Writing and editing guides Books

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Book SynopsisA comprehensive guide to writing and drafting from the first stage of preparation to the final edit. Features checklists, worked examples and chapters on using email, and designed to accompany readers from vocational study through to their qualification as solicitors as well as throughout the early years of practice.Table of ContentsPART 1. PLAIN ENGLISH AND THE GENERAL PRINCIPLES OF LEGAL WRITING AND DRAFTING; PART 2. LETTERS, EMAILS AND AND OTHER FORMS OF WRITTEN COMMUNICATION; PART 3. DRAFTING

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Book SynopsisThe Oxford Guide to Effective Writing and Speaking is the essential guide for everyone who needs to communicate in clear and effective English, both written and spoken. John Seely looks at the key factors to consider in tailoring your material so that you get your message across, such as understanding the demands of particular audiences, subjects, and situations. Clearly organized, the book is arranged in four sections:A Communicating in everyday life - covers a wide range of communications including writing emails to giving presentations and preparing reports.B Getting your message across - focuses on important factors such as the audience, the subject, time, and purpose.C Communication tools - offers advice on grammar, vocabulary, spelling, and punctuation to ensure that communication is accurate as well as appropriate. D The process of writing - looks at what''s involved in writing longer pieces, including planning and drafting, research, summaries, editing, and presentation.Full of practical guidance, this book also includes helpful ''You Try'' sections and ''guidelines'' to practise and reinforce what you''ve learnt. The answers to the exercises in the ''You Try'' sections can be found at the back of the book. This is the most comprehensive guide to using English for effective communication available; it covers an unrivalled range of situations and requirements, making it ideal for use at work, at school and university, or at home.Trade ReviewHandy for keeping on one's desk, the Guide would provide instant answers to questions about how to write and speak effectively * Penny Dade, Reference Reviews *I am sure this book really helped me not to have a heart attack when speaking publicly. * Michele Clarke, Editing Matters (SfEP) *Table of ContentsHOW TO USE THIS BOOK; COMMUNICATING IN EVERYDAY LIFE; GETTING THE MESSAGE ACROSS; COMMUNICATION TOOLS; THE PROCESS OF WRITING; 'YOU TRY' ANSWERS; GLOSSARY; INDEX; ACKNOWLEDGEMENTS

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Book SynopsisTable of Contents Chapter 1: Writing and Reading A Process View of Writing and Reading The Reading Process Stephen King, “The Symbolic Language of Dreams” Prereading/Early Reading Personal and Interpretive Response Example of student response to King Critical and Evaluative Response Example of Student response to King The Writing Process and Self-Discovery Stages of the Writing Process Strategies for Prewriting Drafting Student essay: Leigh Haldeman, “Response to Mary Pipher’s ‘Saplings in the Storm’” Revising, and Final Draft Partnership/ Peer Sharing Chapter 2: Journeys and Reflections (Description and Reflection) Thematic Introduction Writing Descriptions Observing Words and Images Revising Initial Descriptions Establishing Vantage Point and Tone Thinking About Your Purpose and Audience Walt Whitman, From “Song of the Open Road” (poem) Donovan Webster, “Inside the Volcano” Andrew Pham, “Viet-Kieu” Kavita Sreedhar, “Travelling Home” (student essay) Francine Prose, “Confessions of a Ritual Tourist” Jane Goodall, “In the Forests of Gombe” Nadiv Rahman, “On the Bridge” (student essay) Topics for Research and Writing Chapter 3: Journeys in Memory (Narrative) Thematic Introduction Narration, Memory, and Self-Awareness Making Associations Focusing and Concentration: The Inner Screen Dialogue and Characters Main Idea or Dominant Impression Drafting and Shaping the Narrative Revising the Narrative: Point of View, Transition, and Style Patricia Hampl, “Memory and Imagination” bell hooks, “Writing Autobiography” Sandra Cisneros, “Monkey Garden” Saira Shah, “The Storyteller’s Daughter” Melissa Burns, “The Best Seat in the House” (student essay) Michael Ventura, “The Peril of Memory” Rachel Naomi Remen, “Remembering” Topics for Research and Writing Chapter 4: Dreams, Myths, and Fairy Tales (Comparison) Thematic Introduction Comparing and Contrasting: Strategies for Thinking and Writing Prewriting for Comparison Outlining and Transition, Evaluation Jorge Luis Borges, “The Circular Ruins” Joseph Campbell, “The Four Functions of Mythology” Marcelo Gleiser, “The Myths of Science—Creation” Portfolio of Creation Myths: From the Rig Veda “Genesis 1 and 2” “The Chameleon Finds” (Yao-Bantu, African) "The Making of the World" (Huron) “Spider Woman Creates the Humans” (Hopi, Native American) “The Beginning of the World” (Japanese) Joshua Groban, “Two Myths” (student essay) Lan Samantha Chang, “Water Names" Four Versions of Cinderella: The Brothers Grimm, “Aschenputtel” (German) “The Twelve Months” (Slavic) “The Algonquin Cinderella” (Native American) “Tam and Cam” (Vietnamese) Topics for Research and Writing Chapter 5: Obsessions and Transformation (Definition) Thematic Introduction Definition: Word Boundaries of the Self Public Meanings and Formal Definition Stipulative and Personal Definitions Contradiction W.S. Merwin, “Fog-Horn” (poem) Andrew Solomon, “Depression” Anne Lamott, “Hunger” Sharon Slayton, “The Good Girl” (student essay) Daniel King, Paul Delfabbro, and Mark Griffiths “Cognitive Behavioral Therapy for Video Game Players” Mary Sykes Wylie, “Sleepless in America: Making it Through the Night in a Wired World” Marc Ian Barasch, “What Is a Healing Dream?” Topics for Research and Writing Chapter 6: Journeys in Gender and Relationships (Causal Analysis) Thematic Introduction Causality and the Inward Journey Observing and Collecting Information Causal Logical Fallacies Pablo Neruda, “The Dream” (poem) Sigmund Freud, “Erotic Wishes and Dreams” Virginia Woolf, “Professions for Women” Mary Pipher, “Saplings in the Storm” Leigh Haldeman, “A Response to ‘Saplings in the Storm’” Michael Kimmel, “A War Against Boys” David Sedaris, “I Like Guys” Topics for Research and Writing Chapter 7: The Double / The Other (Argument and Dialogue) Thematic Introduction Argument and Dialogue Traditional Argument Dialogic Argument Dialogue and Prewriting Prewriting and the Audience Defining Key Terms Evaluating Facts Feelings in Argument Judith Ortiz Cofer, “The Other” (poem) Connie Zweig and Jeremiah Abrahms, “The Shadow Side of Everyday Life” Charlotte Perkins Gilman, “The Yellow Wallpaper” Sara Colvin, "Lady Gaga as Monster" (student essay) Fran Peavey (with Myrna Levy and Charles Varon), “Us and Them” Desmond Mpilo Tutu, “No Future Without Forgiveness” Jessica Rubenstein, “Coed Schools Help Students Excel” (student essay) Topics for Research and Writing Chapter 8: Pop Dreams (Research) Thematic Introduction Research Writing Finding a Topic Timetable and Process Your Voice and the Voices of Your Sources Purpose and Structure Language and Style The Computer as a Research Partner Juliet B. Schor, “Decommercialization of Childhood” Henry Jenkins, “Education, Media, and Violence” Lawrence C. Rubin, “Merchandising Madness Rob Walker, “Click ” Steven Johnson, “How Twitter will Change the World in Which We Live” Jonathan Cusick, “Do Benefit Concerts Affect Political Decisions?” Anne Ritchie, “Creativity, Drugs, and Rock ’n’ Roll” (student essay) Topics for Research and Writing Chapter 9: Voyages in Spirituality (Creativity) Thematic Introduction Creativity, Problem Solving, and Synthesis Habit Versus Risk Reason Versus Intuition Developing Self-Confidence: Learning to Trust Your Own Processes Evaluation and Application Synthesis Donna Lovong, “Are You Joining a Cult?” Norman Yeung Bik Chung, “A Faithful Taoist” (student essay) Chris Gill, James Rotondi, and Jas Obrecht, “Within You, Without You: The Guitarist’s Search for Spiritual Meaning” Jessie van Eerden, “The Soul Has Six Wings” Natalie Goldberg, “On the Shores of Lake Biwa” Noah Levine, “Death Is Not the End My Friend” Martin Luther King, Jr., “A Christmas Sermon on Peace” Topics for Research and Writing

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Book SynopsisBad writing is bad for science. The problem is so significant that clear writing has become a legal requirement for federal agencies, thanks to the Plain Writing Act of 2010, which requires that writing be accessible, consistent, written in plain language, and easy to understand. This book shows how to produce such clear, concise scientific prose.Trade Review"This is the best book of this sort I have read. Anne E. Greene practices what she preaches, writing clearly for a general scientific audience. She comes across as both highly knowledgeable and accessible. Greene makes achieving clarity look simple, and I found myself marveling at her wizardry. Readers will find the text empowering." -Gina Maranto, University of Miami"

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Book SynopsisIncludes a chapter arguing that the future of academic writing is in the hands of young scholars who meet the broader expectations of readers rather than the narrow requirements of academic committees. This title reveals to PhDs the secrets of careful and thoughtful revision.Trade Review"With insight, compassion, and wit, William Germano has done all dissertation writers (and dissertation supervisors) a great service. This book should be handed to the candidate at the conclusion of all doctoral defenses." (Eric Foner, Columbia University)"

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Book SynopsisBusiness of Being a Writer offers the business education writers need but so rarely receive. It is meant for early career writers looking to develop a realistic set of expectations about making money from their work or for working writers who want a better understanding of the industry.

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Book SynopsisNew edition of a classic reference work recognizes recent developments in information literacy--including finding, evaluating, and citing a wide range of digital sources--and the evolving use of software for citation management, graphics, and paper format and submission, while continuing to reflect best practices for research and writing.

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Book SynopsisAnton Chekhov is revered as a boldly innovative playwright and short story writer. This title introduces readers to some other sides of Chekhov: his pithy, witty observations on the writing process; his life as a writer through accounts by his friends, family, and lovers; and his venture into nonfiction through his book "Sakhalin Island".Trade Review"Balm for the loneliness and torment of the ethnographic writer, this manual by one of the most distinguished offers the user a personal writer's workshop, at once charming, therapeutic, and practical. The author's mother, her most astute reader, asks: 'A lot of people have no problem writing. The bigger thing I'd like to know is, do you have any thoughts on how to put all the different little bits together?' With the help of Anton Chekhov, her muse and obsession, Narayan does." (George Marcus, University of California, Irvine)"

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Book SynopsisJack Hart, master writing coach and former managing editor of the Oregonian, has guided several Pulitzer Prizewinning narratives to publication. Since its publication in 2011, his book Storycraft has become the definitive guide to crafting narrative nonfiction. This is the book to read to learn the art of storytelling as embodied in the work of writers such as David Grann, Mary Roach, Tracy Kidder, and John McPhee. In this new edition, Hart has expanded the book's range to delve into podcasting and has incorporated new insights from recent research into storytelling and the brain. He has also added dozens of new examples that illustrate effective narrative nonfiction. This edition of Storycraft is also paired with Wordcraft, a new incarnation of Hart's earlier book A Writer's Coach, now also available from Chicago. Trade Review"Instructive and essential, reading Storycraft is like finding the secret set of blueprints to the writer's craft. Better still, it is engaging, funny, and wise—wonderful to read and wonderful to learn from." -- Susan Orlean, Author of The Orchid Thief and The Library Book “When I think back on what I have learned about storytelling over the last 30 years, the trail of memory leads back time and again to Jack Hart. No one has done more to inspire better narrative writing in America.” -- Roy Peter Clark, author of Writing Tools“This book is a master class in narrative nonfiction, a must-read for anyone who wants to tell true stories. Whether you’re a novice writer or seasoned veteran, you will learn from Hart’s insight and examples culled from decades of coaching and editing some of the country’s best reporters. He shows us how to seek scenes, build structure, explore voices, write riveting stories—then make them sing.” -- Lane DeGregory, Tampa Bay Times Pulitzer Prize–winning journalist"It’s no small feat to make the best better. Yet Jack Hart does just that with the updated version of Storycraft. Of the scores of journalism books on my shelves, Hart’s work is among the most essential. He puts language and structure behind the mysterious process of writing, with examples that give any journalist—from student to award-winning—work to aspire to. If you’re looking for a guide that is as useful as it is inspirational, this is it." -- Jacqui Banaszynski, Pulitzer Prize–winning journalist“Jack Hart was hands-down the best narrative editor ever to work in newspapers.” -- Jon Franklin, two-time Pulitzer-Prize winner"Jack Hart is one of the country's foremost writing coaches. Generations of writers found their voices, found their stories, found their heroes, heroines and villains in the news. Under his leadership the whole news industry learned a new way of connecting with its readers. I know I did. The lessons he teaches are about storytelling, structuring, pacing, tension and conflict.These lessons are perhaps even more important now in a digital age that sometimes forgets that—without a story to tell—words, videos, graphs, graphics, emails, alerts and news bulletins are just so much noise." -- Amanda Bennett, Pulitzer Prize-winning author, investigative journalist, and editorJack Hart is to writing coaches as Bill Belichick is to football coaches: the best of all time. In Storycraft he shares what he’s learned over a lifetime of working with writers on non-fiction narratives that won nearly every major journalism prize including the Pulitzer. -- Bruce DeSilva, former Associated Press writing coachTable of ContentsPreface to the Second Edition 1 Story 2 Structure 3 Point of View 4 Voice and Style 5 Character 6 Scene 7 Action 8 Dialogue 9 Theme 10 Reporting 11 Story Narratives 12 Explanatory Narratives 13 Other Narratives 14 Ethics Acknowledgments Notes Bibliography Index

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Book SynopsisA book-world veteran offers the first copyediting guide focused exclusively on fiction. Although The Chicago Manual of Style is widely used by writers and editors of all stripes, it is primarily concerned with nonfiction, a fact long lamented by the fiction community. In this long-awaited book from the publisher of the Manual, Amy J. Schneider, a veteran copyeditor who's worked on bestsellers across a wide swath of genres, delivers a companionable editing guide geared specifically toward fiction copyeditorsthe first book of its type. In a series of approachable thematic chapters, Schneider offers cogent advice on how to deal with dialogue, voice, grammar, conscious language, and other significant issues in fiction. She focuses on the copyediting tasks specific to fictionsuch as tracking the details of fictional characters, places, and events to ensure continuity across the workand provides a slew of sharp, practicable solutions drawn from her twenty-five years of experience worTrade Review“A roadmap that should be on the must-read list of any professional editor who’s serious about the art of copyediting fiction.” * Louise Harnby, advanced professional member of the Chartered Institute of Editing and Proofreading *"Copyeditors have long wished for a comprehensive and authoritative guide to working with fiction, and The Chicago Guide to Copyediting Fiction fills that void admirably. Amy Schneider takes you by the hand and provides valuable guidance on approach and fiction-specific style considerations based on her vast experience. New and seasoned fiction copyeditors both will find it useful in their day-to-day work. Authors, too, can benefit from the wealth of knowledge in this book, especially the sections on characters and timelines. This book is a must-read for every copyeditor who works with fiction." * Lori Paximadis, founder of Pax Studio *“A thoroughly helpful resource that I wish had been around when I first began my editing career. Now, years later, after meeting and interacting with writers and editors of all levels, I can say with confidence that Schneider’s guidance is sorely needed for those who don't realize that the world of make-believe is just as specialized and nuanced as any other field.” * Crystal Watanabe, owner and lead editor of Pikko's House *“From the details of building a useful stylesheet to the philosophical depths of the editor's role in fiction, Schneider has transformed decades of experience into an invaluable and engaging resource that will guide wordsmiths for years to come. Veterans of the field will find much of value here, and new or aspiring copyeditors should drop everything and read this book immediately.” * Sarah Grey, development editor at O'Reilly Media *"The Chicago Guide to Copyediting Fiction will please both fiction editors and authors who must self-edit. . . [Schneider] quickly but thoroughly covers style guides, characters, and locations. Each provides excellent advice to help authors create richer descriptions of these key story ingredients. The text is packed with good examples, as well as advice on handling issues you won’t find in other guides." * Technical Communication *"Schneider’s The Chicago Guide to Copyediting Fiction is a detailed, confidence-boosting resource for fiction editors at all levels of experience. . . Schneider puts the spotlight on fiction editing, writing with authority and a deep understanding of a fiction editor’s specific needs, and the hands-on experience to provide useful solutions to plenty of common issues." * Chartered Institute of Editing and Proofreading *"A sure-footed first move into the mill of copyediting contemporary fiction. . . . Schneider’s book will likely stand as gospel for copy editors who consider fiction their bread and butter." * Publishing Research Quarterly *"Schneider’s The Chicago Guide to Copyediting Fiction fills a need for an authoritative handbook focused on issues particular to fiction. . . An invaluable handbook for authors as well as editors." * Choice *Table of ContentsIntroduction Part I: The Process of Copyediting Fiction 1: The Fiction Copyeditor’s Mindset 2: The Fiction Copyeditor’s Workflow Part II: Building Your Fiction Style Sheet 3: General Style 4: Characters 5: Places 6: Timeline Part III: Editorial Issues Specific to Fiction 7: Grammar and Usage in Fiction 8: Copyediting Dialogue 9: When Fact and Fiction Collide Conclusion Acknowledgments Appendix A: Style Sheet Templates Appendix B: File Management Appendix C: Multiple Monitors Glossary Recommended Resources Index

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Book SynopsisThe leading guide to clear writingand clear thinkingin the legal profession for more than two decades, now newly updated. Admirably clear, concise, down-to-earth, and powerfulall too often, legal writing embodies none of these qualities. Its reputation for obscurity and needless legalese is widespread. Since 2001, Bryan A. Garner'sLegal Writing in Plain Englishhas helped address this problem by providing lawyers, judges, paralegals, law students, and legal scholars with sound advice and practical tools for improving their written work. Now the leading guide to clear writing in the field, this indispensable volume encourages legal writers to challenge conventions and offers valuable insights into the writing process: how to organize ideas, create and refine prose, and improve editing skills. Accessible and witty,Legal Writing in Plain Englishdraws on real-life writing samples that Garner has gathered through decades of teaching experience. Trenchant advice covers all types of legTable of ContentsPreface Introduction Part One: Principles for All Legal Writing 1. Framing Your Thoughts § 1. Have something to say, and think it through. Approach your task with a fervent desire to get your message across. § 2. Carry out your writing projects in four steps: think and research; plan and organize; write; revise. § 3. Order your material in a logical sequence. Present facts chronologically. For other material, make the order (a) deductive, (b) comparative, or (c) spatial. Keep related material together. § 4. Use informative headings to mark sections and, if helpful, subsections. 2. Phrasing Your Sentences § 5. Exclude unnecessary words. § 6. Keep your average sentence length to about 20 words. § 7. Keep the subject, the verb, and the object together—toward the beginning of the sentence. § 8. Use parallel phrasing for parallel ideas: don’t pair unlike grammatical forms. § 9. Use strong, precise verbs. Minimize is, are, was, and were—especially when they are part of a passive-voice construction. § 10. Avoid multiple negatives. § 11. End sentences emphatically. 3. Choosing Your Words § 12. Use plain English, not legalese. § 13. Be wary of pretension, officialese, and stiff formulas. § 14. Simplify wordy phrases—especially those containing of. § 15. Avoid zombie nouns—especially -ion words that you can turn into verbs. § 16. Avoid doublets and triplets. § 17. Refer to people and companies by name. Never use corresponding terms ending in -or and -ee. § 18. Use shorthand names only when you must. Shun unfamiliar acronyms. § 19. Make it snappy, vivid, and interesting. § 20. Be a companionable voice of reason. Make everything you write speakable. Part Two: Principles Mainly for Analytical and Persuasive Writing § 21. Plan all three parts: the beginning, the middle, and the end. § 22. For the all-important opener, use the deep issue to state the problem clearly. § 23. Summarize concretely and effectively. But don’t overparticularize with dates and similar unimportant details. § 24. Make your paragraphs cohesive. Introduce each one with a topic sentence. § 25. Link your paragraphs explicitly. § 26. Vary the length of your paragraphs, but keep them generally short. § 27. Provide textual signposts along the way. § 28. Unclutter the text by footnoting citations. Keep the footnotes free of sentences. § 29. Weave quotations deftly into your prose. “Quotation sandwiches” are hard to skip. § 30. Be forthright in dealing with counterarguments. Part Three: Principles Mainly for Legal Drafting § 31. Draft for an ordinary reader, not for a mythical judge who might someday review the document. § 32. Organize provisions in descending order of importance. Use a good numbering system and abundant headings to make things easy to find. § 33. Minimize definitions and cross-references. If you have more than a few definitions, put them in a schedule at the end, not at the beginning. § 34. Break down enumerations into parallel provisions. Put every list of subparts at the end of the sentence—never at the beginning or in the middle. § 35. Replace every shall. § 36. Don’t use provisos. § 37. Replace and/or wherever it appears. § 38. Prefer the singular over the plural. § 39. Use numerals, not words, to denote amounts. Avoid word–numeral doublets. § 40. If you don’t understand a form provision—or why it should be included in your document—try diligently to gain that understanding. If you still can’t understand it, cut it. Part Four: Principles for Document Design § 41. Make sensible choices about typography: use a readable font and type size, don’t underline, minimize all-caps and initial caps, and put one space between sentences. § 42. Create ample white space—and use it meaningfully. § 43. Highlight ideas with attention-getters such as bullets. § 44. Use graphics whenever they can enhance your message. § 45. For a long document, make a table of contents. Part Five: Methods for Continued Improvement § 46. Embrace constructive criticism. § 47. Edit your work rigorously and systematically. § 48. Seek out reliable answers to questions of grammar and usage. § 49. Habitually gauge your own readerly likes and dislikes, as well as those of other readers. § 50. Remember that good writing makes the reader’s job easy; bad writing makes it hard. Appendix A: A Restatement of Punctuation Appendix B: Four Model Documents 1. Research Memos 2. Motions 3. Appellate Briefs 4. Contracts Key to Basic Exercises Bibliography Index

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Book SynopsisTrade Review"This book is a cogently original account of skilled practice, its expression in writing, and its significance for the culture of knowledge as the new sciences developed in early modern Europe. With roots in the world-renewed Making and Knowing Project, it offers an important addition to the histories of skilled craft practice, of science and technology, and of the premodern and early modern periods." -- Pamela O. Long, author of Engineering the Eternal City "This is a brilliant, groundbreaking, and timely book. Through a particularly novel and exciting approach, Smith offers the first book-length study on the way early modern practitioners wrote about their skills. It is a must read for the growing community of scholars interested in material culture and in the ways how bodies, minds, things, and materials interact with each other." -- Christine Goettler, author of Last ThingsTable of ContentsIntroduction: Lived Experience and the Written Word Part 1: Vernacular Theorizing in Craft 1. Is Handwork Knowledge? 2. The Metalworker's Philosophy 3. Thinking with Lizards Part 2: Writing Down Experience 4. Artisan Authors 5. Writing Kunst 6. Recipes for Kunst Part 3: Reading and Collecting 7. Who Read and Used Little Books of Art? 8. Kunst as Power: Making and Collecting Part 4: Making and Knowing 9. Reconstructing Practical Knowledge: Hastening to Experience 10. A Vocabulary for Mind-Body Knowing Epilogue: Global Routes of Practical Knowledge Acknowledgments Notes References Index

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Book SynopsisThe definitive guide to starting and running a freelance editing business. You've been thinking about shifting into the world of freelance editing, but you don't know where to start. In a time when editors are seeking greater flexibility intheir work arrangements and schedules, freelancing is an increasingly common career option. But deciding to go it alone means balancing the risks with the rewards. From the publisher of The Chicago Manual of Style comes The Chicago Guide for Freelance Editors, the definitive guide to running your business and finding greater control and freedom in your work life. In this book, Erin Brenneran industry leader and expert on the business of editorial freelancinggathers everything you need to know into a single resource. Brenner has run her own successful editing business for over two decades and has helped hundreds of editors launch or improve their businesses through her teaching, blog writing, and coaching. The Chicago Guide for Freelance Edito

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Book SynopsisThe field of technical communication is rapidly expanding in both the academic world and the private sector, yet a problematic divide remains between theory and practice. This book collects the research and theory in the field and applies it to real-world problems faced by practitioners.Trade Review"Solving Problems in Technical Communication is excellent, sound, and credible. Every chapter is engaging, easy to follow, and accurate, which doesn't surprise me given the editors and contributors - all are distinguished leaders with long vitas chronicling the major conversations in the field." (Tracy Bridgeford, University of Nebraska at Omaha)"

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Book SynopsisThis comprehensive handbook will guide readers through the process of publishing their research. It helps readers to establish successful writing practices and habits which will enable them to write well, complete their work to a high standard and have their work published. Drawing on her experience as a writer, editor and supervisor, Gina Wisker covers the practicalities of writing and provides tried-and-tested techniques for managing time, overcoming writer's block and developing a confident academic voice.This book is ideal for postgraduates, academics, researchers and professionals wishing to write effectively and share their work with others through academic publication.Trade Review"Getting Published is hugely knowledgeable and useful; it is full of good sense and will almost certainly become the handbook for training postgraduates in this vital area." Professor Martin Coyle, Cardiff University, UKTable of ContentsPART I: WHY WRITE? FORMS OF ACADEMIC WRITING AND HOW TO GO ABOUT WRITING THEM 1.Introduction 2.Why Are We Writing? Setting Up Effective Writing Practices, Managing Time, Space And Writing Energy 3. Writing For And Publishing In Academic Journals 4. Writing For And Publishing In Books 5.Writing For Academic Publication When English Is Not Your First Language PART II: A CLOSER LOOK AT THE PROCESS 6.Writing From Research And Practice Planning And Writing Different Parts Of The Thesis Or Article 7. Writing Literature Reviews And Thinking About Methodology And Methods 8. Writing Abstracts And Conclusions: Emphasising Meaning And Worth 9. Developing Good Writing According To Structures 10. Publishing From Your Phd PART III: THE WRITING PROCESS AND YOU 11. Finding And Developing Your Voice In The Disciplines 12. Managing Time, Overcoming Blocks And Getting The Writing Done 13. Writing Creatively And Reflectively To Support Your Academic Writing For Publication PART IV: LEARNING FROM FEEDBACK, AND PLAYING A FULL PART IN THE WORLD OF WRITING 14.Responding To Feedback 15.Turning Your Conference Presentation Or Paper Into A Publication 16. Writing For Online Outlets And Publications 17. Edited Books And New Editions 18. You're Not Alone Developing And Working With Writing Groups, Communities And Critical Friends 19. The Politics And Impact Of Writing For Academic Publication Conclusion.

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Book SynopsisAn indispensable insider''s guide for writers

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Book SynopsisDesigned for presenters of scholarly or data-intensive content, Better Presentations details essential strategies for developing clear, sophisticated, and visually captivating presentations. With a range of clear examples for what to do (and what not to do), Jonathan Schwabish shares the best techniques to display work and win over audiences.Trade ReviewMany smart people often become selfish idiots when they give a presentation. Jon's much-needed book is a must read for just about anyone asked to share some slides. -- Seth Godin, author of Really Bad Powerpoint Do us all a favor: read this book before your next presentation. From font size to data visualization, Schwabish guides you through creating a presentation that will both hold your audience's attention and effectively deliver information. -- Susan Dynarski, University of Michigan Modern scholars spend many hours a week watching or giving presentations; every one of us should be forced to practice the wisdom of Jonathan Schwabish's wonderful short book. I thought I had mastered this craft and imposed my mastery on others, but I learned so much from Better Presentations that from now on, I'll just say "Read the book!" -- Robert E. Hall, Stanford University Your work can shape the future only when others understand you. You can show how your ideas matter if you master the fundamentals of communication, and this book shows how to do just that. -- Carmen Simon, author of Impossible to Ignore If you are a scientist or scholar who doesn't care about designing beautiful slides for your presentations, you are doing it wrong. Elegance, clarity, and good visual composition make your messages understandable. In this concise book, Jonathan Schwabish outlines simple but essential rules of design and data visualization that anybody can benefit from. Apply them, and I guarantee that you will never again see a bored face in your audience. -- Alberto Cairo, University of Miami, author of The Truthful Art: Data, Charts, and Maps for Communication Data visualization has provided a new set of powerful tools to help analysts communicate their ideas more clearly and effectively. Jon Schwabish helped to pioneer the use of these tools in the policy community, and Better Presentations is full of valuable insights that teach his approach to others. Both new and experienced analysts would benefit immensely from reading this book. -- Douglas Elmendorf, former director of the Congressional Budget OfficeTable of ContentsAcknowledgments Introduction Part I. Designing Your Presentation 1. Theory, Planning, and Design 2. Color 3. Type Part II. Building Your Presentation 4. The Text Slide 5. The Data Visualization Slide 6. The Image Slide 7. The Scaffolding Slides Part III. Giving Your Presentation 8. Presenting 9. The Technical Nitty Gritty Conclusions Further Readings References

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Book SynopsisIntroduces readers to large-scale literary computing and the revolutionary potential of macroanalysis.Trade Review"Jockers dares us to consider what the future can hold now that so much of the literary canon is accessible digitally."--Library Journal "An instructive introduction to the history of computing in the humanities and its increasingly sophisticated methodology."--Library Journal"Jockers puts data mining and word crunching to good use in analyzing textual components across large textual databases. . . . A fascinating blend of statistics and sociolinguistic analysis. Recommended."--Choice "A truly significant exploration of the intersection of literary studies and computer-assisted text analysis. Through a series of perspectives and methodologies, Macroanalysis convincingly demonstrates the power and potential of literary text analysis."--Stéfan Sinclair, coauthor of Visual Interface Design for Digital Cultural Heritage"A showcase for the range and the potential of. . . . 'big data' literary study. A new, turbocharbged sort of philology—one covering wider swaths of literature than even the most diligent and asocial researcher could ever read."--Chronicle of Higher Ed "A massively important book. . . . If you want to know what a major part of literary criticism will look like in 20 years, you need to read Macroanalysis.--Los Angeles Review of Books

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Book SynopsisRoger Horberry is a freelance copywriter and works for various design, branding and advertising agencies. www.rogerhorberry.comTrade ReviewKeep it clear, keep it simple, make it brilliant and original. I’ve been saying that for years. It’s a real joy to find that Roger and I think alike. Read the book and learn. Yes, it is brilliant. Wally Olins - Chairman, Saffron Brand Consultants Most of us reckon we can write. Wrong. But here’s book that will help you be persuasive, interesting and brilliant in print, then help you do it again, and again, and again. Michael Johnson, johnson banks Table of ContentsAbout the author Acknowledgements How to use this book Preface Part One – BackgroundChapter One – The basics Chapter Two – Three key thoughts Chapter Three – Brands and tone of voice Part Two – Method Chapter Four - Before Chapter Five - During Chapter Six - After Chapter Seven – Here’s one I made earlier Part Three – Interviews Chapter Eight - How brilliant copywriters write their copy

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Book SynopsisThis highly practical book reveals that there are many ways of being creative that will help us grow as Christians.

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Book SynopsisThis reader begins with an introduction on the craft of the essay which explores the history and diverse purposes of the form, and the struggle of learning to write in it. Eight essays on a range of subjects follow, demonstrating the wide range of possibilities available to the writer today.

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Book SynopsisDrawing lessons from writers of all ages and writing across genres, a distinguished teacher and writer reveals the enduring importance of writing for our timeTrade Review“Chatty, affable . . . [and] an eloquent endorsement of the writing class as nurturing and galvanizing community.”—Joe Moran, Times Literary Supplement“The insights on workshop dynamics, the smart observations, the loving attention to words and voice, the wisdom acquired by many years of reading, writing, and teaching, make this a valuable, entertaining, and accessible study of writing.”—Robert Morgan, Cornell University "The wisdom of a superb, experienced writer and inspired teacher are here distilled for our pleasure. We have much to learn from Delbanco's maturity, broad perspective and erudition—not least his kindness and encouragement when all is said and done, his devotion to literature and to all those who struggle to achieve it."—Phillip Lopate, author of To Show and to Tell"This book is a tribute to rigor, to close reading, to paying attention. Reading it is like participating in an exclusive workshop taught by a master of the craft."—Christina Baker Kline, author of Orphan Train"Superb writer, erudite scholar, wise teacher—Delbanco makes the written word sing, and how. No reader of this book—itself an impassioned work of literature—will ever take writing for granted again.”—James Carroll, author of Constantine’s Sword"Nicholas Delbanco has long been not only one of America’s finest writers but also teachers of the craft. And Why Writing Matters is his generous gift to us all—filled with wisdom, revelations, and, of course, exquisite writing. We might not have been able to attend his masterclass on the power of words, but thankfully we can cherish these pages, which prove it."—David Grann, author of Killers of the Flower Moon

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Book SynopsisThe essential guide or anyone navigating the often overwhelming world of email. Send—the classic guide to email for office and home—has become indispensable for readers navigating the impersonal, and at times overwhelming, world of electronic communication. Filled with real-life email success (and horror) stories and a wealth of useful and entertaining examples, Send dissects all the major minefields and pitfalls of email. It provides clear rules for constructing effective emails, for handheld etiquette, for handling the “emotional email,” and for navigating all of today’s hot-button issues. It offers essential strategies to help you both better manage the ever-increasing number of emails you receive and improve the ones you send. Send is now more than ever the essential book about email for businesspeople and professionals everywhere.

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Book SynopsisIn this warm and inspiring guide, a #1 New York Times bestselling author shares her unique insight to how to write: from finding a subject and creating good writing habits to sustaining progress and seeking a publisher. “The most important thing to realize is that everyone is capable of telling a story.” —Maeve Binchy  If you scribble story ideas on the backs of receipts…If you file away bits of overheard conversation from the coffee shop... If you’ve already chosen the perfect pen name... Well, then the journey has begun!  From beloved author Maeve Binchy comes the unique insight to how a bestselling author writes: from finding a subject and creating good writing habits to sustaining progress and seeking a publisher. Whether you want to write stories or plays, humor or mysteries, Binchy prescribes advice for every step with her signature humor and generous spirit. She has called upon oth

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Book SynopsisFrom a master teacher and writer, a fully revised and updated edition of the results-oriented approach to legal writing that is clear, that persuades—and that WINS.More than almost any profession, the law has a deserved reputation for opaque, jargon-clogged writing. Yet forceful writing is one of the most potent weapons of legal advocacy. In this new edition of Writing to Win, Steven D. Stark, a former lecturer on law at Harvard Law School, who has inspired thousands of aspiring and practicing lawyers, applies the universal principles of powerful, vigorous prose to the job of making a legal case—and winning it.Writing to Win focuses on the writing of lawyers, not judges, and includes dozens of examples of effective (and ineffective) real-life legal writing—as well as compelling models drawn from advertising, journalism, and fiction. It deals with the challenges lawyers face in writing, from organization to strengthening and editing prose; offers incisive ways of improving arguments; addresses litigation and technical writing in all its forms; and covers the writing attorneys must perform in their daily practice, from email memos to briefs and contracts. Each chapter opens with a succinct set of rules for easy reference.With new sections on client communication and drafting affidavits, as well as updated material throughout, Writing to Win is the most practical and efficacious legal-writing manual available.

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Book SynopsisStein on Writing provides immediately useful advice for all writers of fiction and nonfiction, whether they are newcomers or old hands, students or instructors, amateurs or professionals. As the always clear and direct Stein explains here, This is not a book of theory. It is a book of usable solutions--how to fix writing that is flawed, how to improve writing that is good, how to create interesting writing in the first place. With examples from bestsellers as well as from students'' drafts, Stein offers detailed sections on characterization, dialogue, pacing, flashbacks, trimming away flabby wording, the so-called triage method of revision, using the techniques of fiction to enliven nonfiction, and more.

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Book SynopsisIn HOW TO WRITER SHORT,Roy Peter Clark turns his attention to the art of painting a thousand pictures with just a few words. Short forms of writing have always existed - from ship logs and telegrams to prayers and haikus. But in this ever-changing internet age short-form writing has become an essential skill. Clark covers how to write effective and powerful titles, headlines, essays, sales pitches, Tweets, letters, and even self-descriptions for online dating services. With examples from the long tradition of short-form writing in Western culture, HOW TO WRITE SHORT guides writers to crafting brilliant prose, even in 140 characters.Trade ReviewHOW TO WRITE SHORT both instructs and delights, in equal measure. On every page there is some useful advice and an amusing observation or illustration. Read this book!. - Ben Yagoda, author of How to Not Write BadA fun, practical guide. Clark really knows his way around a sentence. Learn from him. - Christopher Johnson, author of MicrostyleEngaging, entertaining, indispensable. - James Geary, author of The World in a Phrase and I Is an Other

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Book SynopsisAmerica's favorite writing coach and bestselling author returns with an 'indispensable' guide (Diana K. Sugg, Pulitzer Prize-winning reporter) to writing clearly and honestly in a world full of lies, propaganda, and misinformation. The darker and more dystopian the future appears, the more influential public writers become. But with so much content vying for our attention, and so much misinformation and propaganda polluting public discourse, how can writers break through the noise to inform an increasingly busy, stressed, and overwhelmed audience?   In Tell It Like It Is, bestselling author, writing coach, and teacher Roy Peter Clark offers a succinct and practical guide to writing with clarity, honesty, and conviction. By analyzing stellar writing samples from a diverse collection of public writers, Clark highlights and explains the tools journalists, scientists, economists, fact-checkers, even storytellers use to engage, inform, and hook readers, and how best to deploy them in a variety of contexts. In doing so, he provides answers to some of the most pressing questions facing writers today:   How do I make hard facts—about pandemics, wars, natural disasters, social justice—easy reading? How do I get readers to pay attention to what they need to know? How do I help contribute to a culture of writing that combats misinformation and propaganda? How do I instill hope into the hearts and minds of readers?   With Clark's trademark wit, insight, and compassion, Tell It Like It Is offers a uniquely practical and engaging guide to public writing in unprecedented times—and an urgently needed remedy for a dangerously confused world.

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Book SynopsisFrom one of America''s most influential writing teachers, a collection of 50 of the best writing strategies distilled from 50 writing and language books -- from Aristotle to Strunk and White.With so many excellent writing guides lining bookstore shelves, it can be hard to know where to look for the best advice. Should you go with Natalie Goldberg or Anne Lamott? Maybe William Zinsser or Donald Murray would be more appropriate. Then again, what about the classics -- Strunk and White, or even Aristotle himself?Thankfully, your search is over. In Murder Your Darlings, Roy Peter Clark, who for more than 30 years has been a beloved and revered writing teacher to children and Pulitzer prize-winners alike, has compiled a remarkable collection of 50 of the best writing tips from 50 of the best writing books of all time. With a chapter devoted to each piece of advice, Clark expands and contextualizes the original author''s suggestions, and offers anecdotes about

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Book SynopsisGood writing skills are essential for study, but many students find that they struggle to write well. Written especially for health and social care students, this book demystifies academic writing, giving you a better understanding of what good writing looks like, and how to achieve it.Topics covered in this accessible book include: How to plan and write pieces to deadlines How to copyedit and proofread your own work How to develop good writing behaviours and find motivation How to write effective and safe service user records This user-friendly guide includes examples of good and bad writing, activities to work through, handy hints and tips at the end of each chapter and personal experiences from students, making it a must-read for any health and social care students looking for the skills and confidence to master good academic writing. Contributors: Michael Baksh, Amanda Clarke, Elizabeth Cooper, James Greaves, Dasha Koneva, Jane Quigley, VictoTable of ContentsChapter 1: IntroductionChapter 2: Preparing to Write Chapter 3: Basic Writing and Essay Planning Skills Chapter 4: Advancing Your Writing Skills Chapter 5: What is reflective writing? Chapter 6: Writing for Practice Chapter 7: Presenting your writing in different formats Chapter 8: Students’ experiences of writing Chapter 9: Eight Simple Rules for Writing in Health and Social Care

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Book SynopsisLearn the craft of writing a high-quality, high-mark university essay with this step-by-step guide. Suitable for all students â from making the transition to university study that much easier to refining your technique for the final year â this accessible and concise book leads you through the complete essay-writing process in five straightforward steps. The book is packed with best practice tips, common student mistakes (and how to avoid them!), and practical templates that have been designed to help you write your university essays. You will discover new techniques for deconstructing essay questions, like GALA; a complete Harvard Referencing catalogue, showing you how to properly record sources and references; and a generic essay template to help you cover everything necessary for those top marks. Once you read this book, you will never have to ask the following questions â because you will know the answers:â What is this question askiTable of ContentsPART 1 GRASPING THE BASICS: FROM LANGUAGE TO LEARNING1 The language that you use: The formal stuff2 The language that you use: The fancy stuff3 Give credit where credit is due4 The hierarchy of essay questions PART 2 PLANNING AND BUILDING A GOOD UNIVERSITY ESSAY 5 Step 1: Deconstruct the essay question6 Step 2: Create a roadmap7 Step 3: Introduce your essay8 Step 4: Write the main body9 Step 5: Conclude your essayPART 3 LEARNING FROM EXPERIENCE 10 Feedback11 Summary essay template of good practice

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Book SynopsisDaisy Bogg is a qualified and HCPC-registered social worker who has worked within mental health and addiction services for over 20 years, for the NHS, local authorities and voluntary sector organisations.***Report writing is a key skill for social work and one in which many practitioners receive little formal training or preparation. Fully revised and updated, the new edition of this handy pocketbook for social workers provides key advice for busy practitioners to help them to write clear, professional and well-structured reports. This includes practical advice, hints and tips to improve your report writing and ensure you adhere to best practice in your written communications.Social workers will find this guide invaluable for creating high-quality reports for a range of common situations. This useful book includes:â A range of report templates for a variety of situations, practice contexts Table of Contents1. Report Writing: An Introduction 2. Good Practice in Report Writing3. Report writing with adults 4. Report writing with children Further reading and resources References Appendix 1: Example generic adult report template Appendix 2: Social circumstances reports - Practice Directions Appendix 3: Mental Health Act assessment: suggested report template Appendix 4: Safeguarding adults: suggested report template Appendix 5: Case conferences: suggested report template Appendix 6: Example PLO Letter Appendix 7: Children’s Social Care Report: suggested template Appendix 8: Schedule 3, Regulation 27, Fostering Services Regulations 2002 Appendix 9: Form F report template

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Book SynopsisHarold Evans has edited everything from the urgent files of battlefield reporters to the complex thought processes of Henry Kissinger, and he has been knighted for his services to journalism. In Do I Make Myself Clear?, his definitive guide to writing well, Evans brings his indispensable insight to the art of clear communication.The right words are oxygen to our ideas, but the digital era, with all of its TTYL, LMK and WTF, has been cutting off that oxygen flow. The compulsion to be precise has vanished from our culture, and in writing of all kinds we see a trend towards more - more speed and more information, but far less clarity. Evans provides practical examples of how editing and rewriting can make for better communication, even in the digital age. Do I Make Myself Clear? is an essential text, and one that will provide every reader an editor at their shoulder.Trade ReviewIn the tradition of George Orwell, who said that political language is designed to make lies sound truthful, Harry Evans reminds us how important it is to write clearly. Then he shows how. Those of us who have been edited by Harry marvel at his dexterity in unclogging dense prose, and in this book he reveals his secrets -- Walter Isaacson, author of Steve JobsThe book is more than simply a guide to clear writing. It is a powerful argument for the importance of language, and a signal warning of the consequences of its abuse * Daily Telegraph *Full of enthusiasm for words and sound advice * Financial Times *A masterclass in succinct writing . . . As a master editor and distinguished author, Evans is well qualified to instruct us on how to write well. But can he delight us in the process? After reading this book, I can affirm that the answer is yes * Scotsman *It is refreshing to read Do I Make Myself Clear?, which is both a master class on English usage and a call for clarity of expression * Choice *Evans has a lifetime's experience of the power of words to enlighten, inspire or harm. [A] trenchant and entertaining guide to clear expression * Daily Mail *

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Book SynopsisA revolutionary approach to writing inspired by ancient Eastern wisdom, from the bestselling author of Wabi SabiJoin author and Japanologist Beth Kempton on a sacred journey to uncover the secrets of fearless writing which have lain buried in Eastern philosophy for two thousand years.In a radical departure from standard advice and widely-held assumptions about the effort and suffering required for creative success, The Way of the Fearless Writer will show you there is another way to thrive - a path of trust, ease, freedom and joy.Learn how to free your mind so your body can create, transform your relationship with fear, dissolve self-doubt, shift writer''s block, access your true voice and bravely share your words with the world.This profound book reveals the deep connections between mind, body, spirit, breath and words. Offering a rare insight into the writing life and a host of fresh and original exercises, it will open your eyeTrade ReviewThe Way of the Fearless Writer is WONDERFUL. This book is a tonic for the soul. All writers should take time to read this. There are many books about writing, but Beth's approach is practical, honest and yet deeply spiritual and caring. We're keeping this book by our bedside. This is more than just a book, it's a way of life. -- Parul Bavishi & Matt Trinetti * co-founders of the London Writers’ Salon *In The Way of the Fearless Writer, Beth Kempton uses a Buddhist sensitivity to create a path at the intersection of our inner life, our daily life, and the lifelong practices of opening and listening; all in the service of the deeper expressive journey which, if true to, gives us access to the life below. Walk with Beth on this path and the vow to write will bring your depth to the surface and your voice into the world. -- Mark Nepo * author of Surviving Storms and The Book of Awakening *

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Book SynopsisNo matter where you are in the writing process or how confident you are in your writing, THE COLLEGE WRITER: A GUIDE TO THINKING, WRITING, AND RESEARCHING, 7E offers valuable guidance and support. This fully updated four-in-one resource provides a rhetoric, reader, research guide, and complete handbook for writers of any skill level. Updated professional and student writing samples highlight important features of academic writing -- from organization to documentation -- while modeling strategies and timely topics to use in your own papers. A reader-friendly organization leads you through the process of composing academic and research-based essays. Revisions emphasize how to craft strong paragraphs and thesis statements, analyze and respond to readings, and compose multimodal texts. With MindTap, you can even choose an online, multimedia learning experience with an eBook, audio and video files, weblinks, practice exercises, and bonus content on test-taking, workplace writing, and oral pTable of ContentsPart I: THE WRITING PROCESS 1. Getting Started. The Writing Process: From Start to Finish. Aiming for Writing Excellence. Understanding Your Project. Developing a Topic. Researching Your Topic. Getting Started: Applications. Learning-Objectives Checklist. 2. Reading Critically. Cultivating Critical-Thinking Habits. Using the SQ3R Reading Strategy. Critical Thinking Through Reading. Taking Notes Actively. Responding to a Text. Summarizing a Text. Engaging with Social Media. Critical Reading: Applications. Learning-Objectives Checklist. 3. Viewing Critically. Viewing an Image Actively. Interpreting an Image. Evaluating an Image. Critiquing a Video. Detecting Misinformation. Viewing Critically: Applications. Learning-Objectives Checklist. 4. Planning Your Piece. Forming Your Thesis Statement. Developing a Plan or an Outline. Experiment with Mapping Methods. Planning the Design of Your Project. Planning Your Piece: Applications. Learning-Objectives Checklist. 5. Drafting: From Paragraphs to Essays. Basic Essay Structure: Major Moves. Tips for Drafting. Drafting Paragraphs. Opening Your Draft. Developing the Middle. Ending Your Draft. The Last Step in Drafting: Your Working Title. Drafting: Applications. Learning-Objectives Checklist. 6. Revising Your Draft. Tips for Revising Your Work. Revising Your Ideas. Revising Your Organization. Revising for Voice. Strengthening Your Body Paragraphs. Revising Collaboratively. Revising Your Draft: Applications. Learning-Objectives Checklist. 7. Polishing Your Prose. Tips for Polishing Your Prose. Strengthening Sentence Style. Fixing Weak Wording. Polishing Your Prose: Applications. Learning-Objectives Checklist. 8. One Writer's Process. Ariana's Assignment and Response. Angela's Planning. Ariana���s First Draft. Ariana���s Revision. Ariana���s Edited Draft. Ariana���s Proofread Draft. Ariana���s Finished Essay. One Writer���s Process: Applications. Learning-Objectives Checklist. Part II: READER: STRATEGIES AND SAMPLES. 9. Forms of College Writing. Three Curricular Divisions. Writing in the Humanities. Writing in the Social Sciences. Writing in the Natural Sciences. The Rhetorical Modes. Critical Thinking and Writing: Applications. Learning-Objectives Checklist. 10. Personal Writing. Meeting the Mode. Strategies for Crafting Personal Essays. Personal Essays: Learning Writers��� Moves. Speaking Ill of the Dead," by Rachel Ten Hove. "It Took Me 18 Years to Embrace My Name," by Fiza Pirani. "What I Learned in Prison," by James Kilmore. DIY: Craft Your Own Personal Essay. The Personal Essay: Applications. Learning-Objectives Checklist. 11. Analytical Writing: Definition. Meeting the Mode. Strategies for Crafting Definition Essays. Definition Essays: Learning Writers��� Moves. "How ���Namaste��� Flew Away From Us," by Kumari Devarajan. "The History of ���Coming Out," by Abigail Saguy. "Dead Indians," by Thomas King. DIY: Craft Your Own Definition Essay. Definition Essays: Applications. Learning-Objectives Checklist. 12. Analytical Writing: Classification. Meeting the Mode. "Why We Lift," by Hillary Gammons. Strategies for Classification Essays. Classification Essays: Learning Writer���s Moves. "Latin American Music," by Kathleen Kropp. "Understanding the Four Types of AI: From Reactive Robots to Self-Aware Beings," by Arend Hintze. "Four Ways to Talk About Literature," by John Van Rys. DIY: Craft Your Own Classification Essay. Classification: Applications. Learning-Objectives Checklist. 13. Analytical Writing: Process. Meeting the Mode. ���American Lumpia: Filipino Egg Roll,��� by Andrea Santiago. Strategies for Writing Process Essays. Process Essays: Learning Writer���s Moves. "Chasing the Stoke," by Tim Zekveld. "Yogurt: Milk & Mayhem," by Nina Mukerjee Furstenau. "The Emancipation of Abe Lincoln," by Eric Foner. DIY: Craft Your Own Process Essay. Process Writing: Applications. Learning-Objectives Checklist. 14. Analytical Writing: Comparison-Contrast. Meeting the Mode. ���Modern Arranged Marriages,��� by Ariana King. Strategies for Writing Compare-Contrast Essays. Compare-Contrast Essays: Learning Writers��� Moves. "Beyond the Polite Smile," by Janice Pang. "Why We Care About Whales," by Marina Keegan. "How the Internet Has Changed Bullying," by Maria Konnikova. DIY: Crafting Your Own Compare-Contrast Essay. Compare-Contrast Essays: Applications. Learning-Objectives Checklist. 15. Analytical Writing: Cause and Effect. Meeting the Mode. ���Adrenaline Junkies,��� by Sarah Hanley. Strategies for Writing Cause-Effect Essays. Cause-Effect Essays: Learning Writers��� Moves. "1$_Your_P@$$wOrd_Cl3v3r?" by Scott Reichelt. ���On the 100th Anniversary of the Negro Leagues: A Look Back at What Was Lost,��� by Rob Ruck. "The Rise of the New Groupthink," by Susan Cain. DIY: Craft Your Own Cause-Effect Essay. Cause-Effect Essays: Applications. Learning-Objectives Checklist. 16. Reading Literature: A Case Study in Analysis. Strategies for Analyzing Literature and the Arts. Analyzing Literature: Learning Writers��� Moves. Analyzing a Poem. "Let Evening Come," by Jane Kenyon. "'Let Evening Come': An Invitation to the Inevitable," by Sherry Van Egdom. A Poem to Analyze. "Wild Geese," by Mary Oliver. Analyzing a Short Story. "A Clean Well-Lighted Place," by Ernest Hemingway. "'A Clean Well-Lighted Place': Emotional Darkness," by Julia Jansen. Analyzing a Film. "The Revenant -- A Brutal Masterpiece," by James C. Schaap. Literary Terms. Poetry Terms. DIY: Crafting Your Own Literary Analysis. Analyzing Literature: Applications. Learning-Objectives Checklist. 17. Persuasive Writing: Strategies for Argumentation. Meeting the Mode: "The Commerce of Violence," by Wendell Berry. Structuring Arguments. Engaging the Opposition. Arguing Through Appeals. Making and Qualifying Claims. Supporting Your Claims. Identifying Logical Fallacies. "Executive Deception," by Kathleen Dean Moore. Strategies for Argumentation: Applications. Learning-Objectives Checklist. 18. Persuasive Writing: Positions, Actions, and Solutions. Meeting the Mode. ���Evening the Odds,��� by Dave DeHaan. Strategies for Persuasive Writing. Persuasive Essays: Learning Writers��� Moves. "Remedying an E-Waste Economy," by Rachel DeBruyn. " Reaction GIFs of Black People Are More Problematic Than You Think," by Naomi Day. " Why ���Latinx��� Is Succeeding While Other Gender-Neutral Terms Fail to Catch On," by Katy Steinmetz. "Can We Please Stop Using ���Latinx���? Thanx," by Kurly Tlapoyawa. "Is Marijuana as Safe as We Think?" by Malcolm Gladwell. DIY: Crafting Your Own Persuasive Essay. Persuasive Essays: Applications. Learning-Objectives Checklist. BONUS ONLINE CHAPTERS. A. Taking Essay Tests. Reviewing for Tests. Forming a Study Group. Consider the Testing Situation. Taking the Essay Test. Writing Under Pressure: The Essay Test Quick Guide. Taking an Objective Test. Tips for Coping with Test Anxiety. B. Writing for the Workplace. Writing the Business Letter. Writing Memos and E-mail. Applying for a Job. C. Preparing Oral Presentations. Organizing Your Presentation. Writing Your Presentation. "Save Now or Pay Later," by Burnette Sawyer. Developing Computer Presentations. Overcoming Stage Fright Checklist. D. Writing for the Web. Web Page Elements and Functions. Developing a Web Site and Web Pages. Writing for Different Internet Environments. Critical Thinking and Writing: Applications. Learning-Outcomes Checklist. Part III: RESEARCH AND WRITING. 19. Getting Started: Planning Your Research. Your Project: Writing a Research Proposal. Research: An Overview. Getting Focused. Understanding Primary, Secondary, and Tertiary Sources. Exploring Information Resources and Sites. Planning Keyword Searches. Building a Working Bibliography. Developing a Research Plan. Planning Your Research: Applications. Learning-Objectives Checklist. 20. Doing Research. Your Project: Creating an Annotated Bibliography. Working with Your Sources. Sample Evaluations. Doing Primary Research. Doing Library Research. Doing Free-Web Research. Doing Research: Applications. 21. Practicing Research Ethics. Your Project: Writing a Literature Review. Research Ethics: A Primer. Developing Credibility through Sources Use. Recognizing Plagiarism. Understanding Why Plagiarism Is Serious. Avoiding Plagiarism. Avoiding Other Source Abuses. Practicing Research Ethics: Applications. Learning-Objectives Checklist. 22. Drafting Research Papers. Papers with Documented Research: Quick Guide. Reviewing Your Findings. Considering Methods of Organization. Considering Drafting Strategies. Using Source Material in Your Writing. Sample Research Paper: A Humanities Essay. "'Chipping Away' at Our Privacy?" by Lucas Koomans. Sample Research Paper: Science IMRAD Report. "The Effects of the Eastern Red Cedar on Seedlings and Implications for Allelopathy," by Dana Kleckner, Brittany Korver, Nicolette Storm, and Adam Verhoef. Drafting a Research Paper: Applications. Learning-Objectives Checklist. 23. MLA Style. MLA Documentation: Quick Guide. MLA Format Guidelines. Guidelines for In-Text Citations. Sample In-Text Citations. Quick Guide: MLA Works Cited. Sample Works-Cited Entries. Sample MLA Paper. "The Consequences of Childhood Staples: Do Barbies and Disney Princesses Do More Harm Than Good to Girls' Self-Esteem?" by Annie Sears. Critical Thinking and Writing: Applications. Learning-Objectives Checklist. 24. APA Style. APA Documentation Guidelines. APA Format Guidelines. Guidelines for In-Text Citations. Quick Guide: APA References. Sample Reference Entries. Sample APA Paper. "The Silent Sibling: How Current Autism Intervention Affects Typically Developed Siblings," by Julia Sweigert. Critical Thinking and Writing: Applications. Learning-Objectives Checklist. Part IV: HANDBOOK. 25. Understanding Grammar. Noun. Pronoun. Verb. Adjective. Adverb. Preposition. Conjunction. Interjection. A Closer Look at the Parts of Speech. 26. Constructing Sentences. Using Subjects and Predicates. Using Phrases. Using Clauses. Using Sentence Variety. 27. Avoiding Sentence Errors. Subject-Verb Agreement. Pronoun-Antecedent Agreement. Shifts in Sentence Construction. Fragments, Comma Splices, and Run-Ons. Misplaced and Dangling Modifiers. Ambiguous Wording. Nonstandard Language. Quick Guide: Avoiding Sentence Problems. 28. Marking Punctuation. Period. Ellipsis. Question Mark. Comma. Semicolon. Colon. Hyphen. Dash. Quotation Marks. Italics. Parentheses. Diagonal. Brackets. Exclamation Point. Apostrophe. 29. Checking Mechanics. Capitalization. Plurals. Numbers. Abbreviations. Acronyms and Initialisms. Basic Spelling Rules. Commonly Misspelled Words. 30. Using the Right Word. 31. Multilingual and ESL Guidelines. Five Parts of Speech. Understanding Sentence Basics. Sentence Problems. Numbers, Word Parts, and Idioms. Targeting Trouble Spots."

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Book SynopsisOriginally published in 2005, To Be A Playwright is an insightful and detailed guide to the craft of playwriting. Part memoir and part how-to guide, this useful book outlines the tools and techniques necessary to the aspiring playwright. Comprised of a collection of memoirs and lectures which blend seamlessly to deliver a practical hands-on guide to playwriting, this book illuminates the elusive challenges confronting creators of dynamic expression and offers a roadmap to craft of playwrighting. Table of Contents1. The Twelve Habits of Successful Playwrights 2. A Room of Your Own 3. Fifty Questions to Ask When Writing A Play 4. Character 5. Dialogue: The Ways Our Characters Speak to Us 6. Location: Passports to Playwrighting 7. Endings 8. Rewriting 9. Journals 10. The Making of a Play: "Small Delegation" From Beijing to Home 11. Adapting From Fact and Fiction 12. The Do’s and Don’ts of Playwriting: What I Know to be True 13. Critics 14. The Education of a Playwright 15. What They Told Me: Advice on Writing and Other Vices 16. To Be A Playwright 17. Notes Index

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Book SynopsisA World Elsewhere is Steven Berkoffâs bold attempt to describe his multifarious theatrical works.Berkoff outlines the methods that he uses, first of all as an actor, secondly as a playwright and thirdly as theatre director, as well as those subtle connections in between, when one discipline melds effortlessly into another. He examines the early impulses that generated his works and what drove him to give them form, as well as the challenges he faced when adapting the work of other authors. Berkoff discusses some of his most difficult, successful and unique creations, journeying through his long and varied career to examine how they were shaped by him, and how he was shaped by them. The sheer scale of this book offers a rare experience of an accomplished artist, combined with the honesty and insight of an autobiography, making this text a singular tool for teaching, inspiration and personal exploration.Suitable for anyone with an interest in Steven Berkoff and his illustrious career, A World Elsewhere is the part analysis and part confession of an artist whose work has been performed all over the world. Table of ContentsBiography Preface 1. In the Penal Colony - The Arts Lab, Drury Lane 1967 2. Metamorphosis - The Roundhouse, Chalk Farm 1969 3. Macbeth - The Place Theatre 1970 4. Miss Julie Versus Expressionism – National Tour and The ICA 1971 5. Agamemnon - National Tour - The Roundhouse, Chalk Farm 1973 6. The Trial, by Franz Kafka - The Roundhouse, Chalk Farm 1973 7. The Fall of The House of Usher - Hampstead Theatre Club 1974 8. Random thought: the dressing room 9. East - Kings Head Theatre, Islington - 1975 Regent Street Poly - Cottesloe Theatre 1977 10. Hamlet, Shakespeare - The Roundhouse, Chalk Farm 1980 11. Decadence - Arts Theatre 1981 12. Random thought: Vsevolod Meyerhold 13. West - Donmar Warehouse 1983 14. Harry’s Xmas - Donmar Warehouse 1985 15. Acapulco - The King’s Head Theatre, Islington 1986 16. Coriolanus - Public Theatre, New York 1988 17. Random thought – directors and indendants 18. Greek - Wyndham’s Theatre 1988 19. Salome - National Theatre 1989 20. One Man - The Garrick Theatre 1991 21. Kvetch - The Garrick Theatre 1991 22. Random thought: a lunch in Brooklyn with the Salome cast 23. Brighton Beach Scumbags - The Riverside Theatre, Hammersmith 1995 24. Random thought - mechanicals 25. Massage - Odyssey Theatre, Edinburgh Festival 1997 26. Decadence - Wyndhams Theatre 1997 27. Shakespeare’s Villains - Theatre Royal, Haymarket 1998 28. Random thought: one-man show 29. The Secret Love Life of Ophelia - The King’s Head Theatre 2001 30. Messiah - Edinburgh Festival 2002 - Old Vic 2003 31. Sit and Shiver - Hackney Empire 2007 32. Random thought: Salome at The Gate Theatre, Dublin 33. On The Waterfront - Theatre Royal, Haymarket 2010 34. Oedipus - Edinburgh Festival 2013 35. The Hairy Ape -The Odyssey Theatre, Los Angeles 2015 36. Actors I have admired, loved and even cried over 37. Final chapter Index

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Book SynopsisThoroughly revised and updated, the fourth edition of Writing for Journalists focuses on the craft of journalistic writing, offering invaluable insight on how to hook readers and keep them to the end of your article.The book offers a systematic approach to news and feature writing that starts with the basics and builds to more complex and longer pieces. The authors give the reader the tools they need to deliver engaging and authoritative writing that works across print and digital. Drawing on professional insight from writers across the industry, the book guides readers through the essential elements needed to write powerful and effective news stories, from hard news pieces to features on business, science, travel and entertainment reviews. New to this edition are hands-on writing exercises accompanying each chapter to help reinforce key points; chapters on how to build a professional profile, pitch stories and get commissioned; and a section on online writing, SEO, anTrade Review"This is an outstanding practical introduction to writing for journalists of all kinds - news, features, print, online. Starting with first principles, it buildsability through exercises at each stage and a structured progression to more complex issues like interviews, data, science and business. With contributions from leading journalism teachers and professional journalists it is a timely update of previous introductions taking full account of the digital transition in newsrooms and the expectations from employers of multimedia competence. At a time when journalists are under scrutiny for their professionalism and high standards are at a premium it offers an excellent introduction to key skills for those entering the business." Richard Sambrook, Professor of Journalism and Director of the Centre for Journalism at Cardiff Univeristy, formerly Director of Global News at the BBC"In the summer of 2018, when we, a group of mainly print and TV journalists at The Telegraph India and other brands of India’s top media group ABP were struggling to adjust to a native digital newsroom, Matt came to our rescue. His clear vision of how to approach a multimedia story was immensely beneficial. This book is an extension of those practical tips. A much needed book for both journalists and journalism educators. I have used many of Matt’s tips like how to approach a feature, decide on multimedia content among others in my class and my students found them interesting. The real-life examples and exercises through out the book adds much value to it. It also covers a wide spectrum of journalistic writing which sets the principles of journalism straight." Sambit Pal, Assistant Professor at the Indian Institute of Mass Communications, formerly journalist at The Telegraph India"Early in my career I would have loved to be able to draw on the diverse, rigorous advice you’ll find in these pages, and even now I found so much in here to challenge and encourage." Peter Grunert, Group Editor, Magazines for Lonely PlanetTable of Contents1. How to read like a journalistHow purposeful reading can develop your journalistic instinct and sharpen your writing2. The news introUnderstand news values and learn how to construct a compelling opening paragraph3. The first three paragraphsA fail-safe formula to write the opening three paragraphs to any news story4. News structure and styleHow to structure longer news pieces and deal with more complex stories in style5. Writing for the webHow to write for online; understand analytics and SEO and make social media work for youGavin Allen6. Developing feature ideas Understand your readers and learn how to develop news-driven feature ideas they will want to read7. Starting your featureWhy ‘Showing, Telling and Quoting’ are a writer’s building blocks and the key to dynamic intros 8. Structure and quotes How to use quotes and understand the three interviewee types essential to your writing9. Storytelling and travel writingDiscover what storytelling does to your brain and how to use that in any piece of writing10. Interview features Professional writers explain how to research, structure and write the perfect interview 11. Writing reviewsHow to write reviews on anything from literature and the arts to bicycles and fast carsHarriett Gilbert12. Making complex ideas accessible Business and science journalists explain how to make complex stories accessible to allMatt Swaine, Aiden O'Donnell and Nigel Stephenson13. Boxouts, design and multimedia How to write boxouts and plan multimedia content to deliver strong feature packages14. The professional writerBuild your professional profile, hit deadlines, edit your work and develop a unique voiceGlossaryKey terms you may come across in the world of journalismRecommended readingBooks on journalism, politics, business, science and the environment and Twitter lists to followSuggested answersAppendix with answers to exercises in chapters 2, 3 and 5Index

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Book SynopsisIn this collection, the author focuses on several contemporary Romanian female playwrights with residencies in Europe and the U.S.: Alexandra Badea, Carmen-Francesca Banciu, Alexa Bacanu, Ana Sorina Corneanu, Mihaela Dragan, Dr. Catalina Florina Florescu, Dr. Mihaela Michailov, Dr. Domnica Radulescu, Saviana Stanescu, and Dr. Elise Wilk.In their bold works, written by female playwrights who are academics, activists, and performers, we are invited to discover variations in the modus operandi of the dramatic language itself from metaphorical to matter-of-fact approaches. Furthermore, while all these playwrights speak Romanian, they also think and operate in various other languages, such as Romani, German, French, Italian, and American English.This book facilitates scholars and students to discover contemporary issues related to Romanian society as presented heavily from a feminine angle and to reveal intersectional issues as seen and applied to dramatic characters in a pTrade Review''Dr. Florescu’s focus on intersectionality in plays written by Romanian female playwrights is an admirable endeavor given both the scarcity of materials on Romanian cultural intersectionality and theater in general in the United States curricula. Not only are the ten plays included for discussion in this book a splendid sample of Romanian theater, but also the carefully structured analyses and activities, prefaced by photographs from performances, make this book a labor of love'' – Dr. Adriana Cordali author of Visual Rhetorics of Communist Romania: Life Under the Totalitarian Gaze''Designed as multilingual and multidimensional, this volume presents a series of plays by female artists who are deeply connected to Romania, Dr. Cătălina Florina Florescu’s native country. Their engagement with intersectionality becomes evident not only when discussed by Florescu, but also when the playwrights are given a selfless chance to reflect on their own works. Shining a bright light on the urgent political issues and innovatory theatrical strategies at the heart of these contemporary productions will definitely stir interest and debate, proving the timeliness of the current project.'' – Dr. Ludmila Martanovschi, Secretary of the Society for Multi-Ethnic Studies: Europe and the Americas (MESEA)''A compassionate and intimate exploration of female playwrights in Romanian theater presented to the global public through the lens of intersectionality as a tool for discernment of how the invisible power relations create inequality. Catalina Florescu masterfully uses her multifaceted roles as a woman, immigrant, mother, partner, author, and professor to examine the still vastly unexamined role female artists have in making intellectually stimulating art and leaving their beautifully diverse legacy on heteropatriarchy.'' – Mihaela Campion, Clinical licensed psychotherapist and ARCHER Founder (American Romanian Coalition of Human and Equal Rights)Table of ContentsForewordA Note Before Reading This VolumeChapter 1. Feminin (Feminine)Chapter 2. Pisica Lui Schrödinger (Schrödinger’s Cat)Chapter 3. Ein Land Voller Helden (A Land Full of Heroes)Chapter 4. Romacen: Vremea Vrăjitoarei (Romacene: The Age of the Witch)Chapter 5. Pulvérisés (The Pulverised)Chapter 6. Moss (Verde Crud)Chapter 7. Hai să vorbim despre viaţă! (Let’s Talk about Life!)Chapter 8. Familia Offline (Offline Family)Chapter 9. Exile Is My Home (Exilul este casa mea)Chapter 10. Aliens with Extraordinary Skills (Extratereştii cu puteri supraomeneşti)Post ScriptumMiscellaneaAbout The PlaywrightsIndex

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