History of art Books
The University of Chicago Press The Arts Club of Chicago The Collection 19161996
Book SynopsisFounded in 1916, the Art Club of Chicago has formed a collection of modern and contemporary paintings, sculpture, and works on paper, as well as rare examples of Asian and African art. This text documents over 100 objects, with essays on selected individual pieces by museum curators and scholars.Table of ContentsPreface Stanley M. Freehling Contributors Acknowledgments Sophia Shaw A Welcome Mat for Modernism Neil Harris Gracious Provocation Kathy Cottong, Sue Taylor. A Collection to Remember Sophia Shaw Collection Highlights Catalogue Adam Jolles Chronology of Exhibitions Index
£19.00
New Academia Publishing/ The Spring Exits and Entrances Interviews with Seven Who
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£26.60
MIT Press Simulation Exercise Operations 6 Urbanomic
Book SynopsisCollection of interventions on the status of the moving image in an age of advanced simulation, exploring the contemporary links between power, simulation, and warfare.This collection of wide-ranging interventions and discussions on the status of the moving image in an age of advanced simulation explores the contemporary links between power, simulation, and warfare.Today, technological simulation has become an integral part of military training and operations; and at the same time, media spectacle—often enabled by the same technologies—has become integrated with military power. Trained in virtual environments, army personnel are increasingly enhanced by augmented reality technologies that bring combat into conformity with its simulation. Equally, the seductions of media and entertainment have become crucial weapons for “information dominance.” At the same time as the infosphere demands that war takes on the properties of a game, hyper-realistic
£11.39
Bone Idle Pictures of You
Book SynopsisThe 20th century in 10 extraordinary moments: a photographic journey by bestselling historian Rory MacleanIn the 20th century, amateur photography took historyand collective memoryout of the hands of historians and gave it to individuals. In Pictures of You, bestselling British-Canadian historian and travel writer Rory MacLean narrates a journey through 10 photographs, across the globe and into the lives of 10 ordinary men and women who lived through extraordinary times.Each photograph (or group of photographs) comes from a different decade of the 20th century: the first killing of the Cold War; the dying hopes of a doomed aviator; the ghosts of Native America at Alcatraz; Chairman Mao's most timid lover; Nature's final battle with humankind. Through these images, MacLean ventures from Siberia to Rangoon, China to Shepperton Studios, hearing forgotten voices that echo from the depths of time, picturing lives that mirror our own, and saving the
£999.99
Blum & Poe Pictures Girls Make Portraitures
Book SynopsisPortrait-making receives a revisionist survey uniting artists of all ages, identities and nationalitiesSpanning from the early 19th century to the present day, this prodigious survey brings together over 50 artists from around the world and argues that the portrait is an enduringly democratic, humanistic genre. Moving beyond binary thinking, the exhibition emphasizes the diversity of subjects and complexities of character that artists have captured through various modes of portrait-making. Looking backward and forward, Pictures Girls Make recontextualizes pioneering portraitists who escaped the narrow first draft of the past century, while also surveying a wide range of contemporary painters. Far from just girls, this range of artists has pushed the genre to capture the actual conditions, social structures and day-to-day experiences that form human existence.Artists include: Gertrude Abercrombie, Maria Anto, Ernie Barnes, Jerome Caja, Xinyi Cheng, Leonor Fini, Léonard Tsuguharu Foujita, Juanita Guccione, Mela Muter, Simphiwe Ndzube, Alice Neel, Collin Sekajugo, Sylvia Sleigh, Aleksandra Waliszewska, Robin F. Williams.
£43.20
Marciano Art Foundation Bookst Olafur Eliasson Reality Projector
Book SynopsisIn collaboration with Sigur Rós musician Jónsi, Icelandic-Danish artist Olafur Eliasson (born 1967) conceived a complex installation for his site-specific exhibition at the Marciano Art Foundation. Using projected light and the existing architecture of the museum, he created a dynamic shadow play referencing both Los Angeles'' history of filmmaking and the gallery''s former function as a theater.
£24.30
Cambridge University Press Memes History and Emotional Life
Book SynopsisThis Element explores the historical art meme as a key cultural form that offers insight into contemporary online emotional cultures and the ways that historical emotions enable and inform the practices of such culture.Table of Contents1. Introduction; 2. How Memes Do Emotion; 3. Emotions Over Time; 4. The Emotions of Historical Art; 5. Emotions, Meme and the Politics of Expression; 6. Gender Politics and the Emotions of the Face; 7. Conclusion; References.
£17.00
Cambridge University Press Evolutionary Aestheticism in Victorian Culture
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£80.75
Cambridge University Press AI and Image
£18.00
Saint Philip Street Press Image Knife and Gluepot Early Assemblage in
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£37.76
Legare Street Press Analysis of Drawing Painting and Composing
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£24.65
Legare Street Press Catalogue of Paintings by Frederick Ballard
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£21.80
Legare Street Press Drawing From Memory
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£23.70
Legare Street Press Catalogue of the Museum of Art History in the
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£14.09
Legare Street Press William Blake Mystic
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£11.35
Legare Street Press Loan Collection of Portraits of Women
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£8.96
Legare Street Press Easy Drawing Primer
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£12.30
Legare Street Press The Naturalists Companion Containing Drawings
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£23.70
Legare Street Press Catalogue of Pictures Sculpture Drawings Etchings
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£7.55
Legare Street Press Your Opportunity Meyer Both Company.
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£11.35
Legare Street Press Newfoundland Verse
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£13.25
LIGHTNING SOURCE UK LTD The History of Our Lord as Exemplified in Works
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£19.90
Legare Street Press An Account of the Lives and Works of the Most
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£10.46
Legare Street Press Marcus Behmer
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£10.95
Legare Street Press A Catalogue of the Paintings at Doughty House
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£18.95
LIGHTNING SOURCE UK LTD Blanchard Sons and Co.s Illustrated Catalogue of
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£10.95
LIGHTNING SOURCE UK LTD Special Exhibitions of Work by the Following
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£11.35
Legare Street Press London and Westminster Improved Illustrated by
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£23.70
Legare Street Press Some Beauties of the Seventeenth Century
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£21.80
Legare Street Press Jacques Villon Raymond DuchampVillon and Marcel
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£22.75
Taylor & Francis New Approaches to the Archive in the Middle Ages
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£128.25
Taylor & Francis The Routledge Companion to Design Research
Book SynopsisThis new edition of The Routledge Companion to Design Research offers an updated, comprehensive examination of design research, celebrating a plurality of voices and range of conceptual, methodological, technological and theoretical approaches evident in contemporary design research. This volume comprises thirty-eight original and high-quality design research chapters from contributors around the world, with offerings from the vast array of disciplines in and around modern design praxis, including areas such as industrial and product design, visual communication, interaction design, fashion design, service design, engineering and architecture. The Companion is divided into four distinct sections with chapters that examine the nature and process of design research, the purpose of design research and how one might embark on design research. They also explore how leading design researchers conduct their design research through formulating and asking questions in novel ways, and the creative methods and tools they use to collect and analyse data. The Companion also includes a number of case studies that illustrate how one might best communicate and disseminate design research through contributions that offer techniques for writing and publicising research. The Routledge Companion to Design Research has a wide appeal to researchers and educators in design and design-related disciplines such as engineering, business, marketing, and computing, and will make an invaluable contribution to state-of-the-art design research at postgraduate, doctoral and post-doctoral levels and teaching across a wide range of different disciplines.
£41.79
Taylor & Francis Ltd Dramaturgies of Interweaving
Book SynopsisDramaturgies of Interweaving explores present-day dramaturgies that interweave performance cultures in the fields of theater, performance, dance, and other arts.Merging strategies of audience engagement originating in different cultures, dramaturgies of interweaving are creative methods of theater and art-making that seek to address audiences across cultures, making them uniquely suitable for shaping people's experiences of our entangled world. Presenting in-depth case studies from across the globe, spanning Australia, China, Germany, India, Iran, Japan, Singapore, Taiwan, Vietnam, the US, and the UK, this book investigates how dramaturgies of interweaving are conceived, applied, and received today. Featuring critical analyses by scholarsas well as workshop reports and artworks by renowned artiststhis book examines dramaturgies of interweaving from multiple locations and perspectives, thus revealing their distinct complexities and immense potential.Ideal for sTable of ContentsPART I Sketching Designs for Unique Encounters 1 The Tjunta Trail: Cross-Cultural Dramaturgy in Australian Place-Making 2 Diagrammatic Dramaturgies: Navigations between Theory, Disfiguration, and Movement PART II Interlacing Archival Threads 3 No(H) To Trio A: Interweaving Dramaturgies for a Performative Exhibition of Yvonne Rainer’s Work 4 Performance Community in an Age of Reenactment: Takao Kawaguchi’s About Kazuo Ohno and the Conversation with Ghosts PART III Unraveling Productions 5 Speaking Black: Tonya Pinkins’s Mother Courage 6 Catalyst and Conduit: A Call for the Bicultural Dramaturge INTERLUDE A Durus Arabij/Arabic Lessons B Arabic Lessons: Stämme/שורשים/جذور C Heiliger Franz/St. Francis: Notes from a Playwright’s Perspective PART IV Entangling Diverse Audiences 7 Encountering a "Theater of (Inter-)Singularity": Transformations and Rejections of Shifting Institutional Dramaturgies in Contemporary German Theater 8 Yael Ronen: Devising Dramaturgy for an Interwoven World PART V Unfolding Alternatives 9 Alternative Dramaturgies Informed by a Deaf and Disability Perspective 10 Dramaturgies of In-Betweenness: Iranian Theater and Performance Art since the 1970s PART VI Tailoring Textual Material 11 Learning with Broken Words: Directing Plastic Rose by Shogo Ota with Collaborative Dramaturgy 12 The Emergence of Co-Dramaturgy: Arthur Miller, Satyajit Ray, and Thomas Ostermeier Encounter Ibsen Coda: Performers and Time: The Five Stages of Waiting
£37.04
Routledge The Media of Secular Music in the Medieval and Early Modern Period 11101650
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£43.69
Taylor & Francis Ltd Art and Politics
Book SynopsisAustralian governments at all levels have been engaged with arts and culture in many different forms since the beginning of European settlement. The way this has occurred is documented and analysed here, both from an historical and critical perspective.Changing understandings of culture and the significance of Indigenous Culture to Australia receive special attention. While the focus is primarily directed to Federal Government engagement, there is also consideration paid to both state and local government involvement. There is attention paid to the censorship of arts practice by governments as well as the direct interventions by politicians in arts practice. Different approaches to the arts by governments are also considered, as well as attempts to develop a national cultural policy. The impact of the recent pandemic is addressed and various research reports about the arts sector and its relationship with government are also noted. There is then a final discussion abouTrade Review"This is a timely and well written account of the relationship between the arts/cultural sector and the governments and policy frameworks that are, ostensibly, responsible for supporting it. There is a long history here of contestation, debate and struggle on the part of artists for their work to be appropriately recognised. This book not only tells the story of the nexus between arts and government, it unequivocally advocates for the cultural value of arts practices, and the need for governments to take a bipartisan approach to ensure the arts have a chance of a sustainable future."Professor Hilary Glow, Deakin University"Art and Politics: Government and the Arts in Australia. An Historical and Critical Analysis is a comprehensive, insightful, and remarkably well-researched book on one country’s evolving and often contradictory cultural policies and practices. Jo Caust deftly guides us through the development of Australia’s varied and dynamic cultural landscape over the last 200 years while crafting frameworks that can be used to develop deeper, richer, and more productive conversations among and between artists, arts institutions, indigenous populations, and those in government. This book is a valuable resource for those studying cultural development and arts leaders, policymakers, and funders grappling with the challenges of creating and sustaining vibrant arts ecologies in their countries."Emeritus Professor William J. Byrnes, author of Management and the Arts"Josephine Caust is one of the leading experts on Australian cultural policy. Her published work and frequent policy contributions have been influential both in Australia and internationally. This long-awaited book will create wide interest among researchers, academics and policy makers, as well as among members of the general public interested to gain fresh insights into the past, present and potential future of Australian art and culture."Distinguished Professor David Throsby, Macquarie University"Artists are the forgotten foot soldiers of the creative economy. This book is a timely reminder of the social value of the arts, restoring artists at the core of contemporary cultural policy. Caust’s work is grounded in a detailed historical analysis of Australian culture, government and politics, and draws on her personal story as an academic, arts worker and passionate believer in the power of art and artists to transform lives. Her book will be an inspiration for students, artists and – whisper it – politicians."Chris Bilton, Professor of Creative Industries, University of Warwick Table of ContentsTABLE OF CONTENTSINTRODUCTION GOVERNMENTS AND THE ARTS THE USES AND CONTROL OF ARTS AND CULTURAL PRACTICES BY GOVERNMENTS ARTS AND CULTURE AND THEIR APPLICATION IN AN AUSTRALIAN SETTING AUSTRALIAN FEDERAL GOVERNMENTS AND ARTS AND CULTURE NATIONAL CULTURAL INSTITUTIONS STATE AND LOCAL GOVERNMENTS AND THE ARTS CENSORSHIP AND POLITICAL INTERVENTIONS CULTURAL POLICY CHANGING APPROACHES TO THE ARTS SECTOR AND THE IMPACT OF THE PANDEMIC POSSIBLE FUTURES FOR THE ARTS AND GOVERNMENTS
£35.14
Routledge Design Displacement Migration
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£999.99
Taylor & Francis Ltd Early Medieval Text and Image Volume 2
Book SynopsisA collection of seventeen essays on the manuscript art of early medieval Ireland and England.Trade Review‘Most users of these books will have read several of these essays before, but having them in one place is more than a convenience: it allows us to note continuities both within Jennifer O’Reilly’s work (thus making for a more fruitful engagement with her researches) and also to recognize continuities in the artefacts themselves. Moreover, we have not simply been given reproductions of the earlier papers ... but the works have been reset and all the appropriate illustrations have been reproduced in colour — more than 150 in total — close to where they are discussed allowing us to see exactly what is meant in the various iconographical analyses. These sharp, clear colour images, along with two indices, make these books works of scholarship in their own right. We are indebted to the editors for their work for us, as well as for having given us such an appropriate monument to a great scholar’ - Thomas O’Loughlin, Irish Theological Quarterly 2020, Vol 85 (3).‘Everyone looked at the Book of Kells differently when they heard Jennifer O’Reilly talk about it. Her scholarship changed the landscape of the subject’ - Bernard Meehan, Peritia, 31 (2022).Table of ContentsList of IllustrationsPrefaceIntroductionThe Codex Amiatinus1. The library of Scripture: views from Vivarium and Wearmouth-Jarrow (New offerings, ancient treasures. Studies in medieval art for George Henderson, ed. P. Binski and W. Noel (Alan Sutton, Stroud 2001) 3–39)2. Celtic art and the Gospel (Search 24 (2001) 34–42)3. The art of authority (After Rome, ed. T. Charles-Edwards (Oxford University Press, 2003) 141–189)4. "All that Peter stands for": the romanitas of the Codex Amiatinus reconsidered (Anglo-Saxon/Irish relations before the Vikings, ed. J. Graham-Campbell and M. Ryan, Proceedings of the British Academy, vol. 157 (Oxford, 2009) 367–95. © British Academy 2009)5. The Book of Kells, folio 114: a mystery revealed yet concealed (The age of migrating ideas: early medieval art in Britain and Ireland, ed. J. Higgitt and R.M. Spearman (Alan Sutton and National Museums of Scotland, Stroud 1993) 106–114)The Book of Kells6. The Book of Kells and two Breton gospel books (Irlande et Bretagne. Actes du colloque de Rennes 1993, ed. C. Laurent and H. Davis (Terre de Brume Editions, Rennes 1994)7. Exegesis and the Book of Kells: the Lucan genealogy (The Book of Kells, ed. F. O’Mahony (Scolar Press; Aldershot 1994) 344–97. Reprinted in Scriptural interpretation in the Fathers, ed. T. Finn and V. Twomey (Four Courts Press, Dublin 1995) 315–55)8. Entry on the Book of Kells, folios 29 and 34 (Histoire de l’écriture, ed. A.M. Christin (Flammarion, Paris 1997; English version 2002. © Flammarion, S.A., Paris, 2001, 2002 and 2012)9. Two pages from the Book of Kells (Visual practices across the University, ed. J. Elkins, (Munich 2007) 164–69)10. The Book of Kells, folio 114 (Treasures of Irish Christianity: people and places, images and texts, ed. S. Ryan and B. Leahy (Dublin: Veritas, 2012) 49–52)11. The body of Christ in the Book of Kells (Proceedings of the International Symposium of Theology: The Ecclesiology of Communion (Dublin: Veritas, 2013), 52–62)The Anglo-Saxon and Later English Traditions12. An Anglo-Saxon portable altar: inscription and iconography ((with Elisabeth Okasha), Journal of the Warburg and Courtauld Institutes 47 (1984) 32–51)13. St John as a figure of the contemplative life: text and image in the art of the Anglo-Saxon Benedictine reform (St Dunstan: his life, times and cult, ed. N.L. Ramsay, M.J. Sparks and T. Tatton-Brown (Boydell and Brewer, Woodbridge 1992) 165–85)14. The rough-hewn cross in Anglo-Saxon art (Ireland and insular art A.D. 500–1200, Conference Proceedings, ed. M. Ryan (Royal Irish Academy, Dublin 1987; reprinted 2002) 153–58)15. Text and Image in the Anglo-Saxon Benedictine Reform(Benedetto l’Eredità Artistica, ed. R. Casanelli and E. López-Tello García (Jaca Books, Milan 2007) 95–110)16. Signs of the Cross (The History of British Art 600–1600, ed. T. Ayers, (Tate Britain and the Yale Center for British Art 2008) 176–99. © Tate 2008, reproduced by permission of the Tate Trustees)17. The medieval iconography of the two trees in Eden (A walk in the garden: biblical, iconographical and literary images of Eden, ed. P. Morris and D. Sawyer, Journal for the Study of the Old Testament, supplement series 136, (Sheffield Academic Press 1992) 167–204, used by permission of Bloomsbury Publishing Plc.)Index
£39.99
Taylor & Francis European British and American Musical Instrument Collectors 1850â1940
a huge range and FREE tracked UK delivery on ALL orders.
£128.25
Taylor & Francis The Pictures Generation at Hallwalls
Book SynopsisIn this book, Vera Dika rewrites the story of the Pictures Generation from the perspective of the Hallwalls Contemporary Arts Center in Buffalo, NY. Her work is based on interviews with living artists, archival research, and personal collections, including films, videotapes, and sound recordings. At once aesthetic, cultural, and political, this renewed perspective asks new questions and rewrites past assumptions about the artistsâ work.The legendary members of the East Coast Pictures Generation emerged at Hallwalls Contemporary Art Center in Buffalo in the mid-1970s. These young people had started Hallwalls, an artist-run organization that invited artists from a variety of mediums to show their work. It also featured productions by the founding members themselves: Robert Longo, Charles Clough, Cindy Sherman, Nancy Dwyer, and Michael Zwack. The works discussed in the volume include performance, video, films, painting, music, and literature, and have been chosen because of the
£39.89
Taylor & Francis Ltd 360 Circus
Book SynopsisThis collection aims to map a diversity of approaches to the artform by creating a 360 view on the circus. The three sections of the book, Aesthetics, Practice, Culture, approach aesthetic developments, issues of artistic practice, and the circus' role within society. This book consists of a collection of articles from renowned circus researchers, junior researchers, and artists. It also provides the core statements and discussions of the conference UpSideDownCircus and Space in a graphic recording format. Hence, it allows a clear entry into the field of circus research and emphasizes the diversity of approaches that are well balanced between theoretical and artistic point of views. This book will be of great interest to students and scholars of circus studies, emerging disciples of circus and performance.Table of ContentsAcknowledgementsList of ContributorsIntroduction: Welcome to the Wonderland of Contemporary CircusFranziska TrappPart I: Circus MeaningChapter 1. Circus Does Not ExistJean-Michel GuyChapter 2. "La Putyka" by Cirk La Putyka: A Glimpse at Czech Contemporary CircusVeronika ŠtefanováPart II: Circus PracticeChapter 3. On Mutations of Forms, Style, and Meaning: From a Traditional to a Contemporary Trapeze ActSandy SunChapter 4. Articulating Hand-Balancing: Finding Space for Critical Self-TransformationCamilla DamkjaerChapter 5. Extreme SymbiosisLouise Von Euler Bjurholm and Henrik AggerChapter 6. Hamlet: To Have Written or Not to Have Written for the TightwireLouis Patrick LerouxChapter 7. Verticality, Gravity, Sense of Balance. Transmitting a Technique, Conveying a Sensation: Practices and Discourses of Circus Arts TeachersAgathe DumontChapter 8. Reading Circus. Dramaturgy on the Border of Art and AcademiaFranziska TrappChapter 9. UpSideDown Circus and SpaceDie Zeichner. Andreas GärtnerPart III: Circus CultureChapter 10. Circus Between Technique and Technology: Heideggerian "Enframing" and the Contested Space of Free Expression Sebastian KannChapter 11. Chaplin, Brecht, Fo: Toward a Concept of Epic ClowningGaia VimercatiChapter 12. To Walk the TightwireAnte UrsicChapter 13. The Spatiality of Australian Contemporary CircusKristy SeymourChapter 14. Cheerful, Nostalgic, Melancholic: Mood in CircusPeta TaitIndex
£35.99
Taylor & Francis The Aesthetics of Scientific Experiments
Book SynopsisThe relationship between aesthetics and science has begun to generate substantial interest. However, for the most part, the focus has been on the beauty of theories, and other aspects of scientific practice have been neglected. This book offers a novel perspective on aesthetics in experimentation via ten original essays from an interdisciplinary group comprised of philosophers, historians of science and art, and artists.The collection provides an analysis of the concept of beauty in the evaluation of experiments. What properties do practising experimenters value? How have the aesthetic properties of scientific experiments changed over the years? Secondly, the volume looks at the role that aesthetic factors, including negative values such as ugliness, as well as experiences of the sublime and the profound, play in the construction of an experiment and its reception. Thirdly, the chapters provide in-depth historical case studies from the Royal Society, which also allows for a study of the depiction of scientific experiment in artworks, as well as contemporary examples from the Large Hadron Collider and cases of experiments designed by artificial intelligence. Finally, it offers an exploration of the commonalities between how we learn from experiments on the one hand and the cognitive value of artworks on the other.The Aesthetics of Scientific Experiments will be of interest to researchers and advanced students working in philosophy and history of science, philosophy and history of art, as well as practising scientists and science communicators.
£46.80
Taylor & Francis Ltd Translation and Contemporary Art
Book SynopsisThis book looks to expand the definition of translation in line with Susan Bassnett and David Johnston's notion of the outward turn, applying this perspective to contemporary art to broaden the scope of how we understand translation in today's global multisemiotic world. The book takes as its point of departure the idea that texts are comprised of not only words but other semiotic systems and therefore expanding our notions of both language and translation can better equip us to translate stories told via non-traditional means in novel ways. While the outward turn has been analyzed in literature, Vidal directs this spotlight to contemporary art, a field which has already engaged in disciplinary connections with Translation Studies. The volume highlights how the unpacking of such connections between disciplines encourages engagement with contemporary social issues, around identity, power, migration, and globalization, and in turn, new ways of thinking and bringing about wider Table of ContentsPreface, by Susan Bassnett1. Translating in a Visual Age: Transdisciplinary Routes2. The Artistranslator’s Gaze3. Translating with Art4. Concluding Remarks
£24.32
Taylor & Francis Ltd Relational Improvisation
Book SynopsisRelational Improvisation explores the creative exchanges that occur between artistic disciplines through the practice of improvisation in performance. Building upon the growing research into improvisation, the book explores contemporary transdisciplinary collaborations between improvised music and other fields including dance and visual arts, offering insights from a wide range of practitioners. Author Simon Rose takes a ground-up approach that places value on lived experience and reflects the value of collaboration. Mirroring improvisation's relationality, chapters are co-authored by musicians, dancers and visual artists from diverse backgrounds who are engaged in active artistic collaborations with the author.The relational approach allows for the inclusion of improvisation's scope and many levels. Showcasing a range of different voices, the chapters address topics in artistic improvisation including cybernetics, interspecies work, working with light, phenomenology,
£35.99
Taylor & Francis Ltd Religion and Contemporary Art
Book SynopsisReligion and Contemporary Art sets the theoretical frameworks and interpretive strategies for exploring the re-emergence of religion in the making, exhibiting, and discussion of contemporary art. Featuring essays from both established and emerging scholars, critics, and artists, the book reflects on what might be termed an accord between contemporary art and religion.It explores the common strategies contemporary artists employ in the interface between religion and contemporary art practice. It also includes case studies to provide more in-depth treatments of specific artists grappling with themes such as ritual, abstraction, mythology, the body, popular culture, science, liturgy, and social justice, among other themes.It is a must-read resource for working artists, critics, and scholars in this field, and an invitation to new voices curious about its promises and possibilities.Trade Review"This remarkable volume invites into conversation an impressive assembly of interlocutors and an impressively diverse set of approaches to a still-mystifyingly understudied subject. Religion and Contemporary Art: A Curious Accord represents a signal contribution that brings into creative relation its two key terms to demonstrate how they are not simply manifest in adjacency but often also inextricably fused. Highly recommended to scholars in art and/or religion as to artists in all media!"Sally M. Promey, Yale University, USATable of ContentsIntroduction Ronald R. Bernier and Rachel Hostetter Smith Part I: Theoretical and Interpretative Frameworks 1. The New Visibility of Religion in Contemporary Art: Four Interpretive Horizons Jonathan A. Anderson 2. Exploring Theological Dimensions of the Work of Art Linda Stratford 3. Translating Religion: Contemporary Art Through a Postsecular Lens Lieke Wijnia 4. The Question of Criticism: What to Do with Our Revelations? Jeffrey L. Kosky 5. Curating Faith: Art, Religion, and the Curatorial Daniel A. Siedell 6. A Loving Regard: Contemporary Art and Expanding the Archive Elissa Yukiko Weichbrodt 7. Exhibition as Pilgrimage: Visual Strategies for Interfaith Dialogue Aaron Rosen Part II: Artistic Strategies 8. Iconic: Contemporary Portraiture and Sacred Personhood Katie Kresser 9. Relic-ing Now: Reliquary Strategies of Materiality and Memory in Contemporary Art Cynthia Hahn 10. Contemporary Art as Pilgrimage Site: Ambrosio’s As Far as the Eye Can Travel Zine Kathryn Barush 11. Rogue Priests: Ritual, Sacrament, and Witness in Contemporary Art Rachel Hostetter Smith 12. Walking Naked and Barefoot: When Ancient Jewish Prophets Meet Avant-Garde Performance Artists Wayne L. Roosa 13. Revisiting "Art in the Dark": Thomas McEvilley, Performance Art, and the End(s) of Shamanism Karen Gonzalez Rice 14. Infused with Light: Christian Traces in Multimedia Installation Art Jorge Sebastián Lozano 15. Bill Viola, the Icon, and the Apophatic Sublime Ronald R. Bernier Part III: Case Studies of Artists and Artworks 16. The Lived Religion of Andy Warhol Stephen Bush 17. "A King Aesthetic?": Tim Rollins and K.O.S. and the Ethos of the Rev. Dr. Martin Luther King, Jr. James Romaine 18. From the Wounds Grace: John August Swanson and the Theological Aesth/Ethics of Liberation Cecilia González-Andrieu 19. Cities of Light: Phillip K. Smith III and the Light & Space Movement Matthew J. Milliner 20. Performativity and the Flesh: The Economy of the Icon in Lia Chavez’s Light Body Julie M. Hamilton 21. Theaster Gates and the Good Use of Forgotten Things Donato Loia 22. On Preaching, Performance Art, and Television: Christian Jankowski’s The Holy Artwork Isabelle Loring Wallace 23. Tools of the Apocalypse: Eschatology in Contemporary Jewish and Catholic Art Ben Schachter 24. Back to the Garden – Utopia and Paradise in the work of Jim Shaw, Liza Lou, Shirin Neshat, and Shoja Azari Eleanor Heartney 25. Deep Waters: Art and the Revival of Religion in Contemporary China Patricia Eichenbaum Karetzky 26. Salvation in the Fallen World: On Meng Yan’s Recent Monumental Works Changping Zha 27. Chrysanne Stathacos and Charwei Tsai: The Mandala Haema Sivanesa 28. Performing Memory and Mourning: Diane Victor’s Martyred Women Karen von Veh 29. Weaving Land and Water: On the Poetics of Diasporic and Indigenous Resistance Yohana Agra Junker 30. Al Buraq: Explorations of Liminality in Contemporary Islamic Art Sascha Crasnow Afterword: A Colloquy with Diane Apostolos-Cappadona, James Elkins, Ben Quash, and S. Brent Rodriguez-Plate. Contributors: Biographical Notes Credits Index
£35.99
Taylor & Francis Global Modern Art
Book SynopsisThis accessible, foundational volume explores how modern art developed around the world by comparing contexts and artistic production in Europe, the Americas, Asia, and Africa from circa 1850 through the 1960s. To provide a broader, more comprehensive view of modern art, chronological and thematic approaches will be used and selections from all regions of the world will be includedâfrom Africa, Asia, the Americas, as well as Europe. Each section begins with an overview of the region leading into more detailed case studies of specific countriesâ historical contexts, including their cultural and aesthetic values and the ways in which cultures have interacted with regional neighbours and outside forces. Examples of specific artists and groups will be discussed for each country and will illuminate themes that illustrate cultural distinctions and connect to broader modern trends traced throughout the text. This book will be of interest to students and scholars working in art history, modernism, globalization and decolonization.
£37.99
Taylor & Francis Ltd Photography Curation Criticism
Book SynopsisThis unique collection brings together the work of photography writer, curator, and lecturer, Liz Wells, reflecting on key themes of landscape, place, nationhood and environmental concerns.Trade Review'Liz Wells is one of our most sincere, intelligent, and respected scholars and curators of photography. Her edited anthologies are touchstone texts for all of us researching, teaching, and creating photographic histories. Photography, Curation, Criticism presents us with a real gift: a collection of career-spanning essays devoted solely to her distinct voice on the pressing socio-political, epistemic, and aesthetic issues that traverse the history of photography. A voice that will resound into the future of our complex field.' Jae Emerling, College of Arts + Architecture, University of North Carolina, CharlotteTable of ContentsSECTION ONE Critical Reflections 1. Introduction: Photography, Curation, Criticism 2.Speaking of this Collection: A Conversation Between Martha Langford and Liz Wells, 2022 SECTION TWO On Curation and Residency 3. Curatorial strategy as critical intervention - The Genesis of Facing East, 2007 4. Landscapes of Exploration, 2012 5. On Being Out of Place, 2018 SECTION THREE Phenomena 6. Icy Prospects’, 2003. 7. Light Touch, 2014. 8. No Man’s Land: Antarctica and the Contemporary Sublime’, 2011. SECTION FOUR Place 9. Points of Departure: currencies of the post-industrial sublime, 2012 10. Questions of Distance, 2011. 11. Photography, Nation, Nature’, 2012. 12. A Man of the North’, 2014. 13. Hidden Histories and Landscape Enigmas, 2019. 14. Histories and Imagination: narrative and metaphor in the work of John Kippin’, 2018. 15. Silent Witness, 2013 SECTION FIVE Critical Spaces 16. Seeing Beyond Belief: Cultural Studies as an Approach to Analysing the Visual’, 2001. Co-author, Martin Lister. 17. The Critical Forum’, 2000. 18. Then and Now, some notes on photography and theory’, 2002. 19. Modes of Investigation: on photography and environment, 2014.
£34.19
Routledge Claes Oldenburgs Theater of Vision
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£40.84
Taylor & Francis Art and Monist Philosophy in Nineteenth Century France From Auteuil to Giverny
Book SynopsisThis is a study of the relation between the fine arts and philosophy in France, from the aftermath of the 1789 revolution to the end of the nineteenth century, when a philosophy of being called âœmonismâ â the concept of a unity of matter and spirit â emerged and became increasingly popular among intellectuals, artists and scientists. Nina Athanassoglou-Kallmyer traces the evolution and impact of this monist thought and its various permutations as a transformative force on certain aspects of French art and culture â from Romanticism to Impressionism â and as a theoretical backdrop that paved the way to as yet unexplored aspects of a modernist aesthetic. Chapters concentrate on three major artists, ThÃodore GÃricault (1791â1824), EugÃne Delacroix (1798â1863) and Claude Monet (1840â1926), and their particular approach to and interpretation of this unitarian concept. The book will be of interest to scholars working in art history, philosophy and cultural history.Table of ContentsAcknowledgmentsIntroduction. The Return of Lucretius 1. The Auteuil Salon and Ideology 2. Théodore Géricault. Soul and Body 3. Self and Nature. Delacroix and the Aesthetics of Unity 4. A Cosmic Vision. Monet's Giverny Circle BibliographyIndex
£135.00