Media studies Books
University of Minnesota Press Queer Game Studies
Book SynopsisVideo games have developed into a rich, growing field at many top universities, but they have rarely been considered from a queer perspective. Immersion in new worlds, video games seem to offer the perfect opportunity to explore the alterity that queer culture longs for, but often sexism and discrimination in gamer culture steal the spotlight. Queer Game Studies provides a welcome corrective, revealing the capacious albeit underappreciated communities that are making, playing, and studying queer games.These in-depth, diverse, and accessible essays use queerness to challenge the ideas that have dominated gaming discussions. Demonstrating the centrality of LGBTQ issues to the gamer world, they establish an alternative lens for examining this increasingly important culture. Queer Game Studies covers important subjects such as the representation of queer bodies, the casual misogyny prevalent in video games, the need for greater diversity in gamer culture, and reading popular games like Bayonetta, Mass Effect, and Metal Gear Solid from a queer perspective. Perfect for both everyday readers and instructors looking to add diversity to their courses, Queer Game Studies is the ideal introduction to the vast and vibrant realm of queer gaming. Contributors: Leigh Alexander; Gregory L. Bagnall, U of Rhode Island; Hanna Brady; Mattie Brice; Derek Burrill, U of California, Riverside; Edmond Y. Chang, U of Oregon; Naomi M. Clark; Katherine Cross, CUNY; Kim d’Amazing, Royal Melbourne Institute of Technology; Aubrey Gabel, U of California, Berkeley; Christopher Goetz, U of Iowa; Jack Halberstam, U of Southern California; Todd Harper, U of Baltimore; Larissa Hjorth, Royal Melbourne Institute of Technology; Chelsea Howe; Jesper Juul, Royal Danish Academy of Fine Arts; merritt kopas; Colleen Macklin, Parsons School of Design; Amanda Phillips, Georgetown U; Gabriela T. Richard, Pennsylvania State U; Toni Rocca; Sarah Schoemann, Georgia Institute of Technology; Kathryn Bond Stockton, U of Utah; Zoya Street, U of Lancaster; Peter Wonica; Robert Yang, Parsons School of Design; Jordan Youngblood, Eastern Connecticut State U.Trade Review"Queer theory and video games might be considered by some to be an odd combination. But this anthology showcases both the interesting areas where the two fields overlap and explorations of the areas where there is tension. There is much to create and critique in these spaces and Queer Game Studies provides a broad entryway into these ongoing discussions."—Lambda Literary"These are provocative ideas, but the future of video games depends on them."—Games World of Puzzles"This anthology is essential reading for scholars, students, and lay persons who are interested in the issues that arise at the intersection of digital games and queer theory."—CHOICE"Queer Game Studies triumphs as a collection of rigorous essays that challenge, problematize, and extend queer modes of inquiry into the realm of video games."—Los Angeles Review of Books"An important and unique addition to existing scholarship in a field that is still incredibly young."—Critical Studies in Media Communication"Every new page seems to burst with fascinating ideas about how this artistic medium could reach its full potential. You don’t have to be a game developer to appreciate the ideas laid out here, but those who are interested in making games, no matter how small, should look into this book for a treasure trove of inspiration."—Pop MattersTable of ContentsContentsIntroduction: Imagining Queer Game Studies Adrienne Shaw and Bonnie RubergPart I. Defining Queerness in Games1. What Is Queerness in Games, Anyway?Naomi Clark2. QueergamingEdmond Y. Chang3. Queer Theory, the Body, and Video GamesDerek A. Burrill4. Queering Games History: Complexities, Chaos, and CommunityZoya StreetPart II. Queering Game Play and Design5. Ending the Cycle: Developing a Board Game to Engage People in Social Justice IssuesPeter Wonica6. Playing OutsideLeigh Alexander7. Building a Queer MythologyHanna Brady8. For Play? Literary Ludics and Sexual PoliticsAubrey Gabel9. Play and Be Real about It: What Games Could Learn from KinkMattie Brice10. Queering the Snapshot: Ambient Mobile PlayLarissa Hjorth and Kim d’AmazingPart III. Reading Games Queerly11. On “FeministWhorePurna” and the Ludo-Material Politics of Gendered Damage Power-ups in Open-World RPG Video GamesRobert Yang12. Welcome to My Fantasy Zone: Bayonetta and Queer Femme DisturbanceAmanda Phillips13. Roleplay as Queer Lens: How “ClosetShep” Changed My Vision of Mass EffectTodd Harper14. Queer(ing) Gaming Technologies: Thinking on Constructions of Normativity Inscribed in Digital Gaming HardwareGregory L. Bagnall15. On Gone Homemerritt kopasPart IV. Queer Failures in Games16. The Trouble with CommunitiesAdrienne Shaw17. “Play Like a Girl”: Gender Expression, Sexual Identity, and Complex Expectations in a Female-Oriented Gaming CommunityGabriela T. Richard18. The Nightmare Is OverKatherine Cross19. Queer Gaming: Gaming, Hacking, and Going Turbo Jack Halberstam 20. The Arts of Failure: Jack Halberstam in Conversation with Jesper Juul Moderated by Bonnie Ruberg21. “I Wouldn’t Even Know the Real Me Myself”: Queering Failure in Metal Gear Solid 2Jordan YoungbloodPart V. Queer Futures for Games22. If Queer Children Were a Video GameKathryn Bond Stockton23. Queer Growth in VideogamesChristopher Goetz24. Finding the Queerness in GamesColleen Macklin25. Organizing New Approaches to Games: An Interview with Chelsea Howe, Toni Rocca, and Sarah SchoemannModerated by Bonnie Ruberg26. Forty-Eight-Hour Utopia: On Hope and the Future of Queerness in GamesBonnie RubergContributorsIndex
£20.69
University of Minnesota Press A Guerrilla Guide to Refusal
Book SynopsisA field guide to a nonfascist life at the end of the world as we know itA Guerrilla Guide to Refusal is an unexpected approach to philosophy from a guerrilla-logic point of view. Harnessing critical theory to creatively reimagine counterinsurgency, guerrilla warfare, and interventions beyond the political mainstream, it takes us on a journey through anarchist infowar, queer outlaws, and black insurgency—through a subterranean network of communiques, military documents, contemporary art, political slogans, adversarial blogs, and captive media. In doing so, it provides powerful new insight into contemporary political movements that pose no demands, refuse labels, and offer no solutions.Written to both inspire and provoke, A Guerrilla Guide to Refusal urges us to think through the refusal to participate in politics as usual. Author Andrew Culp demonstrates how evasion can combatively deny the existing order its power. Focusing on punk cinema, anarchist pamphlets, feminist art projects, hacker manifestos, and guerrilla manuals, he foregrounds invisibility as a novel force of disruption. He draws on concepts of criminality, fugitivity, and anonymity to bring a more nuanced understanding of how power makes things—and people—visible.The book’s unique format is that of a theoretical manual, comprising freestanding segments instead of blueprints. Poised to reach beyond the academy into activist circles, this potent theory-in-action intervention forces us to reconsider the terrain upon which our struggles against patriarchy, anti-Blackness, capitalism, and the state operate.Trade Review"In this moment of miasma, Andrew Culp opens an aperture on a politics of negation that lives and breathes only for itself. A Guerrilla Guide to Refusal taps the vein of revolt, recognizing that its lifeblood already flows through our societies. For Culp, the cry for liberation is an ever-present reverberation that echoes across the beautiful wilderness that is life." —Simon Springer, author of The Anarchist Roots of Geography: Toward Spatial EmancipationTable of ContentsIntroduction: Underground PhilosophyI. Anonymity1. The Guerrilla Force of Liberation2. Propaganda of the Deed3. The Voice of Bullets and Bombs4. Messages without a Sender5. The Sprawl6. The Politics of AsymmetryII. Criminality7. Society with Sexual Characteristics8. Excitement and Exposure9. A Heart That Burns and Burns10. We Are Bad, but We Could Be Worse11. We Don’t12. Making Illness into a WeaponIII. Fugitivity13. Uprising14. Self-Abolition15. Searing Flesh16 Captive Media17. Black Out18. Trapped between Withdrawal and HypervisibilityConclusion: Communism at the End of the WorldAcknowledgmentsNotes Index
£19.79
University of Minnesota Press The Digital Is Kid Stuff: Making Creative
Book SynopsisHow popular debates about the so-called digital generation mediate anxieties about labor and life in twenty-first-century America “The children are our future” goes the adage, a proclamation that simultaneously declares both anxiety as well as hope about youth as the next generation. In The Digital Is Kid Stuff, Josef Nguyen interrogates this ambivalence within discussions about today’s “digital generation” and the future of creativity, an ambivalence that toggles between the techno-pessimism that warns against the harm to children of too much screen time and a techno-utopianism that foresees these “digital natives” leading the way to innovation, economic growth, increased democratization, and national prosperity. Nguyen engages cultural histories of childhood, youth, and creativity through chapters that are each anchored to a particular digital media object or practice. Nguyen narrates the developmental arc of a future creative laborer: from a young kid playing the island fictions of Minecraft, to an older child learning do-it-yourself skills while reading Make magazine, to a teenager posting selfies on Instagram, to a young adult creative laborer imagining technological innovations using design fiction. Focusing on the constructions and valorizations of creativity, entrepreneurialism, and technological savvy, Nguyen argues that contemporary culture operates to assuage profound anxieties about—and to defuse valid critiques of—both emerging digital technologies and the precarity of employment for “creative laborers” in twenty-first-century neoliberal America. Trade Review"Josef Nguyen offers a compelling, timely examination of how entangled digital media have become with childhood and creative expression. This is an illuminating and useful read for youth and media researchers, educators, and professionals working in informal education that gets beyond binary thinking about the goods or ills of digital media and instead digs into these forms as play and creative practice."—Carly A. Kocurek, author of Coin-Operated Americans: Rebooting Boyhood at the Video Game Arcade"The Digital Is Kid Stuff is a brilliantly argued, engagingly written, and insightful unraveling of the discursive tensions between youth, digital media, and the neoliberal logics informing how and why we value young people’s capacity for creativity. Josef Nguyen offers a rich contextualization and analysis of the ideologies that shape how contemporary society imagines young people's position within creative economies."—Jacqueline Ryan Vickery, author of Worried About the Wrong Things: Youth, Risk, and Opportunity in the Digital WorldTable of ContentsContentsIntroduction: What We Are to Make of Creative Digital Youth1. Minecraft and the Building Blocks of Creative Individuality2. Make Magazine and the Responsible Risks of DIY Innovation3. Instagram and the Creative Filtering of Authentic Selves4. Design Fiction and the Imagination of Technological FuturesConclusionAcknowledgmentsNotesIndex
£20.69
University of Minnesota Press Anime's Identity: Performativity and Form beyond
Book SynopsisA formal approach to anime rethinks globalization and transnationality under neoliberalism Anime has become synonymous with Japanese culture, but its global reach raises a perplexing question—what happens when anime is produced outside of Japan? Who actually makes anime, and how can this help us rethink notions of cultural production? In Anime’s Identity, Stevie Suan examines how anime’s recognizable media-form—no matter where it is produced—reflects the problematics of globalization. The result is an incisive look at not only anime but also the tensions of transnationality.Far from valorizing the individualistic “originality” so often touted in national creative industries, anime reveals an alternate type of creativity based in repetition and variation. In exploring this alternative creativity and its accompanying aesthetics, Suan examines anime from fresh angles, including considerations of how anime operates like a brand of media, the intricacies of anime production occurring across national borders, inquiries into the selfhood involved in anime’s character acting, and analyses of various anime works that present differing modes of transnationality. Anime’s Identity deftly merges theories from media studies and performance studies, introducing innovative formal concepts that connect anime to questions of dislocation on a global scale, creating a transformative new lens for analyzing popular media.Trade Review "Stevie Suan utterly transforms our understanding of anime. Using media theory to expand the formal analysis of anime conventions, while calling on a transnational framework to avoid a simplistic opposition between local and global, he not only provides incisive readings of key anime series, but also lays out a powerful and much-needed methodology for thinking anime in the world."—Thomas Lamarre, author of The Anime Ecology: A Genealogy of Television, Animation, and Game Media "Focusing on formalism and performance studies in particular, rather than taking a phenomenological or sociological approach, Stevie Suan proposes a radical alternative for engaging with anime studies."—Daisuke Miyao, author of Japonisme and the Birth of Cinema "Anime's Identity provides a multilayered overview of cultural debates on anime for an English-reading audience."—The Journal of Asian Studies Table of ContentsContentsIntroduction: Anime’s Performance of Identity1. Anime’s Local–Global Tensions2. Anime’s Dispersed Production3. Anime’s Media Heterotopia4. Anime’s Citationality5. Anime’s Creativity6. Anime’s Actors7. Anime’s (Anti)Individualism8. Anime’s DislocationConclusion: Anime’s WorldAcknowledgmentsNotesIndex
£23.39
University of Minnesota Press Border Tunnels: A Media Theory of the U.S.-Mexico
Book SynopsisA comparative media analysis of the representation of the U.S.–Mexico border Border tunnels at the U.S.–Mexico border are ubiquitous in news, movies, and television, yet, because they remain hidden and inaccessible, the public can encounter them only through media. Analyzing the technologies, institutional politics, narrative tropes, and aesthetic decisions that go into showing border tunnels across multiple forms of media, Juan Llamas-Rodriguez argues that we cannot properly address border issues without attending to—and fully understanding—the fraught relationship between their representation and reality. Llamas-Rodriguez reveals that every media text about border tunnels, whether meant for entertainment, cable news, video games, or speculative design, implicitly takes a position on the politics of the border. The examples laid out in Border Tunnels will teach readers how to look differently at the border as it is commonly presented in various forms of media, from ABC’s Nightline and CNN’s Anderson Cooper 360º to reality TV, propaganda videos, and even digital effects in Hollywood action films. Llamas-Rodriguez examines how creative decisions in the production, promotion, and distribution of these media texts either emphasize or downplay issues such as border security, racial dynamics of migration, and sustainability of the borderlands. Focusing on tunnels to show how media representations can influence all kinds of audiences—even those physically near the border—Border Tunnels helps us make sense of this pressing social issue, ultimately advancing understanding of the U.S.–Mexico border in all of its complexity and precariousness. Trade Review "Don’t miss this provocative and impressive study of the mediated imaginings and construction of the U.S.–Mexico border. Juan Llamas-Rodriguez’s Border Tunnels provides an original and illuminating investigation of the complex and intertwined subjects of U.S.–Mexico relations, media narratives and video games that focus on border security, and the political rhetoric of marginalization." —Mary Beltrán, author of Latino TV: A History "Juan Llamas-Rodriguez pushes the limits of media theory to help us think about borders, tunnels, and the complex social and material interrelations that define the U.S.–Mexico border. Subtle, creative, and theoretically sophisticated, Border Tunnels compels us to look at these material structures as media, as social organizers crafted by popular culture, policy, myth, engineering, and surveillance technologies." —Hector Amaya, author of Trafficking: Narcoculture in Mexico and the United States Table of Contents Contents Introduction: A Media Theory of the Border Tunnel 1. TV News and Spectacle 2. Reality TV and Performativity 3. Digital Animation and Plasticity 4. First-Person Shooters and Racialization 5. Speculative Design and Sustainability Conclusion: Media Theory from the Border Tunnel Acknowledgments Notes Index
£21.59
University of Minnesota Press The Affect Lab: The History and Limits of
Book SynopsisExamines how our understanding of emotion is shaped by the devices we use to measure it Since the late nineteenth century, psychologists have used technological forms of media to measure and analyze emotion. In The Affect Lab, Grant Bollmer examines the use of measurement tools such as electrical shocks, photography, video, and the electroencephalograph to argue that research on emotions has confused the physiology of emotion with the tools that define its inscription. Bollmer shows that the psychological definitions of emotion have long been directly shaped by the physical qualities of the devices used in laboratory research. To investigate these devices, The Affect Lab examines four technologies related to the history of psychology in North America: spiritualist toys at Harvard University, serial photography in early American psychological laboratories, experiments on “psychopaths” performed with an instrument called an Offner Dynograph, and the development of the “electropsychometer,” or “E-Meter,” by Volney Mathison and L. Ron Hubbard. Challenging the large body of humanities research surrounding affect theory, The Affect Lab identifies an understudied problem in formulations of affect: how affect is a construction inseparable from the techniques and devices used to identify and measure it. Ultimately, Bollmer offers a new critique of affect and affect theory, demonstrating how deferrals to psychology and neuroscience in contemporary theory and philosophy neglect the material of experimental, scientific research. Retail e-book files for this title are screen-reader friendly with images accompanied by short alt text and/or extended descriptions.Trade Review "Moving compellingly through a series of instruments drawn from the histories of experimental psychology, psychiatric photography, and spiritualism, Grant Bollmer provides an important materialist rebuke to the liberatory strain in affect theory, which frequently treats affect as ‘an eternal truth of the body rather than a momentary fragment.’"—David Parisi, author of Archaeologies of Touch: Interfacing with Haptics from Electricity to Computing "The Affect Lab argues that beneath affect theory lies media. Far from being natural or biological—and, most fundamentally, far from being universal—affect is the product of the concrete technical operations that are necessary to access it in the first place. By challenging affect theory to examine its own technical basis, The Affect Lab will reboot the field for our times and, in the process, fundamentally change our views of how affect operates and the roles it plays in lived experience."—Mark B. N. Hansen, author of Feed-Forward: On the Future of Twenty-First-Century Media Table of Contents Contents Introduction: Techniques of the Affect Lab 1. William James’s Planchette 2. Books of Faces 3. The Prison Dynograph 4. E-Meter Metaphysics Conclusion: The Epistemology and Aesthetics of Empathy Acknowledgments Notes Bibliography Index
£21.59
Boydell & Brewer Ltd Documenting Violence in Calderón’s Mexico: Visual
Book SynopsisAn analysis of how artists, filmmakers and affected citizens in Mexico attempted to navigate, articulate and contend with the unparalleled escalation in brutality during the presidency of Felipe Calderón (2006-2012). In Mexico, during the presidency of Felipe Calderón (2006-2012) and as a direct result of his 'war' on drugs, at least 60,000 people were killed, tens of thousands were 'disappeared' and countless more were subjected to kidnapping and sexual violence. This book analyses how artists and filmmakers, alongside affected citizens, attempted to navigate, articulate and contend with this unparalleled escalation in brutality. The texts studied here provide a critical visual archive of this first phase in the drug war and show how artists including Pedro Pardo, Fernando Brito, Mónica González and Natalia Almada attempted to challenge official narratives, foster emerging nodes of resistance and seek justice for citizens. Bringing together works of photography, photojournalism, documentary and short fiction cinema, the book argues for the vital role of cultural production in documenting institutional corruption, human rights abuses and narco-related violence in Mexican society and providing a space to grieve and remember the victims. As Mexico's socio-political landscape continues to deteriorate, the book shows how its visual cultural legacy provides a means of understanding and responding to the violence.Table of ContentsList of Illustrations Acknowledgements List of Abbreviations Introduction 1. Socio-Historical Contexts 2. 2006 Presidential Elections 3. Portraits and Landscapes: Documenting the Drug War Dead 4. Responses to Violence - El Movimiento por la Paz con Justicia y Dignidad 5. Living the Drug War Conclusion Index
£66.50
Rutgers University Press Mainstreaming Gays: Critical Convergences of
Book SynopsisMainstreaming Gays discusses a key transitional period linking the eras of legacy and streaming, analyzing how queer production and interaction that had earlier occurred outside the mainstream was transformed by multiple converging trends: the emergence of digital media, the rising influence of fan cultures, and increasing interest in LGBTQ content within commercial media. The U.S. networks Bravo and Logo broke new ground in the early 2000s and 2010s with their channel programming, as well as bringing in a new cohort of LGBTQ digital content creators, providing unprecedented opportunities for independent queer producers, and hosting distinctive spaces for queer interaction online centered on pop culture and politics rather than dating. These developments constituted the ground from which recent developments for LGBTQ content and queer sociality online have emerged. Mainstreaming Gays is critical reading for those interested in media production, fandom, subcultures, and LGBTQ digital media. Trade Review"Mainstreaming Gays investigates the role that LGBTQ media professionals, television, and online content played at a pivotal moment in media convergence and the consolidation of multiplatform content delivery. Impeccably researched and accessibly written, Eve Ng’s book offers a nuanced analysis of the central role LGBTQ media and marketing played during a vital period in media history." — Katherine Sender, professor and director of Graduate Studies, Department of Communication, Cornell University "How did legacy TV morph into streaming and take queerness with it? Eve Ng brings intellectual force and clarity to a key change in queer media, redefining what 'mainstream' means and showing us how power, capital, and reinvention have long sparred—and danced—on the fields of queer culture." — Lisa Henderson, Dean, Faculty of Media and Information Studies, Western University "Chronicled in these pages are a host of culturally significant portals for LGBTQ news and entertainment which, Ng convincingly argues, contributed to the mainstreaming of historically marginalized communities. With her rigorous investigation into the people who created and benefited from these sites, Ng shows how the distance between the margins and the center, fans and producers, amateurs and professionals, is much narrower than scholars typically assume. This is an essential book for scholars of queer media.” — Aymar Jean Christian, author of Open TV: Innovation Beyond Hollywood and the Rise of Web TelevisionTable of ContentsIntroduction – Between Legacy and Streaming Chapter 1 – New Convergences in LGBTQ Media Production: Digital Pathways Into Commercial Media Chapter 2 – The New Queer Digital Spaces Chapter 3 – Gaystreaming, Dualcasting, and Changing Queer Alignments Chapter 4 – Beyond Queer Niche: Remaking the Mainstream Conclusion – Legacies and Futures for Mainstreaming Gays Appendix – List of Research Interviews and Events Acknowledgments Bibliography Index
£25.19
Palgrave Macmillan BBC Women Reporting the World
Book SynopsisPreface: The Monstrous RegimentIntroduction: The BBC's employment of women correspondents throughout the yearsChapter 1: Kate Adie, CBE, BBC Chief News CorrespondentChapter 2: Diana Goodman, Correspondent in Bonn, East Germany and Moscow 1986-2000Chapter 3: Elizabeth Blunt, MBE, West Africa Correspondent 1986-1990, India TV producer 1993-1994, Ethiopia Stringer 2007-2009Chapter 4: Lyse Doucet, CM, OBE, Chief International CorrespondentChapter 5: Orla Guerin, Senior International Correspondent based in IstanbulChapter 6: Carrie GracieChapter 7: Sara BeckChapter 8: Caroline WyattChapter 9: Sara RainsfordChapter 10: Shaimaa Khalil
£20.69
Taylor & Francis Ltd Making Sense of Media and Politics
Book SynopsisIn Making Sense of Media and Politics, Gadi Wolfsfeld introduces readers to the most important concepts for examining the interrelationship of media and politics. Five major principles are used to summarize the major arguments: Political power can usually be translated into power over all forms of media. When the powerful lose control over the political environment, they also lose control over all forms of media. Every political story that appears in every form of media is biased. All forms of media are primarily dedicated to telling good stories, which can have a major impact on political processes. Many of the most important effects of the various forms of media on citizens tend to be unintentional and unnoticed. By identifying these five key principles of political communication, Wolfsfeld examines those who package and send political messages, those who transform poTrade ReviewPraise for Making Sense of Media and Politics, Second Edition"In this second and significantly updated edition, Gadi Wolfsfeld shows how his five core principles regarding the roles of political elites, journalists, and the public continue to apply in the digital era. Theoretically sophisticated, empirically grounded, and accessibly written, Making Sense of Media and Politics is an excellent choice for a central text in introductory political communication courses or as a supplement to more general courses in politics, journalism, and media studies."-- Michael Delli Carpini, University of Pennsylvania"As a political communications scholar, researcher and educator, I highly recommend Gadi’s book. I have used it consistently in my political communication class and undergraduate students absolutely love it, referring to it as fun, engaging, and not as "your typical textbook." In fact, they always praise it in their final evaluations and – expectedly – complain about the shift from the textbook to academic articles. The book is written in an engaging and accessible language, often sarcastic, has fun and timely examples, and concludes each chapter with useful discussion questions. I look forward to using the book again."-- Magdalena E Wojcieszak, University of California, Davis"No other book makes better sense of the love-hate, multi-layered power-game between traditional media, social media, and politics. Gadi Wolfsfeld, a great academic storyteller, masterfully molds complex academic research into five core stories. I have used the first edition of this book in my Intro to Political Communication course, and it was the text my students liked most. Naturally, this second edition is a must-read for my future students.-- Tamir Sheafer, The Hebrew University of Jerusalem"Wolfsfeld has taken the theoretically innovative, eminently readable, and unexpectedly humorous distillation of political communication insights from the first edition and updated it for the social media age. I’ve been using the first edition in my undergraduate courses for years and highly recommend this thoroughly revised second edition. It’s the best and punchiest conceptual synthesis of the political communication literature that I know."--Scott Althaus, University of Illinois at Urbana-Champaign"This textbook is probably the best way to help comprehend the many politics-media interactions and their effects. After reading this book one feels better equipped to understand political actors, the competition between them, how they are covered in the news and discussed online, and why this matters for the world we live in." -- Peter Van Aelst, University of AntwerpTable of ContentsPreface AcknowledgmentsAbout the AuthorIntroductionPart I – Political Actors Compete Over the Media1. Political Power and Power Over the Media2. Political Control and Media IndependencePart II – Turning Politics into Stories3. Every Political Story is Biased4. Telling a Good Story Part III – Media Effects and Users’ Interactions5. The Media Get You When You’re not Paying AttentionA PostscriptReferencesIndex
£36.99
Penguin Putnam Inc The Sirens Call
Book SynopsisAn Instant #1 New York Times BestsellerFrom the New York Times bestselling author and MSNBC and podcast host, a powerful wide-angle reckoning with how the assault from attention capitalism on our minds and our hearts has reordered our politics and the very fabric of our society?An ambitious analysis of how the trivial amusements offered by online life have degraded not only our selves but also our politics.? New York Times?Brilliant book… Reading it has made me change the way I work and think.? Rachel MaddowWe all feel it the distraction, the loss of focus, the addictive focus on the wrong things for too long. We bump into the zombies on their phones in the street, and sometimes they're us. We stare in pity at the four people at the table in the restaurant, all on their phones, and then we feel the buzz in our pocket. Something has changed utterly: for most of human history, the boundary between public and private has been clear, at least in theory. Now, as Chris Hayes writes, ?With the help of a few tech firms, we basically tore it down in about a decade.? Hayes argues that we are in the midst of an epoch-defining transition whose only parallel is what happened to labor in the nineteenth century: attention has become a commodified resource extracted from us, and from which we are increasingly alienated. The Sirens' Call is the big-picture vision we urgently need to offer clarity and guidance.Because there is a breaking point. Sirens are designed to compel us, and now they are going off in our bedrooms and kitchens at all hours of the day and night, doing the bidding of vast empires, the most valuable companies in history, built on harvesting human attention. As Hayes writes, ?Now our deepest neurological structures, human evolutionary inheritances, and social impulses are in a habitat designed to prey upon, to cultivate, distort, or destroy that which most fundamentally makes us human.? The Sirens' Call is the book that snaps everything into a single holistic framework so that we can wrest back control of our lives, our politics, and our future.
£19.50
MIT Press Ltd Trans Technologies
Book SynopsisHow technology creates new possibilities for transgender people, and how trans experiences, in turn, create new possibilities for technology.Mainstream technologies often exclude or marginalize transgender users. Trans Technologies describes what happens when trans people take technology design into their own hands. Oliver L. Haimson, whose research into gender transition and technology has defined this area of study, draws on transgender studies and his own in-depth interviews with more than 100 creators of technology?including apps, games, health resources, extended reality systems, and supplies designed to address challenges trans people face?to explain what trans technology is and to explore its present possibilities and limitations, as well as its future prospects.Haimson surveys the landscape of trans technologies to reveal the design processes that brought these technologies to life, and to show how trans people often must rely on community, technology, and the combination of the two to meet their basic needs and challenges. His work not only identifies the role of trans technology in caring for individuals within the trans community but also shows how trans technology creation empowers some trans people to create their own tools for navigating the world. Articulating which trans needs and challenges are currently being addressed by technology and which still need to be addressed; describing how trans technology creators are accomplishing this work; examining how privilege, race, and access to resources impact which trans technologies are built and who may be left out; and highlighting new areas of innovation to be explored, Trans Technologies opens the way to meaningful social change.
£38.40
Taylor & Francis Ltd The TV Presenters Career Handbook How to Market Yourself in TV Presenting
a huge range and FREE tracked UK delivery on ALL orders.
£51.29
Yale University Press The Invention of News
Book SynopsisTrade Review“A fascinating book—beautifully written, admirably organized, with a mass of information about even the most recondite means of collecting and transmitting news before 1800.”—Alastair Hamilton, TLS -- Alastair Hamilton * TLS *
£16.99
Ig Publishing Propaganda
Book Synopsis
£13.49
The University of Chicago Press A Violent Peace
Book SynopsisThe newly born League of Nations confronted the post-WWI worldfrom growing stateless populations to the resurgence of right-wing movementsby aiming to create a transnational, cosmopolitan dialogue on justice. As part of these efforts, a veritable army of League personnel set out to shape global public opinion, in favor of the postwar liberal international order. Combining the tools of global intellectual history and cultural history, A Violent Peace reopens the archives of the League to reveal surprising links between the political use of modern information systems and the rise of mass violence in the interwar world. Historian Carolyn N. Biltoft shows how conflicts over truth and power that played out at the League of Nations offer broad insights into the nature of totalitarian regimes and their use of media flows to demonize a whole range of others. An exploration of instability in information systems, the allure of fascism, and the contradictions at the heart of a global modernity, Trade Review"Historians usually remember the League of Nations—if at all—for its failure to prevent World War II. Historian Biltoft has a different, far more interesting story to tell. She examines the League as a creator of the news—even 'truth'—and a restless promotor of liberalism in the increasing illiberal interwar world. In this short but illuminating work, Biltoft argues that the League attempted to 'rebrand the world' to encourage discussion rather than war, provide a forum for the exchange of ideas, and ultimately create a new, healthier—and less violent—international order. . . . For an age still plagued by 'fake news' from Moscow to Florida, this book is required reading. . . . Highly recommended." * Choice *"This book is short, but its length belies the complexity and range of its ambition. A Violent Peace tackles the technological and cultural ruptures of the interwar era in truly original fashion, making a valuable addition to the growing literature assessing the League in its own right as an experiment in international order." * International Affairs *"Carolyn Biltoft's A Violent Peace provides a useful, timely, and poetic overview of interwar preoccupations with truth and reality, and of their consequences for people's lives then and now. . . . This book offers a compelling picture of the period and the issues under examination and will inspire others to pursue the vital avenues of historical inquiry it undertook. . . . Truly, any reader interested in such debates would find this book useful and likely be impressed by its erudition, clarity, and flair." * Canadian Journal of History *“With bold originality and a keen eye for the telling detail, Biltoft recasts the history of the League of Nations, dedicated to elevating the word over the sword, as a quest for symbolic capital in the chaotic interwar world. Focusing on questions of language, money, and the control of information flows, she shows how the challenges faced by the League continue to bedevil us today.” * Martin Jay, University of California, Berkeley *“Fascinating and utterly original, A Violent Peace is an impressive study of superior scholarship. Biltoft offers a fresh perspective on this topic by shifting the lens from an investigation into the geopolitical coordinates of the League of Nations to the more ephemeral but equally important role of media and communication strategies that underlay the project. Accessible to both specialists and generalists, this exciting book will find a wide cross-section of readers in history, critical theory, government, and beyond.” * Ethan Kleinberg, Wesleyan University *Table of ContentsPreface: Truth, Lies, and Violence, Then and Now 1. As Seen at the League of Nations: Global Media, Competing Truths, and the Allure of Fascism 2. Rebranding the World (Picture) 3. On True and False Tongues 4. Fabricating Currencies: Paper, Gold, and Other Facsimiles 5. Fiat Lux? False News and Hidden Flesh 6. The Word and the Sword Revisited Acknowledgments Notes Bibliography Index
£31.00
Editions Shukutou Reportage
Book Synopsis
£16.10
Bloomsbury Publishing (UK) Producing Palestine
Book SynopsisDina Matar is a Professor at the School of Oriental and African Studies (SOAS), University of London, UK. She is the Chair of the SOAS Centre of Palestine Studies. She is Series Editor of the series Political Communication and Media Practices in the Middle East and North Africa, and SOAS Palestine Studies. Helga Tawil-Souri is an Associate Professor in the Department of Media, Culture, and Communication and the Department of Middle Eastern and Islamic Studies at NYU, USA.
£21.99
Bloomsbury Publishing Plc Sock
Book SynopsisObject Lessons is a series of short, beautifully designed books about the hidden lives of ordinary things.Who ponders the sock? This common object is something people tug on and take off daily with hardly a thought. Unraveling the garment's history, construction, and use, Kim Adrian's Sock reintroduces us to our own bodies vulnerable, bipedal, and flawed. Sock reminds us that extraordinary secrets live in mundane material realities, and shows how this floppy, often smelly, sometimes holey piece of clothing, whether machine-made or hand-knit, can also serve as an anatomy lesson, a physics primer, a love letter, a weapon, a fetish, and a fashion statement.Object Lessons is published in partnership with an essay series in The Atlantic.Trade ReviewKim Adrian's Sock is the darndest thing. Witty and sly, written with the highest tactile precision, it is at the same time stacked with erudite asides and unexpected perspectives. Adrian reminds us where the ground lies and how we move upon it—and what miraculous things we have encasing our feet as we do so. * Sven Birkerts, author of Changing the Subject: Art and Attention in the Internet Age *Fun, focused, and footloose! * Nicholson Baker, author of The Way the World Works: Essays *[This book] serves to entertain in its erudite approach to yet another unexpected subject. * The Bookbag *Through a discussion of the footwear's material, social and cultural evolution, Sock reflects on the brilliance present in the minutiae of our lives. With piercing wit, idiosyncratic humor and sharply insightful moments of personal examination, Adrian uses the most domestic of items as a lens through which to view the inelegance and wondrousness of humanity. Encompassing the utility of protecting an essentially vulnerable, uncomfortable body and the bonds mothers form with the objects that cover the delicate toes of their babies, Adrian's warm, insightful investigation will give this common object new prominence in any reader's mind. Sock delivers a detailed exploration of human nature through whimsically astute commentary on a common, closely held object. * Shelf Awareness *An utterly engaging investigation — not so much of [the sock], per se, as of human evolution, anatomy, physics, sexuality, fashion, painting, consumerism, manufacturing, and motherhood … illuminating, erudite, deeply intelligent. * Los Angeles Review of Books *If a book called Sock makes you think, 'Twenty-five-thousand words on socks? Uh, no,' then you’re unclear on the concept. You’re also missing out on a thoroughly delightful discussion. * Washington Independent Review of Books *A remarkable read, a perfectly satisfying balance of fact and quirk and charm. * Knitty *Table of ContentsIntroduction 1. Socks & Evolution 2. Socks & Desire 3. Socks & Industry Coda: Instructions for Darning a Sock Notes Index
£9.49
Taylor & Francis Critical Literacy In A Digital Era Technology Rhetoric and the Public interest
a huge range and FREE tracked UK delivery on ALL orders.
£30.59
HarperCollins Publishers Inc The Present Age
Book Synopsis“The Present Age shows just how original Kierkegaard was. He brilliantly foresaw the dangers of the lack of commitment and responsibility in the Public Sphere. When everything is up for endless detached critical comment as on blogs and cable news, action finally becomes impossible.”— Hubert L. Dreyfus, University of California, BerkeleySoren Kierkegaard’s stunningly prescient essay on the dangers of mass media—particularly advertising, marketing, and publicity. An essential read as we reckon with, and try to understand, the media forces that have helped create our present political moment.In The Present Age (1846), Søren Kierkegaard analyzes the philosophical implications of a society dominated by the mass-media. What makes the essay so remarkable is the way it seems to speak directly to our time—i.e. the Information Age—where life is dominated by mere “information” not true “knowledge.” Kierkegaard even goes so far as to say that advertising and publicity almost immediately co-opts and suppresses revolutionary actions/thoughts.A stunningly prescient essay that foresaw the rise of twenty-four-hour news and social media, The Present Age examines the philosophical and political implications of a culture of endless, inconsequential commentary and debate.
£11.40
University of California Press Actual Malice
Book SynopsisA heroic narrative.One of The New Yorker's Best Books of 2023A detailed examination of . . . the landmark 1964 Supreme Court decision that defined libel laws and increased protections for journalists.The New York Times Book ReviewA deeply researched legal drama that documents this landmark First Amendment rulingone that is more critical and controversial than ever. Actual Malice tells the full story of New York Times v. Sullivan, the dramatic case that grew out of segregationists' attempts to quash reporting on the civil rights movement. In its landmark 1964 decision, the Supreme Court held that a public official must prove actual malice or reckless disregard of the truth to win a libel lawsuit, providing critical protections for free speech and freedom of the press. Drawing on previously unexplored sources, including the archives of the New York Times Company and civil rights leaders, Samantha Barbas tracks the saga behind one of the most important First Amendment rulings in history. She situates the case within the turbulent 1960s and the history of the press, alongside striking portraits of the lawyers, officials, judges, activists, editors, and journalists who brought and defended the case. As the Sullivan doctrine faces growing controversy, Actual Malice reminds us of the stakes of the case that shaped American reporting and public discourse as we know it.Trade Review"A law professor puts forth a detailed examination of New York Times v. Sullivan, the landmark 1964 Supreme Court decision that defined libel laws and increased protections for journalists, in the context of the civil rights movement." * The New York Times Book Review *"A new book, Actual Malice, by Samantha Barbas, a law professor and historian, unfurls the story of the case and reminds readers that the triumph of press freedom was an outgrowth of the civil-rights struggle. Versions of the story have been told before, perhaps most famously in Anthony Lewis’s "Make No Law" more than three decades ago. Yet Barbas deftly employs archival sources—notably from the Times, from the Martin Luther King, Jr., papers, and from the Southern Christian Leadership Conference—to shed new light. Her book illuminates the effect of libel suits on journalists’ ability to cover the movement, the legal strategies used against those suits, and the impact of the case on the civil-rights movement itself. A heroic narrative in which the litigation helped vanquish segregationists serves to underscore what Barbas calls the 'centrality of freedom of speech to democracy.'" * The New Yorker *“Barbas’s endorsement of the Sullivan decision is more nuanced than those of [Anthony] Lewis and [Aimee] Edmondson, and more reflective of the current moment. She appreciates the need for libel lawsuits at a time when ‘damaging falsehoods can spread online with a click, and reputations [can be] destroyed instantly.’ But she recognizes that the protections of Sullivan are needed as much, or more, by individuals as by media companies. The story of Sullivan, and of the precedent’s possible demise, reveals as much about our own times as it does the 1960s.” -- Jeffrey Toobin * The New York Review of Books *"One might think that another book-length history and analysis of New York Times v. Sullivan would be superfluous, given the quality of Lewis’s Make No Law and Hall and Urofsky's New York Times v. Sullivan: Civil Rights, Libel Law, and the Free Press. Actual Malice, however, may become the go-to book for combining both perspectives in a single volume and enhancing them with some archival sources that the other two books did not use." * Choice Reviews *"Actual Malice is concise yet thorough, crisply written, brimming with sharp observations, amply documented, and admirably acknowledges different points of view." * Law and Liberty *Table of ContentsIntroduction 1. All the News That's Fit to Print 2. Libel and the Press 3. The Paper Curtain 4. Heed Their Rising Voices 5. Montgomery v. The New York Times 6. Birmingham v. The New York Times 7. Doing Business in Alabama 8. "This New Weapon of Intimidation" 9. A Civil Rights Crisis 10. The Iron Curtain 11. Make No Law 12. Herbert Wechsler 13. Before the Court 14. Arguments 15. Actual Malice 16. Free, Robust, and Wide Open Acknowledgments Notes Archival Collections Index
£22.50
Rowman & Littlefield Fact over Fake: A Critical Thinker's Guide to
Book SynopsisToday’s instantaneous and ever-present news stream frequently presents a sensationalized or otherwise distorted view of the world, demanding constant critical engagement on the part of everyday citizens.The Critical Thinker’s Guide to Bias, Lies, and Politics in the News reveals the power of critical thinking to make sense of overwhelming and often subjective media by detecting ideology, slant, and spin at work. Building off the Richard Paul and Linda Elder framework for critical thinking, Elder focuses on the internal logic of the news as well as societal influences on the media while illustrating essential elements of trustworthy journalism. With up-to-date discussions of social media, digital journalism, and political maneuvering inside and outside the fourth estate, Fact or Fake is an essential handbook for those who want to stay informed but not influenced by our modern news reporting systems.Table of ContentsIntroduction: Why Critical Thinking is Essential to Making Sense of the NewsThe Logic of the News MediaWhat is News?Political Views in the News – Understanding the Liberal MindPolitical Influences, Advertising, and Group ThinkTechnological Noise in the NewsWhat We Need the News Media to Do for Us Chapter 1: Current Trends Affecting How We See the News Key Critical Thinking Questions to Ask When Seeking the NewsRealities That Impede Our Ability to Get Objective News The Problem of Fake NewsSocial Media as an Unreliable News Source Chapter 2: Essential Critical Thinking Tools for Understanding Media Logic Defining Critical ThinkingA Comprehensive Approach to Critical ThinkingAll Humans Use Their Thinking to Make Sense of the WorldAll Thinking Is Defined by the Eight Elements That Make It UpAnalyze Thinking Through its Elemental StructuresQuestion the Reasoning Embedded in a News ArticleQuestion Your Own Reasoning While Reading the NewsReason Through News Articles, Editorials, and Stories – a ChecklistEvaluate Reasoning Through Critical Thinking StandardsCritical Thinking Standards for Assessing News Articles, Editorials, andStoriesDefining Characteristics of the Disciplined Mind – and How They Help Us See Through Bias and PropagandaRational or Irrational Tendencies Can Control the MindHumans Distort Reality Through Irrational LensesThe Problem of Egocentric ThinkingThe Problem of Sociocentric ThoughtChapter 3: Objectivity, Bias, and Underlying AgendasDemocracy and the News Media Myths That Obscure the Logic of the News Media Bias and Objectivity in the News Media How the News Media Views ObjectivityForms of Objectivity The Perception of Bias in the Mainstream Propaganda and News Story Writing Protecting the Home Audience from Feelings of Guilt How the News Media Fosters Sociocentric Thinking Chapter 4: Become an Astute Media ConsumerHow to Obtain Useful Information from Propaganda and Typical News Stories Steps in Becoming a Critical Consumer of the NewsMedia Awareness of Media Bias Sensitivity to Advertisers Sensitivity to Politicians and the GovernmentSensitivity to Powerful Interests Sensitivity to Their Competitors The Bias Toward “Novelty” and “Sensationalism” Critical Consumers of the News Dominant and Dissenting Views: Finding Alternative Sources of Information Buried, Ignored, or Underreported StoriesReadings that Help You Become a More Independent Thinker Chapter 5: The Future of the NewsIs It Possible for the News Media to Reform? Is the Emergence of a “Critical Society” Possible? Afterword: How the Internet and Other Technologies Pervade Our LivesHow the Internet Works: The Big PictureAssess a Given Website Using Critical Thinking Standards Appendix: An Abbreviated Glossary of Critical Thinking Concepts and Terms
£24.13
Rutgers University Press Extraordinarily Ordinary Us Weekly and the Rise
Book SynopsisOffers a critical analysis of the production of a distinct form of twenty-first century celebrity constructed through the exploding coverage of reality television cast members in Us Weekly magazine.Trade Review“Highly engaging and readable, Extraordinarily Ordinary is a clear, in-depth analysis of both the celebrity gossip magazine genre and the nature of fame in the 21st century.” -- Andrea McDonnell * coauthor of Celebrity: A History of Fame *"Erin A. Meyers provides a masterful, lively account of reality TV celebrity. Extraordinarily Ordinary is a must-read for anyone eager to understand the meaning and power of celebrity today." -- Julie Wilson * coauthor of Mothering through Precarity: Women’s Work and Digital Media *“Highly engaging and readable, Extraordinarily Ordinary is a clear, in-depth analysis of both the celebrity gossip magazine genre and the nature of fame in the 21st century.” -- Andrea McDonnell * coauthor of Celebrity: A History of Fame *"Erin A. Meyers provides a masterful, lively account of reality TV celebrity. Extraordinarily Ordinary is a must-read for anyone eager to understand the meaning and power of celebrity today." -- Julie Wilson * coauthor of Mothering through Precarity: Women’s Work and Digital Media *Table of ContentsThe Ordinary and the Extraordinary: Unpacking the Celebrity Image The Labor of Ordinariness: Famous for "Being Yourself" Celebrity Lifestyle Labor: Making the Ordinary Extraordinary Lauren Conrad: Us Weekly and the Extraordinarily Ordinary Celebrity Conclusion: The Future of the Extraordinarily Ordinary Celebrity
£25.19
Duke University Press The Technical Delusion
Book SynopsisJeffrey Sconce traces the history and continuing proliferation of psychological delusions that center on suspicions that electronic media seek to control us from the Enlightenment to the present, showing how such delusions illuminate the historical and intrinsic relationship between electronics, power, modernity, and insanity.Trade Review"Sconce has written an important book that lets us tune in to some of the more disturbed and disturbing frequencies on the media-technological spectrum. It will be influential in media studies, and beyond that, in the wider effort to understand what all these devices are doing to us." -- Ben Kafka * Bookforum *"A robust and multidimensional reminder of the complexity of human consciousness. . . . One impressive feature of the study is how deftly Sconce weaves together case studies, literary source material, court cases, and popular media." -- Amy Ione * Leonardo Reviews *"Few recent works of media scholarship could be said to be, even occasionally, laugh-out-loud hilarious. But alongside evenhanded appraisals of delicate subjects such as mental illness and conspiracy theories, Sconce manages to deliver his salient points with comedic flair, frequently punctuating his analyses with unexpected jokes." -- Leo Goldsmith * Film Quarterly *"The Technical Delusion is the first comprehensive study of what psychotic visions have contributed to shared perceptions of technology. Sconce has assembled a remarkable array of evidence and stitched it together into a compelling narrative about the imaginary history of technology over the past two centuries." -- Geoff Shullenberger * The New Atlantis *"A striking, ambitious, and demanding book…. It should appeal to a wide audience, from historians of technology to media theorists and cultural studies theorists, from historians of psychiatry and psychoanalysis to psychiatrists and psychoanalysts themeslves." -- Nicolas Henckes * Technology and Culture *
£27.90
The University of Chicago Press The Paradox of Democracy
Book SynopsisTrade Review"A book that provides valuable context for the latest assaults on democracy. . . . A clear and informative history." * Kirkus Reviews *"A compelling and sober-minded assessment of our situation, and I commend it to you for your consideration." -- L. M. Sacasas * The Convivial Society *"In The Paradox of Democracy: Free Speech, Open Media, and Perilous Persuasion, Gershberg and Illing suggest that democracy isn’t really about the rules and institutions that usually leap to mind... Fundamentally, they say, democracy is a culture of free and open communication. And that openness makes it vulnerable to subversion from within." * The Boston Globe *"We are living through an information revolution, but we have not adequately understood how this tsunami reshapes democratic politics. Sean Illing and Zac Gershberg do just that in this very interesting and intriguing book." -- Fareed Zakaria, CNN"The Paradox of Democracy is as provocative as it is unpredictable. It carefully and engagingly expands our understanding of how democracy works—and struggles—in a society where free expression is foundational and where media is undergoing revolutionary and rapid change. It will change how you think." -- Margaret Sullivan, Washington Post"The book gives a sweeping overview of the ways that political leaders can utilize communication and rhetoric in order to gain office or power. Overall, it provides an excellent summary of the ways that communication and democracy can coexist or undermine each other." -- Shana Gadarian, Syracuse University"As free speech advocates strain to reconcile the unparalleled access to information and the expression of ideas made possible by the internet with their undeniable potential for political, psychological, and even physical harm, Gershberg and Illing have come to say that these advocates are pushing a Sisyphean boulder up a mountainside... Though the authors insist that democracy is the best system there is, they clearly doubt, in Benjamin Franklin's words, 'we can keep it.' ... Recommended." * Choice *"The authors’ efforts to help us understand the role that media can play in the potential fate of democracy and democracies are useful and remind us of the dangers present in this fraught political moment." * ProjectMUSE *Table of ContentsIntroduction Chapter 1: The Bias and the Disruption Chapter 2: Mere Rhetoric: From Free Speech to Bread and Circuses Chapter 3: The News-Print Revolution Chapter 4: The Rise of the Public(s): From a Fuller World to Morse's Macrocosm Chapter 5: This Is Fascism Chapter 6: Playing Checkers: An Uneasy Triumph for Liberal Democracy Chapter 7: The Death of Liberal Democracy: Have We Got Fake(d) News for You Chapter 8: Democracy, If We Can Keep It Epilogue Notes Index
£22.80
Yale University Press Fabulous
Book SynopsisAn exploration of what it means to be fabulousand why eccentric style, fashion, and creativity are more political than everFabulous does not simply track new club worlds, it takes us to them. The book does not just tell us about fashion and clubs, it is immersed in the scenes it conjures. This is engaging, relevant, and glamorous. Jack Halberstam, author of Female Masculinity and The Queer Art of FailureFabulous lives up to its title. Who knew there was such riveting sociopolitical drama behind those velvet ropes?New York Times Book Review Prince once told us not to hate him 'cause he's fabulous. But what does it mean to be fabulous? Is fabulous style only about labels, narcissism, and selfieslooking good and feeling gorgeous? Or can acts of fabulousness be political gestures, too? What are the risks of fabulousness? And in what ways is fabulous style a defiant response to the struggles of living while marginalized? madison moore answers these questions in a timely and fascinating bookTrade Review“Fabulous lives up to its title. Who knew there was such riveting sociopolitical drama behind those velvet ropes?"—New York Times Book Review“This joyful cultural analysis looks at fabulousness as a queer aesthetic and political statement.”—Francesca Carington, Tatler“Fabulous is an absorbing, engagingly written, and highly insightful study of how ‘beautiful eccentrics’ creatively self-fashion themselves to articulate identity, assert presence, and reclaim power on the streets and in the nightclub.”—Harvey Young, author of Black Theater Is Black Life"Fabulous does not simply track new club worlds, it takes us to them. The book does not just tell us about fashion and clubs, it is immersed in the scenes it conjures. This is engaging, relevant, and glamorous." —Jack Halberstam, author of Female Masculinity and The Queer Art of Failure"Celebrating the joys of being beautifully eccentric in a bland world, Fabulous offers a theory of fabulousness as political glitter that’s both deviant and defiant. This vivid account of queer motion through clubland’s portals of possibility is a clarion call for a new and colorful consciousness that can collapse stale categories, confront privilege, and combat toxic Trumpism."—Victor P. Corona, author of Night Class: A Downtown Memoir
£18.99
Taylor & Francis Elsewhere Within Here
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£35.99
Indiana University Press Reframing Holocaust Testimony
Book SynopsisTrade ReviewShenker's book is a major addition to the scholarly literature on video testimony. His in-depth knowledge of the archival collections he examines enables him to provide a nuanced demonstration of the ways in which institutional imperatives regarding testimony act to shape the kinds of testimonies that are produced. * American Historical Review *[Shenker's] work contributes substantially to testimony studies, and, one hopes, will spark new debates. * Holocaust and Genocide Studies *Shenker's book is an invaluable resource for anyone working with the vast institutional repositories that will assume even greater importance as we shift to the post-survivor era. . . . Archivists and scholars alike would do well to read his careful analysis of the framing of testimony. * Journal of Jewish Identities *Table of ContentsPreface AcknowledgmentsIntroduction 1. Testimonies from the Grassroots: The Fortunoff Video Archive for Holocaust Testimonies2. The Centralization of Holocaust Testimony: The United States Holocaust Memorial Museum3. The Cinematic Origins and the Digital Future of the USC Shoah Foundation4. Telling and Retelling Holocaust TestimoniesConclusion: Documenting Testimonies of Genocide through the Lens of the HolocaustNotesReferencesIndex
£21.59
University of Illinois Press Six Minutes in Berlin
Book SynopsisTrade Review"This is one of the greatest sports stories ever told: How a group of young oarsmen from the Pacific Northwest who could barely afford train fare to Chicago, much less Berlin, won gold medals in the famous Hitler Olympics of 1936. There are two gripping tales here, and Michael Socolow tells them both well. First, there is the David v. Goliath saga of the University of Washington crew team upsetting every Ivy League crew in America to travel to Berlin, where the Huskies prevailed over the greatest crews the world had ever seen. The second story is the birth of modern broadcast sports journalism. What would later become the "wide world of sports" was born in Berlin, where American radio networks implemented new technologies on an almost daily basis to bring their listeners sporting events in "real time"--an amazing accomplishment that we now take for granted. Socolow successfully weaves these two fascinating tales into one enthralling book. Bravo!"--Alex Beam, Boston Globe columnist"Sports, Nazism, and the glory days of radio come together seamlessly in Michael Socolow's gripping account of the hottest ticket at the 1936 Berlin Olympics, the Olympic Regatta. Offering expert play-by-play and vivid color commentary, Socolow provides a fascinating look at an epochal moment in sports and media history. Six Minutes in Berlin is a crystal-clear window into the birth of global journalism and trans-national fandom, shadowed throughout by the specter of a more ominous competition on the horizon."--Thomas Doherty, Brandeis University
£17.99
Taylor & Francis Film and Literature
Book SynopsisThe Routledge new edition of this classic book functions as an accessible introduction to the historical and theoretical exchanges between film and literature and also includes the key critical readings necessary for an understanding of this increasingly vibrant and popular field of adaption studies. This new edition has been fully updated and is usefully separated into three sections: in the first section Timothy Corrigan guides readers through the history of film and literature to the present; the second section has expanded to reprint 28 key essays by leading theorists in the field including Andrà Bazin, Linda Hutcheon and Robert Stam, as well as new essays by Timothy Corrigan and William Galperin; and the third section offers hands-on strategies and advice for students writing about film and literature.Film and Literature will fill a gap for many film and literature courses and courses concentrating on the interplay between the two.The companion website features an interactive timeline, extended filmography and comprehensive bibliography, by Geoff Wright, Samford University, USA. www.routledge.com/cw/corriganTrade ReviewStriking the perfect balance between text and context, Corrigan’s volumes proves a wonderful tool for students as well as teachers. Jan Baetens, Leuven Uni, BelgiumCorrigan’s Film and Literature offers an accessible history of the contentious intellectual relationship between literature and film as well as the often symbiotic history of their industrial relations. The selected readings cover an excellent range of influential, as well as cutting-edge, approaches to the area of study, and the concluding guide to writing about Film and Literature is a welcome addition. Dr. Shelley Cobb, Southampton, UKThis text offers ‘the complete package’—containing history, theory, and praxis—for professors teaching courses in this growing field. Without a doubt, this will be the book I use for film and literature courses in the years to come.Dr. Melissa Croteau, California Baptist University, USAThe Corrigan book admirably fulfills its roles as an overview on the subject and as an anthology of theoretical positions and critical approaches. James Goodwin, University of California, USACorrigan’s lucid introduction to the phases of early cinema in respect of the intrinsic but often under-appreciated interface between literary and filmic forms of expression offers a concise, lucid and authoritative account of its genealogy and development.Mike Ingham, Lingnan University, H.K.Table of ContentsPart I: Film and Literature in the Crosscurrents of History 1. The Prehistory of Film and Literature 2. Filming Literature: From Early Cinema to Classical Form, 1895-1925 3. Testing and Expanding the Value of Film and Literature, 1915-1940 4. Pens, Pulp, and the Crisis of the Word, 1940-1960 5. Academic Cinema and International Spectacles, 1960-1980 6. Books and Movies as Multimedia, 1990 to the Present Part 2: Documents and Debates 1. Adaptation Studies 2. Adaptation in History 3. Authors and Auteurs 4. Novels, Theater, Poetry, and Non-Fiction 5. Major Writers/Major Films: On William Shakespeare’s MacBeth and Jane Austen’s Emma 6. Beyond Film and Literary Texts Part 3: Writing about Film and Literature 1. Themes, Strategies, and Elements of Style 2. Genres and Other Topics 3. Writing about Film and Literature
£45.59
Taylor & Francis Ltd Irish National Cinema
a huge range and FREE tracked UK delivery on ALL orders.
£36.99
Taylor & Francis The History of British Film Volume 1 The History of the British Film 1896 1906
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£37.04
Taylor & Francis Pictorial Metaphor in Advertising
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£45.59
University of California Press Hollywood Made in China
Book SynopsisChina's entry into the World Trade Organization in 2001 ignited a race to capture new global media audiences. This book examines this compelling dynamic, where the distinctions between Hollywood's dream factory and the PRC's Chinese dream of global influence become increasingly blurred.Trade Review"Timely and informative." * H-Diplo *"Hollywood Made in China is a timely contribution to film studies, media studies, and communication studies... impressive, far-reaching." * China Review *"Hollywood Made in China is an elegant account of Hollywood’s evolving engagements in China’s commercial film environment... an accessible, intriguing study of an unlikely liaison." * Modern Chinese Literature and Culture *"Like High Concept, scholar and industry consultant Justin Wyatt’s landmark 1994 book about Hollywood’s pivot towards packaged promotion - and merchandising-ready properties, Aynne Kokas’s Hollywood Made in China will be the seminal guidebook to understanding media in the era of the world’s pivot to China." - Karen Fang, University of Houston * China Review International *"A concise and lucid analysis." * China Quarterly *"...an informative book with updated real-world cases and textual analysis on Sino-US film co-production. For those less familiar with the topic, this book serves as a great introduction and resource." * Global Media and Communication *“Kokas’ work provides an insightful analysis of Sino-US co-ventures, and exemplifies an important approach to global media industries in general. . . .this is a groundbreaking book with an analysis that helps us understand how the Chinese government’s policy-making and Hollywood’s economic ambitions in the Chinese market complicate Sino-US media collaborations and construct ‘multilayered systems that unite the American and Chinese economies’.” * Asian Journal of Communication *Table of ContentsList of Illustrations Preface Acknowledgments List of Abbreviations Introduction 1. Policy and Superheroes: China and Hollywood in Sino-US Relations 2. Hollywood's China: Mickey Mouse, Kung Fu Panda, and the Rise of Sino-US Brandscapes 3. Soft Power Plays: How Chinese Film Policy Influences Hollywood 4. Whispers in the Gallery: How Industry Forums Build Sino-US Media Collaboration 5. Compradors: How Above-the-Line Workers Brand Sino-US Film Production 6. Farm Labor, Film Labor: How Below-the-Line Workers Shape Sino-US Film Production Conclusion Appendix 1: Examples of Sino-US Film Collaboration by Type Appendix 2: Chinese Character Glossary Notes Filmography Bibliography Index
£22.50
Columbia University Press The Watchdog That Didnt Bark The Financial
Book SynopsisHow mainstream business news failed its readers and what it means for the future of the profession.Trade ReviewThe Watchdog That Didn't Bark, given its in-depth analysis across the landscape, steeped in history, and Starkman's keen understanding of the business of journalism, can stand as a potentially enduring case study of what went wrong and why. -- Alec Klein, director of the Medill Justice Project and award-winning investigative reporter formerly with the Washington Post Starkman is literally a reporter's reporter. As such, he gets to the bottom of the story of how the U.S. business press could miss the most important economic implosion of the past eighty years until it was too late, and he does so with prose that is intelligent, engaging, and erudite. I recommend The Watchdog without reservation. -- Eric Alterman, Brooklyn College, and media columnist, The Nation Here is the missing piece in the financial-crisis mystery: how did our vaunted business-journalism sector manage to miss the problem with mortgage-backed investments? The answer, as Dean Starkman shows us in this amazing autopsy, is that the business outweighs the journalism and that it is getting worse, not better, as we go forward. -- Thomas Frank, author of Pity the Billionaire: The Hard-Times Swindle and the Unlikely Comeback of the Right Journalism was complicit in the predation and corruption that brought down world financial markets and wrecked the lives of millions. Obsessed with shallow scoops, giddy from the laughing gas of access, financial journalists abjectly failed to connect dots, and left abusive, reckless, and criminal corporations free to drag the global economy into the abyss. Dean Starkman is the author we have been waiting for to tell this story. He not only puts forward a keen, subtle, and fair account of the journalistic default, he names names. -- Todd Gitlin, author of Media Unlimited: How the Torrent of Images and Sounds Overwhelms Our Lives With American journalism at sea, here comes a navigator who really knows its mission, the riptides it is facing, and the ports it must reach. Starkman tells it all with the heart, clarity, and dry wit that redeem business journalism even while showing how it lost its anchor and compass. -- Jim Sleeper, former editor and columnist at Newsday and the New York Daily News Journalists did not miss the subprime lending that spun into the devastating financial collapse of 2008. Excellent reporting was available, from the Financial Times to the Los Angeles Times to a small alternative publication, Southern Exposure. Yet Dean Starkman shows that even reporters who were on top of things buried the lead: the story was not new financial instruments, risky investments, or high-pressured Wall Street. The story was corruption. There were old-fashioned, greedy villains. Old-fashioned moralizing was called for. It would have had the advantage of being both true and fascinating. So how did so many fine journalists miss the big story? Read Starkman's powerful and disturbing analysis of how business journalism came to write for an audience of investors, not citizens. You may not share his every judgment, but this account has the advantage of being both true and fascinating. -- Michael Schudson, Columbia Journalism School, author of The Power of News As fair and balanced as a solar-plexus punch can be. Kirkus Reviews Starkman provides keen analysis of how the media failed in its mission at a crucial time for the U.S. economy. Booklist Compelling... Starkman offers an excellent and clear theoretical explanation for some of the problems with watchdog journalism generally. International Journal of Communication Detailed and fully satisfying... Criminal Law and Criminal Justice Books The Watchdog That Didn't Bark adds greatly to our understanding of business journalism and the country's most recent financial meltdown. Starkman writes that it is intended for lay readers, but journalism students and historians will find much value here as well. H-NetTable of ContentsAcknowledgments Introduction: Access and Accountability 1. Ida Tarbell, Muckraking, and the Rise of Accountability Reporting 2. Access and Messenger Boys: The Roots of Business News and the Birth of the Wall Street Journal 3. Kilgore's Revolution at the Wall Street Journal: Rise of the Great Story 4. Muckraking Goes Mainstream: Democratizing Financial and Technical Knowledge 5. CNBCization: Insiders, Access, and the Return of the Messenger Boy 6. Subprime Rises in the 1990s: Journalism and Regulation Fight Back 7. Muckraking the Banks, 2000-2003: A Last Gasp for Journalism and Regulation 8. Three Journalism Outsiders Unearth the Looming Mortgage Crisis 9. The Watchdog That Didn't Bark: The Disappearance of Accountability Reporting and the Mortgage Frenzy, 2004-2006 10. Digitism, Corporatism, and the Future of Journalism: As the Hamster Wheel Turns Notes Bibliography Index
£69.26
John Wiley and Sons Ltd Heidegger and the Media
Book SynopsisThe most significant philosopher of Being, Martin Heidegger has nevertheless largely been ignored within communications studies. This book sets the record straight by demonstrating the profound implications of his unique philosophical project for our understanding of today s mediascape.Trade Review"At last, a long overdue account of Heidegger's profound relevance for understanding contemporary media. Gunkel and Taylor shed powerful light onto the philosophical corners of media and cultural studies that more timid scholars have stubbornly failed to reach. Neither Heidegger studies nor media studies will remain the same after the impact of this immensely engaging theoretical tour de force!"—Slavoj Zizek, International Director of the Birkbeck Institute for the Humanities, London "Gunkel and Taylor reveal an unacknowledged dimension of Heidegger’s media theory which contradicts the predominant understanding of his work. They argue that there is something to be found in Heidegger's thought which prevents one from succumbing to a widespread illusion – the illusion of the neutrality of technique, what McLuhan later called 'the current somnambulism'. Thus, a profoundly productive, critical dimension in Heidegger's theory becomes accessible which stands in harsh opposition to the 'somnambulism' that this philosopher himself performed in his utterly problematic personal, ideological existence. Gunkel and Taylor perspicuously show how Heidegger could have done better, had he more carefully listened to his own findings. And we? We definitely can: under the condition that we do."—Robert Pfaller, International Director of the Birkbeck Institute for the Humanities "[T]his book does not read as if it is an exhaustive study in the convergence of Heidegger's philosophy and the study of media. Rather it is an exciting crash course in both fields with an eye on the possibilities at their intersection."—Jared Smith, Logical Analysis and History of PhilosophyTable of ContentsIntroduction1 We Need to Talk About Media2 Mediated Truth3 In Media Res4 The Dasign of Media Apps: The Questions Concerning New TechnologiesConclusion
£12.99
Ohio University Press Theater and Martial Arts in West Sumatra Randai
Book SynopsisRandai, the popular folk theater tradition of the Minangkabau ethnic group in West Sumatra, has evolved to include influences of martial arts, storytelling, and folk songs.
£23.39
Rutgers University Press Digital Visual Effects in Cinema The Seduction of
Book SynopsisDemonstrates how digital effects-driven films should be understood as a continuation of the narrative and stylistic traditions that have defined American cinema for decades. Stephen Prince argues for an understanding of digital technologies as an expanded toolbox, available to enhance both realist films and cinematic fantasies.Trade Review"For an understanding of the impact and consequences of digital visual effects in the movies, this book is essential. Prince knows his stuff, and his perspective is wise and compelling." -- Carl Plantinga * author of Moving Viewers: American Film and the Spectator's Experience *"Whereas many books have debated the merits of digital effects in cinema, few of them truly explore the many layers of cinematic experience that are made possible by all kinds of technology. Digital Visual Effects in Cinema is one of the exceptions to this trend in that Prince examines the various levels at which digital effects can be integrated into a film, giving a rich understanding of the range of possibilities and their implications for the production and consumption of a film. An eyjoyable, informative read. Highly recommended." * Choice *"For an understanding of the impact and consequences of digital visual effects in the movies, this book is essential. Prince knows his stuff, and his perspective is wise and compelling." -- Carl Plantinga * author of Moving Viewers: American Film and the Spectator's Experience *"Whereas many books have debated the merits of digital effects in cinema, few of them truly explore the many layers of cinematic experience that are made possible by all kinds of technology. Digital Visual Effects in Cinema is one of the exceptions to this trend in that Prince examines the various levels at which digital effects can be integrated into a film, giving a rich understanding of the range of possibilities and their implications for the production and consumption of a film. An eyjoyable, informative read. Highly recommended." * Choice *Table of ContentsAcknowledgmentsIntroduction: Beyond Spectacle1. Through the Looking Glass2. Painting with Digital Light3. Actors and Algorithms4. Digital Environment Creation5. Immersive AestheticsConclusion: The Pleasures of IllusionNotesIndex
£999.99
New York University Press Culture Jamming
Book SynopsisA collaboration of political activism and participatory culture seeking to upend consumer capitalism, including interviews with The Yes Men, The Guerrilla Girls, among others. Coined in the 1980s, culture jamming refers to an array of tactics deployed by activists to critique, subvert, and otherwise jam the workings of consumer culture. Ranging from media hoaxes and advertising parodies to flash mobs and street art, these actions seek to interrupt the flow of dominant, capitalistic messages that permeate our daily lives. Employed by Occupy Wall Street protesters and the Russian feminist punk band Pussy Riot alike, culture jamming scrambles the signal, injects the unexpected, and spurs audiences to think critically and challenge the status quo. The essays, interviews, and creative work assembled in this unique volume explore the shifting contours of culture jamming by plumbing its history, mapping its transformations, testing its force, and assessing its efficacy. Revealing how culture Trade ReviewCulture Jamming is a must for modern day activists who want to overturn the status quo, and fast, and who embrace the creativity and interconnectedness of modern life. * Foreword Reviews *A vivid picture of significant episodes along a timeline spanning more than two decades . . . This book represents a collection of mostly successful cultural resistance tactics . . . hopefully inspiring new effective strategies for the times ahead. * Neural *The essays, interviews, and creative work assembled in this unique volume explore the shifting contours of culture jamming by plumbing its history, mapping its transformations, testing its force, and assessing its efficacy. Revealing how culture jamming is at once playful and politically transgressive, this accessible collection explores the degree to which culture jamming has fulfilled its revolutionary aims. . . . a crucial contribution to our understanding of creative resistance and participatory culture. * We-make-money-not-art.com *Culture Jamming subverts an engineered ‘culture of consumption,’ identifying the oppressive relationships upon which knowledge creation is founded and taking steps to emancipate society from false narratives of creativity. * Political and Legal Anthropology Review *
£23.74
Bloomsbury Publishing Plc Remote Control
Book SynopsisObject Lessons is a series of short, beautifully designed books about the hidden lives of ordinary things. While we all use remote controls, we understand little about their history or their impact on our daily lives. Caetlin Benson-Allot looks back on the remote control’s material and cultural history to explain how such an innocuous media accessory has changed the way we occupy our houses, interact with our families, and experience the world. From the first wired radio remotes of the 1920s to infrared universal remotes, from the homemade TV controllers to the Apple Remote, remote controls shape our media devices and how we live with them. Object Lessons is published in partnership with an essay series in The Atlantic.Trade ReviewThe remote control encourages us to take it for granted. It's ubiquitous but easy to misplace. An essential convenience but still an overly complicated nuisance. But in this compelling history, Caetlin Benson-Allott places remote controls at the center of our media universe, demonstrating how profoundly these devices shape contemporary media practices and our everyday lives. You'll never surf the same way again. * Jason Mittell, Professor of Film & Media Culture, Middlebury College, USA, and author of Television and American Culture *While promising control, the remote often fails to recognize commands or deliver our desires. Caetlin Benson-Allott shows how the history of the remote, including its affordances and burdensome proliferations, can help us better understand contemporary media technologies. * Michele White, Associate Professor of Communication, Tulane University, USA, and author of Buy It Now: Lessons from eBay *Caetlin Benson-Allott offers an analysis of ‘remote control’ as a ‘technology and a cultural fantasy.’ …What was once a fantasy, a thing of the imagination, becomes instead an instrument, but by that instantiation it scrambles and reduces the myriad imaginative uses it once anchored — realizes some, sends others packing, or separates them out. -- Julian Yates * Los Angeles Review of Books *Object Lessons’ describes themselves as ‘short, beautiful books,’ and to that, I'll say, amen. … [I]t is in this simplicity that we find insight and even beauty. … Remote Control by Caetlin Benson-Allott is another pleasure, walking us through the history of one of my favorite objects, with a history dating to the 1920s. In the middle to late 1970s, I was actually employed as a remote control, as my father would say, "John, change the channel to 7," or "Put it on 9," and my job would be to get up and change the channel to 7 or 9. I was relieved to be replaced by an infrared model in the 1980s. … If you read enough ‘Object Lessons’ books, you'll fill your head with plenty of trivia to amaze and annoy your friends and loved ones — caution recommended on pontificating on the objects surrounding you. More importantly, though, in the tradition of McPhee's Oranges, they inspire us to take a second look at parts of the everyday that we've taken for granted. These are not so much lessons about the objects themselves, but opportunities for self-reflection and storytelling. They remind us that we are surrounded by a wondrous world, as long as we care to look. * Chicago Tribune *Table of ContentsIntroduction: What a Mess! Chapter 1: Changing Volume Chapter 2: Switching Channels Chapter 3: Comprehensive Control Conclusion: Material Literacy Index
£9.49
Yale University Press Revolutions without Borders
Book SynopsisA sweeping exploration of revolutionary ideas that traveled the Atlantic in the late eighteenth century Nation-based histories cannot do justice to the rowdy, radical interchange of ideas around the Atlantic world during the tumultuous years from 1776 to 1804. National borders were powerless to restrict the flow ofenticing new visions of human rights and universal freedom. This expansive history explores how the revolutionary ideas that spurred the American and French revolutions reverberated far and wide, connecting European, North American, African, and Caribbean peoples more closely than ever before. Historian Janet Polasky focuses on the eighteenth-century travelers who spread new notions of liberty and equality. It was an age of itinerant revolutionaries, she shows, who ignored borders and found allies with whom to imagine a borderless world. As paths crossed, ideas entangled. The author investigates these ideas and how they were disseminated long before the days of instant co
£21.38
Gingko Press The Medium is the Massage
Book Synopsis
£999.99
Penguin Putnam Inc Amusing Ourselves to Death
Book SynopsisOriginally published in 1985, Neil Postman's groundbreaking polemic about the corrosive effects...
£14.40
Oxford University Press Dirty Politics
Book SynopsisAmericans in recent years have become thoroughly disenchanted with our political campaigns, especially with campaign advertising and speeches. Each year, as November approaches, we are bombarded with visceral appeals that bypass substance, that drape candidates in the American flag but tell us nothing about what they''ll do if elected, that flood us with images of PT-109 or Willie Horton, while significant issues--such as Kennedy''s Addison''s Disease or the looming S&L catastrophe--are left unexamined. And the press--the supposed safeguard of democracy--focuses on campaign strategy over campaign substance, leaving us to decide where the truth lies. In Dirty Politics, campaign analyst Kathleen Hall Jamieson provides an eye-opening look at political ads and speeches, showing us how to read, listen to, and watch political campaigns. Jamieson provides a sophisticated (and often humorous) analysis of advertising technique, describing how television ads use soft focus, slow motion, lyricalTrade ReviewIf you read this book--and you should--you will never again listen to a news broadcast or read a newspaper in the same way ... Reading Dirty Politics leave one with the troubling conviction that our democracy is threatened by the failure to provide voters with the information they need to make meaningful use of the right to vote ... Impressively research, clearly written and organized, and enlightening througout. * Washington Post Book World *An illuminating primer about the dangerously subtle distortions of video politics. * Philadelphia Inquirer *
£13.99
University of Illinois Press Cold War on the Airwaves
Book SynopsisFounded as a counterweight to the Communist broadcasters in East Germany, Radio in the American Sector (RIAS) became one of the most successful public information operations conducted against the Soviet Bloc. Cold War on the Airwaves examines the Berlin-based organization's history and influence on the political worldview of the people--and government--on the other side of the Iron Curtain. Nicholas J. Schlosser draws on broadcast transcripts, internal memoranda, listener letters, and surveys by the U.S. Information Agency to profile RIAS. Its mission: to undermine the German Democratic Republic with propaganda that, ironically, gained in potency by obeying the rules of objective journalism. Throughout, Schlosser examines the friction inherent in such a contradictory project and propaganda's role in shaping political culture. He also portrays how RIAS's primarily German staff influenced its outlook and how the organization both competed against its rivals in the GDR and pushed communisTrade Review"Extensively annotated and superbly researched. . . . Schlosser has made an important contribution to the field of radio study by creating a tremendous "first stop" for researchers with an interest in the topic."--American Journalism "This is the type of study propaganda historians have been waiting for. Schlosser writes a compelling narrative of one of the Cold War's most influential broadcasting stations. With a big budget, a large staff of experienced journalists, and a huge audience, Radio in the American Sector, located in Berlin, lay at the epicenter of the ideological war between East and West. By carefully assessing the impact, content, context, and meaning of the influential Radio in the American Sector, Schlosser provides analytical precision and rich documentary evidence to support his contention that RIAS was a key political actor in East and West Germany alike. Situating the RIAS story in the maelstrom of postwar German politics, Schlosser connects his story to some of the most important--and dangerous--developments of the Cold War. Scholars and general readers interested in German history, journalism, propaganda, and international relations will find this book rewarding and provocative."--Kenneth Osgood, author of Total Cold War: Eisenhower's Secret Propaganda Battle at Home and Abroad"There is much to learn and possibly relearn in this new addition to the literature of Cold War-era propaganda studies…This intriguing case study, a microhistory of the Cold War tensions that plagued Berlin, reminds readers that this fractured city remained the epicenter of an enduring global conflict that lasted for decades. Highly recommended"--Choice"Schlosser's ability to examine the propaganda wars of the Cold War as a three-way conversation between RIAS, the East German regime, and its people represents an impressive achievement in the study of political culture and public diplomacy."--H-Net"This book is a little gem. With meticulous research, Nicholas Schlosser has recreated a fascinating slice of Cold War history: the struggle for the airwaves of Berlin undertaken by the American-funded station known as Radio in the American Sector. Key episodes include the Berlin Airlift, the role of the station in the East German Rising of 1953, and its coverage of the building of the Berlin Wall. This is a valuable addition to modern German history, U.S. propaganda history, international broadcasting studies, and the scholarship of the Cold War."--Nicholas J. Cull, author of The Cold War and the United States Information Agency, 1945–1989
£35.10
MO - University of Illinois Press Indians Illustrated The Image of Native
Book SynopsisTrade Review"Indians Illustrated is a good read that strongly contributes to our knowledge of American Indians' depictions and stereotyping while bringing the world of nineteenth-century printed press into our own homes." --American Indian Quarterly "In Indians Illustrated, Coward not only has written a book that clearly and decisively achieves the primary objective of providing a history of the development and consequences of Native American stereotypes, but he also provides a framework useful for anyone who seeks to understand stereotyping of any group in American media."--Journalism History "Coward provides a fascinating look at how powerful the visual image can be on the development of cultural attitudes."--Jhistory "The author's work is a revelation, and with its many illustrations, a journey in time. Read enough of it, and you will be questioning the historical veracity of any illustration you see from the late 19th century."--Journalism and Mass Communication Education"The book charts new territory, offers important new insights on a topic that deserves further examination, and opens doors to subsequent research for scholars and graduate students."--American Indian Culture and Research Journal"Coward provides a fascinating look at how powerful the visual image can be on the development of cultural attitudes. Indians Illustrated not only provides a crucial study for scholars of Native American culture but is also very useful as a text for scholars of race, anthropology, popular culture, and visual studies."--H-Net Reviews"Indians Illustrated is a good introduction to the concept that images of Native Americans in the nineteenth century popular press were constructed, framed, and viewed through Anglo-European American eyes and that the imagery has much less to do with real Native American life, history, or people than it has to do with the self-perception and self-ideation of its mainstream colonial counterpart."--Journal of American Culture"[Coward] makes a compelling case for the importance of these pictures as primary sources for cultural history." --The Journal of American History "This helpful book makes a major contribution to the field of communication and media history, laying a stronger foundation for helping the media, scholars, and society to understand, confront, and heal from how the media had been complicit in the conquest and genocide of the indigenous peoples of the Americas." --CBQ: Communication Booknotes Quarterly "Impressive. This book is an engaging example of 'visual history' done well." --South Dakota History "Rich in context and beautifully written. Other scholars have considered the stereotyping of Native Americans, but this book links the phenomenon to journalism/media history and explores the cultural significance of these widely circulated images."--Janice Hume, author of Popular Media and the American Revolution: Shaping Collective Memory "John Coward provides a comprehensive, well-documented overview of the development of the visual clues that support Manifest Destiny and racial stereotypes of American Indians. No one has provided more insight or made such a detailed study of Native American images in the press. This is a one-of-a-kind book."--William E. Huntzicker, author of The Popular Press, 1833–1865 "If there is any story in the narrative of American history that exemplifies our reliance on stereotypes, it must be pictorial representations of Native Americans in the late 19th century press. In Indians Illustrated, John Coward explores this story with thoroughness, insight, and grace. By also including a wealth of well-chosen images, he helps explain not only the details of cultural production but a larger rendering of 'otherness' in America."--David Abrahamson, Northwestern University
£21.59
University of Minnesota Press Making Things and Drawing Boundaries: Experiments
Book SynopsisIn Making Things and Drawing Boundaries, critical theory and cultural practice meet creativity, collaboration, and experimentation with physical materials as never before. Foregrounding the interdisciplinary character of experimental methods and hands-on research, this collection asks what it means to “make” things in the humanities. How is humanities research manifested in hand and on screen alongside the essay and monograph? And, importantly, how does experimentation with physical materials correspond with social justice and responsibility? Comprising almost forty chapters from ninety practitioners across twenty disciplines, Making Things and Drawing Boundaries speaks directly and extensively to how humanities research engages a growing interest in “maker” culture, however “making” may be defined.Contributors: Erin R. Anderson; Joanne Bernardi; Yana Boeva; Jeremy Boggs; Duncan A. Buell; Amy Burek; Trisha N. Campbell; Debbie Chachra; Beth Compton; Heidi Rae Cooley; Nora Dimmock; Devon Elliott; Bill Endres; Katherine Faull; Alexander Flamenco; Emily Alden Foster; Sarah Fox; Chelsea A. M. Gardner; Susan Garfinkel; Lee Hannigan; Sara Hendren; Ryan Hunt; John Hunter; Diane Jakacki; Janelle Jenstad; Edward Jones-Imhotep; Julie Thompson Klein; Aaron D. Knochel; J. K. Purdom Lindblad; Kim Martin; Gwynaeth McIntyre; Aurelio Meza; Shezan Muhammedi; Angel David Nieves; Marcel O’Gorman; Amy Papaelias; Matt Ratto; Isaac Record; Jennifer Reed; Gabby Resch; Jennifer Roberts-Smith; Melissa Rogers; Daniela K. Rosner; Stan Ruecker; Roxanne Shirazi; James Smithies; P. P. Sneha; Lisa M. Snyder; Kaitlyn Solberg; Dan Southwick; David Staley; Elaine Sullivan; Joseph Takeda; Ezra Teboul; William J. Turkel; Lisa Tweten.Trade Review"Sayers is to be commended for giving space to queer and feminist makers, who are often overlooked in favor of discussions on technological innovations. The essays on the interplay of craft and circuitry highlight how academic institutions need to look beyond monograph and journal publication as keystones to academic careers. This is required reading for those interested in digital humanities and in the intersection of maker culture and academics."—CHOICETable of ContentsContentsIntroduction: “I Don’t Know All the Circuitry”Jentery SayersPart I. Making and the Humanities1. The Boundary Work of Making in Digital HumanitiesJulie Thompson Klein2. On the “Maker Turn” in the HumanitiesDavid Staley3. Vibrant Lives presents The Living Net4. A Literacy of Building: Making in the Digital HumanitiesBill Endres5. MashBOT6. Making Humanities in the Digital: Embodiment and Framing in Bichitra and Indiancine.maP. P. SnehaPart II. Made by Whom? For Whom?7. Making the RA Matter: Pedagogy, Interface, and PracticesJanelle Jenstad and Joseph Takeda8. Reproducing the Academy: Librarians and the Question of Service in the Digital HumanitiesRoxanne Shirazi9. Looks Like We Made It, But Are We Sustaining Digital Scholarship?Chelsea A. M. Gardner, Gwynaeth McIntyre, Kaitlyn Solberg, and Lisa Tweten10. Full Stack DH: Building a Virtual Research Environment on a Raspberry PiJames Smithies11. Mic Jammer12. The Making of a Digital Humanities Neo-LudditeMarcel O’Gorman13. Made: Technology on Affluent Leisure Time14. Reifying the Maker as HumanistJohn Hunter, Katherine Faull, and Diane Jakacki15. All Technology Is Assistive: Six Design Rules on DisabilitySara HendrenPart III. Making as Inquiry16. Thinking as Handwork: Critical Making with Humanistic ConcernsGabby Resch, Dan Southwick, Isaac Record, and Matt Ratto17. Bibliocircuitry and the Design of the Alien Everyday, 2012–201318. Doing History by Reverse Engineering Electronic DevicesYana Boeva, Devon Elliott, Edward Jones-Imhotep, Shezan Muhammedi, and William J. Turkel19. Electronic Music Hardware and Open Design Methodologies for Postoptimal ObjectsEzra Teboul20. Glitch Console21. Creative Curating: The Digital Archive as ArgumentJoanne Bernardi and Nora Dimmock22. Reading Series Matter: Performing the SpokenWeb ProjectAlexander Flamenco, Lee Hannigan, and Aurelio Meza23. Loss Sets24. Dialogic Objects in the Age of 3D Printing: The Case of the Lincoln Life MaskSusan GarfinkelPart IV. Making Spaces and Interfaces25. Feminist Hackerspaces: Hacking Culture, Not Devices (the zine!)Amy Burek, Emily Alden Foster, Sarah Fox, and Daniela K. Rosner26. Fashioning Circuits, 2011–Present27. Making Queer Feminisms Matter: A Transdisciplinary Makerspace for the Rest of UsMelissa Rogers28. Movable Party29. Disrupting Dichotomies: Mobilizing Digital Humanities with the MakerBusKim Martin, Beth Compton, and Ryan Hunt30. Designs for Foraging: Fruit Are Heavy, 2015–201631. Experience Design for the Humanities: Activating Multiple InterpretationsStan Ruecker and Jennifer Roberts-Smith32. AIDS Quilt Touch: Virtual Quilt Browser33. Building Humanities Software That Matters: The Case of Ward One Mobile AppHeidi Rae Cooley and Duncan A. Buell34. Placeable: A Social Practice for Place-Based Learning and Co-design ParadigmsAaron D. Knochel and Amy Papaelias35. Making the Model: Scholarship and Rhetoric in 3D Historical ReconstructionsElaine Sullivan, Angel David Nieves, and Lisa M. SnyderPart V. Making, Justice, Ethics36. Beyond MakingDebbie Chachra37. Making It MatterJeremy Boggs, Jennifer Reed, and J. K. Purdom Lindblad38. Ethics in the MakingErin R. Anderson and Trisha N. CampbellAcknowledgmentsContributors
£26.99
