Treatments and subjects Books
Yale University Press Niki de Saint Phalle in the 1960s
Book SynopsisA timely reassessment of the artist’s early performances and feminist sculptures, affirming their radical engagements and art historical significance
£36.00
Yale University Press All These Liberations
Book SynopsisA dynamic look at the vast creative production of contemporary women artists from around the globe
£33.25
Yale University Press Ethiopia at the Crossroads
Book Synopsis
£45.00
Yale University Press Farm to Table
Book Synopsis
£38.00
Yale University Press Land into Landscape
Book Synopsis
£45.00
Yale University Press Nordic Art and Way of Life
Book Synopsis
£54.00
Yale University Press Draw Them In Paint Them Out
Book Synopsis
£31.50
Yale University Press Jacopo Bassano
Book Synopsis
£40.50
Yale University Press Made in Germany
Book Synopsis
£31.50
Yale University Press Cecily Brown
Book Synopsis
£36.00
Taylor & Francis Ltd Bushwicks Bohemia
Book SynopsisViewed as a symbol of urban blight and decline in the late 1970s and 1980s, Bushwick today is bustling and bursting with color, creativity, and commerce. Cozy and cool cafes, small boutiques, trendy restaurants, vibrant street murals, and art galleries now adorn the neighborhood in the northern part of Brooklyn, stoking its growing reputation as one of the more desirable places to live, work in, and visit.In this book, Mario Hernandez paints a precise picture that portrays the redevelopment, evolution, and ensuing gentrification of the Brooklyn neighborhood over recent decades. Drawing on interviews, developer reports, and historical and civic records, the author focuses closely on the artists and creative industries that moved to Bushwick and, over time, shaped the Bohemian art scene in the neighborhood and contributed to the growth of its vibrant urban economy. The book connects the emergence and ongoing development of the neighborhoodâs art scene to neoliberal policies and city planning efforts that have also facilitated and led to the increasing displacement of long-time Black and Latinx residents. It also documents community efforts to counteract forces of displacement and development, revealing the complex, competing, and collective efforts to shape Bushwick and its future.Culture and capital collide, converge, and contribute to rapid and radical change in Bushwickâs bohemia, making this an important read for those interested in urban life, gentrification, and social issues.Table of ContentsIntroduction 1. Bohemia and the Cultural Economy of Cities 2. Planned Destruction, Blackout, and Re-Emergence 3. Revanchism and the Newest, New Art Scene 4. The Art Scene Descends 5. The Political Economy of Place 6. Flipping the Script: Patterns and Trends in the Bushwick Art Scene 7. Epilogue
£35.14
Farrar, Straus and Giroux Art Monsters
Book SynopsisA Must-Read: Vogue, Nylon, Chicago Review of Books, Literary Hub, Frieze, The Millions, Publishers Weekly, InsideHook, The Next Big Idea Club,?[Lauren] Elkin is a stylish, determined provocateur . . . Sharp and cool . . . [Art Monsters is] exemplary. It describes a whole way to live, worthy of secret admiration.? ?Maggie Lange, The Washington Post?Destined to become a new classic . . . Elkin shatters the truisms that have evolved around feminist thought.? ?Chris Kraus, author of I Love Dick and After Kathy Acker: A Literary BiographyWhat kind of art does a monster make? And what if monster is a verb? Noun or a verb, the idea is a dare: to overwhelm limits, to invent our own definitions of beauty.In this dazzlingly original reassessment of women?s stories, bodies, and art, Lauren Elkin?the celebrated author of Flâneuse?explores the ways in which feminist artists have taken up the challenge of their work and how they not only react against the patriarchy but redefine their own aesthetic aims. How do we tell the truth about our experiences as bodies? What is the language, what are the materials, that we need to transcribe them? And what are the unique questions facing those engaged with female bodies, queer bodies, sick bodies, racialized bodies? Encompassing a rich genealogy of work across the literary and artistic landscape, Elkin makes daring links between disparate points of reference?among them Julia Margaret Cameron?s photography, Kara Walker?s silhouettes, Vanessa Bell?s portraits, Eva Hesse?s rope sculptures, Carolee Schneemann?s body art, Theresa Hak Kyung Cha?s trilingual masterpiece DICTEE?and steps into the tradition of cultural criticism established by Susan Sontag, Hélène Cixous, and Maggie Nelson. An erudite, potent examination of beauty and excess, sentiment and touch, the personal and the political, the ambiguous and the opaque, Art Monsters is a radical intervention that forces us to consider how the idea of the art monster might transform the way we imagine?and enact?our lives.
£26.25
Scientific American The Zoomable Universe
Book SynopsisAn epic, full-color visual journey through all scales of the universeIn The Zoomable Universe, the award-winning astrobiologist Caleb Scharf and the acclaimed artist Ron Miller take us on an epic tour through all known scales of reality, from the largest possible magnitude to the smallest. Drawing on cutting-edge science, they begin at the limits of the observable universe, a scale spanning 10^27 metersabout 93 billion light-years. And they end in the subatomic realm, at 10^-35 meters, where the fabric of space-time itself confounds all known rules of physics. In between are galaxies, stars and planets, oceans and continents, plants and animals, microorganisms, atoms, and much, much more. Stops along the wayall enlivened by Scharf's sparkling prose and his original insights into the nature of our universeinclude the brilliant core of the Milky Way, the surface of a rogue planet, the back of an elephant, and a sea of jostling quarks.The Zoomable Unive
£25.20
WW Norton & Co You Dont Own Me
Book SynopsisThe question of whether our ideas are our own or our employer’s set off the greatest toy war of our time.Trade Review"At its core, You Don’t Own Me is an exploration of a relatively dry topic: the intellectual property regime. Yet in the hands of Lobel… this case study in who should benefit from an employee’s creativity becomes something of a page-turner." -- Financial Times"You Don’t Own Me is an extended case study that’s fascinating and consequential thanks to Lobel’s storytelling skill. Through her descriptions of flamboyant personalities and outrageous corporate scheming, she elevates the story of a protracted legal case into a page-turner that holds up a lipstick-pink mirror to both American consumer culture and corporate misbehaviour." -- Times Higher Education"In a crisp, conversational style, Lobel plots the twists and turns of the unfolding court cases. […] Lobel tells a vivid tale of corporate war." -- Times Literary Supplement
£19.79
John Wiley & Sons Inc Portrait of War
Book SynopsisPortrait of War tells the gripping true story of eight graphic artists recruited by the government and sent into combat to create a visual historical record of World War I. Featuring both their stunning illustrations and deep personal reflections, Portrait of War is a moving testament to the bravery of these artist-soldiers and the remarkable record of war they left behind.Table of ContentsPrologue. 1 The Journey into the Maelstrom. 2 Into the Trenches. 3 A Brother Goes to War. 4 Last Peaceful Forays. 5 A Grim Harvest along the Marne. 6 Questioned Sacrifice in Belleau Wood. 7 The Desperate Peace Offensive. 8 Visiting the Wild Cowboy Spirits. 9 Marshal Foch’s Counteroffensive. 10 The First Casualty of War Is Truth. 11 Ramping Up in August. 12 The Saint-Mihiel Salient: A Bloodless Offensive. 13 The Meuse Argonne and the Goddess of War. 14 The Festival of the Dead. 15 The Restoration of Light. 16 The Occupation and the Stories of Hardship. 17 Penetrating the Fatherland. Afterword: The Artist-Soldiers. Acknowledgments. Notes. Selected Bibliography. Index.
£21.59
Thames and Hudson Ltd Banksy The Prints
Book SynopsisRoberto Campolucci-Bordi is an art collector and street art enthusiast, with an unrivalled knowledge of Banksy artworks. Paul Coldwell is Professor of Fine Art at the University of the Arts London and a practising artist.
£31.50
Thames and Hudson Ltd Black Earth Rising
Book Synopsis
£40.00
Thames & Hudson Ltd Women Art and Society
Book SynopsisA new edition of a groundbreaking classic one of the bestselling World of Art titles, updated for this urgent moment for women artists, and feminist history in general.Trade Review'Packed with information, controversy, argument and very good art' - Times Educational Supplement'An enormously useful work' - The Sunday TimesTable of ContentsForeword • Preface • Preface to the Fifth Edition • Introduction: Art History and the Woman Artist • 1. The Middle Ages • 2. The Renaissance Ideal Chapter • 3. The Other Renaissance • 4. Domestic Genres and Women Painters in Northern Europe • 5. Amateurs and Academics: A New Ideology of Femininity in France and England • 6. Sex, Class, and Power in Victorian England • 7. Toward Utopia: Moral Reform and American Art in the Nineteenth Century • 8. Separate but Unequal: Woman’s Sphere and the New Art • 9. Modernism, Abstraction, and the New Woman • 10. Modernist Representation: The Female Body • 11. Gender, Race, and Modernism after the Second World War • 12. Feminist Art in North America and Great Britain • 13. New Directions: A Partial Overview • 14. Worlds Together, Worlds Apart • 15. A Place to Grow: Personal Visions, Global Concerns • 16. The Enduring Legacy of Feminism • Epilogue, Bibliography and Sources
£21.24
Thames & Hudson Ltd Misère
Book SynopsisThe coming of the Industrial Revolution in the early 19th century witnessed unprecedented changes in society: rapid economic progress went hand-in-hand with appalling working conditions, displacement, squalor and destitution for those at the bottom of the social scale. These new circumstances presented a challenge to contemporary image-makers, who wished to capture the effects of hunger, poverty and alienation in Britain, Ireland and France in the era before documentary photography. In this groundbreaking book, the eminent art historian Linda Nochlin examines the styles and expressive strategies that were used by artists and illustrators to capture this misère, roughly characterized as poverty that afflicts both body and soul. She investigates images of the Irish Famine in the period 184651; the gendered representation of misery, particularly of poor women and prostitutes; and the work of three very different artists: Théodore Géricault, Gustave Courbet and the less wellknown Fernand Pelez. The artists' desire to depict the poor and the outcast accurately and convincingly is still a pertinent issue, though now, as Nochlin observes, the question has a moral and ethical dimension does the documentary style belittle its subjects and degrade their condition?Trade Review'Nochlin’s influence on critical writing and teaching is legendary, and this engrossing analysis of the visual representation of misery in the 19th century is a must-read for anyone hoping to address our troubling times' - Cindy Sherman'This slim, erudite, enlightened volume is a heartfelt coda to [Linda Nochlin’s] oeuvre' - Financial Times'Brilliant and important … Nochlin was a trailblazer to the end' - Apollo'Nochlin speaks clearly and simply to the ongoing question of whether art can or should be form of activism' - Art Review'A fresh perspective to the emotive and controversial subject of depicting the poor … insightful art criticism meets social history' - The Lady'What endures in this final book is a fixation with the past as a portal to present misères, whether persistent gender inequalities or economic disparities as extreme as those of the industrial age' - Scotland on Sunday'It is to Linda Nochlin’s credit that she found the words to match the images that form the heart of this beautifully produced book' - Spectator'Lively and fascinating … a valuable publication' - Irish Arts Review'A fascinating coda to a great career' - Frances Spalding, GuardianTable of ContentsMisère: An Introduction • 1. Misère: The Irish Paradigm • 2. The Gender of Misery • 3. Géricault, Goya and the Representation of Misery • 4. Representing Misery: Courbet’s Beggar Woman • 5. Fernand Pelez: Master of Miserable Old Men • Conclusion
£19.96
University of California Press Fluxus Experience
Book SynopsisThis work explores the influential art movement Fluxus. Daring, disparate and contentious, Fluxus artists worked with minimal and prosaic materials now familiar in post-World War II art. Higgins describes the experience of Fluxus for viewers as affirming transactions between self and world.Trade Review"Higgins bravely argues for the experiential, life-affirming qualities of Fluxus, combining theory and practice in a most sophisticated, engaging, and refreshing manner. She situates Fluxus in the context of American art history as well as international art practices, while exploring sense-related theory in enticing accounts of her own observations of and participation in Fluxus works." - Kathy O'Dell, author of Contract with the Skin: Masochism, Performance Art, and the 1970s "Higgins provides a new, refreshing way of seeing the politics within and around Fluxus, exposing the politically charged press coverage of the movement and dismantling its prejudicial legacy. Higgins represents a new generation of Fluxus scholars who are impatient with the objective pose and historical rigidity of academic art history." - Simon AndersonTable of ContentsAcknowledgments Preface Introduction I. Information and Experience II. Charting Fluxus: Picturing History III. Experience in Context: Fluxus, Happenings, Conceptual and Pop Art IV. Great Expectations: A Reception Typology V. Teaching and Learning as Art Forms: Toward a Fluxus-Inspired Pedagogy Notes Figures Index
£26.35
University of California Press Art in the Lives of Ordinary Romans
Book SynopsisBrings to life the ancient Romans whom modern scholarship has largely ignored: slaves, ex-slaves, foreigners, and the freeborn working poor. Written for a wide audience, this book illuminates the dynamics of a discerning and sophisticated population, overturning much accepted wisdom about them, and opening our eyes to their cultural diversity.Trade Review"Fresh, improvised, and anything but standard...Clarke's [book] will constitute the best and maybe the only way of looking at much of Roman art. [This] thoughtful and humane book is a welcome reminder of how much more there is to art history than social status and political power. Lavishly and beautifully illustrated with original photography." - Greg Woolf, Times Literary Supplement (tls) "An enriched and more varied view of the complexity of Roman artistic production...Recommended." - R. Brilliant, Choice: Current Reviews For Academic Libraries "Art in the Lives of Ordinary Romans is superbly out of the ordinary. John Clarke's significant and intriguing book takes stock of a half-century of lively discourse on the art and culture of Rome's non-elite patrons and viewers." - Diana E. E. Kleiner, author of Roman Sculpture"Table of ContentsAcknowledgments Introduction Part 1. Imperial Representation of Non-elites 1. Augustus's and Trajan's Messages to Commoners 2. The All-seeing Emperor and Ordinary Viewers: Marcus Aurelius and Constantine Part 2. Non-elites in the Public Sphere 3. Everyman, Everywoman, and the Gods 4. Everyman and Everywoman at Work 5. Spectacle: Entertainment, Social Control, Self-advertising, and Transgression 6. Laughter and Subversion in the Tavern: Image, Text, and Context 7. Commemoration of Life in the Domain of the Dead: Non-elite Tombs and Sarcophagi Part 3. Non-elites in the Domestic Sphere 8. Minding Your Manners: Banquets, Behavior, and Class 9. Putting Your Best Face Forward: Self-representation at Home Conclusions Notes Bibliography Illustration Credits Index
£32.30
University of California Press Transporting Visions
Book SynopsisTaking seriously the complications involved in moving pictures through the physical world - the sheer bulk and weight of artworks, the long delays inherent in long-distance reception, the uneasy mingling of artworks with other kinds of things in transit, the author forges a model for a material history of visual communication in early America.Trade Review"Seamlessly written, well illustrated, and a model for scholarly inquiry in other periods of art history." CHOICE "A rich text ... fascinating analysis." -- Austin Porter PanoramaTable of ContentsAcknowledgments Introduction: Long-Distance Pictures 1. Dilemmas of Delivery in Copley's Atlantic 2. Audubon's Burden: Materiality and Transmission in The Birds of America 3. Gathering Moss: Asher B. Durand and the Deceleration of Landscape Epilogue: Material Visual Culture Notes Selected Bibliography List of Illustrations Index
£40.00
University of California Press Painting Indians and Building Empires in North
Book SynopsisOffers a visual perspective on westward expansion through a survey of the major Indian images painted by Euro-American artists before and after the American Revolution.Trade Review"Truettner has produced a scholarly work of enduring value that should be in all academic and museum libraries." Arlis/Na Reviews "[A] tight and carefully argued book." Choice
£56.80
University of California Press Radical Eroticism
Book SynopsisIn the 1960s, the fascination with erotic art generated a wave of exhibitions and critical discussion on sexual freedom, visual pleasure, and the nude in contemporary art. Radical Eroticism examines the importance of women's contributions in fundamentally reconfiguring representations of sexuality across several areas of advanced art-performance, pop, postminimalism, and beyond. This study shows that erotic art made by women was integral to the profound changes that took place in American art during the sixties, from the crumbling of modernist aesthetics and the expanding field of art practice to the emergence of the feminist art movement. The works of Carolee Schneemann, Martha Edelheit, Marjorie Strider, Hannah Wilke, and Anita Steckel exemplify the innovative approaches to the erotic that explored female sexual subjectivities and destabilized assumptions about gender. Rachel Middleman reveals these artists' radical interventions in both aesthetic conventions and social norms.Trade Review"Rather than calling for a new aesthetic category of “the erotic,” Middleman’s study identifies the use of diverse erotic aesthetics in art produced by women as a means of political action. In so doing, Radical Eroticism amounts to a political act in its own right." * ASAP/J *“…Middleman provides an insightful examination of the exhibition and critical reception of erotic art, laying the groundwork for understanding the social context and political stakes of the approaches of women artists to eroticism in a decade of expanding forms of artistic practice, the demise of modernist aesthetics, and the rise of the feminist art movement.” * Panorama: Journal of the Association of Historians of American Art *Table of ContentsAcknowledgments Introduction 1. Performing Eros: Carolee Schneemann 2. Figures of Fantasy: Martha Edelheit 3. Pop Perversions: Marjorie Strider 4. Abstract Eroticism: Hannah Wilke 5. Gender Play: Anita Steckel Conclusion Notes Bibliography List of Illustrations Index
£44.00
University of California Press Oil Age Eskimos
Book Synopsis
£42.00
University of California Press Oil Age Eskimos
Book SynopsisIn a book made especially timely by the disastrous Exxon Valdez oil spill in March 1989, Joseph Jorgensen analyzes the impact of Alaskan oil extraction on Eskimo society. The author investigated three communities representing three environments: Gambell (St. Lawrence Island, Bering Sea), Wainwright (North Slope, Chukchi Sea), and Unalakleet (Norton Sound). The Alaska Native Claims Settlement Act of 1971, which facilitated oil operations, dramatically altered the economic, social, and political organization of these villages and others like them. Although they have experienced little direct economic benefit from the oil economy, they have assumed many environmental risks posed by the industry. Jorgensen provides a detailed reminder that the Native villagers still depend on the harvest of naturally-occurring resources of the land and seabirds, eggs, fish, plants, land mammals and sea mammals. Oil Age Eskimos should be read by all those interested in Native American societies and the policies that affect those societies. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1990.
£86.09
University of California Press Craft Culture in Early Modern Japan
Book SynopsisArticles crafted from lacquer, silk, cotton, paper, ceramics, and iron were central to daily life in early modern Japan. They were powerful carriers of knowledge, sociality, and identity, and their facture was a matter of serious concern among makers and consumers alike. In this innovative study, Christine M.E. Guth offers a holistic framework for appreciating the crafts produced in the city and countryside, by celebrity and unknown makers, between the late sixteenth and mid-nineteenth centuries. Her study throws into relief the confluence of often overlooked forces that contributed to Japan's diverse, dynamic, and aesthetically sophisticated artifactual culture. By bringing into dialogue key issues such as natural resources and their management, media representations, gender and workshop organization, embodied knowledge, and innovation, she invites readers to think about Japanese crafts as emerging from cooperative yet competitive expressive environments involving both human and nonhuTrade Review"This is a book that brings the past into conversation with the present, inspiring the reader with its insights into possibilities for the future." * Monumenta Nipponica *Table of ContentsAcknowledgments Prologue Introduction 1. Natural Resources 2. Picturing the Early Modern Craftscape 3. Craft Organizations and Operations 4. Tacit Knowledge 5. Technology, Innovation, and Craft Mastery Conclusion Notes Bibliography List of Illustrations Index
£35.70
University of California Press Speaking Out of Turn
Book SynopsisSpeaking Out of Turn is the first monograph dedicated to the forty-year oeuvre of feminist conceptual artist Lorraine O'Grady. Examining O'Grady's use of language, both written and spoken, Stephanie Sparling Williams charts the artist's strategic use of direct addressthe dialectic posture her art takes in relationship to its viewersto trouble the field of vision and claim a voice in the late 1970s through the 1990s, when her voice was seen as out of turn in the art world. Speaking Out of Turn situates O'Grady's significant contributions within the history of American conceptualism and performance art while also attending to the work's heightened visibility in the contemporary moment, revealing both the marginalization of O'Grady in the past and an urgent need to revisit her art in the present.Table of ContentsList of Illustrations Acknowledgments Introduction 1. Mark My Words 2. "I Am Not a Performance Artist" 3. Manifestos and Mythmaking 4. The Diptych and "Spatial Narrative" Notes Bibliography Index
£35.70
University of California Press Appreciation Post
Book SynopsisWhat does an art history of Instagram look like? Appreciation Post reveals how Instagram shifts long-established ways of interacting with images. Tara Ward argues Instagram is a structure of the visual, which includes not just the process of looking, but what can be seen and by whom. She examines features of Instagram use, including the effect of scrolling through images on a phone, the skill involved in taking an Instagram-worthy picture, and the desires created by following influencers, to explain how the constraints imposed by Instagram limit the selves that can be displayed on it. The proliferation of technical knowledge, especially among younger women, revitalizes on Instagram the myth of the masculine genius and a corresponding reinvigoration of a masculine audience for art. Ward prompts scholars of art history, gender studies, and media studies to attend to Instagram as a site of visual expression and social consequence. Through its insightful comparative analysis and acute clos
£30.36
University of California Press Native Lands
Book Synopsis
£64.00
Faber Music Ltd Inside Voice Sketchbooks 20112022
Book Synopsis
£24.30
Faber Music Ltd Living In Colour The Art of Scott Hutchison
Book Synopsis
£31.50
Wiley A Companion to Art Theory
Book Synopsis* Provides a critical overview of Western visual art theory from a wide range of perspectives. * Helps students to pursue questions about the nature and ambitions of theory in the context of art. * Can be used alongside the three a Art in Theorya anthologies also published by Blackwell. .Table of ContentsPlates ix Notes on Contributors x Preface xvi Part I: Tradition and the Academy 1 Introduction: Alberti and the Formation of Modern Art Theory 3 Carolyn Wilde 1 The Classical Concept of Mimesis 19 Göran Sörbom 2 Medieval Art Theory 29 Hugh Bredin 3 Neoplatonist Aesthetics 40 Suzanne Stern-Gillet 4 Renaissance Art Theories 49 François Quiviger 5 Touch, Tactility, and the Reception of Sculpture in Early Modern Italy 61 Geraldine A. Johnson 6 The Spiritual Exercises of Leonardo da Vinci 75 Robert Williams 7 Academic Theory 1550–1800 88 Paul Duro 8 Rhetorical Categories in the Academy 104 Caroline van Eck 9 The Picturesque and its Development 116 Andrew Ballantyne Part II: Around Modernism 125 10 The Aesthetics of Kant and Hegel 127 Jason Gaiger 11 E. H. Gombrich and the Tradition of Hegel 139 David Summers 12 German Romanticism and French Aesthetic Theory 150 Wendy S. Mercer 13 Expression: Natural, Personal, Pictorial 159 Richard Shiff 14 Reading Artists’ Words 173 Richard Hobbs 15 Nietzsche and the Artist 183 Michael White 16 Wittgenstein, Description, and Adrian Stokes (on Cezanne) 196 Paul Smith 17 Modernism and the Idea of the Avant-Garde 215 Paul Wood 18 On the Intention of Modern(ist) Art 229 Fred Orton 19 Anti-Art and the Concept of Art 244 Paul N. Humble 20 Marcel Duchamp’s Readymades and Anti-Aesthetic Reflex 253 David Hopkins Part III: Critical Theory and Postmodernism 265 21 Marxism and Critical Art History 267 David Craven 22 Walter Benjamin and Art Theory 286 Howard Caygill 23 Bakhtin and the Visual Arts 292 Deborah J. Haynes 24 Peirce’s Visuality and the Semiotics of Art 303 Michael Leja 25 Conceptual Art 317 Charles Harrison 26 Barthes on Art 327 Margaret Iversen 27 Foucault and Art 337 Roy Boyne 28 Derrida and the Parergon 349 Robin Marriner 29 What Consciousness Forgets: Lyotard’s Concept of the Sublime 360 Renée van de Vall 30 Deleuze on Francis Bacon 370 Ian Heywood 31 Feminisms and Art Theory 380 Marsha Meskimmon 32 Psycho-Phallus (Qu’est-ce que c’est?) 397 Mignon Nixon Part IV: Interpretation and the Institution of Art 409 33 The Rules of Representation 411 John Willats 34 Gombrich and Psychology 426 Richard Woodfield 35 Hermeneutics and Art Theory 436 Nicholas Davey 36 Reciprocity and Reception Theory 448 Michael Ann Holly 37 The Paradox of Creative Interpretation in Art 458 Carl Hausman 38 Interdisciplinarity and Visual Culture 467 Charlotte Klonk 39 Against Curatorial Imperialism: Merleau-Ponty and the Historicity of Art 477 Paul Crowther 40 The Institutional Theory of Art: Theory and Antitheory 487 Garry L. Hagberg Index 505
£154.76
John Wiley and Sons Ltd The Metropolis and its Image
Book SynopsisThis book examines key moments in the emergence of London as a metropolis and considers different ways in which its image has been formulated and presented. The chapters address a range of topics from specific questions of architectural style to the relationship between the City of London and London as a metropolis, and explore different methods of constructing urban identities.Table of Contents1. Aestheticizing the Accidental City: Antiquarianism, Topography and the Representation of London in the Long Eighteenth-Century: Lucy Peltz (The Museum of London). 2. Peripheral Visions: Alternative Aspects and Rural Presences in Mid-Eighteenth-Century London: Elizabeth McKellar (Birkbeck College, University of London). 3. 'Beastly Sights': the Treatment of Animals as a Moral Theme in Representations of London c. 1820-1850: Diana Donald (Manchester Metropolitan University). 4. London Bridge and its Symbolic Identity in the Regency Metropolis: The Dialectic of Civic and National Pride: Dana Arnold (University of Southampton). 5. Government and the Metropolitan Image: Ministers, Parliament and the Concept of a Capital City, 1840-1915: Michael Port (Queen Mary and Westfield College, University of London). 6. Rebuilding 'The Heart of the Empire': Bank Headquarters in the City of London, 1919-1939: Iain Black (King's College, London). 7. Benjamin's Paris, Freud's Rome: Whose London?: Adrian Rifkin (Middlesex University).
£20.66
John Wiley and Sons Ltd Art and Thought
Book SynopsisThis work explores the relationship between the discipline of art history and important movements in the history of western thought from the Renaissance onwards.Trade Review"Smart and savvy contribution to a list of recent anthologies that work at putting the spirit back into art history. Reading so many lively voices talking about why art still matters is both a serious pursuit and a pleasurable pastime." Michael Ann Holly, Clark Art InstituteTable of ContentsNotes on Contributors. Series Editor's Preface. Editors Introduction. 1. Aristotle, Titian and Tragic Painting (Thomas Puttfarken). 2. Wax, Brick and Bread: Apotheosis of matter and meaning in seventeenth-century philosophy and painting (Jay Bernstein). 3. Kant and Aesthetic Imagination (Michael Podro). 4. Meaning, Identity, Embodiment: The uses of Merleau-Ponty's phenomenology in art history (Amelia Jones). 5. Art Works, Utterances and Things (Alex Potts). 6. Art and the Ethical: Modernism and the problem of minimalism (Jonathan Vickery). 7. How can we think the Feminine, Aesthetically (Griselda Pollock). 8. What was Postminimalism (Stephen Melville). 9. Museum as Work in the Age of Technological Display: Reading Heidegger through Tate Modern (Diarmuid Costello). 10. Thought and Art (Adrian Rifkin). Bibliography. Index.
£94.46
Wiley Art and Thought
Book SynopsisThis work explores the relationship between the discipline of art history and important movements in the history of western thought from the Renaissance onwards.Trade Review"Smart and savvy contribution to a list of recent anthologies that work at putting the spirit back into art history. Reading so many lively voices talking about why art still matters is both a serious pursuit and a pleasurable pastime." Michael Ann Holly, Clark Art InstituteTable of ContentsNotes on Contributors. Series Editor's Preface. Editors Introduction. 1. Aristotle, Titian and Tragic Painting (Thomas Puttfarken). 2. Wax, Brick and Bread: Apotheosis of matter and meaning in seventeenth-century philosophy and painting (Jay Bernstein). 3. Kant and Aesthetic Imagination (Michael Podro). 4. Meaning, Identity, Embodiment: The uses of Merleau-Ponty's phenomenology in art history (Amelia Jones). 5. Art Works, Utterances and Things (Alex Potts). 6. Art and the Ethical: Modernism and the problem of minimalism (Jonathan Vickery). 7. How can we think the Feminine, Aesthetically (Griselda Pollock). 8. What was Postminimalism (Stephen Melville). 9. Museum as Work in the Age of Technological Display: Reading Heidegger through Tate Modern (Diarmuid Costello). 10. Thought and Art (Adrian Rifkin). Bibliography. Index.
£35.06
John Wiley and Sons Ltd After Criticism
Book SynopsisIt has become apparent that criticism has fallen on hard times. This book explores contemporary approaches which have sought to renew criticism's energies in the wake of a 'theatrical turn' in visual arts practice, and the emergence of a 'performative' arts writing over the decade or so.Trade Review"After Criticism is crucial to any discussion regarding the status of criticism and critical theory after post-structuralism and, equally importantly, is one of few texts that is innovative in its illumination of context, history, aesthetic judgement and, rare for an academic text, enjoyable to read." Art Monthly "After Criticism is no doubt the most intriguing collection of performative writing published yet. Being refreshing, entertaining as well as inspiringly confusing, it is essential reading for anyone writing on art who does not only think of what to write, but also how to write it." Contemporary "Though it seems contradictory to write words of praise for a book that deeply interrogates the marketability of praiseful language (in the guise of art criticism), Gavin Butt's collection deserves them. Framed by Butt's astute introduction, these performative essays pulse with vitality. Food for thought, this book makes us think, again, about art and its interpretations in a new way. Critical writing as a kind of performance – delicious." Amelia Jones, University of Manchester "This anthology is an excellent overview of performative critical discourse edited and introduced by one of its leading proponents. All the contributions have an experimental or improvisational edge that preserves a sense of the critical encounter. The book is at the cutting edge of art theory and will be read with enthusiasm by a large number of people engaged with contemporary art practice and criticism." Margaret Iversen, University of EssexTable of ContentsList of Illustrations vii Notes on Contributors viii Series Editor’s Preface xi Introduction: The Paradoxes of Criticism 1Gavin Butt Part I Performing Art’s Histories 21 1 Solo Solo Solo 23Rebecca Schneider 2 Binding to Another’s Wound: Of Weddings and Witness 48Jane Blocker 3 This is I 65Niru Ratnam Part II Distracted and Bored: The Critic Looks Elsewhere 79 4 The Trouble with Men, or, Sex, Boredom, and the Work of Vaginal Davis 81Jennifer Doyle 5 Utopia’s Seating Chart: Ray Johnson, Jill Johnston, and Queer Intermedia as System 101José Esteban Muñoz 6 Looking Away: Participations in Visual Culture 117Irit Rogoff Part III Critical Response/Performative Process 135 7 Itinerant Improvisations: From “My Favorite Things” to an “agency of night” 137John Seth 8 The Experience of Art as a Living Through of Language 156Kate Love 9 A Transparent Lecture 176Matthew Goulish Selected Bibliography 207compiled by Andrew Walby Index 212
£97.16
John Wiley and Sons Ltd After Criticism
Book SynopsisIt has recently become apparent that criticism has fallen on hard times. Either commodification is deemed to have killed it off, or it has become institutionally routine. This book explores contemporary approaches which have sought to renew criticism''s energies in the wake of a ''theatrical turn'' in recent visual arts practice, and the emergence of a ''performative'' arts writing over the past decade or so. Issues addressed include the ''performing'' of art''s histories; the consequences for criticism of embracing boredom, distraction and other ''queer'' forms of (in)attention; and the importance of exploring writerly process in responding to aesthetic experience. Bringing together newly commissioned work from the fields of art history, performance studies, and visual culture with the writings of contemporary artists, After Criticism provides a set of experimental essays which demonstrate how ''the critical'' might live on as a vital and efficacious force within contTrade Review"After Criticism is crucial to any discussion regarding the status of criticism and critical theory after post-structuralism and, equally importantly, is one of few texts that is innovative in its illumination of context, history, aesthetic judgement and, rare for an academic text, enjoyable to read." Art Monthly "After Criticism is no doubt the most intriguing collection of performative writing published yet. Being refreshing, entertaining as well as inspiringly confusing, it is essential reading for anyone writing on art who does not only think of what to write, but also how to write it." Contemporary "Though it seems contradictory to write words of praise for a book that deeply interrogates the marketability of praiseful language (in the guise of art criticism), Gavin Butt's collection deserves them. Framed by Butt's astute introduction, these performative essays pulse with vitality. Food for thought, this book makes us think, again, about art and its interpretations in a new way. Critical writing as a kind of performance – delicious." Amelia Jones, University of Manchester "This anthology is an excellent overview of performative critical discourse edited and introduced by one of its leading proponents. All the contributions have an experimental or improvisational edge that preserves a sense of the critical encounter. The book is at the cutting edge of art theory and will be read with enthusiasm by a large number of people engaged with contemporary art practice and criticism." Margaret Iversen, University of EssexTable of ContentsList of Illustrations vii Notes on Contributors viii Series Editor’s Preface xi Introduction: The Paradoxes of Criticism 1Gavin Butt Part I Performing Art’s Histories 21 1 Solo Solo Solo 23Rebecca Schneider 2 Binding to Another’s Wound: Of Weddings and Witness 48Jane Blocker 3 This is I 65Niru Ratnam Part II Distracted and Bored: The Critic Looks Elsewhere 79 4 The Trouble with Men, or, Sex, Boredom, and the Work of Vaginal Davis 81Jennifer Doyle 5 Utopia’s Seating Chart: Ray Johnson, Jill Johnston, and Queer Intermedia as System 101José Esteban Muñoz 6 Looking Away: Participations in Visual Culture 117Irit Rogoff Part III Critical Response/Performative Process 135 7 Itinerant Improvisations: From “My Favorite Things” to an “agency of night” 137John Seth 8 The Experience of Art as a Living Through of Language 156Kate Love 9 A Transparent Lecture 176Matthew Goulish Selected Bibliography 207compiled by Andrew Walby Index 212
£36.86
John Lawry Studio & Gallery The Collection Shine of the Moon Volumes one two
Book Synopsis
£13.50
Harvard University Press Portraits of John Quincy Adams and His Wife
Book SynopsisThe publication of Portraits of John Quincy Adams and His Wife makes available a record which both affords unique visual documentation of the most varied political career in American history and exemplifies the work of the principal American portraitists from the days of Copley and Stuart to the dawn of the Daguerrean era. Included in the volume's 159 illustrations are all the known life portraits, busts, and silhouettes of John Quincy and Louisa Catherine Adams, along with important replicas, copies, engravings, and representative likenesses of their siblings. The book is organized into seven chapters which generally coincide with the major divisions of John Quincy Adams' political career. Within each chapter are discussed the artists, their relationships with the Adams's, and the provenance of each of their works. A comprehensive chronology of John Quincy Adams' life for each period accompanies the chapter to which it pertains. All important information about the size of each likeness, the inscriptions if any, the date executed, and present ownership where known is summarized in the List of Illustrations. The Adams's, as they watched themselves age over the years in the marble, ink, or oil of the artists who portrayed them, recorded much by way of commentary on the artistic talent and process at hand. Andrew Oliver, in his detailed and lively discussions of each likeness, makes full use of the diaries and correspondence preserved in the Adams Papers, thus combining a learned appreciation with an intimate glimpse of Adams's as they saw themselves. The volume continues the record of Adams family portraiture begun with Portraits of John and Abigail Adams. The two volumes together constitute Series IV of the distinguished Adams Papers publications.
£60.76
Princeton University Press The Melancholy Art
Book SynopsisMelancholy is not only about sadness, despair, and loss. As Renaissance artists and philosophers acknowledged long ago, it can engender a certain kind of creativity born from a deep awareness of the mutability of life and the inevitable cycle of birth and death. Drawing on psychoanalysis, philosophy, and the intellectual history of the history of aTrade Review"Enchanting."--Holland Cotter, New York Times "Nostalgic and plaintive, this title's examination of the work of art historians is an enjoyable literary exercise that will foster discussion among art historians and their students."--Library Journal "To consider melancholy in art beyond the limits of despondency, loss, and grief is a refreshing way to induce a different space and energy between the past of the artwork and the viewer's present. In these erudite essays, art historian Michael Ann Holly makes case for works of art--'these beautiful orphans'--that reinvest in melancholia as the signifier and the signified."--Greta Aart, Cerise Press "In support of her argument, Holly marshals a wealth of erudition indicative of formidable trans-historical, interdisciplinary expertise... With the utmost refinement, Holly's own poetic resonance echoes from artful analogy and suggestive imagery."--Giovanna Costantini, Leonardo Reviews "While the driving power of melancholy remains unclear, many readers will be intrigued by this highly personal take on the profession."--Choice "Holly's elegant and thoughtful book focuses on the encounter of the viewer with the work of art."--Kathryn Murphy, Apollo Magazine "Exemplary."--Ivan Gaskell, Brooklyn Rail "The Melancholy Art is both an apt embodiment of contemporary disciplinary conundrums and a deeply moving account of one art historian's personal attempt to reckon with the impossibility - the futility - of 'closing the gap between words and images.'... Holly clearly exemplifies both senses of the term in this memorable and indeed rather haunting text... The value of The Melancholy Art is precisely in simultaneously manifesting such a conundrum and in refusing to fall into the fundamentalist trap of either attributing or denying real agency to artworks. All our 'art history' books should be so brave."--Donald Preziosi, CAA ReviewsTable of ContentsPreface xi Acknowledgments xxiii 1 The Melancholy Art 1 2 Viennese Ghosts 25 3 Stones of Solace 53 4 Patterns in the Shadows 73 5 Mourning and Method 95 Postscript 117 Notes 133 Bibliography 165 Index 183
£25.50
Princeton University Press Meaning in Motion
Book SynopsisTaking an approach to medieval art, this title reveals the importance of movement in the physical, emotional, and intellectual experience of art and architecture in the Middle Ages. It offers a collection of interdisciplinary essays that explores a range of rituals, performances, works of art, and texts in which movement is crucial to meaning.Trade Review"Brilliantly produced and abundantly illustrated... [This book is] invested in art's material, corporeal, spatial, and specifically kinetic dimensions."--David S. Areford, Oxford Art Journal
£49.30
Princeton University Press A Story of Ruins Presence and Absence in Chinese
Book SynopsisExamines the changing significance of ruins as vehicles for cultural memory in Chinese art and visual culture from ancient times to the present. In this book, the author shows how the story of ruins in China is different from but connected to "ruin culture" in the West.Trade Review"This intriguing study effectively aims for a universal understanding of ruins."--Choice "[T]his is a well-researched, ambitious, and important book that should appeal greatly to anyone interested in Chinese visual culture as well as ruins in general. As always, Wu's reading of images is thorough and perceptive. This book is a real gem also because of its beautifully reproduced images from a great variety of visual sources, including paintings, prints, films, photographs, and architecture."--Tong Lam, Journal of Asian Studies "A Story of Ruins is a powerful book, made more powerful by the many, haunting illustrations. It challenges a reader to think and feel as she reads."--Nancy S. Steinhardt, Journal of the Royal Asiatic Society
£80.75
Princeton University Press The Family Model in Chinese Art and Culture
Book SynopsisThe family model has been central to patterns of social organization and cultural articulation throughout Chinese history, influencing all facets of the content and style of Chinese art. With contributors drawn from the disciplines of art history, anthropology, psychiatry, history, and literature, this volume explores the Chinese concept of familyTable of ContentsContributors vii Chronology of China ix Foreword and Acknowledgments, Jerome Silbergeld and Dora C. Y. Ching xi Introduction: The Chinese Family Model in the World of Art, Jerome Silbergeld and Michelle Deklyen 1 Part I The "Real" Family in China Families in China: Ties That Bind? Rubie S. Watson 13 Danger, Subjectivity, and the Chinese Family: Interpersonal Processes and the Changing Political and Moral Economies of the Self, Arthur Kleinman 37 The Ongoing Transformation of the Family: A Western Perspective, Vivian B. Shapiro 48 Orthodoxy, Resistance, and the Family in Chinese Art, Stevan Harrell 71 Part II Real and Ideal, the Family in Ancient Times Family and Gender in Burial Custom: The Case of Western Zhou Aristocracy, Jay Xu 93 Families in the Classical Era (323 BCE - 316 CE), Michael Nylan 143 Artisan Families in Ancient China, Anthony Barbieri-Low 199 Part III Presenting the Family in Art Mansions in Life and in Death, Klaas Ruitenbeek 229 Shadows in Life and Death: Family Portraiture, Dora C. Y. Ching 275 Picturing Children, Ann Barrott Wicks 301 Painting Boundaries of Sex Segregation in Qing China: Representing the Family in The Red Chamber Dream, Louise Edwards 339 The Ghosts of Patriarchy Past: Family Dynamics and Psycho-Politics in Recent Chinese-Language Cinema, Jerome Silbergeld 373 A Family Tradition That Portrays Families in Paintings without Painting Any Family Pictures: The Nianhua of Mianzhu, Sichuan, Stevan Harrell 401 Part IV The Family as Site and Symbol of Artistic Production Art and Family Identity during the Yuan Dynasty: The Zhao Family of Wuxing, Ankeney Weitz 423 The Family Style: Art as Lineage in the Ming and Qing, Craig Clunas 459 The Heirloom Painting in Early Modern Japan, Yukio Lippit 475 Index-Glossary 515 Image Credits 550
£93.35
Princeton University Press Relics of War
Book Synopsis
£35.70
Scholastic Urban Art Set 06
Book SynopsisThis title is part of a series that includes phonically decodablediverse and inclusive stories and topics, accompanied by age appropriatecontemporary photographs and humorous illustrations thatwill engage and inspire striving readers.
£6.30
Manchester University Press J M W Turner The Making of a Modern Artist
Book SynopsisAlone of his contemporaries, Turner is commonly held to have prefigured modern painting, as signalled in the existence of The Turner Prize for contemporary art. Our celebration of his achievement is very different to what Victorian critics made of his art. This book shows how Turner was reinvented to become the artist we recognise today.Trade Review"This book offers an important contribution to Turner scholarship. A thoroughly enjoyable and engaging book to read." Professor David Hill, University of Leeds"Table of ContentsIntroduction pages 1-12Chapter One Legacies and reputations pages 13-63Chapter Two Taking Turner’s measure – posthumous exhibitions and writings pages 64-112Chapter Three Turner and modern criticism, c. 1890-1970 pages 113-162Chapter Four Turner at the Tate pages 163-203Chapter Five Turner abroad: the British Council and other exhibitions pages 204-246Chapter Six Turner in the 1960s pages 247-271Bibliography pages 272-281LIST OF ILLUSTRATIONS1.1 Snowstorm: Steam Boat off a Harbour’s Mouth making Signals in Shallow Water, and going by the Lead. The Author was in this Storm on the Night the Ariel left Harwich (1842), oil on canvas, 91.5 x 122. Clore Gallery for the Turner Collection. Bequest of the artist 1856.1.2 Thomson’s Æolian Harp(1809), oil on canvas, 166.7 x 306, City Art Galleries, Manchester.1.3 Pope’s Villa at Twickenham (1808), engraved J. Pye (1811). Private collection.1.4 Field of Waterloo from the Picton Tree (1835), engraved W. Miller. Private collection.1.5 War. The Exile and the Rock Limpet (1842), oil on canvas, 79.5 x 79.5. Clore Gallery for the Turner Collection. Bequest of the artist 18561.6 Peace. Burial at Sea (1842), oil on canvas, 87 x 86.5. Clore Gallery for the Turner Collection. Bequest of the artist 18561.7 The Hero of a Hundred Fights (1847), oil on canvas, 91 x 121. Clore Gallery for the Turner Collection. Bequest of the artist 18561.8 The Opening of the Walhalla, 1842 (1843), oil on canvas, 112.5 x 200.5. Clore Gallery for the Turner Collection. Bequest of the artist 18561.9 Rome from the Vatican. Raffaelle, accompanied by La Fornarina, preparing his pictures for the decoration of the loggia (1820), oil on canvas, 177 x 335.5. Clore Gallery for the Turner Collection. Bequest of the artist 18561.10 Dido building Carthage; or the Rise of the Carthaginian Empire (1815), oil on canvas, 155.5 x 232, The National Gallery, London.1.11 Sun rising through Vapour; Fishermen cleaning and selling Fish (1807), oil on canvas, 134.5 x 179, The National Gallery, London.2.1 Fire at Sea now known as Disaster at Sea (c. 1835), oil on canvas, 171.5 x 220.5. Clore Gallery for the Turner Collection. Bequest of the artist 18562.2 Chichester Canal (c.1828), oil on canvas, 65.5 x 134.5. Clore Gallery for the Turner Collection. Bequest of the artist 18562.3 Petworth Park: Tillington Church in the distrance (c.1828), oil on canvas, 64.5 x 145.5. Clore Gallery for the Turner Collection. Bequest of the artist 18562.4 Rain, Steam and Speed –The Great Western Railway (1844), oil on canvas, 91 x 122. The National Gallery, London.2.5 ‘Hurrah! for the Whaler Erebus! Another Fish!’, (1846), oil on canvas, 90 x 121. Clore Gallery for the Turner Collection. Bequest of the artist 18562.6 Calais Pier, with French Poissards preparing fdor Sea: an English Packet arriving (1803), oil on canvas, 172 x 240. The National Gallery, London.3.1 Crossing the Brook (1815), oil on canvas, 193 x 165. Clore Gallery for the Turner Collection. Bequest of the artist 18563.2 Norham Castle, Sunrise (c.1845-50), oil on canvas, 91 x 122. Clore Gallery for the Turner Collection. Bequest of the artist 18563.3 Hastings now known as Brighton Beach with the Chain Pier in the Distance, from the west, (1830-35) oil on canvas, 91 x 122. Clore Gallery for the Turner Collection. Bequest of the artist 18563.4 Interior at Petworth [ also known as study for the Sack of a Great House] (c. 1835), oil on canvas, 91 x 122. Clore Gallery for the Turner Collection. Bequest of the artist 18564.1 The Thames above Waterloo Bridge (c. 1830-5), oil on canvas, 90.5 x 121. Clore Gallery for the Turner Collection. Bequest of the artist 18564.2 The Evening Star (c. 1830), oil on canvas, 92.5 x 123. The National Gallery, London.4.3 The new Turner Wing (Gallery VI) in 1910. University of Plymouth.4.4 Walton Reach (c. 1807), oil on mahogany veneer, 37 x 73.5. Clore Gallery for the Turner Collection. Bequest of the artist 18564.5 Plan of Tate Gallery between the wars. Private Collection.4.6 The Burning of the Ships now known as Disembarkation of Louis-Philippe at Portsmouth, 8 October 1844 (c. 1845), oil on canvas, 90 x 120.5. Clore Gallery for the Turner Collection. Bequest of the artist 18564.7 The new Turner displays at the Tate Gallery, 1967. Tate Archive.5.1 Scene on the Banks of a River now known as Dieppe: The Port from Quai Henri IV (1828), oil on canvas, 60.5 x 89. Clore Gallery for the Turner Collection. Bequest of the artist 18565.2 Eton from the river (c.1807), oil on mahogany veneer, 37 x 66.5. Clore Gallery for the Turner Collection. Bequest of the artist 18565.3 Rocky Bay with Figures (c. 1830), oil on canvas, 91.5 x 124.5. Clore Gallery for the Turner Collection. Bequest of the artist 18565.4 Tintern Abbey from the East (c.1794), watercolour on paper, V & A Images/Victoria and Albert Museum.5.5 Source of the Arveron (c.1810), watercolour on paper, Clore Gallery for the Turner Collection. Bequest of the artist 18566.1 San Giorgio Maggiore early morning(1819), watercolour on paper, 8.8 x 11.9 inches. Clore Gallery for the Turner Collection. Bequest of the artist 18566.2 The Pink Sky (after 1820). Watercolour on paper, 7.25 x 8.8 inches. Clore Gallery for the Turner Collection. Bequest of the artist 18566.3 Sunrise at Sea (after 1820), watercolour on paper, 11.5 x 15.5 inches, Clore Gallery for the Turner Collection. Bequest of the artist 18566.4 Seascape with storm coming on, (c. 1840), oil on canvas, 91.5 x 121.5. Clore Gallery for the Turner Collection. Bequest of the artist 18566.5 Arth from Lake of Zug, watercolour on paper, ? x ?, Clore Gallery for the Turner Collection. Bequest of the artist 18566.6 Turner: Imagination and Reality installed at the Museum of Modern Art, New York, 1966
£76.50
Manchester University Press Understanding Heritage and Memory Understanding
Book SynopsisPart of "Understanding Global Heritage" series, this book explores the emotive issues surrounding the commemoration of war and atrocity, and the profound challenges for conservators posed by 'virtual', 'intangible' and 'multicultural' heritage.Table of ContentsList of figuresNotes on contributors PrefaceList of abbreviationsIntroduction1. Heritage and public memory (Tim Benton and Clementine Cecil)2. The heritage of public commemoration (Tim Benton and Penelope Curtis)3. Contentious heritage (Karl Hack)4. Heritage and changes of regime (Tim Benton)5. Multicultural and minority heritage (Rodney Harrison)6. Heritage, landscape and memory (Susie West and Sabelo Ndlovu)7. Intangible heritage (Rodney Harrison and Deborah Rose)8.: Heritage and the recent and contemporary past (Rebecca Ferguson, Rodney Harrison and Daniel Weinbren)GlossaryAcknowledgementsIndex
£22.49
