Description

Book Synopsis

This collection aims to map a diversity of approaches to the artform by creating a 360 view on the circus.

The three sections of the book, Aesthetics, Practice, Culture, approach aesthetic developments, issues of artistic practice, and the circus' role within society. This book consists of a collection of articles from renowned circus researchers, junior researchers, and artists. It also provides the core statements and discussions of the conference UpSideDownCircus and Space in a graphic recording format. Hence, it allows a clear entry into the field of circus research and emphasizes the diversity of approaches that are well balanced between theoretical and artistic point of views.

This book will be of great interest to students and scholars of circus studies, emerging disciples of circus and performance.



Table of Contents

Acknowledgements

List of Contributors

Introduction: Welcome to the Wonderland of Contemporary Circus

Franziska Trapp

Part I: Circus Meaning

Chapter 1. Circus Does Not Exist

Jean-Michel Guy

Chapter 2. "La Putyka" by Cirk La Putyka: A Glimpse at Czech Contemporary Circus

Veronika Štefanová

Part II: Circus Practice

Chapter 3. On Mutations of Forms, Style, and Meaning: From a Traditional to a Contemporary Trapeze Act

Sandy Sun

Chapter 4. Articulating Hand-Balancing: Finding Space for Critical Self-Transformation

Camilla Damkjaer

Chapter 5. Extreme Symbiosis

Louise Von Euler Bjurholm and Henrik Agger

Chapter 6. Hamlet: To Have Written or Not to Have Written for the Tightwire

Louis Patrick Leroux

Chapter 7. Verticality, Gravity, Sense of Balance. Transmitting a Technique, Conveying a Sensation: Practices and Discourses of Circus Arts Teachers

Agathe Dumont

Chapter 8. Reading Circus. Dramaturgy on the Border of Art and Academia

Franziska Trapp

Chapter 9. UpSideDown Circus and Space

Die Zeichner. Andreas Gärtner

Part III: Circus Culture

Chapter 10. Circus Between Technique and Technology: Heideggerian "Enframing" and the Contested Space of Free Expression

Sebastian Kann

Chapter 11. Chaplin, Brecht, Fo: Toward a Concept of Epic Clowning

Gaia Vimercati

Chapter 12. To Walk the Tightwire

Ante Ursic

Chapter 13. The Spatiality of Australian Contemporary Circus

Kristy Seymour

Chapter 14. Cheerful, Nostalgic, Melancholic: Mood in Circus

Peta Tait

Index

360 Circus

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    Order before 4pm today for delivery by Wed 24 Jun 2026.

    A Paperback by Franziska Trapp

    15 in stock


      View other formats and editions of 360 Circus by Franziska Trapp

      Publisher: Taylor & Francis Ltd
      Publication Date: 6/1/2023 12:00:00 AM
      ISBN13: 9781032138527, 978-1032138527
      ISBN10: 1032138521

      Description

      Book Synopsis

      This collection aims to map a diversity of approaches to the artform by creating a 360 view on the circus.

      The three sections of the book, Aesthetics, Practice, Culture, approach aesthetic developments, issues of artistic practice, and the circus' role within society. This book consists of a collection of articles from renowned circus researchers, junior researchers, and artists. It also provides the core statements and discussions of the conference UpSideDownCircus and Space in a graphic recording format. Hence, it allows a clear entry into the field of circus research and emphasizes the diversity of approaches that are well balanced between theoretical and artistic point of views.

      This book will be of great interest to students and scholars of circus studies, emerging disciples of circus and performance.



      Table of Contents

      Acknowledgements

      List of Contributors

      Introduction: Welcome to the Wonderland of Contemporary Circus

      Franziska Trapp

      Part I: Circus Meaning

      Chapter 1. Circus Does Not Exist

      Jean-Michel Guy

      Chapter 2. "La Putyka" by Cirk La Putyka: A Glimpse at Czech Contemporary Circus

      Veronika Štefanová

      Part II: Circus Practice

      Chapter 3. On Mutations of Forms, Style, and Meaning: From a Traditional to a Contemporary Trapeze Act

      Sandy Sun

      Chapter 4. Articulating Hand-Balancing: Finding Space for Critical Self-Transformation

      Camilla Damkjaer

      Chapter 5. Extreme Symbiosis

      Louise Von Euler Bjurholm and Henrik Agger

      Chapter 6. Hamlet: To Have Written or Not to Have Written for the Tightwire

      Louis Patrick Leroux

      Chapter 7. Verticality, Gravity, Sense of Balance. Transmitting a Technique, Conveying a Sensation: Practices and Discourses of Circus Arts Teachers

      Agathe Dumont

      Chapter 8. Reading Circus. Dramaturgy on the Border of Art and Academia

      Franziska Trapp

      Chapter 9. UpSideDown Circus and Space

      Die Zeichner. Andreas Gärtner

      Part III: Circus Culture

      Chapter 10. Circus Between Technique and Technology: Heideggerian "Enframing" and the Contested Space of Free Expression

      Sebastian Kann

      Chapter 11. Chaplin, Brecht, Fo: Toward a Concept of Epic Clowning

      Gaia Vimercati

      Chapter 12. To Walk the Tightwire

      Ante Ursic

      Chapter 13. The Spatiality of Australian Contemporary Circus

      Kristy Seymour

      Chapter 14. Cheerful, Nostalgic, Melancholic: Mood in Circus

      Peta Tait

      Index

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