The Arts Books
Taylor & Francis Ltd Arts Entertainment and Tourism
a huge range and FREE tracked UK delivery on ALL orders.
£52.24
Taylor & Francis Inc Shrewsbury School Library
Book SynopsisFirst Published in 1990. Shrewsbury School dates back to the end o f the sixteenth century, and owes its existence to the provision contained in the Ordinances of 1578. This is a listing and descriptions of the books, bindings and comtents of the library.Table of ContentsList of Plates, Notes on the Earlier History, Shrewsbury School Librray, Introdcution, Catologue Raisonne, Glossary, Indexes.
£146.50
Taylor & Francis A Confucian Approach to Media Ethics
Book SynopsisA Confucian Approach to Media Ethics offers a comprehensive theorization of an approach to media ethics based on the moral philosophy that originated from China and that profoundly influenced East Asian countries.This book engages with foundational concepts from Confucian ethics and explicates a new framework that can be used for guiding media practices, as well as media ethics research and teaching. It suggests that the Confucian ideals of He (harmony), Zhong (equilibrium), and the notion of Junzi can be applied to guide intercultural media practices, and sets out a fresh model for ethics education centered on Xiuji (self-cultivation) that is different from the training-based and decision-making-centered model prevalent in the Western classrooms. This is also a framework that emphasizes both individual moral growth and the moral character of the broader professional community.Filling a gap in the conversation between Eastern and Western approaches to media ethi
£47.49
Taylor & Francis The Public Relations Handbook
The Public Relations Handbook provides an engaging, in-depth exploration of the dynamic and ever-evolving public relations industry.Split into three parts exploring key conceptual themes in public relations, this book offers an overview of topics including: strategic PR; politics and the media; media relations in the social media age; strategic communication management; PR ethics; activism and PR; and the effects of globalisation and technology on the field. This book also includes a discussion of critical themes in PR research and exploratory case studies of PR strategies in a variety of institutions, including the Royal Society of Chemistry, Corps Security, and The Chartered Institute of Public Relations. Featuring wide-ranging contributions from key figures in the PR profession, this new edition presents fresh views on AI, social media curation, and âœthe decline of mediaâ, and is packed with student-friendly features including clear chapter aims, discussion questions, and further reading suggestions throughout.The Public Relations Handbook is an ideal resource for students of Public Relations, Corporate and Strategic Communications, and Marketing Communications.This book is supported by additional instructor resources, including brand-new classroom activities for every chapter available at www.routledge.com/9781032852683.
£39.99
Cambridge University Press Conceptual Revolutions in TwentiethCentury Art
a huge range and FREE tracked UK delivery on ALL orders.
£85.50
Cambridge University Press Conceptual Revolutions in TwentiethCentury Art
Book SynopsisFrom Picasso's Cubism and Duchamp's readymades to Warhol's silkscreens and Smithson's earthworks, the art of the twentieth century broke completely with earlier artistic traditions. A basic change in the market for advanced art produced a heightened demand for innovation, and young conceptual innovators â from Picasso and Duchamp to Rauschenberg and Warhol to Cindy Sherman and Damien Hirst â responded not only by creating dozens of new forms of art, but also by behaving in ways that would have been incomprehensible to their predecessors. Conceptual Revolutions in Twentieth-Century Art presents the first systematic analysis of the reasons for this discontinuity. David W. Galenson, whose earlier research has changed our understanding of creativity, combines social scientific methods with qualitative analysis to produce a fundamentally new interpretation of modern art that will give readers a far deeper appreciation of the art of the past century, and of today, than is available elsewhereTrade Review“To Mr. Galenson markets are what make the 20th century completely different from other eras for art. . . . [B]reaking the rules became the most valued attribute. The greatest rewards went to conceptual innovators who frequently changed styles and invented genres.” – Patricia Cohen, The New York Times“David Galenson brings the insights of an economic historian to this fascinating study of innovation in modern art. He shows how changes in the structure of the market for new art altered the innovation process itself and how the nature of innovation developed in the lives of many 20th century artists. Anyone interested in the development of 20th century art and any economist interested in the general process of innovation will want to read this book.” – Martin Feldstein, Department of Economics, Harvard University"With this book, David Galenson burnishes his reputation as one of the most interesting economists at work today. Once you've read Conceptual Revolutions in Twentieth-Century Art, you'll never look at modern art – or the creative process – quite the same way." – Daniel H. Pink, author of A Whole New Mind“David Galenson has written the most inventive, surprising, and illuminating book on modern art to appear in my lifetime. I can think of no other book on modern art that remotely resembles Conceptual Revolutions in Twentieth-Century Art. Yet it is a surprising book because Galenson draws much of his evidence from what artists and art historians have been saying about modern art for more than a century. What Galenson has done is to take often over-familiar material and to reshape it by asking simple questions about artists’ behavior and then systematically setting out to explain them. Most importantly, I know of no artist, and certainly no art historian, who has seen so clearly the connection between the variety and pace of 20th-century artistic innovations and the increasing autonomy granted to artists by a richly competitive market. After introductory chapters on innovation and artistic importance, Conceptual Revolutions describes with unsurpassed clarity artistic behaviors new to recent art. Each chapter can be read independently of the others, but taken together readers will find clearly explained much of what often seems mysterious not only to the layperson but even to the art professional. Conceptual Revolutions offers new explanations for many familiar phenomena in modern art and challenges many received ideas held by scholars of 20th-century art, all presented in a prose style that is accessible to any intelligent reader. Conceptual Revolutions should change any open-minded reader’s basic perceptions about art today.” – Robert Jensen, Department of Art, University of Kentucky“A fascinating and highly readable explanation of why the art of the 20th century changed so dramatically from that which came earlier. David Galenson goes further in using innovative methods of analysis to change our concept of modern art than anyone I know. Entertaining and informative.” – Don Thompson, author of The $12 Million Stuffed Shark: The Curious Economics of Contemporary ArtTable of ContentsIntroduction; 1. The back story of twentieth-century art; 2. The greatest artists of the twentieth century; 3. The most important works of art of the twentieth century; 4. The greatest artistic breakthroughs of the twentieth century; 5. The greatest women artists of the twentieth century; 6. Creating new genres: conceptual artists at work and play in the twentieth century; 7. And now for something completely different: the versatility of conceptual innovators; 8. You cannot be serious: the conceptual innovator as trickster; 9. Painting by proxy: the conceptual artist as manufacturer; 10. Co-authoring advanced art; 11. Language in visual art; 12. Portraits of the artist: personal visual art in the twentieth century; 13. The rise and (partial) fall of abstract painting in the twentieth century; 14. The globalization of advanced art in the twentieth century; 15. Artists and the market: from Leonardo and Titian to Warhol and Hirst; 16. The state of advanced art: the late twentieth century and beyond.
£37.37
Cambridge University Press Performance and Authenticity in the Arts
a huge range and FREE tracked UK delivery on ALL orders.
£31.90
Cambridge University Press Manifold Mirrors
a huge range and FREE tracked UK delivery on ALL orders.
£76.94
Cambridge University Press Performance and Authenticity in the Arts
a huge range and FREE tracked UK delivery on ALL orders.
£51.30
Cambridge University Press The Look of the Past
Book SynopsisAnalysing visual and material culture is central to the historian's craft and The Look of the Past provides a much-needed introduction to the use of artefacts as evidence. Accessibly written and generously illustrated, this textbook develops the skills students need in order to describe, analyse and contextualise images and objects.Trade Review'Few scholars can match Jordanova's ability to further historical practice through precise analysis, originality and thought-provoking questions, and this pioneering publication is a 'how-to' book in the best possible sense. Beautifully illustrated and offering carefully selected bibliographical advice, The Look of the Past significantly enriches the historians' toolbox and throws out rusty remains. A winner!' Ulinka Rublack, author of Dressing Up: Cultural Identity in Renaissance Europe'A master historian of visual culture brings the subject to life, shows its importance to understanding any period of history, and offers concise and compelling guidelines for making sense of how it works. The Look of the Past strikes just the right tone in offering an accessible, wondrously wide-ranging, and intellectually satisfying account of visual objects from handbags to Baroque paintings.' Lynn Hunt, University of California, Los Angeles'A staunchly argued, exceptionally lucid demonstration of the enlightenment, and also pleasure, to be derived from alert, informed, enquiring looking at the myriad artefacts surrounding us. Enlivened by wide-ranging case studies and a provocative choice of illustrations, it is a timely and invaluable resource for students of history and art history alike.' Elizabeth Cowling, University of EdinburghTable of ContentsA handbag?; Introduction; 1. Description and evidence; Essay – a 'sumptuous structure': the Wren Library at Trinity College, Cambridge; 2. Craft, skills and visual intelligence; Essay – 'the jewel of the church': Bernini's Ecstasy of St Teresa; 3. Periodisation; Essay – photographing 'the family of man'; 4. Audiences and display; Essay – deposits of friendship: Renoir's 1908 portrait of Ambroise Vollard; 5. Comparative analysis; List of reference works.
£34.19
Cambridge University Press The Look of the Past
a huge range and FREE tracked UK delivery on ALL orders.
£71.24
Cambridge University Press The Impact of Everyday Language Change on the Practices of Visual Artists
a huge range and FREE tracked UK delivery on ALL orders.
£17.00
Cambridge University Press Creative Sign Language
a huge range and FREE tracked UK delivery on ALL orders.
£17.00
University of Chicago Press The Arts of the Hausa VT
Book Synopsis
£66.12
Penguin Putnam Inc Claude MonetSunshine and Waterlillies Om
Book SynopsisSteven chronicles Claude Monet''s rise to fame and contributions to Impressionism in this colorful report, featuring Steven''s funny cartoons alongside reproductions of classic paintings like Waterlilies.
£6.99
National Gallery of Australia Looking at Art ABC Alphabet
Book Synopsis
£9.45
University of Washington Press Looking at Art 123 How Many Can You See
Book Synopsis
£9.45
National Gallery of Australia Looking at Art Colours What Colour Is That
Book Synopsis
£9.45
National Gallery of Australia Face Australian Portraits 18801960
Book Synopsis
£64.96
National Gallery of Australia Out of the West Western Australian Art 1830s to
Book Synopsis
£18.95
National Gallery of Australia James Kidmans Renaissance Table
Book Synopsis
£56.95
National Gallery of Australia Renaissance 15th 16th Century Italian Paintings
Book Synopsis
£47.45
National Gallery of Australia ToulouseLautrec Artist of Montmartre
Book Synopsis
£42.46
National Gallery of Australia Stars in the River The Prints of Jessie Traill
Book Synopsis
£41.00
National Gallery of Australia Turner to Monet The Triumph of Landscape Painting
Book Synopsis
£57.00
National Gallery of Australia Degas The Uncontested Master
Book Synopsis
£47.45
National Gallery of Australia Redback Graphix
Book Synopsis
£33.25
National Gallery of Australia An Artist Abroad The Prints of James McNeill
Book Synopsis
£18.95
University of Queensland Press The Uses of Art Constructing Australian
Book Synopsis
£37.95
James Clarke Company Architecture
Book Synopsis
£45.60
Lutterworth Press Time to Play Shops A Tribute to the WI Country
Book Synopsis
£25.65
Schiffer Publishing Ltd greatrockandrollstreetart
Book Synopsis
£25.19
Schiffer Publishing Ltd Its All That Glitters
Book Synopsis
£28.79
The University Press of Kentucky Ridley Scott
Book SynopsisWith celebrated works such as Alien, Blade Runner, Thelma & Louise, and Gladiator, Ridley Scott has secured his place in Hollywood.
£30.40
Boosey & Hawkes Music Publishers Ltd Solo Piano Collection Best of British 29 British
Book Synopsis
£17.99
Boosey & Hawkes Music Publishers Ltd The Peacemakers
Book Synopsis
£15.75
St Louis Art Museum,U.S. Joe Jones
Book Synopsis
£45.00
LUP - University of Michigan Press Spirits of Another Sort
Book Synopsis
£57.90
Historical Society of Seattle & King County / Museum of History & Industry The Art of Richard Bennett
Book SynopsisRichard Bennett (1899-1971) was a nationally known printmaker, painter, and illustrator, born in Ireland but raised in Washington State. This book places Bennett's work in the context of major American printmakers and illustrators and the changes in book production inspired by the "Arts and Crafts Movement".Table of ContentsIntroduction / Leonard Garfield The Art of Richard Bennett / David F. Martin Plates Publications and Illustrations by Richard Bennett Sources and Acknowledgments
£24.92
University of Notre Dame, Snite Museum of Art Breaking the Mold
Book Synopsis
£24.69
Chipstone Foundation Ceramics in America 2008
Book SynopsisA diverse range of essays, new discoveries and book reviews on the latest research of interest to ceramic scholars.
£57.95
Chipstone Foundation American Furniture 2008
Book SynopsisAn annual publication forging a link between social history, American studies, and the decorative arts.
£53.20
Chipstone Foundation Ceramics in America 2009 Ceramics in America
Book SynopsisA diverse range of essays, new discoveries and book reviews on the latest research for interest to ceramic scholars.
£54.90
Chipstone Foundation American Furniture 2009 American Furniture Annual
Book SynopsisAn annual publication forging a link between social history, American studies, and the decorative arts.
£54.90
Arizona State University Art Museum Eden Revisited The Ceramic Art of Kurt Weiser
Book Synopsis
£33.89
Fowler Museum of Cultural History,U.S. Transcultural Pilgrim
Book SynopsisInvites the reader into Bedia's spiritual worlds, which range from his Cuban birthplace to Central Africa and to the indigenous Americas
£26.59
Stephen Knapp Studio Stephen Knapp
Book Synopsis
£22.08
Canyon Leap Allen Tupper True An American Artist
Book Synopsis
£19.99
