Graphic novels

Book SynopsisFrom the No. 1 bestselling author of What If? - the man who created xkcd and explained the laws of science with cartoons - comes a series of brilliantly simple diagrams (''blueprints'' if you want to be complicated about it) that show how important things work: from the nuclear bomb to the biro. It''s good to know what the parts of a thing are called, but it''s much more interesting to know what they do. Richard Feynman once said that if you can''t explain something to a first-year student, you don''t really get it. In Thing Explainer, Randall Munroe takes a quantum leap past this: he explains things using only drawings and a vocabulary of just our 1,000 (or the ten hundred) most common words.Many of the things we use every day - like our food-heating radio boxes (''microwaves''), our very tall roads (''bridges''), and our computer rooms (''datacentres'') - are strange to us. So are the other worlds around our sun (the solar system), the big flatTrade ReviewA brilliant concept. If you can't explain something simply, you don't really understand it. And Randall Munroe is the perfect guy to take on a project like this . . . If you know Munroe's previous work, it will come as no surprise that parts of Thing Explainer are laugh-out-loud funny . . . filled with cool basic knowledge about how the world works. If one of Munroe's drawings inspires you to go learn more about a subject - including a few extra terms - then he will have done his job. He has written a wonderful guide for curious minds * BILL GATES *Wonderful * Neil Gaiman *In the crowded field of trivia, nothing beats Thing Explainer by Randall Munroe, the physicist-turned-comic-artist, a sequel to What If ? . . . It is very funny and has something quite serious to say about our misplaced faith in long words * Daily Telegraph *Thing Explainer gets to the real essence of things * New Scientist *Like any good work of science writing, [Thing Explainer] is equal parts lucid, funny, and startling * NewYorker.com *In just over a decade Randall Munroe has become firmly established and it's safe to say adored as the author of xkcd. Now, Munroe has produced a book - and Thing Explainer isn't just any book. It's beautiful, packed with facts, figures and richly and simply presented diagrams * Register *Reliably amusing and often enlightening * The Times, Books of the Year *

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Book SynopsisSTAND TALL.BE LOUD.GAME FACE ON.This pitch perfect graphic memoir about courage and competition, friendship and belonging is perfect for fans of Smile, New Kid, Rollergirl, and Real Friends.A captivating middle-grade gem. The New York Times Book ReviewFunny, relatable, and genuine. Kirkus Reviews, starred reviewCaptures every nuanced emotion. School Library Journal, starred reviewGenuinely nail-biting. Publishers Weekly, starred reviewCringe-worthy in the best possible way...inspiring and insightful. Shelf Awareness, starred reviewDelightfully expressive...a standout. BooklistIllustrated and told in a way that every middle school student can relate to. Captures the poignancy of the emotional rollercoaster that [t

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Book SynopsisA heady perfume of blood and rage across the stars featuring Philippe Druillet's legendary Lone Sloane. In the third century BC, mercenaries employed by Carthage during the first Punic War rose against their employers, who repeatedly postponed their pay. Two barbarian clan chiefs, Matho and Narr'Havas, fell in love with the beautiful and ethereal Salammbo, daughter of Hamilcar of Carthage. A bloody conflict arose. Based on the 19th century novel by Flaubert, Salammbo was reappropriated and recontextualised by Druillet in this masterwork. Transposing the ancient Punic Wars into his space fantasy universe, and splicing the identity of the novel's Matho with his favorite character, Lone Sloane, Druillet works his intoxicatingly psychedelic magic on a literary classic, reinvigorating it from the inside out with his own transcendent storytelling.Trade Review"Druillet offers a new science-fictional take on Flaubert’s 1862 protoheroic story ... staggeringly vibrant " - Publisher's Weekly""Quite spectacular ... an interesting and sometimes unexpected reimagining of Flaubert’s story. Five stars" - NB Magazine"Absolutely stunning to behold ... page after page of beautiful madness, obsessively detailed, gargantuan in proportion — a divine piece of delirium that should be required reading for all comics enthusiasts"- Bookgasm

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Book SynopsisBased on the all-new acclaimed Anime series: Black Lotus. This officially sanctioned graphic novel heralds an all-new saga in the Blade Runner franchise, one whose ramifications will ripple throughout the Blade Runner universe. It's 2032, just after the events seen in "Blade Runner: Black Lotus" and Elle, aka The Black Lotus Killer, is still wanted for murder by the LAPD, as well as even more powerful and dangerous interests in Los Angeles. Escaping Los Angeles on a homebuilt Spinner-bike, Elle heads out for parts unknown like a cyberpunk Easy Rider, hoping to forge a new life free of the cruelty, violence and false memories that have so far defined and guided her reality and find answers to her mysterious origin. After she is bushwacked by bandits, Elle finds herself waylaid in the desert settlement of Frack Town, her Spinner Bike seriously damaged and in desperate need of repair. Still trying to adjust to a world that feels alien and unreal to her and eager to turn her back on her own violent tendencies, Elle finds herself drawn into a deadly dispute between two warring factions who struggle to co-exist in the desolate industrial town. On one hand there's the Boss Barnes, the de facto mayor and leader of the Frackers, and on the others there's Miguel leader of a "restorationist" colony trying to turn its back on the evils that have brought the world to environmental. Their struggle will bring Elle face to face with the one person she is trying to escape from. Nia Wallace.Trade Review"[An] enjoyable spin-off in the Blade Runner universe. Fans who can’t get enough antics of rebel androids will appreciate this unexpectedly colorful trip back into the film’s conceits." - Publishers Weekly"Black Lotus offers plenty of potential and compelling characters to start this journey as a fun ride." - Set The Tape "It’s a post apocalyptic thriller at its finest. - Get Your Comic On "A Cowboy Western feel, and Collins expertly establishes the supporting cast with distinctive voices and clear motivations." - Comical Opinions "If you liked the anime, and are itching to see where the story goes from there, check out Blade Runner: Black Lotus." - Comics Beat

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Book SynopsisThe primacy of words over images has deep roots in Western culture. But what if the two are inextricably linked in meaning-making? In this experiment in visual thinking, drawn in comics, Nick Sousanis defies conventional discourse to offer readers a stunning work of graphic art and a serious inquiry into the ways humans construct knowledge.Trade ReviewNick Sousanis’s Unflattening is a complex, beautiful, delirious meditation on just about everything under the sun; a unique and bracing read. -- Scott McCloud, author of Understanding Comics and Making ComicsNick Sousanis’s Unflattening is a genuine oddity, a philosophical treatise in comics form. ‘Flatness,’ for Sousanis’s purposes, is not the quality of abstraction that Clement Greenberg lauded in modern art, but the lamentable condition of the inhabitants of Edwin A. Abbott’s ‘Flatland’: the inability to understand that there might be more than one can immediately perceive. The solution he proposes is admitting visual elements, and especially drawings, into the intellectual domain of language. (Psst—he’s talking about comics!) -- Douglas Wolk * New York Times Book Review *Ranging across a wide range of disciplines—the arts, the sciences, popular culture, critical theory—Sousanis argues that the verbal and the visual are inextricably entwined in the production of knowledge… It is a book that is dense with the syntheses of ideas, nimble, far-reaching and impossible to summarize. It liberates itself from the standard layout of panels within frames, teaching the eye and mind to read the unfailingly intelligent black-and-white artwork in unconventional and new ways. Unflattening deserves a place as a compulsory textbook in schools. -- Neel Mukherjee * New Statesman *Although the implications are profound, Unflattening is less an insurrection than a carefully argued case for rethinking our priorities about art and learning. Unflattening is above all a humane piece of scholarship which challenges our assumptions about perception. -- Matt Finch * Brooklyn Rail *If you prefer your mind-melt, dimension-bending comics with less costumes and melodrama, Nick Sousanis’ cerebral exploration of psychology and perspective offers a refreshing palate cleanser… Presented with a visual vocabulary that will blow readers minds in the most scholarly way possible. -- Sean Edgar * Paste *Sousanis’s drawings are first rate and his writing style economical. To demonstrate how introducing new vantage points expands our thinking, he explores a range of philosophical concepts, calling on Plato, Copernicus, and even the ‘fifth dimension’ explored in the TV series The Twilight Zone. -- Jan Gardner * Boston Globe *If Scott McCloud’s Understanding Comics charmingly investigated the history, development, and formal features of visual narrative, Unflattening is its equally brilliant epistemological counterpart. With profound depth and insight, Sousanis looks at how the ‘unflattening’ possibilities of this form of storytelling allow us to see the world from entirely new perspectives… Written with remarkable clarity and insight, its sometimes-haunting, sometimes-breathtaking illustrations prove the book’s arguments about how visual information can shape our understanding… Weaving together language, perception, and the theory of knowledge in an investigation of how the multidimensional possibilities of graphic storytelling can awaken us to ways of knowing from multiple perspectives, Sousanis has made a profound contribution to the field of comics studies and to semiotics, epistemology, and the burgeoning study of visible thinking. Essential reading for anyone seeking to create, critique, or consider the visual narrative form. * Publishers Weekly (starred review) *An important book, Unflattening is consistently innovative, using abstraction alongside realism, using framing and the (dis)organization of the page to represent different modes of thought. The words and images speak for themselves and succeed on their own terms. I couldn’t stop reading it. -- Henry Jenkins, author of Spreadable Media: Creating Value and Meaning in a Networked SocietyAn incisive meditation on the relationship between text and images. -- David Dabscheck * New York Observer *Entirely non-narrative, the book takes on the dichotomy between words and images in Western thought and argues that both are simultaneously involved in the production of meaning. Executed in sharp black-and-white diagrams, and abstract and geometric images, this scintillatingly intelligent book succeeds in the great feat of holding the reader’s attention not through a story but through ideas. Sousanis’s own book is the perfect illustration of the inextricability of the verbal and the visual. -- Neel Mukherjee * The Independent *Unflattening will no doubt become an essential teaching tool for helping students—especially undergraduates—think about comics, graphic novels, and other media in which words and images combine… The book is potentially revolutionary… This is a book that wants to teach, a book that will be talked about and belongs in any forward-looking library. -- R. J. Baumann * Choice *[This] will alter your perceptions, of comics, of art, of how to see and process your world and your ideas. Sousanis is relentlessly innovative in his solutions to picturing his concepts and in the process provides irrefutable proof of the efficacy of the medium to explain engagingly and memorably… It also uses two dimensional words and images to encourage us to broaden our horizons and deepen our understanding, in other words to perceive in multiple dimensions. And yes, reading comics re-wires your mind. -- Paul Gravett * paulgravett.com *Unflattening is Nick Sousanis’s meditation on the nature of learning and visual communication… At a time when graphic literature has become widely accepted as a medium for fiction and memoir, Unflattening breaks new ground in the use of visual narrative for the expression of abstract ideas. Beautifully drawn and brilliantly conceived, Unflattening is an instant classic. -- Rob Salkowitz * Forbes *Sousanis’ investigation into the connection between word and image could not have been presented in any other way… [He] presents a philosophical and reference heavy treatise in a compelling and accessible manner. -- Don O’Mahony * Irish Examiner *Frankly, genius. -- Zachary Petit * Print *Sousanis has achieved something powerful—a book that goes beyond just saying a thesis to actually showing one. -- Stephen Asma * Los Angeles Review of Books *There is much in Unflattening that will interest and stimulate thought for higher education scholars, teachers and students… In this beautiful and complex book, Sousanis grapples with core tenets of Western knowledge: who are our heroes, and why do we valorize their charts and grids so much more than, for example, the oral traditions of Pacific navigators who could read the stars? It is a beautiful book and a complex book that defies categorization—that’s why I recommend it. -- Frances Kelly * Higher Education Research & Development *

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Book SynopsisWinston Smith is a low-ranking member of the ruling Party in the nation of Oceania. Everywhere Winston goes, even his own home, the Party watches him through telescreens; everywhere he looks he sees the face of the Party’s seemingly omniscient leader, Big Brother. The Party controls everything in Oceania, even the people’s history and language. Now, the Party is forcing the use of an invented language called Newspeak which will prevent political insurgency by eliminating all words related to it. Even thinking rebellious thoughts is illegal. Such thoughtcrime is, in fact, the worst of all crimes. But a seed of dissent grows in Winston – one that will bring him into direct conflict with the Party, and with devastating consequences. Rarely has one book ever been so rich in political and social criticism as 1984. Originally published in 1949, this new graphic novel edition of the dystopian classic, powerfully illustrated by Matyáš Namai, reveals Winston’s fight against the Party in all its horror and futility. “Who controls the past controls the future. Who controls the present controls the past.”

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Book SynopsisAn intimate, unforgettable, and exquisite collection, Pallookaville is an essential for your Seth library. Palookaville 24 marks the long-awaited return of Seth s beloved series, which offers readers an invitation into the world and varied artistic practice of the iconic cartoonist. Beginning with Seth s serialized adolescent autobiography, Nothing Lasts, we enter the fleeting summers of his late teen years, specifically focusing on his summer jobs a stint as a gofer at the Ministry of Natural Resources and his experiences as a bellboy, dishwasher, and cook at a local inn. A memoir ruminating on memory and place and the people who pass through his life, this chapter of Nothing Lasts closes with a seminal event in Seth s young life. An intriguing visual feast, The Apology of Albert Batch is the culmination of ten years of collaboration between the director Luc Chamberlane and Seth a short film documenting Seth's venture into puppetry. An extensive photo essay detailing the making of the film accompanies a DVD. And lastly, Seth presents, warts and all, an exercise from his sketchbook. A simple activity: Select five names from a list and produce five stories to go with them. Drawn loosely with poster paint and ink, the work is spontaneous, showing a different side of the master artist. Palookaville 24 showcases Seth s artwork alongside his continually evolving artistic practice with unique elegance.

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Book SynopsisA beautiful gift edition of the first two Discworld novels - The Colour of Magic and The Light Fantastic - stunningly depicted in comic format for the first time - a fun read for established fans and new audiences alike.''Excellent and wacky as a good Pratchett should be'' -- ***** Reader review''A must-have for any Discworld fan'' -- ***** Reader review''Awesome'' -- ***** Reader review*************************************************************Imagine a flat world, sitting on the backs of four elephants, who hurtle through space balanced on a giant turtle. This is the Discworld - a place (and a time) parallel to our own - but also very different.The Discworld Graphic Novels presents the very first two volumes of this much-loved series (The Colour of Magic and The Light Fantastic) in graphic novel form. Introduced here are the bizarre misadventures of Twoflower,

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Book SynopsisA stunning visual biography of one of Japan's most famous historical artists, this book beautifully illustrates the story of Katsushika Hokusai.Enter the world of Katsushika Hokusai - the enigmatic creator of Japanese art's all-time most iconic image. This vivid graphic biography tells the story of Hokusai's intriguing life and pioneering works, details the fascinating historical context of Edo-era Japan, and explains how Hokusai forged an image of his country that still resonates across the world today.Telling the story of both his eccentric (and incredibly productive) life - while simultaneously painting a fascination picture of his wider cultural legacy, this book is ideal for both those new to Hokusai's work - and his biggest fans. Those who enjoyed Basquiat: A Graphic Novel by Paolo Parisi or Pollock Confidential: A Graphic Novel by Onofrio Catacchio should look at this too.

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Book SynopsisJoin Hades on an exciting villainous adventure in this dazzling and vibrant graphic novel

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Book SynopsisAs young girls in Cairo, Anna and Layla strike up an unlikely friendship that crosses class, cultural, and religious divides. Years later, Anna learns that she may carry the hereditary cancer gene responsible for her mother's death. Meanwhile, Layla's family is faced with a difficult decision about kidney transplantation. Their friendship is put to the test when these medical crises reveal stark differences in their perspectives...until revolutionary unrest in Egypt changes their lives forever.The first book in a new series, Lissa brings anthropological research to life in comic form, combining scholarly insights and accessible, visually-rich storytelling to foster greater understanding of global politics, inequalities, and solidarity.Trade Review"Revolution is as intimate as family and as mammoth as regime change in this graphic novel focused on the 2011 Tahrir Square demonstrations. This is the book's greatest strength: its belief in decency, even amidst violence and trauma. Its hopeful mood is mirrored by the book's rounded, flowing visuals: Bandages flutter like hair ribbons, water sluices down Anna's surgical scars, and Layla's eyes are wide as she tends to the grievously wounded. This is a chronicle of conflict, to be sure, but it is also a tribute to persistence of friendship and the power of a people united." -- Publishers Weekly"Whether you read Lissa to educate yourself about health issues or research methods, or you just want to find out what happens to Layla and Anna, this graphic novel shows the huge and still untapped potential of comics for use in medicine and global health." -- The Lancet"In Lissa, Hamdy, Nye, their artists Bao, Brewer, and Parenteau show us how we can collaboratively transform anthropology’s ways of seeing and communicating depth and nuance in our ethnographies. As the first publication in the new ethnoGRAPHIC series from University of Toronto Press, Lissa sets a high bar and positive tone for what we can expect from this series. Like most great books, Lissa allows the reader to bring different meanings and needs to the book, engaging them in multiple conversations that explore the ways in which we are connected." -- Somatosphere"The complexity of the various ethical and medical dilemmas gives the work depth and pathos without making the arguments appear didactic. It is indeed the ethnographic research—the minor characters and their voices—that give the book its special strength." -- Parismita Singh, graphic novelist, Medical Anthropology Quarterly"With the University of Toronto’s imprimatur and its ethnoGRAPHIC series, surely there are no more excuses not to expand what counts as professional, promotion-worthy ethnography. And Lissa offers a fantastic model of how to proceed. Congratulations to its visionary authors and editors." -- Lochlann Jain, Medical Anthropology Quarterly"…offers slices of contrasting Egyptian and American biomedicines and uses the characters’ dilemmas to pry open the contradictions within and between these medical systems." -- Stacy Leigh Pigg, Medical Anthropology QuarterlyLissa is an eminently teachable text, and it was clearly designed with the classroom in mind. -- Christine Sargent, Anthropology Book Forum"The storytelling in LISSA is innovative in the sense that it shows people’s lives without resorting to broad stroke generalizations. The novel also nicely covers key aspects of cyber-activism, social media and texting - tools that were instrumental in communicating during the revolution." -- Eduard Cousin"Through its story of intercultural friendship and its backstory of international and interdisciplinary collaboration, Lissa invites us to take an unusual – fictional, graphic- and highly original path to the heart of the ethnographic encounter. It is a journey I am excited to take with my students, and I look forward to seeing the next titles in the ethnographic series." -- Martha Radice, Dalhousie University * Anthropologica 60, 2018 *"As the debut of a new editorial series (ethnoGRAPHIC) that aims at promoting long-form ethnographic accounts into comic form, Lissa is without a doubt an editorial break-through that helps to bring balance to an otherwise dominantly textual field." -- Kim Tondeur * Anthropos *“Lissa intertwines academic knowledge and storytelling, Egypt and the United States, as well as the private sphere in which individuals/families make medical decisions and the public sphere in which health care systems operate, governments govern (or fail to do so), and citizens rebel against governments. The outcome, as academic and non-academic reviewers unanimously attest, is a highly informative yet readable and engrossing book.” -- Dominika Ferens, University of Wroclaw * Lublin Studies in Modern Languages and Literature *"I have nothing but admiration for this book. The story is compelling—even a page turner. Moreover, it is informative, historically and culturally situated and uplifting—or, at least, it ends on a hopeful note—teaching hard truths, or glimpses of them, in an accessible and digestible way." -- Shelly Errington, Anthropology NowTable of ContentsForeword: Lissa: A Still Life in Motion by Paul Karasik Lissa: A Story about Medical Promise, Friendship, and Revolution Afterword: Comics and Ethnography by George Marcus Appendix 1: Timeline of the Egyptian Revolution Appendix 2: Teaching Lissa: Reading Guide and Theoretical Context Appendix 3: Making Lissa: ethnoGRAPHIC Fieldnotes

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Book SynopsisParis, end of the 21st Century. Inspector Romane Pennac is the only white woman in her station. The world has suffered devastating wars and ecological disasters, and the old powers of Europe and America are now the third world. Yet it is toward the young woman, now a member of a discriminated-against minority, that a couple of devastated parents turn. A mysterious letter has just announced to them that the body of their daughter, recently deceased in New York, isn't in her coffin...

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Book SynopsisTrade ReviewKrug's new visual memoir is a mazy and ingenious reckoning with the past . . . She is a tenacious investigator, ferreting out stories from the wispiest hints - a rumor or a mysterious photograph. * The New York Times *Extraordinary . . . The curious appeal of Krug's graphic memoir is that it never fully loses itself in the act of storytelling but constantly stops to turn over and reassess the means at its disposal. * The Guardian *Remarkable * The Observer *Bracing honesty ... the informal feel and arresting candor of a diary -- Françoise Mouly * New Yorker *One of the greatest books of the year. -- Anne-Dore Krohn, literary critic at RBB KulturradioAs Krug wrestles on the page with the evasions and hard truths she encounters, and uses her illustrations to imagine difficult historical scenarios, she distils pain, hurt, confusion, empathy and ultimately peace into a powerful visual narrative. * The Times *A spectacular debut . . . enormously clever -- Denis Scheck, German literary criticA highly original and powerful graphic novel that works on many levels...an unflinching examination of what we mean when we think of identity, of history and home. The result is a book that is as informative as a history and as touching as a novel. * The Financial Times *[Krug] is a tenacious investigator, ferreting out stories from the wispiest hints - a rumor or a mysterious photograph. . . . What Krug pursues is a better quality of guilt, a way of confronting the past without paralysis. -- Parul Sehgal * The New York Times, 'Top Books of 2018' *I was hugely taken by Nora Krug's Heimat, a beautifully produced and thoughtful piece of family history by a second generation German immigrant to the US. -- Tim Martin * The Spectator *Krug probes her family's actions in Nazi Germany, conducting interviews and roaming archives and flea markets. She confronts past and present in a book that's been praised for its invention and bravery. -- The Guardian, 'The 50 biggest books of autumn 2018'An amazing look into the erasure of her grandparents generation and their involvement in Nazi Germany . . . the reader really feels Krug's fear and the tension that builds as she must will herself to peel back the layers of history, and unearth a truth that she might not be ready for. * Gosh! Comics *Heimat is an astoundingly honest book that conducts a devastating - and irresistible - investigation into one family's struggle with the forces of history. I could not stop reading it and when I was done I could not stop thinking about it. By going so deeply into her family's history, Krug has in some ways written about us all -- Sebastian Junger * author of The Perfect Storm *A page-turning scrapbook/collage of memory, meaning and accountability, Ms. Krug draws the reader through her family history with the directness of imagery, handwriting and, ultimately, a disquieting direness that has echoes in our American life, right now. Heimat is valuable, readable and, needless to say, highly recommended -- Chris Ware * author of Building Stories *Heimat is a compelling and beautifully crafted graphic memoir. Holding this book, and leafing through its pages, rich with photographs, handwritten letters and exquisite drawings, you feel as if if the past is reaching out and grabbing you. It is an exploration of legacy and memory, the things we inherit, the stories we pass on and the strange power the past can hold over us. I loved it -- Isabel Greenberg * author of The Encyclopedia of Early Earth *Nora Krug created something completely new by inventing a new medium. (...) And with every new form of visual representation she uses, she is able to gain a new perspective on herself and on her history. -- Ijoma Mangold, literary critic at Die ZeitNora Krug has created a beautiful visual memoir of a horrific time in history. A time that torments us to this day. Asking questions and searching for the truth, she will not turn away from the legacy of her family and her country. She asks the question of how any of us survive our family history. Ultimately, the only course is not to veil the answers -- Maira Kalman, American illustrator, artist and writerTo belong to a place is not to be able to choose what it takes from you. But we can choose what we take from it. Nora Krug takes from her German homeland, and then gives to us, a sense of what it is like to be German today, and a guide to how a reckoning with the past can begin -- Timothy Snyder * author of On Tyranny and Black Earth *As the Jewish heir of grandparents who themselves had to flee the upsurge of fascism in their German homelands, I found granddaughter Nora Krug's heartrending investigation of her own family's painstakingly occluded history through those years especially moving. But as an American living through these, our very own years of a seemingly inexorable drift into one's still not quite sure what, I found Krug's achingly realized graphic memoir downright unsettling, for what will our own grandchildren one day make of us and our own everyday compromises and failures to attend? -- Lawrence Weschler * author of Calamities of Exile and A Miracle, A Universe: Settling Accounts with Torturers *Nora Krug's book Heimat is a heart-wrenching, suspenseful and fascinating odyssey that straddles, and seeks to uncover, an uncharted, inaccessible, unfathomable past. It is a kaleidoscope of interrupted lives, leading inexorably to its ultimate conclusion. I couldn't stop reading it -- Hava Beller, Director of 'The Restless Conscience'Krug probes her family's actions in Nazi Germany, conducting interviews and roaming archives and flea markets. She confronts past and present in a book that's been praised for its invention and bravery. * The Guardian, 'The 50 biggest books of autumn 2018' *

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Book SynopsisIn this vibrant and affirming comics anthology, 29 trans & nonbinary comic artists share their personal journeys of self-discovery and acceptance.Featuring the work of Sage Coffey, Kyla Aiko, and Coco Ouwerkerk, The Out Side: Trans & Nonbinary Comics includes 29 creators' tales of self-love and affirmation and detailing their experiences with gender and identity. Originally published as a successful Kickstarter campaign, this expanded edition includes comics by Dana Simpson (bestselling author of Phoebe and Her Unicorn), Aidyn Huynh (Snailords), Wren Chavers, and more. Equal parts encouraging, comforting, and life-affirming, The Out Side is a love letter to the trans and nonbinary community, designed to inspire anyone who may be struggling with their own identity and to help educate those who seek greater understanding. As artist Julia Kaye writes in the book's introduction: "I’m so glad this book exists. It’s a loud proclamation of our existence in the face of a culture that has for too long ignored our experiences." Trade Review“This varied art is a riot of style and color that brings home the individuality of the stories and storytellers… Recommended for anyone needing life-affirming stories or anyone wanting to learn more about trans and nonbinary identities and experiences.” (Sarah Rice, Booklist)“If you need something fun and joyful to look forward to this fall, look no further! This anthology includes work from 29 trans and nonbinary comic artists who share intimate, personal stories about their lives, gender journeys, and identities. It’s a beautiful celebration of the messy complexity of trans and nonbinary lives and includes a diverse array of art and comics styles.” (Laura Sackton, Book Riot)“The Out Side is such a beautiful anthology that shares trans and nonbinary stories from all walks of life. All the authors approach their stories in very different ways; when it comes down to it, they all feel so interconnected and warm.” (American Booksellers Association)

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Book SynopsisThe next incredible instalment in the case books of Ms Tree, private detective, from famed Hard Case Crime author Max Allan Collins! From the minds of author Max Allen Collins and artist Terry Beatty, comes the fourth collection of 5 classic Ms Tree stories. Join Michael Tree, the 6ft, 9mm carrying private detective on her thrilling adventures. No case is too small, no violence too extreme, just as long as it gets the job done. Fans of hard-boiled detective and crime fiction will get a thrill from these tales! Featuring the stories: "Deadline" "Skin Deep" "Runaway" "Runaway II" "Death, Danger and Diamonds"Trade Review"For those who prefer their comics a little harder, a little faster, and a whole lot pulpier, Max Allan Collins and Terry Beatty's Ms. Tree will hit the bullseye ¾ and blow it to pieces." - Mystery Scene "A saga rife with treachery, violence, and intrigue... a 'must-read' for mystery graphic novel connoisseurs." - Midwest Book Review"As you’d expect from Max Allan Collins, this is another great read ... a classic noir style" - The Borg“Well crafted crime tales, with snappy dialogue and a good share of action and violence” - Graphic Novel Resources"A compelling read for those of us who love the character and a great, thoroughly accessible introduction for new readers" - First Comics News

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Book SynopsisNao Brown suffers from OCD, but not the hand-washing, overly tidy type that people often refer to jokingly. Nao suffers from violent, morbid obsessions, while her compulsions take the form of unseen mental rituals. Working part-time in a 'designer' vinyl toy shop, while struggling to get her own illustration career off the ground, she's still searching for that elusive love – the perfect love. And in meeting the man of her dreams, she realises… dreams can be quite weird. Nao's meditation practice is an attempt to quieten her mind and open her heart, and it's through this that she comes to understand that things aren't so black and white after all. In fact, they're much more... brown. This new edition contains eight pages of additional material, including previously unseen artwork, which gives an insight into Glyn Dillon’s creative process.

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Book SynopsisAutism in women and girls is still not widely understood, and is often misrepresented or even overlooked. This graphic novel offers an engaging and accessible insight into the lives and minds of autistic women, using real-life case studies. The charming illustrations lead readers on a visual journey of how women on the spectrum experience everyday life, from metaphors and masking in social situations, to friendships and relationships and the role of special interests.Fun, sensitive and informative, this is a fantastic resource for anyone who wishes to understand how gender affects autism, and how to create safer supportive and more accessible environments for women on the spectrum.Trade ReviewAs a medical comic, an educational comic, it's really well done, imparting knowledge with ease, simple, clear, effective. Using comics for this (and make no mistake, this is, definitely, a comic), is a perfect fit, getting factual information through to many who simply either wouldn't be able to, or more likely, wouldn't wish to, access it through plain text... When it comes to autism, no matter how aware we think we are, there's always more to discover. Which is just what Camouflage does very well, breaking down the subject with a clarity and simplicity, yet without sparing any factual details or the personal experiences of women with autism. I guarantee that you'll finish Camouflage with a better understanding of an important issue. And in that sense, Camouflage is a hugely successful thing... Hopefully, this will be something that will be embraced by schools, libraries, medical practices, and should be an essential read for anyone with autism, or anyone affected by autism.And frankly, given that we're all on the spectrum somewhere, you will, definitely, know someone affected by autism. Isn't it time you knew a little more? -- Richard Bruton * Comicon *Using a combination of intriguing science facts and moving personal accounts, psychologist Bargiela explains why doctors more rarely identify autism in women than in men. Beginning with the history of autism research, Bargiela shows that studies don't focus enough on the differences between men's and women's brains and skills, such as women's greater talent for 'social mimicry,' and therefore miss the ways autism manifests in women. Bargiela ensures that the medical information is understandable, and when potentially confusing terms arise, quick and concise footnotes are provided. She includes interviews with three autistic women, in which she asked each the same four questions about her life experiences. The responses are revealing; one woman says her assumption that her romantic partners are truthful makes her vulnerable to those who want to take advantage of her. Standing's art is subtle, enhancing the information being shared without distracting from the subject matter. The artwork is reminiscent of art deco, with distinct illustrations and a calming color palette. This informative work has insights for those familiar with or new to autism studies, and readers will feel the interviews add an important perspective. -- Publishers WeeklyA fantastic, easy-to-digest book for anyone hoping to understand how we can create a safer, more accommodating environment for women on the spectrum. -- Bonnie Gifford * Happiful *Table of Contents1. Introducing Autism and Gender 2. 'You're not autistic' 3. Pretending to be Normal 4. From Passive to Assertive 5. Identity and Interests 6. Future Research

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Book SynopsisDiscover the official prequel to the Emmy® Award-winning Netflix series collected in a single complete volume for the first time! Journey back to Thra in three standalone stories that chart the origins of fan-favourite characters from the Emmy® Award-winning Netflix show Jim Henson’s The Dark Crystal: Age of Resistance! In “The Quest for the Dual Glaive,” Stonewood warrior Ordon embarks on a quest to save his clan with the Maudra’s young daughter Fara in tow. Meanwhile, “The Ballad of Hup and Barfinnious” follows the unlikely Podling Paladin Hup as he apprentices with a chivalrous but mysterious bard on his first heroic adventure. And finally, in “The Journey into the Mondo Leviadin,” newly crowned All-Maudra Mayrin grapples with her place as the leader of all Gelfling, as the seeds of rebellion begin to sprout… Based on stories by Jim Henson's Dark Crystal: Age of Resistance Netflix series screenwriters, Will Matthews & Jeffery Addiss (The Lord Of The Rings: The War Of The Rohirrim), comic scribes Nicole Andelfinger (An Ember In The Ashes graphic novels), Adam Cesare (Clown in a Cornfield), and Matthew Erman (Good Luck) team with artists Matias Basla (Sparrowhawk), Esdras Cristobal (Rugrats: R is for Reptar), French Carlomagno (Mighty Morphin Power Rangers), and Jo Mi-Gyeong (Beastlands) for an official prequel to Netflix’s Emmy® Award-winning series, collected in a single premium hardcover for the first time! Collects The Dark Crystal: Age of Resistance #1-12.

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Book SynopsisLearn all about the infamous Cruella De Vil's past in this stunning visual adaptation of Disney's popular Villain Tales series

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Book SynopsisA mysterious new fencer arrives at Halverton in the newest chapter of the GLAAD Media Award-nominated sports comic, perfect for fans of Heartstopper.THE COMPETITION HAS BEEN RESET… EN GARDE! Return to the thrilling world of high-stakes, competitive fencing, with a brand new story featuring the beloved cast of characters from the original hit series. Are Seiji and Jesse really through? The rumors around Halverton, the prestigious fencing training camp, have spread like wildfire, but it’s not long before a mystery fencer arrives–one who may finally pose a threat to the #1 spot. Will Seiji’s unquenchable quest for rivalry take Nicholas’ place? Where will his loyalty lie? And, when Seiji gets an up close and personal look into Nicholas’ past and determination against adversity while preparing for the difficult road ahead and the State Championships, he’ll have to confront a tempting thought… are they on… a date? New York Times and USA Today best-selling author C. S. Pacat (Dark Rise, Nightwing) and acclaimed cartoonist Johanna the Mad (Wynd) continue their winning streak with this on-point entry in the GLAAD Media Award-nominated series! Collects Fence: Redemption #1-4.

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Book SynopsisThe Steel Claw, Louis Crandell, is assigned by the chief of the Shadow Squad to protect the four most important nuclear scientists as they meet for a secret conference. The assignment goes badly wrong, as the scientists are frozen solid, and their assassin chooses death over arrest, The Steel Claw must redeem his reputation and find out who ordered the assassination. This cold war thriller is pure sixties spy adventure story drawn in a graphic noir style by Jesus Blasco.

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Book SynopsisThis is the classic work from Gaiman and McKean, offered in hardcover with an expanded art section and introductions by Alan Moore, Paul Gravett, and Neil Gaiman! A narrator remembers his childhood encounters with an old osteopath who claims to have treated Al Capone. Gradually, England of the 1960s and Chicago of the 1920s merge into a haunting and beautifully drawn tale...

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Book Synopsis''So impossibly funny, clever, demented, charming and altogether wonderful that I was a convert within three pages. Buy it for everyone you know, regardless of what you think they like. Brilliant stuff'' Lucy Mangan, Stylist Books of the Year''An eye-opener... The more I think about this, the higher I esteem it'' - Nicholas Lezard, Guardian Books of the Year*Winner of the British Book Design and Production Award for Graphic Novels**Winner of the Neumann Prize in the History of Mathematics**Nominated for the 2016 Eisner Award for Best Graphic Album and Best Writer/Artist*In The Thrilling Adventures of Lovelace and Babbage Sydney Padua transforms one of the most compelling scientific collaborations into a hilarious set of adventures Meet two of Victorian London''s greatest geniuses... Ada Lovelace, daughter of Lord Byron: mathematician, gambler, and proto-programmer, whose writings contained the first evTrade ReviewSo impossibly funny, clever, demented, charming and altogether wonderful that I was a convert within three pages. Buy it for everyone you know, regardless of what you think they like. Brilliant stuff -- Lucy Mangan, Book of the Year * Stylist *An utter joy... Padua has done her research: she has teased out the connections between Babbage, Lovelace and what would seem to be the whole of Victorian culture and society - and done so in a way that appears almost effortless on the page, her light, easy graphic style an excellent vehicle not only for deep and complex thought, but for excellent, and sometimes excellently corny, jokes. This is a book to reread, not just read -- Nicholas Lezard * Guardian *My new favourite book. It has everything. Byron, maths, imaginary computers, emotion -- Matt Haig, author of Reasons to Stay AliveThe book does more than simply celebrate the genius of the first computer programmer, it encourages us to turn our imagination to technology - just as Lovelace did. And that's an inspiration to us all -- Nicola Davis * Observer Tech Monthly *The wittiest, best-researched and most original tribute yet paid to the achievements of Ada Lovelace... An astonishing debut... a book that ought to be ordered in triplicate by every school in the land... Ingenious as a textbook, marvellous fun as inventive biography -- Miranda Seymour * Literary Review *Rich with in-jokes, warmth and charm... It's difficult not to be ignited by Sydney Padua's enthusiasm. There is so much to discover that I'll treasure my copy for years to come -- Hannah Fry * BBC Focus *A stylish, funny graphic novel featuring Ada Lovelace, estranged daughter of Lord Byron, and co-programmer, had it ever been built, of the "mathematical engine". Playful, earnest, and beautifully drawn, the book cuts a swathe through early computing theory, explores Ada's relationship with Charles Babbage, and brings to the fore one of the unsung heroines of science -- Sarah Hall * Independent *There is no way around this, Sydney Padua's Thrilling Adventures of Lovelace and Babbage is bloody brilliant... and educational too -- Robin InceI love it... everyone is getting a copy -- Martha Lane-FoxWonderful and genuinely informative... Padua's gorgeous art and very funny text are combined with factual footnotes to create an utterly unique and enormously enjoyable book - -- Anna Carey * Irish Times *Sydney Padua's smart and sassy steampunk science graphic novel is a delightful mixture of research and invention, dressed up in Padua's bouncy cartooning. If nothing else, it is one of the best introductions to its real-life heroine, proto-computer programmer Ada Lovelace, you could wish for. If only all science lessons could be this much fun * Herald Scotland *Immensely delightful and illuminating... Padua delivers a thoroughly unsynthesizable range of enchantment and elucidation -- Maria Popova * Brain Pickings *

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Book SynopsisVOLUME 1 IN THE UNFORGETTABLE STORY OF AN EXTRAORDINARY CHILDHOODThe Arab of the Future tells the unforgettable story of Riad Sattouf''s childhood, spent in the shadows of three dictators - Muammar Gaddafi, Hafez al-Assad, and his father.A GUARDIAN BOOK OF THE YEAR AN OBSERVER GRAPHIC BOOK OF THE YEAR A NEW YORK TIMES CRITICS'' TOP BOOK OF THE YEAR''I tore through it... The most enjoyable graphic novel I''ve read in a while'' Zadie Smith''I joyously recommend this book to you'' Mark Haddon''Riad Sattouf is one of the great creators of our time'' Alain De Botton''Beautifully-written and drawn, witty, sad, fascinating... Brilliant'' Simon Sebag MontefioreIn a striking, virtuoso graphic style that captures both the immediacy of childhood and the fervour of political idealism, Riad Sattouf recounts his nomadic childhood growing up in rural FrancTrade ReviewI tore through two volumes of The Arab of the Future, by Riad Sattouf - it's the most enjoyable graphic novel I've read in a while * Zadie Smith *This is a masterpiece that deserves the widest readership. The Arab Of The Future reminds us that, in talented hands, graphic novels are capable of carrying the weightiest themes, making us think, and touching our hearts while also keeping us hugely entertained. Riad Sattouf is one of the great creators of our time' * Alain De Botton *The Arab of the Future is wonderfully observed, funny, grim, sharp and sad. Riad Sattouf, with his ear for anecdote, his nimble drawing and his understanding of human frailty, has created a masterpiece. * Posy Simmonds *I joyously recommend this book to you. You will be moved, entertained and edified. Often simultaneously * Mark Haddon *Beautifully-written and drawn, witty, sad, fascinating... Brilliant * Simon Sebag Montefiore *Riad Sattouf's poignant memoir is the record of a single, unique life, but it's one of those 'single windows' through which the world is made newly visible. It's worth a shelf full of books about identity politics, history or political science. * Hari Kunzru *Sattouf experienced both Gaddafi's Libya and Hafez al-Assad's Syria while still a small boy. Kids don't spend a lot of time reflecting on totalitarianism, but they do form strong impressions. His simple depictions of living in an almost-abandoned building for expatriates in Libya, or of watching Assad praying on TV are the kind of banal micro-details that would lose their significance in written prose. Captured in the panels of a cartoon strip, however, they attain a luminous resonance that lingers long after you've finished the book. * Guardian *Not since Persepolis, Marjane Satrapi's graphic memoir of revolutionary Iran, has a comic book seemed so important, or been so acclaimed... There is a feeling that the book throws some light both on the roots of the Arab spring, and what has happened since. In a country - and beyond it, a world - in which bewilderment and anxiety at recent events polarises communities as often as it unites them, it has an authenticity with which no expert or talking head could ever hope to compete. * Observer *Excellent... The graphic novel has proved itself again and again. It already has its canon: Art Spiegelman on the Holocaust, Marjane Satrapi on girlhood in Islamist Iran, and, perhaps most accomplished of all, Joe Sacco's Footnotes in Gaza, a work of detailed and self-reflexive history. Edging towards this company comes Riad Sattouf's childhood memoir of tyranny... It's this sort of detail, drawn with the cartoon clarity of childhood perception, that makes the book such a success... The Arab of the Future is an authentic, emotionally honest memoir, and much more useful background reading for present events than a romanticised account of cosmopolitan, bourgeois Damascus would be. * Guardian *Marvellous... Sattouf records it all in an endearing cartoony style, his clean lines enhanced by discreet colour shading to indicate which country they're living in at the time. His comic timing is immaculate, but there's always an edge to his humour. Packing a host of unforgettable scenes, The Arab of the Future begs to be read in one long sitting. * Herald (Paperback of the Week) *Riad Sattouf's shockingly blunt The Arab of the Future, which tells the story of the French cartoonist's itinerant childhood in the Middle East, is a must for anyone who wants to understand more about the failure of the pan-Arab dream, with all the consequences this has had for the situation in which we now find ourselves. It's also a page-turner, dissecting as it does the psychology of a man (Riad's Syrian father) whose increasingly deluded idealism results in a form of tyranny when it comes to his own family. * Guardian (Best Graphic Books of 2015) *Captivating, compelling, informative and an amazing read... Using his voice as a child, Saffouf deals with the topics such as Arabs v Jews, America and the Western Influences, the madness of Gaddafi, racism in France and the general treatment of women. With these topics one might think it's a heavy read but by telling his life in graphic format is ingenious and powerful... An important book. I will be recommending this to all our customers, a must read. * Sheila O'Reilly, Dulwich Books *Drawn with remarkable flair and a winning visual style, Sattouf's memoir is an incredible achievement. The Arab of the Future took me to places that, until now, I only really knew through headlines. Vital, funny and poignant, it's Sattouf's focus on the common aspects of childhood that gives this book so much punch * Gary Perry, Foyles Staff Pick *Fascinating... A really moving and at times quite melancholy story of an odd childhood. I'm really looking forward to reading Volume 2 in September * Anna James, A Case for Books *Epic... Told with childlike wonder and the merest hint of mature understanding, it's a wide-eyed and unforgettable tour of the early days of Muammar Gaddafi's Libya and Hafez al-Assad's Syria (via rural Brittany), as Sattouf's professor father pursues an unbridled ambition to help build a proud Arab nation through the power of education. * Bookanista *Exquisitely illustrated, and filled with experiences of misfortune bordering on the farcical, Mr. Sattouf's book is a disquieting yet essential read * New York Times *Sattouf's work is laced with astute observations of human beings. His memoirs often dwell on their failings: hypocrisy, cowardice, bullying. Yet there's humour too - mainly because his humans are so helplessly absurd * Guardian *Engrossing . . . Sattouf writes in a fluid prose, beautifully translated by Sam Taylor * New York Times Book Review (Editor’s Choice) *The Arab of the Future has become that rare thing in France's polarized intellectual climate: an object of consensual rapture, hailed as a masterpiece in the leading journals of both the left and the right. . . . it has, in effect, made Sattouf the Arab of the present in France * New Yorker *Absolutely mesmerising...The Arab of the Future is a tremendously engaging story of family life. It's also a fascinating personal insight into differing cultural attitudes, the physical reality of living under two distinct Arab leaders and how national/social/religious ideologies filter through the consciousness of a wide-eyed adolescent. It's a heartfelt, refreshing take on growing up in unique circumstances. * Lonesome Reader *The Arab of the Future confirms Riad Sattouf's place among the greatest cartoonists of his generation * Le Monde (France) *As the very young Riad Sattouf navigates life in Libya, France, and Syria, he gets a serious education in the mysterious vectors of power that shape not just the political world, but the intimate sphere of his own family. With charming yet powerful drawings and vivid sensory details, Sattouf delivers a child's-eye view of the baffling adult world in all its complexity, corruption, and delusion. This is a beautiful, funny, and important graphic memoir * Alison Bechdel, author of FUN HOME *Sattouf's book takes us from place to place and culture to culture, and in the emphasis of differences there is also the unveiling of similarities... Sattouf retells, with words and images, the heartbreaking realisation of the non-place in which many immigrants are forced to exist... Sattouf's book is challenging amongst other reasons because it deals with the most demonised, othered identity in Europe. Because the narrative takes the characters from country to country, language to language and culture to culture, the narrative perspective is necessarily comparative, and because things are never black and white, either/or, often the conclusions are contradictory... There is a loneliness in all of Sattouf's characters, who, often, do not really talk to each other, but to themselves, or keep a repressed/repressive silence. In the constant coming and going of the trial and error from country to country, the immigrant's story is, in spite of the presence of family, one of solitude, but moved forward by hope... In this sense The Arab of the Future is a profoundly political and timely book... The present historical moment in Europe calls more than ever for exercises of solidarity and empathy: in retelling his past Sattouf is not merely retreating into himself, but telling us very important things about the historical past, present and possible futures of us all. * Comics Grid *Riven with flashes of dark humour... The penmanship is simple and witty, oddly it reminded me of Matt in the Telegraph. Despite writing for Charlie Hebdo, Sattouf had never been an overtly political cartoonist and yet in The Arab of The Future he has said more about the problems of the Arab world than a hundred newspaper articles. The story ends in 1984 with the family about to return to Syria. The sequel is already out in France with an English edition to come in September. I can't wait. * CapX *Engaging and lovely to look at . . . Sattouf has an eye for grimly funny details . . . and milks the disjunction between how he experienced his political environment at the time and how he understands it now for all it's worth * Los Angeles Times (Best Books of the Year 2015) *Sattouf's timely graphic memoir - a bestseller in France, where he lives - recounts his upbringing in Syria and Libya. Despite the starkness of much of his story, Sattouf maintains a playful touch in all his panels * San Francisco Chronicle (Best of 2015) *With a judicious eye for an anecdote, and even more judicious doses of commentary, Sattouf - a former contributor to the French humor magazine Charlie Hebdo - delivers a vicious denunciation of pan-Arabism and Islamic politics. It might seem impossible to depict the recent history of the Middle East using Sattouf's zany drawing style... But Sattouf uses this style to establish a subtle and contradictory relationship with his reader. He simultaneously disclaims the reader's attention - No, nothing important going on here - and challenges the discerning few to look closer * NPR *The hundred-and-fifty-odd pages of Riad Sattouf's internationally bestselling graphic memoir . . . move with an irrepressible comic velocity. The book is told Candide-style . . . an indictment of the adult world and its insidious methods of diminishment we all have either faced or been fortunate enough to escape. * New Republic *The book, whose title pokes fun at Abdel-Razak's pan-Arabist obsessions, shows the hypocrisy behind one man's understanding of that failed political ideology, makes tangible the absurdity of living under propaganda-mad dictators, and it humanizes, for better or worse, certain segments of very poor Muslim populations in two specific parts of the Middle East. * Vice *The Arab of the Future maintains a balance of comedy and commentary and ...is carried by excellent drawings. Riad Sattouf's work takes its place alongside other classic animated retrospective memoirs from the region, Persepolis . . . and Waltz with Bashir * New York Journal of Books *The book's highest achievement is the ability to portray the tacit power structures that govern family and nation through the eyes of a child, with all of a child's parental worship and bafflement... The Arab of the Future begs for a more complex and compassionate understanding of an area of the world that's all too often the target of misunderstanding and fear. * Pittsburgh Post-Gazette *The Arab of the Future is already being compared to biographical classics like Maus and Persepolis, and the modern relevance of the countries in which it is set is sure to make this a widely talked about book this year * Mentalfloss.com *In his comics, Sattouf deftly weaves the political background with the everyday. He tells a personal story but also observes the society and country around him, and his great sense of humor makes reading the book thoroughly enjoyable. It'll have you laughing to the point of tears. * Haaretz (Israel) *Rarely I've encountered a more convincing combination of wit and depth * Frankfurter Allgemeine (Germany) *Brilliant, sharp and surprising * Repubblica (Italy) *touching, chilling and very instructive * El Mundo (Spain) *Sattouf presents timely, candid insights into life behind the curtain in news-making nations - namely, in this case, Libya and Syria... he nails the inexplicable dizziness of being a child * Globe and Mail *Sattouf's account of his childhood is a deeply personal recollection of a peripatetic youth that can resonate with audiences across the world. It also paints an incisive picture of the Arab world in the late 1970s and early 1980s that sets the stage for the revolutionary changes that would grip and roil the region decades later. * Foreign Policy *Wide-eyed, yet perceptive, the book documents the wanderings of [Sattouf's] mismatched parents? His bookish French mother and pan-Arabist father, Abdel-Razak Sattouf . . . often disquieting, but always honest * France 24 *An important introduction to the Middle East... This recently-published graphic memoir proves that the medium can be just as important - and informative - as traditional non-fiction for those looking to understand a complex region... At once touching and humorous...Whether you're looking for a diverting read or a first-person account of modern history, The Arab of the Future is a must-read. * The Culture Trip *Very funny and very sad . . . the social commentary here is more wistful and melancholy than sharp-edged . . . subtly written and deftly illustrated, with psychological incisiveness and humor * Kirkus Reviews (starred review) *Despite his father's determination to integrate his son into Arab society, little Sattouf - with his long blond hair - never fully fits in, and this report reads like the curious pondering of an alien from another world. Caught between his parents, Sattouf makes the best of his situation by becoming a master observer and interpreter, his clean, cartoonish art making a social and personal document of wit and understanding. * Publishers Weekly (starred review) *Absorbing ... rich in detail and character ... a remarkable and engrossing book * The Slings and Arrows *

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Book SynopsisOn December 9, 2014, the Senate Intelligence Committee released a 576-page report that strongly condemned the CIA for its secret and brutal use of torture in the treatment of prisoners during the George W. Bush Administration after 9/11. This deeply researched and fully documented investigation caused monumental controversy, interest, and concern, yet much of the American public found the report to be dense and inaccessible to the general reader. Using their tried, tested, and celebrated graphic storytelling method, Sid Jacobson and Ernie Colón have summarized, illustrated, and made accessible the damning torture report. Jacobson's text highlights the key lessons learned from the Report-that the CIA lied about the brutality of the techniques used, about their effectiveness, about how many people they detained and subjected to these techniques, and that they routinely dismissed the concerns expressed by interrogators in the field. Colón's unmistakable talent as an illustrator adds power and poignancy to the facts, infusing them with a sense of immediacy and humanity that is unforgettable. With its unique format, The Torture Report will finally allow Americans to lift the veil and fully understand the crimes committed by the CIA.

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Book SynopsisFans of The Fox and the Star, The Man Who Planted Trees and Richard Linklater's Boyhood will find this intimate graphic novel about a simple park bench - and the people who walk by or linger - poignant, life-affirming and brilliantly original.

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Book SynopsisJoe Sacco, one of the world's foremost cartoonists, is widely hailed as the creator of war-reportage comics. He is the author of Palestine, Safe Area Gorazde, The Fixer, Notes from a Defeatist , Footnotes in Gaza and Journalism, all published by Jonathan Cape.Trade ReviewSacco is formidably talented. A meticulous reporter... and a gifted artist whose richly nuanced drawings tread a delicate path between cartoonishness and naturalism * Independent *Sacco's greatest achievement is to have so poignantly depicted oppression and horror in a form that manages to be both disarming and disquieting * Observer *One of the most original cartoonists of the past two decades * Guardian *It is clear that Sacco is one of the masters of his craft * New Statesman *

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Book SynopsisThe first and only graphic novel to win the Pulitzer Prize, MAUS is a brutally moving work of art about a Holocaust survivor -- and the son who survives him''The first masterpiece in comic book history'' The New YorkerMaus tells the story of Vladek Spiegelman, a Jewish survivor of Hitler''s Europe, and his son, a cartoonist coming to terms with his father''s story. Approaching the unspeakable through the diminutive (the Nazis are cats, the Jews mice), Vladek''s harrowing story of survival is woven into the author''s account of his tortured relationship with his aging father.Against the backdrop of guilt brought by survival, they stage a normal life of small arguments and unhappy visits, studying the bloody pawprints of history and tracking its meaning for those who come next.HAILED AS THE GREATEST GRAPHIC NOVEL OF ALL TIME, THIS COMBINED, DEFINITIVE EDITION INCLUDES MAUS I: A SURVIVOR''S TALE AND MAUS II.___________________''The most affecting and successful narrative ever done about the Holocaust'' Wall Street Journal''A brutally moving work of art'' Boston Globe''No summary can do justice to Spiegelman''s narrative skill'' Adam Gopnik''Like all great stories, it tells us more about ourselves than we could ever suspect'' Philip Pullman''A capital-G Genius'' Michael ChabonTrade ReviewThe first masterpiece in comic book history * New Yorker *One of the clichés about the Holocaust is that you can't imagine it - Spiegelman disproves this theory * Independent *A brutally moving work of art * Boston Globe *In the tradition of Aesop and Orwell, it serves to shock and impart powerful resonance to a well-documented subject. The artwork is so accomplished, forceful and moving * TimeOut *Spiegelman has turned the exuberant fantasy of comics inside out by giving us the most incredible fantasy in comics' history: something that actually occurred. Maus is terrifying not for its brutality, but for its tenderness and guilt * New Yorker *An epic story told in tiny pictures * New York Times *The most affecting and successful narrative ever done about the Holocaust * Wall Street Journal *Maus is a book that cannot be put down, truly, even to sleep...when you finish Maus, you are unhappy to have left that magical world and long for the sequel that will return you to it -- Umberto EcoA remarkable feat of documentary detail and novelistic vividness...an unfolding literary event * New York Times Book Review *The Pulitzer Prize-winning Maus tells the story of Vladek Spiegelman, a Jewish survivor of Hitler's Europe, and his son, a cartoonist coming to terms with his father's story. Maus approaches the unspeakable through the diminutive. Its form, the cartoon (the Nazis are cats, the Jews mice), shocks us out of any lingering sense of familiarity and succeeds in 'drawing us closer to the bleak heart of the Holocaust' * New York Times *A quiet triumph, moving and simple - impossible to describe accurately, and impossible to achieve in any medium but comics * Washington Post *All too infrequently, a book comes along that' s as daring as it is acclaimed. Art Spiegelman's Maus is just such a book * Esquire *A remarkable work, awesome in its conception and execution... at one and the same time a novel, a documentary, a memoir, and a comic book. Brilliant, just brilliant -- Jules FeifferMaus is a masterpiece, and it's in the nature of such things to generate mysteries, and pose more questions than they answer. But if the notion of a canon means anything, Maus is there at the heart of it. Like all great stories, it tells us more about ourselves than we could ever suspect -- Philip PullmanSpiegelman's Maus changed comics forever. Comics now can be about anything -- Alison BechdelReading [his work] has been an amazing lesson in storytelling * Etgar Keret *It can be easy to forget how much of a game-changer Maus was. * Washington Post *

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Book Synopsis'The best book - in any medium - I have read about our current moment ... A MASTERPIECE' Zadie Smith 'A masterpiece for our times' Observer WHERE IS SABRINA? The answer is hidden on a videotape, a tape which is en route to several news outlets, and about to go viral. A landmark graphic novel, already hailed as one of the most exciting and moving stories of recent years, Sabrina is a tale of modern mystery, anxiety, fringe paranoia and mainstream misinformation -- a book that tells the story of those left behind in the wake of tragedy, has important things to say about how we live now, and possesses the rare power to leave readers pulverised.

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Book SynopsisThe EISNER AWARD-WINNING team of DAVID and MARIA LAPHAM bring you the next volume in the STRAY BULLETS TRADE PAPERBACK COLLECTION. STRAY BULLETS: DARK DAYS tells the story of Beth and Virginias time in Los Angeles, fourteen-year-old Virginia's growing relationship with the young boy Bobby, and the horrible kidnapping that rips apart all of their lives. A gut-wrenching noir thriller of small joys, big horrors, and the crushing weight of guilt...Collects STRAY BULLETS #23-30

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Book SynopsisA fast-paced, comical story for early readers, in which Dad’s hair takes off through the open window to freedom! One day, Dad’s hair decided it was tired of being brushed and combed. It wanted a life of its own, to see the world. It took off. Out of the bathroom, into the kitchen, and before you could say, “Hairsta la vista, baby!” it was gone. Dad gave chase around the town. He spots his hair hiding in the lawn, on the road, at the zoo —it’s amazing how many things look like hair. He gives up. Dad tries to accept life without hair. Then the postcards arrive. The hair is on a round-the-world trip and Dad is still bald. Until one day the unbelievable happens and the hair comes back. This is a fast-paced tour-de-force, a wonderfully absurd story packed with wordplay and full colour hilarious illustrations. When Dad’s Hair Took Off is a comical chapter book for early readers or for any child to enjoy reading aloud with a grownup who relates! A fun book to celebrate and share with Dad on Father’s Day or any day. Translated from the German edition by Melody Shaw, where it was shortlisted for multiple awards. Jörg Mühle studied illustration in Offenbach and Paris. He has been illustrating for books and magazines since 2000. He is the author and illustrator of worldwide bestselling interactive bedtime book for toddlers, Tickle My Ears.Trade Review"All the relish of a tall tale, deadpan timing, and choice vocabulary." -- Foreword Reviews, starred review"Get ready for a hair-raising—or should we say hair-racing?—chase and an abundance of absurdity and witty wordplay." -- Kirkus Reviews"An early chapter book—the kind Gecko Press excels at bringing us." -- Betsy Bird, A Fuse #8 Production"Both its punny, funny words and full colour illustrations are perfect." -- Kids' Book Review, Australia

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Book SynopsisCousin Joseph introduces Detective Sam Hannigan, head of the Bay City’s Red Squad and patriarch of the Hannigan family featured in Kill My Mother. Our story opens in the Great Depression when Big Sam sees himself as a truth-seeking patriot defending the American way against left-wing unionism. At the same time, he makes secret trips on behalf of Cousin Joseph, a man he has never laid eyes on, to pay off Hollywood producers to ensure that they make only upbeat films. Step by step, the secret of his unseen mentor’s duplicity is revealed to him. Feiffer builds on his conversion to cinematic noir, bowing to heroes Will Eisner and Milton Caniff but creating a masterpiece that illuminates Hollywood and its role in producing the bipolar nation America has become.Trade Review"... there’s a joy to be found in Feiffer’s rough, raucous line work." -- The Herald

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Book SynopsisFEATURED ON MORE THAN TWENTY BEST-OF LISTS, INCLUDING TIME, AMAZON, E! AND PUBLISHERS WEEKLY!Hark! A Vagrant is an uproarious romp through history and literature seen through the sharp, contemporary lens of New Yorker cartoonist and comics sensation Kate Beaton. No era or tome emerges unscathed as Beaton rightly skewers the Western world''s revolutionaries, leaders, sycophants, and suffragists while equally honing her wit on the hapless heroes, heroines, and villains of the best-loved fiction.She deftly points out what really happened when Brahms fell asleep listening to Liszt, that the world''s first hipsters were obviously the Incroyables and the Merveilleuses from eighteenth-century France, that Susan B. Anthony is, of course, a "Samantha," and that the polite banality of Canadian culture never gets old. Hark! A Vagrant features sexy Batman, the true stories behind classic Nancy Drew covers, and Queen Elizabeth doing the albatross. As the 500,000 unique monthly visitors to harkavagrant.com already know, no one turns the ironic absurdities of history and literature into comedic fodder as hilariously as Beaton.

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Book SynopsisHere is the fascinating and equally unforgettable sequel to Persepolis, Marjane Satrapi''s memoir-in-comic strips of growing up in Iran during the Islamic Revolution. Persepolis ended on a cliffhanger in 1984, just as fourteen-year-old Marjane was leaving behind her home in Tehran, escaping fundamentalism and the war with Iraq to begin a new life in the West. Here we follow our young, intrepid heroine through the next eight years of her life: an eye-opening and sometimes lonely four years of high school in Vienna, followed by a supremely educational and heartwrenching four years back home in Iran. Just as funny and heartbreaking as its predecessor - with perhaps an even greater sense of the ridiculous inspired by life in a fundamentalist state - Persepolis 2 is also as clear-eyed and searing in its condemnation of fundamentalism and its cost to the human spirit. In its depiction of the universal trials of adolescent life and growing into adulthood - hereTrade ReviewIn an industry in which female artists can still be counted on the fingers of a yakuza's hand, her deceptively simple and acutely observed black and white memoirs deserve a wide audience -- Dominic Wells * The Times *Like Maus, Persepolis is one of those comic books capable of seducing even those most allergic to the genre... The author's masterstroke is to allow us to experience history from within her family, with irony and tenderness. * Liberation *I cannot praise enough Marjane Satrapi's moving account of growing up as a spirited young girl in revolutionary and war-time Iran. Persepolis is disarming and often humorous but ultimately it is shattering. -- Joe Sacco

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Book SynopsisIn late 1995 and early 1996, cartoonist/reporter Joe Sacco travelled four times to Gorazde, a UN-designated safe area during the Bosnian War, which had teetered on the brink of obliteration for three and a half years. Still surrounded by Bosnian Serb forces, the mainly Muslim people of Gorazde had endured heavy attacks and severe privation to hang on to their town while the rest of Eastern Bosnia was brutally ''cleansed'' of its non-Serb population. But as much as Safe Area Gorazde is an account of a terrible siege, it presents a snapshot of people who were slowly letting themselves believe that a war was ending and that they had survived. Since it was first published in 2000, Safe Area Gorazde has been recognized as one of the absolute classics of graphic non-fiction. We are delighted to publish it in the UK for the first time, to stand beside Joe Sacco''s other books on the Cape list - Palestine, The Fixer and Notes from a Defeatist.<Trade ReviewSacco has produced a work that improbably manages to combine rare insight into what the war in Bosnia felt like on the ground with a mature and nuanced political and historical understanding of the conflict... Of the myriad books that have appeared about Bosnia, few have told the truth more bravely than Sacco. He is an immense talent, from whom we will hear a great deal more. -- David Rieff * New York Times Book Review *Harrowing and bleakly humorous, Sacco's account of life during the Balkan conflict is a timeless portrait of ordinary people caught in desperate circumstances. It's also a work of genius in an unlikely genre: journalism in comic book form. * Utne Reader *Like Art Spiegelman's Maus, Sacco's book juxtaposes the pop style of comics with human tragedy, making the brutality of war all the more jarring. * Time *Can comics do hard-hitting journalism? That’s the question asked – and answered – by this wonderful piece of long-form reporting * World of Cruising *

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Book SynopsisWinner, CODE’s 2016 Burt Award for First Nation, Inuit and Métis Literature In this important graphic novel, two brothers surrounded by poverty, drug abuse, and gang violence, try to overcome centuries of historic trauma in very different ways to bring about positive change in their lives.Pete, a young Indigenous man wrapped up in gang violence, lives with his younger brother, Joey, and his mother who is a heroin addict. One night, Pete and his mother’s boyfriend, Dennis, get into a big fight, which sends Dennis to the morgue and Pete to jail. Initially, Pete keeps up ties to his crew, until a jail brawl forces him to realize the negative influence he has become on Joey, which encourages him to begin a process of rehabilitation that includes traditional Indigenous healing circles and ceremonies. Powerful, courageous, and deeply moving, The Outside Circle is drawn from the author’s twenty years of work and research on healing and reconciliation of gang-affiliated or incarcerated Indigenous men.Trade ReviewI’m in awe of what you are holding in your hands. This is more than a graphic novel. It’s a teaching; it’s a reminder; and it’s a textbook of hard-won wisdom. It’s also a wish. * Richard Van Camp, author of The Lesser Blessed *[W]ith the Outside Circle, Patti LaBoucane-Benson and Kelly Mellings have brought Canada’s colonial history and its effects on Aboriginal people today to life in a powerful story. -- David J. Fuller * Prairie Books Now *As brutal as Pete’s family’s story is, LaBoucane-Benson and Mellings’ sensitive, careful, honest presentation reveals a narrative that must be told, acknowledged, remembered, confronted, fixed. * Smithsonian Asian Pacific American Centre *LaBoucane-Benson’s long career working with young people in Pete’s circumstances gives the story a strong emotional resonance and a solid historical and educational framework. * Library Journal *. . . the story becomes one of hope, not only for Pete, but for all aboriginal people healing from the intergenerational wounds of Canadian colonialism. * Publishers Weekly *A beautifully and powerfully told story. * School Library Journal *

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Book SynopsisA New York Times Book Review choice as one of the10 Best Illustrated Children''s Books of 2008.Skim is Kimberly Keiko Cameron, a not-slim, would-be Wiccan goth stuck in a private girls'' school in Toronto. When a classmate''s boyfriend kills himself because he was rumoured to be gay, the school goes into mourning overdrive, each clique trying to find something to hold on to and something to believe in. It''s a weird time to fall in love, but that''s high school, and that''s what happens to Skim when she starts to meet in secret with her neo-hippie English teacher, Ms. Archer. But when Ms. Archer abruptly leaves, Skim struggles to cope with her confusion and isolation, armed with her trusty journal and a desire to shed old friendships while cautiously approaching new ones.Depression, love, sexual identity, crushes, manipulative peers --teen life in all its dramatic complexities is explored in this touching, pitch-perfect, literary graphic masterpiece. Cousins Mariko and Jillian Tamaki collaborate brilliantly in this poignant glimpse into the heartache of being sixteen.Correlates to the Common Core State Standards in English Language Arts:CCSS.ELA-LITERACY.RL.5.7Analyze how visual and multimedia elements contribute to the meaning, tone, or beauty of a text (e.g., graphic novel, multimedia presentation of fiction, folktale, myth, poem).CCSS.ELA-LITERACY.RL.6.3Describe how a particular story''s or drama''s plot unfolds in a series of episodes as well as how the characters respond or change as the plot moves toward a resolution.CCSS.ELA-LITERACY.RL.6.6Explain how an author develops the point of view of the narrator or speaker in a text.Trade Review...the expressionistic fluidity of the black and white illustrations serves the purpose of pages of prose, so that the laconic conversation of these girls and Skim's almost equally economical and intermittent diary entries ring true. * Canadian Literature *Being able to tap into that visceral experience, warts and all, is what makes Skim such an amazing read...A powerful and poignant story that is as perfect a synergy of words and art as you're likely to find in comics, Skim is a true gem. * Metro *...avoids all the cliches of a coming-of-age story...Original in every which way. -- Valerie D'Orazio * Friends of Lulu *...intelligent choice...a sensitive and caring portrayal of youth...universal...a complete success...[Jillian's] storytelling is solid...[and] her art is very atmospheric... * Gay Comics List *...traverse[s] the turbulent landscape of high school with tenderness and a keen eye for the yearning of adolescent girls...From the particularities of slang to the bigger concepts like fear and isolation, Mariko and Jillian Tamaki capture the subtle details that comprise this understated part of life...a world [in] which anyone who has ever been a teenager would be able to relate to at some level...Jillian Tamaki's use of line and shadow is effective in rendering the psychology of characters and the moody spaces they find themselves in...Formally, Skim is interesting for its varied approach to panel-use. Some pages flaunt over 10 similarly sized and shaped panels while others reveal only one (often silent) borderless image. The overall effect reveals impressive artwork and many powerful scenes...Skim is a unique piece, one not to be missed. Highly Recommended. [Skim uses] high school as a fertile setting for pungent commentary on racial, cultural, and sexual issues...The narrative, mainly in diary form, feels accurate and realistic, drenched in a sense of confusion and nihilism, and the art, influenced by Craig Thompson's Blankets (2003), reflects the spare, gloomy emotional landscape in which Skim exists. This story will appeal to many female comics fans... * CM Magazine *...[Skim is a] stunningly emotional graphic novel...an artful jumble that is as true-to-life as it is diffuse...unfussy and immediate...The delicately lined art alternately expands and contradicts the prose to achieve layers of meaning, tone and irony...With honesty and compassion, this innovative narrative communicates a life just beginning, open and full of possibility. * Horn Book, STARRED REVIEW *...[Skim] manages to avoid the usual cliches...The b/w cirt is fluid and curvy and looks like it came straight out of a sketchbook. The little details are wonderful...Highly recommended for high school graphic novel colelctions, especially those catering to girls. * Kliatt *...rendered delicately...Mariko's writing is assured...Skim's self-searching entries are wrenched off or lit up by the next image...Skim comes into its own, building a teenage girl mood that's struggling observant and shyly heartfelt by turns. * Vue Weekly *[Skim] is a convincing chronicle of a teenage outsider who has enough sense to want to stay outside...All in all, Skim offers a startlingly clear and painful view into adolescence for those of us who possess it only as a distant memory. It's a story that deepens with successive rereadings. But what will teenagers think? Maybe that they've found a bracingly honest story by a writer who seems to remember exactly what it was like to be 16 and in love for the first time. * New York Times *Skim comes out on top...connects in every way...This graphic novel is a winner...a unique creation...Scenes are often hilarious and black-humoured as well as serious...Mariko Tamaki's prose captures an authentic adolescent voice that's dramatic, self-obsessed, funny, earnest, and sometimes glib...Skim is an unforgettable character in the tradition of Holden Caulfield-a clear social commentator on adult and adolescent behaviour whose ironic observations on social hypocrisy ring sharp and true...Illustrator Jillian Tamaki's fine draughtsmanship gives Skim a classic elegance that's missing in many other graphic novels...a powerful sense of mystical eeriness that deepens and enhances the story. Skim is a funny, poignant, memorable drama of navigating adolescence. * Quill & Quire, STARRED REVIEW *The Tamaki cousins in their first graphic novel take a huge fistful of typical high school story trappings and distill a beautiful and funny time capsule of real feeling...striking black-and-white artwork flows in clear but soft, shaded line work...The visual storytelling is firm and often quite lovely...Skim is a refreshing reminder of the inevitability of change and the importance of looking beneath the surface. * VOYA (Voice of Youth Advocates) *This beautifully rendered graphic novel portrays the confusion of adolescence and how it can lead to depression and experimentation. * Book Links *...an auspicious graphic novel debut by cousins Mariko and Jillian Tamaki...It's Jillian's artwork that sets it apart from the coming-of-age pack. Jillian has a swooping, gorgeous pen line-expressive, vibrant and precise all at once...evocative and wondrous...It complements Mariko's fine ear for dialogue and the incidentals and events of adolescent life. Skim is an unusually strong graphic novel-rich in visuals and observations, and rewarding of repeated readings. * Publishers Weekly *[Skim uses] high school as a fertile setting for pungent commentary on racial, cultural, and sexual issues...The narrative, mainly in diary form, feels accurate and realistic, drenched in a sense of confusion and nihilism, and the art, influenced by Craig Thompson's Blankets (2003), reflects the spare, gloomy emotional landscape in which Skim exists. This story will appeal to many female comics fans... * Booklist *[Skim] is bringing kudos to Canadian children's book publisher Groundwood Books for its poignant and funny portrayal of a teenage girl...[Jillian Tamaki's] monochromatic ink drawings with their fluid lines add powerful cinematic storytelling to [Mariko Tamaki's] minimalist text...Jillian's ability to catch the gestures and body language of the private school girls in their plaid skirts and knee socks equals Mariko's well-attuned ear for dialogue. The combination of words and images makes Skim a fully rounded and memorable character struggling with a welter of confused feelings...we feel for her...[Jillian Tamaki] has won several awards. It seems a sure bet that Skim will garner her a few more. * Calgary Herald *A gorgeous, poetic pen line and sharp dialogue bring this angsty story of a disaffected teenage girl to life. * Publishers Weekly *Jillian Tamaki's illustrations perfectly match the rough edges and continuous movement of Skim's teenage characters and reveal humour in the agonizing minutiae of high school life...Mariko Tamaki's text blends teen-speak with eloquence and wry one-liners...blending colloquialisms and sharp observations into something profound... * Toronto Star *No medium can capture the sense of being plunged into another person's mind like comics can, and Skim is the perfect example, its words and pictures and storytelling so unified in conjuring Kim's world that it comes as a surprise to see it has two creators rather than one...The careful layering of perception, desire, and reality is handled so deftly that the effect is almost subliminal...The Tamakis have done the hardest and most rewarding thing an artist can do: they have captured the texture of real life and made it into something beautiful. * Irish Times *The Tamaki cousins in their first graphic novel take a huge fistful of high school story trappings and distill a beautiful and funny time capsule of real feeling... Skim is a refreshing reminder of the inevitability of change and the importance of looking beneath the surface. * VOYA (Voice of Youth Advocates) *The tricky part with graphic novels is getting the story to be as good as the drawings, and [the Tamakis] have figured out a winning combination for sure. The story is riveting and will bring you right back to 11th grade angst within the first few pages. Jillian Tamaki has an especially expressive, loose style that lends itself beautifully to this slightly morose tale. * Bust *This stunning coming-of-age novel will draw in not only GN buffs, who will appreciate the creative design and dramatic use of both illustration and narration, but also realistic-fiction fans who may not normally gravitate to the format but will find this a sympathetic standout. * Bulletin of the Center for Children's Books *Writer Mariko Tamaki and artist Jillian Tamaki stunningly entwine their acute dialogues and visual riches in brush, soft pencil and grey tones, illuminating this adolescent romance in all its conflicted depths. [Skim is the] most sophisticated and sensitive North American graphic novel debut of the year. * Paul Gravett *A quietly moving graphic novel...sharply witty and incisive...Long, languid lines portray Skim's turmoil and angst with pitch-perfect resonance...Recommend this to fans of Daniel Clowes's Ghost World, who have been waiting for another graphic novel of teen angst and suburban ennui. * Kirkus Reviews *

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Book SynopsisIn this science fiction adventure, warrior robots known as `Exterminators' are strewn across the galaxy in a host of deadly environments, fighting for their human masters. But when the creator of these mechanical killers finds his soul trapped in an Exterminator, the balance of power is about to shift... Artist, Enki Bilal, teams with world-renowned writer Jean-Pierre Dionnet in creating a sci-fi masterpiece.Trade Review"Clever, cinematic and absorbing" - Slings & Arrows

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