Media studies Books

Book SynopsisDespite the increasing number of gamers worldwide, the moral classification of computer gaming marks an as yet unsolved riddle of philosophical ethics. In view of the explosive nature of the topic in everyday life (as seen in various debates about rampages), it is obvious that a differentiated professional clarification of the phenomenon is needed: Can playing computer games be immoral?To answer this question, the author first discusses what we do at all when we play computer games: What kind of action are we talking about? The second step is a moral classification that reveals whether (and if so, why) some cases of computer gaming are morally problematic. The considerations made here provide a fundamental insight into the normative dimension of computer gaming. Samuel Ulbricht studied philosophy and German studies in Stuttgart, where he passed his first state examination. He completed his second state examination in Heidelberg. For his final thesis on the ethics of computer gaming, he received the "Prize of the Friends of the University of Stuttgart". His current research focuses on normative differences in moral theories, problem areas in applied ethics, the aesthetics and ethics of computer games and the ethics of education and teaching. He currently works at the Johannes Gutenberg University of Mainz.This book is a translation of the original German 1st edition Ethik des Computerspielens by Samuel Ulbricht, published by J.B. Metzler, an imprint of Springer-Verlag GmbH Germany, part of Springer Nature in 2020. The translation was done with the help of artificial intelligence (machine translation by the service DeepL.com). A subsequent human revision was done primarily in terms of content, so that the book will read stylistically differently from a conventional translation. Springer Nature works continuously to further the development of tools for the production of books and on the related technologies to support the authors.Trade Review“The publication clearly contributes to the discourse in question and should certainly be read not only by students but also by educators involved in game studies. It may be a useful supplement to courses that deal with the ethical aspects of games, but it may also be of benefit to philosophers who wish to bring an up-to-date context to their studies or teaching.” (Magdaléna Švecová, Acta Ludologica, Vol. 5 (2), December, 2022)“A major strength of Ethics of Computer Gaming is in the holistic nature of Ulbricht’s analysis … . This book will prove an interesting addition to researchers interested in the ethical implications of videogames, as its conclusions are not necessarily congruent with other theorists.” (Rebecca Grose, Press Start, press-start.gla.ac.uk, Vol. 9 (1), 2023)Table of ContentsPreface.- What computer games are.- Computer games as action.- Ethics of computer games.- Concluding remarks.- List of sources.- Glossary.

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Book SynopsisThe book provides unique insights into the culture of computer-mediated hospitality and how this has begun to transform contemporary tourism and travel practice. Focusing on Couchsurfing.org, one of the largest online hospitality communities worldwide, the authors explore how social relations, intimacy and trust are built in the online environment and then extended into the offline contexts of actual tourism and travel. Being active couchsurfers themselves, the authors scrutinise the candid claim by much of the online hospitality community that couchsurfing creates a "better world". The book is key reading for anyone interested in how computer mediated communication is changing contemporary forms of contact, travel and hospitality, and the kinds of cosmopolitism it brings into being.Authors: David Picard, Sonja Buchberger, Jennie Germann Molz, Dennis Zuev, De-Jung Chen, Bernard Schéou, Jun-E Tan, Paula Bialski and Nelson Graburn.Trade Review"[The book] exhaustively covers multiple topics with high contemporary relevance ina very accessible way." Anastasiya Astapova, H-Net-Reviews, 4 (2014) "The various experiences as hosts and guests plus nine different writing styles make the book a varied reading. Following the authors experiences, the results of their studies are sometimes presented as interested facts nearby; hence it is not like reading an academic paper but fun and informative. Moreover it makes the book accessible for a broader audience and allows an ongoing exchange between academic and current discussions." Paula Salomo, www.urbanophil.net, 08.08.2013 "Being skillfully written, making use of a narrative approach, and enriched by exciting and originial chapters 'Couchsurfing Cosmopolitanism' is a recommanded read for those who are eager to delve deeper and better understand the phenomenon of promoting cosmopolitanism as a desire for and openess to difference." Variety Fair, 7 (2014)

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Book Synopsis(Dis)Orientation appears to be a phenomenon that is connected to media in numerous respects: today, finding your way in the world often means finding your way with the help of as well as within media, which in turn creates new virtual realms of (dis)orientation. This book deals with recent media technologies and structures (navigation devices, databases, transmediality) and unconventional narrative patterns (narrative complexity, plot twists, non-linearity), using the ambivalent concept of (dis)orientation as a shared focus to analyse various phenomena of contemporary media, thereby raising overarching questions about current mediascapes.

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Book SynopsisThis annual report is a call to action to recognize the things that are having an impact on the internet today, and to embrace the notion that we as humans can change how we make money, govern societies, and interact with one another online. We invite you to participate in setting an agenda for how we can work together to create an internet that truly puts people first. This book is neither a country-level index nor a doomsday clock. Our intention is to show that while the worldwide consequences of getting things wrong with the internet could be huge - for peace and security, for political and individual freedoms, for human equality - the problems are never so great that nothing can be done. More people than you imagine are working to make the internet healthier by applying their skills, creativity, and personal bravery to business, technology, activism, policy and regulation, education, and community development.

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Book SynopsisSince the full-scale Russian attack on Ukraine since February 24, 2022, warfare on social media and online platforms has introduced a new way of mediatizing war. A constant war-related newsfeed on social media and online platforms has emerged. Against this background the war in Ukraine represents a fractal war - where you choose to subscribee to your own tailored version of warfare in your feed. This makes it the most personalized war in history (Andrew Hoskins). This special issue investigates smartphone use, online media, platform politics, and the impact of the crowdsourced war. New forms of digital participation, collective witnessing and web archiving by media users and mdia providers are linked with new methodological and empirical challenges for source analysis of digital forrennsics, jurisdiction, and collective memory. The contributors analyze digital society and its relationship to war, violence, genocide, witnessing practices and cultural appropriation in a critical and reflective manner.

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Book SynopsisThere is a great worldwide desire to launch new technology-based business. In this sense, and increasingly, entrepreneurship courses have arisen in several universities and many of the courses in the management, administration and engineering areas already offer entrepreneurship curricular units. Throughout those programs, the teams develop key integrated competencies in innovation, entrepreneurship and technology that will ultimately enable the students to create and develop new technology-based businesses. The Business Plan Reference Manual for IT Businesses provides a reference manual for undergraduate and graduate students that intend to launch their start-up business in the IT field. It helps them to create and model the business plan of their business. Therefore, this manual is mainly aimed at instructors who want to offer a practical view of the process of modeling, designing and developing an IT start-up. Additionally, it can be individually used by entrepreneurs who wish to launch their start-up businesses in IT field. The structure of the book was defined taking into account different approaches to the construction of the business plan, which basically consider a disaggregation of some of these chapters in others smaller (e.g., marketing plan into products/services and market, financial plan into investment plan and economic-financial projections). We chose to aggregate these dimensions into a single chapter, which in our view facilitates the process of analyzing a business plan. It is also relevant to mention the inclusion of âœChapter V â Prototype descriptionâ which is innovative and intends to take into account the application of this business plan template to the information technology sector.

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a huge range and FREE tracked UK delivery on ALL orders.

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Book SynopsisThis book offers an understanding of the transient migration experience in the Asia-Pacific through the lens of communication and entertainment media. It examines the role played by digital technologies and uncovers how the combined wider field of entertainment media (films, television shows and music) are vital and helpful platforms that positively aid migrants through self and communal empowerment. This book specifically looks at the upwardly mobile middle class transient migrants studying and working in two of the Asia-Pacific’s most desirable transient migration destinations – Australia and Singapore – providing a cutting edge study of the identities transient migrants create and maintain while overseas and the strategies they use to cope with life in transience.Table of ContentsChapter 1: Transient Migrants: A Profile of Transnational Adaptability.- Chapter 2: Replicating everyday home life in transience: Connecting to the home nation through social media and entertainment media.- Chapter 3: Identity on my Mind .- Chapter 4: The Significance of home nation identities in transience.- Chapter 5: Connections and Disconnections: Forming Parallel Societies in Transience.- Chapter 6: A Culture of Mobility: Christianity.- Chapter 7: Globetrotting: Aspirations for Transnational Mobility.

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Book SynopsisThis book offers an overview of social media usage in Japan and describes its role in society during mid-level disruptions by natural disasters. Conceived during and after the Great East Japan Earthquake that devastated large portions of the north-eastern area of Japan, this volume addresses the links between Japanese civil society and the social media scene, using both traditional hypothesis testing, social surveys and large-scale big data analysis to provide insight into the development of an online community for connecting citizens. Considering the connection of civil society organizations, citizens and local governments through online communication, notably social media, and how to promote higher levels of citizen engagement in Japan, it offers solutions for a more prepared, resilient communication network among citizens in case of another large scale disaster.Table of ContentsThe Japanese Internet Environment.- Social Media in Japan and the Great Eastern Japan Earthquake.- Japanese Local Government Facebook Profiles.- Civil Society, Social Media and Facebook usage by local governments: Birth of the Tsukuba Study and the Tsukuba Civic Activities Cyber-Square.- Promotion and Care of Online Communities: Necessary Elements for a self-sustainable online Facebook community: Self-Reliance of the Tsukuba Civic Activities Cyber-Square.- Who Leads Advocacy through Social Media in Japan?.- Conclusion.

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Book SynopsisMany facets of social life are now intrinsically linked to the Internet through increasing dependence of user-centric platforms like blogs, social-networking websites, online forums, and open source websites. The Malaysian Church is not exempt from having to negotiate with an increasingly tech-savvy and networked community of believers. Based primarily on Internet ethnography and interviews with Christian bloggers and church pastors, this book looks at how the Internet is a component of “everyday religion” in the lives of Malaysian Christians at individual, institutional, and national levels. It examines the ways in which online Christian expressions are increasingly integrated into the everyday religious routines of Christians for the development of their personal identities and inter-religious interactions. This book also shows how the spiritual authority of church pastors can be both challenged and reinforced through the creative use of online tools. It addresses some of the creative ways in which Christians utilise the Internet to engage with national socio-political issues within the context of restrictive and controlled mainstream media, as well as the ongoing discourse with Islam in the country. Through a selection of case studies, this book shows that while the Internet may be “free”, the users of the Internet are not necessarily so. While the Internet has provided Malaysian Christians with new tools to experience their faith in new ways, several aspects of “old” offline socio-cultural habits persist online. These, in turn, lead to a robust and growing environment of Internet Christianity in Malaysia. This timely book will be of interest to scholars in religious studies, media and communications, and cultural studies in Southeast Asia.Table of Contents1.Introduction: Online Religion and the Malaysian Context.- 3.Locating the “Everyday” and the “Offline” in Online Christianity.- 4.The Personal Experience: Blogging as Development of Spiritual Identity.- 5.The Institution’s Perspective: Malaysian Pastors as Online Authors and Citizens.- 6.Lessons from a New Online Christian Community.- 7.Engaging Malaysia: A Grassroots Approach to Inter/Intra-Religious Communication.- 8.Re-producing Ideology: A Case Study on Facebook Christian Groups and the Bersih 4.0 Rally.- 8.Conclusion.

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Book SynopsisThis book explores the unique contribution that critical communication studies can bring to our understanding of health. It covers several broad themes: representing and mediating health; marketing and promoting health, co-producing health; and managing health crises and risks. Chapters speak to moral and social regulation through health communication, technologies of health, healthism and governmentality. They engage with historical and contemporary issues, offering readers theoretically grounded perspectives. At base, the book explores what a critical communication approach to health might look like, revealing in important—and sometimes surprising—ways how communication sits at the centre of understanding how health is constructed, contested, and made meaningful.Trade Review“Communication and Health: Media, Marketing and Risk is a compilation of much-needed critical insights on the important intersection between communication and health. … this book will be a seminal reference not only for scholars of communication studies, but also for those working in public health, medical humanities, business and management, and other allied disciplines.” (Antony Hoyte-West, Komunikacija i kultura online, Vol. 14 (14), 2023)Table of ContentsCommunication and Health: An Introduction.- Part I: Representing Health.- Beyond Representation: Media Frames and Communicating Health.- No Way to Live: Fat Bodies on Reality Television.- “Who Wants to Live Forever? You Want to Live Well”: The Appeal to Health in Coverage of Anti-Ageing Science and Medicine.- Feeling by Looking: Public Health Handwashing Posters as Emplaced Vital Media.- Part II: Marketing and Promoting Health.- “Great Taste! Fun for Kids!”: Marketing Vitamins for Children.- Imperial Tobacco Canada and Health Reassurance Cigarette Marketing during the 1970s.- Influencing Diet: Social Media, Micro-Celebrity, Food and Health.- Marketing Mental Health: Critical Reflections on Literacy, Branding and Anti-Stigma Campaigns.- Part III: Co-Producing Health.- Co-Authoring the ‘Person’ in Person-Centred Care: A Critical Narrative Analysis of Patient Stories on Healthcare Organization Websites.- The Branding of Movember and the Co-Production of Men’s Health.- The Social Construction of ‘Good Health’.- Part IV: Managing Health: Troubling Surveillance and Communicating Risk.- “You Don’t Own a FitBit, the FitBit Owns You”: A Taxonomy of Privacy Attitudes in the Context of Self-Quantification.- Cases and Traces, Platforms and Publics: Big Data and Health Surveillance.- Challenges in Vaccine Communication.- Critical Communication Studies and COVID-19: Mediation, Discourse, and Masks.

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Book SynopsisA must-read collection featuring the best in sports journalism Renowned media reporter Richard Deitsch has curated an essential anthology showcasing incredible feats and diverse perspectives across the world of sports. Selected from a wide range of newspapers, magazines, and digital publications during the previous year, these stories capture enduring moments while celebrating the craft of writing at its most sublime.This extraordinary collection reveals the fascinating stories behind the sports we love, the competitors who push their boundaries, and the cultures they are ultimately embedded in.

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Book SynopsisEstablished in 2004.M?ori Television has had a major impact on New Zealand broadcasting. But over the past year or so, the politics of M?ori Television have been brought to the foreground of public consciousness, with other media outlets trackingM?ori Television's search for a new CEO, allegations of editorial intervention and arguements over news reporting approaches to Te K?hanga Reo National Trust. Based on three years of interviews with key stakeholders-staff, the Board, other media, politicians, funders and viewers- this is a deep account ofM?ori Television in its first ten years. Jo smith argues that today;s arguements must be understood within a broader context shaped by non-M?ori interests. Offering five frameworks to address the challenges of a M?ori organisation working within a wider non-M?ori context, this is a solidly researched examination ofM?ori Television's unique contribution to the media cultures of Aotearoa New Zealand. The first sustained and focused discussion of M?ori Television practices, the role of television in language revitalization, innovations in Maori programming and how audiences are engaging with indigenous television. Maori Television is one of the boldest state broadcasting ventures in recent years and its success is worthy of study by indigenous communities and state broadcasters internationally .

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Book SynopsisCopyright is everywhere. Your smartphone incorporates thousands of items of intellectual property. Someone owns the reproduction rights to photographs of your dining table. At this very moment, battles are raging over copyright in the output of artificial intelligence programs. Not only books but wallpaper, computer programs and cuddly toys are now deemed to be intellectual properties - making copyright a labyrinthine construction of laws covering almost all products of human creativity.Copyright has its roots in eighteenth-century London, where it was first established to limit printers' control of books. Principled arguments against copyright arose from the start and nearly abolished it in the nineteenth century. But a handful of little-noticed changes in the late twentieth century concentrated ownership of immaterial goods into very few hands. Who Owns This Sentence? is an often-humorous and always-enlightening cultural, legal, and global history of the idea that intangible things can be owned, and makes a persuasive case for seeing copyright as an engine of inequality in the twenty-first century.Trade ReviewFascinating ... Bellos and Montagu have extracted an enormous amount of fun out of their subject, and have sauced their sardonic and playful prose with buckets full of meticulously argued bile -- Simon Ings * The Telegraph *David Bellos and Alexandre Montagu's surprisingly sprightly history "Who Owns This Sentence?" arrives with uncanny timing ... The authors' chapters are short but their reach, like the arm of the law itself, is long. -- Alexandra Jacobs * New York Times *A fascinating new look at the patchwork chaos called copyright ... Not just authors, but artists in many media, scientists, mathematicians and every one of us with our own unique individual faces .... should read this book -- Anne Margaret Daniel * Spectator *Lively, opinionated, and ultra-timely -- Louis Menand * New Yorker *From the British Statute of Anne in 1710, which granted meagre rights to authors but more to publishers, to those looming AI battles on IP's "haziest frontier", the book maps the ever expanding empire of copyright ... [a] robust and readable polemic history -- Boyd Tonkin * Financial Times *The field of copyright has been full of dramatic turns ... Mr Bellos and Mr Montagu argue that copyright has gone from a right that favours creators to something more akin to a privilege for the rich and powerful. * Economist *David Bellos and Alexandre Montagu explain how copyright became an invisible economic architecture that governs not just vital matters such as royalties, but also ephemera such as commercial trademarks and medical patents ... As this thoughtful book shows, copyright law has been revised and rewritten according to changing needs -- Dominic Green * Wall Street Journal *An astute survey of ever-evolving proprietorship laws ... a surprisingly accessible recounting of the major twists and turns - and there are many! - surrounding this topic -- Mariko Hewer * Washington Independent Review of Books *A gimlet-eyed analysis of a system that protects a corporate status quo at the expense of independent invention * Kirkus Reviews *A gripping detective story, a flamboyant intellectual history, and a passionate manifesto for creative freedom ... You'll never think about copyright in the same way again * Fara Dabhoiwala, historian and senior research scholar, Princeton University *One good life option is to just read everything David Bellos has ever written * Guardian *Bellos and Montagu reveal the patchwork of laws, norms, and assumptions that have transformed ideas into property. Copyright is no longer just about authors and the right to benefit from their work, but about big business and even bigger profits. Theirs is a compelling call to address the privatization of the global imagination * Emily Drabinski, President, American Library Association *In this madcap history from Plato to Donald Duck, from feudal Europe to Facebook, David Bellos and Alexandre Montagu have written the definitive account of where copyright came from and why it looks the way it does. Who Owns This Sentence? belongs on the bookshelf of every creator, producer, policymaker, and consumer * Jason Mazzone, Albert E. Jenner, Jr. Professor of Law, University of Illinois *We often think of copyright as a form of justice, a means of ensuring that creators rather than pirates of works receive whatever compensation is on offer. This witty, informed and timely book urgently invites us to think otherwise. Copyright, the authors tell us, 'means more than it ever did before.' It takes in books, films, sheet music, computer programs and many other inventions, and yet it in the end 'it is an edifice of words.' This detailed history makes very lively reading, and also encourages action, since we could, if we wished, use different words * Michael Wood, Professor of English and Comparative Literature, Emeritus, Princeton University *The story of copyright has many moving parts: history, literature, economics, politics, policy, and technology. Each element gets a closeup in this expertly told story of the evolution of copyright. In a time when billions of words are used to train AI models, this engaging and instructive book tells how different eras and countries have struggled with the challenge of defining ownership of texts * James T. Hamilton, Hearst Professor of Communication, Stanford University *Copyright is often defended as an immutable concept handed down through the generations, but this brisk and entertaining history outlines the truth of its complicated history, and illuminates the ways in which it has increasingly been weaponized by contemporary corporations. A gem of narrative nonfiction with wide appeal, bound to be especially savored by anyone with a stake in the future ofintellectual property * Stephanie Anderson, LibraryReads Board Member *

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Book SynopsisWhy do we play games and why do we play them on computers? The contributors of "Games and Rules" take a closer look at the core of each game and the motivational system that is the game mechanics. Games are control circuits that organize the game world with their (joint) players and establish motivations in a dedicated space, a "Magic Circle", whereas game mechanics are constructs of rules designed for interactions that provide gameplay. Those rules form the base for all the excitement and frustration we experience in games. This anthology contains individual essays by experts and authors with backgrounds in Game Design and Game Studies, who lead the discourse to get to the bottom of game mechanics in video games and the real world - among them Miguel Sicart and Carlo Fabricatore.

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Book SynopsisCode is intended both as a computer-based language to program software and as a functional and visual language for organizing administrative processes, visualizing information, performing behaviour control, and reinforcing shared imaginaries based on surveillance and dread. This special issue of Digital Culture & Society deals with the concept of code in relation to the Covid-19 crisis. The contributions depart from the idea that both forms of coding have become dramatically intertwined during the pandemic and are structuring a new way of being in and seeing reality. They explore the new forms of data-driven surveillance and representation of the pandemic evolution at the level of real-time epidemiology, sensor technologies, science policies, push media, and the heterogeneous counter-discourses that try to subvert them.

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Book SynopsisIgniting Collective Goodness: MannKiBaat@100 is a journey towards kindling the collective consciousness of the people. As the monthly radio broadcast by Prime Minister Narendra Modi reached its milestone 100th episode in April 2023, leaving an indelible mark on the airwaves and igniting a social revolution across India, this book invites readers to delve into the captivating conversations that have touched the lives of millions. The book encapsulates the spirit of this transformative programme, its impact and the visionary ideas it propounded, shaping the social fabric of India.

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Book SynopsisListen Up! is the world's first publication to take a look at American radio art as a distinct sound art practice. Analytical essays by leading media art historians and practitioners discuss how the field took shape in the context of changing broadcast environments and socio-political realities, while manifestos and other original documents provide vivid glimpses into the concerns of artists seeking to insert their alternative visions into the mass medium radio. The volume also elucidates the role of prominent artists who worked extensively for European broadcasters and considers the difference between sound works for broadcast radio and their internet incarnations.

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Book SynopsisIn 1996, Kenneth Goldsmith created UbuWeb to post hard-to-find works of concrete poetry. It grew into an essential archive of twentieth- and twenty-first-century avant-garde and experimental literature, film, and music. In Duchamp Is My Lawyer, Goldsmith tells the history of UbuWeb, explaining the motivations behind its creation.Trade ReviewNamed a Best Non-Fiction Book of 2020 * PopMatters *UbuWeb is one of the great avant-garde projects of our times. In Duchamp Is My Lawyer, Goldsmith takes us through the aesthetic, legal, economic, and social aspects of the whole project. Through it, we see how the avant-garde had to shift gears to move from the era of analog media to that of digital, or database media. It is an essential document on the theory and practice of experimental media art. -- McKenzie Wark, author of A Hacker ManifestoKenneth Goldsmith’s Duchamp Is My Lawyer details the story of UbuWeb, a free-source library for visual, audio and written art. He cites many extraordinary items – from masterpieces to flukes, oddities and trifles – that will send us rushing to the site to see, but the discussion is equally about the weighty issues of freedom vs ownership of culture. Goldsmith takes a stand – with Duchamp grinning wryly over his shoulder – for availability, access and the accumulation of knowledge. He’s holding the cultural back door open and letting in all the outcasts, misfits and oddballs that would never get past the velvet ropes up front. -- Lee Ranaldo, Sonic YouthDuchamp Is My Lawyer reads like an upbeat mediactivist manifesto—providing all at once an alternative political economy of open access, a humorous introduction to legal poetics, a joyful survey of artistic resistance, and an empowering toolbox to keep the web as free as we care for it to be. -- Yves Citton, author of MediarchyIn 1996, Kenneth Goldsmith sat down at his computer and initiated a website he appropriately called UbuWeb—a site soon consisting of “thousands of freely downloadable avant-garde artifacts,” and unlike any of its peers in being entirely free and open to all: no sponsors, no fees, no memberships or passwords required. Over the decades, it has become clear that UbuWeb, although an unmatchable scholarly resource, is itself the avant-garde artwork we have been waiting for—a giant collage of appropriated materials, chosen, juxtaposed, and framed so as to constitute perhaps the best single available history of its subject, and one entirely created by a single author—Goldsmith himself. The artist’s lively, entertaining, and revelatory account of how this uniquely democratic site was created and maintained, how he resolved vexing copyright issues, and how UBU has helped us reconsider movements from Concrete Poetry to the feminist punk of Angry Women—is nothing short of inspiring. This should be required reading for all those who wonder whether it still possible, in 2020, to speak of the avant-garde. -- Marjorie Perloff, author of Unoriginal Genius: Poetry by Other Means in the New CenturyUbuWeb is an anomaly of the internets. The irony is that it completely functions the way we envisioned the everything would, in the beginning of internets history. Kenneth Goldsmith kept UbuWeb true to the core values of the network: humanity, collectiveness, and borderless openness. In a world where data is synonymous with control and value is synonymous with price, UbuWeb functions as an oasis. -- Peter Sunde, founder of The Pirate BayWith an unshakable belief that art belongs more in the public sphere than behind closed walls, physical or digital, Kenneth Goldsmith originated the first open source platform for those who revere culture. This invigorating and timely book surveys why brilliant ideas, images, and sounds are important to both preserve and proliferate as freely as ever. -- Naomi Beckwith, senior curator at the Museum of Contemporary Art, ChicagoDuchamp Is My Lawyer is the in-depth secret history of one of Goldsmith's most expansive and long running projects—the renegade website UbuWeb. At once manifesto, memoir, treatise, exposition, critique, and gossip column, it presents an essential history of renegade underground creative activity in the past 100 or so years. Brilliantly structured and filled with wit, wisdom, and Goldsmith's provocations, it is also an inspiring and hilarious read. -- John Zorn, composer and performerOne of the smartest manifestos on art and internet politics that I've seen. * The Wire *This book, although written in the first person singular, is an example of collective enunciation, the 'I' of Kenneth Goldsmith being a cooperative person representing all those eager to rely on the creative and communicative possibilities of the net to build a collaborative framework that does not dissolve but offers new promises to all individuals as well. In that sense, Duchamp Is My Lawyer perfectly qualifies as what Deleuze and Guattari call 'minor literature,' . . .the noncanonical use of a 'major' system to serve the needs and expectations of those at the margins. * Leonardo Reviews *A remarkably fluid and engaging read. . . When I finished Duchamp Is My Lawyer, I had the pleasure of sitting in natural silence for a brief while, pondering how much I had learnt, how entertainingly the book had conveyed its message of openness, what a gift it is to have such a light touch. * PopMatters *Duchamp is My Lawyer is an approachable and even-handed discussion of UbuWeb and issues regarding copyright in the digital age. It also provides an insight into the evolution of the counter culture in the internet age and the practical, legal and financial issues of producing and consuming art today. Well worth seeking out. * Alexander Adams Art *This is a book for lovers of art’s revolutionary import and those interested in the interface between art and the law. Recommended. * Choice *UbuWeb is portrayed as a small utopia in the middle of the commercial Internet, built on the principles of freedom, equality and cultural progress, but also subversiveness . . . between the lines, [Goldsmith] persuades us to create other such utopian places online, to try to transform the Internet and reclaim its vision of the future. * 3/4 Magazine *Duchamp Is My Lawyer displays Goldsmith fulfilling an ethics of caring about others who care about conserving odd things. Caring is at the heart of this tender homage to eccentric collectors who have put themselves at legal risk to share their obsessions. * William Carlos Williams Review *Table of ContentsIntroduction: The Back DoorPart I: PolemicsPart II: Pragmatics 1. Folk Law2. From Panorama to Postage Stamp: Avant-Garde Cinema and the Internet3. The Work of Video Art in the Age of Digital Reproduction4. Shadow Libraries and Preserving the Memory of the WorldPart III: Poetics5. Dirty Concrete6. From Ursonate to Re-Sonate7. People Like Us8. Aspen: A “Multimedia Magazine in a Box”9. Street Poets and Visionaries10. An Anthology of AnthologiesCoda: The Ghost in the AlgorithmAppendix: 101 Things on UbuWeb That You Don’t Know About but Should NotesAcknowledgmentsIndex

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Book SynopsisOra Szekely draws on sources including in-depth interviews, conflict data, and propaganda distributed through social media to examine how competing narratives of the civil war in Syria have shaped the course of the conflict.Trade ReviewA wonderfully nuanced and insightful account of how struggles to dominate the fractured narrative landscape of Syria’s civil war have shaped the conduct of warring parties. As markers of how combatants define what they are fighting for and whom they are fighting against, conflicts to determine whose narratives prevail have played a crucial role in Syria’s civil war, both in understanding how violence becomes organized and in how the broader conflict is defined. A compelling case for the importance of conflict narratives, and conflicts over narratives, Szekely’s book is an important contribution to scholarship on the Syrian civil war and on civil war more broadly. It deserves to be widely read. -- Steven Heydemann, Janet Wright Ketcham 1953 Professor in Middle East Studies, Smith CollegeSzekely’s fine book combines keen analytical insight with a wealth of empirical information on the Syrian civil war. She brilliantly exposes how a war of incompatible narratives—fight for dignity, against terrorism, for an Islamic state—had material consequences for the power balance on the ground by affecting recruitment, financing, and outside intervention. -- Raymond Hinnebusch, codirector, Centre for Syrian Studies, University of St. AndrewsTable of ContentsAcknowledgmentsAcronyms and AbbreviationsIntroduction1. The Syrian Tragedy2. What Are We Fighting For?3. Patterns of Violence4. The YouTube WarConclusionAppendix: MethodsNotesIndex

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Book SynopsisA Century of Repression offers an unprecedented and panoramic history of the use of the Espionage Act of 1917 as the most important yet least understood law threatening freedom of the press in modern American history. It details government use of the Act to control information about U.S. military and foreign policy during the two World Wars, the Cold War, and the War on Terror. The Act has provided cover for the settling of political scores, illegal break-ins, and prosecutorial misconduct.Trade Review"A timely and compelling “biography” of the Espionage Act, vividly told through the harrowing stories of whistleblowers, government employees, policy consultants and journalists, from prominent socialist Eugene Debs to whistleblower Edward Snowden. " --Los Angeles Review of Books"Engelman and Shenkman’s compelling history should inform deliberations about the roles of secrecy and publicity in our digital world for some time to come." --American Journalism"An impressive piece of both legal and journalistic history." --Reporters Committee for Freedom of the Press"Carey Shenkman and Ralph Engelman's study of the history, law, and implications of these recent abuses of the Espionage Act is needed urgently, if we are to remain truly a democratic republic."--Daniel Ellsberg"This book could not be more timely. . . . This comprehensive look at its history is an enlightening read for students of journalism history, and, in fact, anyone who wants to understand what is at stake for journalists." --National Journal of Communication“A wonderful, detailed history of developments around the Espionage Act and the attempt by government to control expression within a democratic society. Of interest to anyone who is interested in government’s attempt to control information.”--David S. Allen, author of Democracy, Inc.: The Press Law in the Corporate Rationalization of the Public Sphere

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Book SynopsisTrade Review"Shadow of the New Deal is an ideal introduction for scholars new to the study of radio. . . . The book has an obvious appeal to media historians; indeed, it will no doubt become the standard reference work on this phase in radio history, though it offers fruitful information for scholars of other areas as well." --H-Net Reviews“Equipped with a wealth of archival research and a fresh perspective, Shepperd reshapes the history of public broadcasting convincingly and with great respect for the practitioners, researchers, and reformers responsible for its development and influence.”--Deborah L. Jaramillo, author of The Television Code: Regulating the Screen to Safeguard the Industry"Well researched and documented." --ChoiceTable of ContentsAcknowledgments Introduction Chapter 1. Advocacy: Media Reform, from Activism to Advocacy: Before and After the Communications Act of 1934 Chapter 2. Funding: The Philanthropic Mandate for Collaboration between Educational and Commercial Broadcasters Chapter 3. Distribution and Facilities: America’s Public Media Industry: From the Rocky Mountain Radio Council to the National Bicycle Network Chapter 4. Research and Development: The Emergence of Communication: Reception Research as a Strategic Tool of Media Reform Chapter 5: Policy: Public Media Policy, 1934-1967--Lessons from Reform History Conclusion Notes Index

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Book SynopsisA survey of contemporary Western art music within the transformed political, cultural, and technological environment of the post-Cold War era. It considers musical composition against this changed backdrop, placing it in the context of globalization, digitization, and new media.Trade Review"...an essential survey of contemporary music." * New York Times *"...Rutherford-Johnson catalogues the bewildering diversity of twenty-first-century composed music, and, more important, makes interpretative sense of a corpus that ranges from symphonies and string quartets to improvisations on smashed-up pianos found in the Australian outback..."Music After the Fall” is the best extant map of our sonic shadowlands, and it has changed how I listen." Alex Ross * The New Yorker *"In relaxed and readable prose, Rutherford-Johnson describes in detail how pieces of new music might be received, experienced or understood by a general audience, without any need for a background in musical training...an informed, engaged and thoughtful account." * The Journal of Music *"Music After the Fall succeeds, faced with a bewildering range of styles, in showing us how to approach the at times forbidding terrain of contemporary music." * Gramophone *2017 Music Book of the Year -- Alex Ross * The New Yorker *"This remarkable feat of synthesis and analysis...has fundamentally changed my vision of the music of our time. No one who seriously follows contemporary music should be without it." -- Alex Ross * The Rest is Noise *"Music After the Fall is sharp, provacative and always on the money. The listening list alone promises months of fresh discovery, the main text a fresh new way of navigating the world of sound." * The Wire *Table of ContentsList of illustrations Acknowledgments 1. 1989 and After 2. Mediation and the Marketplace 3. Permission: Freedom, Choice, and the Body 4. Fluidity: Digital Translations, Displacements, and Journeys 5. Mobility: Worldwide Flows, Networks, and Archipelagos 6. Superabundance: Spectacle, Scale, and Excess 7. Loss: Ruins, Memorials, and Documents 8. Recovery: Gaps between Past and Present Appendix 1: Recommended Listening Appendix 2: Further Reading Notes Index

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Book SynopsisRecollecting Lotte Eisner provides the first in-depth examination of the remarkable transnational career of film journalist, archivist, and historian Lotte Eisner (18961983). From her early years as a film critic in interwar Berlin to her escape from prison in occupied France and from her role as chief curator at the Cinémathèque française to that as the mythic collective conscience of New German Cinema, Eisner was a prolific writer and lecturer and a pivotal voice in early film and media studies. Situated at the juncture of feminist media historiography and disciplinary intellectual history, this groundbreaking book is based on extensive multilingual archival research and the excavation of a rich corpus of previously overlooked materials. Introducing samples of Eisner's writing in translation, this volume makes some of the most important contributions of a foundational scholar in the field of film studies accessible for the first time to an English-language readership.Table of ContentsContents Acknowledgments Introduction 1 • Fräulein Doktor Eisner 2 • A Reluctant Bellwether: Dr. L. H. Eisner and Flapper at the Film-Kurier, 1927–1933 3 • “La seule historienne”: Exile, Salvage, and Community at the Cinémathèque Française 4 • “Lacunae Everywhere”: Iterative Historiography and the Midcentury Palimpsests Conclusion: The Woolly Mammoth of the Cinémathèque Appendix: Film-Kurier Bibliography, by the Numbers Notes References Index

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Book SynopsisOne of the Best Scholarly Books of 2023, The Chronicle of Higher Education A free ebook version of this title is available through Luminos, University of California Press's Open Access publishing program. Visitwww.luminosoa.orgto learn more. In this capacious transnational film history, renowned scholar Masha Salazkina proposes a groundbreaking new framework for understanding the cinematic cultures of twentieth-century socialism. Taking as a point of departure the vast body of work screened at the Tashkent International Festival of Cinemas of Asia, Africa, and Latin America in the 1960s and 1970s, World Socialist Cinema maps the circulation of films between the Soviet Bloc and the countries of the Global South in the mid- to late twentieth century, illustrating the distribution networks, festival circuits, and informal channels that facilitated this international network of artistic and intellectual exchange. Building on decades of meticulous archival work, this long-anticipated filTrade Review"World Socialist Cinema is an important and timely reminder that it is worth excavating and examining the legacy of Soviet culture in all its contradictions and complexity. In revealing its ways of building solidarity and alliances beyond neoliberal capitalism and its cultural production, Salazkina’s book shows the Tashkent festival to be a worthy place to start." * Film Quarterly *

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Book SynopsisWhy do citizens of states with strict surveillance care so little about their digital privacy? Why do Brazilians eschew geo-tagging on social media? What drives young Indians to friend “foreign” strangers on Facebook and give “missed calls” to people? Payal Arora answers these questions and many more about the internet’s next billion users.Trade ReviewArora shows that many of the world’s poor don’t seek out the Internet as a tool to become more productive, but as a welcome outlet for economically ‘unproductive’ play…That the Internet fails as a magical cure-all for historical circumstance may be unwelcome news to techno-utopians and overzealous development practitioners, but there is hope in its capacity to augment and expand human leisure beyond the realm of material advancement. -- Evan Malmgren * The Nation *A must-read for any individual seeking to promote economic growth and development in the digital age. Arora’s deeply rooted research exposes digital stereotypes as well as the perils and opportunities that exist at the interplay of culture, technology, regulation, commerce, and the next generation of digital users. -- Justin van Fleet, Director of the International Commission on Financing Global Education OpportunityWhether you are a government agency seeking to bring public goods and services to underprivileged citizens, a multinational corporation entering emerging markets, or an NGO implementing aid, The Next Billion Users is essential, data-driven reading that will guide your digital and real-world strategies. -- Shaun Wiggins, President and CEO of SoteryxThe Next Billion Users is mandatory reading for anyone interested in understanding the future of technology or designing applications that are truly valuable for the majority of the people on the planet. -- Ronaldo Lemos, Director of the Institute for Technology & Society of Rio de JaneiroThis book is a feat—insightful, poignant, riveting. Through detailed case studies and interviews, Payal Arora rewrites the story of our relationship to digital technology from a truly global perspective. Her conclusions are as surprising as they are revealing about the future of social media, gaming, mobile phones, and online commerce and education. -- Marwan Kraidy, author of The Naked Blogger of CairoThis powerful book explores actual online lives in China, India and Brazil and asks why many of us in the West are surprised and sometimes offended by the fact that the impoverished are just as committed as we are to the search for ‘moments of pleasure and joy.’ * Times Higher Education *Superb…Uncomfortable, myth-busting, and compelling, The Next Billion Users challenges our collective superiority complexes and questions the way we see technology in the connected world. -- Nick Smith * Engineering and Technology *A ‘must-read’ for anyone interested in digital uses around the world…A priceless study, tremendously documented. -- Irenaeus Regnauld * Digital Society Forum *The conventional storyline around the transformative effect of technology on people’s lives often doesn’t ring true…Any leader whose company sees the global poor as a key market will find its reality-based view of the intended customers bracing and useful. -- Theodore Kinni * Strategy + Business *Convincingly points out that the promises of technology itself bridging educational divides have not come true…Arora's core message is that the youth in developing countries are like their peers everywhere…Their basic motivations, however, do not differ from those of other people. The limitations they face in daily life reappear in the digital sphere. -- Hans Dembowski * D+C *Payal’s findings show that the global poor use online media not just to study, find jobs, and obtain health information, but also seek pleasure, visibility, leisure, and entertainment. In the process, they negotiate issues of privacy, interaction and social tradition. -- Madanmohan Rao * YourStory *Extremely enlightening in regard to preconceived Western notions of the Global South and the impact of new technologies on the poor. * Choice *

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Book SynopsisArt as we know it is dramatically changing, but popular and critical responses lag behind. This title describes how art and architecture are being transformed in the age of Google. It provides an original theory of art and architecture in the age of global networks.Trade Review"[A] succulent little book."--Flora Samuel, Times Higher Education "Joselit, a Yale professor and critic whose previous writings have assiduously observed the intersection of art and tech, lays his argument out with pedagogic steadiness."--Art Review "[After Art] is insightful and offers countless examples of the cultural and political forces influencing creative arts... [W]ell-referenced and clearly written."--Choice "Joselit points out a stimulating journey through recent art and architecture where his discourse functions as a sort of guide, complete with images and diagrams, within the illuminating text."--Kieran Lyons, Leonardo ReviewsTable of ContentsAcknowledgments xi Preface xiii Image Explosion 1 Populations 24 Formats 55 Power 85 Notes 97 Credits 115

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Book SynopsisTrade Review"At the end of the thirteenth century, Thomas Aquinas wrote the Summa Theologiae, an ambitious compendium of all orthodox philosophical and theological knowledge about the world. Seven hundred years later, science fiction author Stanislaw Lem writes his Summa Technologiae, an equally ambitious but unorthodox investigation into the perplexities and enigmas of humanity and its relationship to an equally enigmatic world in which it finds itself embedded. In this work Lem shows us science fiction as a method of inquiry, one that renders the future as tenuous as the past, with a wavering, ‘phantomatic’ present always at hand." —Eugene Thacker, author of After Life"Summa is a fantasia that follows certain lines of speculative thought as far as Lem can take them. Lem’s sober materialism may seem dehumanizing, but he brings back to the frontier a question that has plagued civilization since the beginning, and whose shifting, always insufficient answers have always signaled revolutions in culture: what is it to be human?" —Los Angeles Review of Books "With Summa Technologiae, his masterwork of non-fiction which has been translated into English for the first time, Lem has taken Western civilisation for a spin—with spectacular consequences. " —New ScientistTable of ContentsContents Translator’s Introduction. Evolution May Be Greater Than the Sum of Its Parts, but It’s Not All That Great: On Lem’s Summa Technnologiae Joanna ZylinskaSumma Technologie1. Dilemmas2. Two EvolutionsSimilaritiesDifferencesThe First CauseSeveral Naïve Questions3. Civilizations in the UniverseThe Formulation of the ProblemThe Formulation of the MethodThe Statistics of Civilizations in the UniverseA Catastrophic Theory of the UniverseA Metatheory of MiraclesMan’s UniquenessIntelligence: An Cccident or a Necessity?HypothesesVotum SeparatumFuture Prospects 4. IntelectronicsReturn to EarthA Megabyte BombThe Big GameScientific MythsThe Intelligence AmplifierThe Black BoxThe Morality of HomeostatsThe Dangers of ElectrocracyCybernetics and SociologyBelief and InformationExperimental MetaphysicsThe Beliefs of Electric BrainsThe Ghost in the MachineThe Trouble with Information Doubts and Antinomies5. Prolegomena to OmnipotenceBefore ChaosChaos and OrderScylla and Charybdis: On RestraintThe Silence of the DesignerMethodological Madness A New Linnaeus: About SystematicsModels and RealityPlagiarism and Creation On Imitology6. PhantomologyThe Fundamentals of PhantomaticsThe Phantomatic MachinePeripheral and Central PhantomaticsThe Limits of PhantomaticsCerebromaticsTeletaxy and PhantoplicationPersonality and Information7. The Creation of WorldsInformation FarmingLinguistic EngineeringThe Engineering of TranscendenceCosmogonic Engineering8. A Lampoon of EvolutionThe Reconstruction of the SpeciesConstructing LifeConstructing DeathConstructing ConsciousnessError-based ConstructsBionics and BiocyberneticsIn the Eyes of the DesignerReconstructing Man CyborgizationThe Autoevolutionary MachineExtrasensory PhenomenaConclusionNotesBibliographyIndex

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Book SynopsisTable of ContentsGeneral Abbreviations | vii Abbreviations for Poets and Poems | ix Acknowledgments | xiii Introduction | 1 Part 1: Making Memories Rök and Ynglingatal | 15 1. Death in Place | 20 2. Forging the Chain | 46 Stone—Stanza—Memory | 72 Part 2: Seeing Things 3. The Viking Eye | 81 4. Seeing, Knowing, and Believing in the Prose Edda | 108 Part 3: Hearing Voices 5. The Noise of Poetry | 135 6. A Poetry Machine | 160 Conclusion | 185 Notes | 193 References | 257 Index | 291 Plates follow page 78

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Book SynopsisSurveying some two dozen films and the literary and historical sources from which they were adapted, John Inscoe argues that in the American imagination Appalachia has long represented far more than deprived and depraved hillbillies. Rather, the films he highlights serve as effective conduits into the region's past.

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Book SynopsisIn Empowered Sarah Banet-Weiser examines the deeply entwined relationship between popular feminism and popular misogyny as it plays out in advertising, online and multimedia platforms, and nonprofit and commercial campaigns. Examining feminist discourses that emphasize self-confidence, body positivity, and individual achievement alongside violent misogynist phenomena such as revenge porn, toxic geek masculinity, and men''s rights movements, Banet-Weiser traces how popular feminism and popular misogyny are co-constituted. From Black Girls Code and the Always #LikeAGirl campaign to GamerGate and the 2016 presidential election, Banet-Weiser shows how popular feminism is met with a misogynistic backlash of mass harassment, assault, and institutional neglect. In so doing, she contends that popular feminism''s problematic commitment to visibility limits its potential and collective power.Trade Review"Empowered adroitly examines the context in which popular feminism is transformed into hateful and misogynistic rage." -- Elisabeth Woronzoff * Popmatters *"Sarah Banet-Weiser offers an informative and readable account of popular feminism and popular misogynistic reactions to it. . . . Highly recommended. Upper-division undergraduates through faculty." -- M. Morrissey * Choice *"Empowered offers an extremely timely and critical perspective toward understanding the current topology of feminism and misogyny in popular US culture and can benefit a wide range of readers. With its various tangible examples to illuminate the theorization of popular feminism and misogyny, general readers who don’t have prior knowledge on feminist research could enjoy reading it." -- Dasol Kim * International Journal of Communication *"Empowered presents insightful as well as bold arguments on the current status of popular feminism and its networked natures with popular misogyny." -- Younghan Cho * International Journal of Communication *"Banet-Weiser’s engaging and clear prose, alongside her use of many contemporary examples from a number of cultural contexts, make the book accessible enough for advanced undergraduate or graduate students while still offering cogent and theoretically grounded argumentation to scholars." -- Laura L. Beadling * Journal of American Culture *"Empowered is a crucial and much needed contribution to the debate around contemporary popular feminism and misogyny. In not shying away from exposing both the neoliberal influences of popular feminism, and from investigating the conflictual but nevertheless close entanglements between popular feminist and misogynist thought, Banet-Weiser provides an important keystone towards the reinvention of feminism as a radical and intersectional political project in the contemporary era." -- Hannah Mueller * Communication Booknotes Quarterly *"Empowered is elegant, compelling, and provides an incisive critique of our times—a zeitgeist characterized in equal parts through inspired momentum on matters of gender justice and, simultaneously, met with vitriolic resistance at almost every turn. Empowered theorizes a significant relationship between popular feminism and popular misogyny; it also illuminates how Millennial and Gen Z generations arrive at mediated understandings of feminism." -- Michelle Flood * Feminist Media Studies *“In Empowered, Sarah Banet-Weiser develops a framework for understanding the dynamics between what she calls ‘popular feminism and popular misogyny.’ Banet-Weiser signals that to understand popular feminism, we must explore it through its relationship with the other side of the coin: that is, misogyny…. [Empowered is] interesting, well crafted, and well written.” -- Ea Høg Utoft * Signs *“Taking seriously popular feminism and popular misogyny as sites of struggle, Banet-Weiser deftly addresses the increased popularity of feminism in the contemporary moment and the virulent backlash of misogyny situating both within a corporate, capitalist economy of visibility.” -- Jeremiah Favara * Women's Studies International Forum *Table of ContentsPreface ix Acknowledgments xiii Introduction 1 1. The Funhouse Mirror 41 2. Shame: Love Yourself and Be Humiliated 65 3. Confidence: The Con Game 92 4. Competence: Girls Who Code and Boys Who Hate Them 129 Conclusion: Rage 171 Notes 187 References 193 Index 211

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Book SynopsisWe regularly touch and handle media devices. At the same time, media devices such as body scanners, car seat pressure sensors, and smart phones scan and touch us. In Horn, Henning Schmidgen reflects on the bidirectional nature of touch and the ways in which surfaces constitute sites of mediation between interior and exterior. Schmidgen uses the concept of 'horn'—whether manifested as a rhinoceros horn or a musical instrument—to stand for both natural substances and artificial objects as spaces of tactility. He enters into creative dialogue with artists, scientists, and philosophers, ranging from Salvador Dalí, William Kentridge, and Rebecca Horn to Sigmund Freud, Walter Benjamin, and Marshall McLuhan, who plumb the complex interplay between tactility and technological and biological surfaces. Whether analyzing how Dalí conceived of images as tactile entities during his “rhinoceros phase” or examining the problem of tactility in Thomas PynchoTrade Review"As a scholar of touch and technology but not, it must be said, of media, I was rarely surprised by the historical content or media examples. I was, however, consistently delighted by the deft argumentation, the rather bricolage- like assembly of themes and motifs, and the unexpected but convincing serendipities that connect them across the different media and their practitioners. . . . For the scholar interested in media and technology, this book serves as an entertaining crash course or manifesto in the history of tactile media." -- Mark Paterson * Technology and Culture *Table of ContentsPreface vii Introduction 1 1. The Captured Unicorn 13 2. Impressions of Modernity 49 3. Rhinoceros Cybernetics 88 4. A Surface Medium Par Excellence 148 5. Horn and Time 192 Conclusion 240 Notes 251 Bibliography 273 Index 293

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Book SynopsisRenyi Hong theorizes the notion of being passionate about your work as an affective project that encourages people to endure economically trying situations like unemployment, job change, repetitive and menial labor, and freelancing.Trade Review“This interesting, deeply thoughtful, and erudite book addresses a key issue of our time, making a substantial contribution to conversations on the roles of emotions, affect, and related phenomena in modern political economies, particularly in the West. By bringing passionate work to the discussion, Renyi Hong captures something that operates at many levels, from management literature to self-help and gamification movements to office design. Passionate Work is a book by a truly curious and committed intellect.” -- Thomas Streeter, author of * The Net Effect: Romanticism, Capitalism, and the Internet *"A vivid portrait of the changing expectations and emotions of contemporary work. Highly recommended. Advanced undergraduates through faculty." -- J. Bekken * Choice *"The unionization efforts of Starbuck baristas, warehouse workers with Amazon, drivers with Uber, higher education workers in the University of California system, and now undergraduate resident assistants at places like Barnard all testify to a massive reevaluation of what work is for us and, perhaps more important, what it ought to be. We are fortunate, therefore, to have Renyi Hong’s Passionate Work to guide us through the thickets of this new world of work." -- Thomas A. Discenna * International Journal of Communication *"Much of Passionate Work is so satisfying to read because it confirms and names a tension that feels deeply true." -- Iana Robitaille * Public Books *Table of ContentsAcknowledgments vii Introduction. Passionate Work and the Good Life 1 1. From Happiness to Passion 23 2. Jobless, Undamaged, Resilient 53 3. The Compassionate Imagination 88 4. Urban Preserves 121 Conclusion. Passion in the Last Instance 160 Notes 175 Bibliography 203 Index

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Book SynopsisKelli Moore traces the political origins of the concept of domestic violence through visual culture in the United States, showing how it is rooted in the archive of slavery.Table of ContentsAcknowledgments vii Introduction 1 1. Authenticating Domestic Violence: Image and Feeling in Abolitionist Media 25 2. Battered Women in a Cybernetic Milieu 61 3. Authenticating Testimony in the Domestic Violence Courtroom 92 4. Incorporating Camp in Criminal Justice 122 Conclusion 155 Coda 173 Notes 179 Bibliography 211 Index 227

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Book SynopsisCarol Vernallis examines short form audiovisual mediafrom TikTok mashups to Beyoncé's Lemonadeto offer techniques for understanding digital media.Table of ContentsAcknowledgments xi A Note on the Cover xiii Introduction 1 I. Post-Classical Cinema at the Limit 1. Partying in The Great Gatsby: Baz Luhrmann’s Audovisual Sublime 27 2. Shattered Pleasures: Michael Bay’s Transformers: Age of Extinction 48 II. Music Video and the Art-Video Border 3. Beyoncé’s Overwhelming Opus; or, the Past and Future of Music Video 71 4. Avant-Gardists and the Lure of Pop Music 97 5. Beyoncé’s Lemonade: She Dreams in Both Worlds (Carol Vernallis, Lisa Perrot, and Holly Rogers) 122 6. Tracing the Carters through the Galleries: “APES**T/APESHIT” and the Louvre 138 7. Storytelling on the Ledge: Lady Gaga and Jonas Åkerlund’s “Paparazzi” 154 III. Music Video’s Late Late Style 8. How to Analyze Music Videos: Beyoncé and Melina Matsoukas’s “Pretty Hurts” 175 9. Dave Meyer’s Moments of Audiovisual Bliss 196 10. Janelle Monáe’s “You Make Me Feel” and Anderson.Paak with Kendrick Lamar’s “Tints”: Getting Up in My [Rearview] Mirror 211 IV. Audiovisual Aesthetics Online 11. Who Needs Music Documentaries When There’s TikTok and Carpool Karaoke? 231 12. TikTok and Costume-Drama Mashups on YouTube 247 V. New Modes of Analysis: Industry 13. The Art of Color Grading (Carol Vernallis, Jonathan Leal, Eric Weldt, and Aubrey Woodiwiss) 265 14. Music Video Directors, Production Houses, and the Media Swirl 290 VI. New Modes of Analysis: Neuroscience 15. Music Video’s Multisensory 307 16. Tracing the Asset: Humanistic and Quantitative Approaches to Cybercrime Film Trailers (Snowden and Bourne) 319 VII. New Modes of Analysis: Politics and Vernacular Culture 17. New Technologies, Social Justice, and the Future in Beyoncé’s Audiovisual Albums 335 18. Fox News, COVID-19, Brief Media Aesthetics, and Historical Resonances 356 Afterword 369 Notes 373 Bibliography 403 Index 429

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Book SynopsisAn insider's look at the power of comedy to effect social changeFrom Trevor Noah's The Daily Show and Hasan Minhaj's Patriot Act, to Issa Rae's Insecure and Corey Ryan Forrester's Twitter feed, today's multi-platform comedy refuses to shy away from the social issues that define our time.As more comedians lean into social justice activism, they help reshape the entertainment industry and offer creative, dynamic avenues for social change. The Revolution Will Be Hilarious offers a compelling insider's look at how comedy and social justice activists are working together in a revolutionary media moment. Caty Borum invites readers into an expanding, enterprising arena of participatory culture and politics through in-depth interviews with comedians, social justice leaders, and Hollywood players. Their insights shed light on questions such as: What role does comedy play in helping communities engage the public with challenging social issues? HoTrade ReviewCaty Borum shows us why she is the leading expert in the field of comedy & social justice. The Revolution Will Be Hilarious is essential reading for all the creative deviants out there who wish to engage with comedy as a form of artistic resistance. -- Josh Church, producer of Bros and George Carlin’s American Dream, Apatow ProductionsCaty Borum's analysis of the intersection of activism and humor highlights how much comedy plays a role in shaping the way we think and shaping the way we see the world as it is. This book also beautifully illustrates how humor can help us shape the world into what we hope it could be. There is no one more qualified to take us on such a journey than Caty Borum. -- Roy Wood Jr., Comedian, Correspondent, The Daily ShowArguing that humor is a fuel that powers positive change, Borum shows up- close how comedians turn communities of laughter into communities of action. A fun read and full of insight, this book is essential for anyone interested in the business of comedy and the power of grassroots politics. -- Nick Marx and Matt Sienkiewicz, authors of That's Not Funny: How the Right Makes Comedy Work for ThemThe book that comedy and social justice never knew it needed! The revelations, stories, and ideas presented are inspirational. A must-read for anyone who is interested in the intersection of entertainment and culture. -- Deniese Davis, founder/CEO, Reform Media Group; co-executive producer, Insecure; producer, A Black Lady Sketch ShowIn response to years of clear social upheaval in the United States, from renewed fights for social justice to new threats of authoritarianism, a new, diverse set of comedy voices are using humor in their activism. Caty Borum chronicles this phenomenon in her entertaining book The Revolution Will Be Hilarious. * Foreword Reviews *An important addition to support multidisciplinary research in the social sciences and fine arts, with a wide appeal for those interested in the role of activist comedy on emerging social media platforms. * Library Journal *The Revolution Will Be Hilarious shows how much media can emerge, converge, and use comedy as an effective tool for bringing about lasting change. -- Brian Boone * Vulture *It is clear from reading The Revolution Will Be Hilarious that Borum cares quite deeply about the power of civic organizations to drive social and political change and that her active, engaged scholarship is helping to promote a revolution that is both funny and impactful....Borum shows us just what can happen when comedians and activists work together to promote social change. * International Journal of Communication *

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Book SynopsisAn inquiry into what we can know in an age of surveillance and algorithms Knitting together contemporary technologies of datafication to reveal a broader, underlying shift in what counts as knowledge, Technologies of Speculation reframes today's major moral and political controversies around algorithms and artificial intelligence. How many times we toss and turn in our sleep, our voluminous social media activity and location data, our average resting heart rate and body temperature: new technologies of state and self-surveillance promise to re-enlighten the black boxes of our bodies and minds. But Sun-ha Hong suggests that the burden to know and to digest this information at alarming rates is stripping away the liberal subject that knows for themselves', and risks undermining the pursuit of a rational public. What we choose to track, and what kind of data is extracted from us, shapes a society in which my own experience and sensation is increasingly overruled by data-driven systems. FrTrade ReviewHong’s writing does not necessarily follow a clear, linear route; instead, it routinely dances back and forth between the different conceptual frameworks that together comprise data’s knowing. Data’s sublimation follows a similar pattern, and such a style helps in his attempt to articulate the deep interrelations involved in this epistemological shift. By illustrating how datafied knowledge and its speculative gaze moves with stealthy efficiency across bodies politic, temporal, and fleshlike, Technologies of Speculation sets up the stakes required to critically question what data—and we—can know. * International Journal of Communication *Drawing luminous connections between mass surveillance and self-tracking, Technologies of Speculation incisively explores the interplay between the new capacities of data science and the often fanciful but significant castings of the power and objectivity that these sciences promise. Hong’s readings of the Snowden documents are among the smartest, freshest, and most incisive to date. He challenges our understanding of the digital terrain we traverse and that follows us forward. -- Matthew L Jones, author of Reckoning with Matter: Calculating Machines, Innovation, and Thinking about Thinking from Pascal to BabbageJuxtaposing methods of state- and self-surveillance—from government terrorism forensics to personal biohacking projects—Sun-ha Hong illuminates the common epistemological dynamics of contemporary approaches to uncertainty and truth. Eschewing modern technological fantasies, Technologies of Speculation offers readers a prescient framework to make sense of the data-driven logics that seek to know, and shape, our lifeworlds. -- Natasha Dow Schüll, author of Addiction By Design: Machine Gambling in Las VegasHong takes the reader on a topological odyssey across the rills and gullies that data-driven technologies have incised into the contemporary landscape of knowledge production ... Technologies of Speculation provides a stark warning that the technological rationality represented by data science, machine learning, and artificial intelligence represents an existential threat. * Journal of Cultural Economy *Given this breadth, Technologies of Speculation could find a home in communications and media studies, cultural studies, political philosophy, and science and technology studies. Indeed, its combination of these fields into a politically engaged critical method for questioning technology makes an important contribution. These fields would all benefit from furthering this kind of interdisciplinary ideology critique, which attempts to make sense of and intervene in the present moment. Hong’s accessible and often humorous style also gives the book relevance outside academia, for anyone interested in understanding and engaging politically with an increasingly disorienting culture, which simultaneously pretends at unprecedented coherence. * Critical Studies in Media Communication *Analyzes the fantasies, values, and sentimentalities surrounding big data and artificial intelligence in his book. By mapping out the smart technologies that have developed in recent years and the fierce debates revolving around them, he seeks to raise awareness of the ethical stakes of technological promises. * International Journal of Communication *

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Book SynopsisBy analyzing the rich ethical and political world-building of Star Trek: Deep Space Nine, David K. Seitz argues that race and geography are central to appreciating the series’ profound critiques of neoliberal multiculturalism and U.S. empire.Trade Review"Drawing comparisons between our current cultural milieu and the universe as depicted in DS9, Seitz presents us with a much more nuanced view of the typical utopian-oriented views of science fiction. . . . In A Different Trek author Seitz gives us a lot to think about as we contemplate our present and our possible futures."—Kevin Folkman, Association for Mormon Letters“Like the Orbs of the Prophets, David Seitz’s A Different ‘Trek’ illuminates the deeper teachings of Star Trek: Deep Space Nine. An incisive analysis of DS9, Seitz gives us a compelling examination of how the stories of the series, while imperfect, go where no Star Trek has gone before, challenging the consequences of militarism, colonialism, and capitalism that are too often overlooked in the liberal utopianism of the franchise. Clear-eyed and thoughtful, A Different ‘Trek’ is the close read of Deep Space Nine that we have been waiting for, built on respect and recognition of the Black intellectual and radical work foundational to both the field of cultural studies and the art of generations of Black Star Trek actors.”—Chanda Prescod-Weinstein, author of The Disordered Cosmos: A Journey into Dark Matter, Spacetime, and Dreams Deferred“A remarkable guide to a remarkable series. Equally versed in contemporary debates in Black studies and critical theory and in Star Trek lore—and equally skilled in explaining both to outsiders—not only does David Seitz make the case for the relevance of Deep Space Nine for Leftist thought. His critical yet generous stance also provides a model for future investigations into the ways that commercial entertainment can transcend its origins and speak creatively to the political dilemmas of its age.”—Adam Kotsko, author of Neoliberalism’s Demons: On the Political Theology of Late Capital “Deep Space Nine extended the critical promise of Star Trek into our homes in an unprecedented way. Students of recent history, twentieth-century geographies, contemporary militarism, queer studies, and Afrofuturism should read A Different ‘Trek’. David Seitz reopens this chapter in popular culture to remind us that staying in place—especially on a planet like ours, with its bloodstained maps and shifting tides of power—affords us every possibility to confront legacies of injustice and imagine radical futures.”—andré m. carrington, author of Speculative Blackness: The Future of Race in Science Fiction“David Seitz displays a vast knowledge of Star Trek lore, storylines, and fandom and masterfully deploys a constellation of lenses—queer and critical race theory, Marxism, feminism, and psychoanalysis—to turn a penetrating but generous gaze on the Trek universe. He brilliantly explores the anticolonial and inter-imperialist struggles central to Deep Space Nine as an unstable allegory of neoliberal racial capitalism from the United States to Palestine.”—Tim McCaskell, author of Queer Progress: From Homophobia to Homonationalism“This is a rich and conceptually diverse account of political possibility in the series Deep Space Nine. Through his characterization of racial capitalism at the heart of the Star Trek universe, David Seitz powerfully draws out the geopolitical tensions between the possibilities of 1990s U.S. liberal humanism and its constitutive violences. I now want to go back to the beginning of the series to re-view it in light of the insights and observations offered in the book.”—Jo Sharp, professor of geography at the University of St Andrews, Scotland, and author of Geographies of PostcolonialismTable of ContentsList of Illustrations List of Tables Preface: Beyond Uhura, “Beyond Vietnam” Acknowledgments Abbreviations Dramatis Personae Introduction: Reading Racial Capitalism from DS9 1. The Radical Sisko 2. Cardassian Settler Colonialism and the Bajoran Struggle for Decolonization 3. Jem’Hadar Marronage and the Dominion “Order of Things” 4. Defetishizing the Ferengi 5. O’Brien Family Values 6. Empire’s Queer Inheritances Conclusion: “This Darker Thing” Notes References Index

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Book SynopsisContributions by Jerold J. Abrams, José Alaniz, John Carey, Maurice Charney, Peter Coogan, Joe Cruz, Phillip Lamarr Cunningham, Stefan Danter, Adam Davidson-Harden, Randy Duncan, Stephen Graham Jones, Richard Hall, Richard Heldenfels, Alberto Hermida, Víctor Hernández-Santaolalla, A. G. Holdier, Tiffany Hong, Siegfried Kracauer, Naja Later, Ryan Litsey, Tara Lomax, Tony Magistrale, Matthew McEniry, Cait Mongrain, Grant Morrison, Robert Moses Peaslee, David D. Perlmutter, W. D. Phillips, Jared Poon, Duncan Prettyman, Vladimir Propp, Noriko T. Reider, Robin S. Rosenberg, Hannah Ryan, Lennart Soberon, J. Richard Stevens, Lars Stoltzfus-Brown, John N. Thompson, Dan Vena, and Robert G. WeinerThe Supervillain Reader, featuring both reprinted and original essays, reveals why we are so fascinated with the villain. The obsession with the villain is not a new phenomenon, and, in fact, one finds villains who are 'super' going as far back as ancient religious and myt

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Book SynopsisThe School Story: Young Adult Narratives in the Age of Neoliberalism examines the work of contemporary writers, filmmakers, and critics who, reflecting on the realm of school experience, help to shape dominant ideas of school. The creations discussed are mostly stories for children and young adults. David Aitchison looks at serious novels for teens including Laurie Halse Anderson''s Speak and Faiza Guène''s Kiffe Kiffe Tomorrow, the light-hearted, middle-grade fiction of Andrew Clements and Tommy Greenwald, and Malala Yousafzai''s autobiography for young readers, I Am Malala. He also responds to stories that take young people as their primary subjects in such novels as Sapphire''s Push and films including Battle Royale and Cooties. Though ranging widely in their accounts of young life, such stories betray a mounting sense of crisis in education around the world, especially in terms of equity (the extent to which students from diverse bac

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