Exhibition catalogues and specific collections Books

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Book SynopsisEnriching the existing scholarship on this important exhibition, Italy at Work: Her Renaissance in Design Today (1950â53), this book shows the dynamic role art, specifically sculpture, played in constructing both Italian and American culture after World War II (WWII).Moving beyond previous studies, this book looks to the archival sources and beyond the history of design for a greater understanding of the stakes of the show. First, the book considers artâs role in this exhibitionâs importâprominent mid-century sculptors like Giacomo ManzÃ, Fausto Melotti, and Lucio Fontana were included. Second, it foregrounds the particular role sculpture was able to play in transcending the boundaries of fine art and craft to showcase innovative formalist aesthetics of modernism without falling in the critiques of modernism playing out on the international stage in terms of state funding for art. Third, the book engages with the larger socio-political use of art as a cultural soft power both within the American and Italian contexts. Fourth, it highlights the important role race and culture of Italians and Italian-Americans played in the installation and success of this exhibition. Lastly, therefore, this study connects an investigation of modernist sculpture, modern design, post-war exhibitions, sociology, and transatlantic politics and economics to highlight the important role sculpture played in post-war Italian and American cultural production.The book will be of interest to scholars working in art history, design history, museum studies, Italian studies, and American studies.Table of ContentsChapter 1 – Introduction: Art and Politics in an Exhibition of "Design" Chapter 2 – Organizing Italy at Work under the Auspices of the Marshall Plan Chapter 3 – Italian Americans as Stakeholders in an American Exhibition of Western Culture Chapter 4 – Ceramic Sculpture’s Special Role in Validating Italian Humanist Culture for an American Audience Chapter 5 – Displaying Italian Producers for American Consumers Chapter 6 – Thoughts on the Cultural Impacts of Italy at Work

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Book SynopsisMetropolises often evoke images of flashy high-rise buildings, permanent background noise, backed-up cars and people moving quickly in all directions in their masses. New York, Tokyo, London, Sao Paulo. But what about Cairo?Table of ContentsKerstin Pinther, Larissa Forster and Christian Hanussek - In Afropolis; Christian Hanussek and Salifou Lindou - Quel est l'endroit ideal?; Edgar Pieterse - Alternative City Futures; AbdouMaliq Simone - People as Infrastructure - Intersecting Fragments in Johannesburg; On Informal Architectures - A Discussion between David Adjaye and Finn Williams; Regina Gockede - The Architect as a Colonial Technocrat of Dependent Modernisation - Ernst May's Plans for; Kampala; Karola Schlegelmilch - Architectures of Particularities - Photographs and a Discussion between Karola; Schlegelmilch and Christian Hanussek; Marie-Helene Gutberlet - Cities and Cinemas - Fragments of an African History of the Urban in Cinema and of; Cinema as an Urban Matter

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Book SynopsisAs a result of the Napoleonic wars, vast numbers of Old Master paintings were released on to the market from public and private collections across continental Europe. The knock-on effect was the growth of the market for Old Masters from the 1790s up to the early 1930s, when the Great Depression put an end to its expansion.This book explores the global movement of Old Master paintings and investigates some of the changes in the art market that took place as a result of this new interest. Arguably, the most important phenomenon was the diminishing of the traditional figure of the art agent and the rise of more visible, increasingly professional, dealerships; firms such as Colnaghi and Agnew's in Britain, Goupil in France and Knoedler in the USA, came into existence. Old Masters Worldwide explores the ways in which the pioneering practices of such businesses contributed to shape a changing market.

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Book SynopsisCatha Paquette is Professor of Art History at California State University, Long Beach, USA. She is the author of At the Crossroads: Diego Rivera and His Patrons at MoMA, Rockefeller Center, and the Palace of Fine Arts (2017). In essays published in and outside the US, she has investigated production and reception of Latin American art in Latin America and the US, including promotion, circulation, and acquisition by collectors, public agencies, and private institutions.Karen L. Kleinfelder is Professor of Art History at California State University, Long Beach, USA. She is the author of The Artist, His Model, Her Image, His Gaze: Picasso's Pursuit of the Model (1993) and has been published in the exhibition catalogues Picasso: Inside the Image (1995) and Picasso and the Mediterranean (1996). As a specialist in modern and contemporary art and theory, her research interests focus on gender, psychoanalysis, and complexity theory.<Trade ReviewThis is a useful and complex book, an anthology that potently demystifies a broad array of recent histories of truly much more than censorship: in this volume, its range of contributors seek to interrogate, understand, and explain marginalization itself: of artists, of artworks, of underrepresented vantage points and histories, all jockeying for visibility within the often-unjust, market-driven heteropatriarchy that is the contemporary art world. * Jenni Sorkin, Associate Professor, History of Art & Architecture, University of California, Santa Barbara, USA, and author of Art in California. *Table of ContentsList of Plates List of Figures Acknowledgements Introduction, Catha Paquette (California State University Long Beach, USA), Karen Kleinfelder (California State University Long Beach, USA), and Christopher Miles (Independent Scholar, USA) PART I. DEADLY SERIOUS 1. Subjugated Knowledges, Revisionist Histories, and the Problem of Visibility: Carrie Mae Weems and Ken Gonzales-Day, Nizan Shaked (California State University Long Beach, USA) 2. Damage Control: Teresa Margolles, the Mexican Government, and the 2009 Venice Biennale Mexican Pavilion, Ana Garduño (National Institute for Fine Arts, Mexico) 3. Death Matters, Kerstin Mey (University of Limerick, Ireland) PART II. THE SEXUAL (IN)SIGHT 4. Art/Obscenity in West German Experimental Film, 1968-1972: Circulating through the Debates, Megan Hoetger (University of California, Berkeley, USA) 5. Impossible to Image: Art & Sexual Violence, 1975–1979, Angelique Szymanek (Hobart and William Smith Colleges, USA) 6. De-Shaming Shame, John Fleck (Actor and Performance Artist, USA) in Conversation with Kevin Duffy (Film Director, USA) 7. Only the Stupid Are Overt: Covert Censorship in the American Museum, Jonathan D. Katz (University of Pennyslvania, USA) PART III. UNDER DELIBERATION: ARTFUL ACTIVISM 8. Tucumán Arde and the Changing Face of Censorship, Fabián Cereijido (Independent Scholar, USA) 9. The Discursive Roots of Censorship: Neoliberalism’s Rendering of Chican@ Art, Karen Mary Davalos (University of Minnesota, Twin Cities, USA) 10. Tools and Obstacles, Daniel Joseph Martínez (University of California, Irvine, USA) and Carol A. Wells (Independent Scholar, USA) in Conversation with Nizan Shaked (California State University Long Beach, USA) 11. Remaining in Sight: Andrea Bowers’ Art Lessons from Activists, Peter R. Kalb (Brandeis University, USA) PART IV. FRAMED: INSTITUTIONAL AND GOVERNMENTAL CONSTRAINTS 12. In and Out of Sites: Disability and Access in the Work of Park McArthur and Carmen Papalia, Elizabeth Guffey (Purchase College, USA) 13. Culture, State, and Revolution: Arts Wars between Religious and Secular Autocracies in Post-Revolution Egypt, Sonali Pahwa (University of Minnesota, USA) and Jessica Winegar (Northwestern University, USA) 14. Knowing/Caring, Ai Weiwei (Artist and Activist) and Alexandra Munroe in Conversation (Solomon R. Guggenheim Museum, USA) PART V. CONTESTED OBJECTS: (RE)PRESENTING CULTURAL HERITAGE 15. Re-Indigenizing Native Space in a University Context, Craig Stone (California State University Long Beach, USA) 16. African Cultural Heritage: Erasure, Restitution and Digital Image Regimes, Sylvester Okwunodu Ogbechie (University of California, Santa Barbara, USA) 17. Censorship and Creative (Re)Production, Morehshin Allahyari (Artist and Activist, USA) in Conversation with Brittany Ransom (California State University Long Beach, USA) PART VI. MATTERS OF RACE 18. Provocation and Valuation Our Compliance and September 2015 Letter to The Spectrum, Ashley Powell (Artist and Activist, USA) Black Judge Takes the Stand: April 2016 Response, Kara Walker (Artist, USA) 2019 Reflections, Ashley Powell (Artist and Activist, USA) 19. Presentation/Representation: Creative Expression, Speech Rights, and Pedagogy, Jane Conoley (California State University Long Beach, USA), Maulana Karenga (California State University Long Beach, USA), Karen Kleinfelder (California State University Long Beach, USA), Cyrus Parker-Jeannette (Dancer/Choreographer, USA), Michele Roberge (Independent Scholar, USA), Elena Roznovan (Artist, USA) and Cintia Alejandra Segovia (Photographer, USA), Griselda Suarez (Long Beach Arts Council, USA), Andrew Vaca (California State University Long Beach, USA), Jaye Austin Williams (Bucknell University, USA), Terri Yamada (California State University Long Beach, USA) Afterwords, Svetlana Mintcheva (National Coalition Against Censorship, USA) and Laura Raicovitch (Independent Scholar, USA) in Conversation List of Contributors Index

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Book SynopsisA lively look at an underexplored niche in the history of American ads: pop-ups. Drawing from Ellen G. K. Rubin’s extensive collection of more than 7,000 pop-up books and related ephemera, Animated Advertising demonstrates how animated and dimensional paper devices have been used throughout US history to promote products, art, entertainment, and ideas. The book displays the creativity of advertisers in food, fashion, tobacco, pharmaceuticals, travel, music, politics, and more. Rubin’s diverse examples of historical paper pop-ups show how they leaped from the pack of standard marketing materials to catch the eye and inform patrons and clientele about the items being sold. Illustrated with two hundred and fifty color images, and published to coincide with a Winter 2023 exhibition at the Grolier Club’s New York headquarters, Animated Advertising is a lively look at an underexplored niche in the history of American marketing, graphic design, and paper engineering.Table of ContentsA Passion for Pop-ups: 40 Years of WOW!IntroductionCATALOG OF THE EXHIBITIONPharmaceuticals and Health CareFood Kellogg’s Brand Cereals Other Cereals Chocolate Other FoodIndustrial Design and InnovationPrinting and PublishingAutomotivePromoting Business Business CardsAlcoholic Beverages and Tobacco Absolut Vodka TobaccoFashion and BeautyClothingBeauty and AccessoriesHolidaysTravelArts, Entertainment, and PoliticsCulture Entertainment Music Sports PoliticsGlossary of Pop-up and Movable Paper Terms

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Book SynopsisOver the last two decades, the encyclopedic museum has been criticized and praised, constantly discussed, and often in the news. Encyclopedic museums are a phenomenon of Europe and the United States, and their locations and mostly Eurocentric collections have in more recent years drawn attention to what many see as bias. Debates on provenance in general, cultural origins, and restitutions of African heritage have exerted pressure on encyclopedic museums, and indeed on all matter of museums. Is there still a place for an institution dedicated to gathering, preserving, and showcasing all the world's cultures? Donatien Grau's conversations with international arts officials, museum leaders, artists, architects, and journalists go beyond the history of the encyclopedic format and the last decades' issues that have burdened existing institutions. Are encyclopedic museums still relevant? What can they contribute when the Internet now seems to offer the greater encyclopedia? How important is it for us to have in-person access to objects from all over the world that can directly articulate something to us about humanity? The fresh ideas and nuances of new voices on the core principles important to museums in Dakar, Abu Dhabi, and Mumbai complement some of the world's arts leaders from European and American institutions-resulting in some revealing and unexpected answers. Every interviewee offers differing views, making for exciting, stimulating reading.Table of ContentsPreface and Acknowledgments Introduction The Encyclopedic Museum: A Catchphrase, a Concept, a History Donatien Grau Part 1. Origins and Practice of Encyclopedic Museums 1. Marc Fumaroli 2. Partha Chatterjee 3. Krzysztof Pomian 4. Mikhail Piotrovsky 5. Philippe de Montebello 6. Grayson Perry 7. Thomas Campbell 8. Kaywin Feldman 9. Mari Carmen Ramirez Part 2. Encyclopedic Museums across the Globe 10. Irina Bokova 11. Fiammetta Rocco 12. Zaki Nusseibeh 13. Michael Govan 14. Max Hollein 15. Sabyasachi Mukherjee 16. Henri Loyrette 17. George Abungu 18. Hamady Bocoum 19. Amit Sood Part 3. Methodologies and Potentials of the Encyclopedic Museum 20. James Cuno 21. Jean Nouvel 22. Benedicte Savoy 23. Kavita Singh 24. Anthony Appiah 25. Homi Bhabha 26. Camille Henrot 27. Massimiliano Gioni 28. Bachir Souleymane Diagne Afterword The Encyclopedic Museum: Some Thoughts from 2019 Mary E. Miller Biographical Note on the Editor Index

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Book SynopsisA landmark book reframing ancient Colombian art—including goldwork, ceramics, textiles and more—as vehicles of cultural knowledge across space and time Spanning all major pre-Columbian cultures of Colombia, and featuring some of the most remarkable artworks ever made in this region—from intricately cast gold pendants and ceramic effigies to modern Indigenous stools, barkcloths and featherworks—The Portable Universe/El Universo en tus Manos: Thought and Splendor of Indigenous Colombia radically recasts how we approach ancient Colombian art. Featuring an innovative cover design with tip-on images, the book is arranged so as to envelop the works with life and meaning, and guide readers to different ways of understanding the world and our place in it. It includes insightful contributions by Indigenous Colombians, historians, ethnographers, archaeologists and art historians. The Portable Universe/El Universo en tus Manos recaptures some of the knowledge of Indigenous American cultures and presents new historical findings, drawing heavily on contemporary Indigenous understandings to evoke a worldview in which these ancient pieces make sense and have power today.

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Book SynopsisCan crochet explain the complexities of non-Euclidean geometry? How does the 1804 Jacquard loom relate to modern computing? Radical Fiber celebrates the overlap between art, science, interdisciplinary creativity and collaborative learning For centuries, fiber arts have influenced sciences as diverse as digital technology, mathematics, neuroscience, medicine and more. Radical Fiber explores this relationship through contemporary art and historical artifacts that address five key themes: shape, machine, body, brain and community. How did the accidental discovery of synthetic mauveine dye in 1856 pave the way for modern pharmaceuticals while also generating toxic waste? Why do we respond differently to a woven photograph than a printed one? These and other questions reframe the fiber/science intersection and ask how the medium can be used to improve our world for the future. Radical Fiber features a new artwork created by amateur and professional makers around the globe: the Saratoga Springs Satellite Reef, part of the Crochet Coral Reef project by Christine and Margaret Wertheim and the Institute For Figuring. Alongside numerous unidentified artists, additional artists and creators include: Lia Cook, Brock Craft, Veronica Dry, Anna Dumitriu, Ellis Developments, Hanne Kekkonen, Kintra Fibers, Elaine Krajenke Ellison, Karen Norberg, William Henry Perkin, Helen Remick, Dario Robleto, Daniela Rosner, Samantha Shorey, John Sims, Soft Monitor (Victoria Manganiello and Julian Goldman), Daina Taimina, Cecilia Vicun?a and Carolyn Yackel.

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Book SynopsisA visual exploration of cyberpunk and its global impact and lasting influence on cinema cultureCyberpunk, a subgenre of science fiction, first appeared in the early 1980s and uniquely captured the anxieties of the decade. Featuring near-future scenarios set in worlds that resemble our own, cyberpunk stories juxtapose technological advances with social upheaval, ecological crisis and urban decay. Central to these narratives are antihero characters who fight against corrupt political systems, technology gone haywire and global mega-corporations.Cyberpunk: Envisioning Possible Futures through Cinema examines the global impact and lasting influence of cyberpunk on cinema culture. Through rarely published behind-the-scenes photographs, film stills and concept art, the book spotlights iconic cyberpunk films such as Blade Runner, Tron and The Matrix; foundational animated features like Akira and Ghost in the Shell; and m

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Book SynopsisHow the influential American art historian used his print collection to theorize body language and the concept of the copy Beginning in the early 1960s, with only the meager budget of a part-time art history professor, Leo Steinberg (1920–2011) amassed a collection of more than 3,500 prints spanning the medium’s 500-year history in the West. Steinberg’s prints formed a visual library that shaped his scholarship in fundamental ways. His collection, incorporating the work of artists both famous and obscure, illuminates his claim that before photography, prints functioned as the "circulating lifeblood of ideas," disseminating figures and styles across boundaries. Through close observation of his prints, Steinberg developed some of his most innovative arguments about the instructive richness of the copy and the expressive potential of body language. This lavishly illustrated volume examines the development of Steinberg’s remarkable collection and its role in his scholarship. It also serves as an introduction to the history of Western printmaking that these works broadly encompass.

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Book SynopsisFilling a gap in the literature, this volume provides librarians and catalogers with practical approaches to reparative cataloging as well as a broader understanding of the topic and its place in the technical services landscape. As part of the profession''s ongoing EDISJ efforts to redress librarianship''s problematic past, practitioners from across the field are questioning long-held library authorities and standards. They''re undertaking a critical and rigorous re-examination of so-called best practices and the decisionmakers behind them, pointing out heretofore unscrutinized injustices within our library systems of organization and making concrete steps towards progressive change. This collection from Core details the efforts of some of the many librarians who are working to improve our systems and collections, in the process inspiring those who have yet to enact change by demonstrating that this work is scalable, possible, and necessary. From this book, readers will

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Book SynopsisThe Meadows Museum, founded by Algur H. Meadows, boasts one of the finest collections of Spanish art outside Spain. This impressive handbook presents the breadth of the museum's holdings, which ranges from early Renaissance examples to modern works by Pablo Picasso, Joan Miró, and Juan Gris. Most of the art was created during the Spanish Golden Age by Baroque artists such as Diego Velázquez, Bartolomé Esteban Murillo, and Jusepe de Ribera. Francisco de Goya is represented by several notable paintings, as are a number of late 19th and early 20th century Spanish artists working both within and beyond their native country's borders, such as Mariano Fortuny y Marsal, Raimundo de Madrazo, Joaquín Sorolla y Bastida, and Ignacio Zuloaga. Featuring beautiful illustrations and accessible text, this handbook offers an informative and engaging introduction to a truly remarkable collection.

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Book Synopsis"There are very few books about photography that achieve the status of essential reference, maybe even seminal. Well, I believe this is one of them. Enjoy it!" — Gilles Decamps, The Eye of Photography "...the book itself will surely go down as one of the most vivid visual documents of what were arguably the most transformative one-hundred years in human history." — Ken Scrudato, BlackBook "These photographs encapsulate the range of images that capture Fetterman’s imagination, from anonymous photographs to iconic masterworks, all with an underlying humanist spirit."—photograph “When I photograph, I project what I’m not. What I would like to be.” — Lillian Bassman "What makes the book so enjoyable is the same as the email: It is one great image after another, with personal commentary." — Tom Teicholz, Forbes "Although many of the images have standalone intensity, it is Peter’s direct encounters with the artists themselves that allow us to see them in a new light." — Eva Clifford, WhyNow The power of photography lies in its ability to ignite emotions across barriers of language and culture. This selection of iconic images, compiled by pioneering collector and gallerist Peter Fetterman, celebrates the photograph’s unique capacity for sensibility. Peter has been championing the photographic arts for over 30 years. He runs what is arguably the most important commercial photography gallery in the world. During the long months of lockdown, Peter ‘exhibited’ one photograph per day, accompanied by inspirational text, quotes and poetry. This digital collection struck a chord with followers from around the world. The Power of Photography presents 120 outstanding images from the series, along with Peter’s insightful words. This carefully curated selection offers an inspiring overview of the medium while paying homage to masters of the art. From the bizarre Boschian fantasies of Melvin Sokolsky to the haunting humanity of Ansel Adams’s family portraits; from Miho Kajioka’s interpretation of traditional Japanese aesthetics of to the joyful everyday scenes of Evelyn Hofer; from rare interior shots by famed nude photographer Ruth Bernhard to Bruce Davidson’s wistful depiction of young men playing ballgames on a street; this book gathers some of the most unique and heartening photographs from the 20th century. Each image is a time capsule, offering us a glimpse into days gone past. Yet each photograph also speaks of tranquillity, peace, and hope for the future. Trade Review"For every one image I think seriously about, I discard hundreds that don’t quite have that haunting quality. Most images are immediately forgettable. The art is to find those images that nourish and sustain you." - Peter Fetterman interviewed by Karen Rosenberg, 1st Dibs"A new book brings together 120 photographs from the gallerist’s collection. Together, they tell the story of 20th century photography." - Mee-Lai Stone, The Guardian"...the book itself will surely go down as one of the most vivid visual documents of what were arguably the most transformative one-hundred years in human history." - Ken Scrudato, BlackBook"The Power of Photography (May 2022, ACC Art Books), presents 120 outstanding images from the series, along with the AIPAD gallerist’s insightful words." - The Eye of Photography"These photographs encapsulate the range of images that capture Fetterman’s imagination, from anonymous photographs to iconic masterworks, all with an underlying humanist spirit." - photograph"A thoroughly satisfying and enlightening journey through the history of photography." - American Illustration - American Photography"...a new coffee-table book collects some of the last century’s most enduring photographs..." - Airmail"What makes the book so enjoyable is the same as the email: It is one great image after another, with personal commentary." - Tom Teicholz, Forbes"Fetterman believes all collecting is autobiographical and a journey of self-discovery: “You react to a certain image because it reminds you of a memory or a personal time."" - Claudia Eller, Variety"Although many of the images have standalone intensity, it is Peter’s direct encounters with the artists themselves that allow us to see them in a new light." - Eva Clifford, WhyNow"…fantastically diverse collection." - Lilly Subbotin, Daily Mail"The strength of the book, and of the images within, comes from Fetterman’s particular eye for new and old talent alike." - Blind Magazine"In his new illustrated book, the gallery owner explains and collector Peter Fetterman numerous backgrounds to masterpieces of photographic art." [Translated via Google Translate from German] - GQ Germany"The Power of Photography showcases 120 classic pictures he has collected over the last 30 years." - Black + White Photography"In his new book "The Power of Photography", Peter Fetterman presents 120 images that are particularly close to his heart and which he calls "almost autobiographical."" [Translated from German via Google Translate] - Monopol Magazine"A new collection of photography from ACC Art Books and famed collector Peter Fetterman features several of the most striking portraits you’ll ever see." - The Daily Beast, and Yahoo"Gallerist Peter Fetterman’s incredible collection comes into focus in a new book." - Maxim Magazine"Seeing the pictures currently on display at Peter Fetterman’s gallery is a revelatory experience." - The Eye of Photography"The Power of Photography (Acc Art Books) collects 120 photographs and includes endless iconic works ranging from Ansel's family portraits to the daily life of Evelyn Hofer and images of classics such as Ruth Bernhard, Bruce Davidson, Melvin Sokolsky, Kurt Markus or David Bailey." - Vanity Fair Spain"Fetterman is a collector and dealer in photographs, mainly from the 20th century, and this is a peep into his extraordinary collection, with work by both acknowledged masters and people you have never heard of." - Daily Mail"The Power of Photography presents 120 outstanding images...along with Peter's insightful words...this book gathers some of the most unique and heartening photographs from the 20th Century." - Arts & Collections"Each image is a time capsule and offers a glimpse into days gone by." - Photo Weekly

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Book SynopsisThe German gem-engraver, medallist, and amateur scholar Lorenz Natter (1705-1763), was so impressed by the size and quality of the collections of ancient and later engraved gems which he found in Britain that he proposed the publication of an extraordinarily ambitious catalogue – Museum Britannicum – which would present engravings and descriptions of the most important pieces. He made considerable progress to this end, producing several hundred drawings, but in time he decided to abandon the near completed project in the light of the apparent lack of interest shown in Britain. Only one of the intended plates in its final form ever appeared, in a catalogue which he published separately for Lord Bessborough’s collection. On Natter’s death the single copy of his magnum opus vanished mysteriously, presumed lost forever. All hope of recovering Natter’s unpublished papers seemed vain, and their very existence had come to be doubted. Yet they were to be found more than two hundred years after his death, in Spring 1975, when the classical scholar and renowned expert in gems, Oleg Neverov, chanced upon them at the bottom of a pile of papers in the archives of the State Hermitage Museum in St Petersburg. Neverov and his colleague Julia Kagan carried out the initial research on the Hermitage manuscripts and produced the first published account of this archival treasure. The present volume builds upon their earlier work to produce the first comprehensive publication of Museum Britannicum, offering full discussion in English and presenting Natter’s drawings and comments alongside modern information on the gems that can be identified and located through fresh research. This book is the result of a ten-year collaboration between scholars on the Beazley Archive gems research programme at Oxford’s Classical Art Research Centre and the State Hermitage Museum. It fulfills Natter’s vision for the Museum Britannicum – albeit two and a half centuries late – to the benefit of art historians, cultural historians, curators, and gem-lovers of today.Table of ContentsPreface ; PART 1 ; I. An Anglo-Russian Project ; II. Lorenz Natter. Early Career ; III. Natter in Britain ; IV. Natter in Russia ; V. The Museum Britannicum Rediscovered ; VI. Afterword ; PART 2 ; VII. The Museum Britannicum: the catalogue and drawings ; VIII. The Collectors and their Gems ; IX. Lorenz Natter’s own Collection ; X. Natter’s own Index of the Museum Britannicum ; XI. Natter’s Treatise and miscellaneous drawings ; Index of gem subjects ; Index of inscriptions ; General Index to Part 1, and VIII

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Book SynopsisCreating the V&A tells the definitive story of the formative years of London’s world-renowned Victoria and Albert Museum and the gathering of its early collections in the decade between the Great Exhibition of 1851 and the death of Prince Albert in 1861.The story of the V&A’s genesis is often centred on the first director and first curator (Henry Cole and J. C. Robinson), and their competing agendas for design reform and connoisseurship. And yet there is an untold story of how the young royal couple for whom it is named were highly instrumental in the establishment of the museum, as public supporters and large-scale lenders before a permanent collection was in place. The book is also full of fascinating and colourful stories of the strategies deployed to harvest treasures on the market as the young museum sought to fill its rapidly expanding buildings and compete with the British Museum and the Crystal Palace.For anyone interested in the history of collecting and curating, and for all fans of this legendary London museum, Creating the V&A explains how the foundational collections established parameters which still inform the museum’s collecting policies, role and identity today.Table of ContentsForeword; PART I: A Teaching Collection, 1837–51; Introduction: Aims and Claims; Somerset House: The School of Design Collection; The Crystal Palace: Shopping at the Great Exhibition in 1851; PART II: International Collections, 1852–7; Marlborough House: A ‘Museum of Ornamental Manufactures’; Royal Collectors, Lenders, Donors, and the Planning of ‘Albertopolis’; Hunting for ‘Art Treasures’; The Gherardini Collection of Italian Renaissance Sculpture; The Soulages Collection; The Bernal and the Gigli–Campana Collections; Architectural Sculpture; Furniture and Paintings; Shopping in Paris: the Soltykoff Collection; Collecting the Contemporary; A Royal Opening, 20 June 1857; PART III: Displays and Debates, 1857–61; A Visit to the ‘Omnium-Gatherum’; Exhibiting Photography; The South Kensington Museum on Trial; ‘The Royal Albert Museum’; Appendices; Select Bibliography; Notes; Acknowledgements; Index

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Book SynopsisA landmark new presentation of the work of J.M.W. Turner, repositioning the great painter as a pioneering chronicler of contemporary life, and exploring what it really means to be a modern artist. J.M.W. Turner's career spanned revolution and the Napoleonic War, Empire, the explosion of finance capitalism, the transition from sail to steam and from manpower to mechanisation, political reform and scientific and cultural advances that transformed society and shaped the modern world. While historians have long recognised that the industrial and political revolutions of the late eighteenth century inaugurated far reaching change and modernisation, these were often ignored by artists as they did not fit into established categories of pictorial representation. This extraordinary new publication shows Turner updating the language of art and transforming his style and practice to produce revelatory, definitive interpretations of modern subjects. This is J.M.W. Turner as he has never been seen before.

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Book SynopsisA journey through the groundbreaking works of Bruce Nauman, one of the most restlessly inventive contemporary artists of today. Since the late 1960s Bruce Nauman has established a completely new understanding of contemporary art, and has been acknowledged as one of the most relevant artists of the twentieth century. Both the last modern artist and because of his ceaseless experimental approach to new media – the very first contemporary artist, Nauman has is recognised for his landmark conceptual approach against which much contemporary art of today can be measured. Focusing in particular on his experiments with sound, the moving image and immersive installations, this book features explorations of Nauman's video works of the 1980s and 1990s, as well as on his studio practice and more recent work, along with a revealing in-depth conversation between the artist and Andrea Lissoni and Nicholas Serota. This essential book reveals Bruce Nauman as an artist who has uniquely blazed a trail in both the twentieth and twenty-first centuries.

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Book SynopsisA large scale publication accompanying a major exhibition celebrating the monumental art of Emily Kam Kngwarray. Renowned Australian artist Emily Kam Kngwarray (191096) created compelling, powerful works that reflect her extraordinary life as a senior Anmatyerre woman from the Utopia region of Australia. One of the world's most significant painters to emerge in the late twentieth century, her lived experience and spiritual engagement with her homelands was translated into vibrant batiks and later into monumental paintings on canvas. Kngwarray was in her late 70s when she began painting in earnest. For the next eight years until her death, she painted over 3,000 canvases roughly one per day creating timeless art that encapsulates the wisdom, experience and authority she gained throughout her life. Discover rich textiles, paintings, film and audio elements that embody the majestic scope of Kngwarray's Country and ancestral heritage. Created in collaboration with the National Gallery of Australia (NGA), this is the first large-scale presentation of the artist's work ever held in Europe and a celebration of her astonishing career as one of Australia's greatest artists. Generously illustrated, the publication brings together Kngwarray's most significant works and includes archival material and a visual record of community consultations and visits to Kngwarray's Country.

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Book SynopsisThe Time is Always Now: Artists Reframe the Black Figure edited by Ekow Eshun celebrates flourishing Black artists whose work illuminates the richness, beauty and complexity of Black life. "There is never a time in the future in which we will work out our salvation. The challenge is in the moment, the time is always now." - James Baldwin 'Angry, elegiac, critical and celebratory, The Time Is Always Now brings together 22 leading black artists working in the UK and US.' - The best art and architecture shows to visit in 2024, The Guardian The Time is Always Now: Artists Reframe the Black Figure assembles contemporary African diasporic artists working in the UK and US whose practice foregrounds the Black figure. Edited and with texts by Ekow Eshun, and original essays by Bernardine Evaristo, Esi Edugyan and Dorothy Price. Published to coincide with the exhibition at the National Portrait Gallery, London, this publication explores and celebrates contemporary Black artists internationally who work within Black figuration. This visual and beautifully produced book examines contemporary figurative artworks against a backdrop of heightened cultural visibility. Within this context, its collected paintings, drawings and sculptures take on a dual role as the accomplished work of individual artists and as a collective assertion of Black presence. Through a three-part structure containing detailed artist profiles and stunningly reproduced artworks, the publication examines Black figuration as a means to address the absence and distortion of Black presence within Western art history. Profiled artists include Hurvin Anderson, Michael Armitage, Jordan Casteel, Njideka Akunyili Crosby, Noah Davis, Godfried Donkor, Kimathi Donkor, Denzil Forrester, Lubaina Himid, Claudette Johnson, Titus Kaphar, Kerry James Marshall, Toyin Ojih Odutola, Chris Ofili, Jennifer Packer, Thomas J. Price, Nathaniel Mary Quinn, Lorna Simpson, Amy Sherald, Henry Taylor and Barbara Walker.

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Book SynopsisLandscape is probably the most popular type of painting, but anyone who has ever been disappointed by vacation photographs knows how difficult it is to turn a view into a picture. This book shows how artists in past centuries translated outdoor space and light into paint, and how landscape imagery evolved from mere ornament into a visual metaphor of the human condition. The story is told from its beginnings in Roman mural decoration, through the Renaissance transformation of landscape into a vehicle for feelings and ideas, to the Impressionist revolution and beyond. The continuing relevance of art to how we see the world, and our place in it, is demonstrated through a practical discussion of optics of real and painted landscape, illustrated with works from the National Gallery, London. Published by National Gallery, London/Distributed by Yale University Press

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Book SynopsisPoussin’s scenes of bacchanalian revelry, tripping maenads and skipping nymphs are often described as ‘dancelike’ and ‘choreographed’. The artist’s dancing pictures helped him develop a new approach to painting that would become the model for the French classical tradition. Shedding the sensuous, painterly manner of his early career, Poussin carved out the crisp, relief-like approach that characterized his mature work and set the precedent for three centuries of French art, from Le Brun and David to Cézanne and Picasso. He carried lessons learned from dance into every corner of his production. This book brings together a key group of paintings and drawings by Poussin, exploring the theme of dance and dancers in his production for the first time. Focusing on the dancing pictures created in Rome in the 1620s and 1630s, essays connect Poussin’s interest in dance, his study of antiquities, and his formulation of a new classical style. Richly illustrated and engagingly written, this publication uses the prism of dance to cast Poussin in a new, fresh light.Published by National Gallery Company/Distributed by Yale University PressExhibition Schedule:J. Paul Getty Museum June 8 – August 29, 2021National Gallery, London October 9, 2021 – January 2, 2022

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Book SynopsisAn exploration of the fascinating parallels and differences between Picasso’s Woman with a Book and Ingres’s Madame Moitessier This publication examines, in detail, two extraordinary interrelated works: Picasso’s Woman with a Book (1932) and Ingres’s Madame Moitessier (1844–56). Each painting is explored in depth, illuminating the parallels and differences between the artists’ techniques and creative ambitions. The first essay tells the story of the twelve-year gestation of Ingres’s Madame Moitessier, focusing on the role of drawings in the elaboration of the composition, and of the sitter herself in determining how she was to be presented. The second essay traces the development of Picasso’s Woman with a Book, among the most celebrated likenesses of the artist’s young lover, Marie-Thérèse Walter. In contrast to Ingres’s work, it was painted in just a day or two. The final essay explores, through these two works, the artists’ shared interest in the relationship between nude and clothed bodies, revealing the depth of Picasso’s engagement with Madame Moitessier, which motivates and animates Woman with a Book. Published by National Gallery Company/Distributed by Yale University Press

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Book SynopsisAn exploration of Turner as an artist-traveler, in relation to two important European harbor scenes This publication marks the return to the United Kingdom, for the first time in over a century, of two groundbreaking oil paintings by J. M. W. Turner (1775–1851), on loan from The Frick Collection in New York: Harbour of Dieppe: Changement de Domicile and Cologne, the Arrival of a Packet-Boat: Evening. They were acquired by wealthy American industrialist Henry Clay Frick in 1914 and have remained in the USA ever since. Painted in the mid-1820s, Dieppe and Cologne exemplify Turner’s lifelong fascination with the subject of ports and harbors⁠—past and present⁠—as dynamic, transitional places. Exhibited at the Royal Academy in 1825 and 1826 respectively, they represent in powerfully visual terms the outcomes of Turner’s regular sketching tours within Europe that were central to his fame as an artist-traveler, as well as his radical approach to color, light, and brushwork. This sumptuously illustrated publication examines Turner’s creative process, and his use of sketchbooks and watercolors to capture his ideas as he traveled. Published by National Gallery Global/Distributed by Yale University Press

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Book SynopsisHenri Gaudier-Brzeska (1891-1915) was one of the leading figures of European avant-garde sculpture. Gaudier played an important role in the development of modern sculpture in Britain, working alongside Ezra Pound, Jacob Epstein, Roger Fry, Wyndham Lewis and others. Like many artists of his generation, his career was tragically cut short by the war. Having volunteered for the French army in the summer of 1914, he was killed in action the following year, at the age of just twenty-three. In 1930 Jim Ede, who three years earlier had acquired almost all of Gaudier’s work, published a biography of the sculptor. Entitled A life of Gaudier-Brzeska, the book was re-issued a year later with the title Savage Messiah. Ede’s book played an important role in re-establishing Gaudier’s reputation at a time when he was at risk of fading into obscurity. This new edition, published in 2011 to mark the centenary of Gaudier's arrival in Britain from France, includes previously unpublished material and new essays that re-contextualise the book art historically. It draws from the 1929 manuscript version of Ede's book, now in the archive at the Henry Moore Institute in Leeds, reproducing many of the drawings and photographs first used by Ede.

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Book SynopsisThis book introduces the artist Joseph Crawhall, a remarkable and innovative animal watercolourist, who made decorative, sensitively observed and humorous studies of animals and birds. It reproduces in colour nearly 60 Crawhall artworks from the Burrell Collection, which holds the largest and most significant collection of artworks by Crawhall in the world. These artworks include dynamic and colourful mature works, technically experimental compositions, watercolours from Crawhall's travels and delightful comic sketches.Written in an accessible style, the book gives readers an overview of Crawhall's career and artistic output. It considers his friendship with the Glasgow Boys, the influence of French art, Whistler and Japanese prints, his flair for decorative design and, above all, Crawhall's unique skill in poetically distilling the essence of an animal or bird's character.

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Book SynopsisThe Jewish Journey is unique in three respects. First, it is a short, accessible, affordable and illustrated history of the Jewish people. Most books of this kind are heavy, unwieldy, expensive coffee-table books. Secondly, the book is absolutely unique in highlighting Jewish objects from the standing collection of a world-renowned public museum. Jewish history is more normally confined to dedicated Jewish museums. This book breaks new ground by showing Jewish history in its wider historical, social and cultural context, and presents objects that reflect on daily life over the centuries, e.g. family, marriage, trade and travel, rather than the much more common depictions of artefacts for sacred and religious use. Thirdly, the Jewish significance of these particular 22 objects has until now been overlooked. This book draws them together for the first time to tell their specifically Jewish story, highlighting both the distinctive features of Jewish experience and the long history of close interaction with other cultures and religions. The 22 objects include pottery, coins, jewellery, household artefacts, sacred items, musical instruments and paintings.Together they bring to life the experiences of the real men and women who owned, made and used them, from kings, courtiers and scholars to guerrilla fighters, musicians and market stall holders. Individually and collectively, the objects vividly document dark periods of persecution and forced migration, whilst highlighting the astonishing resilience and diversity of Jewish life, revealing centuries of two-way interaction with many other cultures and religions. Through the histories of each of the objects, the reader is guided on a double journey. One path leads through the galleries of the Ashmolean; the other accompanies the Jewish people across the centuries. The Jewish Journey brings to light for the first time the amazing Jewish treasures in the Ashmolean Museum, explaining their specifically Jewish significance in a direct, accessible style for the general reader.

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Book SynopsisThis new volume tells the story of some of the paintings rescued by the the Monuments, Fine Arts and Archives (MFAA) organization, the so-called "Monuments Men." In December 1945, 202 paintings, found in German salt mines 2,100 feet underground, where they had been hidden to escape the allied bombing of Berlin, were brought to the United States "for safe keeping" by the Department of the Army. They were exhibited in 1948 at the National Gallery of Art, Washington DC, before some of them were sent on a whistle-stop tour of 13 US cities, despite furious opposition from museum directors, Gallery staff, the public, government officials, and a resolution from 98 leading art authorities demanding the immediate return of the works to Germany. All the paintings, examples of Flemish, Dutch, German, French, English, and Italian Schools, were from museums in Berlin, and had been found in April 1945, along with 100 tons of Reichsbank gold, by the special team of art historians and experts, seconded in the US army, and charged with locating and restituting works of art looted by the Nazis. This book is the first to consider the paintings themselves; it features 22 artworks that were in the original NGA exhibition, including four paintings on loan from Berlin, augmented by others from Cincinnati Art Museum, National Gallery of Art, Washington, The Getty Museum, Miami University (Oxford, OH), and the Taft Museum.Table of ContentsForeword; Introduction; Sold and Stolen: The Use and Abuse of Paintings during World War II by Peter Bell; Map: The Movements of the "202"; Walter Farmer and the Central Collecting Point in Wiesbaden by Tanja Bernsau; Making Art History: The Masterpieces’ Postwar Tour by Kristi Nelson; he Road (Back) to Berlin: The Endless Journey of the “202” by Neville Rowley; Walter Ings Farmer: Memories of a Life; What’s Past is Prologue: Provenance Research in American Museums by Nancy Yeide; Catalogue: Art and Injustice under Nazi Rule; The Berlin "202"; Walter Ings Farmer and the Cincinnati Art Museum; Appendix: Paintings from the Berlin Museums: Travel Schedule; Checklist; Related Documents; Bibliography; Photo Credits; Index

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Book SynopsisIsabella Stewart Gardner was a force to be reckoned with. She routinely went toe-to-toe with major museums and titans of industry to purchase masterpieces, created a museum unlike any other, and was famous for consistently flouting the social conventions that governed women of her time. However, this book shows another side of Isabella that readers may not expect: her love of dogs. Richly illustrated with images from the collection and museum archives, this volume allows readers to meet Isabella’s favorite dogs (Kitty Wink and Patty Boy), see the litters of puppies she bred, and discover how her dogs were a comfort toward the end of her life. Usually stern in photographs, Isabella - like many people - could not help grinning when posing for photos with puppies. This enthusiasm for dogs is also evident in her correspondence. As she wrote excitedly to her art advisor Bernard Berenson: “Part of my morning’s work has been to try to induce two 9 days old fox terrier pups to open their eyes again. They did once; and then clapped them to, with a vim that seemed to say that the box they found themselves in was not the ideal they had come to this world to see!” Even the dogs of celebrities - both celebrities she knew personally, and others she admired from afar - drew her attention. This book also features some of the many photographs she collected of notable people and their dogs, like the painter Anders Zorn and his adorable pup Mouche and Caesar, the regal and loyal terrier who belonged to King Edward VII and even marched in the monarch’s funeral parade. From gathering Renaissance masterpieces to raising Fox Terriers, this book shows that Isabella approached all her tasks with enthusiasm and dedication. By learning about her love of her canine companions, this book presents a more human side of Isabella than typically on display.

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Book SynopsisIn the series Collection of Ancient Calligraphy and Painting Handscrolls: Calligraphy, 10 masterpieces from famous masters of different dynasties are collected, covering mainstream scripts such as regular script, semi-cursive script, cursive script and so on. These treasured copybooks for calligraphy lovers are presented in the traditional format of a handscroll, which can be opened in sequence.

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Book SynopsisThis catalogue accompanies the first exhibition devoted to a fascinating group of drawings by the Anglo-Swiss Henry Fuseli (1741–1825), one of eighteenth-century Europe’s most idiosyncratic, original and controversial artists.Best known for his notoriously provocative painting The Nightmare, Fuseli energetically cultivated a reputation for eccentricity, with vividly stylised images of supernatural creatures, muscle-bound heroes, and damsels in distress. While these convinced some viewers of the greatness of his genius, others dismissed him as a charlatan, or as completely mad.Fuseli’s contemporaries might have thought him even crazier had they been aware that in private he harboured an obsessive preoccupation with the figure of the modern woman, which he pursued almost exclusively in his drawings. Where one might have expected idealised bodies with the grace and proportions of classical statues, here instead we encounter figures whose anatomies have been shaped by stiff bodices, waistbands, puff ed sleeves, and pointed shoes, and whose heads are crowned by coiffures of the mostbizarre and complicated sort. Often based on the artist’s wife Sophia Rawlins, the women who populate Fuseli’s graphic work tend to adopt brazenly aggressive attitudes, either fixing their gaze directly on the viewer or ignoring our presence altogether. Usually theyappear on their own, in isolation on the page; sometimes they are grouped together to form disturbing narratives, erotic fantasies that may be mysterious, vaguely menacing, or overtly transgressive, but where women always play a dominant role. Among the many intriguing questions raised by these works is the extent to which his wife Sophia was actively involved in fashioning her appearance for her own pleasure, as well as for the benefit of her husband.By bringing together more than fi fty of these studies (roughly a third of the known total), The Courtauld Gallery will give audiences an unprecedented opportunity to see one of the finest Romantic-period draughtsmen at his most innovative and exciting. Visitors to the show and readers of the lavishly illustrated catalogue will further be invited to consider how Fuseli’s drawings of women, as products of the turbulent aftermath of the American and French Revolutions, speak to concerns about gender and sexuality that have never been more relevant than they are today.The exhibition showcases drawings brought together from international collections, including the Kunsthaus in Zurich, the Auckland Art Gallery in New Zealand, and from other European and North American institutions.Trade ReviewShowcasing Fuseli’s graphic invention and abiding strangeness, this deeply intelligent exhibition and its catalogue are a substantial contribution to Fuseli studies. * The Burlington Magazine *

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Book SynopsisFeaturing striking full-colour images and new research, this publication from the Hong Kong Palace Museum celebrates some of the most important works of horse art from the Palace Museum and the Louvre Museum. Five essays and forty-five entries highlight objects dating from the Han (206 BCE-220 CE) to Qing (1644-1911) dynasties, and explore the horse in art in a way that is accessible to general readers, encouraging them to think through comparisons with objects from both institutions. Centred on the question of human connection to the horse across time in China and beyond, the catalogue entries are divided into sections that examine the horse in mythology and religion, military culture, and transnational traversals, providing a means for reflecting on fundamental issues of human creativity, ambition, and tradition. This is a beautifully designed and thought-provoking volume that will find a ready market among those with an interest in Chinese art and culture. Published to celebrate the opening of the new Hong Kong Palace Museum in July 2022, Grand Gallop accompanies a major exhibition of the same name that is expected to generate significant media attention.Trade ReviewWinner of the Golden Pin Design Award 2022.Table of ContentsForewords; Horse Culture and Art in Early China by Ingrid Yeung and Jia Tianlong; The Art of the Horse in Chinese Painting by Xing Lunan; On the Interactions between Early Qing Emperors and the Imperial Stables by Chou Weichiang; The Horse in Islamic Art by Yannick Lintz; Three Realms by Sarah Kenderdine and Jeffrey Shaw; Galloping Across Time, Across Boundaries; Plates; Catalogue of the Exhibition; Acknowledgements

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Book SynopsisSixteen international artists at the forefront of feminism This book focuses on a selection of midcareer international artists whose oeuvres are informed by the legacies of feminist thought. Each artist adds to the feminist discourse, whether by reclaiming women’s marginalized creative histories, using gender discrimination as a method of institutional critique or creating alternate research methodologies that confront patriarchal norms. The book includes sculpture, painting, video, installation and performance art, and features lesser-known projects or entirely new commissions that recast sociopolitical realities throughout the world. In addition to extensive illustrations, the book includes essays by Anne Ellegood and Connie Butler, curators and art historians whose practices have also been dedicated to a discussion of women’s rights. Artists include: Leonor Antunes, Yael Bartana, Pauline Boudry / Renate Lorenz, Candice Breitz, Shu Lea Cheang, Minerva Cuevas, Vaginal Davis, Every Ocean Hughes, Bouchra Khalili, Laura Lima, Teresa Margolles, Otobong Nkanga, Okwui Okpokwasili, Lara Schnitger and Beverly Semmes.Trade ReviewEmploys colored borders to distinguish each artist, for whom there is a full page discussion along with extensive illustrations. Major texts by the two curators are placed in the middle and printed on different stock, narrower than the bulk of the volume, which gives the beautifully-printed volume an unusual physical presence. -- Andrea Kirsh * Artblog *

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