Dance Books

Book SynopsisYoga Biomechanics: Stretching Redefined provides a unique evidence-based exploration into the complexities of human movement and what a safe, effective yoga practice entails. The emphasis is taken off flexibility and centered around a narrative of body tissue adaptation. Conventional approaches to modern yoga are examined through a biomechanist''s lens, highlighting emerging perspectives in both the rehabilitation and sport science literature. Artfully woven throughout the book is a sub-text that improves the reader''s research literacy while making an impassioned plea for the role of research in the evolution of how teachers teach, and how practitioners practice. Yoga teachers and yoga practitioners alike will discern yoga asana for its role in one''s musculoskeletal health. Yoga therapists and other allied healthcare providers can apply principles discussed to their respective professions. All readers will understand pose modifications in the context of load management, reducing fears of injury and discovering the robustness and resilience of the human body.Coverage includes -Biomechanics Basics; Force, Applied/Modified Loads, and Stress; Progressive Overload and Specificity; Conventional Stretching; Stretching and Performance; Eccentrics; Mechanical Properties of Connective Tissue; Tissue Behavior, Structure, and Composition; Tissue Adaptation, Capacity, and Tension; Exploration into Soft Tissue Injuries; Alignment and PostureFeatures include - Highlights meaningful, evidence-based applications and examples of yoga and/or stretching.Provides guidelines for non-researcher''s critical interpretation of research, helping them to avoid making poor choices based in well-worn beliefs and hackneyed assumption.Pushes teachers to a deeper understanding of biomechanics, beyond simply memorizing anatomy, empowering them to make smart choices for instructing a variety of populations in both private and group class settings.Encourages variety in popular modern-day asana, using props and a keen eye, given our understanding of how the body''s tissues adapt to applied loads.Educates yoga teachers to think beyond the scripted yoga education they received, stretching their minds to further understand and redefine stretching of the human body.

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Book SynopsisThe fascinating story of the women of Cairo's decadent interwar nightlife and entertainment industry, which celebrates these feminist cultural icons' triumphs, presenting a unique view of the rise of Arab feminism.Trade ReviewCormack uncovers an unexpected story of powerful women and their no less powerful voices - on stage and behind the scenes. Beguiling and original. - Marina Warner

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Book SynopsisThe thrilling story of Cairo's decadent nightlife in the early 20th century, told with women at the centre.Trade Review'A spectacular parade of the extraordinary, bold and brash Egyptian women who shot to fame in the early years of globalised celebrity culture.' The Times; 'A revelation ... in this tremendous act of historical discovery, Cormack has unearthed the regal figures and buried treasures of Cairo's golden age. He is the Howard Carter of the demi-monde.' The Telegraph; 'Midnight in Cairo delivers a place, time and people you'll wish you'd personally known. ... Cormack deftly outlines the shifts in political mood and popular tastes that Cairo's entertainment scene both responded to and inspired.' TLS ;'A captivating journey through [Cairo's] bars, cafes, cabaret clubs and music halls during a magical era when some of its biggest stars were women.' The Herald; 'Fascinating ... Midnight in Cairo is a fizzing tale of an underexplored period ... [These female performers] changed the terms of Egyptian popular culture and blazed a path for women.'David Gardner, Financial Times; 'An utterly unique book, teeming with vividly recounted stories, at times hilarious and at times tragic. These were true feminists avant la lettre who defied the societal norms and authorities of their time, both in Egypt and abroad. This inspiring gem of a book gripped me from beginning to end.' Hanan al-Shaykh, author of Women of Sand and Myrrh; 'Important, insightful and fascinating ... Cormack highlights an important period in Egypt's modern history - almost unknown in the West - when its cosmopolitan culture was characterized by a tolerance of all races and religions ... This is a must-read.' Alaa Al Aswany, author of The Yacoubian Building; 'A book full of surprises. A lively story of women shaping gender, class, money and national liberation issues from the music halls and cabarets of early twentieth-century Cairo.' Ahdaf Soueif, author of Cairo: Memoir of a City Transformed; 'An unexpected story of powerful women and their no less powerful voices ... Beguiling and original.' Marina Warner, author of Forms of Enchantment; 'Packed with pizzazz and fizzing with naughtiness ... a thrilling reminder of the richness and wonder of Egyptian culture in the roaring twenties.' Justin Marozzi, author of Baghdad: City of Peace, City of Blood;

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Book SynopsisBeginning in the late 1970s as an offshoot of disco and punk, dance-punk is difficult to define. Also sometimes referred to as disco-punk and funk-punk, it skirts, overlaps, and blurs into other genres including post-punk, post-disco, new wave, mutant disco, and synthpop. This book explores the historical and cultural conditions of the genre as it appeared in the late 1970s and early 1980s and then again in the early 2000s, and illuminates what is at stake in delineating dance-punk as a genre. Looking at bands such as Gang of Four, ESG, Public Image Ltd., LCD Soundsystem, The Rapture, and Le Tigre, this book examines the tensions between and blurring of the rhetoric and emotion in dance music and the cynical and ironic intellectualizing associated with post-punk.Table of ContentsIntroduction: Genealogies and Constellations 1. Death Disco to Disco Infiltrator: Spaces and Times of Dance-Punk 2. Dry Drums and Angular Guitars: Dance-Punk as Genre 3. Us v. Them: Dance-Punk and the “Other” Conclusion: Losing Its Edge: Whither Dance-Punk 10 Essential Tracks

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Book SynopsisChildren love to observe, explore, learn, and create.Elementary Dance Education helps them do all four. And it does so in a unique way, shaping its movement activities around nature themes. In fact, all of the learning experiences are based on different aspects of nature, as the text intertwines children’s innate curiosity and observation skills with the processes of scientific inquiry and artistic creation.Elementary Dance Education helps teachers develop the instructional skills they need to incorporate dance into their curricula, providing over 70 movement activities and exercises for students in grades K-6. The activities, which stimulate children’s minds and bodies through the process of collaborative dance creation, include variations for younger and older students. Ideas are offered for partner or small-group explorations, making the activities more inclusive and appropriate for each age group.Another unique feature of this book is the original music accompanying it. Teachers have access to 90 minutes of dynamic sounds, rhythmic percussion, captivating electro-acoustic compositions, and gentle atmospheric selections, delivered through HKPropel, to accompany the learning experiences. The compositions support students’ movement explorations, conveying a range of images and emotions and inspiring a variety of responses.In addition, Elementary Dance Education offers the following: Discussion questions for each exercise, prompting in-class discussion and student exploration; the questions come with sample answers or ideas to encourage student responses and spur a fruitful discussion 75 photos and several diagrams to illustrate positions and poses and stimulate ideas for the movement exercises Journal prompts, tailored for older and younger children, to give students the opportunity to respond and reflect on the learning experiences Video links (provided in HKPropel) to help illustrate concepts and exercises, offer examples, or encourage students to watch for something specific in an activity The book’s first chapter introduces the basic elements of dance; the remaining seven chapters offer movement exercises in various areas of nature: plants, animals, water, earth, sky, people, and other wonders.This book is a rich and easy-to-implement resource not only for elementary dance educators and physical educators but for classroom teachers as well. The exercises in this book use a template for movement discovery in which students will observe, explore, create, and share. This template “can be applied to all areas of the curriculum,” says author Janice Pomer. “It’s an invaluable tool for student engagement, satisfying children’s capacity to watch, wonder, move, interact, discover, and share.”Elementary Dance Education will promote children’s creativity and curiosity, engage and challenge their minds and bodies, and help them learn to appreciate and support each other as they work together exploring, creating, and sharing their ideas and insights about the natural world through dance.Note: A code for accessing HKPropel is included with all new print books.Table of ContentsChapter 1. Basic Elements of DanceThe first chapter contains five foundation exercises that have a series of pedagogic variations to deepen students’ understanding of the basic elements of dance. Because many of you are working with novice movers, it’s important that you introduce these exercises to your students before moving on to the other exercises in this book. The sixth exercise, Collective Observation, reinforces the importance of discussion and shared observations introduced in the five fundamental exercises. This exercise expands students’ observation skills and strengthens trust between fellow students. The process will support students throughout their artistic journey and can be applied to subjects across the curriculum. 1.1 Exploring Shapes1.2 Exploring Motion1.3 Exploring Time1.4 Exploring Space1.5 Exploring Energy1.6 Collective ObservationChapter 2. PlantsThe second chapter explores a variety of growing things that have, or will have, roots. Differing shapes, textures, and environments played a part in the selection of this grouping. On-the-spot movement dynamics will be the common denominator for much of the choreography. Each plant (or seed) has unique characteristics that can inspire dynamic movement phrases and choreography. 2.1 Trees2.2 Flowers2.3 Vines2.4 Tall Grasses2.5 The Three SistersChapter 3. AnimalsEach animal-inspired exercise begins with a simple 16-beat foundation dance based on actions associated with an animal in a specific animal grouping. The foundation dance is used to explore some of the animals’ behavioral traits. Students are then encouraged to create their own dances inspired by other animals within the specific group. For example, the exercise Horns, Antlers, Hooves, and Herds presents a foundation dance inspired by caribou migration and later invites students to create dances inspired by buffalo and musk ox as well as gazelles and antelope. 3.1 Birds of a Feather3.2 Wildcats3.3 Horns, Antlers, Hooves, and Herds3.4 Reptiles With Scales and Shells3.5 Spiders and Insects3.6 Rodents3.7 Animal Anthology (Kindergarten Through Grade 3)3.8 Endangered Species (Grades 4 Through 6)Chapter 4. WaterWe are all bodies of water. When we are born, our bodies contain 75 percent water, which is almost the same percentage of water that covers the earth. Water is in the ground, in the air, and in the food we eat. The movement exercises in this chapter examine some of the many ways water moves and influences us: its cycles and currents and its life-giving and destructive forces. Each of the exercises in this chapter can be extended into in-depth choreographic pieces for novice and experienced movers. 4.1 Water Words4.2 Waves4.3 Frost and Snow4.4 Rain4.5 Water Cycle4.6 Drought4.7 Water Pollution (Grades 4 Through 6)4.8 Wetland HabitatsChapter 5. EarthThe exercises in this chapter are based on surface textures and shapes, and underground earth forces that can be felt and seen. These movement explorations will draw students’ attention to the ways our planet supports us, the way they travel upon it, and the internal pressures that continue to reshape it. 5.1 Earth Words5.2 Terrains5.3 Rocks and Sand5.4 Tectonic Plates5.5 Volcanoes5.6 Mapping the LandChapter 6. SkyHuman beings have been studying the sky since the dawn of mankind; winds and weather impact our daily lives, and the stars and night skies continue to inspire us to dream of other worlds. In this chapter, students will look to the skies from multiple perspectives: personal observations, scientific knowledge, and traditional folktales or origin stories created to explain eclipses and the distant planets. 6.1 Clouds6.2 Thunder and Lightning6.3 Painting the Sky6.4 Sun and Moon6.5 Eclipses6.6 Gravitational Forces6.7 The PlanetsChapter 7. PeopleHumans are mammals, and like mammals and other living things, humans travel, have families, build communities, and communicate. In this chapter, students will revisit some of the previous exercises and examine how they relate to humans, specifically how the actions of their families, friends, and communities are closely linked to the patterns that govern plants, animals, water, earth, and sky. Unlike previous exercises, in this chapter, there is minimal instruction to guide you. The first two exercises provide direction, but after that you and your class decide how to explore, structure, and create the dances. People and Plants7.1 Revisiting Maple Keys7.2 Revisiting the Three SistersPeople and Animals7.3 Revisiting Teamwork7.4 Revisiting Herd MigrationsPeople and Water7.5 Revisiting Snow7.6 Revisiting the Water Cycle, Drought, and FloodsPeople and Earth7.7 Revisiting Tectonic Plates7.8 Revisiting VolcanoesPeople and Sky7.9 Revisiting the Moon7.10 Revisiting Our PlanetChapter 8. Other WondersThe world is filled with wonders. The final chapter contains a list of fascinating natural wonders to explore. PlantsCacti and the Desert Environment, Carnivorous Plants, Ferns, Mushrooms and FungiAnimalsFlightless Birds; The Platypus, Jellyfish, and Other Unique Animals; Animal Metamorphosis; Animal ArchitectsWaterTsunamis, Subterranean Rivers, Hurricanes and Typhoons, IcebergsEarthThe Carbon Cycle, Earth’s Core, Gemstones, Fossil Sites and Tar PitsSkyComets, Constellations, Supernovas, Our Galaxy

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Book SynopsisA sumptuous, page-turning historical novel of revenge and redemption set against the backdrop of civil injustice and the rise of Fascism.Trade Review‘A lush and beautifully rendered novel that will keep you turning pages long into the night. Mystery, intrigue, secrets and a vendetta fuel this story, which is ultimately about the meaning of family and the power of love. Brava!’ Adriana Trigiani, New York Times-bestselling author of The Good Left Undone‘This novel whisked me away to 1930s Chicago and all the wonders of the World’s Fair. Family secrets, revenge and women who refuse to do what they're told – an ideal combination. I loved it’ Louise Hare, author of This Lovely City and Miss Aldridge Regrets‘Expansive and emotive, I couldn't put this book down. Amid the intrigue, revenge, and redemption set against the backdrop of the Chicago World's Fair, Anika Scott still manages to make Sinners of Starlight City a deeply intimate story about family with characters that jump off the page. Another notch in Scott's literary belt!’ Catherine Adel West, author of The Two Lives of Sara and Saving Ruby King'Full of Italian mobsters and family strife, this tale of historical fiction and drama will transport readers to the fantasy and glory that was the 1933 World’s Fair’ Booklist

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Book SynopsisThis book focuses on Somatic Movement Dance Therapy and the importance of self-regulation and co-regulation. The chapters attend to self-regulating different tissues through movement, breath, sound and the imagination. Throughout the book the author shares processes and practices that support participants to balance their living tissues, moving from sympathetic arousal into parasympathetic ease and release. The study of the autonomic nervous system and how to innervate the parasympathetic through breath awareness, heart-sensing and intero-ception is the central through-line in the book. Uniquely, Williamson attends to the anatomical and physiological complexity underlying the apparent simplicity of somatic movement dance practice. How to sense-perceive and move with attuned awareness of specific body tissues, such the skeletal-muscular and craniosacral system invites the reader into a deep anatomical and physiological excavation of self-regulation. The interconnectivity of fascia, and the importance of cardio-ception, breath awareness and gravity lie at the heart of this book. Sensory-perceptual awareness of the heart is foregrounded as the most important ingredient in the efficacy of practice, as well as gravi-ception, soft-tissue-rolling and fascial unwinding. Includes a collective foreword from Sarah Whatley, Daniel Deslauriers, Celeste Snowber and Karin Rugman This is a must-read practice-as-research book, for under- and postgraduate students, researchers and educators and especially important for practitioners who feel the weight and condescension of the mechanistic paradigm.Trade ReviewDr. Amanda Williamson is a master teacher and opens up a deeply pedagogical space for understanding on multiple levels, with the sensitivity of an open heart and a poetic eye. This book will be a companion for me and for chiropractors, dancers, somatic therapists, doctors, philosophers, educators, body workers, musicians, therapists and all those who want to nurture the body, mind and soul will find this a magnificent resource. -- Professor Celeste Snowber * Simon Fraser University, Canada *An exceptional artist and compassionate teacher, Amanda Williamson brings a rigorously researched knowledge of the body to this book. The wisdom she has gained through her many years of practice infuses her writing: she shares her insights with generosity and sensitivity. It will be a primary source for all those interested in how to tune the body’s sensory-perceptual pathways to support a profoundly holistic approach to health and well-being. -- Professor Sarah Whatley * Chair in Dance and Director: Centre for Dance Research (C-DaRE) *'Amanda Williamson’s Somatic Movement Dance Therapy: The Healing Art of Self-regulation and Co-regulation is an informative text that illuminates the author’s practice and key influences that inform it. She brings her years of experience to create her work—somatic movement dance therapy—based on improvisation, self-regulation, and co-regulation. This book will be of relevance for anyone interested in a therapeutic application of somatic movement and dance, as well as those interested in deepening their understanding of their body through movement, anatomy, physiology, and a non-western lens that moves away from the “[reduction of] mental health to mechanistic approaches” (186). This text is a welcome addition to courses in somatics—a clear example of a therapeutic practice inviting discourse on the application of somatic practices with strong connections to research in science, psychology, and the mind-body-psyche relationship.' -- Hetty King, Journal of Dance EducationTable of ContentsForeword: Transatlantic Reflections Sarah Whatley, Daniel Deslauriers, Celeste Snowber and Karin Rugman Introduction: The Seabed, Waves and Ripples in this Book Autogenic Self-Regulatory Movement Sympathetic Holding and Parasympathetic Release: Vagal Tone and Social Engagement Fulcrums of Support and Soft Tissue Reorganization Co-regulation, Cardio-ception and the Transpersonal Witness Co-regulatory Touch and Somatic Unwinding Sense-Perceiving the Craniosacral System Soft-Tissue-Rolling and Fascial Health Bibliography

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Book SynopsisKaren Clippinger’s first two editions of Dance Anatomy and Kinesiology were hailed as the standard in the field. This third edition builds on that success by retaining its scientific perspective while making the material even more accessible to students and teachers and by bringing in a significant amount of new material.What’s New? In an effort to further enhance learning, Dance Anatomy and Kinesiology offers a wealth of new material and tools to make this edition the best yet: Nearly 300 anatomical illustrations—now in full color to clearly show muscle movements and technique considerations, setting the book apart from others in its field A new introductory chapter to cover basic terminology all in one place A new recurring Understanding Check element that helps students demonstrate their grasp of the material before moving on An updated suite of online instructor and student ancillaries to support the text New interactive lab activities delivered online through HKPropel More diverse dance styles addressed throughout the book and represented in photographs The instructor guide features a sample syllabus and course outline, chapter outlines, lab assignments, and sample tests. A presentation package provides expanded chapter slides with more in-depth texts and additional graphics, now in color, that reinforce each chapter’s key points. Through HKPropel, students have access to interactive Understanding Check activities, flash cards, practice quizzes, and 19 video clips that demonstrate technique and offer correction guidance. The final chapter is revised to provide a summary and applications, including more practical content in the form of summary figures or tables for bones, joints, muscle actions, and alignment evaluation, as well as sample mat exercises for dance conditioning. And throughout the book, Clippinger has updated content to simplify, add more practical material, and share best practices for injury prevention and rehabilitation.Primary Focus While much is new in this third edition, the book retains its emphasis on presenting the anatomical and kinesiological material that is essential for dancers to understand. The text includes descriptions of joint structure, key muscles, movement analysis, sample strength and flexibility exercises, common alignment problems, select joint mechanics, and special considerations for dance for each region of the body. The new edition still features the Concept Demonstration and Dance Cues special elements. The former provides movement experiences for dancers to better understand potentially difficult concepts, while the latter helps the dancer reflect on the anatomical basis of commonly used cues used in teaching dance technique.Empowers Instructors and Dancers This new edition of Dance Anatomy and Kinesiology will give teachers a clearer picture of the anatomical and kinesiological factors that aid in generating technique cues and identifying technique problems, and it will help them become more effective and empower dancers to realize their potential and artistic vision. Note: A code for accessing HKPropel is included with this ebook.Table of ContentsChapter 1. Fundamental Anatomical Terms for Understanding Movement Positional and Directional Terms Rotary Motion, Anatomical Planes, and Axes Joint Movement Terms SummaryChapter 2. The Skeletal System and Its Movements Bone Composition and Structure The Human Skeleton Classification and Structure of Joints Joint Mechanics in Functional Movement SummaryChapter 3. The Muscular System and Its Movements Skeletal Muscle Properties Microscopic Structure of a Muscle Fiber and Muscle Contraction Muscle Architecture Muscle Attachments to Bone Contribution of Connective Tissue to Muscle Behavior Muscles, Levers, and Rotary Motion Types of Muscle Contraction and Torque Muscular Considerations in Functional Movement Muscles and Movement Analysis SummaryChapter 4. The Spine Bones and Bony Landmarks of the Spine Joint Structure and Movements of the Vertebral Column Description and Functions of Individual Muscles of the Spine Muscular Analysis of Spinal Movements Ideal Spinal Alignment and Common Deviations Spinal Mechanics Special Considerations for the Spine in Dance Spine Injuries in Dancers SummaryChapter 5. The Pelvic Girdle and Hip Joint Bones and Bony Landmarks of the Hip Region Joint Structure and Movements of the Pelvic Girdle Joint Structure and Movements of the Hip Description and Functions of Individual Hip Muscles Muscular Analysis of Hip Movements Alignment and Common Deviations of the Hip Region Pelvic and Hip Mechanics Special Considerations for the Hip Region in Dance Hip Injuries in Dancers SummaryChapter 6. The Knee and Patellofemoral Joints Bones and Bony Landmarks of the Knee Region Joint Structure and Movements of the Knee Description and Functions of Individual Knee Muscles Muscular Analysis of Knee Movements Alignment and Common Deviations of the Knee Knee Mechanics Structure and Movements of the Patellofemoral Joint Patellofemoral Alignment and the Q Angle Patellofemoral Mechanics and Compression Forces Special Considerations for the Knee Region in Dance Knee Injuries in Dancers SummaryChapter 7. The Ankle and Foot Bones and Bony Landmarks of the Ankle and Foot Joint Structure and Movements of the Ankle and Foot Description and Functions of Individual Ankle–Foot Muscles Muscular Analysis of Ankle–Foot Movements Alignment and Common Deviations of the Ankle–Foot Ankle–Foot Mechanics Special Considerations for the Ankle and Foot in Dance Ankle and Foot Injuries in Dancers SummaryChapter 8. The Upper Extremity Bones and Bony Landmarks of the Shoulder Complex Joint Structure and Movements of the Shoulder Girdle Joint Structure and Movements of the Shoulder Description and Functions of Individual Muscles of the Shoulder Complex Muscular Analysis of Movements of the Shoulder Complex Alignment and Common Deviations of the Shoulder Complex Mechanics of the Shoulder Complex Bones, Joint Structure, and Movements of the Elbow Joint Description and Functions of Selected Individual Elbow Muscles Muscular Analysis of Elbow Movements Alignment and Common Deviations of the Elbow Bones, Joint Structure, Movements, and Muscles of Selected Other Upper Extremity Joints Special Considerations for the Upper Extremity in Dance Upper Extremity Injuries in Dancers SummaryChapter 9. Summary and Applications Structure, Alignment, and Mechanics of Key Joints Key Muscles and Their Movements Sample Conditioning Exercises Observation and Corrective Measures for Key Alignment and Technique Problems Anatomical Movement Analysis Schema for Whole-Body Movements Sample Anatomical Movement Analysis with Research Supplements Dance Movement Cues Summary

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Book SynopsisModeling a disability culture perspective on performance practice toward socially just futures In Eco Soma, Petra Kuppers asks readers to be alert to their own embodied responses to art practice and to pay attention to themselves as active participants in a shared sociocultural world. Reading contemporary performance encounters and artful engagements, this book models a disability culture sensitivity to living in a shared world, oriented toward more socially just futures.Eco soma methods mix and merge realities on the edges of lived experience and site-specific performance. Kuppers invites us to become moths, sprout gills, listen to our heart’s drum, and take starships into crip time. And fantasy is central to these engagements: feeling/sensing monsters, catastrophes, golden lines, heartbeats, injured sharks, dotted salamanders, kissing mammoths, and more. Kuppers illuminates ecopoetic disability culture perspectives, contending that disabled people and their co-conspirators make art to live in a changing world, in contact with feminist, queer, trans, racialized, and Indigenous art projects. By offering new ways to think, frame, and feel “environments,” Kuppers focuses on art-based methods of envisioning change and argues that disability can offer imaginative ways toward living well and with agency in change, unrest, and challenge.Traditional somatics teach us how to fine-tune our introspective senses and to open up the world of our own bodies, while eco soma methods extend that attention toward the creative possibilities of the reach between self, others, and the land. Eco Soma proposes an art/life method of sensory tuning to the inside and the outside simultaneously, a method that allows for a wider opening toward ethical cohabitation with human and more-than-human others.Trade Review "Petra Kuppers breathes us through connections between embodiment and the earth, weaving queer studies and disability studies into self-guided explorations. Her imagistic text evokes dancing—the pull of gravity and the shifting perspectives of bodies in flow. She moves, she writes, we respond to her autobiographical narratives of environmental spaces and social places."—Anita Gonzalez, Georgetown University (cofounder of Georgetown University’s Racial Justice Institute) "There is absolutely nothing like Eco Soma in any field. Petra Kuppers provides a much-needed model for what interdisciplinary arts-based research can be, and her work is always put into the context of the lived reality of minoritized communities. She shows us how to write about bodies as she does—unflinchingly, while maintaining respect and dignity."—Carrie Sandahl, director, Program on Disability Art, Culture, and Humanities, University of Illinois at Chicago "Petra Kuppers’s grounded and reflective investigation encourages generative dialogue within and beyond disability performance studies. Sharing many vivid examples drawn from diverse community scales and sites, her eco soma method both illuminates and prompts creative reimaginings of relations between self, land, other humans, and more-than-humans. Answering the urgent call for multidisciplinary work to address climate catastrophe, she reveals the profound power of art-based methods to engage the body, forge connection, and enact change."—Kirsty Johnston, University of British Columbia (located on the traditional, ancestral, and unceded territories of the Musqueam (xʷməθkʷəy̓əm) people) "Kuppers's spectral disability approach makes this book an ideal companion for revising older canons and theories, through embodied encounters with activist community performance... The labour of reading this layered and performative text generates new research trajectories through realms of sense, affect, and relation."—Research in Drama Education "Kuppers animates the concepts of disability culture with unexplored ways of witnessing performances through uncertain being and identifying. The fundamental questions Kuppers gently invites the readers to explore about their own encounters and identifications with the human, nonhuman and fantastic worlds are especially important for a world grappling with the continued realities of a global pandemic, of reassessing one’s place and purpose, privileges and uncertainties."—Synapsis "Engaging with the intersection of the self and the environment in the wide array of well-chosen performances it analyses, Petra Kuppers’s Eco Soma substantially invites a rethinking of material enmeshments embodied in the self that is marked by various agencies—be they geographical, historical, or cultural."—Ecocene "Relevant and grounding."—Wordgathering "The text models a form of inquiry, inviting the reader to take a journey through the author’s collection of embodied performance witnessing and become aware of how one encounters the world through the discovery of involved witnessing."—Synapsis Journal "Eco Soma reads like a historical recipe for imagined futures, one that invites you to add a pinch of your favorite spice to make it smell of home and taste like possibility."—Research in Arts and Education "Kuppers’s book puts forward appropriate ways for diverse bodyminds to access the spaciousness as well as the peacefulness of being with nature, subsequently offering revolutionary ways of thinking about complex embodiment and issues of belonging and accessibility in cultural work."—Journal of Literary & Cultural Disability Studies "Petra Kuppers moves in a refreshing worldscape of academic writing. In the introduction to Eco Soma, I am invited into her private space, her own study, her nest on the ground. From here, she takes me by the hand and guides me through stories and reflections from her personal and artistic life and practice as an academic, mover, facilitator and performance witness."—Journal of Dance and Somatic Practices Table of ContentsContentsPreface: From Ecosomatics to Eco Soma1. Social Somatics: Tentacular Methods on the Horizon2. Edges of Water and Land: Indigenous/Settler Eco Soma Collaborations3. Un/Bounding: Writing Water Worlds4. Crip Time, Rhythms, and Slow Rays: Speculative EmbodimentCoda: OraclesAcknowledgmentsBibliographyIndex

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Book SynopsisThis book explores the therapeutic use of touch, focusing on an in-depth case study of work in an NHS setting with a client with learning disabilities, and situating this within a wide theoretical context. This is a unique and influential study illustrating the impact of touch in dance movement psychotherapy and laying the ground for a theory on the use of touch in Dance Movement Psychotherapy (DMP). The case study illustrates the impact of touch upon the therapeutic relationship with the use of video transcription and descriptive reflexive accounts of the session content. The case analysis sections establish the ground for a paradigm shift, and for emergent theory and methods in support of the use of touch in Dance Movement Psychotherapy and other contexts. The role touch takes is beyond its affect, which expands our understanding of its potency as an intervention. The writing is embedded in many years of practice-led-research in the field of dance and somatic practices, in particular Body-Mind Centering® and Contact Improvisation, in which touching and being touched is met with curiosity as a place of insight and revelation, beyond the bounds of taboo and social diktat. The study considers the philosophical landscape of both touch and non-touch. This book explores and reflects upon the use of touch, considering the wider context and socially imposed perceptions that would prevent touch from taking place – including philosophical and social discourses. Through telling the story of a client case, the book offers a wealth of thought-provoking content to inspire continued dialogue. Key strengths of this book are the depth, warmth and perceptiveness of the case history, and the way in which this is successfully linked with theory. Particular attention is paid to embodied cognition and exosystemic theory, the two leading developments of current thinking. With the ethical, practical and philosophical content, the book will be of interest to psychotherapists, health and social care practitioners, as well as arts in health practitioners and beneficiaries in educational programs and settings. Primary readership will be among DMP psychotherapists, body psychotherapists, drama therapists, Body Mind Centering® practitioners, arts in health practitioners, people working with clients with learning disabilities and any practitioner and researcher interested in understanding the role touch may play in the psychotherapeutic encounter.Table of ContentsList of figures Preface and chapter summary Acknowledgements Abbreviations Chapter 1. Introduction 1.1 Background: Touch a natural language 1.2 A 'touch revolution' in a dance–sport called contact improvisation 1.3 The sensory and sexual differentiation of touch, co-operation and responsibility 1.4 Touch - a way of 'seeing' or a mutual place of being? 1.5 The psychotherapist becomes researcher Chapter 2. The personal and professional quests 2.1 The sensory acuity of touch – contemplating a pathway of change 2.2 Literature on touch; the absent body - the 'touch or no-touch' debate 2.3 The pro-touch discourse explored and explained 2.4 Relational aspects; the subjectivities of 'touching subject' - 'touched object' 2.5 Theories of consciousness 2.6 The matter of the psyche; or what matter is the psyche? Summary Chapter 3. The research design – defining roles 3.1. A qualitative framework and mixed method approach 3.2. Defining the selves: The multiple subjectivities 3.3. Data analysis – methods and implementation Chapter 4. Embodied Ethics 4.1. Earning legitimacy and ethical approval 4.2. Towards an embodied ethics; a phenomenological insight 4.3. The Research Governance Framework, an intransigent construct 4.4. The ethical demise of embodied ethics 4.5. The Integrated Research Application System (IRAS) Chapter 5. CASE STUDY SESSION 1: Transcript and data analysis 'You child angry heart?' Amanda as participant; managing autonomy. Chapter 6. CASE STUDY SESSION 4: Transcript and data analysis Establishing a mutual language; beyond good and bad touch Towards introspection, an intrapersonal and transpersonal approach Tying in the thread of integrative approaches to Dance Movement Psychotherapy Chapter 7. CASE STUDY SESSION 6: Transcript and data analysis Chapter 8. FINDING AN ENDING AND EMERGENT THEORY Chapter 9. TOWARDS A THEORY OF RECEPTIVITY; Touching once again upon touch Arriving at receptivity – an 'ethic of care' (Etherington 2007: 604). The pre-ontological space and time domain of the body Appendix 1. Embodied Ethics continued Part 1. The co-researcher role and the ethics of inclusive research-seduction or sensitivity, occlusion or collusion; a question of 'capacity'? Part 2. Ethical issues in mixed methodological research Part 3. Hope at Hand – the ethics of research and the ethics of treatment Summary Appendix 2. For Chapter 5, diagrams 1-4 and 5. (i) and (ii) Appendix 3. For Chapter 6. Prehension theory diagram, Appendix 4. For Chapter 8. Client competence, session 1 and 10 Appendix 5. Martz and Lindy, The trauma Membrane Concept (2010) Appendix 6. Perceptual-Response Cycle

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Book SynopsisWritten by a group of dedicated flamenco enthusiasts this book traces the history and development of flamenco the stirring form of folk dance created by the gypsies of the Andalusian region of Spain in the 19th century and still popular today.

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Book SynopsisChange your life for the better, starting today, with this primer on positivity from Strictly star and It Takes Two host, Janette Manrara.Whether you're looking to boost your happiness, advance your career or manifest your big life goals, Janette's delightful blend of advice, inspiration and life lessons from her time on stage and screen is just what you need.Divided into four key pillars: Acceptance, Reflection, The Work and Discovery, her tried-and-true life advice centres around learning to love yourself. Each chapter offers hard-won wisdom alongside practical techniques to apply that wisdom to your own life, complete with all the steps to take to make your goals a reality. Janette is here to motivate you, empower you, spark joy and remind you that you are amazing.Along the way, Janette shares her own poignant stories, from her childhood in a large Cuban family in Florida and her decision to pursue a career in dance to her big break on So You Think You Can Dance and finally, Strictl

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Book SynopsisHe was the Man in Black, a country music legend, and the quintessential American troubadour. He was an icon of rugged individualism who had been to hell and back, telling the tale as never before. In his unforgettable autobiography, Johnny Cash tells the truth about the highs and lows, the struggles and hard-won triumphs, and the people who shaped him.In his own words, Cash set the record straight -- and dispelled a few myths -- as he looked unsparingly at his remarkable life: from the joys of his boyhood in Dyess, Arkansas to superstardom in Nashville, Tennessee, the road of Cash''s life has been anything but smooth. Cash writes of the thrill of playing with Elvis, the comfort of praying with Billy Graham; of his battles with addiction and of the devotion of his wife, June; of his gratitude for life, and of his thoughts on what the afterlife may bring. Here, too, are the friends of a lifetime, including Willie Nelson, Roy Orbison, Bob Dylan, and Kris Kristofferson. As powerf

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Book SynopsisInvites us to step back into an era when the hourglass figure was in vogue and striptease was a true art form. This title reveals the personal journeys of yesteryear's icons of female sexuality and power, restoring their legacy to an age that has all but forgotten them - despite resurgence of the art of burlesque.Trade Review"This coffee table treasure serves as ... a fitting paean to this once-forgotten generation of women." -- Publishers Weekly (starred review) "Liz Goldwyn illustrates an era in classic American entertainment with hundreds of archival photographs, costume sketches and newspaper clips." -- Time "Pretty Things is now the most comprehensive study on the era of burlesque." -- V Magazine "In Liz Goldwyn's Pretty Things, stripteasers bump and grind into the often dark reality of modern burlesque queens." -- Vanity Fair "The art of burlesque is lovingly documented through long-lost photographs as well as designer sketches and interviews." -- W magazine "[Pretty Things] celebrates the performers once dismissed as second-class citizens." -- Tatler

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Book Synopsis

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Book SynopsisFrom the #1 New York Times bestselling McElroy Brothers, creators of the hit podcasts My Brother, My Brother and Me and The Adventure Zone, comes a helpful and hilarious how-to podcast guide covering everything you need to know to make, produce, edit, and promote a podcast…and get rich* doing it! (*Results not guaranteed.)Justin, Travis, and Griffin McElroy made their names as “advice giving brothers who have no business giving advice” (New York Times) on the hit podcast My Brother, My Brother and Me. But while they may not have the best relationship or workplace advice, they certainly make you laugh, and they do know a thing or two about podcasting.   In fact, the McElroy Brothers have spent the last decade making podcasts, including My Brother, My Brother and Me; The Adventure Zone; Sawbones; and more. From their start, independently producing and releasing the early episodes of My Brother, My Brother and Me, to their eleven currently available podcasts, the McElroys have become experts in creating successful podcasts. And now, they want to share what they’ve learned with you. In Everybody Has a Podcast (Except You), the McElroy Brothers will walk you through the process of turning an idea into ear-candy for legions of fans, sharing their expertise on everything from deciding on an effective name (definitely not something like My Brother, My Brother and Me), what type of microphone to use (definitely not one from the video game Rock Band), to making lots and lots of money (spoiler: you probably won’t). A must-read for anyone interested in podcasting, Everybody Has a Podcast (Except You) shares the keys to success as well as the mistakes to avoid and draws on the vast experiences of three of the funniest and most successful podcasters working today.

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Book SynopsisTrade Review“We Promised You a Great Main Event is a fascinating dive into the physical art of modern-day wrestling entertainment and the unbelievable characters who make it work in the ring and the back, and a curiously heartwarming indictment of what neglects we allow in the name of entertainment. Highly recommended for both wrestling and non-wrestling fans alike.” — Chris Kluwe "Bill Hanstock loves wrestling more than most people love their families, even though he knows how silly it can be. That's exactly the kind of voice you want writing a comprehensive history of the sport, and he nails it, from the early days of the McMahon empire to its future. This is an impressive tome that's required reading for wrestling fans." — Grant Brisbee, The Athletic "A welcome WWE history that takes us from the very beginning all the way to the new challengers of AEW, streaming wrestling, and COVID-19, Hanstock's (at times personal) history never loses its love for the legend, commitment to the backstory, well-earned heartbreak, and sense of the moral, the metatextual, and the absurd that—to varying degrees—always lie at the heart of loving the squared circle." — Jeb Lund, former columnist, Rolling Stone, The Guardian, Gawker, OOWrestling "Bill Hanstock's We Promised You A Great Main Event looks at the complete WWE story with heartfelt nostalgia while still managing to be incisive and deeply analytical about the world of professional wrestling....This may be an "unauthorized" history but it's definitive nevertheless." — David Dennis Jr., Morehouse Journalism Professor and writer "This book is a ticket to the ridiculous, uniquely American history of WWE, and Bill Hanstock (the funny smart friend who brought you to the show) keeps up a non-stop stream of fascinating, often hilarious, sometimes disturbing backstory as an endless parade of larger-than-life characters charge into the ring." — DC Pierson, author, The Boy Who Couldn’t Sleep And Never Had To

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Book SynopsisTrade Review“Those who like their beach books with a lot of drama will find what they’re looking for—and then some. Summer Stage is best enjoyed for its setting (in its varied loveliness Block Island becomes almost another character), for its observations about the changing nature of fame, and for its occasional sly commentary.” — Wall Street Journal “Meg Mitchell Moore kept me flipping pages late into the night in a new novel about the fleeting nature of notoriety, the darker side of fame, and how, sometimes, simply saying yes can change our lives in the most unexpected ways. Set against the backdrop of a revival of Much Ado About Nothing on beautiful Block Island, a mother, daughter, and uncle—each struggling to reinvent themselves—will learn that, while you can’t change an iconic play, it’s never too late to rewrite your own story. Summer Stage is a five-star novel that deserves a standing ovation! And Meg Mitchell Moore has a permanent place on my list of favorite authors.” — Kristy Woodson Harvey, New York Times bestselling author of The Wedding Veil “Moore brings summer theatre to life in her sparkling latest. The relationships feel real and engaging, and the dialogue is sharp and snappy, with smart writing that examines familial relationships with insight and aplomb. This one’s equally charming and satisfying.” — Publishers Weekly (starred review) “Moore's latest deliciously captures the energy of a summer of creativity with this ensemble piece, combining a strong sense of place with likable narrators. From Sam’s stubborn vulnerability to Amy’s competence that belies bigger dreams, the characters are both relatable and aspirational. Give this to fans of Elin Hilderbrand and The Summer Set, by Aimee Agresti.” — Booklist (starred review) “Moore has created a story that unfolds much like a hot summer day at the beach—slow and languid and spiced up with a bit of drama. A light beach read that also examines the benefits and costs of celebrity.” — Kirkus Reviews "One of my own favorite writers." — Elin Hilderbrand “A family of actors encounter more than they bargained for during a summer on Block Island, which finds them mounting a production while dealing with secrets, ambition, and self-discovery.” — Southern Living “There’s sun, sea and major drama—you’ll be carried away.” — People on Vacationland "Irresistible." — Vogue.com on Vacationland "What a pleasure to open Vacationland by Meg Mitchell Moore and be invited for the summer to midcoast Maine. A novel full of rich, complex characters, deep blue-gray ocean views, and simmering secrets, Vacationland is as sophisticated and delicious as lobster bisque." — Amanda Eyre Ward, New York Times bestselling author of The Jetsetters and The Lifeguards "Engrossing....A truly lovely tale of families, love, mistakes, forgiveness, and, yes, happiness." — Kirkus Reviews on Vacationland "Delectable...Readers are in for a treat." — Publishers Weekly on Vacationland

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Book SynopsisNorman Wisdom''s early years could easily have come straight from the pages of a Dickens novel. Left by their frightened mother, ill-treated by a brutal father, Norman and his brother were forced to fend for themselves, sleeping rough in London and stealing food to survive. This is a rags to riches tale of the man Charlie Chaplin said would take his mantle and who went on to make millions laugh around the world for over five decades. Here are the hardships, tragedies and triumphs that gave him his inspiration. From the days working the seasons at Scarborough, to the unforgettable and endearing character Norman Pitkin - the little man in a tight fitting suit, read of his rapid climb up the showbiz ladder.Trade ReviewA classic rags-to-riches saga * The Spectator *

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Book SynopsisThe plays of Euripides have stimulated audiences since the fifth century BC. This volume, containing Phoenician Women, Bacchae, Iphigenia at Aulis, Orestes, and Rhesuscompletes the new editions of Euripides in Penguin Classics.Features a general introduction, individual prefaces to each play, chronology, notes, bibliography, and glossaryTable of ContentsThe Bacchae and Other PlaysGeneral IntroductionChronological TableNote on the TextTranslator's NotePreface to Phoenician WomenPhoenician WomenPreface to OrestesOrestesPreface to BacchaeBacchaePreface to Iphigenia at AulisIphigenia at AulisPreface to RhesusRhesusNotesBibliographyGlossary of Mythological and Geographical Names

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Book SynopsisBody Impossible theorizes the concept of virtuosity in contemporary dance and performance through a study of the career of dancer Desmond Richardson. A virtuoso for the ages, Richardson is renowned for delivering commanding performances over decades in contexts ranging from the stages of the Alvin Ailey American Dance Theater and Ballett Frankfurt to featured appearances with Michael Jackson and Prince, along with his work as co-founder of Complexions Contemporary Ballet, inaugurating a virtuosic queer black aesthetic with choreographer Dwight Rhoden. Focusing on Richardson''s creative insistence on improvisatory fun and excellence throughout the decades approaching the millennium (shaped by Reaganism, the Culture Wars, the AIDS epidemic, the New Jim Crow, and MTV), this book brings dance into conversation with paradigms of blackness, queerness, masculinity, and class in order to generate a socioculturally attentive understanding of virtuosity. Virtuosity obscures the border between p

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Book SynopsisPerforming Time explores our experience of time in dance and music, from the perspectives of both performers and audience, and informed by the most recent research in dance science, musicology, neuroscience, and psychology.Table of Contents0: Wöllner & London: Introduction to Performing Time 1 Foundations: The Flow of Time in Music and Dance 1: Bettina Bläsing: Time experiences in dance 2: Mariusz Kozak: Varieties of musical temporality 3: Keith Doelling, Sophie Herbst, Luc Arnal & Virginie van Wassenhove: Psychological and neuroscientific foundations of rhythms and timing 4: Sylvie Droit-Volet & Natalia Martinelli: The psychological underpinnings of feelings of the passage of time 2 Duration, Tempo and Pacing in Performance and Perception 5: Justin London: What is musical tempo? 6: Renee Conroy: Telling time: Dancers, dancemakers, and audience members 7: Molly Henry & Sonja Kotz: Preferred tempo and its relation to personal sense of time and temporal flow 8: Coline Joufflineau: Time through the magnifying glass of slowness: a case study in Myriam Gourfink's choreography 9: Alexander Jensenius: Standing still together: Reflections on a one-year-long exploration of human micromotion 10: David Hammerschmidt: Spontaneous motor tempo: A window into the inner sense of time 11: Mari Romarheim Haugen: An embodied perspective on rhythm in music-dance genres 3 Synchrony: Keeping Together in Time 12: Guy Madison: Moving together in music and dance - features of entrainment and sensorimotor synchronisation 13: Werner Goebl & Laura Bishop: Joint shaping of musical time: How togetherness emerges in music ensemble performance 14: Julien Laroche, Tommi Himberg & Asaf Bachrach: Making time together: An exploration of participatory time-making through collective dance improvisation 15: Birgitta Burger & Petri Toiviainen: Time and synchronisation in dance movement 16: Simone Dalla Bella: Unravelling individual differences in synchronizing to the beat of music 17: Anne Danielsen: Shaping the beat bin in computer-based grooves 18: Matthew H. Woolhouse: The 'synchrony effect' in dance: how rhythmic scaffolding and vision facilitate social cohesion 4 Performance Time Experienced: Attention, Expectation and Groove 19: Clemens Wöllner: Changes in psychological time when attending to different temporal structures in music 20: Pieter-Jan Maes & Marc Leman: Expressive timing in music and dance interactions: a dynamic perspective 21: Psyche Loui: Temporal aspects of musical expectancy and creativity in improvisation: A review of recent neuroscientific studies and an updated model 22: Anna Pakes: Experiences of time in boring dance 23: Jason Noble, Tanor Bonin, Roger Dean & Stephen McAdams: Evaluating the psychological reality of alternate temporalities in contemporary music: Empirical case studies of Gérard Grisey's Vortex Temporum 24: Kristina Knowles & Richard Ashley: Measuring experienced time while listening to music 25: Jan Stupacher, Michael Hove & Peter Vuust: The experience of musical groove: body movement, pleasure, and social bonding 5 Conclusions: Capturing Time in Performance and Science 26: Marc Wittmann: Embodied time: what the psychology and neuroscience of time can learn from the performing arts 27: Russell Hartenberger: Learning to feel the time: Reflections of a percussionist 28: Henry Daniel, Justin London: Performing and feeling time in contemporary dance 29: Kent Nagano, Clemens Wöllner: Music is a unique artform because of the temporal aspect 30: Stewart Copeland & Daniel Levitin: Timing, tempo and rhythm: Evidence from the laboratory and the concert stage

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Book SynopsisChronicles the Alvin Ailey Dance Theatre's journey from small modern dance company to one of the premier institutions of African-American culture. This book charts the troupe's rise to national and international renown, and contextualizes its progress within the civil rights, women's rights, and gay rights struggles of the late 20th century.Trade Review"In Dancing Revelations: Alvin Ailey's Embodiment of African American Culture, Thomas F. DeFrantz sets out to provide an appraisal of one of the most important figures in the short history of American modern dance, as well as a 'stabilizing narrative' of his work. The result is an impeccable piece of dance scholarship--one that achieves its objectives and affirms Ailey's contribution to the African-American cultural canon...Dance students, scholars, and Ailey enthusiasts will all value this groundbreaking study."--Times Literary Supplement"Dancing Revelations is an enjoyable read, not only for those concerned with Ailey's dances as they relate to larger struggles within American society, but for anyone who loves the art and artist."--Dance Magazine"Specialists in dance will find it a provocative analysis of Ailey and his contributions to American modern dance.""DeFrantz's study...is not the first book about the protean Ailey, who was born in hardscrabble Texas in 1931 and died in 1989 after creating close to 80 works. But it is perhaps the most comprehensive, combining biography, criticism, the analysis of dance criticism, and a sort of corporate history, siting the now firmly established Alvin Ailey American Dance Theater in the international cultural landscape."--Village Voice"Alvin Ailey was a warm and generous mentor and friend. He was also an artistic genius of the dance. Dancing Revelations is a valuable resource for everyone who has enjoyed a performance by the Alvin Ailey Aemerican Dance Theater."--Sylvia Waters, Artistic Director, Ailey II"Alvin Ailey founded America's most famous dance company and created in Revelations its best known dance composition. Our wish for an appraisal of Ailey the artist and for a probing analysis of his choreography has been brilliantly answered by Thomas DeFrantz in this richly textured exploration of the Ailey legacy. The scholarship is impeccable, the analysis profound. Dancing Revelations is superb. Bravo!"--Richard A. Long, author, The Black Tradition in American Dance"Surely Alvin Ailey's Choreographic Legacy deserves serious scrutiny. Finally, Thomas DeFrantz offers a complete analysis of Ailey's dances and their meaning. An important volume for anyone interested in the history of dance, African American culture, and how modern dance is viewed around the world today."--Donald Byrd, choreographer and Artistic Director, Spectrum Dance TheaterTable of ContentsContents Preface Acknowledgements Introduction Revelations 1962 Early Dances Early Company Revelations II 1969 Touring, Touring, Touring Reflecting a Spectrum of Experience Other Dances Ailey Celebrates Ellington Ailey's Construction of Gender and Spectatorship Later Dances Concluding Moves Appendix: Choreography by Alvin Ailey Bibliography Index

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Table of ContentsForeword by Martha Swope ; Preface ; 1. Introduction ; 2. Balance ; 3. Motions Without Turns ; 4. Pirouettes ; 5. Turns in the Air ; 6. The Pas de Deux ; 7. The Mechanics of Partnered Turns ; 8. The Mechanics of Lifts ; 9. The Effects of Body Size ; 10. A Step into the Future ; Appendix A - Linear Mechanics and Newton's Laws ; Appendix B - Rotational Mechanics ; Appendix C - Anatomical Data for Dancers ; Appendix D - Rotational Inertia for Some Body Configurations ; Appendix E - Acceleration Away from Balance ; Appendix F - Off-Balance Pirouettes ; Appendix G - Arabesque Turn Analysis ; Appendix H - Quantitative Analysis of the Grande Pirouette ; Appendix I - Quantitative Analysis of the Fouette Turn ; Appendix J - Quantitative Analysis of the Supported Fouette Turn ; Appendix K - Lean, Don't Slip ; Appendix L - Biomechanical Forces in a Dancer's Body ; Glossary ; Index

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Book SynopsisIn How to Market the Arts: A Practical Approach for the 21st Century, expert authors Anthony Rhine and Jay Pension provide a new and practical paradigm to explain how nonprofit arts marketing can and should work.Trade ReviewThis is a much-needed resource and exploration of what it takes to promote the nonprofit arts sector at this time of change and transformation. Rhine and Pension have created a new approach, not only to how we sell our work, but how we can view the process of making and selling more holistically, as two halves of the same necessary whole. * Melia Bensussen, Artistic Director, Hartford Stage & Professor, Emerson College *This book proposes a compelling new approach that transforms conventional marketing paradigms into a more flexible and appropriate framework for nonprofit arts organizations. By redefining notions of marketing and "engagement," the authors help us see that the art we create and present is not an end in itself, but rather a powerful vehicle to serve our community and transform the world. Artists and arts administrators alike should take notice. * Jeffrey Nytch, author of The Entrepreneurial Muse: Inspiring Your Career in Classical Music *Through a practical lens, Rhine and Pension provide the reader with a clear understanding on marketing and engagement. The text covers a complete range of topics fundamental to the four Ps of marketing to the four Es of engagement. This invaluable resource is not only effective for performing arts administrators, but also business and management students, liberal arts students, and anyone enrolled in a leadership program. Their theoretical approach emphasizes a review of nonprofit arts, as well as useful steps an organization might take to increase its visibility and appeal. * James A. Filippelli, Associate Professor of Fine and Performing Arts, Dominican University, located in Rockland County, New York *Education, experience, engagement, environment, and ease of access complete the model for success. This book clearly develops a new approach to marketing the arts and, as a result, will prove beneficial for all. * James Filipelli, Dominican University New York *Table of ContentsPreface Introduction Part 1: Marketing Versus Engagement Chapter 1: Setting the Stage: A Shift from Traditional Marketing Chapter 2: Engagement Part 2: Education Chapter 3:Contrasting Frameworks: Promotion and Education Chapter 4: Promotion and the Arts Chapter 5: Education and the Arts Part 3: Experience Chapter 6: Contrasting Frameworks: Product and Experience Chapter 7: Product and the Arts Chapter 8: Experience and the Arts Part 4: Environment Chapter 9: Contrasting Frameworks: Place and Environment Chapter 10: Place and the Arts Chapter 11: Environment and the Arts Part 5: Ease of Access Chapter 12: Contrasting Frameworks: Price and Ease of Access Chapter 13: Price and the Arts Chapter 14: Ease of Access and the Arts Conclusion: Piecing Everything Together

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Book SynopsisThis book introduces the reader to the reflective practice of Functional Awareness®. It uses foundational information of anatomy and motor learning to guide the reader toward a deeper understanding of their personal body structure. Each chapter provides essentials in functional anatomy with movement explorations and over 60 beautiful illustrations to buoy the reader through the content.Table of ContentsIntroduction 1. The Relationship of Habit to Dance Training 2. Dynamic Alignment and the 4Rs 3. Impact of Thinking on Doing 4. Motions of the Trunk and Use of Spiral 5. Core Support 6. The Pelvis and Hip Joint 7. The Knee 8. The Ankle and Foot 9. Walking and Weight Shift 10. Expressivity of Arms 11. Breath 12. Restore Toward Balance Works Cited Glossary of Terms in Human Anatomy Index

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Book SynopsisLa Nijinska is the first biography of twentieth-century ballet's premier female choreographer, shedding new light on the modern history of ballet, and recuperating the memory of lost works and forgotten artists, all while revealing the sexism that still confronts women choreographers in the ballet world.Trade ReviewLa Nijinska reveals why some choreographers become canonized and illustrates the process's inseparability from external funding, gender, race, class, and ethnicity. * MARA MANDRADJIEFF, DANCE CHRONICLE *Esteemed dance historian Lynn Garafola meticulously chronicles this life -- in the first full Nijinska biography ever * Mindy Aloff, Wendy Perron *La Nijinska realigns dance history and does long-overdue justice to one of the twentieth century's great women artists. * Alastair Macauley, The New York Review of Books *In a year of great books about dance, this biography of Vaslav Nijinskys sister, Bronislava, stands out... Sensational and enraging. * Sarah Crompton and Robbie Millen, 7 best film and theatre books of 2022, Sunday Times *Blessedly free of academic dance jargon... Garafola's writing style is clear, unfussy, and easy to digest. She presents us, however, with the life of an immensely talented choreographer whose artistic ambition remained thwarted and unfulfilled. It's a sad story but one I urge you to discover for yourself. * Jonathan Gray *... an engrossing book, which gives full weight to an extraordinary life... It is the art that is the ultimate subject of Garafolas book, and she does a triumphant job of reasserting its importance and recreating its impact. So few of Nijinskas works survive that is good to be reminded of just how significant many were when they were first seen, and how wide her influence was on succeeding generations... * Sarah Crompton, The Spectator *Lynn Garafola, doyenne of ballet historians, has produced a scrupulously researched biography of a remarkable woman... Garafola's biography of this brave and complex woman is as judicious as it is sensitive. I recently completed a modest book covering some of the same field. I only wish I had been able to incorporate her meticulous scholarship before it went to press. * Rupert Christiansen, Literary Review *... serious and thoroughly researched study of ballet's leading female choreographer... [an] excellent and thoughtful book. * Gillian Spickernell, The Lady *fascinating, and very well researched * Avatâra Ayuso, ONE *It's gratifying when a biographer and her subject are as perfectly matches as these two are. Everything in Lynn Garafola's prior life - her authorship of a major work on Serge Diaghilev's Ballets Russes, her investigations into other ballet and modern dance companies, her years of teaching in Barnard's eminent dance department - prepared her to accomplish this challenging task. And for Bronislava Nijinska, the long-neglected sister of Vaslav Nijinsky, it's nothing short of a resuscitation. Left out of the ballet history in which she actively participated ... she now has been brought to life by this first-ever biography. * Wendy Lesser, New York Times *Finally the biography she deserves. * Dance International *Nijinska could not have hoped for a more sympathetic and conscientious biographer than Garafola.... She understands the physical, educational, visual, dramatic, political, interpersonal, and financial aspects of the dance industry from the inside out. * Harlow Robinson, Los Angeles Review of Books *[Nijinska's] life after 1924 is known only in sketchy form, though Garafola does a tremendous job of resurrecting it. * Marcia Siegel, Hudson Review *A biography ... told in rich, fascinating detail. * Jennifer Wilson, The Nation *Garafola documents the ways in which a misogynistic establishment undermined Nijinska's achievements and argues that, despite this, her ideas about the relationship between movement and music helped shape the modern art of ballet. * The New Yorker *La Nijinska is a wonderful read; a window into the life of a woman who, for decades, was the world's leading female choreographer.... A big but gratifying read. Garafola provides a previously sketchy, monochrome account of history in color for the first time. * Seeing Dance *A fascinating account of life and work of the great and enigmatic Bronislava Nijinska, who left us a couple of ballets of genius and many unanswered questions. Nijinska, the most influential woman choreographer in classical ballet, was an inspiration for many generations of dance makers, and yet many aspects of her life remained poorly researched and unknown, partly because her memoirs only covered the early years. I was especially interested to read about Nijinska's choreographic debuts in Kiyv, Ukraine, and the second part of her life in California. The interviews of the dancers who worked with her last are priceless. Congratulations to Lynn Garafola. This book, thoroughly researched, full of unknown facts and inspiring details, is a book we were all waiting for. * Alexei Ratmansky, Choreographer, American Ballet Theatre *In this inspirational first biography of Bronislava Nijinska, based on global research, Lynn Garafola has successfully drawn the great choreographer from the shadow of her famous brother. She reveals a complex woman who experienced more than her fair share of tragedies and was constantly betrayed by men, while creating experimental ballets and inspiring successive generations of performers, directors and choreographers. * Jane Pritchard, Curator of Dance, Victoria and Albert Museum, London *This book is an astonishing achievement. Nijinska, sister of tragic dancer-genius Nijinsky, emerges here as a larger-than-life heroine, an Amazon endowed with visionary talent, yet blocked at every turn by forces arrayed against an ambitious woman. It's an epic tale, based on impeccable sources, narrated with rare lucidity, set against a three-continent-wide panorama of European, American and émigré-Russian artists and impresarios, all chasing after this magical quality we now call Modernity. * Elizabeth Kendall, author of Balanchine and the Lost Muse: Revolution and the Making of a Choreographer *Table of ContentsAcknowledgments Transliteration and Russian Names Preface Chapter 1: Nijinska's Apprenticeship Chapter 2: Amazon of the Avant-Garde Chapter 3: Back from the Future Chapter 4: Where is Home? Chapter 5: Les Noces Chapter 6: Les Biches Chapter 7: Le Train Bleu and its Aftermath Chapter 8: A Free-lance Choreographer Chapter 9: Globalizing Modernism Chapter 10: Les Ballets de Madame Ida Rubinstein Chapter 11: A Choreographer for Russia Abroad Chapter 12: Les Ballets Russes de Bronislava Nijinska Chapter 13: On the Road Chapter 14: In Wartime America Chapter 15: The Final Act Chapter 16: Resurrection List of Works Illustrations Credits Archives, Collections, and Other Sources Notes Selected Bibliography Index

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