Description

Book Synopsis
The Parrish Art Museum, on Long Island's East End, holds one of the largest public collections of William Merritt Chase in the United States: over forty paintings and works on paper, and a wealth of archival photographs and documents. This new volume features 30 of the artist's most important paintings and works on paper, including his early "Still Life with Fruit" (1871), works from the famous New York park scenes series, notably "Park in Brooklyn" (c. 1887); major studio paintings from the 1880s, such as "The Blue Kimono" (c. 1888); and of course, the paintings made during his summers in Long island's Shinnecock Hills, including "The Bayberry Bush" (c. 1895). It also includes many family photographs taken during summer spent in Shinnecock Hills, Long Island, where Chase founded, and taught at, the Summer School of Art. There are essays covering the key influences on Chase's art and his early career in Munich and his work in Paris and Madrid.

Table of Contents
Introduction and Acknowledgments by Terrie Sultan William Merritt Chase by Alicia G. Longwell Chase's Museum Without Walls by Maureen C. O'Brien Plates Selected Bibliography Photography Credits Index

William Merritt Chase: A Life in Art

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    A Hardback by Maureen C. O'Brien

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      View other formats and editions of William Merritt Chase: A Life in Art by Maureen C. O'Brien

      Publisher: D Giles Ltd
      Publication Date: 01/10/2014
      ISBN13: 9781907804434, 978-1907804434
      ISBN10: 1907804439

      Description

      Book Synopsis
      The Parrish Art Museum, on Long Island's East End, holds one of the largest public collections of William Merritt Chase in the United States: over forty paintings and works on paper, and a wealth of archival photographs and documents. This new volume features 30 of the artist's most important paintings and works on paper, including his early "Still Life with Fruit" (1871), works from the famous New York park scenes series, notably "Park in Brooklyn" (c. 1887); major studio paintings from the 1880s, such as "The Blue Kimono" (c. 1888); and of course, the paintings made during his summers in Long island's Shinnecock Hills, including "The Bayberry Bush" (c. 1895). It also includes many family photographs taken during summer spent in Shinnecock Hills, Long Island, where Chase founded, and taught at, the Summer School of Art. There are essays covering the key influences on Chase's art and his early career in Munich and his work in Paris and Madrid.

      Table of Contents
      Introduction and Acknowledgments by Terrie Sultan William Merritt Chase by Alicia G. Longwell Chase's Museum Without Walls by Maureen C. O'Brien Plates Selected Bibliography Photography Credits Index

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