Architectural structure and design Books

Book SynopsisLandscape architecture, which includes the planning of parks and gardens and the design and siting of buildings and roads, plays an important role in shaping the world around us. In this Very Short Introduction, Ian Thompson uses real-life examples from around the world to examine its impact throughout history and in contemporary society.Trade ReviewA great gift for the landscape architect to give to their in-laws who still call them a 'landscape designer' * Historic Garden Review, Aaron Suiter *Table of Contents1. Misconceptions and Origins ; 2. Place-making and Improvement ; 3. America and the Turn to Modernism ; 4. The Invisible Hand versus the Grand Gesture ; 5. Use and Beauty ; 6. Professional Environmentalists ; 7. Landscape Architecture as Art ; 8. Social Workers in Green Wellingtons ; 9. Under the Carpet ; 10. Landscape and Urbanism ; Further reading

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Book SynopsisUnderstanding the Failure of Materials and Structures introduces practical aspects of mechanical characterisation of materials and structures. It gives those with little or no prior experience insight into the process of developing everyday products, issues behind some high-profile failures, and tools to begin planning a programme of research.Written in an easily accessible manner, the work discusses fundamentals of the physical world, highlighting the range of materials used and varied applications, and offers a brief history of materials development. It covers the role of materials structure in controlling materials properties and describes mechanical properties, such as stress, strain, stiffness, fracture, and fatigue. The book also features information on various modes of testing and strain measurement. It provides some discussion on topics that go beyond well-behaved test coupons, with thoughts on biomechanics, megastructures, and testing for applications in extre

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Book SynopsisAs featured on BBC RADIO 4's Start the Week: a dazzling look at modern videogame worlds seen through an architectural lens, utilizing maps, diagrams and graphic illustrations to offer new perspectives on the art of virtual world building. Videogame Atlas presents a journey through twelve well-known videogame worlds via panoramic maps, intricate exploded diagrams and detailed illustrations. The book offers a playful new way of seeing these beloved virtual worlds using the practices and academic rigour that underpins real-world architectural theory. Titles such as Minecraft, Assassinâs Creed Unity and Final Fantasy VII are explored in exhaustive detail through over 200 detailed illustrations of the micro and macro, each with supporting commentary and architectural theory. Taking influence from high-end architectural monographs, the book is carefully designed to the smallest of details and its production is intricately executed. This book, printed in five colours, with neoTrade Review'Aims to showcase the artistic and design merits of video games... Worth a read... One of the precious few publications focusing on the intersection between [architectural and video game design]' - Canadian ArchitectTable of ContentsIntroduction 1. Stardew Valley, Nintendo 2016 2. Assassin’s Creed Unity, Ubisoft 2014 3. Cities: Skylines, Colossal Order 2015 4. Death Stranding, Kojima Productions 2019 5. Dwarf Fortress, Bay 12 Games 2006- 6. Final Fantasy VII + Remake, Square Enix 1997/2020 7. Fortnite, Epic Games 2017 8. Stardew Valley, Stardew Valley 2016 9. Katamari Damacy, Namco 2004 10. Minecraft, Mojang Studios 2009 11. Persona 5, Atlus 2016 12. Dark Souls, Nintendo 2011 Conclusion Notes

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Book SynopsisTimber deals with wide-ranging use of the material in historic buildings, from vast structural timber-frames through to high-class joinery and simple fixings.Trade Review'[The Practical Building Conservation volumes] offer considerable information and advice on many aspects of conservation. Great emphasis is placed in all the volumes on making the reader familiar with the material in question, giving them as much information and direction as possible to allow them to understand what they are dealing with. It gives a comprehensive 'hands on' approach; solutions are found, methods described and practical tips freely given. It should be kept on the bookshelf within reach of most practising professionals in the field. ' - Jane Jones-Warner RIBA SCA AABC IHBC, Member RIBA Conservation Group 'A thoroughly comprehensive book, packed full of valuable information backed up by excellent drawings and illustrations.' - Cornerstone'My overriding impression of this series is that it is comprehensive, well set out and easy to follow, and it should be of interest both to all involved in the repair and maintenance of historic buildings, and to the casual reader. Each volume stands alone or as part of a set. This represents a substantial body of work in the field of building conservation that is unlikely to be repeated in the near future. The tables and technical drawings are clear, and some of the photographs included are remarkable. The amount of information within each volume is staggering and must represent the nearest thing to a one-stop-shop for historic building practitioners.' - Context'I found the content of the book to be both interesting and very informative. It certainly made me wonder just how much we have wasted, in particular, through replacement of windows where simple professional repair would have been both more cost effective and would have retained the original features. It also made me think just how much money we waste on treatment of timber when if property surveys are carried out by the right people the solutions can end up far more cost effective and less destructive to the building fabric.' - Building Engineer 'The primary editors for each volume acknowledge the contributions of numerous authors and the series' strength is in the breadth of the conservation community engaged in the project - a twenty-first-century galaxy of highly regarded practitioners and conservators brought together in a single technical series; the books are accessibly organized and elegantly designed. It is easy to navigate around them and, importantly, between them. Links to other volumes in the series are colour-coded in the text so that cross-referral to Stone, for example, from Mortars, which is frequently relevant, provides helpful signposting to the relevant detailed guidance in the companion handbook. The illustrations are enormously valuable and the Timber volume, in particular, includes axonometric drawings of timber structures that beautifully display complex construction. These volumes are in all ways an essential, one-stop resource for conservation practitioners: well-organized, expertly informed, compellingly illustrated, signposting other key resources and (let us not take this for granted) written in lucid English.' - The Historic EnvironmentTable of ContentsAbout this book. Using these books. Part 1 1. Materials and History of Use 2. Wood: Biology and Properties 3. Conversion and Seasoning 4. Water and Dimensional Stability 5. Traditional Tools and Working Methods Part 2 6. Deterioration and Damage: Insects and Fungi 7. Environmental Problems 8. Other Causes of Deterioration Part 3 9. Assessment: Understanding Buildings and Their Condition 10. Structural Timbers 11. Non-Structural Timbers (joinery) 12. Fixings and Hardware 13. Specialist Investigations Part 4 14. Repair and Treatment 15. Introduction 16. Timber-Frame Structures 17. Preservative Pre-Treatments' Adhesives, Fillers and Fastenings 18. Insect Infestation and Fungal Decay 19. Upgrading Historic Buildings to Meet Modern Standards Part 5 20. Care and Maintenance: Continuing Care Conclusions. Glossary. Index

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Book Synopsis***Winner ofArchitectural Guide of the Year at theArchitectural Book Awards 2024***The Deck Access Housing Design Guideis the first practical design guide to deck access housing. It focuses on the contemporary use of deck access housing, sharing practical guidance and providing in-depth case studies, while also presenting historical context about this flexible and evolving housing type.Despite a chequered history that saw it linked with urban decay and social malaise in the 1970s and 80s, deck access housing today, after a 40-year hiatus, is fast becoming the default solution for mid-rise housing in the UK, and London in particular. This is in part down to architects' renewed interest in post-war Modernist typologies, but also due to specific planning standards that favour the qualities dual-aspect plans, public' front doors of deck access design.This comprehensive, professional guide spotlights the best contemporary deck access housing Trade Review‘This is a timely book which is both stimulating and informative, and tackles the social and technical challenges of deck access in a pragmatic way. Ultimately, this book shows that deck access can not only work, but also be life-enhancing, as long as thoughtful designers and clients are involved.’Claire Bennie, director, municipal and former development director, Peabody‘The virtues of deck access housing are still a matter for debate, but recent examples gathered in this book show how valuable it can be. With photos, plans and explanatory texts setting out a wide range of case studies, fronted by a historical introduction and backed up with clear analytical guidance on variations of the typology and costing, The Deck Access Housing Design Guide argues convincingly for this solution. Professionals, students and anyone with an interest in contemporary housing will have their eyes opened.’Alan Powers, design history leader, London School of Architecture'Every so often a book appears that just hits all the targets. This is one of them. You might think it a dry subject – deck access housing! – but you would be wrong. A perfect starting place for any architect considering this building type.Olcayto's history of the type is an exemplary piece of writing and research. A book that ranges from excellent history to current design principles, with plenty of well-illustrated examples in between. Wonderful.'Tony McIntryre, Building DesignTable of ContentsIntroduction History Case Studies Types of Deck Access United Kingdom Mainland Europe Practical Guide

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Book SynopsisThis architectural design book focuses on massing studies for multi-unit housing projects; namely apartment blocks. It provides a fresh look at architectural synthesis for architects, students and architecture curious readers, focusing on multi-unit housing projects. The book re-examines the apartment block as a design model, for today and tomorrow, through a simple, flexible and explicit design approach. The innovation of this book lies in the idea that any type of apartment block can be designed and understood using three basic fundamental elements: Housing Units, Circulation and Communal Spaces.The book demonstrates clearly and explicitly, multiple combinations for the three elements, in order to design multiple multi-unit housing projects. Through the examination of twelve globally acknowledged apartment buildings (seen as Case Studies), the book explains some of the numerous possible combinations between these three design elements / programmatic areas, during the massin

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a huge range and FREE tracked UK delivery on ALL orders.

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Book SynopsisDrawing is an important means to analyse information and develop rigorous arguments both conceptually and visually.Table of ContentsINTRODUCTION Description, Analysis and Transformation: Drawing as Diagram CHAPTER 1: CONVENTIONS 1 Point, Line, Plane and Volume 2 Plan Conventions 2.1 Orthographic Projections (Elevation) 2.2 Cut-away Views (Plan and Section) 2.3 Paraline Drawings 2.4 Perspective Drawings 3 Graphic Conventions 3.1 Line Weight, Style and Type 3.2 Hatching, Texture, Material and Shading 3.3 Colour 3.4 Drawing Scale and Paper Size 3.5 Annotation and Dimensioning CHAPTER 2: ARCHITECTURE 1 Description 1.1 Context: Location Plan and Site Section 1.2 Building: Plan, Elevation and Section 1.3 Building: Axonometric and Perspective 2 Analysis 2.1 Context: Figure-Ground Plan 2.2 Context: Orientation 2.3 Building: Massing 2.4 Building: Structural Organisation 2.5 Building: Programme 2.6 Building: Circulation-to-Use 2.7 Building: Part-to-Whole 2.8 Building: Repetitive-to-Unique 2.9 Building: Geometrical Order 2.10 Building: Parti 3 Comparison 3.1 Free Plan vs Raumplan 3.2 Deconstruction of Whole to Parts 3.3 Vertical vs Horizontal 3.4 Sectional Organisation 3.5 Landscape and Landform 3.6 Modularity 4 Comparative Matrices 4.1 Massing 4.2 Conceptual Organisation 4.3 Disposition 4.4 Distribution 4.5 Circulation 4.6 Difference 4.7 Growth CHAPTER 3: THE URBAN 1 Description 1.1 Urban Plan 1.2 Land Use 1.3 Density 1.4 Circulation (Transport) 1.5 Open Spaces 1.6 Infrastructures 2 Analysis 2.1 Figure-Ground Plan 2.2 Hierarchies and Organisation 2.3 Part-to-Whole and Repetitive-to-Unique 2.4 Built Environment 2.5 Phasing 3 Comparison 3.1 Block 3.2 Enclave 3.3 Ground 3.4 Infrastructure 4 Comparative Matrices 4.1 Size 4.2 Distribution 4.3 Hierarchy and Layering 4.4 Difference 4.5 Growth 4.6 Architectural Types and Urban Morphology CHAPTER 4: TRANSFORMATION 1 Typological Transformation 1.1 Timeline 1.2 Comparative Matrix 1.3 Comparative Diagrams 1.4 Typological Transformation Diagrams 1.5 Transformative Matrix 2 Design Examples 2.1 Tokyo Podium by Sakiko Goto 2.2 The City Campus by Marcin Ganczarski 2.3 The Chinese Unit by Yuwei Wang 2.4 Cité Housing by Alvaro Arancibia Tagle Drawing Acknowledgements and References

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Book Synopsis* gives key information in each area with where to go for more detailed guidance * strong focus on engineering and craft solutions * offers a comprehensive overview of a multi-disciplinary area to encourage disparate groups of professionals to work more closely * full colour throughout .Table of ContentsPreface vi Contributors viii 1 What is conservation engineering? 1 Dina F. D’Ayala and Michael Forsyth 2 The philosophy of conservation engineering 12 Ian Hume 3 The Building Regulations and related legislation 19 Peter Norris 4 Metric survey techniques for historic buildings 41 Bill Blake 5 Investigating, monitoring and load testing historic structures 64 Ian Hume 6 Basic soil mechanics, foundations and repair of settlement damage 82 David Cook 7 Effects of induced movement 111 Michael Bussell 8 Repairs to historic structures 140 Ian Hume 9 Numerical modelling of masonry structures151 Dina F. D’Ayala 10 Use of iron and steel in buildings 173 Michael Bussell 11 Conservation of concrete and reinforced concrete 192 Michael Bussell 12 Fire safety and historic buildings 211 Steve Emery 13 The effects of road traffic vibration on historic buildings 223 Ian Hume 14 Scaffolding and temporary works for historic structures 226 Ian Hume Index 232

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Book SynopsisThe Architecture of Ruins: Designs on the Past, Present and Future identifies an alternative and significant history of architecture from the sixteenth century to the twenty-first century, in which a building is designed, occupied and imagined as a ruin. This design practice conceives a monument and a ruin as creative, interdependent and simultaneous themes within a single building dialectic, addressing temporal and environmental questions in poetic, psychological and practical terms, and stimulating questions of personal and national identity, nature and culture, weather and climate, permanence and impermanence and life and death. Conceiving a building as a dialogue between a monument and a ruin intensifies the already blurred relations between the unfinished and the ruined and envisages the past, the present and the future in a single architecture.Structured around a collection of biographies, this book conceives a monument and a ruin as metaphors for a life and means to negotiate between a self and a society. Emphasising the interconnections between designers and the particular ways in which later architects learned from earlier ones, the chapters investigate an evolving, interdisciplinary design practice to show the relevance of historical understanding to design. Like a history, a design is a reinterpretation of the past that is meaningful to the present. Equally, a design is equivalent to a fiction, convincing users to suspend disbelief. We expect a history or a novel to be written in words, but they can also be delineated in drawing, cast in concrete or seeded in soil. The architect is a âphysical novelistâ as well as a âphysical historianâ. Like building sites, ruins are full of potential. In revealing not only what is lost, but also what is incomplete, a ruin suggests the future as well as the past. As a stimulus to the imagination, a ruinâs incomplete and broken forms expand architectureâs allegorical and metaphorical capacity, indicating that a building can remain unfinished, literally and in the imagination, focusing attention on the creativity of users as well as architects. Emphasising the symbiotic relations between nature and culture, a building designed, occupied and imagined as a ruin acknowledges the coproduction of multiple authors, whether human, non-human or atmospheric, and is an appropriate model for architecture in an era of increasing climate change.Table of ContentsList of FiguresAcknowledgements IntroductionChapter 1 Monuments to RomeChapter 2 The First ‘Ruins’Chapter 3 Architecture in RuinsChapter 4 Speaking RuinsChapter 5 Ruin and RotundaChapter 6 Life in RuinsChapter 7 Wrapping Ruins Around BuildingsChapter 8 Nations in RuinsConclusion A Monument to a RuinBibliography

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Book SynopsisDesign Technology in Contemporary Architectural Practice lifts the curtain to unveil how eleven world-leading design studios integrate technology (such as computational design, BIM, and digital fabrication) as part of their day-to-day design exploration and delivery. Via first-hand accounts, the book offers rare insights about how these firms apply technology to purposefully disrupt and support their creative design processes in order to then explore how technology can be integrated on an organisational level. The resulting practice stories are loosely tied to four chapters that discuss how Design Technology corresponds to studio culture, collaboration and delivery protocols, business opportunities, knowledge sharing, staff empowerment, and more. The author is less interested in presenting the latest and greatest tools than in focusing on cultural and organisational challenges and opportunities. This book benefits both the professional market (such as design firms reTable of Contents1. Introduction – Defining Design Technology; 1.1. Background to Design Technology; 1.2. How the ‘Information Age’ has Transformed Architectural Design Practice; Practice Insert: Coop Himmelb(l)au; 1.3. Computational Design in Architecture Practice – A Brief History; Practice Insert: Foster + Partners; 1.4. The Proliferation of Parametric Design and Scripting; 1.5. Object-oriented Design Documentation going Mainstream; 1.6. Digital Models for Structural and Environmental Performance Feedback; Practice Insert: Bjarke Ingels Group; 2. Positioning Technology within Design Practice; 2.1. The ambivalent relationship between architects and (Design) Technology; 2.2. Becoming strategic about technology choices; Practice Insert: Zaha Hadid Architects; 2.3. Matching Studio Culture with Technology Support; Practice Insert: Diller Scofidio + Renfo; 2.4. Addressing Design Technology on an Organisational Level; 2.5. Setting Up, and Positioning Design Technology within the Office Structure; Practice Insert: Heatherwick Studio; 2.6. Project Support; Practice Insert: Morphosis Architects; 2.7. Design Technology: Liaising with Practice Leadership; 2.8. The Next Level – Design Technology as a Business Opportunity; Practice Insert: SO-IL; 3. Tooling; 3.1. Seeking Alignment between Design Process and Tools; 3.2. Tool: From Drafting Support to Decision Support (and More?); Practice Insert: Woods Bagot; 3.3. More Flexible/Smaller/Lighter; 3.4. The Virtual Office; Practice Insert: Herzog & de Meuron; 3.5. File to Fabrication; Practice Insert: LASSA; 3.6. Convergence – Tooling Across Domains; 3.7. Design Technology, Semiotics, and Human Behaviour!; 4. Moving Forward; Interview with Four Leading Design Technologists

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Book SynopsisWhile most books on architecture concentrate on spatial themes, this book explores architecture's temporal dimensions. Through a series of close readings of buildings, both contemporary and classic, it demonstrates the centrality of time in modern architecture, and shows why an understanding of time is critical to understanding good architecture.All buildings exist in time. Even if designed for permanence, they change, slowly but inevitably. They change use, they accrue history and meaning, they decay all of these processes are inscribed in time. So too is the path traced by the sun through a building, and the movements of the human body from room to room. Time, this book argues, is the framework for our spatial experience of architecture, and a key dimension of a building's structure and significance. Building Time presents twelve close readings of buildings and artworks which explore this idea. Examining works by distinctive modern architects from Eileen Gray to Álvaro Trade ReviewBuilding Time is based on the author's own physical and mental experience of the objects examined, as well as an almost intimate knowledge of the architect's work, the processes of creation, the craft, the spaces and the details. One senses that this is an architecture that occupies Leatherbarrow, in which he is deeply committed. And perhaps this is precisely one of the explanations why his descriptions and interpretations manage to hit so precisely. * Arkitekten (Bloomsbury translation) *Leatherbarrow focuses his meditative attention on lasting works of architecture and art. Discussing projects and paintings with particular sensitivity to light and material, he works like a clockmaker, patiently disassembling architectural mechanisms into their component parts, and explaining how buildings operate in time. * John Tuomey, O’Donnell + Tuomey Architects, Ireland *When Leatherbarrow writes about time he is also writing about the slow and then ever faster passage of our own lives. Even as we visit the Pantheon to watch time literally move before our eyes and we are reminded that it also measures the span of our own existence. This is a dense, lyrical, and heartbreaking book about our lives and our buildings. * Billie Tsien, Tod Williams Billie Tsien Architects, USA *Linger, return, and remember rhythm this meditation on the interactions of time, space and place for both author and reader. Not since the romantic writers of the early 19th century has the temporal dimension of architecture been viewed patiently from so many facets. * Barry Bergdoll, Meyer Schapiro Professor of Art History, Columbia University, USA *Building Time suggests that architecture matters partly because architecture weathers orienting and grounding us: by keeping its identity amidst contextual change, inevitable decay, and eventual renewal, as well as recording its own creation and survival. The world stage, the active body and the project script frame the close reading of chosen modern masterpieces in time and as time. Sound, serviceable, and delightful. * Carlos Eduardo Comas, Federal University of Rio Grande do Sul, Brazil *Building Time is a graceful, timely, and purposeful walk through a garden of architectural knowledge, offering an account—in all, a theory—not just of human spatial experience through time (first we go here, then we go there...), but of the world experiencing itself through the medium of buildings, especially buildings which, in having long-term ethical projects as well as complexities of their own, are works of architecture. With Proustian intimacy and often dizzying insight, Leatherbarrow enlarges the very language we use to understand architecture. Buildings are indifferent only apparently. In marking time, in accommodating the fleeting, in witnessing and in suffering, they bring up the future. * Michael Benedikt, The University of Texas at Austin, USA *The range of examples that Leatherbarrow brings together in Building Time is rich, stimulating, and rooted in the tangible ... He is a patient, knowledgeable, and observant guide to particular buildings and places, and their particular times. * arq: Architectural Research Quarterly *Table of ContentsIntroduction 1: Making Space for Time Part One: The Time of the World 2: Day Time 3: Well-Timed Openings 4: Tempered Terrain 5: World Rhythms Part Two: The Time of the Body 6: Taking Steps 7: Pacing and Spacing 8: Wandering Sites 9: Pedestrian Rhythms Part Three: The Time of the Project 10: Past and Present Possibilities 11: Proposing Precedents 12: Recalling Future Projects 13: Project Rhythms Bibliography Index

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Book SynopsisHighly illustrated throughout, this is the story of brickmaking in the UK told by an expert in the field.

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Book SynopsisAncient architects and artists had a way of striking resonant chords in the viewers of their work. This book points to a possible way of returning a sense of unity to the visual arts through a combination of theoretical ideas and practical methods, of narrative description and visual exercises.Proportion, the use of number and geometry as design tools, is seen in the context of the search for the beautiful. From the theoretic, symbolic mathematics of the Pythagoreans, Platonists, and Neo-Platonists, the book proposes an aesthetic theory, a way of approaching beauty, rooted in the idea of psyche and expressed through the ancient sciences of arithmetic, geometry, music, and astronomy. Topics treated include: an explanation of the concept of symbolic or qualitative number; an introduction to Pythagorean and Platonic numerical philosophy; the nature of beauty and its relation to number; the derivation of the ancient musical octave; the Golden Section, its mathematics, geometry, and relation to philosophy, particularly its role as a geometrical logos; and the connection of these ideas to the numerical-geometrical canons of classical architecture. These concepts are illustrated step by step as applied to the elements and archetypal compositions of classical architecture, such as the order and portico, using arithmetic, geometric, and harmonic ratio methods.The proportional idea is illustrated with reconstructions of exemplary buildings based on the methods described, following through the historical periods of Egypt, Greece, Rome, the Middle ages, the Italian Renaissance, and the Enlightenment. Though the book is focused on architecture, the methods presented may be used by artists and designers in any visual field. The book suggests several pathways on which contemporary designers might move toward creating a sane and beautiful world through a merger of art and science.

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Book SynopsisThe way we heat, cool and ventilate our buildings is central to many of today’s concerns, including providing comfortable, healthy and productive environments, using energy and materials efficiently, and reducing greenhouse gas emissions. As we drive towards a zero-carbon society, design solutions that combine architecture, engineering and the needs of the individual are increasingly being sought. Thermal Design of Buildings aims to provide an understanding from which such solutions can be developed, placing technological developments within the context of a wider world view of the built environment and energy systems, and an historical perspective of how buildings have responded to climate and sustainable development.Trade ReviewThermal Design of Buildings gives a holistic understanding of why and how net zero building design can and should be realised. The book is to be applauded for providing a useful, insightful and clear approach to thermal design and energy demand reduction. I certainly will be recommending it to my students as a useful resource. -- Jenny Crawley reviewer Buildings & Cities Journal * Buildings & Cities Journal *this is a great book, densely packed with energy-related wisdom, with the perspective of a practitioner of 40 years – with much of that history being faithfully reported and commented on. There are occasional surprises (for example, there are more cold-related deaths in Australia than in Norway; ironing clothes uses more energy per year than making cups of tea – no contest!). This book is a must for any student’s reading list – students of all ages. -- Pat Borer, The journal for architecture in Wales * The journal for architecture in Wales *

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Book SynopsisIn this reflective and enriching memoir, John Tuomey navigates the places and memories of his life over the scope of twenty-five years. First recognised for the urban regeneration of Dublin’s Temple Bar, which included the construction of the Irish Film Institute, the National Photographic Archive and Gallery of Photography, his life in architecture led him to design social and cultural spaces such as the Lyric Theatre in Belfast, the Glucksman Gallery in UCC and the Victoria & Albert East Museum in London. Imbued with many inter-textual references to poetry, drama and literature and written in limpid prose, this memoir is inherently literary in nature. Tuomey looks back to his early life where he was born in Tralee and lived in different counties around Ireland, from small towns to country landscapes, from schooldays in Dundalk to student activism at University College Dublin. He traces the pathways that led to his formation as an architect, reflecting on the many cultural and social influences on his life. He excels in capturing the social landscape of Dublin in the 1980s and pays particular attention to the many buildings and social hubs of the inner city. His transient years of moving from Dublin to London, and subsequently working in places like Nairobi and Milan, chronicle the international influences on his outlook. The key relationships in his life, including meeting his future wife, Sheila – a fellow student of architecture in UCD – and his pivotal employment by James Stirling in 1976, form the backbone of his personal and professional life. Tuomey’s expertise in his field is unsurpassed, with meticulous detail given to the finer aspects of design and architecture. His thoughts on the challenges facing the encroaching erasure of city life in Dublin are essential reading for anyone with an interest in the future of building in the city.Trade Review'First Quarter is light, strong book, beautifully balanced and crafted; there is a sense of rightness to it. A wise and lovely read.' Anne Enright 'First Quarter is a book rich in imagery through words, in recollection and in reflection … Tuomey’s writing has a poetic style that balances on echoes. As a writer, as well as a person, he reveals a sensitivity, alive to poetry and beauty. He also reveals an irreverent streak of wit and fun.’ Gemma Tipton, Irish Times‘There's a dry wit about his writing, suggesting a man not averse to comedies big and small, and this slim but eloquent little volume gives the reader an insight into the man behind the innovative design.’ Anne Cunningham, Meath Chronicle‘[A] spare, purposeful memoir … It is a pleasure to read John’s account of the intellectual excitement of his student years.’ Irish Examiner ‘Beautifully rendered, carefully pared-back … modest, witty and stylish.’ Sunday Independent‘A rich and beautifully crafted tapestry of Tuomey’s early years delivered with effortless wit and balance. It is a very personal exploration of self-identity by way of skilful and captivating storytelling.’ Tina-Marie O'Neill, Sunday Business Post‘It is beautifully written, in plain English … each lucid and often witty page holds and repays your interest and attention, and you find yourself at moments tracking back just for the pleasure of reading a passage again. … Read the Tuomey book, I’d advise. It’s wise, tender and – human.’ Hugh Pearman, RIBA Journal

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Book SynopsisUsing photographs and illustrations, Trevor Yorke lists the key attributes which make the cottage an iconic building type. The cottage breathes history, witnessing centuries of social change and is made from materials that reflect the local landscape.

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Book SynopsisAs we stand on the cusp of a fundamental restructuring of the housing and building industries, this book provides timely insights into the promise of prefabricated housing. The idea of a more industrialised approach to house building is not a new one: since the 19th century, designers, inventors, engineers, builders, developers, and entrepreneurs have all been fascinated by the idea of the factory-built, modular home. But international housing affordability crises, emerging technologies, and concerns for more sustainable building practices have given a new urgency to the need to transform building construction in the 21st century. Richly illustrated and drawing on historical examples and contemporary design studies, the book takes the reader through the foundations of prefab, leading up to a discussion of contemporary problems and opportunities. It includes a broad international survey of leading companies and their products, and draws on research from an international team of experts in the field. This book suggests a future scenario for industrialised house building that will both challenge the existing industry and stimulate the public imagination.Trade Review'concise, organized, well-written… Highly recommended.' * CHOICE *Table of Contents1: Introduction; 2: Foundations in Literature; 3: Utilitarian Prefab, Conceptual Prefab, or a Third Way; 4: Barriers to the Uptake and Success of Prefab Housing; 5: A Problem-Solving Approach for Industrialised House Building; 6: Prefab Housing and the Future of Building; Conclusion. Thematic text boxes: Assembly and Construction Methods for Industrialised House Building; Digital and Automated Fabrication; USA; The Platform Approach; Business Models and Industrialised Construction; Case Study USA: Simplex Homes; Computational Design; Integrated Building Performance; Japan; Construction Logistics and Supply Chain Management; Design for Disassembly; Case Study Japan: Sekisui House; Sweden; Affordability and Industrialised House Building; Case Study Sweden: Boklok; Environmental Systems; Life Cycle Analysis.

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Book SynopsisThis book explores the wealth of wooden architecture that is to be found in Northern Europe, in particular, the Fennoscandian Peninsula. This distinct region, which includes Norway, Sweden, Finland and the Russian Republic of Karelia, was dominated by coniferous forest and remained until well into the 20th century a largely rural society. Wood was seen as a living material - one that was permeated with myth and folklore - while the forest itself formed the background to everyday life. Indeed, no single source of material wealth has contributed more to the economy, art and culture of Fennoscandia than the forests. Nowhere is this contribution clearer than in the region's historic buildings, the vast majority of which were constructed in wood up until the late 19th century. This is the first book to examine and record the distinctive wooden architecture of this region from the early medieval period to the early 20th century. Structured according to different wood types, it concentrates on domestic and religious buildings, as these formed the great bulk of historic architecture in the peninsula over many centuries. It begins by setting out the geographical, social and historic background, before discussing the way in which two different timber-building traditions emerged in the region. It then provides a detailed examination of different types of dwellings (rural and urban) and storage lofts, followed by a section on Catholic, Protestant and Orthodox churches, along with their free-standing bell-towers. The book concludes with a chapter outlining the development of wooden domestic and religious buildings during the closing decades of the 19th century and the early years of the 20th century.Table of Contents1. A Timber Tradition; 2. Land and People; 3. Post and Log; 4. Post-built Dwellings; 5 and 6. Nordic Log-wall Dwellings; 7. Karelian Log-wall Dwellings; 8. Sami Dwellings of Lapland; 9. Lofts; 10. Urban Dwellings; 11. Stave Churches of Norway and Sweden; 12. Nordic Log-wall Churches; 13. Orthodox Log-wall Churches; 14. Freestanding Bell-towers; 15. Late 19th Century and Early 20th Century.

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Book SynopsisIt is well known that children are naturally drawn to an engaging and fun environment for them to play, learn, and grow. This book showcases 30 creative, immersive, and interactive spaces from around the globe, where designers focus on spectacular interior and architectural designs that help to encourage the child’s creativity and development, tap into their potential, inspire play and social interaction, involve nature, minimise distractions, and promote optimised learning opportunities. Presented throughout with stunning full-colour photography, detailed drawings and diagrams, and important up-to-date perspectives on current and emerging trends for optimal childhood development and safety standards when designing spaces for children, Contemporary Creative Spaces for Children is a must-have title for all interior designers, architects, child educators, and owners and operators who are interested in effectively shaping designs of children’s spaces that focus on the health and wellbeing of the child.Table of ContentsIntroduction Cases studies Index

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Book SynopsisThe RIBA Principal Designer Guide, a companion guide to the RIBA Health and Safety Guide, provides architects with an essential understanding of the Principal Designer duties under the Construction (Design and Management) Regulations and Building Safety Act Dutyholder Regulations. To ensure chartered architects are reaching a high standard of knowledge, the RIBA has introduced an online test based on a comprehensive curriculum to test for competency. The must-have content considers details of the relevant statutory duties, guidance regarding the implications of those duties for project delivery and examples of documents, templates and schedules that Principal Designers could use to manage, track and demonstrate compliance with the duties. This guide also includes guidance on the competence requirements for Principal Designers with content mapped against BSI Flex 8670 and PAS 8671 that enables readers to demonstrate their competence.

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Book Synopsis“I think bamboo is the right material for creating a new architectural language unique to Vietnam.” Vo Trong Nghia. With the climate crisis raging and awareness of humanity’s detrimental impact on the environment now patently apparent, the need for architects to come up with sustainable new solutions has never been more pressing. A key part of any green approach to architecture is the use of local natural materials with a low environmental impact. Bamboo, which has been widely used in Asian architecture for centuries as scaffolding and for bridges, pavilions, houses and other structures, is an ideal material in this context: lightweight, strong and readily available. In an effort to meet the challenges of the 21st century, VTN Architects has developed new ways of working with two species of bamboo in particular: the flexible “Tam Vong” (Thyrsostachys oliveri Gamble) and sturdier “Luong” (Dendrocalamus barbatus), creating a manufacturing workflow that allows for the production of standardized modules, a knitting technique that enables the material to span large distances and environmentally friendly traditional treatments such as mud-soaking and smoking. In Bamboo Architecture we see how these methods have been applied in award-winning, groundbreaking projects such as the Wind and Water Café, Diamond Island Community Center, and the majestic Vedana Restaurant, alongside an illuminating introduction by Masaaki Iwamoto and an interview with the studio principal Vo Trong Nghia who offers an inspiring vision for the future of natural, green architecture.

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Book SynopsisProject Archive reforms the contemporary architectural discipline’s understanding of the built environment. The content encourages the audience to acknowledge the role of architecture as a political actant. Featured projects prioritise an attitude that goes beyond its formal elements of the current architectural canon. The projects give importance to both formal aesthetics and the ability to serve the urgent social needs of a community. Included projects also forefront lower-tech solutions. They enforce culturally resilient models of domesticity as sustainable living and a longer-term response to ongoing environmental crises. Thus, showcasing extra-canonical works provides an opportunity to reflect on diverse solutions. The content endorses learnings from regionally specific and environmentally resilient models of architecture. This book provides diversity in knowledge systems, and varied responses to; reforming traditional modes of domesticity, response to environmental and social crises and diverse conditions of a landscape. Developed through a decentralised research process, the book also creates space for interdisciplinary projects with contributions from sociologists, anthropologists, historians, architects, etc. Featured list of writers include members at varied levels within academic institutions, architecture enthusiasts and independent researchers.Table of ContentsAbout Project Archive 004 Preface 007 Selected projects from the Archive 012 Other projects from the Archive 101 Citations 134 Architects Directory 150

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Book SynopsisSalty Urbanism is a concept that refers to the ways in which cities and urban areas will respond and adapt to rising sea levels and the accompanying increase in salinity of coastal and near-coastal land. This phenomenon is caused by a combination of factors, including global warming, sea-level rise, and human development along coastlines.Salty Urbanism can have a significant impact on urban infrastructure, such as roads, buildings, and water supply systems. As saltwater infiltrates freshwater sources, it can damage pipes and other infrastructure, leading to costly repairs and maintenance.In response to Salty Urbanism, urban designers are exploring new strategies to adapt and mitigate the effects of rising sea levels and saltwater intrusion. These strategies include elevating buildings and infrastructure, implementing green infrastructure to absorb excess water, and developing coastal ecosystems to act as buffers against storm surges and flooding. Overall, S

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Book SynopsisThere are no books that focus on the unique artistic characteristics of the Venetian facade and its potential relevance to contemporary architectural and urban issues, as this book intends. This book is about architecture. It is not about history, although a bit of history is necessary to set the context. It is not about theory, although, again, a bit is necessary to connect the facade with urbanism. It is also not about structure and technology. And, most definitely, it is not about the plan. All of these topics are well-covered elsewhere. This book is about the facade. It explores the art and typology of the Venetian facade, not only as a high point of architectural literacy and achievement, but as a potentially useful contemporary stimulant.

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Book SynopsisBereits in der Entwurfsphase eines Bauvorhabens kann der Schallschutz eine bedeutende Rolle für die Gebäudeausrichtung sowie die Grundrissgestaltung spielen. Zu berücksichtigen sind hierbei der Lärm, der von außen auf ein Gebäude einwirkt, sowie der Lärm, der durch den Menschen und technische Anlagen innerhalb des Gebäudes verursacht wird. Basics Schallschutz vermittelt dem Leser ein grundlegendes Verständnis der schalltechnischen Anforderungen für das Planen und Konstruieren. Zunächst werden die Grundlagen der Akustik erläutert, wobei auf die physikalischen Grundbegriffe, die Schallentstehung und -ausbreitung sowie die Schallempfindung eingegangen wird. Dann wird erklärt, wie Schallimmissionen beurteilt und welche lärmmindernden und gestalterischen Möglichkeiten für die Planung werden können.

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a huge range and FREE tracked UK delivery on ALL orders.

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a huge range and FREE tracked UK delivery on ALL orders.

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Book SynopsisExclusive living retreats set against the backdrop of majestic peaks, steep slopes and picturesque valleysThe chalet is a building style that enjoys lasting popularity all over the world. Dating back to the herdsman?s hut in the Alpine region, it became a longed-for destination and the most preferred holiday domicile in the 19th century with the emerging fascination with the Alps. Today, architects and designers are primarily inspired by the constantly redefined interplay of sublime nature, traditional architecture, regional building typologies, individual design, and modern formal language that pushes them to reach magnificent creative peaks. The projects selected for this volume are diverse and remarkably multifaceted: From a traditional construction with a flat gable roof, wide roof overhang, and robust timber façade, to contemporary, thoroughly idiosyncratic interpretations with clear lines, creative choice of materials, and fine details. However, the artful staging of the imposing mountain world in the interior design plays a decisive role among all presented chalets.

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Book SynopsisThe creation of park systems is a historically proven method for communities to stabilise and cultivate healthy ecological habitats in country dwellings as well as in dense urban areas. Park systems ensure clean soil, water, and air for all. Moreover, they offer inter-generational and inclusive recreational opportunities along ecological corridors. Between 1900 and 1950, civic design a practice in urban and landscape planning explicitly oriented towards the common good experienced a heyday. Park systems were successfully used as green armatures hosting public facilities such as playgrounds, schools, administrative buildings, hospitals, and gardens.Living Cities offers a chronological survey of civic design based on more than 30 park systems on five continents. The examples range from Johann Wolfgang von Goethe''s Park an der Ilm in Weimar (1778) and John Nash's Regent Street in London (1806) to Chicago's park system (1850), Albert Bodmer and Maurice Braillard's plans for Geneva (1936), and Frank Lloyd Wright's Taliesin Valley (1947), as well as to contemporary and future projects in Addis Ababa, Madrid, Medellín, New York, and Seoul. Matthew Skjonsberg's book demonstrates the ecological and social impact of park systems and highlights the diverse challenges that communities face when implementing such projects. At the same time, it encourages a re-evaluation of civic design as an inter-generational practice of urban design.

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Book SynopsisNatural, renewable, reusable, and aesthetically pleasing, wood is the consummate building material. Thanks to incredible advances in both application and sustainability, it is being used across the world to create new and surprising styles. This exhilarating global survey features exquisite photography that captures a wide range of twenty-first century construction in residential, public, cultural, educational, commercial, and entertainment-related spaces. From the Mount Fuji World Heritage Center in Shizuoka, Japan and the Eystur Town Hall in the Faroe Islands to the College of Forestry at Oregon State University the newly completed Coarvematta National Theater High School in Norway, each building is featured in double-page spreads with lush color photographs that allow readers to appreciate timber’s intrinsic qualities against a variety of backgrounds, scales, and typologies. Plans and building specifications are accompanied by the latest developments in research and design. Eco-friendly and robust, timber’s applications are almost unlimited, extending to the tallest skyscrapers, and to every livable corner of our planet. This volume offers encouraging proof that architects around the world are responding to a climate crisis in ways that not only preserve the earth, but also provide pleasing environments in which to live, work, and play.

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Book SynopsisExploring design works ranging from furniture and temporary art installations to interior design and architecture by CL3, founded by William Lim, and related studios Lim + Lu and Open UU, this book presents a fresh consideration of the essence of contemporary Asian design and how it has evolved over the past few decades. The projects selected share a sensitivity to Asian qualities: a deep appreciation of site and context, craft and design details, with imaginative architectural responses delivering a reinterpretation of cultural heritage and traditions. The book includes a contextual essay by Hong Kong-based architecture critic and author Catherine Shaw, a foreword by architecture and design curator Aric Chen, and a chapter dedicated to conversations on the modern interpretation of eastern aesthetics and the unique experience of designing for a new Asia between William Lim, Swedish museum director, art critic and writer Lars Nittve, and Shanghai-based architect Lyndon Neri. The projects are presented in a clear, vibrant graphic style designed by William Lim and artist and graphic designer Stanley Wong, aka anothermountainman, to evoke an Asian quality. Each chapter includes a text by William Lim and features original conceptual sketches, photographs, floor plans, and drawings.

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Book SynopsisDiscover a new way to explore three-dimensional design and architecture using prepositions. "Relation of Elements" explores the role of prepositions in architecture and design, a part of speech often overlooked when describing and designing architecture. The book demonstrates how language can shape our understanding of objects and spaces and allows you to discover new ways to shape and define space. The book aims to inspire architects and designers to think creatively by manipulating prepositions and exploring the connections between different composition and structure elements. By making subtle changes to the prepositions used in describing design problems, one can introduce novelty and improvements in the outcome of a project. - A thoughtful approach to reimagining the relationship between elements in a design. - Explore three-dimensional design through the use of the preposition

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Book SynopsisThis book presents innovative examples of hidden architecture: buildings that are designed to disappear into their surroundings or hide in plain sight. In the city, hidden buildings are often designed to provide the occupants with privacy and protection from the busy world outside or they can be incorporated into the streetscape to free up space for public use. In the countryside, buildings should not spoil a scenic landscape, so they can be designed to become a part of it. Buildings can be buried underground, hidden amongst trees, covered with greenery or even sunk into the sea. They can be clad in mirrors to reflect their surroundings, disappear beneath an urban plaza or be hidden from view on top of another building. Each of these imaginative solutions offers a way for architecture to blend in rather than stand out. Hidden Architecture tells the stories of projects from around the world that are cleverly disguised but still beautifully detailed and outstanding in their execution.

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Book SynopsisDesign writers Thijs Demeulemeester and Bert Voet's book Carchitecture explores the historical parallels between trends in architectural styles and car design.- Financial TimesA book like a road trip along iconic American homes and the unique cars that perfectly match them. Carchitecture goes America. Through four chapters - Iconic Houses, Cars & Stars, Californication and American Cars - and five essays, the reader discovers the wonderful interplay of architecture and car design. Eyecandy for architecture and car lovers alike.

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Book SynopsisAcross Europe a new generation of practices are transforming social housing. Responding to continued high demand, changing clients and new funding methods, architects are once again addressing how homes are delivered at scale, achieving high standards of design and a new focus on city making. Bringing together 24 exemplar case studies and featuring a range of interviews and testimonies, Social Housing explores the best new housing at a pivotal time for the sector. Considering shifting definitions of tenure and featuring a variety of typologies and emerging themes, the projects together offer a challenge to housing professionals to rethink how we build and highlight the vital role of housing in the life of our cities.“Providing an astute survey of exemplar projects from the UK and across Europe, it should be essential reading for all architects and clients working in the sector.” - Ellis Woodman, Director, Architecture Foundation“Good social housing is re-emerging across Europe in the hands of committed architects and clients. This is a repository of the best ideas in real-life projects.” - Hugh Pearman, Editor, RIBA Journal“This book is invaluable in showcasing impressively what can be achieved in designing and planning new social housing even now, but also in making clear the hoops councils are forced to jump through to provide it, and offering examples from elsewhere in Europe.” - Owen Hatherley, journalist“A fascinating overview of social housing today. Complete with the essential nitty gritty details of plans, sections, budgets and timeframes, it's both a practical manual and optimistic manifesto for what it's possible to achieve, against all the odds.” - Oliver Wainwright, architecture and design critic, The GuardianTrade Review"The layout of the book presents a series of projects, arranged by theme, from both the UK and Europe, interleaved with historical notes and interviews. Neave Brown, legendary in housing circles for his work in Camden in the 1960s, recalls the working conditions that allowed seminal schemes such as Winscombe Street and Alexandra Road to be built with an inventiveness that has been thoroughly exorcised by the tenets of the New Urbanism. The move to restore urban legibility in housing projects is no bad thing, but the sheer ingenuity of the 1960s surely has something to teach us. Dominic Papa covers these points in a thoughtful interview introducing the section on how urban scale strategies might contribute to housing provision." Harry Margalit, International Journal of Housing Policy. By Paul Karakusevic and Abigail BatchelorTable of ContentsIntroduction: A New Era for Social HousingChapter 1: Councils’ housingChapter 2: Renovation StrategiesChapter 3: New Processes Among ResidentsChapter 4: Mixed CitiesChapter 5: Urban Responses and Challenging SitesConclusions

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Book SynopsisThe decision to take the final step to becoming a fully qualified architect can be daunting. Fortunately, this new edition of the Part 3 Handbook demystifies the whole process of qualifying, dispelling commonly held myths and offering genuine insight into what examiners really want.Written by an experienced practitioner and Professional Studies Advisor, and endorsed by the RIBA, the book concentrates on the separate elements that you will be assessed on in the Part 3 exam.Fully updated for 2020, this edition features a brand new chapter on professional development and includes up-to-date guidance on the 2020 plan of work.Table of ContentsIntroductionPreparing for Part 3Your Professional DevelopmentDocumenting your Professional ExperienceThe Case StudyWritten ExaminationsThe InterviewAfter Part 3 Chapter NotesUseful sources and linksIndex

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Book SynopsisThe ultimate book of concrete architecture, featuring 300 buildings of every type and style from the past 100 years

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Book SynopsisThe task of designing a large aquarium pre­­sents architects with a multiplicity of challenges: the fundamental elements of interior design – light, colour, and surfaces – must be meshed with special requirements concerning building technology. This book takes a comprehensive look at the development of architecture and display methods for artificial underwater worlds. Based on analysis of more than 50 historical and contemporary buildings, the editors formulate ten parameters to serve as guidelines in the design of future buildings. The aim of this publication is to provide architects and their clients, zoologists and operators of large aquariums, with planning parameters and quality criteria to help them in designing a sustainable aquarium. This book is the sixth volume in a series of publications by the Institute for Zoo Architecture at Anhalt University of Applied Sciences in Dessau.

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Book SynopsisTrade Review"Shannon Mattern’s new book A City Is Not a Computer holds an important caveat: A city isn’t just a computer. While artists and urbanists have sought to describe it in its messy totality, an oversimplified logic that has reduced urban reality to singular narratives. . .blinds us to its ‘prismatic complexity’. . . . A City Is Not a Computer is, most fundamentally, a push to “inject history and happenstance” into our appreciation of urban life, and a reminder to respect the impossibility of summarizing our messy cities with neat, tidy narratives."---Annie Howard, Metropolis"A City is Not a Computer digs into the data, dashboards, and language that keep people from building better, safer communities. . . . The book reflects the ways a bunch of academic disciplines refract the idea of urbanism, of how to make a city that supports everyone who lives there. . . . Mattern’s deft dissection of metaphors for cities shows that when they’re misguided, they point to a failure not only of imagination but of a city’s ability to carry out its chief function—as a bulwark against disaster."---Adam Rogers, Wired"A powerful perspective on types of intelligence that technocratic visions of smart cities unduly diminish."---Evan Selinger, Los Angeles Review of Books"A City Is Not A Computer puts forth a much needed, audacious argument about the limitations of data-driven, computational thinking currently supported by countless municipalities and ‘smart city’ advocates. Accessible and provocative, Mattern is at her best, succinctly weaving constructively critical insights with wide ranging examples towards an urbanism of wisdom that tempers its focus on efficiencies with environmental justice, social sensitivity, and indigenous knowledge. Truer words have not been spoken when she describes such a city being ‘smarter than any supercomputer.’"---Erick Villagomez, Spacing Canada"A City is Not a Computer by Shannon Mattern is a compact little book that packs a punch when you open its pages. From its eye-catching design to how easy it is to cart around with you, this book is a subtle winner to add to your collection and your scope of knowledge. . . . Overall, this book is an incredible analysis of cities and the lives that influence them, and what should be done when designing and building a city. . . .I highly recommend you pick this book up, whether you wish to further your anthropological knowledge of cities and the lives of urban people in the West or whether you simply wish to think a little bit about how cities and lives interact."---Jenna Collingnon, Western Exteriors"Hard to put down."---John Hill, A Daily Dose of Architecture Books"A forceful, frequently pointed, and intellectually dense critique of the smart city “orthodoxy” and the ways in which overreliance on technology and computational models “shape, and in many cases profoundly limit, our understanding of and engagement with our cities."---Ray Bert, Civil Engineering Magazine"A bold and inspiring thinker, Mattern is hardly reserved about being done with the orthodox concept of smartness in cities (digital technologies and resulting data) as she shifts her focus to other kinds of urban intelligence. . . . A City is Not a Computer is dense with insight on healing fractures of urban violence with plural knowledge, but Mattern’s ability with words makes for an effortless read. . . . The book leaves the reader pondering: how do we live justly, oppose colonial and capitalist tendencies, and awaken others to plural knowledge that empowers thinking with marginalised human and nonhuman communities in more attuned and less calculated ways than what smart cities allow us?"---Hira Skeikh, AI & Society"This book is important for urban designers and city managers. . . . [A] readable, compact volume." * Choice *

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