Cultural studies Books

Book SynopsisMary Butts wrote and lived among notable modernist writers such as T.S. Eliot, Ford Madox Ford, Jean Cocteau, H.D., and Ezra Pound, and was on her way to becoming one of the most respected British female writers of the twentieth century. Yet, after her death in 1937 at the age of forty-six, her reputation suffered a decline. Butt's idiosyncratic spirituality did not lend itself to easy critical examination, modernism was generally considered a masculine endeavor, and her papers were not made public for over fifty years. The recent acquisition of those papers by the Beinecke Library at Yale University, however, has brought about a resurgence of interest in her unique writings. Mary Butts confronts and reinterprets reality in extraordinary ways, and her modernist vision recalls the natural origins and powers of the female divine. Her intense dedication to ancient rites and myth, and her dabbling in the occult, became embedded in her fiction and led to her own brand of mysticism. Indeed, the Butts heroine is at once, healer, sacred priestess, earth goddess, lover, and daimon/demon. In presenting her characters this way, Butts valorizes what she calls "the soul living at its fullest capacity." Roslyn Reso Foy gives us the first sustained critical study of Butts, exploring the signficance of feminism, mysticism, and magic in her life and writings. Foy's thoughtful analysis, combining scholarship with straightforward discussion, will serve as an introduction to, and foundation for, further critical studies of this remarkable female modernist whose work coincides with contemporary concerns and who can no longer be ignored.

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Book SynopsisWritten in the context of critical dialogues about the war on terror and the global crisis in human rights violations, authors of the collected volume Representing Humanity in an Age of Terror - edited by Sophia A. McClennen and Henry James Morello - ask a series of questions: What definitions of humanity account for the persistence of human rights violations? How do we define terror, and how do we understand the ways that terror affects the representation of those that both suffer and profit from it? Why is it that the representation of terror often depends on a distorted (for example, racist, fascist, xenophobic, essentialist, and eliminationist) representation of human beings? And, most importantly, can representation, especially forms of art, rescue humanity from the forces of terror, or does it run the risk of making it possible? The authors of the volume's articles discuss aspects of terror with regard to human rights events across the globe, but especially in the United States, Latin America, and Europe. Their discussion and reflection demonstrate that the need to question continuously and to engage in permanent critique does not contradict the need to seek answers, to advocate social change, and to intervene critically.

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Book SynopsisIn the rural America of the past, a woman's reputation was sometimes made by her cherry pie - of her chocolate layer cake, or her biscuits. As America modernized and women left the home to enter the paid labour force, mastery of cooking remained a sign that a woman took her gendered responsibilities seriously. Ironically, over the course of the 20th century, as ready-made foods and kitchen appliances made home cooking less essential and labour-intensive, culinary skill continued to be perceived not only by society but often by women as a measure of a woman's true value. This work shows how cooking evolved during the 20th century as new challenges arose to replace the old. Still tied to the kitchen, women found that instead of simply providing sustenance for the household, they now had to master more complex cooking techniques, the knowledge of ""ethnic"" cuisines, the science of nutrition, the business of consumerism, and, perhaps most important of all, the art of keeping their families happy and healthy.Trade ReviewThis book would be an excellent beginning for in-depth research or for a pleasant introduction to the field. It will have a wide appeal to those interested in women's roles in the 20th century and in home cooking. - Choice ""An easy read - graceful and often witty. I was often charmed and just as often instructed. It is a book that could be used in American studies and women's studies courses."" - Linda K. Kerber, author of No Constitutional Right to Be Ladies

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Book SynopsisIn this volume, 11 scholars explore the role of ethnic food in American culture, with a particular focus on women. They argue that ethnic cooking represents both a source of sustenance and a complex form of communication.

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Book SynopsisA brilliant exploration of the outburst of cultural exuberance that swept African America during the late 1930s. If the 1930s was the Swing Era, then the years from 1937 on might well be called the Jump Era. That summer Count Basie recorded ""Jumping at the Woodside,"" and suddenly jump tunes seemed to be everywhere. Along with the bouncy beat came a new dance step - the high-flying aerials of the jitterbuggers - and the basketball games that took place in the dance halls of African America became faster, higher, and flashier. Duke Ellington and a cast of hundreds put the buoyant spirit of the era on stage with their 1941 musical revue, ""Jump for Joy"", a title that captured the momentum and direction of the new culture of exuberance.Several high-profile public victories accompanied this increasing optimism: the spectacular successes of African American athletes at the 1936 Olympics, the 1937 union victory of the Brotherhood of Sleeping Car Porters, and Joe Louis' 1937 and 1938 heavyweight championship fights. For the first time in history, black Americans emerged as cultural heroes and ambassadors, and many felt a new pride in citizenship.In this book, Gena Caponi-Tabery chronicles these triumphs and shows how they shaped American music, sports, and dance of the 1930s and beyond. But she also shows how they emboldened ordinary African Americans to push for greater recognition and civil liberties - how cultural change preceded and catalyzed political action.Tracing the path of one symbolic gesture - the jump - across cultural and disciplinary boundaries, Caponi-Tabery provides a unique political, intellectual, and artistic analysis of the years immediately preceding World War II.Trade ReviewA terrific piece of work - creative, imaginative, well written. Jump for Joy is the sort of book that should end up on the reading list of courses in American cultural history, African American studies, music and dance. It is also the sort of book that should reach an audience outside the academy. - Shane White, coauthor of Stylin': African American Expressive Culture, from Its Beginnings to the Zoot Suit ""African American expressive culture of the 1930s deserves to be as well known as Harlem Renaissance literature. Gena Caponi-Tabery reveals how new opportunities for black artists and athletes during the Black Migration - at sites as diverse as colleges, urban dance halls, and Olympic track-meets - led to an explosion of achievement and innovation. Her synthetic study will forever transform our understanding of Depression-era American culture, and her clear, accessible prose makes this book perfect for the undergraduate classroom."" - Joel Dinerstein, author of Swinging the Machine: Modernity, Technology, and African American Culture between the World Wars

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Book SynopsisDuring the past decade and a half, scholars have increasingly addressed the relationship of history and memory. Among American historians, David W. Blight has been a pioneer in the field of memory studies, especially on the problems of slavery, race, and the Civil War. In this collection of essays, Blight examines the meanings embedded in the causes, course, and consequences of the Civil War, the nature of changing approaches to African American history, and the significance of race in the ways Americans, North and South, black and white, developed historical memories of the nation's most divisive event. The book as a whole demonstrates several ways to probe the history of memory, to understand how and why groups of Americans have constructed versions of the past in the service of contemporary social needs. Topics range from the writing and thought of Frederick Douglass and W.E.B. Du Bois to a comparison of Abraham Lincoln and Douglass on the level of language and memory. The volume also includes a compelling study of the values of a single Union soldier, an analysis of Ken Burns's PBS series The Civil War, and a retrospective treatment of the distinguished African American historian Nathan I. Huggins. Taken together, these lucidly written pieces offer a thoroughgoing assessment of the stakes of Civil War memory and their consequences for American race relations. Beyond the Battlefield demonstrates not only why we should preserve and study our Civil War battlefields, but also why we should lift our vision above those landscapes and ponder all the unfinished questions of healing and justice, of racial harmony and disharmony, that still bedevil our society and our historical imagination.Trade ReviewThis is a tremendous collection of essays. The author is, beyond question, the leading scholar of the collective memory of the Civil War, the leading scholar of race and collective memory, and one of the two or three leading scholars of American memory generally. - Scott A. Sandage, Carnegic Mcllon University

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Book SynopsisThis collection of essays examines problems of race, gender and cultural identity, from a European perspective. Looking at government policies and schemes designed to ensure diversity, from multiculturalism to ""positive action"", it encourages a rethink on issues of gender, colour and culture.

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Book SynopsisIn this book, author Rosalie Schwartz uses the 1933 RKO-Radio Pictures production Flying Down to Rio to examine the interplay of technology and popular culture that shaped a distinctive twentieth-century sensibility. The musical comedy connected airplanes, movies, and tourism, ending spectacularly with chorus girls dancing on the wings of airplanes high above Rio de Janeiro, Brazil. The Hollywood fantasy capped three decades during which airplanes and movies engendered new expectations and redefined people's sense of well-being, their personal satisfactions, and their interpersonal relations. Wilbur and Orville Wright flew their airplane in 1903, at the same time that film-makers began to project edited, filmed stories onto large screens. Spectators found entertainment value in both airplane competitions and motion pictures, and movie producers brought the thrill of aviators' antics to a rapidly expanding audience. Meanwhile, air shows and competitions attracted large crowds of tourists. Mass tourism grew as a leisure-time activity, stimulated in part by travelogues and feature films. By 1930, the businessmen who envisioned transporting tourists to their destinations by airplane struggled to overcome the movie-exaggerated association of flight with danger. Schwartz weaves these threads into a story of human daring and persistence, political intrigue, and international competition. From Wilbur and Orville to Fred and Ginger, Schwartz's narrative follows the fortunes of aviation and movie pioneers and the foundations and growth of Pan American Airways and RKO-Radio Pictures, the two companies that came together in Flying Down to Rio. By the end of the twentieth century, aviation, movies, and mass tourism had become powerful global industries, contributing to an internationally connected, entertainment-oriented culture. What was once unthinkable had now become expected.

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Book SynopsisIn this book, author Rosalie Schwartz uses the 1933 RKO-Radio Pictures production Flying Down to Rio to examine the interplay of technology and popular culture that shaped a distinctive twentieth-century sensibility. The musical comedy connected airplanes, movies, and tourism, ending spectacularly with chorus girls dancing on the wings of airplanes high above Rio de Janeiro, Brazil. The Hollywood fantasy capped three decades during which airplanes and movies engendered new expectations and redefined people's sense of well-being, their personal satisfactions, and their interpersonal relations. Wilbur and Orville Wright flew their airplane in 1903, at the same time that film-makers began to project edited, filmed stories onto large screens. Spectators found entertainment value in both airplane competitions and motion pictures, and movie producers brought the thrill of aviators' antics to a rapidly expanding audience. Meanwhile, air shows and competitions attracted large crowds of tourists. Mass tourism grew as a leisure-time activity, stimulated in part by travelogues and feature films. By 1930, the businessmen who envisioned transporting tourists to their destinations by airplane struggled to overcome the movie-exaggerated association of flight with danger. Schwartz weaves these threads into a story of human daring and persistence, political intrigue, and international competition. From Wilbur and Orville to Fred and Ginger, Schwartz's narrative follows the fortunes of aviation and movie pioneers and the foundations and growth of Pan American Airways and RKO-Radio Pictures, the two companies that came together in Flying Down to Rio. By the end of the twentieth century, aviation, movies, and mass tourism had become powerful global industries, contributing to an internationally connected, entertainment-oriented culture. What was once unthinkable had now become expected.

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Book SynopsisThe Trump presidency has resulted in a fundamentally disruptive moment in this nation's political culture. Not only were there different policy options and directions, but the cultural artifacts of politics changed because of how this president dramatically challenged the existing norms of political behavior and action. As we have shifted from a period of American liberalism to a time of political populism, deep fissures are dividing Americans in general and Jews in particular.The Impact of the Presidency of Donald Trump on American Jewry and Israel unpacks President Donald Trump's distinctive and unique relationship with the American Jewish community and the State of Israel. Addressing the various dimensions of his personal and political connections with Jews and Israel, this publication is designed to provide an assessment of how the Trump presidency has influenced and altered American Jewish political behavior. Writers from different backgrounds and political orientations bring a broad range of perspectives designed to examine various aspects of this presidency, including Trump's particular impact on Israel-US relations, his special connection with Orthodox Jews, and his complex and uneven relationship with Jewish Republicans.For liberal American Jews, these four years represented a fundamental revolution, overturning and challenging much that a generation of activists had fought to achieve and protect. For Trump's supporters, it afforded them an opportunity to advance their priorities, while joining the forty-fifth president in changing the American political landscape. The ""Trump effect"" will extend well beyond his four-year tenure, creating an environment that has fomented the politics of hate and exposed a deeply embedded presence of anti-Semitism. How Americans understand this moment in time and the ways society will adapt can be reflected through the prism of the Jewish encounter with Trumpism that this volume seeks to explore.Table of Contents FOREWORD EDITORIAL INTRODUCTION Consonance or Dissonance: American Jewry in a Post-Trump Era, by Gary Phillip Zola Donald Trump and the Jews: Bad for America, Bad for the Jews, Wonderful for the Netanyahu-Led Government of Israel and Potentially Dangerous to Israel's Future, by Michael Berenbaum Trump: Friend Extraordinaire to Israel and the Jewish People, by Morton A. Klein and Elizabeth A. Berney, Esq. The Jewish Community and Younger Generations: Challenges, Opportunities, and Long-Term Impacts of the Trump Era, by Adam Basciano and Shanie Reichman The American Jewish Community: A Divergence of Political Perspectives, by Saba Soomekh Orthodox Jews and Trump, by Gilbert N. Kahn Seeing Mar-A-Lago from Jerusalem: Perceptions of President Trump in Israel, by Ehud Eiran How the Jewish Press Saw, by Rob Eshman Why Donald Trump's Vision Repelled American Jews, by Mark Mellman They Said It Couldn't Be Done: Historic Achievements of President Donald Trump, by Matthew Brooks and Shari Hillman Trump and the Jews: What Did We Learn?, by Dan Schnur Reflections on Donald Trump's Presidency and American Jewry, by Steven F. Windmueller ABOUT THE CONTRIBUTORS ABOUT THE USC CASDEN INSTITUTE

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Book SynopsisCapturing the rich contrasts of the land and the intimate history of generations in the Mississippi Delta, Into the Flatland, by Kathleen Robbins, is a series of photographs documenting the terrain, people, and culture of her ancestry. The photographer returned to her childhood farm in Bell Chase as an adult in 2001 after completing graduate studies in New Mexico. She and her brother then lived on their family farm for nearly two years, breathing life back into family properties that had been long dormant.In this series, which won the Photo-NOLA prize in 2011, Robbins highlights the diversity of the landscape of the Delta, from expansive, dusty cotton fields to green, vibrant swamps. Her photographs capture the people and the architecture that are present on the land and also reminiscent of a time long past, before the mechanization of farming and the exodus of her people from their native soil. The presence of Robbins’s family in some of her photographs brings an intimacy to her portrait of the Delta and shows the tension between past and present. Including a short story by a National Endowment for the Arts recipient, Cynthia Shearer, Into the Flatland transports the reader into the rich history of Mississippi. At turns both colorful and gray, the photographs capture not only the Delta landscape, but also the stark and rugged images of people and buildings that sink as deeply into the land as the roots of the trees in the woods and swamps. As large masses of birds flock to the vast blue sky, Robbins remains fixed on the ground, her lens trained on the home and the landscape of her past.

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Book SynopsisFor many Americans, the emergence of a “porno chic” culture provided an opportunity to embrace the sexual revolution by attending a film like Deep Throat (1972) or leafing through an erotic magazine like Penthouse. By the 1980s, this pornographic moment was beaten back by the rise of Reagan-era political conservatism and feminist anti-pornography sentiment.This volume places pornography at the heart of the 1970s American experience, exploring lesser-known forms of pornography from the decade, such as a new, vibrant gay porn genre; transsexual/female impersonator magazines; and pornography for new users, including women and conservative Christians. The collection also explores the rise of a culture of porn film auteurs and stars as well as the transition from film to video. As the corpus of adult ephemera of the 1970s disintegrates, much of it never to be professionally restored and archived, these essays seek to document what pornography meant to its producers and consumers at a pivotal moment.In addition to the volume editors, contributors include Peter Alilunas, Gillian Frank, Elizabeth Fraterrigo, Lucas Hilderbrand, Nancy Semin Lingo, Laura Helen Marks, Nicholas Matte, Jennifer Christine Nash, Joe Rubin, Alex Warner, Leigh Ann Wheeler, and Greg Youmans.Trade ReviewThis much-needed collection takes films, publications, and people that have previously existed on the periphery of porn history and places them front and center with essays that are rigorously researched and well written.""—Lynn Comella, coeditor of New Views on Pornography: Sexuality, Politics, and the Law.

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Book SynopsisNews media and popular culture in the United States have produced a conventional narrative of the outcomes of sexual abuse: someone perpetrates sexual violence, goes to trial, and is then punished with prison time. Survivors recede into the background, becoming minor characters in their own stories as intrepid prosecutors, police officers, and investigators gather evidence and build a case.Leland G. Spencer explains how the stories we tell about sexual assault serve to reinforce rape culture, privileging criminal punishment over social justice and community-based responses to sexual violence. Examining a broad range of popular media, including news coverage of the Brock Turner case, Naomi Iizuka’s popular play Good Kids, the television program Criminal Minds, and the book turned television show 13 Reasons Why, Spencer demonstrates how these representations shore up the carceral state, perpetuate rape myths, blame victims, and excuse those who harm. While increased discussion about sexual violence represents feminist progress, these narratives assume that policing and prosecution are the only means of achieving justice, sidelining other potential avenues for confronting perpetrators and supporting victims.Trade Review “This outstanding book is clear and easy to read, while engaging with important, complicated issues. Spencer uses the case study chapters in effective ways to invite viewers—and scholars—to see the chosen texts from a different point of view.”—Jennifer C. Dunn, coeditor of Transgressing Feminist Theory and Discourse: Advancing Conversations across Disciplines “Rape, Agency, and Carceral Solutions makes a significant contribution to the literature on rape culture, media, and popular culture, while also offering possibilities for ‘worldmaking narratives’ that present alternatives to our current overreliance on the carceral state.”—Nickie D. Phillips, author of Beyond Blurred Lines: Rape Culture in Popular Media

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Book SynopsisThe perfect book for every Mississippian who cares about the state, this is a mammoth collaboration in which thirty subject editors suggested topics, over seven hundred scholars wrote entries, and countless individuals made suggestions. The volume will appeal to anyone who wants to know more about Mississippi and the people who call it home. The book will be especially helpful to students, teachers, and scholars researching, writing about, or otherwise discovering the state, past and present.The volume contains entries on every county, every governor, and numerous musicians, writers, artists, and activists. Each entry provides an authoritative but accessible introduction to the topic discussed. The Mississippi Encyclopedia also features long essays on agriculture, archaeology, the civil rights movement, the Civil War, drama, education, the environment, ethnicity, fiction, folklife, foodways, geography, industry and industrial workers, law, medicine, music, myths and representations, Native Americans, nonfiction, poetry, politics and government, the press, religion, social and economic history, sports, and visual art. It includes solid, clear information in a single volume, offering with clarity and scholarship a breadth of topics unavailable anywhere else. This book also includes many surprises readers can only find by browsing.

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Book SynopsisExploring psychedelic spiritual practices and afterlife beliefs among the Mississippi mound cultures

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Book SynopsisMay Kennedy McCord, lovingly nicknamed “First Lady of the Ozarks” and “Queen of the Hillbillies,” spent half a century sharing the history, songs, and stories of her native Ozarks through newspaper columns, radio programs, and music festivals. Though her work made her one of the twentieth century’s preeminent folklorists, McCord was first and foremost an entertainer—at one time nearly as renowned as the hills she loved.Despite the encouragement of her contemporaries, McCord never published a collection of her work. In 1956, Vance Randolph wrote to her, “If you didn’t have such a mental block against writing books, I could show you how to make a book out of extracts from your columns. It would be very little work, and sell like hotcakes. . . . I could write a solemn little introduction, telling the citizens what a fine gal you are! The hell of it is, most of the readers know all about you.” In Queen of the Hillbillies, editors Patti McCord and Kristene Sutliff at last bring together the best of McCord’s published and previously unpublished writings to share her knowledge, humor, and inimitable spirit with a new generation of readers.

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Book SynopsisBugger, rooted, bloody oath … What is it about Australians and swearing? We’ve got an international reputation for using bad language (Where the bloody hell are ya?) and letting rip with a choice swear word or two has long been a very Aussie thing to do. From the defiant curses of the convicts and bullock drivers to the humour of Kath and Kim, Amanda Laugesen, director of the Australian National Dictionary Centre, takes us on a fascinating journey through the history of Australia’s bad language to reveal our preoccupations and our concerns. Bad language has been used in all sort of ways in our history: to defy authority, as a form of liberation and subversion, and as a source of humour and creativity. Bad language has also been used to oppress and punish those who have been denied a claim to using it, notably Indigenous Australians and women. It has also long been subject to various forms of censorship. The story of bad language is a story about what it means to be Australian.Trade ReviewIf you’ve ever wondered why to use bad language in Australia is to ‘swear like a bullocky’, Amanda Laugesen’s Rooted will give you the answer. Taking us on a colourful tour of more than two centuries of bad language that extends from the mildly offensive to the completely filthy, Laugesen tells the story of Australia through those words and phrases that have often been seen as unfit to print. This is an engrossing social history – a bloody beauty – from one of our leading experts on Australian English.""- Frank Bongiorno, Professor of History, The Australian National University

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Book SynopsisA celebration of cultural inheritance and the evolution of language. Mapping the language, literature, and history of Icelandic immigrants and their descendants, this collection, translated and expanded for English-speaking audiences, delivers a comprehensive overview of Icelandic linguistic and cultural heritage in North America. Drawn from the findings of a three-year study involving over two hundred participants from Manitoba, North Dakota, Saskatchewan, and the Pacific West Coast, Icelandic Heritage in North America reveals the durability and versatility of the Icelandic language. Editors Birna Arnbjörnsdóttir, Höskulder Þráinsson, and Úlfar Bragason bring together a range of interdisciplinary scholarship to investigate the endurance of the “Western Icelander.” Chapters delve into the literary works of Icelandic immigrant writers and interpret archival letters, newspapers, and journal entries to provide both qualitative and quantitative linguistic analyses and to mark significant cultural shifts between early settlement and today. Icelandic Heritage in North America offers an in-depth examination of Icelandic immigrant identity, linguistic evolution, and legacy.Table of Contents Foreward by Guðni Th. Jóhannesson and Eliza Reid, President and First Lady of Iceland Introduction Moving a language between continents: Icelandic language communities 1870-1914 Icelanders and America: What is it to be Vestur-Íslendingur? Acculturation on their own terms: The social networks of political radicals among Icelandic immigrants in Canada in the early twentieth century The Barnason brothers in Nebraska: Two pioneer farmers Ralph E. Halldorson and the Great War Icelandic immigrants, modernity, and Winnipeg in Einar Hjörleifsson Kvaran’s “Hopes” Another emigrant ship crossing the Atlantic: The poetics of migration in the poetry of Undína and Stephan G. Stephansson The young Icelander grows up: Nationalism and ethnic identity in Jóhann Magnús Bjarnason’s life and work Icelandic-Canadian oral lore: New life in a new land and how the women's tales may shed light on the classification of the Edda poems Raven tracks across the Prairies: Icelandic immigration and manuscript culture in the Canadian West World meanings in North American Icelandic: More North American or more Icelandic? Understanding complex sentences in a heritage language "And the dog is sleeping too": The use of the progressive in North American Icelandic Language and Identity: The case of North American Icelandic The Heritage Language Project: Impact and implications

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Book SynopsisLa France : histoire, société, culture est le premier ouvrage qui encourage les étudiants à adopter une perspective comparative et transculturelle leur permettant de réfléchir à leur propre culture d’origine tout en découvrant l’histoire, la société et la culture de la France. Edward Ousselin guide les étudiants à travers des sujets tels que les systèmes gouvernementaux, administratifs et juridiques de la Ve République ; le rôle de l’Union européenne ; le système éducatif français ; la diversité religieuse et ethnique en France ; la femme, le(s) féminisme(s) et les minorités sexuelles ; le système de sécurité sociale ; la culture littéraire et l’argot ; et l’évolution des valeurs socioculturelles. Chaque chapitre est rempli de fonctionnalités pédagogiques telles que des quiz et des questions de suivi. Cet ouvrage stimulant convient parfaitement aux cours de 1er cycle qui présentent la société et la culture françaises.Table of Contents La France: histoire, société, culture Table des matières Introductions: (in French for instructors / in English for students) Culture / cultures / cross-cultural patterns / culture shock & reverse culture shock Why this textbook is not about French “civilization” Chapter 1: The basics: geography, demographics, centralization (importance of Paris) Associated concepts: nationalism / universalism; human condition / dignity; society / individual; tradition / modernity; stability / revolution; le people / elite; Paris / la province; rural heritage / urban realities; multiculturalism / communautarisme Chapter 2: History: 1870–1945 Why this textbook takes the year 1870 as its starting point Political / social / cultural history: the need to understand the consequences of past events and trends in order to examine the current society and culture of France Chapter 3: History: Since 1945 Decolonization / Trente Glorieuses / May 68 and the end of utopian impulses Chapter 4: The Constitution / administrative structure / l’outre-mer / legal system / elections / political parties Chapter 5: The European Union: achievements, setbacks, and controversies Chapter 6: The educational system: the role of the Ministry of Education / the importance of the baccalauréat / universities and grandes écoles Chapter 7: The economy: stereotypes and realities / working in France / the role of government and the unions / transportation and telecommunications / current economic trends and challenges Chapter 8: The Francophone world / the long-term consequences of colonialism / Organisation internationale de la Francophonie Chapter 9: Religions in France / the importance of la laïcité / immigration / ethnic and cultural diversity Chapter 10: Women and feminism / minorités sexuelles Chapter 11: la natalité and the importance of children / families and their evolution / “la Sécu” and the healthcare system / vacations and leisure Chapter 12: The media (from print to internet) / historical importance of “high-C” culture (literature, of course, but also architecture, painting, cinema, music, etc.) / recent trends in terms of popular culture Looking Ahead: The aftermath of the 2015–16 wave of terrorist attacks / The consequences of the 2017 presidential and legislative elections / Is there a Catholic resurgence in France? / Has France become an “ordinary” country? Appendices: List of acronyms Index

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Book SynopsisTourists are travelling the world in greater numbers than ever before, seeking immersive cultural experiences. This massive rise of tourism has raised issues of social and cultural sustainability in the world's global cities. At the same time, smaller cities and rural communities struggling with increasing urbanization and the loss of traditional industries could benefit from increased tourism. Smaller cities and communities are uniquely well-suited to hosting tourists seeking authentic connection with local cultures. Locally led, collaborative efforts to build creative tourism industries have the possibility to reinvigorate struggling communities. Creative tourism offers the opportunity to build socially and culturally sustainable channels for growth that benefit locals and visitors alike. Creative Tourism in Smaller Communities examines the processes, policies, and methodologies of creative tourism, paying special attention to the ways creative and place-based tourism can aid sustainable cultural development. With topics ranging from placemaking through food to the cultural impacts of cruise travel, and from catalyzing creative tourism to creating resiliency, this collection offers a wide range of theoretical and practical perspectives from a variety of experts. Creative Tourism in Smaller Communities offers a bold vision for the future of tourism worldwide.

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Book SynopsisThis book is a comprehensive, concise guide to the marae, including the space and how it is arranged, the buildings on a marae, the functions of and gatherings held at marae, and the cultural understandings and values underpinning marae custom and protocol.

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Book SynopsisUncut explores the significance of the foreskin in contemporary culture

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Book SynopsisGalician audio/visual culture has experienced an unprecedented period of growth following the process of political and cultural devolution in post-Franco Spain. This creative explosion has occurred in a productive dialogue with global currents and with considerable projection beyond the geopolitical boundaries of the nation and the state, but these seismic changes are only beginning to be the subject of attention of cultural and media studies. This book examines contemporary audio/visual production in Galicia as privileged channels through which modern Galician cultural identities have been imagined, constructed and consumed, both at home and abroad. The cultural redefinition of Galicia in the global age is explored through different media texts (popular music, cinema, video) which cross established boundaries and deterritorialise new border zones where tradition and modernity dissolve, generating creative tensions between the urban and the rural, the local and the global, the real and the imagined. The book aims for the deperipheralization and deterritorialization of the Galician cultural map by overcoming long-established hegemonic exclusions, whether based on language, discipline, genre, gender, origins, or territorial demarcation, while aiming to disjoint the center/periphery dichotomy that has relegated Galician culture to the margins. In essence, it is an attempt to resituate Galicia and Galician studies out of the periphery and open them to the world.Table of ContentsList of Illustrations viiIntroduction: Peripheries are not what they used to be 1Part 1 Roots and Routes: Remapping Galician Culture in the Global Age1 Peripheral Visions, Global Positions 192 Deterritorialization and Deperipheralization: Galician Studies atthe Global Crossroads 443 Sound and Vision: All Roads Lead to Santiago 74Part 2 Peripheral Visions4 Made in Galicia: Making the Invisible Visible 1035 Reimagining Galician Cinema: Utopian Visions? 1206 The Galician Magic Kingdom: Nation and Animation from theGlocal Forest 1427 A Peripheral Focus: The Rebirth of the Novo Cinema Galego 168Part 3 Global Sounds8 Peripheral Movidas: Cannibalizing Galicia 2099 Smells Like Wild Spirit: Galician Rock Bravú, Between theRurban and the Glocal 23910 Bagpipes, Bouzoukis, and Bodhráns: The Reinvention ofGalician Folk Music 266Coda: Leaving the Periphery Behind 294Works Cited 309Index 321

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Book SynopsisCaribbean Critique seeks to define and analyze the distinctive contribution of francophone Caribbean thinkers to perimetric Critical Theory. The book argues that their singular project has been to forge a brand of critique that, while borrowing from North Atlantic predecessors such as Rousseau, Hegel, Marx, and Sartre, was from the start indelibly marked by the Middle Passage, slavery, and colonialism. Chapters and sections address figures such as Toussaint Louverture, Baron de Vastey, Victor Schoelcher, Aimé Césaire, René Ménil, Frantz Fanon, Maryse Condé, and Edouard Glissant, while an extensive theoretical introduction defines the essential parameters of 'Caribbean Critique.'Trade Review'This is a very important and exciting book. Extending to the whole of the French Caribbean his previous work on the philosophical bases of the Haitian Revolution, Nesbitt has produced the first ever account of the region’s writing from a consistently philosophical, as distinct from literary or historical, standpoint.' Celia Britton'… the book fills an important gap in francophone Caribbean studies, which has always had a strong theoretical component but, arguably, has not previously been subject to such a rigorously philosophical critical treatment. … latest study will prove to be a landmark, indeed seminal, work in Caribbean Critique.' French Studies'Nesbitt’s book may be read as a survey, it also offers extremely succinct, complex, and compelling new perspectives on polemical issues that inhabit our work as professors, pedagogues, and intellectuals today…' Contemporary French Civilization'Nesbitt has made an important and highly original contribution to such debates.'New West Indian Guide Reviews 'A prodigiously researched and compelling conceptualisation of francophone Caribbean critical thought.' Gabriella Rodriguez, SX SalonTable of Contents Acknowledgements Preface Introduction: The Caribbean Critical Imperative I. Tropical Equality: The Politics of Principle . 1 Foundations of Caribbean Critique: From Jacobinism to Black Jacobinism . 2 Victor Schoelcher, Tocqueville, and the Abolition of Slavery . 3 Aimé Césaire and the Logic of Decolonization . 4 ‘Stepping Outside the Magic Circle’: The Critical Thought of Maryse Condé . 5 Édouard Glissant: From the Destitution of the Political to Antillean Ultra-leftism II. Critique of Caribbean Violence . 6 Jacobinism, Black Jacobinism, and the Foundations of Political Violence . 7 The Baron de Vastey and the Contradictions of Scribal Critique . 8 Revolutionary Inhumanism: Fanon’s On Violence . 9 Aristide and the Politics of Democratization III. Critique of Caribbean Relation . 10 Édouard Glissant: From the Poétique de la relation to the Transcendental Analytic of Relation . 11 Césaire and Sartre: Totalization, Relation, Responsibility . 12 Militant Universality: Absolutely Postcolonial . Conclusion: Aimé Césaire: The Incandescent I, Destroyer of Worlds Appendix: Letter of Jean-François, Belair, and Biassou/ Toussaint, July 1792 Notes Bibliography Index

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Book SynopsisFrom Bataille to Badiou: Lignes: the preservation of Radical French Thought, 1987-2017 provides an exhaustive reading of the significant yet understudied intellectual review Lignes, from 1987 to 2017, to demonstrate how it has managed to preserve and develop the legacy of French radical thought often referred to as ‘French Theory’ or ‘la pensée 68’. Whilst many studies on intellectual reviews from the 1930s to the 1980s exist, this book crucially illuminates the shifting intellectual and political culture of France since the 1980s, filling a major gap in contemporary debates on the continued relevance of French intellectuals. This book provides a strong counter-narrative to the received account that, after the anti-totalitarian ‘liberal moment’ of the late 1970s, Marxism and structuralism were completely banished from the French intellectual sphere. It provides the historical context behind the rise of such internationally renowned thinkers such as Alain Badiou, Jacques Rancière Jean-Luc Nancy, whilst placing them within an intellectual genealogy stretching back to Georges Bataille and Maurice Blanchot in the 1930s. The book also introduces the reader to lesser known but nonetheless significant thinkers, including Lignes editor Michel Surya, Dionys Mascolo, Daniel Bensaïd, Fethi Benslama, Anselm Jappe and Robert Kurz. Through the review’s pages, a novel cultural history of France emerges as intellectuals respond to pressing contemporary issues, such as the fall of Communism, the European migrant crisis and rising nationalist tensions, the globalisation of financial capitalism and the 2008 economic crisis, scandals surrounding paedophilia and the return of religious thought to France, as well as debates on literature and the political value of art.Trade Review'This is an exciting, informative, well-written and engaging book. It will make a significant contribution to the field and will be useful for students and academics with an interest in French Studies and the contemporary moment, while also of interest for the general reader. [May] tells an exciting story, driven by a focused attention to the fortunes of radical critical debate and the different forms that resistance to political orthodoxy has taken in and around Lignes since the more explicit and well-known moment of the 1960 and 1970s.'Patrick ffrench, Kings College LondonReviews 'Up until this volume by May, no such monograph was available on this particular French intellectual review. However, Adrian May’s uncommon, very interesting, and even unique book gives a very good view of what they are missing.'Kristof K.P. Vanhoutte, Philosophy in ReviewTable of ContentsAcknowledgementsA Note on AbbreviationsA Note on TranslationsIntroduction: Lignes: An Intellectual Review after the Deaths of both Intellectuals and ReviewsChapter 1: French Thought between Liberalism and Fascism: Bataille and Blanchot in the 1930sChapter 2: The Communism of Thought: Reviews and Revolution in the 1960s with Blanchot and MascoloChapter 3: Immoral, Impure, Atheist Artists? Developing a neo-Nietzschean Critical Ethos for the Twenty-First CenturyChapter 4: Breaking the consensus: Immigration and la pensée uniqueChapter 5: Power without Politics: Domination Theory and the Crises of CapitalismChapter 6: Combatting the Crisis: Reconstructing Political Agency, from Rousset and Foucault to Rancière and BadiouChapter 7: Excluded from Thought? Lignes, Literary Conservatism and Identity PoliticsConclusion: Lignes: the Preservation of French Radical ThoughtAppendix 1: Lignes Editorial Board MembersAppendix 2: Lignes issue titlesLignes Articles CitedOther Works Cited

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Book SynopsisAn Open Access edition of this book is available on the Liverpool University Press website and through Knowledge Unlatched.Anti-Empire explores how different writers across Lusophone spaces have engaged with imperial and colonial power at its various levels of domination, while imagining alternatives to dominant discourses pertaining to race, ethnicity, culture, gender, sexuality, and class. Guided by a theoretically eclectic approach ranging from Psychoanalysis, Deconstruction, Postcolonial Theory, Queer Theory, and Critical Race Studies, Empire is explored as a spectrum of contemporary global power inaugurated by European expansion and propagated in the postcolonial present through economic, cultural, and political forces. Through the texts analysed, Anti-Empire offers in-depth interrogations of contemporary power in terms of racial politics, gender performance, socio-economic divisions, political structures, and the intersections of these facets of domination and hegemony. By way of grappling with Empire’s discursive field and charting new modes of producing meaning in opposition to that of Empire, the texts read from Brazil, Cabo Verde, East Timor, Portugal, and São Tomé and Príncipe open new inquiries for Postcolonial and Decolonial Studies while contributing theoretical debates to the study of Lusophone cultures.Trade ReviewReviews 'Prof. Silva’s manuscript will fill an important gap in Lusophone and postcolonial studies. It is an original study that groups together an important group of texts and discusses them in relation to their critical positionality regarding colonialism and coloniality.'Antonio Luciano de Andrade Tosta, The University of Kansas‘This study is extremely relevant and of interest for anyone who researches about Lusophone countries literature and their political and historical contexts, as well as decolonial forms of knowledge. The book is enlightening, easy to understand and presented in a logical manner. In addition, it certainly provides an important contribution to the field of Lusophone studies and their post-colonial historical, cultural and economic issues.' Débora Zamorano, HispaniaTable of ContentsAcknowledgementsIntroduction1. Decolonizing Consumption and Postcoloniality: a Theory of Allegory in Oswald de Andrade’s Antropofagia2. Mário de Andrade’s Antropofagia and Macunaíma as Anti-Imperial Scene of Writing3. Toward a Multicultural Ethics and Decolonial Meta-Identity in the Work of Fernando Sylvan4. Untranslatable Subalternity and Historicizing Empire’s Enjoyment in Luís Cardoso’s Requiem para o Navegador Solitário5. Imperial Cryptonomy: Colonial Specters and Portuguese Exceptionalism in Isabela Figueiredo’s Caderno de Memórias Coloniais6. Spectrality as Decolonial Narrative Device for Colonial Experience in António Lobo Antunes’s O Esplendor de Portugal7. Decolonizing Hybridity through Intersectionality and Diaspora in the Poetry of Olinda Beja8. Transgendering Jesus: Mário Lúcio’s O Novíssimo Testamento and the Dismantling of Imperial CategoriesConclusionBibliography

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Book SynopsisPost-Migratory Cultures in Postcolonial France offers a critical assessment of the ways in which French writers, filmmakers, musicians and other artists descended from immigrants from former colonial territories bring their specificity to bear on the bounds and applicability of French republicanism, “Frenchness” and national identity, and contemporary cultural production in France. In mobilizing a range of approaches and methodologies pertinent to their specialist fields of inquiry, contributors to this volume share in the common objective of elucidating the cultural productions of what we are calling post-migratory (second- and third-generation) postcolonial minorities.The volume provides a lens through which to query the dimensions of postcoloniality and transnationalism in relation to post-migratory postcolonial minorities in France and identifies points of convergence and conversation among them in the range of their cultural production. The cultural practitioners considered query traditional French high culture and its pathways and institutions; some emerge as autodidacts, introducing new forms of authorship and activism; they inflect French cultural production with different ‘accents’, some experimental and even avant-garde in nature. As the volume contributors show, though post-migratory postcolonial minorities sometimes express dis-settlement, they also provide an incisive view of social identities in France today and their own compelling visions for the future.Table of ContentsI. Introduction: The Post-Migratory PostcolonialKathryn Kleppinger and Laura ReeckII. Generations and DesignationsDifference-Conscious Critical Media Engagement and the Communitarian QuestionJennifer FredetteBanlieue Writers: The Struggle for Literary Recognition through Collective MobilisationKaoutar HarchiFrancophone and Post-Migratory Afropeans Within and Beyond France TodayChristopher HogarthIII. Postmemory, or telling the past to the presentUn cinéma sans image: Palimpsestic Memory and the Lost History of Cambodian FilmLeslie BarnesVietnam by Removes: Storytelling and Postmemory in Minh Tran HuyCatherine H. NguyenMoving Beyond the Legacies of War in Second-Generation Harki NarrativesSusan IrelandIV. Urban Cultures/IdentitiesRedefining Frenchness through Urban Music and Literature: The Case of Rapper-Writers Abd Al Malik and DisizStève Puig‘Double discours’: Critiques of Racism and Islamophobia in French RapChong J. Bretillon‘Beyond Ethnicity’ or a Return to Type?: Bande de filles /Girlhood (Sciamma, 2014) and the Politics of Blackness in Contemporary French CinemaWill HigbeeV. Imaginings in Visual LanguagesSomebody or Anybody? Hip hop Choreography and the Cultural EconomyFelicia McCarrenMixed Couples in Contemporary French Cinema: Exploring New Representations of Diversity and Difference on the Big ScreenLeslie Kealhofer-Kemp‘Nos ancêtres n’étaient pas tous des Gaulois’: Post-migration and bande dessinéIlaria VitaliIdentity and ‘Difference’ in French Art: El Seed’s Calligraffiti from Street to WebSiobhán ShiltonVI. Afterword: A Long Road to TravelAlec G. Hargreaves and Mark McKinney

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Book SynopsisThe look and feel of metropolitan France has been a notable preoccupation of French literary and visual culture since the 1980s. Numerous writers, filmmakers and photographers have been drawn to articulate France’s contrasting spatial qualities, from infrastructural installations such as roads, rail lines and ports, to peri-urban residential developments and isolated rural enclaves. In doing so, they explore how the country’s acute sense of national identity has been both asserted and challenged in topographic terms. This wide-ranging collection of essays explores how the contemporary concern with space in France has taken shape across a range of media, from recent cinema, documentary filmmaking and photographic projects through to television drama and contemporary fiction, and examines what it reveals about the state of the nation in a post-colonial and post-industrial age. The impact of global flows of capital, trade and migration can be mapped through attention to the specificities of place and topography. Investigation of liminal locations, from seaboard cities and abandoned industrial sites to refugee camps and peasant smallholdings, interrogates the assertion of a national territory (and, by extension, a national identity) through the figure of the hexagon, and highlights the fluidities, instabilities and lines of flight which render it increasingly unsettled.Trade Review'An invaluable contribution to French cultural studies [...] France in Flux provides an enlightening multi-faceted vision of issues affecting our understanding of contemporary French space and identity.' Carrie Tarr, Kingston University'With the increasing pace of globalization and the rising specter of climate change, this timely volume addresses a viewpoint that, in my opinion, will greatly benefit courses on contemporary France, literature, or cinema. [...] By examining how the French react to the rapid social, demographic, and changes via photography, film, literature, readers can better understand this France in flux.'Kory Olson, H-France'One realizes that opening our eyes to the importance of these apparently trivial, depressing, or monotonous spaces is precisely the point of this creatively-focused and thoughtfully-organized collection of essays. [...] I found in this apparently impoverished terrain a greatly enriched view of contemporary France. [...] The book as a whole delivers, richly, on the same vision. [...] This book is an essential read for anyone with a foundation in French studies. It will also be valuable to geographers, historians of photography and film, and scholars of literature and environment.'Suzanne Black, Studies in 20th & 21st Century LiteratureTable of ContentsIntroductionAri J. Blatt and Edward WelchChapter 1: Angels of History: Looking Back at Spatial Planning in the Mission photographique de la DATAREdward Welch, University of AberdeenChapter 2: Disuse and Affect: Post-Industrial Landscapes of France’s Labour LostDerek Schilling, Johns Hopkins UniversityChapter 3: Depth of Field: Farmland and Farm Life in Contemporary French DocumentaryAlison J. Murray Levine, University of VirginiaChapter 4: Sylvain George’s Minor Mode, or Cinema at the Margins of its Fragile CommunityAnna-Louise Milne, University of London Institute in ParisChapter 5: Girlhood Luminosities and Topographical Politics: 17 Filles (Delphine and Muriel Coulin, 2011) and Bande de filles (Céline Sciamma, 2014)Fiona Handyside, University of ExeterChapter 6: Les Revenants, Tignes, and the Return of Postwar ModernizationCatherine E. Clark, Massachusetts Institute of Technology and Brian R. Jacobson, University of TorontoChapter 7: French Edgeland Poetics: Topography and Ecology in Jean Rolin’s Les ÉvénementsJoshua Armstrong, University of Wisconsin - MadisonChapter 8: Picturing a Nation of Local Places in the Observatoire photographique du paysage and France(s) territoire liquideAri J. Blatt, University of Virginia

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Book SynopsisCosta Rica is a country known internationally for its eco-credentials, dazzling coastlines, and reputation as one of the happiest and most peaceful nations on earth. Beneath this façade, however, lies an exclusionary rhetoric of nationalism bound up in the concept of the tico, as many Costa Ricans refer to themselves. Beginning by considering the very idea of national identity and what this constitutes, this book explores the nature of the idealised tico identity, demonstrating the ways in which it has assumed a white supremacist, Central Valley-centric, patriarchal, heteronormative stance based on colonial ideals. Chapters two and three then go on to consider the literature and films produced that stand in opposition to this normative image of who or what is tico and their creation as vehicles of soft power which aim to question social norms. This book explores protest literature from the 1970s by Quince Duncan, Carmen Naranjo, and Alfonso Chase who narrate their experiences from the margins of society by virtue of their identity as Afro-Costa Rican, feminist, and homosexual authors. Cinema from the twenty-first century is then analysed to demonstrate the nuanced position chosen by national directors Esteban Ramírez, Paz Fábrega, Jurgen Ureña, and Patricia Velásquez to challenge the dominant nation-image as they reinscribe youth culture, a female consciousness, trans identity, and Afro-Costa Rica onto the fabric of the nation.Trade Review‘Throughout the book, Harvey-Kattou offers clear, concise readings on film and literature to articulate new models of Costa Rican belonging and national identity.’ Stephanie M. Pridgeon, Bulletin of Spanish StudiesTable of ContentsContentsIntroductionChapter One: The Creation of Tiquicidad and Theories of National IdentityChapter Two: Coded Messages: Costa Rican Protest Literature 1970–1985Chapter Three: Reflecting the Nation: Costa Rican Cinema in the Twenty–First CenturyConclusion

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Book SynopsisA cultural history of one of Paris’s most fascinating and variegated areas, whose history can be summarized as ‘from riches to rags and back again.’ The Marais was the beating heart of fashionable Paris from the Middle Ages through to the time of Louis XIV, when the court’s move to Versailles marked the start of a decline in its fortunes. Thereafter it became a working-class, largely Jewish area, sometimes described as a ‘ghetto’, and by the early twentieth century was in a parlous condition from which it was extricated by the Paris City Council and the 1960s restoration plan of André Malraux (which did not go without criticism and opposition). Its most recent avatar has been as the best-known gay quartier of the capital, though again this identity has not been a straightforward or always easily-accepted one. The stress throughout will be on representations – literary, cinematic, autobiographical, photographic and in graphic-novel form – as much as if not more than the unfolding of historical events.Trade Review'This book offers a rich and stimulating cultural topography of the Marais quarter of Paris, from the Middle Ages to the present day. The author nimbly synthesizes a wide range of historical research on the quarter. This in turn furnishes the context for the more original dimension of the project: the close reading of the ways in which the Marais figures in a range of cultural representations.'Douglas Smith, University College DublinTable of ContentsAcknowledgementsIntroductionChapter One’The poor and the well-to-do lived side by side in the same street’ : The Marais before the French RevolutionChapter Two ‘Grass grows, a passer-by is an event, and everybody knows everybody else’: the Revolutionary and Post-Revolutionary PeriodChapter Three‘This is why the Jews had their ghetto there’ : the Marais in the pre-Second War twentieth centuryChapter Four‘The Occupation robbed them of their childhood, their adolescence’: the Marais in the war years and the Fourth RepublicChapter Five‘The inhabitants are taken into account’ (?): the conservation of the MaraisChapter Six‘A different kind of ghetto’ : the gay Marais comes to dominate its Jewish predecessor

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Book SynopsisTransnational Portuguese Studies offers a radical rethinking of the role played by the concepts of ‘nationhood’ and ‘the nation’ in the epistemologies that underpin Portuguese Studies as an academic discipline. Portuguese Studies offers a particularly rich and enlightening challenge to methodological nationalism in Modern Languages, not least because the teaching of Portuguese has always extended beyond the study of the single western European country from which the language takes its name. However, this has rarely been analysed with explicit, or critical, reference to the ‘transnational turn’ in Arts and Humanities. This volume of essays from leading scholars in Portugal, Brazil, the USA and the UK, explores how the histories, cultures and ideas constituted in and through Portuguese language resist borders and produce encounters, from the manoeuvres of 15th century ‘globalization’ and cartography to present-day mega events such as the Rio Olympics. The result is a timely counter-narrative to the workings of linguistic and cultural nationalism, demonstrating how texts, paintings and photobooks, musical forms, political ideas, cinematic representations, gender identities, digital communications and lexical forms, may travel, translate and embody transcultural contact in ways which only become readable through the optics of transnationalism.Contributors: Ana Margarida Dias Martins, Anna M. Klobucka, Christopher Larkosh, Claire Williams, Cláudia Pazos Alonso, Edward King, Ellen W. Sapega, Fernando Arenas, Hilary Owen, José Lingna Nafafé, Kimberly DaCosta Holton, Maria Luísa Coelho, Paulo de Medeiros, Sara Ramos Pinto, Sheila Moura Hue, Simon Park, Susana Afonso, Tatiana Heise, Toby Green, Tori Holmes, Vivien Kogut Lessa de Sá and Zoltán Biedermann.Trade Review“This is easily the most complete collection produced to date to broach the issue of transnationalism in Lusophone culture and history and it will be an essential purchase for libraries where Portuguese is taught.”Stephanie Dennison, University of Leeds“Hilary Owen and Claire Williams’ volume is a superb contribution to the field of Portuguese Studies (a problematic signifier, as the editors point out in the introduction) at a time when the sometimes contentious intersections between the transnational and the global have caught the attention of scholars, students, and the reading public.”Peggy Sharpe, Florida State UniversityTable of ContentsIllustrations and TablesAcknowledgementsContributorsIntroductionHilary Owen and Claire Williams: Transnationalising Portuguese StudiesPart I: SPATIALITYChapter 1Zoltán Biedermann: Global Navigations and the Challenge of World-Making: Introducing the Study of Spatiality in the Portuguese EmpireChapter 2Anna M. Klobucka: Translational Travails of LusotropicalismChapter 3Vivien Kogut Lessa de Sá and Sheila Moura Hue: English Pirates in Brazil: Early Anglo-Portuguese Relations in the New WorldChapter 4Fernando Arenas: Soundtracks of the Lusophone and Creolophone Spheres: ‘Tanto’ by Aline Frazão (Angola), ‘Kreol’ by Mário Lúcio (Cabo Verde) and ‘N na nega bedju’ by José Carlos Schwarz (Guinea-Bissau)Chapter 5Maria Luísa Coelho: Transnational, Palimpsestic Journeys in the Art of Bartolomeu Cid dos SantosChapter 6Hilary Owen: ‘Becoming Portuguese’: New Europes for Old in Miguel Gomes’s Arabian NightsPart II: LANGUAGEChapter 7Toby Green and José Lingna Nafafé: Lusotopian or Lusophone Atlantics? The Relevance of Transnational African Diasporas to the Question of Language and CultureChapter 8Susana Afonso: Portuguese as a Transnational LanguageChapter 9Simon Park: Beyond Comprehension: Language, Identity and the Transnational in Gil Vicente’s TheatreChapter 10Sara Ramos Pinto: Dialects in Translation: Traveling in Space and Time in the Portuguese-Speaking World with Pygmalion and My Fair LadyChapter 11Tori Holmes: The Duality and Ambiguity of Mega-events in Rio de Janeiro: Local and Transnational Dimensions of Urban Transformations in the Webdocumentary Domínio PúblicoPart III: TEMPORALITYChapter 12Ellen W. Sapega: ‘Mining Memory's Archive: Two Portuguese Documentaries about the Second World War’Chapter 13Edward King: Disjunctive Temporalities of Migration in Photobooks from BrazilChapter 14Tatiana Heise: The National and the Transnational in Brazilian Postdictatorship CinemaChapter 15Ana Margarida Dias Martins: Remembering New Portuguese Letters Transnationally: Memory, Emotion, MobilityPart IV: SUBJECTIVITYChapter 16Cláudia Pazos Alonso: ‘Publish and be Damned’: Memórias da Minha Vida and the Politics of Exclusion in Nineteenth-century PortugalChapter 17Paulo de Medeiros: Transnational PessoaChapter 18Kimberly DaCosta Holton: Sound Travel: Fadocore in CaliforniaChapter 19Christopher Larkosh: ‘Can’t We All Just Be Queer?’ On Imagining Shared Translational SpaceChapter 20Claire Williams: International Departures and Transnational Texts in Contemporary Brazilian Literature: the ‘Amores Expressos’ SeriesIndex

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Book SynopsisThis collection of interviews is a diamond, remarkable in the way that it assembles so many of the major strains of Glissant’s thought, and stunning in the expansive erudition at work in the composition of that thought. Two structuring experiences inform the writer’s reflections on language and poetic engagement. On the one hand, there is the acculturation of his French intellectual ancestry, begun in the Martinican colonial system and continued in his mature student years in Paris, with the achievement of a Doctorate at the Sorbonne in 1980. On the other, there is his genetic heritage as an Antillean, nurtured in the Creole language of a people whose nearly forgotten history he will take pains to redeem. A lifelong interrogation of these two vital experiences of language are crucial to Glissant’s concept of Relation, viewed as a transformative and vital process intrinsic to the project of poetics. Relation reverberates throughout Glissant’s consideration of the many topics broached in this volume: medieval Europe and the creation of nation-states, the evolution of the epic and its global iterations, decolonization, creolization, landscapes and cultures, political engagement vs. the task of the writer, globality, questions of identity and Being. Absolutely the best introduction to Glissant’s thought.Trade Review"This book will be seen as the perfect introduction to Glissant’s works but it also stands on its own, as one crucial addition to Glissant’s corpus of works."Hugues Azérad, University of Cambridge'Far too much of [Eduard Glissant's] writing remained untranslated. This series aims to correct this error and to provide access to some important later essays, lectures and interviews. [...] These new translations illuminate in different ways Glissant's sense of place as nonreductive, nonexclusive, but like the rhizome, endlessly connecting with others. These three volumes give vibrant voice to these "flashes of light", setting out a provocative web of ideas and arguments for a Whole-world in which diverse places, identities and cultures matter in the creation of an unforeseeable but vital future.'Neil Campbell, Western American LiteratureTable of ContentsKey Signs and Key Things: An Introduction to Édouard Glissant’s EssaysForewordThe itinerariesThe interviewsSpumes, the day afterThe Mangrove Work

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Book SynopsisThe focus of this book is two-fold. First it traces the expansive geographical spread of the language commonly referred to as Spanish. This has given rise to multiple hybrid formations over time emerging in the clash of multiple cultures, languages and religions within and between great empires (Roman, Islamic, Hispano-Catholic), each with expansionist policies leading to wars, huge territorial gains and population movements. This long history makes Hispanophone culture itself a supranational, trans-imperial one long before we witness its various national cultures being refashioned as a result of the transnational processes associated with globalization today. Indeed, the Spanish language we recognise today was ‘transnational’ long before it was ever the foundation of a single nation state. Secondly, it approaches the more recent post-national, translingual and inter-subjective ‘border-crossings’ that characterise the global world today with an eye to their unfolding within this long trans-imperial history of the Hispanophone world. In doing so, it maps out some of the contemporary post-colonial, decolonial and trans-Atlantic inflections of this trans-imperial history as manifest in literature, cinema, music and digital cultures. Contributors: Christopher J. Pountain, L.P. Harvey, James T. Monroe, Rosaleen Howard, Mark Thurner, Alexander Samson, Andrew Ginger, Samuel Llano, Philip Swanson, Claire Taylor, Emily Baker, Elzbieta Slodowska, Francisco-J. Hernández Adrián, Henriette Partzsch, Helen Melling, Conrad James and Benjamin Quarshie.Trade Review“This book will be a welcome and important contribution to the ongoing re-shaping of Modern Languages in the UK, with an appeal and impact that goes far beyond.”Chris Harris, Xi’an Jiaotong-Liverpool UniversityTable of ContentsTable of ContentsIntroductionSection 1: LanguageChapter 1 Christopher J. Pountain: Transnational dimensions in the history of SpanishChapter 2 L.P. Harvey: Arabic in the Iberian PeninsulaChapter 3 James T. Monroe: The First Chapter in Ibero-Romance Literatures: The ḫarja-s (kharjas)Chapter 4 Rosaleen Howard: Indigenous people of the Andes through languageSection 2: TemporalitiesChapter 5 Mark Thurner: The Names of Spain and Peru: Notes on the Global Scope of the HispanicChapter 6 Alexander Samson: Time, Empire and the Transnational in the Early Modern Spanish WorldChapter 7 Andrew Ginger: Modern, Modernity, Modernism, and the Transnational; Or, Goodbye to All That?Chapter 8 Samuel Llano: Flamenco as Palimpsest: Reading through hybriditySection 3: SpatialitiesChapter 9 Philip Swanson: The Where is Latin America?: Imaginary Geographies and Cultures of Production and ConsumptionChapter 10 Claire Taylor, Thea Pitman: Digital Culture and Post-Regional Latin AmericanismChapter 11 Emily Baker: From ‘Imagined’ to ‘Inoperative’ Communities: The Un-working of National and Latin American Identities in Contemporary FictionChapter 12 Elzbieta Slodowska: Post-Soviet (Re)collections: From Artifact to Artifice in the Wake of the ‘Special Period’ in CubaChapter 13 Francisco-J. Hernández Adrián: Amphibious Visualities: Transnational Archipelagos of Recent Latin American CinemaSection 4: SubjectivitiesChapter 14 Henriette Partzsch: The Transnational Space of Women’s Writing in Nineteenth-century SpainChapter 15 Helen Melling: Envisioning African-descent Confraternities in early nineteenth-century Lima, PeruChapter 16 Conrad James: Dominican Trans: Frank Báez’s Global PoeticsChapter 17 Benjamin Quarshie: ‘Signos y cicatrices comunes’: Queerness, Disability, and Pedro Lemebel’s Poetics and Politics of EmbodimentList of Contributors

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Book SynopsisOver recent decades concerns at the increased scarcity and precarity of salaried employment have dominated political struggles, theoretical debates and cultural representations in France. This study argues that such concerns are evidence of a profound shift in contemporary French economy, culture and society. Engaging with work in political economy and sociology, the book sketches a new interpretative framework, the better to understand the nature and implications of these profound changes. It examines the challenges such changes have posed to fundamental French republican values, arguing they have opened up a rift between older notions of French republican citizenship and the precarious forms of subjectivity characteristic of post-Fordist labour. The book traces the symptoms of this rift in a range of cinematic and literary representations of the contemporary workplace, as these depict the dilemmas faced, the trajectories followed, and the geographical regions inhabited by French workers of different ages, sexes, social classes, and ethnicities.Trade Review“This is a well-written and clearly argued treatment of the implications of a post-Fordist regime of economic management on employment in France, as seen through literary and filmic representations."Nick Parsons, Cardiff UniversityTable of ContentsIntroductionPART ONE: THEORETICAL PRELIMINARIESChapter One: The Crisis of Fordism. Symptoms and DiagnosesChapter Two: Modulating Work and WelfarePART TWO: CHARACTER TYPES, TRAJECTORIES, UNEVEN GEOGRAPHIESChapter Three: Modulated masculinitiesChapter Four: Femmes FortesChapter Five: Doomed YouthChapter Six: Sans PapiersConclusionBibliography

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Book SynopsisAbsent the Archive is the first cultural history in English that is devoted to literary and visual representations of the police massacre of peaceful Algerian protesters. Covered up by the state and hidden from history, the events of October 17 have nonetheless never been fully erased. Indeed, as early as 1962, stories about the massacre began to find their way their way into novels, poetry, songs, film, visual art, and performance. This book is about these stories, the way they have been told, and their function as both documentary and aesthetic objects. Identified here for the first time as a corpus—an anarchive—the works in question produce knowledge about October 17 by narrativizing and contextualizing the massacre, registering its existence, its scale, and its erasure, while also providing access to the subjective experiences of violence and trauma. Absent the Archive is invested in exploring how literature and culture represent history by complicating it, whether by functioning as first responders and persistent witnesses; reverberating against reality but also speculating on what might have been; activating networks of signs and meaning; or by showing us things that otherwise cannot be seen, while at the same time provoking important questions about the aesthetic, ethical, and political stakes of representation.Trade Review“This is a ground-breaking volume that makes visible to readers the entangled histories and legacies of 17 October 1961 in the French cultural imaginary. It is an outstanding work of ethical scholarship, offering a creative analysis of ‘rogue’ cultural texts that been produced in response to a massacre in central Paris that continues to live in the shadows of French history."Claire Gorrara, Cardiff University'Impressive in scope and meticulous in detail, Absent the Archive will no doubt set the bar for future critical studies of the cultural afterlives of October 17.'Patrick Lyons, L'Esprit Créateur‘This compelling book is a sustained, scholarly, and deeply nuanced engagement with the cultural representations of the massacre and its afterlife… [Absent the Archive] speaks to its object and reminds us of the excitement of research and its ethical possibilities. When Jim House and Neil MacMaster published Paris 1961: Algerians, State Terror, and Memory in 2009 (Oxford: Oxford University Press), it was immediately recognized as a landmark achievement. Brozgal’s book is its complement within cultural studies.’ Patrick Crowley, French Studies‘Absent the Archive constitutes a brilliant contribution to the historiography of French colonialism, Algerian struggle for independence, and the attendant French colonial crimes… This book brushes away the myth of the French mission civilisatrice [civilizing mission] and provides new perspectives on the Algerian liberation struggle and French colonial violence.’ Mohamed Chamekh, Contemporary Review of the Middle East‘Groundbreaking’ Alex Tan, AsymptoteTable of ContentsAcknowledgementsIntroduction: The Scene of the Crime, The Crime of the SeenChapter 1: Excavating the Anarchive. An Archeaology of the CorpusChapter 2: Archive Stories, From Politics to RomancesChapter 3: Non-lieux de mémoire: Maps and Graffiti in the Scriptable CityChapter 4: The Seine’s Exceptional BodiesChapter 5: “How Lucky Were the Blond Kabyles”: Reading Race in the AnarchiveChapter 6: The Entangled Stories of October 17, Vichy, the Jews, and the HolocaustEpilogue: The Ends of the AnarchiveBibliography:The Anarchive – Primary sourcesSelected Secondary Sources

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Book SynopsisThe history of Italians and of modern Italian culture stems from multiple experiences of mobility and migration: between the late 19th century and the early 20th century, 27 million Italians migrated and 60 to 80 million people worldwide see their identity as connected with the Italian diaspora. Since the time of Italian unification, a series of narratives about mobility have been produced both inside and outside the boundaries of Italy, by agents such as the Italian state, international organizations or migrant communities themselves.The essays in Transcultural Italies follow the multiple trajectories of this complex history and of its representations. They do so by focusing on the key concepts and practices of mobility, memory and translation. Taken together, they represent a contrapuntal series of case studies that offers a fresh perspective on the study of modern and contemporary Italy. The essays in the volume explore the meanings that ‘transnational’ and ‘transcultural’ assume when applied to the notion of Italian culture.Contributors: Charles Burdett, Jennifer Burns, Derek Duncan, Chiara Giuliani, Viviana Gravano, Giulia Grechi, Margaret Hills de Zárate, Eliana Maestri, Valerie McGuire, Loredana Polezzi, Barbara Spadaro, Ilaria Vanni, Naomi Wells, Rita WilsonTrade Review“Transcultural Italies brings together a series of essays that interrogate the inherently dynamic nature of Italian identity and culture to advance the transnational turn that is presently reshaping the field of Italian Studies."Stephanie Malia Hom, University of California, Santa Barbara“Transcultural Italies adds new dimensions to the study of human mobilities and suggests a path-breaking approach to the cultural study of Italian migrations, from the movement of people and objects through space and memory to Italian influences on global culture.”Maddalena Tirabassi, Centro Altreitalie sulle Migrazioni Italiane, TurinTable of ContentsIntroduction: Transcultural ItaliesCharles Burdett, Loredana Polezzi and Barbara SpadaroSection 1: TracesThe Transnational Biography of ‘British’ Place: Local and Global Stories in the Built EnvironmentJennifer BurnsPorteña Identity and Italianità: Language, Materiality and Transcultural Memory in Valparaíso’s Italian CommunityNaomi WellsItalian Identity, Global Mediterranean: Tourism and Cultural Heritage in Post-Colonial RhodesValerie McGuireItaly and Africa: Post-War Memories of Life in Eritrea and EthiopiaCharles BurdettSection 2: Art, Objects and Artefacts‘The Path that Leads Me Home’: Eduardo Paolozzi and the Arts of TransnationalizingDerek DuncanMoving Objects: Memory and Material CultureMargaret Hills de ZárateVisualizing Spatialization at a Crossroads between Translation and Mobility: Italian Australian Artist Jon Cattapan’s CityscapesEliana MaestriAn Exhibition about Italian Identities Beyond BordersViviana Gravano and Giulia GrechiSection 3: Mobilities of MemoryPitigliano, Maryland? Travelling Memories and Moments of TruthBarbara SpadaroMisplaced Plants: Migrant Gardens and TransculturationIlaria VanniThe Chinese Community in Italy, the Italian Community in China: Economic Exchanges and Cultural DifferenceChiara GiulianiWriting the Neighbourhood: Literary Representations of Language, Space and MobilityRita WilsonFrom Substitution to Co-presence: Translation, Memory, Trace and the Visual Practices of Diasporic Italian ArtistsLoredana Polezzi

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Book SynopsisThis collection of essays on Trans-Mediterranean Francospheres offers an original examination of cultural production and the flows between urban capitals and “capital” in and of a selection of Mediterranean cities and sites. In three parts, the book covers both familiar and overlooked terrain, in chapters which examine writing the city, the transit between different poles, film and EU designated cultural capitals. The collection therefore brings together texts and their critical readings in new comparative ways. Following Jacques Derrida’s peregrinations in L’Autre Cap (1991), the volume interrogates the what of Europe; the when or where of Paris; the who of the Mediterranean. Or might the Mediterranean fall under the rubric of paleonomy, that is, as Michael Naas recalls Derrida’s words in Positions: “the ‘strategic’ necessity that requires the occasional maintenance of an old name in order to launch a new concept.”Taking this forward, we understand the Mediterranean as an old name to launch a new concept and the essays in the book each reflect on this in different ways. Issues concerning identity are challenged, since a Metropolitan, European, Arab or African identity may be preferred over a Mediterranean one. As borders become reinforced in the region, trans-Mediterranean bridging narratives may be thwarted, especially by those who write across Europe, Africa and the Middle East, in the face of the contemporary refugee crisis. Finally, chapters explore what it means to define a Mediterranean city—such as Marseille as European Capital of Culture—and interrogate how this feeds into the cultural production of a city whose multi-ethnic identities are as outward-looking towards North Africa as they are inward towards the French capital.Contributors: Silvia Baage, Marzia Caporale, Angela Giovanangeli, Mark Ingram, Christa Jones, Gemma King, Claire Launchbury, Megan C. MacDonald, Agnès Peysson-Zeiss, Ipek Çelik Rappas, Alison Rice, Rania SaidTrade Review“This edited volume breathes new life into our understanding of cultural exchanges in the Mediterranean. The contributors' inventive attention to the 'Francosphère' revives debates around postcolonial cultural production in its myriad interdisciplinary expressions."Claudia Esposito, University of Massachusetts-BostonTable of ContentsIntroduction: Urban Bridges, Global Capital(s)Claire Launchbury and Megan C. MacDonaldPART I: WRITING CAPITAL(S), NARRATING THE CITY: MEDITERRANEAN ALLER/RETOURSChapter 1: The Flâneuses of Tunis: Reading the City in the Life Narratives of Kaouthar Khlifi and Dora LatiriRania SaidChapter 2: City Speak: Nice through the Eyes of Jean Vigo, Jacques Demy and Emmanuel RoblèsChrista JonesChapter 3: Moroccan Narratives of Dystopia: Representations of Tangier in Leïla Kilani’s film Sur la plancheMarzia CaporaleChapter 4: Cultural Capitals in Crisis: Meditating on the Mediterranean and Memory Between Paris and Athens in La clarinette by Vassilis AlexakisAlison RicePart II: MARSEILLE MULTIPLES : CAPITAL OF CULTURE Chapter 5: Screening Cosmopolitan and Mediterranean MarseilleIpek Çelik RappasChapter 6: Shaping Mediterranean geographies: The museum of European and Mediterranean civilisations in Marseille and the making of identityAngela GiovanangeliChapter 7: Marseille Provence 2013: a social face-lift for an old lady?Agnès Peysson-ZeissChapter 8: Bridges and fault lines in the Mediterranean City: Neighbourhood memory in an urban walk in MarseilleMark IngramPART III– MEDITERRANEAN BEYONDSChapter 9: Between the Comoros Islands and Marseille: Trans-Mediterranean bridging narratives in the works of Salim HatubouSilvia BaageChapter 10: Trans-Mediterranean BeyroutesClaire LaunchburyChapter 11: Multilingual Pilgrimages: Language and Trans-Mediterranean Cultural Identity in Ismaël Ferroukhi’s Le Grand Voyage (2004)Gemma KingChapter 12: Bare Life At Sea: Mediterranean Crossings, Istanbul LimboMegan C. MacDonaldAcknowledgementsContributor Biographies

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Book SynopsisUntil well into the twentieth century, the claims to citizenship of women in the US and in Europe have come through men (father, husband); women had no citizenship of their own. The case studies of three expatriate women (Renée Vivien, Romaine Brooks, and Natalie Barney) illustrate some of the consequences for women who lived independent lives. To begin with, the books traces the way that ideas about national belonging shaped gay male identity in the nineteenth century, before showing that such a discourse was not available to women and lesbians, including the three women who form the core of the book. In addition to questions of sexually non-conforming identity, women's mediated claim to citizenship limited their autonomy in practical ways (for example, they could be unilaterally expatriated). Consequently, the situation of the denizen may have been preferable to that of the citizen for women who lived between the lines. Drawing on the discourse of jurisprudence, the history of the passport, and original archival research on all three women, the books tells the story of women's evolving claims to citizenship in their own right.Trade Review“This book explores the ways in which marginal sexual identities have been expressed through the trope of national identity. The study is as accessible as it is erudite, Melanie Hawthorne writes in a lively style that is all her own."Gretchen Schultz, Brown UniversityTable of ContentsWomen, Citizenship, and Sexuality: IntroductionChapter 1. "Comment Peut-on Etre Homosexuel?": Multinational (In)Corporations and the Frenchness of SaloméChapter 2. Renée Vivien: French Poet?!!Time Passes: An InterchapterChapter 3. "Partout Etrangère": Romaine BrooksChapter 4. Natalie Barney's Missed MarriagesAfterword: On Becoming a CitizenNotesBibliography

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Book SynopsisJews, Muslims and Jerusalem: Disputes and Dialogues examines MuslimJewish relations during significant periods of history in the Middle East, Asia and Africa. A deep concern in the Muslim Arab world concerns the status of the Al-Aqsa Mosque and Dome of the Rock. Israels continued occupation of the West Bank since 1967, and its control of East Jerusalem, has reinforced anti-Jewish (Judeophobia) and anti-Israel movements. The most prominent are the Hamas, the Liberation Party (tahrir), the Islamic Jihad, Hizbullah, the Islamic rulers in Iran, and recently Turkey. Conversely, amongst Jews in Israel and the Diaspora (and amongst many Christians) the last decades have witnessed a rise in extreme Islamophobia in reaction to Arab terrorist attacks, and out of a religious-cultural prejudice against Muslims. Spearheading these trends are members of the Jewish underground, Gush Emunim, Loyalists of the Temple Mount, Holy Temple organizations, and members of the religious Zionist and political movements, the Bayit Yehudi Party and Likud Party. It is noteworthy that there are numerous proactive movements for coexistence and peace amongst Jews and Muslims in Israel and throughout the world, and in that prevailing spirit dozens of ongoing religious and cultural dialogues are maintained. These interactions, and the political and economic engagement at state level, are distinguished by ambivalence given not only the historical record but through contemporary zealotary by hardliners. The US, the UN and the EU have tried to mediate, but to no avail. President Trumps Deal of the Century has abandoned Washingtons neutrality. PM Netanyahu promotes Israeli sovereignty over Jerusalem. This book is the most comprehensive, integrated and updated study on these formidable issues. Given the increasingly volatile language by hardline players the Middle East is at a point of critical historical change: Is it to be a political settlement via dialogue or a downward spiral to a dispute that in an age of offensive weaponry available to all parties can only have dire consequences.

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Book SynopsisIn 1804, Haiti declared its independence from France to become the world’s first ‘black’ nation state. Throughout the nineteenth century, Haiti maintained its independence, consolidating and expanding its national and, at times, imperial projects. In doing so, Haiti joined a host of other nation states and empires that were emerging and expanding across the Atlantic World. The largest and, in many ways, most powerful of these empires was that of Britain. Haiti in the British Imagination is the first book to focus on the diplomatic relations and cultural interactions between Haiti and Britain in the second half of the nineteenth century. As well as a story of British imperial aggression and Haitian ‘resistance’, it is also one of a more complicated set of relations: of rivalry, cultural exchange and intellectual dialogue. At particular moments in the Victorian period, ideas about Haiti had wide-reaching relevancies for British anxieties over the quality of British imperial administration, over what should be the relations between ‘the British’ and people of African descent, and defining the limits of black sovereignty. Haitians were key in formulating, disseminating and correcting ideas about Haiti. Through acts of dialogue, Britons and Haitians impacted on the worldviews of one another, and with that changed the political and cultural landscapes of the Atlantic World.Trade Review‘Haiti in the British Imagination: Imperial Worlds, 1847–1915 is a significant contribution to this vibrant field… focusing on the influence of Haitians on the writings of Britons in this period, a fascinating and nuanced picture emerges of competing social and political agendas played out via several cultural mediums… this book is not just an important read for scholars of Haitian and British history; it also contributes significantly to studies of the way dialogues between imperial and (post)colonial powers were formed and manipulated to suit competing agendas.’ James Forde, New West Indian GuideTable of ContentsAcknowledgementsIntroductionChapter One: Representations of The Haitian Empire in the British Press, 1847–59Chapter Two: Policing the Caribbean: The Bulldog Affair and the Morant Bay WarChapter Three: Hayti, or, the Black RepublicChapter Four: Vive Dessalines! Revolution, Class and the Centenary of IndependenceConclusionBibliography

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Book SynopsisPost-Millennial Palestine: Literature, Memory, Resistance confronts how Palestinians have recently felt obliged to re-think memory and resistance in response to dynamic political and regional changes in the twenty-first century; prolonged spatial and temporal dispossession; and the continued deterioration of the peace process. Insofar as the articulation of memory in (post)colonial contexts can be viewed as an integral component of a continuing anti-colonial struggle for self-determination, in tracing the dynamics of conveying the memory of ongoing, chronic trauma, this collection negotiates the urgency for Palestinians to reclaim and retain their heritage in a continually unstable and fretful present. The collection offers a distinctive contribution to the field of existing scholarship on Palestine, charting new ways of thinking about the critical paradigms of memory and resistance as they are produced and represented in literary works published within the post-millennial period. Reflecting on the potential for the Palestinian narrative to recreate reality in ways that both document it and resist its brutality, the critical essays in this collection show how Palestinian writers in the twenty-first century critically and creatively consider the possible future(s) of their nation.Table of ContentsAcknowledgementsNotes on ContributorsForeword: “Under Suffering’s Glow: Palestinian Writing after Oslo.”Bashir Abu-MannehIntroductionRachel Gregory Fox and Ahmad QabahaPart I: Palestinian Archives: Catastrophe, Exile, and Life WritingChapter 1: “Late Style as Resistance in the Works of Edward Said, Mahmoud Darwish, and Mourid Barghouti.”Tahrir HamdiChapter 2: “A ‘rich fabric of some sort, which no one can fully comprehend [or] fully own’: Levantine Remains in Memoirs by Edward Said, Jean Said Makdisi, and Wadad Makdisi Cortas.”Lindsey MooreChapter 3: “The Exile’s Memory and the Chronotope in Ghada Karmi’s Return: A Palestinian Memoir.”Ahmad QabahaChapter 4: “Snapshots of Solidarity: Anthologizing Palestinian Life Writing.”Sophia BrownPart II: Palestinian Aesthetics: Icons, Haptics, and PalimpsestsChapter 5: “Confronting the Mythic? Najwan Darwish and Post-Millennium Palestinian Poetry.”Sarah IrvingChapter 6: “Enduring Palestine: Haptics, Violence, and Affect in Adania Shibli’s Fiction.”!!Michael PritchardChapter 7: “‘I can only get there now on the rafts of memories’: Palimpsestic and Genealogical Memories in Susan Abulhawa’s Novels.”Rachel Gregory FoxPart III: Palestinian Horizons: Endings and Beginnings, or Taking FlightChapter 8: “Killing God to Find Palestine ‘after the end of the world’ in Adania Shibli, Mahmoud Amer, and Maya Abu al-Hayyat.”Nora ParrChapter 9: “Unfinished Work: Anticolonial Pedagogy in Selma Dabbagh’s Out Of It.”Tom SperlingerChapter 10: “Wingwomen: Towards a Feminocentric Poetics of Flight in Twenty-First Century Palestinian Creative Consciousness.”Anna BallWorks Cited

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Book SynopsisThis book proposes to examine French and Francophone intellectual history in the period leading to the decolonization of sub-Saharan Africa (1945-1960). The analysis favours the epistemological links between ethnology, museology, sociology, and (art) history. In this discussion, a specific focus is placed on temporality and the role ascribed by these different disciplines to African pasts, presents, and futures. It is argued here that the post-war context, characterized, inter alia, by the creation of UNESCO, the birth of Présence Africaine and the prevalence of existentialism, bore witness to the development of new regimes of historicity and to the partial refutation of a progress-based modernity. This investigation is predicated on case studies from West and Central Africa (AOF, AEF and Belgian Congo) and, whilst adopting a postcolonial methodology, it explores African and French authors such as Georges Balandier, Cheikh Anta Diop, Frantz Fanon, Chris Marker, Joseph Ki-Zerbo, Claude Lévi-Strauss, Alain Resnais, Jean-Paul Sartre and Placide Tempels. This study explores the intellectual legacy of the ‘long nineteenth century’ and the difficulty encountered by these authors to articulate their anti-colonial agenda away from the modern methodologies of the ‘colonial library’. By focussing on issues of intellectual alienation, this book also demonstrates that the post-WW2 period foreshadowed twenty-first century debates on extroversion, racial inequalities, the decolonization of history, and cultural (mis)appropriation.Trade Review"This is a thoroughgoing and scholarly study of African culture, anthropology and history during the lead-up to decolonization, using the notion of temporality as a lens through which to assess this complex transitional period. It is a high quality piece of research, offering a wealth of new insight on a complex question."Jane Hiddleston, University of Oxford'Fraiture's intervention in the debate is monumental. He helps the English-speaking world see the part of the debate that, until now, lacked visibility, i.e. the de-colonialists who challenged the French colonial system. And he does it in superb English –a gift to be savoured. The reader gulps with curiosity as Fraiture opens the vaults of history for our benefit. He educates in a very dazzling way. [...] This book is a labour of love; the scholarship is a pure bravura. No one concerned about decolonization can be without this book. It is first-rate.'Paul Okojie, Africa International Network'Pierre-Philippe Fraiture’s opus is an astute book that breaks new ground in the study of decolonization in the twentieth century. An erudite tour de force that deconstructs complex and oftentimes demanding texts, Past Imperfect succeeds in bringing to the fore the intertextual dialogues among African, Antillean, and French intellectuals in their effort to unmake colonialism and the epistemologies that informed its implementation. This makes it a must-read for any scholar interested in the decolonial turn in African studies.' B. Bamba, African Studies ReviewTable of ContentsAcknowledgementsPreludeIntroductionChapter I: ‘Pasts and Futures’Chapter II ‘Things’Chapter III: ‘Words’Chapter IV: ‘Customs’Conclusion: ‘Decolonization: a Work in Progress’Bibliography

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Book SynopsisOver the past 25 years, Rwanda has undergone remarkable shifts and transitions: culturally, economically, and educationally the country has gone from strength to strength. While much scholarship has understandably been retrospective, seeking to understand, document and commemorate the Genocide against the Tutsi, this volume gathers diverse perspectives on the changing social and cultural fabric of Rwanda since 1994. Rwanda Since 1994 considers the context of these changes, particularly in relation to the ongoing importance of remembering and in wider developments in the Great Lakes and East Africa regions. Equally it explores what stories of change are emerging from Rwanda: creative writing and testimonies, as well as national, regional, and international political narratives. The contributors interrogate which frameworks and narratives might be most useful for understanding different kinds of change, what new directions are emerging, and how Rwanda’s trajectory is shaped by other global factors.The international set of contributors includes creative writers, practitioners, activists, and scholars from African studies, history, anthropology, education, international relations, modern languages, law and politics. As well as delving into the shifting dynamics of religion and gender in Rwanda today, the book brings to light the experiences of lesser-discussed groups of people such as the Twa and the children of perpetrators.Trade Review‘Rwanda since 1994 supports the field of Rwanda Studies in reorienting itself from genocide history towards progress since the atrocities.’ Anna Katila, WasafiriTable of ContentsIntroductionHannah Grayson and Nicki HitchcottRwanda is Not Hotel RwandaMalaika UwamahoroPart One: A Changing Nation‘Memory-Traces’ in the Works of Felwine Sarr and Bruce Clarke: What Stories of Change Can Commemorate the Genocide Against the Tutsi?Eloïse BrezaultCompeting Narratives and Performances in Rwanda’s Gacaca CourtsAnanda Breed and Astrid JamarHuman Rights Reporting on Rwanda’s Gacaca Courts: a Story of Stagnation and FailureBenjamin Thorne and Julia ViebachThe Incorporation of Women in Rwandan PoliticsLouise Umutoni-BowerRe-branding Rwanda’s Peacekeeping Identity during Postconflict TransitionGeorgina Holmes and Ilaria BuscagliaOne Rwanda for all Rwandans’: (Un)Covering the Batwa in Post-Genocide RwandaMeghan Laws, Richard Ntakirutimana and Bennett CollinsPart Two: Changing PeopleWriting as Reconciliation: Bearing Witness to Life After GenocideCatherine GilbertDecolonizing Trauma Therapy in RwandaCaroline Williamson SinaloPromising Generations: From Intergenerational Guilt to Ndi UmunyarwandaRichard M. BendaImbabazi, Kwicuza & Christian Testimonials of ForgivenessMadelaine HronStories as Change: Using Writing to Facilitate Healing Among Genocide Survivors in RwandaLaura Apol

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Book SynopsisAn Open Access edition of this book is available on the Liverpool University Press website and through Knowledge Unlatched.Anti-Empire explores how different writers across Lusophone spaces have engaged with imperial and colonial power at its various levels of domination, while imagining alternatives to dominant discourses pertaining to race, ethnicity, culture, gender, sexuality, and class. Guided by a theoretically eclectic approach ranging from Psychoanalysis, Deconstruction, Postcolonial Theory, Queer Theory, and Critical Race Studies, Empire is explored as a spectrum of contemporary global power inaugurated by European expansion and propagated in the postcolonial present through economic, cultural, and political forces. Through the texts analysed, Anti-Empire offers in-depth interrogations of contemporary power in terms of racial politics, gender performance, socio-economic divisions, political structures, and the intersections of these facets of domination and hegemony. By way of grappling with Empire’s discursive field and charting new modes of producing meaning in opposition to that of Empire, the texts read from Brazil, Cabo Verde, East Timor, Portugal, and São Tomé and Príncipe open new inquiries for Postcolonial and Decolonial Studies while contributing theoretical debates to the study of Lusophone cultures.Trade ReviewReviews 'Prof. Silva’s manuscript will fill an important gap in Lusophone and postcolonial studies. It is an original study that groups together an important group of texts and discusses them in relation to their critical positionality regarding colonialism and coloniality.'Antonio Luciano de Andrade Tosta, The University of Kansas‘This study is extremely relevant and of interest for anyone who researches about Lusophone countries literature and their political and historical contexts, as well as decolonial forms of knowledge. The book is enlightening, easy to understand and presented in a logical manner. In addition, it certainly provides an important contribution to the field of Lusophone studies and their post-colonial historical, cultural and economic issues.' Débora Zamorano, HispaniaTable of ContentsAcknowledgementsIntroduction1. Decolonizing Consumption and Postcoloniality: a Theory of Allegory in Oswald de Andrade’s Antropofagia2. Mário de Andrade’s Antropofagia and Macunaíma as Anti-Imperial Scene of Writing3. Toward a Multicultural Ethics and Decolonial Meta-Identity in the Work of Fernando Sylvan4. Untranslatable Subalternity and Historicizing Empire’s Enjoyment in Luís Cardoso’s Requiem para o Navegador Solitário5. Imperial Cryptonomy: Colonial Specters and Portuguese Exceptionalism in Isabela Figueiredo’s Caderno de Memórias Coloniais6. Spectrality as Decolonial Narrative Device for Colonial Experience in António Lobo Antunes’s O Esplendor de Portugal7. Decolonizing Hybridity through Intersectionality and Diaspora in the Poetry of Olinda Beja8. Transgendering Jesus: Mário Lúcio’s O Novíssimo Testamento and the Dismantling of Imperial CategoriesConclusionBibliography

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