Exhibition catalogues and specific collections Books
University of California Press Teotihuacan
Book SynopsisFounded in the first century BCE near a set of natural springs in an otherwise dry northeastern corner of the Valley of Mexico, the ancient metropolis of Teotihuacan was on a symbolic level a city of elements. With a multiethnic population of perhaps one hundred thousand, at its peak in 400 CE, it was the cultural, political, economic, and religious center of ancient Mesoamerica. A devastating fire in the city center led to a rapid decline after the middle of the sixth century, but Teotihuacan was never completely abandoned or forgotten; the Aztecs revered the city and its monuments, giving many of them the names we still use today. Teotihuacan: City of Water, City of Fire examines new discoveries from the three main pyramids at the site-the Sun Pyramid, the Moon Pyramid, and, at the center of the Ciudadela complex, the Feathered Serpent Pyramid-which have fundamentally changed our understanding of the city's history. With illustrations of the major objects from Mexico City's Museo Nacional de Antropologia and from the museums and storage facilities of the Zona de Monumentos Arqueologicos de Teotihuacan, along with selected works from US and European collections, the catalogue examines these cultural artifacts to understand the roles that offerings of objects and programs of monumental sculpture and murals throughout the city played in the lives of Teotihuacan's citizens. Published in association with the Fine Arts Museums of San Francisco. Exhibition dates: de Young, San Francisco, September 30, 2017-February 11, 2018 Los Angeles County Museum of Art (LACMA), March-June 2018Trade Review"Those new to the wonders of this city as well as seasoned scholars of Teotihuacan will benefit from the text’s wide-ranging perspectives, lavish color illustrations, and the copious number of objects thoughtfully explained in the catalogue entries. Educators can easily use this as a manual for incorporating Teotihuacan into their classes." * caa.reviews *Table of ContentsDirectors’ Foreword Max Hollein and Michael Govan Foreword María Cristina García Cepeda Foreword Diego Prieto Hernández INTRODUCTION TO TEOTIHUACAN THE SUN PYRAMID THE MOON PYRAMID THE APARTMENT COMPOUNDS THE CIUDADELA AND THE FEATHERED SERPENT PYRAMID TEOTIHUACAN RELIGION TEOTIHUACAN ART MAP OF TEOTIHUACAN CATALOGUE OF THE EXHIBITION WITH MAPS Bibliography Index Acknowledgments List of Contributors Map Sources and Image Credits
£53.55
University of Oklahoma Press The Masterworks of Charles M. Russell
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£51.73
British Museum Press Out of Australia
Book SynopsisThis ground-breaking book follows the rise of a distinctive school of Australian art that first emerged in the 1940s. It features 127 works by 61 artists, and includes concise artists’ biographies and individual commentaries on the works.
£22.50
Hauser & Wirth Publishers Bharti Kher This Breathing House
Book Synopsis
£21.25
Dumbarton Oaks Research Library & Collection Catalogue of Byzantine Seals at Dumbarton Oaks and in the Fogg Museum of Art: 6
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£32.26
National Gallery Company Ltd The Sixteenth Century Netherlandish Paintings,
Book SynopsisThe National Gallery, London possesses an important collection of paintings by 16th-century Netherlandish artists, including Joachim Beuckelaer, Hieronymus Bosch, Pieter Bruegel the Elder, Jean Gossart, and Quinten Massys. They are grouped here with a small number of French paintings, some by artists who came from the Low Countries (Corneille de Lyon, probably Jean Hey, and perhaps the Master of Saint Giles). Lorne Campbell’s catalogue is a model of scholarship; he examined all the pictures with conservators and rigorously researched their histories, subjects, and styles. New discoveries about artists’ techniques and practices have led to many reattributions, and the rescue from anonymity of over twenty paintings. The identities of several patrons are established or suggested, while an introductory essay explains how contemporaries regarded these paintings. Generously illustrated, with many details and technical photographs, and beautifully produced, this comprehensive catalogue is essential reading for scholars, while also introducing general readers to a vital part of the Gallery’s collection.Published by National Gallery Company/Distributed by Yale University PressTrade Review‘Lorne Campbell’s scholarly and sumptuously produced catalogue contains a multitude of discoveries about the National Gallery’s rich holdings of 16th-century Netherlandish paintings.’—Apollo Magazine * Apollo Magazine *“A milestone in scholarship of Early Netherlandish painting . . . a lasting legacy.”—Larry Silver, HNA Review of Books (Historians of Netherlandish Art) -- Larry Silver * HNA Review of Books *‘Turn to the weakest paintings in the field and we realise that Campbell writes not merely to record but to inform and draw the reader into the debate so that he may take an interest in matters seemingly arcane – but that is precisely the purpose of great art history as an academic discipline. This is the perfect catalogue.’ —Brian Sewell, Evening Standard. -- Brian Sewell * Evening Standard *
£85.50
Getty Trust Publications The J.Paul Getty Museum Handbook of the
Book SynopsisPresents an illustrated examination of nearly two-hundred of the most important pieces in the J Paul Getty Museum's Antiquities Collection. This collection includes one of the world's finest assemblages of ancient Greek vases, monumental marble sculptures and diminutive bronzes, Greek and Roman gems, as well as Hellenistic silverware and glass.
£16.14
Museum of New Mexico Press Art of New Mexico
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£48.44
Fundacio Joan Miro Sound Art
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£22.50
Hauser & Wirth Publishers Guillermo Kuitca
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£32.00
Yale University Press George Stubbs Painter
Book SynopsisGeorge Stubbs is rightly recognised as one of the greatest and most original artists of the eighteenth century. This is the catalogue of Stubbs' paintings and drawings. The catalogue entries are preceded by a study of Stubbs' art and career that sets his work in context.
£85.50
Yale University Press William Holman Hunt
Book SynopsisWilliam Holman Hunt was one of the major artistic talents of the Pre-Raphaelite brotherhood, founded in 1848. Hunt's work was always characterised by great seriousness of purpose and his paintings include many of its most beautiful and powerful images. This two volume set takes an in-depth look at his work.
£166.25
Yale University Press A Suite for Piano AlmaTadema and a Gilded Age
Book SynopsisDuring the 19th century, New York City's grand mansions on Fifth and Madison Avenues boasted sumptuous interiors, often with each room decorated in a different historic style. Financier, art collector, and philanthropist Henry Gurdon Marquand famously commissioned eminent British painter Sir Lawrence Alma-Tadema (18361912) to create the Greco-Pompeian music room for his home. This beautiful publication documents and examines the celebrated design, which included an elaborately decorated Steinway grand piano, a large suite of matching furniture, and an embroidery scheme for the upholstery and coordinated curtains. Alma-Tadema secured Frederic Leighton to create a major painting for the room's ceiling and Sir Edward Poynter to paint the piano's fallboard. One of Alma-Tadema's most famous paintings, A Reading from Homer, was painted for this room. For the first time since Marquand's death in 1902, the contents of this exceptional room have been brought together and considered in light of Trade Review“Minutely researched and generously illustrated publication.” —Charlotte Gere, The Burlington Magazine
£28.50
Yale University Press Whitney Museum of American Art
Book SynopsisAn exciting guide to, and celebration of, the Whitney Museum and its outstanding collection of American art
£23.75
Haus Publishing China Rediscovered: The Benaki Museum Collection
Book SynopsisThis richly illustrated book showcases a previously unseen and virtually unknown historical collection of Chinese ceramics, formed in the early twentieth century by George Eumorfopoulos, a pivotal figure in the appreciate of Asian art. Taken together, these artifacts, now located at the Benaki Museum in Athens, Greece, build a rare time capsule of Western tastes and preoccupations with the East in the decades prior to World War II. The years between the collapse of the Qing dynasty in 1911 and the establishment of the People s Republic of China in 1949 marked an opening up of China to the rest of the world and coincided with the first archaeological excavations of the country s early cultures. Working at the time in London, a center of imperialist power and global finance, Eumorfopoulos and his colleagues were instrumental in acquiring, assessing, interpreting, and manipulating the unearthed objects. The years of isolation that followed this period allowed aspects of his approach to become canonical, influencing later scholarly research on Chinese material culture.This groundbreaking exploration of approximately one hundred artifacts is not only an important account of Eumorfopoulos s work, but also a story about China and the West and the role antique materials played in their cultural interplay. "
£999.99
D Giles Ltd Richard Bell: Uz Vs. Them
Book SynopsisRichard Bell has established a significant reputation as a political commentator and 'enfant terrible' in Indigenous art over the past two decades. This stunningly illustrated catalogue features more than 26 colour plates of his provocative and often humorous works. With their bold use of images and text, they force viewers to face the troubling issue of racism in Australia. Bell's inspiration is complex and multi-layered. He is an avid appropriator, borrowing from other artists, periods and cultures, including Roy Lichtenstein, Jasper Johns, Jackson Pollock, and Aboriginal painter Emily Kam Kngwarreye, among others. He works across a wide range of media, including painting, performance, and video, producing powerful messages that confront and unsettle: about Aboriginal and non-Aboriginal Australians' relationship to each other, about their country's history and about art itself. Accompanies the first travelling exhibition dedicated to Richard Bell's work in the United States. Organized by the American Federation of Arts, it opens at the Tufts University Art Gallery, Medford, Massachusetts in September 2011Table of ContentsForeword by Eleanor Heartney Curator's Preface Acknowledgments We Were Here First: An Interview with Richard Bell by Maura Reilly For Whom the Bell Tolls-It Tolls For Thee by Djon Mundine Scratch an Aussie by Richard Bell Catalogue Timeline Bibliography Index
£21.25
D Giles Ltd William Merritt Chase: A Life in Art
Book SynopsisThe Parrish Art Museum, on Long Island's East End, holds one of the largest public collections of William Merritt Chase in the United States: over forty paintings and works on paper, and a wealth of archival photographs and documents. This new volume features 30 of the artist's most important paintings and works on paper, including his early "Still Life with Fruit" (1871), works from the famous New York park scenes series, notably "Park in Brooklyn" (c. 1887); major studio paintings from the 1880s, such as "The Blue Kimono" (c. 1888); and of course, the paintings made during his summers in Long island's Shinnecock Hills, including "The Bayberry Bush" (c. 1895). It also includes many family photographs taken during summer spent in Shinnecock Hills, Long Island, where Chase founded, and taught at, the Summer School of Art. There are essays covering the key influences on Chase's art and his early career in Munich and his work in Paris and Madrid.Table of ContentsIntroduction and Acknowledgments by Terrie Sultan William Merritt Chase by Alicia G. Longwell Chase's Museum Without Walls by Maureen C. O'Brien Plates Selected Bibliography Photography Credits Index
£21.25
V & A Publishing Dutch & Flemish Drawings
Book SynopsisThe V&A's collection of over 800 Dutch and Flemish sheets, made between the fifteenth and the end of the nineteenth centuries, is the largest in England after that of the British Museum. It includes masterpieces by Rembrandt, Rubens and Van Dyck, as well as designs for tapestries, stained glass and prints, and portraits and topographical views. This systematic catalogue presents 7 years of research by two of the leading authorities in this field. It also includes an essay on the history of the collection.
£180.00
National Gallery Company Ltd National Gallery Catalogues: The
Book SynopsisThis highly anticipated catalogue of sixteenth-century paintings from the distinguished collection of the National Gallery in London encompasses artists who were active in Bergamo, Brescia, and Cremona, cities characterized as much by the artistic interaction between them as by the influence of Venice. The artists include such well-known names as Lorenzo Lotto, Moretto, and Moroni, along with less familiar ones such as Bartolomeo Veneto and Callisto Piazza.For each of the paintings, distinguished scholar and curator Nicholas Penny provides information about technique and materials, conservation and condition, and subject and iconography. An account of the painting’s original patronage is followed by a discussion of changing tastes, interpretation, and how the picture was esteemed (or neglected) over the centuries. One third of the paintings catalogued here are portraits, and entries include fascinating sections on contemporary dress, furnishings, and accessories. An appendix provides an illuminating account of some of the great collectors and collections of the past. Published by National Gallery Company/Distributed by Yale University PressTrade ReviewThis highly anticipated catalogue of sixteenth-century paintings from the distinguished collection of the National Gallery in London encompasses artists who were active in Bergamo, Brescia, and Cremona, cities characterized as much by the artistic interaction between them as by the influence of Venice. The artists include such well-known names as Lorenzo Lotto, Moretto, and Moroni, along with less familiar ones such as Bartolomeo Veneto and Callisto Piazza.For each of the paintings, distinguished scholar and curator Nicholas Penny provides information about technique and materials, conservation and condition, and subject and iconography. An account of the painting’s original patronage is followed by a discussion of changing tastes, interpretation, and how the picture was esteemed (or neglected) over the centuries. One third of the paintings catalogued here are portraits, and entries include fascinating sections on contemporary dress, furnishings, and accessories. An appendix provides an illuminating account of some of the great collectors and collections of the past.
£999.99
British Museum Press Indian Art CloseUp
Book SynopsisThis beautiful book offers a striking and unusual view of a wide array of Indian art. It highlights close up and in colour outstanding examples of design, workmanship and craft in dramatic sculptures of metal, stone and wood as well as sumptuous paintings and textiles.Table of ContentsWhat is Indian art? • Gods • Heroes • Devotion • Courtly and village life • Further reading • Glossary • Index
£11.69
MER Paper Kunsthalle The Snowman and the Squid: Nr 1 the Hunger
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£19.00
Parkett Verlag,Switzerland Parkett
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£38.70
Dumbarton Oaks Research Library & Collection Ancient Maya Art at Dumbarton Oaks
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£64.56
Trustees of the Wallace Collection Miniatures in the Wallace Collection
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£22.50
The Heard Museum Old Traditions in New Pots Silver Seed Pots from
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£23.39
Getty Trust Publications Masterpieces of Painting - J. Paul Getty Museum
Book Synopsis"I am convinced that the true collector does not acquire objects of art for himself alone. His is no selfish drive or desire to have and hold a painting, a sculpture, or a fine example of antique furniture so that only he may see and enjoy it. Appreciating the beauty of the object, he is willing and even eager to have others share his pleasure." -J. Paul Getty, The Joys of Collecting, 1965 Rooted in a passion for the Italian Renaissance as well as Dutch and Flemish Baroque works, the original collection of J. Paul Getty (1892-1976) has been transformed over four decades to include seminal pieces by celebrated masters such as Masaccio, Titian, Parmigianino, Cranach, El Greco, Rubens, van Dyck, Rembrandt, Poussin, Canaletto, Fragonard, Turner, Manet, Degas, Renoir, Monet, van Gogh, Cezanne, and Ensor. Masterpiece Paintings in the J. Paul Getty Museum surveys more than one hundred of the most exquisite and significant paintings displayed in the museum's famed, daylight-suffused galleries. Vibrant full-colour illustrations and engaging descriptions of these masterworks reveal their fascinating histories and cultural, social, and religious meanings. Sure to enchant and edify all art lovers, this book is a spellbinding tour through the history of Western painting.
£33.25
Saqi Books Maliheh Afnan
Book SynopsisMalileh Afnan's work appears 'as a relic of an older civilization or an archaeological excavation into the collective psyche. This retropsective of Maliheh's work coincides with an exhibition of her work at the Martin Gropius Bau Museum in Berlin, November 2009.Trade ReviewThese images, made by hand, whisper. Whisper intimately. John Berger from the foreword Afnan's work reflects on what it means to survive and create within a system that has until now put artists from the Middle East at the periphery of the international art scene, with its emphasis on marketing rather than relevance to contemporary culture. She distances herself from the superficial with her mesmerising layers and mappings of patterns, repeated glyphs and ghostly outlines, which induce an almost trance-like state in the viewer. We are left with a sense of what it means to live in other times, in different places. In essence, Afnan's work is about memory, and her images of eroding traces, faces and places linger long in the memory. Rose Issa from her Preface to this volume. Maliheh Afnan has faith in time - her time. She is one of those contemplative artists who are totally aware of that 'right moment', which she calls 'the moment of grace'. Lutz Becker from his intoduction to this volume.
£20.00
George Braziller Inc Imagery of Chess
Book SynopsisThe Imagery of Chess Revisited recovers a celebrated and extraordinary moment in art history: the 1944-45 exhibition The Imagery of Chess, held at the Julien Levy Gallery in New York City. The exhibit was a legend in its own time and has been considered a singular event in the history of art exhibitions ever since. The show''s organisers - the influential art dealer Julien Levy, the Surrealist painter Max Ernst, and Dada leader Marcel Duchamp, himself a serious chess player - invited a virtual ''who''s who'' of artists and members of the cultural avant-garde to redesign the standard chess set or otherwise explore chess imagery and its symbolism in bold new ways.Participants included famous European expatriates and soon-to-be famous American modernists: André Breton, Duchamp, Alexander Calder, Ernst, Man Ray, Isamu Noguchi, and Yves Tanguy are among those who contributed chess sets; John Cage and Vittorio Rieti created original musical scores; and Dorothea Tanning,
£34.96
Thames & Hudson Ltd Living with Matisse Picasso and Christo
Book SynopsisThe first monograph on one of the most ambitious and idiosyncratic collections of 20th-century art, and its complex, charismatic creator, Theodor Ahrenberg.Trade Review'Exhilarating … an unusual, vivid volume rich in documentary photography' - Financial Times
£40.00
Hirmer Verlag Rudolph Leopold: Connoisseur - Collector - Museum
Book SynopsisIn the historical period of new beginnings starting in the 1950s, the collector Rudolf Leopold (1925‒ 2010), with pioneer - like foresight and a keen sense of art, was able to do someting few others of his ilk succeeded in doing: build up a large, both aesth etically sophisticated and art historically relevant collection of international renown. The biography paints a picture of Rudolf Leopold as a fascinating collector. It is based on the personal memories of his son, Diethard Leopold, and the latter’s conve rsations with his father, relatives and contemporaries, as well as with competitors of his father. It is the lasting record of a lifelong effort to preserve what has defined a cultural period. Beginning with Schiele as core artist, his collection includes numerous major works by the likes of Klimt, Kokoschka, Gerstl, Egger - Lienz, and Kubin as well as by German Expressionists. Important furniture, arts and crafts, jewelry, and African and Japanese art complement the collection.
£23.80
Yale University Press Georg Jensen
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£999.99
Getty Trust Publications Clyfford Still - The Artists Materials
Book SynopsisAmong the most radical of the great American Abstract Expressionist painters, Clyfford Still has also long been among the least studied. Still severed ties with the commercial art world in the early 1950s, and his estate at the time of his death in 1980 comprised some 3,125 artworks-including more than 800 paintings-that were all but unknown to the art world. Susan F. Lake and Barbara A. Ramsay were granted access to this collection by the estate and by the Clyfford Still Museum in Denver, which houses this immense corpus today. This volume, based on the authors' materials research project and enriched by their unprecedented access to Still's artworks, paints, correspondence, studio records, and personal library, provides the first detailed account of the artist's materials, working methods, and techniques. Initial chapters provide an engaging and erudite overview of Still's life. Subsequent chapters trace the development of his visionary style, offer in-depth materials analysis of selected works from each decade of his career, and suggest new approaches to the care and conservation of his paintings. The richly illustrated narrative is complemented by a series of technical appendices and a full bibliography.Trade Review“Reading this book will make you want to rush to the Clyfford Still Museum in Denver, equipped with the wealth of knowledge the authors provide, to immerse yourself in the oeuvre of this formidable artist. For those who cannot do so, this richly illustrated volume offers a fantastic journey into Still’s singular life and work, with close-ups showing details of the paintings as if you were standing in front of them.”--Marie-Claude CorbeilTable of ContentsForeword Timothy P. Whalen Preface Sandra Still Campell Introduction Chapter 1: A Life in Art Early Life and Education The Itinerant Artist and Teacher The Myth and the Man Legacy Chapter 2: Reconsideration and Recapitulation: The Development of a Unique Visual Style Visual Style Chapter 3: Painting Materials Auxiliary Supports Supports Fabrics Sizing, Priming, and Underdrawing Paints Pigments Paint Medium Surface Coatings Signatures, Titles, and Other Inscriptions Frames Chapter 4: Condition and Conservation Inorganic Efflorescence: Metal Soaps Discoloration and Fading Appendix I Analysis of powdered pigments in 40 containers randomly selected from Still's studio Appendix II Analysis of 15 tube paints randomly selected from Still's studio Appendix III Pigments identified in 37 paintings 1942 - 1977 Appendix IV Analysis of binding media of 37 paintings 1942 - 1977 Appendix V Still's instructions on the care of his paintings Appendix VI Analytical Methods Notes References Acknowledgements About the authors
£33.25
Ashmolean Museum The Works of Samuel Palmer
Book SynopsisThe art of Samuel Palmer is essentially a discovery of the 20th century. Although he exhibited widely during his lifetime, and found buyers for some of his watercolours and etchings, it was not until the retrospective exhibition held at the Victoria and Albert Museum in 1926 that the general public were able to enter the uniquely personal world of Palmer’s early years at Shoreham. Since then, his influence on a generation of English painters including Nash, Sutherland, John Piper, and F.L. Griggs, the publications of Geoffrey Grigson, Raymond Lister and others, have made him one of the most popular of English artists. The collection of paintings, drawings, watercolours, and etchings by Samuel Palmer in the Ashmolean Museum is the most important in the world. It is especially rich in the early works of the Shoreham period, from c. 1824 to 1835, notably the haunting self portrait and the unique group of six sepia drawings of 1825, which represent the 'visionary landscape' at its most intense.
£999.99
Argobooks Cairospace: Images, Imagination, and Imaginary of
Book Synopsis
£23.75
Hirmer Verlag Max Uhlig (Bilingual edition): Die Fenster der
Book SynopsisThe Dresden artist Max Uhlig (b. 1937) created one of the greatest window cycles of contemporary art for the Gothic Church of Saint John in Magdeburg. Vines and coloured foliage together with lines in expressive rhythms which are a revelation in their incisiveness, fill a window area of some 350 square metres with colours and immerse the interior of the church in light. The abstract cycle of six windows in colour and seven in black and white, each 13 metres high, tells of the rebirth of the former parish church in the heart of Magdeburg, destroyed during the Second World War and rebuilt after 1992. The dark earth tones and the luminous yellows and blues interspersed with fiery reds contrast with the vines climbing upwards in the choir windows, which are depicted entirely in black. Max Uhlig is one of the last representatives of plein-air painting in modern art and shows in this magnificent volume about his latest masterpiece that he is at the very height of our times. Languages: English and German
£25.50
Prestel Pieter Hugo: Between the Devil and the Deep Blue
Book SynopsisPieter Hugo's images are unflinching and unforgettable. Beginning with "Looking Aside," his series of portraits of marginalized people, Hugo has striven to capture the African continent with empathy and impartiality. Whether confronting the aftermath of genocide in Rwanda, documenting electrical waste dumps in Ghana, or photographing in Nigeria's dynamic film industry, Nollywood, Hugo treats his subjects with reverence and awe. Including examples of his most recent series taken in the U.S. and China, this book offers stunning reproductions of Hugo's work in color and black-and-white, accompanied by the photographer's personal commentary. Bringing together more than a decade of work that has elicited fulsome praise, this volume lets readers appreciate Pieter Hugo's extraordinary oeuvre.
£38.00
Museu D'Art Contemporani de Barcelona (MACBA) Bebomb
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£37.36
Yale University Press Rembrandt in Amsterdam
Book SynopsisTrade Review“If anything, there’s something to be said that Rembrandt in Amsterdam touches on the literary as well as the brand, and does so in a way that is both respectful and reverential. The result of which is this quintessential treasure that can only be described as captivating, eye-opening and altogether masterful.”—David Marx: Book Reviews
£38.00
Yale University Press Degas
Book SynopsisA beautiful celebration of six decades of work by Edgar Degas, published in the centennial year of the artist's death
£38.00
Verlag der Buchhandlung Walther Konig The Invention of the Neue Wilde: Painting and
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£32.30
Yale University Press N. C. Wyeth New Perspectives
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£30.88
Art Gallery of Ontario Toronto: Tributes + Tributaries, 1971-1989
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£17.99
Metropolitan Museum of Art The World between Empires: Art and Identity in
Book SynopsisA timely and definitive exploration of the art and culture of the ancient civilizations situated between Rome and the Middle East that presents a new way of understanding the region’s influential heritage This publication examines the art and architecture of regions that served as major trade routes between the Roman and Parthian Empires from 100 B.C. to A.D. 250. The book examines the cultural histories of cities including Petra, Baalbek, Palmyra, Dura-Europos, and Hatra together for the first time, capturing the intricate web of influence that emerged in the Ancient Middle East through the exchange of goods and ideas across the region. Works illustrated and discussed include statues, coins, reliefs, architectural elements and friezes, painted tiles and wall fragments, jewelry, textiles, and more. The World Between Empires is the definitive book on this subject, contextualizing the significance of these works on a local and global scale, including a thoughtful discussion of recent cultural heritage destruction and preservation efforts in the region, particularly in Iraq, Syria, and Yemen, and the role of museums.Published by The Metropolitan Museum of Art/Distributed by Yale University PressExhibition Schedule:The Metropolitan Museum of Art, New York (03/11/19–06/23/19)
£42.75
Distributed Art Publishers Philip Guston Now: 2020
Book SynopsisA sweeping retrospective of Philip Guston’s influential work, from Depression-era muralist to abstract expressionist to tragicomic contemporary master A Wall Street Journal 2020 holiday gift guide pick Philip Guston—perhaps more than any other figure in recent memory—has given contemporary artists permission to break the rules and paint what, and how, they want. His winding career, embrace of “high” and “low” sources, and constant aesthetic reinvention defy easy categorization, and his 1968 figurative turn is by now one of modern art’s most legendary conversion narratives. “I was feeling split, schizophrenic. The war, what was happening in America, the brutality of the world. What kind of man am I, sitting at home, reading magazines, going into a frustrated fury about everything—and then going into my studio to adjust a red to a blue?” And so Guston’s sensitive abstractions gave way to large, cartoonlike canvases populated by lumpy, sometimes tortured figures and mysterious personal symbols in a palette of juicy pinks, acid greens, and cool blues. That Guston continued mining this vein for the rest of his life—despite initial bewilderment from his peers—reinforced his reputation as an artist’s artist and a model of integrity; since his death 50 years ago, he has become hugely influential as contemporary art has followed Guston into its own antic twists and turns. Published to accompany the first retrospective museum exhibition of Guston’s career in over 15 years, Philip Guston Now includes a lead essay by Harry Cooper surveying Guston's life and work, and a definitive chronology reflecting many new discoveries. It also highlights the voices of artists of our day who have been inspired by the full range of his work: Tacita Dean, Peter Fischli, Trenton Doyle Hancock, William Kentridge, Glenn Ligon, David Reed, Dana Schutz, Amy Sillman, Art Spiegelman and Rirkrit Tiravanija. Thematic essays by co-curators Mark Godfrey, Alison de Lima Greene and Kate Nesin trace the influences, interests and evolution of this singular force in modern and contemporary art—including several perspectives on the 1960s and ’70s, when Guston gradually abandoned abstraction, returning to the figure and to current history but with a personal voice, by turns comic and apocalyptic, that resonates today more than ever.Trade ReviewHighlights the regenerative quality of the master painter’s work...Whether mapping universal evil or the messy terrain of his own mind, he understood that an examination of society is always, even in small part, an examination of self. -- Rosa Boshier González * Brooklyn Rail *Isn’t that what artists are supposed to be about, showing us the complexity of their encounter with the world, rather than offering platitudes or outrage? -- Lyle Rexer * Brooklyn Rail *Guston became a witness to the 20th century’s darkest and foulest experiences without closing his eyes or turning away, and enabled us to see and reflect upon this brutality. -- John Yau * Hyperallergic *Brings Guston himself to life, thrashingly, ferociously so. -- Holland Cotter * New York Times: Arts *A necessary resource for anyone interested in understanding Guston…. What’s untimely in Guston is his freedom from the urge, so common today, to seek reassurance of one’s own goodness by accusing others of wrongdoing. -- Barry Schwabsky * The Nation *A sweeping retrospective of Philip Guston’s influential work, from Depression-era muralist to abstract expressionist to tragicomic contemporary master. Philip Guston – perhaps more than any other figure in recent memory – has given contemporary artists permission to break the rules and paint what, and how, they want. * Antiques and The Arts Weekly *Philip Guston was a rule-breaking artist, who inspired so many painters as well cartoonists, writers, poets, and musicians, and this book brings together scores of terrific essays by artists and scholars, and a wide-ranging collection of full-color reproductions of his paintings and drawings…. Insightful. -- Jake Marmer * Tablet *[Glenn] Ligon’s text is a powerful exploration of Guston’s Klansmen imagery, full of nuance, clear-eyed about the complexity and difficulty of addressing the subject. -- Ben Luke * Art Newspaper *A career-spanning retrospective that looks at Guston’s legacy and influence, and includes commentary on individual paintings by William Kentridge, Amy Sillman, Tacita Dean and many others. -- Michael Glover * Hyperallergic *Philip Guston is best known for his incisive, cartoonish paintings and drawings ranging in subject matter from everyday scenes to narrative political satires, particularly those of Richard Nixon. Guston’s work received varying degrees of critical praise throughout his lifetime, shifting as he changed course. -- Claire Selvin * ARTnews *A beautifully illustrated catalogue with essays by the show's co-curators and reflections on his influential work by such contemporary artists as Trenton Doyle Hancock, William Kentridge, and Amy Sillman. Guston created work in a variety of styles and from psychological points of view that continue to impact an evolving art world today. -- Paul Laster * Art and Object *Beautifully produced ... Philip Guston Now is a fitting and impressively informative survey and analysis of a remarkable artist, his life and his work. -- Editors * Midwest Book Review *Guston’s enduring appeal rests in the permissions he offers artists. He encourages them to drastically change their work in midstream, to examine their personal relationship to evil, to embrace discredited styles and genres, and to accept and even revel in their own ambivalence about the meaning of art. -- Editors * Art In America *A satisfying compilation of the late painter’s best-known work, as well as some surprises. Assembled for his new traveling retrospective at the National Gallery of Art, this catalogue could function either as an introduction or a point of reentry, giving those with varying experiences with Guston’s work a chance to deepen what they know. -- Editors * Cultured *A rousing and reverential guide to understanding the evolution of a painter and why he deeply resonates with such an illustrious audience of artists and patrons today. -- Evan Pricco * Juxtapoz *
£47.70
D Giles Ltd Fine Lines: American Drawings From the Brooklyn
Book Synopsis'Fine Lines: American Drawings' from the Brooklyn Museum is the first survey of the Brooklyn Museum's world-class collection of drawings. It highlights more than 100 masterworks in graphite, charcoal, pen and ink, crayon, and pastel, by some of the most important names in American art from the last three centuries; among the more than 70 artists included are John Singleton Copley, Benjamin West, Winslow Homer, William Merritt Chase, Edward Hopper, Georgia O Keeffe, and Marsden Hartley. Author Karen A. Sherry begins by putting the collection in context within the broader history of the graphic arts in America. A brief historical overview opens each of the following six thematic sections, with an interpretive entry and colour plate for each drawing. A further essay, by Caitlin Jenkins, focuses on how conservation enhances our understanding of works on paper, with the addition of a glossary of terms defining drawing materials and techniques.Table of ContentsContents: Foreword; Preface and Acknowledgements; Catalogue - Introductions and entries by Karen A. Sherry, with contributions by Caroline Gillaspie; Recording Anatomy; Fashioning Character Portraying Personalities; Telling Tales; Exploring Nature; Observing the Built Environment; The Conservator's Eye: Examining a Collection by Caitlin Jenkins; Glossary of American Drawing Materials and Conservation Techniques by Caitlin Jenkins; Selected Bibliography; Brooklyn Museum Board of Trustees; Index of Catalogue Works.
£31.96
NMSE - Publishing Ltd A Passion for Glass: The Dan Klein & Alan J.
Book SynopsisDan Klein and Alan J. Poole began collecting in the late 1970s and over the subsequent thirty years assembled on the most comprehensive collections of modern British and Irish glass. The book includes work by over one hundred makers at the very cutting edge of their art. This dazzling collection was gifted to National Museums Scotland in 2009.Trade Review' ... For a student this is essential reading. For a collector it's an invaluable guide and personal primer. For a maker in the UK or Ireland, it's a family album that forms an important part of the collective story of who we are and what we are a part of. It should be on all our bookshelves.' Glass Circle NewsTable of ContentsPreface/Foreword by Alan J. Poole/Introduction by Jennifer Hawkins Opie/the Collection edited by Rose Watban, National Museums of Scotland/Bibliography/Biographical Information/Acknowledgements
£20.00
Bodleian Library Merton College Library: An Illustrated History
Book SynopsisThe Merton library is rightly known for its antiquity, its beautiful medieval and early modern architecture and fittings and for its remarkable and important collection of manuscripts and rare books, yet a nineteenth-century plan to tear the medieval library down and replace it was only narrowly frustrated. This brief history of Europe’s oldest academic library traces its origins in the thirteenth century, when a new type of community of scholars was first being set up, through to the present day and its multiple functions as a working college library, a unique resource for researchers and a delight for curious visitors. Drawing on the remarkable wealth of documentation in the college’s archives, this is the first history of the library to explore collections, buildings, readers and staff across more than 700 years. The story is told in part through stunning colour images that depict not only exceptional treasures but also the library furnishings and decorations, and which show manuscripts, books, bindings and artefacts of different periods in their changing contexts. Featuring a timeline and a plan of the college, this book will be of interest to historians, alumni and tourists alike.
£15.00
Metropolitan Museum of Art Sahel: Art and Empires on the Shores of the
Book SynopsisA comprehensive exploration, spanning 1,300 years, of the art and culture of the Sahel region of Africa This groundbreaking volume examines the extraordinary artistic and cultural traditions of the African region known as the Sahel (“shore” in Arabic), a vast area on the southern edge of the Sahara Desert that includes present-day Senegal, Mauritania, Mali, Niger, Nigeria, and Chad. This is the first book to present a comprehensive overview of the diverse cultural achievements and traditions of the region, spanning more than 1,300 years from the pre-Islamic period through the 19th century. It features some of the earliest extant art from Africa as well as such iconic works as sculptures by the Dogon and Bamana peoples of Mali. Essays by leading international scholars discuss the art, architecture, archaeology, literature, philosophy, religion, and history of the Sahel, exploring the unique cultural landscape in which these ancient communities flourished. Richly illustrated and brilliantly argued, Sahel brings to life the enduring creativity of the different peoples who lived, traded, and traveled through this crossroads of the world.Published by The Metropolitan Museum of Art/Distributed by Yale University PressExhibition Schedule:The Metropolitan Museum of Art, New York (January 29–May 10, 2020)Trade Review“Take[s] seriously the task of rewriting history [and] rather than focusing on trade itself, centres on the vibrant eponymous region”—Andrew Sears, 21: Inquiries into Art, History, and the Visual
£45.00
