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Book SynopsisOn the 200th anniversary of the first edition of Mary Shelley’s Frankenstein, Transmedia Creatures presents studies of Frankenstein by international scholars from converging disciplines such as humanities, musicology, film studies, television studies, English and digital humanities. These innovative contributions investigate the afterlives of a novel taught in a disparate array of courses - Frankenstein disturbs and transcends boundaries, be they political, ethical, theological, aesthetic, and not least of media, ensuring its vibrant presence in contemporary popular culture. Transmedia Creatures highlights how cultural content is redistributed through multiple media, forms and modes of production (including user-generated ones from “below”) that often appear synchronously and dismantle and renew established readings of the text, while at the same time incorporating and revitalizing aspects that have always been central to it. The authors engage with concepts, value systems and aesthetic-moral categories—among them the family, horror, monstrosity, diversity, education, risk, technology, the body—from a variety of contemporary approaches and highly original perspectives, which yields new connections. Ultimately, Frankenstein, as evidenced by this collection, is paradoxically enriched by the heteroglossia of preconceptions, misreadings, and overreadings that attend it, and that reveal the complex interweaving of perceptions and responses it generates. Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.Trade Review"Mary Shelley’s novel has had so many afterlives: the text lives and is constantly reincarnated as an unparalleled text of revision, rewriting, misreading, and overreading in science fiction, film, young adult literature, feminism, biomedical ethics, drama, and many other arenas. On the occasion of the anniversary of the 1818 edition of Frankenstein, editors Francesca Saggini and Anna Enrichetta Soccio have gathered an admirably wide range of approaches to that vast afterlife. The productive analyses here of these transmedia incarnations demonstrate the power of Shelley’s ur-text and offer delightful opportunities to enliven our teaching and understanding of Frankenstein and his afterlives." -- Audrey Fisch * New Jersey City University *"One rarely encounters scholarly territory upon which Mary Shelley's peripatetic creature has not already left its mark, but this exceptional collection has managed to uncover new and exciting ground in Frankenstein studies. In Transmedia Creatures: Frankenstein's Afterlives, Saggini and Soccio present original interdisciplinary essays by international scholars that explore Shelley's novel as it is incarnated through the lens of multiple media and differing modes of production. Erudite and entertaining, this work gives us a fresh and often-startling view of that famous 'hideous progeny' as it is reborn in everything from fanfiction and steampunk adaptations to musical compositions and video games." -- Ghislaine McDayter * Bucknell University *"Chronicle of Higher Education new scholarly books weekly book list," by Nina C. Ayoub * Chronicle of Higher Education *"The scholarship is sound. . .Transmedia Creatures offers some exciting new avenues to explore in the wake of the bicentenary of Shelley’s novel. Recommended." * Choice *"Saggini and Soccio’s [book] defies expectations and has a great deal to say about the pedagogical uses to which Frankenstein’s textual afterlives might be put. [...] many of the essays in this volume, although they don’t define themselves that way, might be characterized by what we now call presentist in that they trace how cultural forebodings about the dangers of difference that preoccupy the novel get re-mediated in contemporary culture to address those same concerns. [...] All of these essays are never less than illuminating, in their varied ways, on some understudied or overlooked aspect of the novel’s afterlives, as should be obvious from the book’s title but is never a given." * European Romantic Review *"In Transmedia Creatures, Saggini and Soccio collect a truly international group of thirteen contributors who investigate the ways how Frankenstein adaptations traverse media, genre, and national boundaries....[T]his volume particularly appealing to instructors looking for innovation in teaching the novel." * Science Fiction Studies *"Mary Shelley’s novel has had so many afterlives: the text lives and is constantly reincarnated as an unparalleled text of revision, rewriting, misreading, and overreading in science fiction, film, young adult literature, feminism, biomedical ethics, drama, and many other arenas. On the occasion of the anniversary of the 1818 edition of Frankenstein, editors Francesca Saggini and Anna Enrichetta Soccio have gathered an admirably wide range of approaches to that vast afterlife. The productive analyses here of these transmedia incarnations demonstrate the power of Shelley’s ur-text and offer delightful opportunities to enliven our teaching and understanding of Frankenstein and his afterlives." -- Audrey Fisch * New Jersey City University *"One rarely encounters scholarly territory upon which Mary Shelley's peripatetic creature has not already left its mark, but this exceptional collection has managed to uncover new and exciting ground in Frankenstein studies. In Transmedia Creatures: Frankenstein's Afterlives, Saggini and Soccio present original interdisciplinary essays by international scholars that explore Shelley's novel as it is incarnated through the lens of multiple media and differing modes of production. Erudite and entertaining, this work gives us a fresh and often-startling view of that famous 'hideous progeny' as it is reborn in everything from fanfiction and steampunk adaptations to musical compositions and video games." -- Ghislaine McDayter * Bucknell University *"Chronicle of Higher Education new scholarly books weekly book list," by Nina C. Ayoub * Chronicle of Higher Education *"The scholarship is sound. . .Transmedia Creatures offers some exciting new avenues to explore in the wake of the bicentenary of Shelley’s novel. Recommended." * Choice *"Saggini and Soccio’s [book] defies expectations and has a great deal to say about the pedagogical uses to which Frankenstein’s textual afterlives might be put. [...] many of the essays in this volume, although they don’t define themselves that way, might be characterized by what we now call presentist in that they trace how cultural forebodings about the dangers of difference that preoccupy the novel get re-mediated in contemporary culture to address those same concerns. [...] All of these essays are never less than illuminating, in their varied ways, on some understudied or overlooked aspect of the novel’s afterlives, as should be obvious from the book’s title but is never a given." * European Romantic Review *"In Transmedia Creatures, Saggini and Soccio collect a truly international group of thirteen contributors who investigate the ways how Frankenstein adaptations traverse media, genre, and national boundaries....[T]his volume particularly appealing to instructors looking for innovation in teaching the novel." * Science Fiction Studies *Table of ContentsAbbreviations ix Introduction: Frankenstein: Presence, Process, Progress Francesca SagginiPA R T I Labs, Bots, and Punks: Transmediating Technology and Science 1 Frankenstein and Science Fiction Gino Roncaglia 2 Monstrous Algorithms and the Web of Fear: Risk, Crisis, and Spectral Finance in Robert Harris’s The Fear Index Lidia De Michelis 3 Frankensteinian Gods, Fembots, and the New Technological Frontier in Alex Garland’s Ex_Machina Eleanor BealPA R T I I Becoming Monsters: The Limits of the Human 4 Staging Steampunk Aesthetics in Frankenstein Adaptations: Mechanization, Disability, and the Body Claire Nally 5 Frankenstein; or, the Modern Prometheus in the Postcolony Claudia Gualtieri 6 Four- Color Myth: Frankenstein in the Comics Federico MeschiniPA RT I I I The Evolution Games of Sight and Sound 7 “Uncouth and inarticulate sounds”: Musico- Literary Traces in Frankenstein, and Frankenstein in Art Music Enrico Reggiani 8 Enter Monsieur le Monstre: Cultural Border- Crossing and Frankenstein in London and Paris in 1826 Diego Saglia 9 The Theme of the Doppelgänger in James Searle Dawley’s Frankenstein Daniele Pio Buenza 10 Perverting the Family: Re- Working Victor Frankenstein’s Gothic Blood- Ties in Penny Dreadful Ruth HeholtPA R T I V Monster Reflections 11 The Masked Performer and “the Mane Electric”: The Lives and Multimedia Afterlives of Margaret Atwood’s Doctor Frankenstein Janet Larson 12 Young Adult Frankenstein Andrew McInnes 13 Revivifying Frankenstein’s Myth: Historical Encounters and Dialogism in Back from the Dead: The True Sequel to Frankenstein Anna Enrichetta Soccio Acknowledgments Bibliography Index About the Contributors

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Book SynopsisWe are inundated with game play today. Digital devices offer opportunities to play almost anywhere and anytime. No matter our age, gender, social, cultural, or educational background—we play. Play in the Age of Goethe: Theories, Narratives, and Practices of Play around 1800 is the first book-length work to explore how the modern discourse of play was first shaped during this pivotal period (approximately 1770-1830). The eleven chapters illuminate critical developments in the philosophy, pedagogy, psychology, politics, and poetics of play as evident in the work of major authors of the period including Lessing, Goethe, Kant, Schiller, Pestalozzi, Jacobi, Tieck, Jean Paul, Schleiermacher, and Fröbel. While drawing on more recent theories of play by thinkers such as Jean Piaget, Donald Winnicott, Jost Trier, Gregory Bateson, Jacques Derrida, Thomas Henricks, and Patrick Jagoda, the volume shows the debates around play in German letters of this period to be far richer and more complex than previously thought, as well as more relevant for our current engagement with play. Indeed, modern debates about what constitutes good rather than bad practices of play can be traced to these foundational discourses. Published by Bucknell University Press. Distributed worldwide by Rutgers University Press. Trade Review"Play in the Age of Goethe is a brilliantly conceived and edited volume that explores the topic of "play" with a view to both its historical development and its contemporary importance. While canonical authors receive their due, the essays likewise address domains of research not usually treated in literary historical studies. Theory and practice are skillfully blended and the various perspectives represented in the essays are mutually enhancing. The contributions fully realize the intention of the volume to make clear how rich and various, how intellectually compelling and fecund the thoughts about and fictional treatments of play in the German­-speaking lands at the end of the eighteenth and beginning of the nineteenth centuries in fact were." -- David E. Wellbery * author of The Specular Moment: Goethe’s Early Lyric and the Beginnings of Romanticism *"This is a superb collection of essays on a topic of central interest to scholars of eighteenth-century literature and culture, as well as students of continental philosophy and theoreticians of play. The introduction is lively and intriguing, setting the stage for the essays to come and maintaining interest via a very concise, yet wide-ranging account of the importance of play and games in contemporary life and what is at stake in the practice." -- Gail K. Hart * author of Friedrich Schiller: Crime, Aesthetic, and the Poetics of Punishment *"This collection's strength is evident in the care each author takes with the theme, material, and development of what amount to multiple interlocking frameworks for understanding play circa 1800." * Monatshefte *“[Play in the Age of Goethe] is another impressive work in the series New Studies in the Age of Goethe and clearly demonstrates the productivity of scholars in the field and their many interdisciplinary connections.” * Goethe Yearbook, 2023 *"This is a superb collection of essays on a topic of central interest to scholars of eighteenth-century literature and culture, as well as students of continental philosophy and theoreticians of play. The introduction is lively and intriguing, setting the stage for the essays to come and maintaining interest via a very concise, yet wide-ranging account of the importance of play and games in contemporary life and what is at stake in the practice." -- Gail K. Hart * author of Friedrich Schiller: Crime, Aesthetic, and the Poetics of Punishment *"This collection's strength is evident in the care each author takes with the theme, material, and development of what amount to multiple interlocking frameworks for understanding play circa 1800." * Monatshefte *"Play in the Age of Goethe is a brilliantly conceived and edited volume that explores the topic of 'play' with a view to both its historical development and its contemporary importance. While canonical authors receive their due, the essays likewise address domains of research not usually treated in literary historical studies. Theory and practice are skillfully blended and the various perspectives represented in the essays are mutually enhancing. The contributions fully realize the intention of the volume to make clear how rich and various, how intellectually compelling and fecund the thoughts about and fictional treatments of play in the German­-speaking lands at the end of the eighteenth and beginning of the nineteenth centuries in fact were." -- David E. Wellbery * author of The Specular Moment: Goethe’s Early Lyric and the Beginnings of Romanticism *Table of Contents List of Illustrations Introduction: Play in the Age of Goethe and Today Part 1: Free Play Chapter 1: Beauty and Erotic Play: Anacreontic Poetry’s Transformation of Aesthetic Philosophy Christian P. Weber Chapter 2: Free Play in German Idealism and Poststructuralism Samuel Heidepriem Part 2: Games of Chance Chapter 3: “Mit dem Spiele spielen”: Lessing’s Play for Tolerance Edgar Landgraf Chapter 4: Play with Memory and Its Topoi: Faust Nicholas Rennie Part 3: Children’s Play Chapter 5: Narcissus at Play: Goethe, Piaget, and the Passage from Egocentric to Social Play Elliott Schreiber Chapter 6: Playthings: Goethe’s Favorite Toys Patricia Anne Simpson Chapter 7: Kindergarten and the Pedagogy of Play in the German Educational Revolution Ian F. McNeely Interlude Chapter 8: Invective, Eulogy, Play: Jacobi’s Sock 1799 Christiane Frey Part 4: The Play of Language Chapter 9: Between Speaking and Listening: Jean Paul’s Word-Play Michael Powers Chapter 10: Authorship, Translation, Play: Schleiermacher’s Metalangual Poetics David Martyn Chapter 11: Playing with Words in Early German Romanticism Brian Tucker Acknowledgments Bibliography Notes on Contributors Index

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Book SynopsisTranspoetic Exchange illuminates the poetic interactions between Octavio Paz (1914-1998) and Haroldo de Campos (1929-2003) from three perspectives--comparative, theoretical, and performative. The poem Blanco by Octavio Paz, written when he was ambassador to India in 1966, and Haroldo de Campos’ translation (or what he calls a “transcreation”) of that poem, published as Transblanco in 1986, as well as Campos’ Galáxias, written from 1963 to 1976, are the main axes around which the book is organized. The volume is divided into three parts. “Essays” unites seven texts by renowned scholars who focus on the relationship between the two authors, their impact and influence, and their cultural resonance by exploring explore the historical background and the different stylistic and cultural influences on the authors, ranging from Latin America and Europe to India and the U.S. The second section, “Remembrances,” collects four experiences of interaction with Haroldo de Campos in the process of transcreating Paz’s poem and working on Transblanco and Galáxias. In the last section, “Poems,” five poets of international standing--Jerome Rothenberg, Antonio Cicero, Keijiro Suga, André Vallias, and Charles Bernstein. Paz and Campos, one from Mexico and the other from Brazil, were central figures in the literary history of the second half of the 20th century, in Latin America and beyond. Both poets signal the direction of poetry as that of translation, understood as the embodiment of otherness and of a poetic tradition that every new poem brings back as a Babel re-enacted. This volume is a print corollary to and expansion of an international colloquium and poetic performance held at Stanford University in January 2010 and it offers a discussion of the role of poetry and translation from a global perspective. The collection holds great value for those interested in all aspects of literary translation and it enriches the ongoing debates on language, modernity, translation and the nature of the poetic object. Published by Bucknell University Press. Distributed worldwide by Rutgers University Press. Trade Review"Offers an homage to the creative relationship between Octavio Paz and Haroldo de Campos in a volume stemming from the eponymous Stanford University event in Winter 2010 that gathered scholars, artists and poets from all the corners of the globe....Recognizing presence and precedence, Transpoetic Exchange journeys across cultures and traditions, languages and geographies, words and the verbal rawness of blank in the page." * Bulletin of Spanish Studies *Table of Contents Introduction: A Multiversal Experiment Part I: Essays Chapter 1: On the Presence of Absence: Octavio Paz’s “Blanco” Enrico Mario Santí Chapter 2: “Blanco” and Transblanco: Modern and Post-Utopic João Adolfo Hansen Chapter 3: Refiguring the Poundian Ideogram: From Octavio Paz’s “Blanco/Branco” to Haroldo de Campos’s Galáxias Marjorie Perloff Chapter 4: Poetry Makes Nothing Happen Marília Librandi Chapter 5: Haroldo de Campos, Octavio Paz and the Experience of the Avant-Garde Antonio Cicero Chapter 6: “Blanco”: a version of Mallarmé’s heritage Luiz Costa Lima Chapter 7: Translation and Radical Poetics: The Case of Octavio Paz and the Noigrandres Odile Cisneros Part 2: Remembrances Chapter 8: Pages, Pageants, Portraits, Prospects: an Austin-atious Remembrance of Haroldo de Campos Charles A. Perrone Chapter 9: “Logopéia via Goethe via Christopher Middleton”: An unknown recording of Haroldo de Campos (Austin, 1981) Kenneth David Jackson Chapter 10: Meeting in Austin Benedito Nunes Part 3: Poems Chapter 11: Three Variations on Octavio Paz’s “Blanco” and Fifteen Antiphonals for Haroldo de Campos, with a Note on Translation, Transcreation, and Othering Jerome Rothenberg Chapter 12: Poems Antonio Cicero Chapter 13: Waves of Absence Keijiro Suga Chapter 14: Hexaemeron. The Six Faces of Haphazard André Vallias Chapter 15: Amberianum [Philosophical Fragments of Caudio Amberian] Charles Bernstein Acknowledgments Bibliography Index Notes on Contributors

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Book SynopsisTranspoetic Exchange illuminates the poetic interactions between Octavio Paz (1914-1998) and Haroldo de Campos (1929-2003) from three perspectives--comparative, theoretical, and performative. The poem Blanco by Octavio Paz, written when he was ambassador to India in 1966, and Haroldo de Campos’ translation (or what he calls a “transcreation”) of that poem, published as Transblanco in 1986, as well as Campos’ Galáxias, written from 1963 to 1976, are the main axes around which the book is organized. The volume is divided into three parts. “Essays” unites seven texts by renowned scholars who focus on the relationship between the two authors, their impact and influence, and their cultural resonance by exploring explore the historical background and the different stylistic and cultural influences on the authors, ranging from Latin America and Europe to India and the U.S. The second section, “Remembrances,” collects four experiences of interaction with Haroldo de Campos in the process of transcreating Paz’s poem and working on Transblanco and Galáxias. In the last section, “Poems,” five poets of international standing--Jerome Rothenberg, Antonio Cicero, Keijiro Suga, André Vallias, and Charles Bernstein. Paz and Campos, one from Mexico and the other from Brazil, were central figures in the literary history of the second half of the 20th century, in Latin America and beyond. Both poets signal the direction of poetry as that of translation, understood as the embodiment of otherness and of a poetic tradition that every new poem brings back as a Babel re-enacted. This volume is a print corollary to and expansion of an international colloquium and poetic performance held at Stanford University in January 2010 and it offers a discussion of the role of poetry and translation from a global perspective. The collection holds great value for those interested in all aspects of literary translation and it enriches the ongoing debates on language, modernity, translation and the nature of the poetic object. Published by Bucknell University Press. Distributed worldwide by Rutgers University Press. Trade Review"Inspired by the eclectic form of Haroldo de Campos's Transblanco, this volume blends essays by authoritative critics of twentieth century poetics with personal reflections, creative work, and previously unpublished material by and about Haroldo de Campos and Octavio Paz. Transpoetic Exchange holds great value for readers interested in all aspects of poetry and translation and its transnational approach taps into an important current in contemporary literary studies.""Offers an homage to the creative relationship between Octavio Paz and Haroldo de Campos in a volume stemming from the eponymous Stanford University event in Winter 2010 that gathered scholars, artists and poets from all the corners of the globe....Recognizing presence and precedence, Transpoetic Exchange journeys across cultures and traditions, languages and geographies, words and the verbal rawness of blank in the page." * Bulletin of Spanish Studies *"Offers an homage to the creative relationship between Octavio Paz and Haroldo de Campos in a volume stemming from the eponymous Stanford University event in Winter 2010 that gathered scholars, artists and poets from all the corners of the globe....Recognizing presence and precedence, Transpoetic Exchange journeys across cultures and traditions, languages and geographies, words and the verbal rawness of blank in the page." * Bulletin of Spanish Studies *Table of Contents Introduction: A Multiversal Experiment Part I: Essays Chapter 1: On the Presence of Absence: Octavio Paz’s “Blanco” Enrico Mario Santí Chapter 2: “Blanco” and Transblanco: Modern and Post-Utopic João Adolfo Hansen Chapter 3: Refiguring the Poundian Ideogram: From Octavio Paz’s “Blanco/Branco” to Haroldo de Campos’s Galáxias Marjorie Perloff Chapter 4: Poetry Makes Nothing Happen Marília Librandi Chapter 5: Haroldo de Campos, Octavio Paz and the Experience of the Avant-Garde Antonio Cicero Chapter 6: “Blanco”: a version of Mallarmé’s heritage Luiz Costa Lima Chapter 7: Translation and Radical Poetics: The Case of Octavio Paz and the Noigrandres Odile Cisneros Part 2: Remembrances Chapter 8: Pages, Pageants, Portraits, Prospects: an Austin-atious Remembrance of Haroldo de Campos Charles A. Perrone Chapter 9: “Logopéia via Goethe via Christopher Middleton”: An unknown recording of Haroldo de Campos (Austin, 1981) Kenneth David Jackson Chapter 10: Meeting in Austin Benedito Nunes Part 3: Poems Chapter 11: Three Variations on Octavio Paz’s “Blanco” and Fifteen Antiphonals for Haroldo de Campos, with a Note on Translation, Transcreation, and Othering Jerome Rothenberg Chapter 12: Poems Antonio Cicero Chapter 13: Waves of Absence Keijiro Suga Chapter 14: Hexaemeron. The Six Faces of Haphazard André Vallias Chapter 15: Amberianum [Philosophical Fragments of Caudio Amberian] Charles Bernstein Acknowledgments Bibliography Index Notes on Contributors

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Book SynopsisIn its early transition to democracy following Franco’s death in 1975, Spain rapidly embraced neoliberal practices and policies, some of which directly impacted cultural production. In a few short years, the country commercialized its art and literary markets, investing in “cultural tourism” as a tool for economic growth and urban renewal. The artist novel began to proliferate for the first time in a century, but these novels—about artists and art historians—have received little critical attention beyond the descriptive. In Between Market and Myth, Vater studies select authors—Julio Llamazares, Ángeles Caso, Clara Usón, Almudena Grandes, Nieves Herrero, Paloma Díaz-Mas, Lourdes Ortiz, and Enrique Vila-Matas—whose largely realist novels portray a clash between the myth of artistic freedom and artists’ willing recruitment or cooptation by market forces or political influence. Today, in an era of rising globalization, the artist novel proves ideal for examining authors' ambivalent notions of creative practice when political patronage and private sector investment complicate belief in artistic autonomy. Published by Bucknell University Press. Distributed worldwide by Rutgers University Press. Trade Review"Between Market and Myth covers a fascinating topic which allows for the exploration of questions central to the cultural production of the period and of the changing, at times contradictory, role of the artist. The topic is exciting and timely, and Vater presents a provocative frame for the discussion." -- Elizabeth Drumm * author of Painting on Stage: Visual Art in Twentieth-Century Spanish Theater *"The book makes a compelling case for the effects that neoliberalism has on cultural capital and supports its convincing argument with an all-encompassing literary analysis that masterfully interprets the primary texts in their historical and geographical context." * Hispania *"Is the value of an artist and her product intrinsic or extrinsic to society? Katie Vater’s intriguing study engages this question through an analysis of several Spanish literary works produced between 1992 and 2014." * Bulletin of Spanish Studies *"Between Market and Myth covers a fascinating topic which allows for the exploration of questions central to the cultural production of the period and of the changing, at times contradictory, role of the artist. The topic is exciting and timely, and Vater presents a provocative frame for the discussion." -- Elizabeth Drumm * author of Painting on Stage: Visual Art in Twentieth-Century Spanish Theater *"The book makes a compelling case for the effects that neoliberalism has on cultural capital and supports its convincing argument with an all-encompassing literary analysis that masterfully interprets the primary texts in their historical and geographical context." * Hispania *"Is the value of an artist and her product intrinsic or extrinsic to society? Katie Vater’s intriguing study engages this question through an analysis of several Spanish literary works produced between 1992 and 2014." * Bulletin of Spanish Studies *Table of Contents Acknowledgements Introduction 1 The Weight of Fame: Memory in Two Contemporary Künstlerromane by Ángeles Caso and Julio Llamazares 2 The Postfeminist Turn in the Artist Novel by Women: The Case of Almudena Grandes, Clara Usón, and Nieves Herrero 3 The Art Historian as Neoliberal Subject in Lourdes Ortiz’s Las manos de Velázquez and Paloma Díaz-Mas’s El sueño de Venecia 4 Affiliation Anxiety: Avant-Garde Identity at dOCUMENTA(13) in Enrique Vila-Matas’s Kassel no invita la lógica Conclusion Bibliography Index

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Book SynopsisScattered in a variety of academic journals here and abroad, these importnat essays have been brought together in a single volume for the first time. Included as an introduction is a lecture prepared by Dino Bigongiari, for over five decades the most eminent scholar at Columbia University and one of the great Dantist of the century.An internationally-known comparist, founder of Council on National Literatures and for over three decades Editor of its prestigious series, Review of National Literatures, Dr. Anne Paolucci brings her wide reading and training to bear in such essays as "Dante's Satan and Milton's 'Bryonic Hero'," "Dante and Machiavelli: Political 'Idealism' and Political 'Realism';" and "Women in the Political Love-Ethic of the Divine Comedy and the Faerie Queens." She sheds new light on a familiar subject in "Dante, Hegel, and the Marian Inspiration of the Commedia," showing Hegel to be a rich source for critical study in this area. "Exile Among the Exiles: Dante's Party of One" focuses on Dante's bitter life-long exile from his beloved Florence. "The Strident Voices of Hell" provides an insightful introduction to the Inferno. A brief but substantive picture of the Middle Ages is provided in "The Cosmopolitan Age of Dante and His Dream of Restored Imperial Rule."Professor Bigongiari's essya, probably written to be delivered as a lecture in Florence on the occasion of the 700th anniversary of Dante's birth, is a welcome Introduction to the volume. In his terse, informative and authoritative voice, the author raises two important questions: "Is Dante a popular poet?" and "Is Dante a classic poet?" In the course of answering these questions, Professor Bigongiari provides brilliant insights into the preservation and transmission of the precious manuscripts and codices that passed through his hands in Florence, where he had been invited to help prepare for the anniversary celebrations.

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Book Synopsis

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Book Synopsis

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