, includes women, minorities and transgender filmmakers, and Tremlett's descriptions of the films, and the intent of the filmmaker poets, and is both accessible and clearly written. This is a sharp, up to the minute manuscript on the bleeding edge of film criticism. ... A book exploding with dazzling, evocative images and trenchant analysis.' -- Gwendolyn Audrey Foster, Willa Cather Professor of English & Film Studies, University of Nebraska–Lincoln'This is a gem of a book. It brings together in one place crucial ideas and information for practitioner and academic. I wish very much that it had been available when I found my way into videopoetry ... Considering the scope of the subject matter, what has been achieved here in terms of clarifying and anatomizing is remarkable.' -- Dr Meriel Lland, writer, photographer and film-artist‘I loved reading this book. The Poetics of Poetry Film is an amazing resource for scholars and everyone interested in contemporary poetry.’ -- Dr Rebecca Kosick, Senior Lecturer in Translation and co-director of the Bristol Poetry Institute in the School of Modern Languages, University of Bristol'An exhaustive study of Video Poetry by the remarkable Sarah Tremlett and over 40 contributors! I was fortunate enough to have read with Sarah at the Bury Text Festival and found her work to be amazing. She also appears in an issue of Ekleksographia edited by Judith Skillman. I recognize some names among the pioneers of the movement, including the Polypoet Enzo Minarelli. Congrats on this fantastic book! This is really wonderful!' -- Jesse Glass, American poet, artist, folklorist and Professor of American Literature at Meikai University, Japan.'Sarah Tremlett’s The Poetics of Poetry Film: Film Poetry, Videopoetry, Lyric Voice, Reflection offers a breathtaking range of glimpses at the historical flashpoints, formal anatomy, and major and minor contemporary makers and trends in what Tremlett alternately calls film poems and poetry film (and their sister, video poetry). [...] The book is impressively comprehensive in its representation and acknowledgment of the wide diversity of formal experiments and elements that constitute the history and present of “poetry film,”. [...] The Poetics of Poetry Film should serve as an important resource for scholars and filmmakers interested in contemporary aesthetic trends in this interdisciplinary field. It also offers an important archive of festivals and conferences on poetry film through its inclusion of interviews with festival organizers and writings by contemporary filmmakers working at the intersection of poetry and film.' -- Rebecca A. Sheehan, Projections: The Journal for Movies and MindTable of ContentsIllustrations Foreword Valerie LeBlanc Preface xix Introduction: Poetry, Song, Philosophy – The Combined Lyric Aesthetic PART ONE: FORM AND STRUCTURE 1. Terminology across Time 2. Realization and Structure 3. Voice and Narrative 4. Time and Mind 5. Constructing Dynamic Spatio- Temporality 6. Tonality, Light and Colour 7. Sound Design 8. Poet on Screen: Persona and Subjectivity PART TWO: ARTISTS’ VOICES 9. Contemporary Pioneers George Aguilar Enzo Minarelli Enzo Minarelli Tom Konyves Javier Robledo Peter Todd Valerie LeBlanc and Daniel H. Dugas Stuart Pound and Rosemary Norman Rosemary Norman Stuart Pound Heather Haley Thomas Zandegiacomo del Bel Zata Banks Gabrielė Labanauskaitė Dave Bonta Alastair Cook Marc Neys 10. Making Chaucer Cameron Marie Craven Lucy English Ian Gibbins Jane Glennie Suzie Hanna Kate Jessop Adeena Karasick Martha McCollough Matt Mullins Adele Myers Charles Olsen Caleb Parkin and Helmie Stil Helmie Stil Caleb Parkin Maciej Piatek Dave Richardson Othniel Smith Howard Vause Susanne Wiegner 11. Poetry Film and Videopoetry in Portugal and Spain: Alive and Thriving Charles Olsen Alexandre Braga Manuel Vilarinho Eduardo Yagüe Tarha Erena Alejandro Céspedes Celia Parra Jordan T. Caylor Belén Gache Santiago Parres Lola López- Cózar Agustín Fernández Mallo David Argüelles Redondo Ángel Guinda and Sándor M. Salas 12. Experimental Poetry in Argentina from the 1960s to the 1990s: Political Voice and Prefiguring the Turn to Digital Literature and Video Poetry Marisol Bellusci 13. Liberated Words: Developing a Poetry Film Festival and Workshops Butterflies Haven Workshop Helen Moore Howard Vause PART THREE: SELECTED NARRATIVE FORMS 14. Collections John D. Scott 15. Text- on- Screen 16. Video Haiku and Video Haiga Katia Viscogliosi and Francis Magnenot Judy Kendall 17. A Documentary Approach to Poetry Film 18. Dance and Movement Helen Mort 19. The Ecopoetry Film Meriel Lland Janet Lees Janet Lees Helen Moore and Howard Vause Helen Moore Overview Examples of Leading Poetry Film Festivals References Artists and Authors Index

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Book Synopsis Celebrate the iconic female actors and filmmakers of the French New Wave with a compelling new examination of their role as a vital part of cinema history, as well as their influence on attitudes and style in society at large.Legends of style, mystique, and individuality, actresses such as Anna Karina, Jeanne Moreau, Jean Seberg, Brigitte Bardot, and filmmaker Agnès Varda, stand out as emblems of the French New Wave who continue to fascinate audiences worldwide. Part of a larger group of “modern women” who revolutionized cinema, they broke out of the rigid representations that confined women to stereotypes and led the way toward more complex female roles. Their individual voices and undeniable presence brought authenticity to their characters that resonated both on screen and off.Nouvelles Femmes offers a fresh take on these compelling women, illuminated by quotes from the films, directors, and, most importantly, the women themselves. Film stills complementing the narrative showcase innovations in style and illustrate behind-the-scenes moments between actresses and directors. With accomplishments ranging from writing and directing to activism, women of the French New Wave paved the way for today’s most modern women in film and in society. Admired by cinephiles all over the world, their legacy lives on as they continue to stand as icons of one of the most innovative times in cinema. This beautifully crafted film history book captures their powerful influence and makes an essential gift for movie lovers and devotees of French film history.

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Book SynopsisThe Past as Digital Playground: Archaeology, Virtual Reality, and Video Games collects the contributions to a two-day conference which illustrate a digital project developed at the Archaeological and Technological Park of Poggibonsi (Siena, Tuscany), where Virtual Reality and an educational video game are being used to enhance the archaeological content deriving from the excavation of the medieval site. In recent decades, digital technologies have pervaded every aspect of the production of archaeological knowledge, from data collection to analysis and interpretation, to interaction with the public. The increasing convenience of 3D and interactive technologies has led to a proliferation of digital tools (VR, AR, mobile applications) used to communicate the past in a more engaging way, offering the public an experience that takes place largely outside of the traditional channels. Alongside the experience at Poggibonsi, the book also gathers important contributions originating from other Italian and international case studies in the fields of digital technologies applied to archaeological heritage.Table of ContentsIndice ; Introduzione – Stefano Bertoldi, Samanta Mariotti ; (Re)living Vindolanda: Designing Educational Computer Games for Outdoor Environments – Barbara Birley, Richard Davison, Claire Stocks ; Virtual Neapolis. Un’esperienza di visita immersiva in VR per le vie di Napoli – Francesco Gabellone, Maria Chiffi ; Virtual tour di Poggio Bonizio: teoria, tecnologia e applicazioni dalla grafica 3d alla VR – Stefano Bertoldi ; Designing video games for history classrooms – Juan Hiriart ; Archeologia, interazione, gioco: come il digitale ha mutato la disciplina. L’osservatorio di Archeovirtual – Augusto Palombini ; Hold the Hut, il progetto di valorizzazione della capanna arcaica di San Chirico Nuovo (Potenza, Basilicata) – Sabrina Mutino, Lucia Colangelo, Michele Scioscia ; A video game for the Archaeological Park of Poggibonsi (Italy). Towards new promotional and educational trends: potentials, challenges, and perspectives – Samanta Mariotti ; Tavola rotonda moderata da Stefano Bertoldi – Marco Valenti, Nicola Berti, Federico Salzotti, Maurizio Amoroso ; La “fine” ed un nuovo inizio: il Metaverso in archeologia – Stefano Bertoldi, Samanta Mariotti

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Book SynopsisThe official art book for Amplitude Studios'ENDLESS LEGEND, a fantasy style, turn-based strategy game set in theEndless Spaceuniverse, on a single planet, Auriga.

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Book SynopsisThere are so many insights even hardcore Bond fans will be surprised. Indispensable.' David Lowbridge-Ellis MBEOnly six men can lay claim to wearing the famous Savile Row tuxedo of James Bond; more people have stepped on the Moon. Yet, hundreds more came within an inch of winning the coveted 007 role the pinnacle for so many actors.For the first time, The Search for Bond tells the extraordinary story of how cinema's most famous secret agent was cast, featuring exclusive interviews with many of the actors who were at one time considered to play Bond, interviewed for the role, or went as far as to be screen tested. From Ranulph Fiennes to Colin Firth, their memories and stories give a fascinating insiders' glimpse into the process of how the Bond producers, Broccoli and Saltzman, came up with the right man to play their famous spy.

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