Description

Book Synopsis
Speaking Out of Turn is the first monograph dedicated to the forty-year oeuvre of feminist conceptual artist Lorraine O'Grady. Examining O'Grady's use of language, both written and spoken, Stephanie Sparling Williams charts the artist's strategic use of direct addressthe dialectic posture her art takes in relationship to its viewersto trouble the field of vision and claim a voice in the late 1970s through the 1990s, when her voice was seen as out of turn in the art world. Speaking Out of Turn situates O'Grady's significant contributions within the history of American conceptualism and performance art while also attending to the work's heightened visibility in the contemporary moment, revealing both the marginalization of O'Grady in the past and an urgent need to revisit her art in the present.

Table of Contents
List of Illustrations
Acknowledgments

Introduction
1. Mark My Words
2. "I Am Not a Performance Artist"
3. Manifestos and Mythmaking
4. The Diptych and "Spatial Narrative"

Notes
Bibliography
Index

Speaking Out of Turn

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Order before 4pm tomorrow for delivery by Tue 30 Dec 2025.

A Hardback by Stephanie Sparling Williams

15 in stock


    View other formats and editions of Speaking Out of Turn by Stephanie Sparling Williams

    Publisher: University of California Press
    Publication Date: 24/08/2021
    ISBN13: 9780520380752, 978-0520380752
    ISBN10: 0520380754

    Description

    Book Synopsis
    Speaking Out of Turn is the first monograph dedicated to the forty-year oeuvre of feminist conceptual artist Lorraine O'Grady. Examining O'Grady's use of language, both written and spoken, Stephanie Sparling Williams charts the artist's strategic use of direct addressthe dialectic posture her art takes in relationship to its viewersto trouble the field of vision and claim a voice in the late 1970s through the 1990s, when her voice was seen as out of turn in the art world. Speaking Out of Turn situates O'Grady's significant contributions within the history of American conceptualism and performance art while also attending to the work's heightened visibility in the contemporary moment, revealing both the marginalization of O'Grady in the past and an urgent need to revisit her art in the present.

    Table of Contents
    List of Illustrations
    Acknowledgments

    Introduction
    1. Mark My Words
    2. "I Am Not a Performance Artist"
    3. Manifestos and Mythmaking
    4. The Diptych and "Spatial Narrative"

    Notes
    Bibliography
    Index

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