Techniques of music Books
Best of Black Sabbath
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£16.96
Oxford University Press Inc The Musicians Way A Guide to Practice Performance
Book SynopsisIn The Musician's Way, veteran performer and educator Gerald Klickstein draws on the latest research and his 30 years of professional experience to provide aspiring musicians with a roadmap to artistic excellence. Written in a conversational style, the text articulates landmark strategies that equip readers to advance their musical abilities and succeed as performing artists.Trade ReviewThis book is a rare example of clear, concise and useable information on music practice... If I read a better book on practice this year I'll be surprised!! * Mike Saville, HowToPractice.com *the main strength of this book lies in the depth with which the author engages with the processes of practising and performing. The comprehensive way in which these topics are covered provides students with clear guidance to support many aspects of their musicianship. * Noola Griffiths, British Journal of Music Education *One of the most important books on musicianship in recent decades. * Joseph Docksey, Director, Lamont School of Music *A masterful work, which I believe will quickly be recognized as the finest guide to the art of musical performance produced by our generation. * Kevin Lawrence, Artistic Director, Green Mountain Chamber Music Festival, Professor of Violin, University of North Carolina School of the Arts *I predict that The Musician's Way will be an instant classic. It is the most useful, comprehensive book I have ever read on developing the skills of a successful performer. Every music lover - student, professional, amateur, and teacher alike - should own this book. * Jeffrey Solow, Professor of Cello, Temple University President, American String Teachers Association *An outstanding accomplishment... The Musician's Way should be on the shelf of every aspiring professional musician and every serious music educator. * Clavier Companion *Klickstein covers the gamut of issues, tips, and ideas that make up the world of the serious musician... Students hunger for this kind of knowledge. * Notes *Klickstein takes a common-sense approach and works his way through techniques for improving every aspect of a performer's life, from ways to memorise a piece to dealing with performance anxiety... It's all very well thought through and an interesting read. * The Strad *A comprehensive guidebook from an experienced, insightful musician... You must read this book. * Stringendo *A wonderful tool for all aspiring musicians * Chad Criswell, MusicEdMagic.com *You owe it to yourself to read this book. * Christopher Davis, ClassicalGuitarBlog.net *Written in a light, conversational style...the many case examples bring reality to the text... A comprehensive guidebook from an experienced, insightful musician. If you think you know it all, you must read his book. * Mary Nemet, Stringendo. *Table of ContentsINTRODUCTION; PART I: ARTFUL PRACTICE; PART II: FEARLESS PERFORMANCE; PART III: LIFELONG CREATIVITY; NOTES; SELECTED BIBLIOGRAPHY; INDEX
£26.12
Indiana University Press Bassoon Reed Making
Book SynopsisTrade Review"Unique in its scope and breadth, and thus stands alone as a general history of reed making pedagogy." -Dennis Michel, Bassoonist, The Chicago Symphony Orchestra and Head of Woodwinds in the Chicago College of Performing Arts at Roosevelt UniversityTable of ContentsIntroductionPart I: The History of Bassoon Pedagogy1. Pedagogic Methods 1687-1803An Oral TraditionThe Performer/Author: Cugnier and OziThe Founding of the Paris Conservatoire2. Pedagogic Methods 1803-1887Ozi's Nouvelle méthode de basson (1803) and Fröhlich's Vollständige theoretisch-praktische Musikschule (1811)Almenraeder's Die Kunst des Fagottblasens, oder, Vollständige theoretische praktische, Fagottschule (1843) and Jancourt's Méthode théorique et pratique pour le basson (1845)Weissenborn's Praktische Fagott-Schule (1887)Part II: The History of Bassoon Reed Making3. Instrument Maker/Reed MakerThe Era of Long Lasting ReedsChanging Demands: The Performer/Reed Maker Emerges4. Performer/Reed MakerEtienne Ozi: Transitional FigureThe Standardization of the BassoonPart III: The History of Bassoon Reed-Making Pedagogy5. Pedagogic Methods 1687-1787A LineageCugnier's "Le Basson" (1780) and Ozi's Méthode nouvelle et raisonnée pour le bassoon (1787)6. The Birth of Reed-Making PedagogyOzi's Nouvelle méthode (1803)7. Pedagogic Methods 1803-1843Fröhlich's Vollständige theoretisch-praktische Musikschule (1811)Almenraeder's Die Kunst des Fagottblasens oder Vollständige theoretisch praktische Fagottschule (1843)8. Pedagogic Methods 1844-1887Willent-Bordogni's Méthode complète pour le bassoon (1844) and Jancourt's Méthode theorique et pratique pour le basson (1847)International PedagogiesWeissenborn's Praktische Fagott-Schule (1887)Part IV: Bassoon Reed-Making Pedagogy in Twentieth Century America9. The Modern Era: The Secrecy of Reed Making10. Researcher/Pedagogue: Louis Skinner11. Reed Maker/Innovator: Don Christlieb12. Artist/Scholar I: Norman Herzberg13: Artist/Scholar II: Lewis Hugh CooperConclusionAppendix 1. Reed Notes: Don Christlieb (1945)Appendix 2. Herzberg Bassoon Reed ExamAppendix 3. Cooper's Reed Contribution SystemAppendix 4. Timeline of Relevant Publications and Events in the History of Bassoon Reed Making PedagogyBibliographyNotesIndex
£22.79
Alfred USA Suzuki Violin School Vol 5 Violin Part
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£13.46
Hal Leonard Publishing Corporation First 50 Chord Progressions You Should Play on
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£15.30
New Voice Publishing The Handbook of Vocal Massage
£74.00
Warner John W Schaum Piano Course B The Blue Book
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£9.49
Warner ALFRED PUBLISHING SCHAUM WESLEY SCHAUM PIANO
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£8.95
Warner Jazz Guitar Single Note Soloing 1
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£19.76
Warner Note Speller Book 1 Revised Schaum Method
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£8.54
Warner APPLEBAUM String Builder 2 para Violin
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£9.49
G. Schirmer, Inc. Shifting the Position
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£9.35
Hal Leonard Publishing Corporation Piano Lessons Book 1
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£8.25
Artemis Editions Cool Chords
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£6.63
£13.63
Hal Leonard Europe Limited Its Easy to Play Abba
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£14.24
Flame Tree Publishing Classic Riffs (Pick Up and Play): Licks & Riffs
Book SynopsisEvery developing guitarist wants to know how to produce those amazing sounds familiar to us all - the awesome solos and guitar virtuosity, the signature riffs of the most memorable songs. This is the ideal book for anyone who can't get enough of those classic styles. Split into genres – blues, heavy metal, punk and indie, and even country and jazz – each section has an introduction which captures the main artists and their styles. Then try your hand at any of the notation or TAB examples of riffs in the style of everyone from Ritchie Blackmore and Jimmy Page to Slash and Kurt Cobain. Classic Riffs is part of our highly successful series of practical ring-bound guides to playing music. Supported online by the Flame Tree Music website. Now you can see the chord, then reach for your phone and hear the chord or scale. Using any free QR code reader app (Android, iPhone, Blackberry, Windows) a web site opens automatically and you can listen to the chord as a strum, an arpeggio (each note played separately) and hear it as a piano chord.
£9.49
Berklee Press Publications Berklee Harp
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£23.39
Hal Leonard Publishing Corporation Teach Yourself to Play Bass
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£9.59
Hal Leonard Publishing Corporation Notespeller Stories Games Book 2 Travel Through
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£9.54
Yale University Press Singing in Style
Book SynopsisPresenting a historical overview of vocal performance practice and style, this title provides an introduction to how such issues as ornamentation, vibrato, rubato, portamento, articulation, tempo, language, and accompaniment with period instruments have been handled since the seventeenth century.Trade ReviewSelected as an Outstanding Academic Title for 2006 by Choice Magazine"This is just the kind of book I wish I'd had access to when I was a student, but I am still ever so grateful to benefit from it now. It is thorough, thoughtful, inclusive, and a real joy to read. I know I'll be referring to Singing In Style frequently in the years to come . . . not to mention recommending it to countless others."—Dawn Upshaw, soprano"Singing in Style opens the door for singers to a better understanding of how to put more thought into their performances of the past four hundred years of song. In some cases, Elliott raises useful questions herself; then she gives us tools and resources for finding the answers. I wish such a book had been available when I was a student."—Drew Minter, countertenor"Full of information which enlightens our interpretive choices, Singing In Style is a most welcome resource and a must read for our profession."—Lucy Shelton, soprano"A very important addition to the field. I recommend it to students and teachers."—Paul Sperry, Manhattan School of Music"An indispensable guide for singers, pianists and teachers. Written from a singer’s viewpoint, Singing in Style raises a host of important issues, addressing them with clarity and insight."—Brian Zeger, Artistic Director of Vocal Arts, Juilliard School
£22.50
Chicago Review Press How to Rap 2: Advanced Flow and Delivery
Book SynopsisThis sequel to How to Rap breaks down and examines techniques that have not previously been explained—such as triplets, flams, lazy tails, and breaking rhyme patterns. Based on interviews with hip-hop’s most innovative artists and groups, including Tech N9ne, Crooked I, Pharcyde, Das EFX, Del the Funky Homosapien, and Big Daddy Kane, this book takes you through the intricacies of rhythm, rhyme, and vocal delivery, delving into the art form in unprecedented detail. It is a must-read for MCs looking to take their craft to the next level, as well as anyone fascinated by rapping and its complexity.Trade ReviewPraise for How to Rap: "Filled with real tools and overflowing with inspiration, this comprehensive how-to manual examines the art and craft of rap. . . . Both newcomers to rap and more experienced listeners and artists can gain insights in the time-honored tradition of learning from the past, as told straight from the artists' mouths. . . . A good read even for nonartists interested in learning more about hip-hop creativity, personalities, and history, this offers insights into music and poetry. Highly recommended." -- Library JournalA clever breakdown of the art form of hip-hop rhymes for anyone who is into the art of incredible raps." -- Speech, Arrested Development"A must-have guide for anyone who ever wanted to understand the blood, sweat, and tears that can go into the art of MCing." -- DJ Rasta Root, Producer, Smokin' Needles Records"If you rhyme, sing, or produce, read this book to improve your craftsmanship and to open up your mind." -- Jump Off TV, Broadcaster of World Rap Championships"An excellent, revealing read... I highly recommend this book to any rap fans or people interested in the technical aspects of music and poetry." -- Mighty Casey, underground rapper"How to Rap has much heart... A marvelous milestone in our ancient storytelling tradition." -- Georgia Anne Muldrow, singer/songwriter"Clear, coherent, and organized... full of useful examples and concise explanations. An invaluable tool for young upstarts and seasoned pros alike!" -- Jamie Collinson, General Manager, Big Dada Recordings"Even MCs with a natural talent will find this book extremely insightful. Anyone thinking about becoming a rapper would do well to read it cover to cover." -- Mike Lewis, General Manager, Lewis Recordings"Filled with real tools and overflowing with inspiration, this comprehensive how-to manual examines the art and craft of rap. . . . Both newcomers to rap and more experienced listeners and artists can gain insights in the time-honored tradition of learning from the past, as told straight from the artists' mouths. . . . A good read even for nonartists interested in learning more about hip-hop creativity, personalities, and history, this offers insights into music and poetry. Highly recommended." --Library Journal
£11.35
Faber Piano Adventures PlayTime Piano Rock 'n' Roll: Level 1
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£8.25
Centerstream Publishing The Early Minstrel Banjo
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£24.22
Indiana University Press Learning Teaching and Musical Identity
Book SynopsisMusic education and identity in an international contextTrade ReviewGreen invites twenty authors from all corners of the globe to contribute evidence based research to this book . . . From these fascinating, highly readable accounts, Green pulls out some emerging issues which have important messages for music educators. 7/22/11 * Teaching Music *[T]his collection is a very worthy addition to the growing literature on global music education. It will be useful as both a scholarly and pedagogical resource, and will likely inspire much future work in this still nascent but vibrant field. * Popular Music *Green allows readers to journey to an isolated culture, for example, Lapland, or to a cyberspace island, and contemplate their own musical identity as they work out their educational philsoophy. . . . Highly recommended. * Choice *Table of ContentsAcknowledgments Introduction: The Globalization and Localization of Learning, Teaching, and Musical Identity / Lucy Green 1. The Permeable Classroom: Learning, Teaching, and Musical Identity in a Remote Australian Aboriginal Homelands School / Kathryn Marsh 2. Popular Music Listening as "Non-Resistance": The Cultural Reproduction of Musical Identity in Japanese Families / Kyoko Koizumi 3. From Homeland to Hong Kong: The Dual Musical Experience and Identity of Diasporic Filipino Women / Annie On Nei Mok 4. Village, Province, and Nation: Aspects of Identity in Children's Learning of Music and Dance in Bali / Peter Dunbar-Hall 5. Music for a Postcolonial Child: Theorizing Malaysian Memories / Roe-Min Kok 6. Continuity and Change: The Guru-Shishya Relationship in Karnatic Classical Music Training / Sophie Grimmer 7. "Music Is in Our Blood": Gujarati Muslim Musicians in the UK / John Baily 8. Greek Popular Music and the Construction of Musical Identities by Greek-Cypriot School Children / Avra Pieridou-Skoutella 9. Music-Learning and the Formation of Local Identity through the Philharmonic Society Wind Bands of Corfu / Zoe Dionyssiou 10. Playing with Barbie: Exploring South African Township Children's Musical Games as Resources for Pedagogy / Susan Harrop-Allin 11. Personal, Local, and National Identities in Ghanaian Performance Ensembles / Trevor Wiggins 12. Music Festivals in the Lapland Region: Constructing Identities through Musical Events / Sidsel Karlsen 13. Shaping a Music Teacher Identity in Sweden / Eva Georgii-Hemming 14. Icelandic Men and Their Identity in Songs and in Singing / Robert Faulkner 15. Discovering and Affirming Musical Identity through Extracurricular Music-Making in English Secondary Schools / Stephanie Pitts 16. Scottish Traditional Music: Identity and the "Carrying Stream" / Charles Byrne 17. Performance, Transmission, and Identity among Ireland's New Generation of Traditional Musicians / John O'Flynn 18. Fostering a "Musical Say": Identity, Expression, and Decision Making in a US School Ensemble / Sharon G. Davis 19. Diversity, Identity, and Learning Styles among Students in a Brazilian University / Heloisa Feichas 20. SIMPhonic Island: Exploring Musical Identity and Learning in Virtual Space / Sheri E. JaffursList of ContributorsIndex
£19.79
Oxford University Press Solo Time for Violin Book 3 CD 16 concert pieces
Book SynopsisSolo Time for Violin is a three-volume series of concert pieces for the intermediate to more advanced violinist. Featuring arrangements and original pieces by the authors of the award-winning Fiddle Time series, these graded collections provide sophisticated repertoire from the Baroque to the modern age and introduce styles and techniques for the developing performer.Trade ReviewKathy and David Blackwell need no introduction to string teachers and students; their Fiddle Time series has gained universal appeal ... All 48 pieces are carefully chosen for their educational value as well as musical appeal. Helpful fingering and bowing suggestions together with informative notes, stylish piano accompaniments and a CD with backing tracks as well as full performances provide an admirable follow-up to the Blackwells' considerable achievements. Mary Nemet, Stringendo (AUSTA), October 15 With the introduction of this latest addition to the Fiddle Time family of publications [Solo Time], it would now theoretically be possible to go from complete beginner to ABRSM Grade 8 using only one series of books. That this is the case is a testament to the vast accumulated experience of the Blackwells, which they have so generously shared with their violin teaching colleagues ... Pieces are not arranged in chronological order, which invites a more playful exploration. There are some real gems ... The books owe a certain amount to the Associated Board's selected graded repertoire with their helpful (but not over-editorial) fingering and bowing policies, and notes on context ... these carefully crafted arrangements and editions give pupils access to some interesting and occasionally challenging new repertoire. The Strad, September 2015 I love the new Solo Time books - my students are giving great feedback too. Great pieces to learn in between grades - love 'Sunayama' and its pentatonics. The pieces are pushing my students in a positive way to explore new music and create a thirst to learn new techniques to be able to play these pieces. Thanks for helping us teachers on the front line; these books will definitely be a lovely addition for my students. Sian Phillips, music teacher and performer, June 2015 One piece which especially brought a smile to my face is a fun set of violinistic variations, written by Kathy and David Blackwell, on the theme from the slow movement of Haydn's Surprise Symphony ... The pieces are slightly 'off the beaten track' and the whole presentation is most attractive with again a backing CD provided. You can also go onto the OUP website and listen to complete performances of some half dozen of the pieces. I envisage teachers using these books a lot with their students. Anne Inglis, ESTA Arco, Summer 2015Table of ContentsSinfonia in D: BWV 789 ; Allegro: from Divertimento No. 3, K439b ; Fantasia ; Cripple Creek ; Mallorca ; Puck: from Lyric Pieces, Op. 71 No. 3 ; Jiana ; Sonatina ; Valse Caressante: from Six Pieces for Violin and Piano ; Andante cantabile: from Piano Quartet, Op. 47 ; Surprising Variations, on a theme by Haydn ; Elite Syncopations ; Presto: from Keyboard Suite No. 3 in D minor, HWV 428 ; Cantilene: from Three Pieces for Organ, Op. 29 ; Adagio: from Violin Concerto in G, Hob. VIIa/4
£19.95
Indiana University Press Spirited Wind Playing The Performance Dimension
Book SynopsisTable of ContentsForeword, by Peter J. SchoenbachAcknowledgmentsIntroduction: Seven Core EssentialsSection 1: On the Air1. Stand Tall: Posture and Balance 2. The Centered Performance3. Breathing On The Air4. Magnetic Tone Production: Head and Body Resonance Section 2: Spirited Wind Playing5. Embouchure and Powerful Projection6. Get On With It! Warm-Up and Practice Routine 7. Deft Articulation: An Integral Art of Wind Playing 8. Vibrato: The Great Debate 9. Virtuosity: Dancing Fingers Lead the WaySection 3: The Performance Dimension10. Memory Made Simple11. Winning Auditions 12. The Performance Dimension Conclusion: Why is it So Easy to Put All This Together?Key Resources
£16.14
Hal Leonard Corporation FastTrack Lead Singer Method Book 1 Includes
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£13.59
Hal Leonard Publishing Corporation Essential Elements 2000 for Strings Book 2
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£11.39
Amazon Digital Services LLC - Kdp The New Art of Ragtime Guitar 2nd edition
£22.50
Scarecrow Press Coffins Overtones of Bel Canto Phonetic Basis of
Book SynopsisPresents in acoustic phonetics, register and musical notation, many exercises that will make the voice stronger and more musical according to the precepts of Bel Canto.Trade ReviewCoffin's work provides an invaluable aid for voice teachers and choral conductors alike in helping singers achieve optimum resonance. * Choral Journal *
£999.99
Hal Leonard Corporation SolfGe Des SolfGes Book I Schirmer Library of
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£9.04
Warner Suzuki Cello School Cello Part Volume 4
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£17.57
Alfred UK Michael Aaron Piano Course
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£6.95
Willis Music Company John Thompsons Easiest Piano Course
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£10.44
Alfred Publishing Co Inc.,U.S. Alfreds Basic Piano Library Recital 2
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£9.45
Backbeat ThePiano Handbook by Humphries Carl Author ON
Book SynopsisTHE PIANO HANDBOOK - A COMPLETE GUIDE FOR MASTERING PIANO W/AUDIO ONLINE HDCV
£30.00
Willis Music Company A Dozen a Day Mini Book
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£9.36
Legare Street Press Vocal Album
a huge range and FREE tracked UK delivery on ALL orders.
£14.96
£43.00
Hal Leonard Corporation John Thompsons Hanon Studies Book 1 Elementary
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£7.50
Faber Piano Adventures Piano Sonatinas Book One
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£7.99
DK Help Your Kids with Music Ages 1016 Grades 15
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£18.99
Kahn & Averill The Russian Piano School: Russian Pianists and
Book SynopsisMoscow and its Conservatoire was long, perhaps still is, the heart of Russian pianism. Its graduates range through Rachmaninov, Scriabin, Medtner, Richter, Gilels, Ashkenazy, Pletnev and beyond. Professor Christopher Barnes, a professor of Slavic languages at the University of Toronto, has translated hitherto unavailable essays, critiques and lectures from the leading teaching lights at the Moscow Conservatoire. This is a feast of valuable piano pedagogy.Trade Review'Here is a book worth its weight in platinum! Christopher Barnes, a professor of Slavic languages at the University of Toronto, has translated hitherto unavailable essays, critiques and lectures from the leading teaching lights at the Moscow Conservatoire. This is a feast of valuable piano pedagogy ...' PianojazzTable of ContentsIntroduction, A Note on the Authors, Part One - Techniques and Artistry, 1. Samuel Feinberg - The Road to Artistry, 2. Alexander Goldenweiser - Advice from a Pianist and Teacher, 3. Lev Oborin - Some Principles of Pianoforte Technique, 4. Konstantin Igumnov - Some Remarks on Technique, 5. Grigorii Ginzburg - Notes on Mastery of the Piano, Part Two - Lessons and Masterclasses, 1. Samuel Feinberg - Beethoven's Appassionata: A Performer's Commentary, 2. Sviatoslav Richter - Three Answers to Questions about Beethoven's Sonata Appassionata, 3. Heinrich Neuhaus - Work on Beethoven's Sonata in A major Opus 101, 4. Maria Eshchenko - Chopin Etudes (based on classes with Samuel Feinberg), 5. Yakov Flier - Reflections on Chopin's Fourth Ballade, 6. Alexander Goldenweiser - Notes on Chopin's Ballade in F minor, 7. Konstatin Igumnov - Chopin's Fourth Ballade in F minor, 8. Nina Lelchuk and Elena Dolinskaya - Lesson with Yakov Flier (based on Liszt's Mephisto Waltz No.1 and Prokofiev's Sonata No.3), 9. Olga Stupakova and Genrietta Mirvis - Yakov Zak as Teacher (on Liszt's Sonata, Schumann's Etudes Symphoniques and Rakhmaninov's Paganini Rhapsody), Bibliography, Index of Pianists, Composers and Works, Index of Piano Playing Terms
£18.00
Nick Hern Books Writing Music for the Stage: A Practical Guide
Book SynopsisThe definitive guide to writing music for the stage, by the Composer-in-Residence at the Donmar Warehouse. Music has played a vital part in drama since the earliest days of theatre. For composers, writing music for the stage is an opportunity to exercise their utmost creativity and versatility: a good musical score will both support and enhance the play it serves, and can lift a prosaic moment into something quite extraordinary. In this book, Michael Bruce takes you through the entire process – from initial preparation, through composition, rehearsals and recording, and finally to performance. He covers everything a composer needs to know, including: • Getting started – spotting when and how music might be used in a play, doing research, considering form and content • Building a 'sound world' – finding and using source music, creating incidental music, choosing the best instrumentation, scoring, utilising technology, writing music to accompany song lyrics • Working on the production – understanding the composer's role in rehearsals, collaborating with key creatives, employing actor-musicians, getting the show on • Recording – knowing when to record, booking and working with musicians – and the studio engineer, running a recording session Throughout the book, the author draws on his own experience of creating music for a wide variety of plays at the Donmar Warehouse, the National Theatre, in the West End and on Broadway, including detailed case studies of his work on The Recruiting Officer, Coriolanus, Privacy, The Winslow Boy, Noises Off and Strange Interlude. The book is accompanied by online excerpts from his scores. An essential companion for all composers – amateur, student or professional – Writing Music for the Stage is also invaluable reading for other theatre professionals, including directors, playwrights, producers, actors, designers and sound designers – in fact, for anyone seeking to understand how music helps to create worlds and tell stories on stage. 'This fascinating book – like its author (with whom I've had the good fortune to work on three productions) – is bursting with practical advice, good sense and invention. A must-read for all those with an interest in how music works on stage.' Mark Gatiss 'A good score makes a world of difference to an actor. Read Michael Bruce's book and you'll understand why. He is a genius.' Judi Dench 'Michael's music is wonderful: inclusive, original, respectful and – in its rightness – sheer joy.' Josie Rourke, from her ForewordTrade Review'plenty of detailed practical advice here for you wherever you are in your learning journey. It’s also a good read for anyone who simply wants to understand how theatrical music works without necessarily wanting to create it.' -- Susan Elkin * susanelkin.co.uk *'A joy to read… an incredibly interesting viewpoint of this vital aspect of the creation of a performance… Michael Bruce successfully conveys his passion and work ethic, constantly inspiring the reader and encouraging us to continue to learn from his words' * Drama Magazine *
£12.34
Hal Leonard Corporation Vocal Aerobics: A 40-Week Workout Program for
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£17.09
Rockschool Ltd Rockschool Acoustic Guitar Debut (2019): Us
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£17.09
LEGARE STREET PR American Indian Melodies
a huge range and FREE tracked UK delivery on ALL orders.
£14.09
