Stationery and miscellaneous items

Book SynopsisJohn D’Emilio is one of the leading historians of his generation and a pioneering figure in the field of LGBTQ history. At times his life has been seemingly at odds with his upbringing. How does a boy from an Italian immigrant family in which everyone unfailingly went to confession and Sunday Mass become a lapsed Catholic? How does a family who worshipped Senator Joseph McCarthy and supported Richard Nixon produce an antiwar activist and pacifist? How does a family in which the word divorce was never spoken raise a son who comes to explore the hidden gay sexual underworld of New York City?Memories of a Gay Catholic Boyhood is D’Emilio’s coming-of-age story in which he takes readers from his working-class Bronx neighborhood to an elite Jesuit high school in Manhattan to Columbia University and the political and social upheavals of the late 1960s. He shares his personal experiences of growing up in a conservative, tight-knit, multigenerational Trade Review"Unusual among today’s memoirs, this one is upbeat and generous spirited about its author’s early life and challenges. . . . The author’s compassionate spirit suffuses the text to such a degree that one hopes for a future continuation into his years as a professional historian. A warm, humane coming-of-age memoir. . . ." * Kirkus Reviews *“In this fascinating self-portrait and insightful portrait of his times, a prominent queer historian recalls growing up in the 1950s and ’60s—a smart, pious, conservative, Catholic boy from a working-class Italian family in the Bronx transforms himself into a radical left, openly gay Columbia University student.” -- Jonathan Ned Katz, author of * The Daring Life and Dangerous Times of Eve Adams *"D’Emilio’s youthful reminiscences make for a classic work of literature that deserves a wide readership. One hopes this memoir is only the first in a succession." (Starred Review) -- David Azzolina * Library Journal *"[D'Emilio's] memoir is a love letter to Manhattan. but also to the Bronx of his childhood, to the schools that educated and occasionally hindered him, to the family members who nourished him—even when they no longer understood him—so he would someday find his life's work. . . . Based on the many pleasures offered by this book, I hope he decides to write the sequel." -- Daniel A. Burr * Gay and Lesbian Review *"D’Emilio, who has been an eminent historian of the American gay man’s experience and struggle during his lifetime, has turned his searching eye inward and now gives us a different kind of history—one that’s pegged to his own life, loves and learnings. Every page is fork-tender with emotion, and to be honest, in my mind’s eye, I imagined him going back to a huge file of every sweet or difficult or thoughtful observation he’d ever excised from one of his academic books and sewing them together with hindsight for this volume." -- S. Bear Bergman * Xtra! *"As D’Emilio applies his skills as an acclaimed social and cultural historian to his own youth, Memories of a Gay Catholic Boyhood offers us a caring and thoughtful window into a time of enormous change in American society and the Catholic Church. His account is warm and gracious; he is quick to acknowledge his own limitations while acknowledging the crucial role of his friends and family in shaping and loving the gay Catholic man he became." -- Brian Linnane * America *Table of ContentsPreface ix Part I. An Italian Boy from the Bronx 1. An Italian Family 3 2. Big Grandma's House 11 3. School: Becoming a Big Boy 17 4. Baby Jim 25 5. Change, and More Change 32 6. A Family of Friends 40 7. God Help Me! 49 8. A Beginning and an End 57 Part II. A Jesuit Education 9. A Whole New World 65 10. Striving to Win 76 11. My Sexual Desires 84 12. Another Ending 94 13. Working in the City 105 Part III. Everything Changes 14. God Is Dead 119 15. War and Peace 128 16. This Is Me 140 17. I Come Out, Sort Of 148 18. Her Name Is Margaret Mead 160 19. And Then I Studied 169 20. Now What Do I Do? 182 21. A Door Opens 194 Postscript 205 Acknowledgments 207

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Book SynopsisDespite the fact that most of jazz's major innovators and performers have been African American, the overwhelming majority of jazz journalists, critics, and authors have been and continue to be white men. No major mainstream jazz publication has ever had a black editor or publisher. Ain't But a Few of Us presents over two dozen candid dialogues with black jazz critics and journalists ranging from Greg Tate, Farah Jasmine Griffin, and Robin D. G. Kelley to Tammy Kernodle, Ron Welburn, and John Murph. They discuss the obstacles to access for black jazz journalists, outline how they contend with the world of jazz writing dominated by white men, and point out that these racial disparities are not confined to jazz but hamper their efforts at writing about other music genres as well. Ain't But a Few of Us also includes an anthology section, which reprints classic essays and articles from black writers and musicians such as LeRoi Jones, Archie Shepp, A. B. Spellman, and Herbie Nichols. Contributors Eric Arnold, Bridget Arnwine, Angelika Beener, Playthell Benjamin, Herb Boyd, Bill Brower, Jo Ann Cheatham, Karen Chilton, Janine Coveney, Marc Crawford, Stanley Crouch, Anthony Dean-Harris, Jordannah Elizabeth, Lofton Emenari III, Bill Francis, Barbara Gardner, Farah Jasmine Griffin, Jim Harrison, Eugene Holley Jr., Haybert Houston, Robin James, Willard Jenkins, Martin Johnson, LeRoi Jones, Robin D. G. Kelley, Tammy Kernodle, Steve Monroe, Rahsaan Clark Morris, John Murph, Herbie Nichols, Don Palmer, Bill Quinn, Guthrie P. Ramsey Jr., Ron Scott, Gene Seymour, Archie Shepp, Wayne Shorter, A. B. Spellman, Rex Stewart, Greg Tate, Billy Taylor, Greg Thomas, Robin Washington, Ron Welburn, Hollie West, K. Leander Williams, Ron WynnTrade Review"With the conductive virtuosity of Butch Morris, Jenkins . . . assembles an impressive paean to the Black writers who’ve dedicated their lives to capturing in language what jazz musicians conjure in a split second. With more than two dozen thoughtful profiles, this is a fascinating dive into the sociopolitical realities of being a Black writer—in this case, Black writers who love jazz and express that love in vivid prose. . . . A memorable love letter to Black art, Black joy, and the writers who have sought to tell it like it really is." * Kirkus Reviews *"A modern, fresh collection of interviews. . . . A triumphantly panoramic view of the visceral experience of Black jazz journalists and those who choose to cover the music successfully, by being published widely and regularly throughout their careers." -- Jordannah Elizabeth * New York Amsterdam News *"The spectrum of vibrant Black voices in Ain’t But a Few of Us is broad, relaying their experiences in the trenches of the jazz media field—from cub reporters to trailblazers.. . . . The book serves as a testament to the experiences of a rare few, proof-positive that Black writers and editors are not alone." -- Ayana Contreras * Downbeat *"To say that this book is an essential read is an understatement. It is essential not only to enjoy the eloquence and grace of the writing, the depth of knowledge, expertise and experience of these writers, but because things must change. Jazz needs more black voices. The world needs more black voices." -- Fiona Ross * Kind of Jazz *"For jazz buffs and those interested in American culture, this is a spellbinding read and quite impossible to put down. This is an open invitation for the curious wanting an aural adventure." -- Robert Fleming * African American Literature Book Club *"The importance of Willard’s new book Ain’t But A Few of Us cannot be underestimated. A collection of journeys – lived experiences – from the voices of 49 truly inspirational black writers. It is groundbreaking for many reasons. Groundbreaking because never before has the lack of black jazz journalists been documented. Groundbreaking because never before has such an inspirational collection of writers been given a platform to share their experiences. Willard has given a long overdue platform to incredible voices." -- Fiona Ross * Jazz in Europe *"Revelatory, inspiring, passionate, damning and sobering." -- Raymond Cummings * The Wire *"Ain't But a Few of Us should be considered required reading for high school and college students, particularly those pursuing careers in music or journalism. . . . For students, each writer offers a personal history of their lives with shared commonalities in their insights, the importance of inclusion and diversity, and, regardless of barriers and disparities, giving up is never an option." -- Ron Scott * New York Amsterdam News *Table of ContentsAcknowledgments ix Introduction / Willard Jenkins 1 1. Roundtable / Eric Arnold, Jordannah Elizabeth, Bill Francis, Steve Monroe, Rahsaan Clark Morris, Robin Washington, and K. Leander Williams 15 2. The Authors / Playthell Benjamin, Herb Boyd, Karen Chilton, Farah Jasmine Griffin, Robin D. G. Kelley, Tammy Kernodle, Guthrie P. Ramsey Jr., Gene Seymour, A. B. Spellman, and Greg Tate 27 3. Black Jazz Magazine Editors and Publishers / Jo Ann Cheatham (Pure Jazz), Jim Harrison (Jazz Spotlite News), Haybert Houston (Jazz Now), and Ron Welburn (The Grackle) 89 4. Black Dispatch Contributors / Robin James and Ron Scott 111 5. Magazine Freelancers / Bill Brower, Janine Coveney, Lofton Emenari III, Eugene Holley Jr., John Murph, Don Palmer, and Ron Wynn 125 6. Newspaper Writers and Columnists / Martin Johnson, Greg Thomas, and Hollie West 167 7. The New Breed (Online) / Bridget Arnwine, Angelika Beener, and Anthony Dean-Harris 189 8. Anthology 209 Classics “Jazz and the White Critic,” LeRoi Jones (DownBeat, 1963) 209 “Requiem for a Heavyweight,” Marc Crawford (Transition, 1966) 216 “Inside the Horace Silver Quintet,” Barbara Gardner (DownBeat, 1963) 220 “Trane + 7 = a Wild Night at the Gate,” A. B. Spellman (DownBeat, 1965) 226 “The Testimony: An Interview with Alto Saxophonist Bunky Green,” Bill Quinn (DownBeat, 1966) 229 On Jazz and Race “Putting the White Man in Charge,” Stanley Crouch (JazzTimes, 2003) 236 “My Bill Evans Problem—Jaded Visions of Jazz and Race,” Eugene Holley Jr. (New Music Box, 2013) 238 “Where's the Black Audience?”, Ron Wynn (JazzTimes, 2013) 243 “Whither the Black Voices,” Anthony Dean-Harris (Nextbop, 2013) 249 “Brooklyn's Jazz Renaissance,” Robin D. G. Kelley (ISAM Newsletter, 2004) 251 Additional Ain’t But a Few of Us Contributors “Wynton Is the Greatest!,” Playthell Benjamin (Commentaries on the Times, 2016) 255 “Jazz Is . . . Free . . . ?,” Ron Welburn (The Grackle, 1976) 259 “Why Jazz Will Always Be Relevant,” Greg Tate (The Fader, 2016) 264 “Rhapsody in Rainbow: Jazz and the Queer Aesthetic,” John Murph (JazzTimes, 2010) 268 Black Musician Writers “Billy Taylor Replies to Art Tatum Critics,” Billy Taylor (DownBeat, 1955) 274 “Creativity and Change,” Wayne Shorter (DownBeat, 1968) 276 “An Artist Speaks Bluntly,” Archie Shepp (DownBeat, 1965) 286 “The Jazz Pianist-Purist,” Herbie Nichols (Rhythm, 1946) 288 “Smack! Memories of Fletcher Henderson,” Rex Stewart (DownBeat, 1965) 290 Index 299

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Book SynopsisBeginning in the mid-1800s, Americans hauled frozen pond water, then glacial ice, and then ice machines to Hawai?i—all in an effort to reshape the islands in the service of Western pleasure and profit. Marketed as “essential” for white occupants of the nineteenth-century Pacific, ice quickly permeated the foodscape through advancements in freezing and refrigeration technologies. In Cooling the Tropics Hi?ilei Julia Kawehipuaakahaopulani Hobart charts the social history of ice in Hawai?i to show how the interlinked concepts of freshness and refreshment mark colonial relationships to the tropics. From chilled drinks and sweets to machinery, she shows how ice and refrigeration underpinned settler colonial ideas about race, environment, and the senses. By outlining how ice shaped Hawai?i’s food system in accordance with racial and environmental imaginaries, Hobart demonstrates that thermal technologies can—and must—be attended to in struggles for Trade Review"Cooling the Tropics offers a compelling model for future research focused on the simultaneously sensorial, biopolitical, and ecological implications of colonialism’s thermal infrastructures." -- Hsuan L. Hsu * The Senses and Society *"Fascinating and thoughtful. . . . Recommended. General readers and advanced undergraduates through faculty." -- F. Ng * Choice *“Cooling the Tropics is well worth reading. … With many revealing and fascinating examples, [Hobart] tells an engaging story of the American colonisation of Hawaii that is open, unfixed and challengeable.” -- Helene Brembeck * Review of Agricultural, Food, and Environmental Studies *"Contributing to a rich, contemporary conversation of critical ruminations on materiality, the elements, and questions of race and indigeneity, Cooling the Tropics pushes readers to think about how indigeneity is shaped in colonial discourses. … This well researched book will fascinate and keep readers on the hook." -- Jen Rose Smith * Society and Space *Table of ContentsNote on ‘Ōlelo Hawai‘i Usage vii Acknowledgments ix Introduction: Feeling Cold in Hawai‘i 1 1. A Prehistory of the Artificial Cold in Hawai‘i 21 2. Vice, Virtue, and Frozen Necessities in the Sovereign City 47 3. Making Ice Local: Technology, Infrastructure, and Cold Power in the Kalākaua Era 71 4. Cold and Sweet: The Taste of Territorial Occupation 91 5. Local Color, Rainbow Aesthetics, and the Racial Politics of Hawaiian Shave Ice 113 Conclusion: Thermal Sovereignties 137 Notes 147 Bibliography 205 Index 233

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Book SynopsisThe contributors to The Social Sciences in the Looking Glassoutline the present transformations of the social sciences, explore their connections with critical humanities, analyze the challenges of alternate paradigms, and interrogate recent endeavors to move beyond the human.Trade Review"In an era in which the social sciences are routinely under attack for being perceived as unproductive and overly critical and deterministic, this “social science of the social sciences” is an important and timely contribution. Recommended. Graduate students and faculty." -- J. R. Mitrano * Choice *Table of ContentsIntroduction: Toward a Social Science of the Social Sciences / Didier Fassin and George Steinmetz 1 Part One. Disciplines in the Making 1. Concept-Quake: From the History of Science to the Historical Sociology of Social Science / George Steinmetz 21 2. Spaces of Real Possibilities: Counterfactuals and the Impact of Donors on the Social Sciences / Álvaro Maorcillo Laiz 81 3. The Social Life of Concepts: or, How to Study the Idea of Creativity? / Bregje F. Van Eekelen 107 4. Epistemological Crises in Legal Theory: The (Ir)Rationality of Balancing / Carel Smith 129 5. The Reinvention of Sociology: Into the Trenches of Fieldwork at the Time of the Algerian Liberation War / Amín Pérez 147 Part Two. From the National to the Global 6. How Sociology Shaped Postwar Poland and How Stalinization Shaped Sociology / Agata Zysiak 175 7. The Public Anthropology of Violence in India / Chitralekha 195 8. Challenging Objectivity in Japan’s Long 1968 / Miriam Kingsberg Kadia 218 9. How Political Commitment Delineates Social Scientific Knowledge / Kristoffer Kropp 240 10. Making Sense of Globalizing Social Science / Johan Heilbron 262 Part Three. Exploring Borders and Boundaries 11. Critical Humanities and the Unsettling of the Sociological Field: Is There a French Exception? / Jean-Louis Fabiani 287 12. Recovering Subalternity in the Humanities and Social Sciences / Peter D. Thomas 310 13. Thinking about Cognitive Scientists Thinking about Religion / John Lardas Modern 328 14. Cooperative Primates and Competitive Primatologists: Prosociality and Polemics in a Nonhuman Social Science / Nicolas Langlitz 351 15. The Rise and Rise of Posthumanism: Will It Spell the End of the Human Sciences? / Didier Fassin 368 Contributors 393 Index 397

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Book SynopsisSherry B. Ortner explores how the nonprofit film production company Brave New Films deploys documentary film's commitment to truth and realism to cultivate progressive political activism.Trade Review"[A] fascinating ethnographic study of a nonprofit production company. . . . Ortner provides extensive research on the history of activist documentary filmmaking. The book’s compelling exploration of the documentary Suppressed: The Fight To Vote reveals how it evokes various emotions during a film screening and examines its call to action. Ortner’s deep dive is so effective in describing the film’s storytelling method that it may inspire readers to seek out Suppressed and other Brave New Films works." -- Anjelica Rufus-Barnes * Library Journal *"Ortner’s analysis encourages readers to critically assess media accounts and consider the ethical implications of documentary activity. Focusing on bold new films, the book offers valuable insight into the production process, the challenges faced by activist filmmakers, and the strategies they use to effectively convey their message." -- Kaniphnath Malhari Kudale * Social Identities *Table of ContentsPreface ix Acknowledgments xi Introduction 1 1. Brave New Films in the Mediascape 19 2. Critical Agency: The Power of Truth 31 3. Networked Agency: The Power of the Social 52 4. Affective Agency: The Power of the Film 73 5. The Impact Question, and Conclusions 97 Notes 113 Filmography 121 References 127 Index

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Book SynopsisSony Coráñez Bolton examines the racial politics of disability, mestizaje, and sexuality in the Philippines, showing how heteronormative, able-bodied, and able-minded mixed-race Filipinos offered a model and path for assimilation into the US empire.Trade Review“Sony Corañez Bolton’s Crip Colony is a theoretically sophisticated contribution to the current surge in Filipinx American studies scholarship.” -- Martin Joseph Ponce * Society for U.S. Intellectual History *Table of ContentsAcknowledgments ix Crip Colonial Critique: Reading Mestizaje from the Borderlands to the Philippines 1 1. Benevolent Rehabilitation and the Colonial Bodymind: Filipinx American Studies as Disability Studies 33 2. Mad María Clara: The Queer Aesthetics of Mestizaje and Compulsory Able-Mindedness 67 3. Filipino Itineraries, Orientalizing Impairments: Chinese Foot-Binding and the Crip Coloniality of Travel Literature 99 4. A Colonial Model of Disability: Running Amok in the Mad Colonial Archive of the Philippines 131 Epilogue. A Song from Subic: Racial Disposability and the Intimacy of Cultural Translation 162 Notes 171 Bibliography 187 Index 197

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Book SynopsisFrom The Wire to Intervention to Girls, postmillennial American television has dazzled audiences with novelistic seriality and cinematic aesthetics. Yet this television is also more perverse: it bombards audiences with misogynistic and racialized violence, graphic sex, substance abuse, unlikeable protagonists, and the extraordinary exploitation of ordinary people. In Uncomfortable Television, Hunter Hargraves examines how television makes its audiences find pleasure through feeling disturbed. He shows that this turn to discomfort realigns collective definitions of family and pleasure with the values of neoliberal culture. In viscerally violent dramas, cringeworthy ironic comedies, and trashy reality programs alike, televisual unease trains audiences to survive under late capitalism, which demands that individuals accept a certain amount of discomfort, dread, and irritation into their everyday lives. By highlighting how discomfort has been central to the reorTrade Review"Uncomfortable Television is an interesting work that raises many compelling questions about the relationship between televisual content and our own processing of reality and invites further discussion on affect theory and how affect potentially shapes most of our behavior. It is an insightful read for academics, political theorists, and students of many strands of humanities . . . ." -- Ana Yorke * Popmatters *"Hargraves's book sits at the intersection of scholarship focusing on neoliberalism, affect, and popular culture and synthesizes these conversations in fruitful ways. . . . Recommended. Advanced undergraduates through faculty." -- S. Pepper * Choice *“Uncomfortable Television provides television, performance, and American studies scholars and graduate students with an interesting and insightful look into how televisual affect is mobilized. … [A] compelling illustration of the complex constellation of components that provide a framework for the affective and ideological functions of television.” -- Courtlyn Pippert * European Journal for American Studies *Table of ContentsAcknowledgments ix Introduction: Television Scripts 1 1. The Irritated Spectator: Affective Representation in (Post)millennial Comedy 27 2. The Addicted Spectator: TV Junkies in Need of an Intervention 57 3. The Aborted Spectator: Affective Economies of Perversion in Televisual Remix 89 4. The Spectator Plagued by White Guilt: On the Appropriative Intermediality of Quality TV 121 5. The Woke Spectator: Misrecognizing Discomfort in the Era of “Peak TV” 162 Notes 197 Bibliography 219 Index 239

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Book SynopsisIn Running, former NCAA Division I track athlete Lindsey A. Freeman presents the feminist and queer handbook of running that she always wanted but could never find. For Freeman, running is full of joy, desire, and indulgence in the pleasure and weirdness of having a body. It allows for a space of freedom—to move and be moved. Through tender storytelling of a lifetime wearing running shoes, Freeman considers injury and recovery, what it means to run as a visibly queer person, and how the release found in running comes from a desire to touch something that cannot be accessed when still. Running invites us to run through life, legging it out the best we can with heart and style.Trade Review"You can fill a small library with books on running, but you won’t find many that touch on queerness and feminism in the sport. . . . [Freeman's] storytelling, along with her friend Hazel Meyer’s illustrations, chronicles Freeman’s lifelong relationship with running and illuminates the 'unexpected moments of connection and joy that we runners feel when we cover some distance together.'" -- Becky Wade * Runners World *"I found Lindsay A. Freedman’s little queer book Running absolutely delightful and surprisingly validating, as I think many queer sportspersons will. In particular, Freedman talks about how running as a sport of individualism and triumph over one’s own fears or limitations has both mirrored and supported her journey in coming out as queer in ways that made me go 'Oh yes, that.'" -- S. Bear Bergman * Xtra *"What is beautiful throughout Running is the slow and tender movements through what it means to have a body, and what that body means in all the spaces in which it exists. . . . I hope queer people with an interest, active or passive, in running pick this book up, read through, and consider their own relationships to themselves and to a sport that is so easily made all too simple." -- Niko Stratis * Autostraddle *"More poetic than practical, but intensely vivid and personal, Running bounces from pop-culture analysis to academic inquiry, from a catalogue of injuries (including those from a devastating incident in which a vehicle hit her) to an exploration of the elusive 'runner's high.' . . . Running is a worthwhile companion for people who want to be either—or both." -- Katie Noah Gibson * Shelf Awareness *“Freeman serves fresh thinking as she applies the speculative energy of queer theory to her own lifelong running journey.” -- Knox Robinson * Wall Street Journal *"Running is more than a study of the sport—it’s a fearless love letter to the core of what it means to be a runner. . . . Part-memoir, part-handbook, and part-critical theory, untangling identity, the body, queerness, feminism, friendships, the unknown, failure, pain, control, success, and beyond; the full spectrum of what it means to lace up our running shoes to return to a complicated, duplicitous, and ever-changing sport." -- Ellie Jackson * Off *Table of ContentsAcknowledgments ix Introduction 1 Stride—Form—Cadence—Pace 14 On the Subversive Nature of This Handbook 17 A Note on “Just Do It” 30 Leaving It All on the Track 33 Running Is a Contact Sport 37 Running after Olympians 42 Running Is Your Life 56 Speed Play 58Personal Best 61 In Training for the Boston Marathon 70 Running the Risk Of 84 Courage, or The Paris Marathon 87 Runner’s High 91 Let’s Let Our Running Be Real 97 On Hitting the Wall and Writer’s Block 101 Repetitive Stress 105 A Note on Cross-Training 112 A Note on Running to Music 114 Big Gay 10K 117 This One’s for the Rabbits, the Also-Rans, and the Dreamers 120 Loops—Practice—Repetition—Ritual 126 Cooldown and Stretching 131 Notes 135 Bibliography: Things I Thought With, Things I Ran With 145

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Book SynopsisThrough close readings of slave narratives, scrapbooks, travel illustration, documentary film and photography, as well as collage, craft, and sculpture, Jasmine Nichole Cobb explores Black hair as a visual material through which to reimagine the sensual experience of Blackness.Table of ContentsList of Illustrations viii Acknowledgments xiii Introduction. New Growth: Black Hair and Liberation 1 1. Archive: Slavery, Sentiment, and Feeling 25 2. Texture: The Coarseness of Racial Capitalism 57 3. Touch: Camera Images and Contact Revisions 97 4. Surface: The Art of Black Hair 131 Conclusion. Crowning Gestures 155 Notes 161 Bibliography 177 Index 193

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Book SynopsisIn The Sovereign Self, Grant H. Kester examines the evolving discourse of aesthetic autonomy from its origins in the Enlightenment through avant-garde projects and movements in the nineteenth and twentieth centuries. Kester traces the idea of aesthetic autonomy—the sense that art should be autonomous from social forces while retaining the ability to reflect back critically on society—through Kant, Schiller, Hegel, Marx, and Adorno. Kester critiques the use of aesthetic autonomy as the basis for understanding the nature of art and the shifting relationship between art and revolutionary praxis. He shows that dominant discourses of aesthetic autonomy reproduce the very forms of bourgeois liberalism that autonomy discourse itself claims to challenge. Analyzing avant-garde art and political movements in Russia, India, Latin America, and elsewhere, Kester retheorizes the aesthetic beyond autonomy. Ultimately, Kester demonstrates that the question of aesthetic autonomy has Trade Review“An extraordinarily knowledgeable explanation for those outside the art world, as well as those critically within it, of the philosophical traditions and social contradictions within which artists do their work. This is a book to own.” -- Susan Buck-Morss, The Graduate Center, City University of New YorkTable of ContentsIntroduction 1 I. From Beauty to Dissensus 1. Freedom and Sovereignty 19 2. Communism and the Aesthetic State 48 II. Negation and Performativity 3. From Vanguard to Avant-Garde 85 4. Activism and Autonomy in the 1960s 108 III. Autonomy since the 1980s 5. The Rise of the Neo-Avant-Garde 145 6. The Hirschhorn Monument: Autonomy as Brand and Alibi 180 Conclusion. Aesthetics beyond Semblance 212 Notes 219 Works Cited 243 Index 259

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Book SynopsisIn The Center Cannot Hold Jenna N. Hanchey examines the decolonial potential emerging from processes of ruination and collapse. Drawing on ethnographic fieldwork in rural Tanzania at an internationally funded NGO as it underwent dissolution, Hanchey traces the conflicts between local leadership and Western paternalism as well as the unstable subjectivity of Western volunteers—including the author—who are unable to withstand the contradictions of playing the dual roles of decolonializing ally and white savior. She argues that Western institutional and mental structures must be allowed to fall apart to make possible the emergence of decolonial justice. Hanchey shows how, through ruination, privileged subjects come to critical awareness through repeated encounters with their own complicity, providing an opportunity to delink from and oppose epistemologies of coloniality. After things fall apart, Hanchey posits, the creation of decolonial futures depends on the labor reqTrade Review“A true work of unlearning for relearning! Erudite, lucid, profound, this book successfully shakes the foundations of Western messianism.” -- Sabelo J. Ndlovu-Gatsheni, Professor and Chair of Epistemologies of the Global South, University of BayreuthTable of ContentsAcknowledgments ix Introduction. The Center Cannot Hold 1 Part I 1. Doctors with(out) Burdens 25 2. All of Us Phantasmic Saviors 58 3. Haunted Reflexivity 88 Part II 4. Water in the Cracks 117 5. Fluid (Re)mapping 141 6. Things Fall Apart 163 Conclusion. Rivulets in the Ruins 185 Notes 195 Bibliography 217 Index 231

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Book SynopsisIn Dreams in Double Time Jonathan Leal examines how the musical revolution of bebop opened up new futures for racialized and minoritized communities. Blending lyrical nonfiction with transdisciplinary critique and moving beyond standard Black/white binary narratives of jazz history, Leal focuses on the stories and experiences of three musicians and writers of color: James Araki, a Nisei multi-instrumentalist, soldier-translator, and literature and folklore scholar; Raúl Salinas, a Chicano poet, jazz critic, and longtime activist who endured the US carceral system for over a decade; and Harold Wing, an Afro-Chinese American drummer, pianist, and songwriter who performed with bebop pioneers before working as a public servant. Leal foregrounds that for these men and their collaborators, bebop was an affectively and intellectually powerful force that helped them build community and dream new social possibilities. Bebop’s complexity and radicality, Leal contends, made itTrade Review“With Dreams in Double Time, Jonathan Leal proves he has ‘something to say.’ I use this phrase in the prosaic sense that he contributes new understanding and opens fresh areas of inquiry, and in the sense associated with a jazz musician’s solo. Almost every page treats readers to surprising revelation and provocation, and the figures Leal focalizes his history through are compelling as subjects on their own. This book is a tremendous achievement, a gift to readers seeking cultural history and methodologically innovative work.” -- Anthony Reed, author of * Soundworks: Race, Sound, and Poetry in Production *“In this fascinating and compelling book, Jonathan Leal works against the grain of jazz criticism by focusing on three relatively unknown figures for whom bebop proposed new ways of being in the world. Leal’s ‘trio,’ as he calls them, offer readers a glimpse into a much larger population of marginalized, often poor people of color who heard bebop as a radical, creative challenge to the totalizing singularity of what ‘white’ stood for during the second half of the twentieth century.” -- Ronald Radano, coeditor of * Audible Empire: Music, Global Politics, Critique *"Deftly drawing together the major trends in recent jazz scholarship, Leal makes an important intervention. . . . By explicitly focusing on minor figures, putting them in relationship to one another, Leal draws attention to the other side of bebop musicking: its emphasis on collaboration and conversation. . . . In the words of James Baldwin’s “Sonny’s Blues,” a story to which Leal returns several times, Dreams in Double Time keeps both bebop and jazz writing 'new, at the risk of ruin, destruction, madness, and death, in order to find new ways to make us listen.'" -- Sam V. H. Reese * Los Angeles Review of Books *"If you’re interested in the relationship between jazz, sociology, racism and history, this book (a product of feeling as well as hard work) could prove highly rewarding." -- Graham Colombé * Jazz Journal *Table of ContentsAcknowledgments ix Introduction. Dreaming Otherwise 1 1. After-Hours 25 2. Layered Time 46 3. Quartered Notes 74 4. Among Others 114 Epilogue. Affinities 152 Notes 161 Bibliography 207 Index 227

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Book SynopsisYan Lianke is a world-renowned author of novels, short stories, and essays whose provocative and nuanced writing explores the reality of everyday life in contemporary China. In Sound and Silence, Yan compares his literary project to a blind man carrying a flashlight whose role is to help others perceive the darkness that surrounds them. Often described as China’s most censored author, Yan reflects candidly on literary censorship in contemporary China. He outlines the Chinese state’s project of national amnesia that suppresses memories of past crises and social traumas. Although being banned in China is often a selling point in foreign markets, Yan argues that there is no requisite correlation between censorship and literary quality. Among other topics, Yan also examines the impact of American literature on Chinese literature in the 1980s and 1990s. Encapsulating his perspectives on life, writing, and literary history, Sound and Silence includes an introduction

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Book SynopsisIn the early 1970s, while living at home with her conservative middle-class family and studying at the University of São Paulo, Gabriela Leite decided to become a sex worker. From her first client in a tiny room in downtown São Paulo to the launch of an exuberant clothing line designed for sex workers in Rio de Janeiro thirty years later, Daughter, Mother, Grandmother, and Whore tells the fascinating story of Leite’s bold and unique life in her own words. After helping to organize Brazil’s first protests by sex workers against police brutality, she moved to Rio de Janeiro, where she quickly became ensconced in the city’s storied red-light district. From there, Leite built a national network of politicized sex workers, worked for HIV/AIDS prevention, and participated in Brazil’s robust new civil society after its return to democracy in 1985 following a twenty-one-year military dictatorship. Insistent on advocating for the sex worker’s c

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Book SynopsisIn After Palmares, Marc A. Hertzman tells the rise, fall, and afterlives of Palmares, one of history’s largest and longest-lasting maroon societies. Forged during the seventeenth century by formerly enslaved Africans in what would become northeast Brazil, Palmares stood for a century, withstanding sustained attacks from two European powers. In 1695, colonial forces assassinated its most famous leader, Zumbi. Hertzman examines the remarkable ways that Palmares and its inhabitants lived on after Zumbi’s death, creating vivid portraits of those whose lives and voices scholars have often assumed are inaccessible. With an innovative approach to African languages, and paying close attention to place as well as African and diasporic spiritual beliefs, Hertzman reshapes our understanding of Palmares and Zumbi and advances a new framework for studying fugitive slave communities and marronage in the African diaspora.

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Book SynopsisIn Learning to Lead, Jennifer R. Nájera explores the intersections of education and activism among undocumented students at the University of California, Riverside. Taking an expansive view of education, Nájera shows how students’ experiences in college—both in and out of the classroom—can affect their activism and advocacy work. Students learn from their families, communities, peers, and student and political organizations. In these different spaces, they learn how to navigate community and college life as undocumented people. Students are able to engage campus organizations where they can cultivate their leadership skills and—importantly—learn that they are not alone. These students embody and mobilize their education through both large and small political actions such as protests, workshops for financial aid applications, and Know Your Rights events. As students create community with each other, they come to understand that their in

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Book SynopsisIn the early 1970s at Papunya, a remote settlement in the Central Australian desert, a group of Indigenous artists decided to communicate the sacred power of their traditional knowledge to the wider worlds beyond their own. Their exceptional, innovative efforts led to an outburst of creative energy across the continent that gave rise to the contemporary Aboriginal art movement that continues to this day. In their new book, anthropologist Fred Myers and art critic Terry Smith discuss six Papunya paintings featured in a 2022 exhibition in New York. They draw on several discourses that have developed around First Nations art-notably anthropology, art history, and curating as practiced by Indigenous and non-Indigenous interpreters. Their focus on six key paintings enables unusually close and intense insight into the works' content and extraordinary innovation. Six Paintings from Papunya also includes a reflection by Indigenous curator and scholar Stephen Gilchrist, who considers the nature and significance of this rare transcultural conversation.

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Book SynopsisEating is generally understood as a human need that people satisfy in diverse ways. Eating, however, is also an English word. Other languages, using other words, order reality differently: they may fuse eating with breathing, or distinguish chupar from comer. Anthropologists flag such differences by leaving a few of their words untranslated, but what language do we think in? This isn’t necessarily English. We may be linguistically closer to those whose practices we study: them. Against this background, Eating Is an English Word argues that social scientists should let go of the dream of universal concepts. Our analytical terms had better vary. Annemarie Mol and her coauthors exemplify this in a series of material semiotic inquiries into eating practices. They employ terms like lekker, tasting with fingers, chupar, schmecka, gustar, and settling on an okay meal to explor

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Book SynopsisGloria Jane Bell explores the relationship between Indigenous cultures around the world and the Vatican, which holds thousands of works by Indigenous scholars and refuses to return them.

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Book SynopsisThis volume collects the writing of cultural critic and lesbian feminist activist Jill Johnston, best known for her dance columns in the Village Voice.

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Book SynopsisIn A Sense of Arrival, Kevin Adonis Browne blends literary, visual, and material forms to present a narrative of Caribbean Blackness. Arguing that the story of Caribbeanness cannot be told through words alone, Browne interweaves essays, memoir, autotheory, and narrative verse with documentary photography, portraiture, Rorschach blots, and images of his own sculptures and art installations. Browne labels this multimodal approach and rhetorical form Caribbean Nonfiction, and he uses it to conceptualize arrival as a theory of being. Arrival is practiced through forms of status, return, belonging, nomadism, self-exile, love, loss, presence, and haunting, each of which expresses the vast complexity and urgency of Caribbeanness. At the same time, arrival emphasizes and extends Caribbean ways of being, knowing, and doing. Throughout, Browne challenges readers to follow the archipelagic sensibilities of the Caribbean to look beyond Black death and apprehend the inherent optimism and beauty of arrival. A singular meditation on the art and process of Caribbeanness, A Sense of Arrival is a statement on how the Black Caribbean self comes to be.

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Book SynopsisIn Laboratory Epistemologies: A Hands-On Perspective, Jenny Boulboullé examines the significance of hands-on experiences in contemporary life sciences laboratories. Addressing the relationship between contemplation and manipulation in epistemology, Boulboullé combines participant observations in molecular genetics labs and microbiological cleanrooms with a longue durée study of the history and philosophy of science. She radically rereads Descartes’s key epistemological text Meditations on First Philosophy, reframing the philosopher as a hands-on knowledge maker. With this reading, Boulboullé subverts the pervasive modern conception of the disembodied knower and puts the hands-on experimenter at the heart of life sciences research. In so doing, she contributes a theoretical model for understanding how life processes on cellular and molecular levels are manually produced in today’s techno-scientific spaces. By reassessing the C

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Book SynopsisIn The Promise of Beauty, Mimi Thi Nguyen explores the relationship between the concept of beauty and narratives of crisis and catastrophe. Nguyen conceptualizes beauty, which, she observes, we turn to in emergencies and times of destruction, as a tool to identify and bridge the discrepancy between the world as it is and what it ought to be. Drawing widely from aesthetic and critical theories, Nguyen outlines how beauty—or its lack—points to the conditions that must exist for it to flourish. She notes that an absence of beauty becomes both a political observation and a call to action to transform the conditions of the situation so as to replicate, preserve, or repair beauty. The promise of beauty can then engender a critique of social arrangements and political structures that would set the foundations for its possibility and presence. In this way, Nguyen highlights the role of beauty in inspiring action toward a more just world.

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Book SynopsisIn Reconfiguring Racial Capitalism, Mingwei Huang traces the development of new forms of racial capitalism in the twenty-first century. Through fieldwork in one of the “China malls” that has emerged along Johannesburg’s former mining belt, Huang identifies everyday relations of power and difference between Chinese entrepreneurs and African migrant workers in these wholesale shops. These relations, Huang contends, replicate and perpetuate global structures of white supremacy, anti-Blackness, capitalism, and colonialism, even when whiteness is not present. Huang argues that this dynamic reflects the sedimented legacies and continued operation of white supremacy and colonialism, which have been transformed in the shift of capitalism’s center of gravity toward China and the Global South. These new forms of racial capitalism and empire layer onto and extend histories of exploitation and racialization in South Africa. Taking a palimpsestic approach, Huang offer

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Book SynopsisIn The Second Battle for Africa, Erik S. McDuffie establishes the importance of the US Midwest to twentieth-century global Black history, internationalism, and radicalism. McDuffie shows how cities like Chicago, Detroit, and Cleveland, as well as rural areas in the heartland, became central and enduring incubators of Marcus Garvey's Black nationalist Universal Negro Improvement Association (UNIA) and its offshoots. Throughout the region, Black thinkers, activists, and cultural workers, like the Grenada-born activist Louise Little, championed Black freedom. McDuffie explores Garveyism and its changing facets from the 1920s onward, including the role of Black midwesterners during the emergence of fascism in the 1930s, the postwar US Black Freedom Movement and African decolonization, the rise of the Nation of Islam and Malcolm X in the 1950s and 1960s, and the continuing legacy of Garvey in today's Black Midwest. Throughout, McDuffie evaluates the possibilities, limitations, and gendered contours of Black nationalism, radicalism, and internationalism in the UNIA and Garvey-inspired movements. In so doing, he unveils new histories of Black liberation and Global Africa.

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Book SynopsisPerformer, activist, and writer Jill Johnston was a major queer presence in the history of dance and 1970s feminism. She was the first critic to identify postmodernism’s arrival in American dance and was a fierce advocate for the importance of lesbians within feminism. In Jill Johnston in Motion, Clare Croft tracks Johnston’s entwined innovations and contributions to dance and art criticism and activism. She examines Johnston’s journalism and criticism—in particular her Village Voice columns published between 1960 and 1980—and her books of memoir and biography. At the same time, Croft attends to Johnston’s appearances as both dancer and audience member and her physical and often spectacular participation at feminist protests. By bringing together Johnston’s criticism and activism, her writing and her physicality, Croft emphasizes the effect that the arts, particularly dance, had on Johnston’s feminist thinking in the 1970s a

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Book SynopsisIn Bad Medicine, Sarah A. Whitt exposes how Native American boarding schools and other settler institutions like asylums, factories, and hospitals during the late nineteenth and early twentieth centuries worked together as a part of an interconnected system of settler domination. In so doing, Whitt centers the experiences of Indigenous youth and adults alike at the Carlisle Indian School, Canton Asylum for Insane Indians, Ford Motor Company Factory, House of the Good Shepherd, and other Progressive Era facilities. She demonstrates that in the administration of these institutions, which involved moving Indigenous people from one location to another, everyday white Americans became deputized as agents of the settler order. Bringing together Native American history, settler colonial studies, and the history of medicine, Whitt breaks new ground by showing how the confinement of Indigenous people across interlocking institutional sites helped concretize networks of white racial power-a regime that Native nations and communities continue to negotiate and actively resist today.

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Book SynopsisMariana Ortega presents a phenomenological study of aesthetics grounded in the work of Latinx artists, theorizing that photography is an affective medium crucial for processes of self-formation, resistance, and mourning in Latinx life.

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Book SynopsisGennifer Weisenfeld examines the evolution of Japanese advertising graphic design from the early 1900s through the 1964 Tokyo Olympics, a pivotal design event that rebranded Japan on the world stage.

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Book SynopsisIn Emergent Genders, Michelle H. S. Ho traces the genders manifesting alongside Japanese popular culture in Akihabara, an area in Tokyo renowned for the fandom and consumption of anime, manga, and games. Drawing on ethnographic fieldwork in joso and danso cafe-and-bars, establishments where male-to-female and female-to-male crossdressing is prevalent, Ho shows how their owners, employees, and customers creatively innovate what she calls emergent genders-new practices, categories, and ways of being stemming from the simultaneous fracturing, contestations, and (re)imaginations of older forms of gender and sexual variance in Japan. Such emergent genders initiate new markets for alternative categories of expression and subjectivity to thrive in a popular cultural hub like Akihabara instead of Tokyo's gay and lesbian neighborhood of Shinjuku Ni-chome. By rethinking identitarian models of gender and sexuality, reconfiguring the significance of capitalism for trans studies and queer theory, and decentering theoretical frameworks incubated in a predominantly United States academic context, Ho offers new ways of examining how trans and gender nonconforming individuals may survive and flourish under capitalism.

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Book SynopsisIn Men at Home, Gyanendra Pandey offers a detailed exploration of men's comportment and conduct in the home and the implications of their ambiguous commitment to this critical part of their lives. The author draws on a wealth of archival materials-autobiographies, memoirs, fiction, and ethnographies-to situate Indian men firmly in the domestic world, underlining their dependence on the family and home. He investigates how men negotiate marriage, intimacy, and conjugality and focuses the effects of the humiliating and constant assertion of gender, caste, and class power in familial interactions. To uncover the nuances of these relationships, Pandey attends to the domestic commitments of upper-, middle-, and lower-class men across religion and caste. He considers issues of honor and shame, rights and responsibilities, citizenship and belonging through this exploration of how men across the subcontinent understand themselves in and beyond their domestic relationships. As much as it is a book about masculinity and conjugality, this is a book about Indian modernity, nationalism, and society as seen from the location of men in the home.

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Book SynopsisAustin Zeiderman unearths how the fraught past and future of Colombia's Magdalena River articulate the mirrored hierarchies of race and environment to explore global entanglements of race, nature, and capital.

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Book SynopsisOutline the environmental crises the world's oceans currently face, Rob Wilson theorizes a practice of worlding, which would build upon existing social ties to the ocean that would provide the basis for new forms of belonging and ecological futures.

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Book SynopsisSociologist Javier Auyero and anthropologist Sofía Servián detail the diverse and often precarious strategies that Argentina's urban poor rely on to survive, showing how they contend with violence and secure necessities like food, land, and housing despite inadequate state support and protection.

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Book SynopsisIn a blend of prose, poetry, and ethnography, Todd Meyers reckons with grief in the face of overdose death and the afterlives of loss created by the opioid crisis.

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Book SynopsisThe New Kingdom of Granadatells the history of the making and unmaking of empire in the diverse and decentralized Indigenous landscapes of the Northern Andes. Santiago Muñoz-Arbeláez examines the intricate and disputed processes that reshaped the peoples and landscapes of present-day Colombia into a kingdom within the global Spanish monarchy. Drawing on correspondence, visitation reports, judicial records, maps, textiles, and accounting and legal documents created by Europeans and Indigenous peoples, Muñoz-Arbeláez outlines the painstaking century-long effort between 1530 and 1630 to consolidate the kingdom. A diverse group of people that included Indigenous interpreters, scribes, and intellectuals spearheaded these projects, which eventually expanded colonial control outward from its base in the highland Andean plateaus down to the lowland river valleys. Meanwhile, autonomous Indigenous political projects constantly threatened imperial rule, as rebels often encircled the kingdom and seized the corridors that linked it to Spain. By foregrounding the kingdom's difficult establishment and tenuous hold on power, Muñoz-Arbeláez challenges traditional understandings of imperial politics and the myriad ways Indigenous peoples participated in, disputed, and negotiated the establishment of colonial rule.

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Book SynopsisDavid L. Eng investigates a history of reparations in the Transpacific, showing how the concepts of reparation established during the Enlightenment shape contemporary configurations of the human and human rights, establishing who can be recognized as victims, who must be seen as perpetrators, and who deserves repair.

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