Description

Antony Tudor stands as one of the pillars of twentieth-century ballet choreography. An English born choreographer who found a home in the United States, Tudor gained renown as the most innovative choreographer of his day. He explored the inner contours of human emotion as he sculpted one-act short stories about ordinary men and women.

Based on a series of interviews with the curators of the Tudor legacy: Sally Bliss, Trustee of the Antony Tudor Ballet Trust, and four of the RÉpÉtiteurs, the professionals tasked with restaging the Tudor ballets, this book discusses the legacy of Antony Tudor and the restaging of his ballets to preserve their unique qualities that make them Tudor ballets.

The author, Christine Knoblauch-O’Neal, is Director of the Master of Fine Arts (MFA) in Dance Program in the Performing Arts Department at Washington University in St. Louis. Before beginning her academic career, Christine performed for twenty years as a dancer with companies such as the American Ballet Theater (where she worked with Antony Tudor), the National Ballet, and the Cincinnati Ballet.

Revealing the Inner Contours of Human Emotion: Preserving the Ballets of Anthony Tudor

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Antony Tudor stands as one of the pillars of twentieth-century ballet choreography. An English born choreographer who found a home... Read more

    Publisher: Histria LLC
    Publication Date: 15/11/2020
    ISBN13: 9781592110353, 978-1592110353
    ISBN10: 1592110355

    Number of Pages: 236

    Non Fiction , Art & Photography

    Description

    Antony Tudor stands as one of the pillars of twentieth-century ballet choreography. An English born choreographer who found a home in the United States, Tudor gained renown as the most innovative choreographer of his day. He explored the inner contours of human emotion as he sculpted one-act short stories about ordinary men and women.

    Based on a series of interviews with the curators of the Tudor legacy: Sally Bliss, Trustee of the Antony Tudor Ballet Trust, and four of the RÉpÉtiteurs, the professionals tasked with restaging the Tudor ballets, this book discusses the legacy of Antony Tudor and the restaging of his ballets to preserve their unique qualities that make them Tudor ballets.

    The author, Christine Knoblauch-O’Neal, is Director of the Master of Fine Arts (MFA) in Dance Program in the Performing Arts Department at Washington University in St. Louis. Before beginning her academic career, Christine performed for twenty years as a dancer with companies such as the American Ballet Theater (where she worked with Antony Tudor), the National Ballet, and the Cincinnati Ballet.

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