Theory of architecture Books

Book SynopsisNietzsche and Architecture explores Nietzsche's relationship to the architects, buildings, and modern architectural movements he went on to inspire, and situates his philosophy more appropriately and comprehensively within the field of architectural studies, architectural history, and theory. Divided into two parts, the book first examines Nietzsche's philosophy of architecture, exploring his notions of rhythm, ornament, style, and power. It then goes on to examine Nietzsche's ambiguous architectural legacy, scrutinising iconic architects, thinkers, designs, and cultural movements to ascertain their relationship with Nietzschean ideas, from the crystal architecture of Bruno Taut and Peter Behrens, to the new styles' of the Bauhaus and Le Corbusier, Louis H. Sullivan's desire for the heights, and the cultural propaganda of Nazi architecture'.Clearly explaining the subtleties and complexities of Nietzsche's architectural thought, Nietzsche and Architecture

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Book SynopsisThis book explores contemporary urban experiences and how they are connected to practices of sharing and collaboration. There is a growing discussion on the cultural meaning and politics of urban commons, and Stavrides uses examples from Europe and Latin America to support the view that a world of mutual support and urban solidarity emerges today in, against and beyond existing societies of inequality. The concept of space commoning is discussed and considered in terms of its potential to promote emancipation. This is an exciting book, which explores the cultural meaning and politics of common spaces in conjunction with ideas connected with neighbourhood and community, justice and resistance, in order to trace elements of a different emancipating future.Trade Review'With intense commitment and creative scholarship, Stavrides provides us with concrete experiences of how urban solidarity exists and can constitute the basis of emancipatory societies. In engagements with popular movements in Brazil, Mexico, Argentina, and Spain, and through the potentialities inherent in composing spaces of residence and work, commoning is demonstrated to be an incisive practice of reaching out to the larger world and creating a more dynamic and just public realm.'AbdouMaliq Simone, Senior Professorial Fellow at the Urban Institute at the University of Sheffield, Research Associate at the Max Planck Institute for the Study of Religious and Ethnic Diversity and Visiting Professor of Sociology at Goldsmiths College, University of London'Exciting stuff. Forget the state, think cities, think shared spaces of living and interacting, potential and present emancipation. Spaces that challenge enclosure, spaces that cross thresholds, open out. Think space as potential and follow it into self-organised neighbourhoods, into architecture, into Zapatista communities, into urban and rural territories in resistance. Stimulating, full of detailed studies, great.'John Holloway, Professor of Sociology at the Instituto de Ciencias Sociales y humanidades in the Benemérita Universidad Autónoma de Puebla, Mexico -- .Table of ContentsIntroduction and acknowledgements1 Space as potential2 Commoning architectures 3 Territorialities of emancipation4 Reclaiming public space as commons: the squares movement and its legacyInterview with Zeyno Perkunlu5 Commoning neighborhoods: resisting urban renewal in Barcelona’s peripheryInterview with Stefano Portelli6 Commoning neighborhoods: the mutual help practices of Brazilian homeless movementsInterview with Pedro Arantes7 Commoning neighborhoods: building autonomy in Mexico City8 Objects in common: objects for commoning9 Emancipating commoning?Index

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Book SynopsisAgainst those who consider architecture to be a wholly optimistic activity, this book shows how the history of modern architecture is inextricably tied to ideas of failure and ruin. By means of an original reading of the earliest origins of modernism, the Architecture of Failure exposes the ways in which failure has been suppressed, ignored and denied in the way we design our cities. It examines the 19th century fantasy architecture of the iron and glass exhibition palaces, strange, unprecedented, dream-like structures, almost all now lost, existing only as melancholy archive fragments; it traces the cultural legacy of these buildings through the heroics of the early 20th century, post-war radicals and recent developments, discussing related themes in art, literature, politics and philosophy. Critiquing the capitalist symbolism of the self-styled contemporary avant-garde, the book outlines a new history of contemporary architecture, and attempts to recover a radical approach to understanding what we build. Douglas Murphy blogs at http://www.youyouidiot.blogspot.com/

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Book SynopsisEvery building starts with an idea. But how do you get from a concept to a piece of architecture? Why do some ideas work better than others? What is a ''good'' design?This approachable guidebook will help students find their own answers to these questions. It covers every aspect of the design process with examples drawn from all types of architecture, giving students the tools to develop their own unique ways of working. With accessible text and hundreds of images, this is an indispensable and illuminating guide for beginning architecture students as well as anyone who is curious about how design works.

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Book SynopsisEveryone is a designer. But while many practitioners may be looking for solutions or ideological certainties, Easterling argues that solutions are mistakes and ideologies are unreliable markers. Instead, Medium Design speaks to anyone looking for alternative approaches to the world's unresponsive or intractable dilemmas-from climate cataclysm to inequality to concentrations of authoritarian power. Such an approach joins many disciplines in considering not only separate objects, ideas and events but also the space between them.In case studies dealing with everything from automation and migration to explosive urban growth and atmospheric changes, Medium Design looks not to new innovations but rather to sophisticated relationships between emergent and incumbent technologies. It does not try to eliminate problems but put them together into productive combinations. And it offers forms of activism for modulating power and temperament in organization of all kindsTrade ReviewEstablishes Keller Easterling's growing reputation as the savviest student of post-national spatial and infrastructural forms. -- Arjun Appadurai, author of The Future as Cultural Fact * [for Extrastatecraft] *An essential text for anyone with a stake in the built environment, architect and citizen alike, in articulating the forces that shape our nation-states, and cataloguing-in a precise and readable style-the strategies of an otherwise unaccountable global order. -- Architectural Review * [for Extrastatecraft] *I have long admired Keller Easterling's talent for extracting a space, a shape, a marking, from mixes of elements rarely brought together-whether materially or conceptually. In Extrastatecraft she does it at a grand scale, cutting across fields of meaning and of practice. A must read. -- Saskia Sassen, author of Expulsions * [for Extrastatecraft] *This is a remarkable work. Keller Easterling has written one of the most original works about the American environment I've ever read. -- Michael Sorkin * [on Enduring Innocence] *Easterling is one of our most provocative theorists of infrastructures and the critical actions that might make them better. Here she gives us ways to remix, radically, their ingredients. Who else could parse the "canine mind" of the canny designer and city-dweller to show that we already know how to break the deadlock formed by binaries and manipulative media loops? Read this immensely engaging book to find a new toolkit for infiltrating, occupying, and recasting the mediated and material world. -- Caroline A. Jones, Professor in the Department of Architecture, MITEasterling wants designers and architects and urbanists to think less about designing discrete things and more about "parameters for how things interact with each other. -- Hari Kunzru * Harper's Magazine *Medium Design actively works against popular culture's hunger for simple solutions. While embracing a diversity of tactics for a diversity of crises, Easterling puts forward an expansive definition of "design" that includes examples of systemic hacks like community land trusts and tactical refusals of market norms like social capital credits. -- Ingrid Burrington * OneZero *An insurgent energy and imagination crackle beneath the surface ... this a hopeful and thrilling text. -- David Terrien * ArtReview *Keller Easterling is a thinker intent on peering behind the veil to inquire into the forces and conditions that give rise to forms and spatial formations: the infrastructural, political, and financial milieux that softly but surely govern the production of architectural objects. -- Kearon Roy Taylor * Archinect *Easterling's work turns reason's cunning - and therefore the indirect acts of history - into a vibrant political theater for our age. -- Michael Osman * Los Angeles Review of Books *At its best, Medium Design reads a bit like Sun Tzu. It is calm and distant from the fray of disasters and conflicts that define our collective action or inaction in the midst of climate crises and failed globalization. Easterling's voice tends toward the wise and poetic. -- V. Mitch Mcewen * The Avery Review *

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Book SynopsisThe Revenge of the Real envisions a new positive biopolitics that recognises that how populations govern themselves is literally a matter of life and death. We are grappling with multiple interconnected dilemmas - climate change, pandemics, the tensions between the individual and society - all of which have to be addressed on a planetary scale. Even when separated, we are still enmeshed. Can the world govern itself differently? If so, what models and philosophies are needed? Bratton argues that, instead of thinking of technology as something that happens to society, we must see how it can form the basis of a politics of infrastructure, knowledge, and direct intervention. He urges us to reconsider questions of "surveillance" in the face of necessary testing and care. He asks what did the "mask wars" reveal about the destructive nature of individualism as the basis of sovereignty? The book proposes that it is time to transform how we live, work and thrive. Rethinking governance means rethinking how we interact with each other as a global population, and how we ensure our obligations to each other. For this, we should build a society based in a new rationality of inclusion, care and foresight.Trade ReviewEndlessly thought-provoking -- Kim Stanley RobinsonBreaks more new ground than a carpet bombing. -- Bruce SterlingCuts through many received ideas about technology, globalization, and so forth and presents a fresh vision of the architecture of the world. -- McKenzie Wark

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Book SynopsisIn Housing Atlas, beautifully drawn plans, sections and elevations illustrate nearly a hundred of the most important European housing schemes of the 20th century, a period when architects addressed the multiple challenges of modern urban living and responded with an array of innovative solutions. Today, architects are revisiting these designs as they seek answers to the current housing crisis. Chronologically ordered, this is an essential survey of these key housing projects, produced by a pan-European team of leading scholars. Complete with contextual essays, the studies each include a history and analysis of the projects and the drawings are presented in a way that makes them readily comparable.Table of ContentsForeword. Forays and Crossings in the European City: The Long History of the 'Short' Century:Tools for the Design of Contemporary Housing, by Orsina Simona Pierini. Tradition and Innovation in Twentieth-Century European Housing Design, by Dick van Gameren. Liminal Spaces in Twentieth-Century Residential Architecture: A Place In Which to Learn How to be a Citizen, by Carmen Espegel. The Fall and Rise of the Street in Twentieth-Century Housing, by Mark Swenarton. 87 Case Studies. Acknowledgements.

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Book SynopsisWant to keep up with emerging design thinking and issues worldwide? Design Studio is a new thematic series that distils the most topical work and ideas from schools and practices globally. Everything needs to change. Every minute we pollute the air and rivers using resources that we cannot replenish. Each newly erected building aggravates by consuming additional materials and energy. Exploring architecture and the climate emergency, editors So­fie Pelsmakers (sustainable architect, educator and author of The Environmental Design Pocketbook) and Nick Newman (climate activist and Director of award-winning practice Studio Bark) are channelling the message of Greta Thunberg to inspire, enthuse and inform the next generation of architects. By including articles, building pro­files and design projects from a range of leading voices, it explores solutions to climatic, environmental and social challenges. It urges readers to radically rethink what it means to be an architect in an era of climate crisis, and what the role of the architect is or can be. Features: Goldsmith Street, Norwich; Kingsdale School, London; Upcycle Studios, Ørestad; Olympic Pavilion, Tokyo; School of Dancing Arches, Bhadran; Burwood Brickworks, Melbourne; UN17 Village, Copenhagen, and more. Discover how by using local materials and working with nature, radical design processes and transformative learning, infused with activism, hope can be found in the burning world.The cover has been designed in four unique fluorescent colours - green, pink, red or yellow - and delivered at random. Together, we can force change for a more sustainable and equitable tomorrow.Table of ContentsEditor's Note Creating Change with Impact: An Architect’s Manifesto By Dorte Mandrup Not Opposites: A Conversation with Hiroshi Sambuichi on Architecture and Nature By Andrew Barrie Think Before You Build By Kari Kytölä, Paulina Sawczuk and Satu Huuhka Movement Building: Activism in an Age of Crisis By Tom Bennett The Sponge City: Planning, Design and Political Design By Kongjian Yu Contesting the Architect's Role Through Radical Participatory Design: A Discussion with Al Borde and raumlabor By Mario Kolkwitz and Elina Luotonen Transforming Education in a Climate Emergency By Architects Climate Action Network (ACAN) Architectural Learning for a Sustainable Future By Elizabeth Donovan, Urszula Kozminska, Nacho Ruiz Allen and Thomas R. Hilberth Hope in the Burning World By Kasia Nawratek Towards a Zero Carbon Architecture: Clay Field, Suffolk, UK; Goldsmith Street, Norwich, UK; Housing for City of York, UK By Mikhail Riches Radical Sustainable Architecture: Kingsdale School, London, UK By Alex de Rijke at dRMM Co-housing Project: Vindmøllebakken, Stavanger, Norway By Siv Helene Stangeland at Helen & Hard Architects Implementing Sustainability: Upcycle Studios, Ørestad, Denmark; Resource Rows, Ørestad, Denmark; Olympic Pavilion, Tokyo, Japan; UN17 Village, Copenhagen, Denmark By Anders Lendager at Lendager Group A Choreography of Bricks: School of Dancing Arches, Bhadran, India By Samira Rathod Adaptation Out of Necessity: Cuba By Anyana Zimmerman and Fabián Rodriguez Izquierdo Sustainability is Not Enough: SBRC, University of Wollongong, Australia; Burnwood Brickworks, Melbourne, Australia; The Paddock, Castlemaine, Australia By Stephen Choi Final Word

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Book SynopsisHow should we train? What should we learn? What is our value? Disruptive technologies have increased speculation about what it means to be an architect. Innovations simultaneously offer great promise and potential risk to design practice. This volume identifies the game-changing trends driven by technology, and the opportunities they provide for architecture, urbanism and design. It advocates for an approach of intelligent control that transforms practice with specialist knowledge of technological models and systems. It features new developments in automation, generative design, augmented reality, videogame urbanism, artificial intelligence and robotics, as well as lived experiences within a continually shifting landscape. Showcasing evolving research, it discusses the cultural, social, environmental and political implications of various technological trajectories. In doing so it speculates upon future urban, spatial, aesthetic and formal possibilities within architecture. The future is already here. Now is the time to act. Features: Austrian Institute of Technology AiT - City Intelligence Lab CiT, Bryden Wood, Mollie Claypool, Soomeen Hahm, Hawkins\Brown, LASSA Architects, The Living, Danil Nagy, Odico Construction Robotics, Stefana Parascho, Luke Caspar Pearson, SHoP Architects, Kostas Terzidis, Mette Ramsgaard Thomsen and Sandra Youkhana.Table of ContentsAbout the Editor’s Acknowledgements Editor’s Note Articles Complex Urban Futures: Design Science for Flux Territories by Ulysses Sengupta, Eric Cheung., Solon Solomou, Sigita Zigure, Mahmud Tantoush, May Bassanino, Rob Hyde, Manchester School of Architecture The Allegorithmic Utopia of Videogame Urbanism by Sandra Youkhana and Luke Caspar Pearson Evolving Design: From Computer Tools to Generative Design Partners by Danil Nagy Entering a Bio-Based Material Paradigm: Probing Advanced Computational Methods for a Shift in Material Thinking by Mette Ramsgaard Thomsen Home Position: Reflecting on Disciplines, Discontinuities and Design Spaces by Stefana Parascho Automation, Architecture and Labour by Mollie Claypool Augmenting Human Designers and Builders: Augmentation Discussed in Architectural Design Research by Soomeen Hahm Profiles An Intelligent Framework for Resilient Design (Infrared) by Austrian Institute of Technology AiT - City Intelligence Lab CiT Disrupting Design(ers) Through Automation by Bryden Wood Scaling Construction Robotics by Odico Construction Robotics Natural Intelligence: Designing with Living Materials by The Living Case Studies Research by Design: The Gantry by Hawkins\Brown Digital Constructivism: Democratising the Digital by Theo Sarantoglou Lalis, LASSA Architects Panels, Polygons and Pixels: How Data Informs Supertall Tower Design by SHoP Architects Final Word by Kostas Terzidis

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Book SynopsisAlthough Hong Kong has produced many internationally renowned architects and designers who have contributed significantly to its cityscape, there are many talented local architects who have played the role of an unsung hero in shaping this beautiful city. This book aims to capture the stories of theses talents whose unique work should be more widely known and appreciated. This lavishly illustrated book is the first to provide this essential showcase.

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Book SynopsisLight is the material of Architecture. Ian Ritchie is one of the UK’s most visionary architects, and remarkable for synthesising multiple creative disciplines to bring the essence of his architectural projects into focus. A poet and artist as well as an architect, Ritchie distills his ideas into verse and pithy aphorisms that probe the complexities of architectural commissions and the art of composition. In this volume, Ritchie's aphorisms and musings revolve around the topic of light, a fundamental element in the way we perceive both the natural and the built world. They are accompanied by his calligraphic etchings and illustrations of the architecture that emerges from them. This illuminating blend of poetry and design is a trove of inspiration for anyone seeking to expand their understanding of the creative process, and offers a fresh perspective on the profound interplay between thought, practice, and the radiant world of light.

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Book SynopsisCarbon is everywhere — in the soil, in the air, in life. Carbon is the foundation of architecture and the built environment. Carbon is also infamous for intensifying the climate catastrophes around us. And architects — by the nature of their education and practice are transforming this carbon into the built environment. Twelve critical essays in this book present a constellation of voices surrounding carbon and its relationship with architecture, renovation, material, form, and design pedagogy. The renovation of two buildings on the Equator — at the School of Design and Environment (SDE), National University of Singapore — serve as the protagonists for these reflections. The essays raise key questions on the values embedded in the architecture of architecture schools. What principles might a low-carbon future embody? What do renovations mean for rapidly urbanising Asia? How can they transform the relationship between climate and architecture on the Equator? Do they demand new equatorial forms? How can material innovations influence their design? How can the design of architecture schools influence a new generation of architects towards a sustainable future? These and other questions are set forth within while illustrating the models of thought that have shaped the architecture of SDE 1 & 3, offering ways to sustainably transform carbon in the context of our warming world.

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Book SynopsisIn the book Al Wasl Plaza: Dubai Expo 2020 the architects, Adrian Smith + Gordon Gill Architecture highlight the inspiration and innovation of the design of Al Wasl Plaza. The book explores each aspect of the project including the garden, the trellis, three office buildings, and two hotel buildings, all of which serve to define the centre of Expo 2020. The book is essentially divided into three phases of design. The first phase focuses on the inspiration and conception of the project. Architectural studies, sketches, and models show the process that led to the final iconic form. The second phase introduces each of the parcels including the garden, trellis, offices, hotels, the Leadership Pavilion, and the Arrivals Plaza. Each chapter illustrates the design process, architectural details, and the development of the technical systems. The third and final phase summarises the construction process, sustainability achievements, and looks to the future to reveal the District 2020 legacy master plan concept by AS+GG.

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Book SynopsisA book that brings awareness to preservation in architecture. This third TSAM volume presents content from teaching courses that have been developed at the EPFL for fifteen years. The aim is to promote preservation as a discipline, one of the main branches in the emerging field of socioecological transition. This book also demonstrates how the educational potential of preservation can be harnessed, uniting many social and scientific disciplines, the history of architecture and architects, materiality and its constructed expression, the theory of architecture and design, and the examination—both abstract and concrete—of what surrounds us in every sense, from the teaspoon to the territory. In short, what a minority of responsible architects has always concerned itself with: a silent and sometimes fragile architecture. These qualities should enable preservation to reform and reconstruct a new design process for architecture, which will in turn lead to a new kind of practice. Table of ContentsForewordThe teaching of the laboratory of techniques and the preservation of modern architecture1. THEORETICAL COURSES2. THE PRESERVATION WORKSHOP3. THE PROJECT IN THE PRESERVATION ORIENTATION4. THE MASTER PROJECTEpilogue

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Book SynopsisThe space we live in, reduced to a minimum, has been fascinating us for generations – the writer Thoreau lived in a self-built hut in the forest from 1845 –1847. In 1952, Le Corbusier built a hut at the Côte d'Azur for himself and his wife. Inspired by this, Urs Peter Flückiger, together with his students, built an ecologically and economically sustainable cabin in the Texan prairie. All three projects share the idea of minimal space and its relationship with the surrounding nature. In text, drawings, and photographs, this book analyses the three projects and shows parallels and similarities. Inspired by Tolstoy’s story How Much Land Does A Man Need?, the author asks: "How much house does a man need?", thereby providing a pointed contribution to the current discussion on the requirement for housing.

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Book SynopsisAt the beginning of their studies students of architecture are confronted with a wealth of different ways in which to visually present their designs. Expressing ideas in the form of drawings and models is usually required in the early stages of studying: “learning by doing” is the only way for students to quickly develop a repertoire for their design work.However, there are important issues to consider between the phases of devising the spatial concept and recreating it in a two- or three-dimensional drawing or physical model: How to construct a perspective freehand drawing? What plan drawings are necessary to present my design? What scale should my model be and what materials should I use to construct it?Basics Architectural Presentation combines the highly successful single volumes Technical Drawing, Freehand Drawing, CAD, Modelbuilding (new edition) and Architectural Photography from the series BASICS in a new volume. Step-by-step, it conveys possible ways to present architectural projects throughout the various project phases. In an informative and practical approach, the publication discusses the basics of architectural representation from freehand drawing, which is especially important in the design phase, to the plan drawing, model, and architecture photography. The student architect learns the tools necessary for presenting his or her work, supported by many concrete examples and practical tips that are directly applicable.

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Book SynopsisArchitecture after God A vivid retelling of the biblical story of Babel leads from the contested site of Babylon to the soaring towers of the modern metropolis, and sets the bright hopes of early modernism against the shadows of gathering war. Dealing in structural metaphor, utopian aspiration, and geopolitical ambition, Dugdale exposes the inexorable architectural implications of the event described by Nietzsche as the death of God. The Exploring Architecture series makes architectural scholarship accessible, introduces the latest research methods, and covers a wide range of periods, regions, and topics. Critical reappraisal of early modernism Based on the fable The Emperor and the Architect (1924) by Uriel Birnbaum New volume in the Exploring Architecture series

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Book SynopsisOld things, historic things, smelly dirty things, all the things that were considered the very opposite of "contemporary," have suddenly irrupted forcefully into architecture and art, blurring their bound- aries. This book takes stock of the emerging generation behind this turn, and examines their experimental engagements with the preservation of culturally charged objects. Structured around a series of interdisciplinary dialogues among practitioners and thinkers, and illustrated with recent projects, the book provides a window into the unfolding intellectual frameworks, aesthetic modes, cultural ambitions, and political commitments that are the basis of experimental preservation.

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Book SynopsisArchitecture is increasingly understood as a field of practice that is inextricably embedded in ecologies and energy systems, and yet embodied energy-the various forms of energy required to ex- tract raw matter, to produce and transport building materials, and to assemble a given building- remains largely under-explored in its ramifications for both design and environment. As operational energy has declined as a proportion of buildings' total energy consumption, embodied energy has become an essential site for further speculation and innovation. Embodied Energy and Design: Making Architecture between Metrics and Narratives asks questions about the varying scales, methods of analysis, and opportunities through which we might reconsider the making of architecture in the context of global flows of energy and resources.

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Book SynopsisWhat do outer space capsules, submarines, and office buildings have in common? Each is con- ceived as a closed system: a self-sustaining physical environment demarcated from its surroundings by a boundary that does not allow for the transfer of matter or energy. Contemporary discussions about global warming, recycling, and sustainability have emerged as direct conceptual constructs related to the study and analysis of closed systems. From the space program to countercultural architectural groups experimenting with autonomous living, this publication documents a discipli- nary transformation and the rise of a new environmental consensus in the form of a synthetic naturalism. It presents an archive of 39 historical living prototypes from 1928 to the present that put forth an unexplored genealogy of closed resource regeneration systems. Prototypes are presented through unique discursive narratives with historical images, and each includes new analysis in the form of a feedback drawing that problematizes the language of environmental representation by illustrating loss, derailment, and the production of new substances and atmospheres.

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Book SynopsisWhen architects visit a building, and want to record or identify what they see, they take out a bundle of folded sheets in search of a blank piece of paper. These sheets may be ground plans, diagrams, sketches and ordnance maps. In one way or another, all are survey drawings, operating as both documentation and analysis, enabling an architect to examine certain conditions of the built environment, whether geometric, relational, material or technical. This book explores the history of the survey and its multiple forms in order to understand how the methods of recording what already exists can also be used to imagine what might be. Lavishly illustrated, with works from the collection of Drawing Matter and beyond, it addresses the multiple forms of the survey through focused studies – on John Soane (1753–1837), Charles Robert Cockerell (1788–1863), and Detmar Blow (1867–1939); French architects Louis-Hippolyte Lebas (1782–1867), Henri Labrouste (1801–1875), and Eugène Viollet-le-Duc (1814–1879); and Swiss-based Peter Märkli (born 1953) – and an extensive section of plates with commentaries by contemporary architects. In doing so, it maintains that while all surveys begin with the site, the outcomes are as idiosyncratic as their authors – and their methods have much to offer as tools in design practice. The book is the first in the Architecture Iconographies series, published in collaboration with Drawing Matter, an organisation based in Wincanton, Somerset, that explores the role of drawing in architectural thought and practice. They consider the image-making of architecture through its typologies and unique approaches to drawing. Exploring their resonance in the history of the profession, as well as their relationship to the architects themselves, the series aims to open up further possibilities for their use in both practice and teaching.

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Book SynopsisInstitutions — the state, the church, the army, the judiciary, the university, the bank, etc.— organise social relations. As social structures, they regulate societies according to various practices, rites and rules of conduct, and guide our actions by delimiting what is possible and thinkable. Institutions’ individual scope depends on how the society as a whole understands them. They are in perpetual mutation and thus form complex entities. Architecture plays an essential role in the establishment, identification and perpetuation of this social structure as it formalises value systems in space and represents ideologies in permanent physical structures. Architecture establishes and reveals the way an institution functions through different strategies. Institutions and the City investigates this role of architecture, taking the Tracé Royal (King’s Street) in Brussels as an example. Running from the Place Royale in the heart of the city to the Église Royale Sainte-Marie in the Schaerbeek district north of it, it is the place where several of Belgium’s national political, legal, religious, financial, and cultural institutions are located. The book explores the stratagems put in place over time by the various institutions to inscribe themselves durably on the country’s social order, and reveals similar spatial responses and surprisingly common mutation processes. And it highlights the importance of architecture when it comes to inventing new relationships with institutional spaces in order to live together better in a time when social, political and cultural reference points are being blurred. Text in English, French and Dutch.

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Book SynopsisSpatializing Justice calls for architects and urban designers to do more than design buildings and physical systems. Architects should take a position against inequality and practice accordingly. With these thirty short, manifesto-like texts—building blocks for a new kind of architecture—Spatializing Justice offers a practical handbook for confronting social and economic inequality and uneven urban growth in architectural and planning practice, urging practitioners to adopt approaches that range from redefining infrastructure to retrofitting McMansions. These building blocks call for expanded modes of practice, through which architects can imagine new spatial procedures, political and economic strategies, and modalities of sociability. Challenging existing exclusionary policies can advance a more experimental architecture not bound by formal parameters. Architects must think of themselves as designers not only of things but of civic processes, complicate the ideas of ownership and property, and imagine new sites of research, pedagogy, and intervention. As one of the texts advises, “the questions must be different questions if we want different answers.”

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Book SynopsisOrganized chronologically, this volume analyzes the dynamics, convergences, and ideological clashes that have given life to the most significant movements of the twentieth century and today to the season of recent phantasmagoric buildings of the so-called Star System. Illuminating and insightful, the volume is a much needed guide for students, educators, or anyone interested in architecture. Written as if it were a novel, in clear and compelling way, The History of Architecture from 1900 until Today examines the main buildings that were designed in more than 120 years of history, those famous and appreciated unanimously by critics, and those that, although of great value, were neglected for ideological reasons. Read in its contradictions, architecture becomes a fresco that tells us about our complicated history, our multiple tensions, our filled and unfulfilled desires.

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Book SynopsisMedia architecture has evolved from illuminating iconic building façades at night to characterising all life in cities. This compendium draws on academic research and global studies to present an evolutionary account of concepts that have defined the field and inspired practice, alongside methods for bringing media architecture thinking into projects. Thirty media architecture installations that were nominated for the Media Architecture Awards in 2018 and 2020 illustrate the breadth and trends in the field, including a shift towards more-than-human futures. Through its three parts, capturing concepts, methods and practice, the compendium offers an accessible guide to media architecture for designers, architects, artists, scholars, educators and learners. Several of the authors are board members of the Media Architecture Institute, a non-profit organisation with offices in Vienna, Sydney, Beijing and Toronto.

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Book SynopsisNaked Architecture Valerio Paolo Mosco An account of one of the most interesting phenomena of contemporary architecture: the return to the structure and methods with which contemporary constructions are realized. Over the last ten years architecture would seem to have rediscovered engineering. Now that the Postmodern period, in which the structure of buildings was camouflaged by coverings of every kind, has passed, architecture today seems to have undressed, almost as though wishing to show how it is made (and to render this spectacular). On the other hand, the rediscovery in recent years of plastic form has brought about a closer relationship between architects and engineers. In the wake of the phenomenon that is the work of Santiago Calatrava, figures of engineer-architects have emerged such as Cecil Balmond, Sasaki and Guy Nordenson, who have been able to give a strongly "engineering-oriented" guise to ever more complex building sites. To this we must add the rise of new issues, such as that of environmental engineering, which has changed from being a specifically technical sphere to one of many other realms of knowledge, not least the aesthetic. If, therefore, there is a phenomenon today that is able to hold together the various expressions of contemporary architecture, it is precisely this return to the structure and methods with which it is realized.

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Book SynopsisExplore over 500 masterpieces of modern architecture in this celebration of the most iconic buildings in the world. Written by acclaimed architecture expert Jonathan Glancey, Modern Architecture is a beautifully illustrated guide to the key styles, architects and movements that have defined our skylines since the dawn of the twentieth century. From the dizzying heights of the Shard to the exquisite curves of the Sydney Opera House, and from Frank Lloyd Wright to Sir David Adjaye, this is the essential handbook to the creative discipline that shapes our world.'His comments are always informative, unashamedly partisan and often enjoyably tart' – Sunday Telegraph'One of the finest architectural writers in contemporary Britain' – Scotland on SundayTrade Review'His comments are always informative, unashamedly partisan and often enjoyably tart' * Sunday Telegraph *'One of the finest architectural writers in contemporary Britain' * Scotland on Sunday *Table of ContentsForeword • Arts & Crafts • Classicism • Organic • Modernism • Postmodernism • Robotic • Cities • Futures • Iconic • Index.

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Book SynopsisDo you know how to think like an architect? Do you know why you should? How do you make sure that you have the critical thinking tools necessary to prosper in your academic and professional career? This book gives you the answers.Architects have a valuable and critical set of multiple thinking types that they develop throughout the design process. In this book, Randy Deutsch shows readers how to access those thinking types and use them outside pure design thinking – showing how they can both solve problems but also identify the problems that need solving. To think the way the best architects do. With a clear, driving narrative, peppered with anecdote, stories and real-life scenarios, this book will future-proof the architectural student and emerging professional. Change is coming in the architecture profession, and this is a much-needed exploration of the critical thinking skills that architects have in abundance, but that are not taught well enough within architecture schools. These skills are crucial in being able to respond agilely to a future that nobody is quite sure of.Table of ContentsACKNOWLEDGEMENTS PREFACE INTRODUCTION PROLOGUE PART I CRITICAL THINKING SECTION 1 CRITICAL THINKING SECTION 2 FACTS AND FALLACIES SECTION 3 DECISION MAKING PART II CRITICAL CREATIVE THINKING SECTION 4 CRITICAL CREATIVE THINKING SECTION 5 CURIOSITY SECTION 6 PROBLEM SOLVING PART III CRITICAL COLLABORATIVE THINKING SECTION 7 CRITICAL COLLABORATIVE THINKING SECTION 8 THINKING WITH OTHERS SECTION 9 PERSUASION EPILOGUE

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Book Synopsis The middle of an architect’s career can provide a turning point for a bright future or be a directionless hinterland. How is it for you? Are you where you want to be? Have you been forced off your preferred path by unforeseen circumstances or are you drifting? Adapt as an Architect provides hope and direction. It is a crucial compass for design professionals, seeking to navigate the vast heart of the architect’s journey. It serves as a roadmap – a career GPS – with options for architects getting from where they are today to where they want to be. The focus of this upbeat, engaging book is on how you can remain rejuvenated and resilient without losing sight of the value of your acquired knowledge and expertise. By signposting how you can maintain your relevance, doing what you do today, but better and smarter, it also suggests how you can reinvent yourself by doing something different but not so different. It provides the much-needed guidance and support that is often missing once you’ve gained some experience in the profession and are left to your own devices. It means that you won’t be left to navigate those mid-career years on your own. Deutsch draws insights from a wide range of international practices including: • Gensler • HDR Architecture • Perkins&Will • Shepley Bulfinch • Skidmore, Owings & Merrill • SmithGroup • Studio Gang • ZGF Architects Table of ContentsACKNOWLEDGEMENTSPREFACE INTRODUCTION PROLOGUE: ADAPT PART I Chapter 1 RELEVANCE Chapter 2 REMAIN Chapter 3 RESILIENCE Chapter 4 FLOURISH Chapter 5 SHIFT PART II Chapter 6 PIVOT Chapter 7 REINVENT Chapter 8 REWIRE Chapter 9 REINFORCE Chapter 10 REINTEGRATE EPILOGUE: THRIVE Appendix: REBOOT Bibliography Index Image Credits

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Book SynopsisComposed of ten essays and an epilogue that trace the history of contemporary form as an evolving poetic of structure and construction, the book''s analytical framework rests on Frampton''s close readings of key French and German, and English sources from the eighteenth century to the present.Kenneth Frampton''s long-awaited follow-up to his classic A Critical History of Modern Architecture is certain to influence any future debate on the evolution of modern architecture. Studies in Tectonic Culture is nothing less than a rethinking of the entire modern architectural tradition. The notion of tectonics as employed by Frampton—the focus on architecture as a constructional craft—constitutes a direct challenge to current mainstream thinking on the artistic limits of postmodernism, and suggests a convincing alternative. Indeed, Frampton argues, modern architecture is invariably as much about structure and construction as it is about space and abstract form.Composed of ten essays and an epilogue that trace the history of contemporary form as an evolving poetic of structure and construction, the book''s analytical framework rests on Frampton''s close readings of key French and German, and English sources from the eighteenth century to the present. He clarifies the various turns that structural engineering and tectonic imagination have taken in the work of such architects as Perret, Wright, Kahn, Scarpa, and Mies, and shows how both constructional form and material character were integral to an evolving architectural expression of their work. Frampton also demonstrates that the way in which these elements are articulated from one work to the next provides a basis upon which to evaluate the works as a whole. This is especially evident in his consideration of the work of Perret, Mies, and Kahn and the continuities in their thought and attitudes that linked them to the past.Frampton considers the conscious cultivation of the tectonic tradition in architecture as an essential element in the future development of architectural form, casting a critical new light on the entire issue of modernity and on the place of much work that has passed as avant-garde.A copublication of the Graham Foundation for Advanced Studies and The MIT Press.

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Book SynopsisIn their new book, the international CARTHA network engages with the question of forming identity in society and the role that architecture plays in this process. Inspired by Jacques Lacan's approach from psychoanalysis, CARTHA's members break down the identity-formation process into four sub-steps, which they explore in interviews: Maarten Delbeke, professor of history and theory of architecture at ETH Zurich, talks about Assimilation; Frederike Lausch, researcher at TU Darmstadt's Department of Architecture, about Appropriation; Rob Krier, Berlin and Liguria-based architect and sculptor, about Denial, and Jonathan Sergison, London-based architect, about Reconciliation. These conversations make up the cornerstones for a new, experimental design methodology, which has been tested in practice by architecture firms Bruther (Bordeaux), Bureau Spectacular (Los Angeles), Conen Sigl (Zurich), Made In (Geneva / Zurich), Monadnock (Rotterdam), Studio Muoto (Paris), and Sam Jacob Studio (London). CARTHA Building Identities features a variety of buildings houses, cottages, apartments designed in the context of these insights.The book offers a didactic manual for contemporary architectural design. The concept of identity that CARTHA proposes invites readers to adopt a critical attitude towards any found environment. The objective is a deeper understanding of how architects actually create identity through their designs.

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Book SynopsisWhen first published in 1970, The Uses of Disorder, was a call to arms against the deadening hand of modernist urban planning upon the thriving chaotic city. Written in the aftermath of the 1968 student uprising in the US and Europe, it demands a reimagination of the city and how class, city life and identity combine. Too often, this leads to divisions, such as the middle class flight to the suburbs, leaving the inner cities in desperate straits. In response, Sennett offers an alternative image of a "dense, disorderly, overwhelming cities" that allow for change and the development of community. Fifty years later this book is as essential as it was when it first came out, and remains an inspiration to architects, planners and urban thinkers everywhere.Trade ReviewHis argument remains powerful and relevant, an inspiration to a new generation of urbanists. -- P D Smith * Guardian *The best available contemporary defence of anarchism . . . The issues [he] raises are fundamental and profound. His book is utopian in the best sense?it tries to define a radically different future and to show that it could be constructed from the materials at hand * New York Times *Richard Sennett's journey through urban chaos feels as fresh as when it was published in 1970. It argues that the city's vitality is bound up in its unpredictability. -- Gabriella Bennett * The Times *

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