Theory of architecture Books

Book SynopsisWhat “really constitutes an architectural atmosphere”? Peter Zumthor says, is “this singular density and mood, this feeling of presence, well-being, harmony, beauty ... under whose spell I experience what I otherwise would not experience in precisely this way.” Zumthor’s passion is the creation of buildings that produce this kind of effect, but how can one actually set out to achieve it? In nine short, illustrated chapters framed as a process of self-observation, Peter Zumthor describes what he has on his mind as he sets about creating the atmosphere of his houses. Images of spaces and buildings that affect him are every bit as important as particular pieces of music or books that inspire him. From the composition and “presence”‎ of the materials to the handling of proportions and the effect of light, this poetics of architecture enables the reader to recapitulate what really matters in the process of house design.

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Book SynopsisThe standard work on Heino Engel’s structure systems is now available at an attractive price. On the basis of excellent drawings and model photographs, the book examines the various forms of structure systems and explores the relationship between structure system and architectural form in clear and concise prose. In the presentation and explanation of this highly complex discipline, this volume differs fundamentally from other publications on the subject, as the author focuses entirely upon structure systems without regard for the usual technical details. Featured here are typical structure systems and models in lieu of the more commonly treated special designs and completed buildings. As a reference work, the book provides an indispensable repertoire of forms for modern architectural models, summarizing traditional approaches and offering a source of new ideas at the same time.

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Book SynopsisMore than ever, architecture is in need of provocation, a new path beyond the traditional notion that buildings must serve as vessels, or symbols of something outside themselves. Non-Referential Architecture is nothing less than a manifesto for a new architecture. It brings together two leading thinkers, architect Valerio Olgiati and theorist Markus Breitschmid, who have grappled with this problem since their first encounter in 2005. In a world that itself increasingly rejects ideologies of any kind, Olgiati and Breitschmid offer Non-Referential Architecture as a radical, new approach free from rigid ideologies. Non-referential buildings, they argue, are entities that are themselves meaningful outside a vocabulary of fixed symbols and images and their historical connotations. For more than a decade, Olgiati and Breitschmid's thinking has placed them at the forefront of architectural theory. Indispensable for understanding what the future might hold for architecture, Non-Referential Architecture will become a new classic. The book's first edition, published in May 2018 by Simonett & Baer, was sold-out within months. This revised and slightly redesigned new edition makes this key text available again.

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Book SynopsisThe name Montessori is widely and inextricably associated with an entirely child-centered and careful pedagogy and education of children. Maria Montessori (1870-1952) was an Italian physician, reform educator, and philosopher whose ideas and work have remained influential throughout the world ever since the 1910s. Her educational concept covers entire development from infancy to young adulthood. It is based on the image of the child as a “builder of his or her self” and therefore uses for the first time the form of open teaching and free work in a prepared learning environment. Montessori schools became trend-setting educational institutions early on, and their concept strongly reflects in their architecture and equipment. Montessori Architecture is the first book that comprehensively addresses architectural design, construction, the use of materials in and the furnishing of educational spaces according to Montessori’s ideas. The book’s first part explores spatial and design principles that make up good kindergarten and school buildings. In the second part, nine case studies are featured in detail through photographs, plans, and concise texts. These examples are located in Europe (Netherlands, Belgium, Great Britain) as well as in tropical countries (Burkina Faso, Tanzania, Bangladesh, Sir Lanka). Thus, this highly illustrative volume offers practical advice and a wealth of information that is of utmost importance for the design of school buildings in general.

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Book SynopsisFrom one of the world’s top experts on the economics of skyscrapers—a fascinating account of the ever-growing quest for super tall buildings across the globe.The world’s skyscrapers have brought us awe and wonder, and yet they remain controversial—for their high costs, shadows, and overt grandiosity. But, decade by decade, they keep getting higher and higher. What is driving this global building spree of epic proportions? In Cities in the Sky, author Jason Barr explains all: why they appeal to cities and nations, how they get financed, why they succeed economically, and how they change a city’s skyline and enable the world’s greatest metropolises to thrive in the 21st century. From the Empire State Building (1,250 feet) to the Shanghai Tower (2,073 feet) and everywhere in between, Barr explains the unique architectural and engineering efforts that led to the creation of each. Along the way, Barr visits and unpack

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Book SynopsisPeter Eisenman-world-famous for his Holocaust Memorial in Berlin (2005)-confronts historicism with theory and the analysis of form, whose distinguishing features he regards as the foundation of architectural composition. The architect illustrates his observations with numerous, extremely precise hand drawings. Eisenman wrote The Formal Basis of Modern Architecture, his dissertation, in 1963 at the University of Cambridge. The dissertation was first published as a facsimile edition by Lars Muller Publishers in 2006. The original content of the publication is now available again-the book is reprinted in a smaller format. "I knew what I wanted to write," Eisenman says of the dissertation. "An analytic work that related what I had learned to see, from Palladio to Terragni, from Raphael to Guido Reni, into some theoretical construct that would bear on modern architecture, but from the point of view of a certain autonomy of form." Hence the title of his research.

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Book SynopsisPhilosophy exercises a massive influence on contemporary architectural culture and the understanding of the built environment. Discussions of architects and architectural academics are heavily loaded with theoretical ideas, concepts and views imported from the works of philosophers. At the same time this architectural employment of philosophy rarely goes beyond the tendency to mine philosophical works for ideas, words and phrases and use them, often without much understanding, in order to promote architectural agendas and embellish theoretical claims made by architects and academics. The book presents the history of this phenomenon for the past 100 years. It describes and analyses numerous, often funny, entertaining as well as embarrassing, examples of false intellectual pretence and pompous but incompetent philosophical posturing by prominent architects and architectural academics of the era and their efforts to bamboozle readers, colleagues and the general public. The book presents a powerful criticism of modernist views on architecture and argues that the rise of obfuscation and philosophical posturing among architects and architectural academics is a defensive strategy intended to draw attention away from the failure of Modernism in architecture.

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Book SynopsisLars Spuybroek is Professor of Architectural Design at the Georgia Institute of Technology in Atlanta, USA. He is the author of NOX: Machining Architecture (2004), The Architecture of Continuity (2008), Research & Design: The Architecture of Variation (2009) and Research & Design: Textile Tectonics (2011). He is an award-winning architect with his practice NOX.Trade Review... exhilarating to watch elements of Ruskin's thought being taken on ... The Sympathy of Things is energetic, well written and full of examples. -- Matthew Reynolds * Times Literary Supplement *This is a dazzling, provocative, baffling, and sometimes vexing manifesto. The Sympathy of Things is an unforgettable book. * Carlyle Studies Annual *The term 'brilliant' is often misused in reviews, but the opening chapter on 'the digital nature of gothic' is truly scintillating. * Architectural Research Quarterly *Hundreds of threads that make an astonishingly rich tapestry ... Ruskin has at last found an interpreter with the breadth of learning and a poetic imagination to make his perceptions relevant to our own day. * Architectural Review *The author envisions a radical future for design and technology ... This book is undoubtedly a rich and original source of ideas for anyone across the many disciplines that increasingly care about materiality in the past, present or future. * Theory, Culture & Society *In this remarkable study, Spuybroek treats us to an astonishingly fresh upgrade of John Ruskin, who ends up no longer inhabiting an antique past but talks to us directly. Spuybroeck shows how Ruskin's aesthetic actually works, cutting through clouds of vagueness to get at a wonderfully algorithmic, procedural tactics with limpid clarity. But there's much more: something like a distinctive ontology emerges when we study Ruskin this way. This ontology radically decenters the human from its meaning-making position in the cosmos, allowing all kinds of other entities to show up without the usual visas and interrogations. What results is truly an ecology of things, making Ruskin sharply relevant for our age. * Professor Timothy Morton, Rita Shea Chair in English, Rice University, USA *The Sympathy of Things is a stirring call to action; an amazing reconstruction of the ideas of the Victorian sage John Ruskin; and, above all, a visionary look at the inner life of things. Lars Spuybroek makes the case that aesthetics is first philosophy, and proposes a radical new aesthetics for the digital age. -- Steven Shaviro, DeRoy Professor of English at Wayne State University, USAIf Spuybroek, like Ruskin, does not shake your design and aesthetic concepts, you haven’t understood him. -- Charles JencksThe Sympathy of Things is an astonishing and visionary work. I have never before come across a book so brimming with insight, written with such feeling, and so keenly in touch with life. Ostensibly a meditation on the oeuvre of John Ruskin, what Lars Spuybroek offers us is an intoxicating meditation on art, architecture and design that soars above the ponderous deadweight of thing-theory to luxuriate in the unruly and exuberant proliferation of the things themselves. * Professor Tim Ingold, Chair of Social Anthropology, University of Aberdeen *Table of ContentsForeword Preface 1. The Digital Nature of Gothic 2. The Matter of Ornament 3. Abstraction and Sympathy 4. The Radical Picturesque 5. The Ecology of Design Notes Bibliography Index

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Book SynopsisBeloved and contemplated by philosophers, architects, writers, and literary theorists alike, this book examines the places in which we place our conscious and unconscious thoughts and guides us through a stream of cerebral meditations on poetry, art, and the blooming of consciousness itself.Trade ReviewPraise for Gaston Bachelard:"[Bachelard] is neither a self-confessed and tortured atheist like Satre, nor, like Chardin, a heretic combining a belief in God with a proficiency in modern science. But, within the French context, he is almost as important as they are because he has a pseudo-religious force, without taking a stand on religion. To define him as briefly as possible – he is a philosopher, with a professional training in the sciences, who devoted most of the second phase of his career to promoting that aspect of human nature which often seems most inimical to science: the poetic imagination ..."– J.G. Weightman, The New York Times Review of Books"[Bachelard] reminds me of skilled chess players who take the biggest pieces with pawns."-Michel Foucault (trans.)Praise for Mark Z. Danielewski's House of Leaves:"Any hope or fear that the experimental novel was an aberration of the twentieth century is dashed by the appearance of Mark Z. Danielewski's House of Leaves, the first major experimental novel of the new millennium. And it's a monster. Dazzling."-Washington Post Book World"An intricate, erudite, and deeply frightening book." - The Wall Street Journal

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Book SynopsisA collection of writings that sets out Kengo Kuma's theories of architecture, but also a left field critique of where the architecture world finds itself today. Kengo Kuma is one of Japan's leading architects and Professor Emeritus at the University of Tokyo. Widely known as a prolific writer and philosopher, he proposes architecture that opens up new relationships between nature, technology and human beings. Through a series of thought-provoking essays, he unveils his vision of architecture as a dynamic interplay between tradition and innovation, critiquing the megastructures and capitalist influences of the 20th century and challenging readers to reconsider the role of architecture in shaping our world. Drawing from diverse disciplines including art history, philosophy and literature, Kuma crafts a narrative that transcends the boundaries of traditional architectural theory, presenting a compelling manifesto for a new era of design one that dismantles hard concrete volumes into points, lines and planes that celebrate the simplicity and sustainability of human connection.

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Book SynopsisMichael Sorkin's iconic list is now in a handsome printed package, a perfect gift for any architect, student of architecture, or design-savvy urbanist. By turns poetic and humorous, practical and wise, this book is a joyful celebration of the craft of architecture. A posthumous book by critic, architect, urban theorist, and educator, Michael Sorkin (1948-2020), 250 Things An Architect Should Know is filled with details that architects love to obsess over, from the expected (golden ratio and the seismic code) to the unexpected (the heights of folly and the prismatic charms of Greek islands.)

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Book SynopsisInscriptions: Architecture Before Speech presents a theory of contemporary architecture that spans the work of 112 practices in 750 images. Against the popular characterization of contemporary architecture as a centerless field where anything goes and everything is possible, this book argues that much recent work belongs to a collective undertaking. Underneath the impression of kaleidoscopic difference produced by the rapid circulation of design images is a shared mechanism, an agreement about how architectural objects emerge from the procedures of design. This mechanism, which we call inscription, manages to both offer fundamentally intelligible form to architecture’s audiences and advance the field toward novel outcomes. The ensuing work is nothing less than democratically optimistic in its wide appeal and challenging in its cuts against convention.Featuring essays by Catherine Ingraham, Lucia Allais, Stan Allen, Phillip Denny, Edward Eigen, Sylvia Lavin, Antoine Picon, and Marrikka Trotter, Inscriptions offers a broad array of critical perspectives on work that defines architecture’s second decade of the twenty-first century.

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Book SynopsisArchitecture, Film, and the In-Between: Spatio-Cinematic Betwixt brings together some of the most prominent thinkers in contemporary architectural discourses with an investigation of the filmic imagination of architectural in-betweenness, as well as the in-between spaces within the architectural structure of filmic expression. 32 col illus.

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Book SynopsisA manual, monograph, and call to action, Toward an Urban Ecology points to the future of landscape architecture's role in making resilient, sustainable, and community-oriented spaces. Kate Orff, 2017 MacArthur Fellow, has an optimistic and transformative message about our world: we can bring together social and ecological systems to sustainably remake our cities and landscapes. Part monograph, part manual, part manife­sto, Toward an Urban Ecology reconceives urban landscape design as a form of activism, demonstrating how to move beyond familiar and increasingly outmoded ways of thinking about environmental, urban, and social issues as separate domains; and advocating for the synthesis of practice to create a truly urban ecology. In purely practical terms, SCAPE has already generated numerous tools and techniques that designers, policy makers, and communities can use to address some of the most pressing issues of our time, including the loss of biodiversity, the loss of social cohesion, and ecological degradation. Toward an Urban Ecology features numerous projects and select research from SCAPE, and conveys a range of strategies to engender a more resilient and inclusive built environment.Trade Review"Those familiar with landscape architecture and urban design today are no doubt already aware of the originality of this practice and would likely expect this book - part manual, part manifesto, and part monograph - to follow suit. The book’s ambition is nothing short of reconceiving urban landscape design as a form of activism.... SCAPE’s Manufestograph begins to address how we as a discipline can actually effect change. Of all the things this requires—design vision, enabling policies, strategic funding streams, creative partnerships, innovative maintenance strategies, feedback loops, new representation strategies—the most important message this book imparts is the tireless advocacy that change requires, and which SCAPE is able to model. I want to be doing this. We all should be doing this. SCAPE has got something important going. And we have to believe it will make a difference." - Journal of Architectural Education "A beautiful book with engaging full-page color photography that delves into Breakwaters, their Rebuild by Design project in Staten Island, and others." - The Dirt "Kate Orff is an optimistic and creative force in the world of climate adaptive design. Her book is part monograph and part a clarion call for the need of meshing the social and environmental to deal with the future problems of our planet." - Land8 "Cities have multiple connections to the biosphere. Today they are all negative, destructive. This book shows us in great detail and with splendid clarity how we can turn them positive. It goes well beyond standard solutions as it brilliantly explores the biosphere and makes discoveries." - Saskia Sassen, Professor, Columbia University and author of Expulsions "[This book is] a call to action on urban ecology and climate change, with landscape as the principal medium. Kate Orff's Toward an Urban Ecology is a presentation of ground-breaking projects by SCAPE, and the principles and strategies that underlie their success. Human societies cannot successfully mitigate and adapt to the stresses of climate change without a new state of mind, and landscape architects and artists have an essential role to play....required reading for landscape architects." - Anne Whiston Spirn, Professor of Landscape Architecture and Planning, Massachusetts Institute of Technology, author of The Granite Garden

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Book SynopsisPart memento mori for architecture, and part invocation to reimagine the design values that lay at the heart of its creative purpose.Buildings, although inanimate, are often assumed to have “life.” And the architect, through the act of design, is assumed to be their conceiver and creator. But what of the “death” of buildings? What of the decay, deterioration, and destruction to which they are inevitably subject? And what might such endings mean for architecture''s sense of itself? In Buildings Must Die, Stephen Cairns and Jane Jacobs look awry at core architectural concerns. They examine spalling concrete and creeping rust, contemplate ruins old and new, and pick through the rubble of earthquake-shattered churches, imploded housing projects, and demolished Brutalist office buildings. Their investigation of the death of buildings reorders architectural notions of creativity, reshapes architecture''s preoccupation with good form, loosens its vanit

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Book SynopsisMeeting children as equals is not only a question of pedagogical attitude. Designing Spaces for Children shows how architecture and interior design can promote childhood development. Based on historical and current concepts of progressive education, the book sketches design principles for building daycare centers and schools that can also be transferred to other spaces, such as pediatric clinics. Rooms can invite discovery; they can promote communication and social interaction, strengthen self-confidence, and be places of retreat or landscapes for play. For years, the Berlin architectural firm baukind has been creatively balancing the strict legal requirements and architectural possibilities of architecture suitable for children—always with a view to children’s needs. The book presents realized projects, such as the Kita Weltenbummler in Berlin, and aims to foster the equal involvement of children in the design of our environment.

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Book SynopsisThis work explores the social and cultural hierarchies established in 18th-century France to illustrate how the conceptual basis of the modern house and the physical layout of the modern city emerged from debates among theoretically innovative French architects of the 18th-century.Table of ContentsIllustrations Illustration Credits Preface Acknowledgments 1: Paris: The Image of the City 2: Revolutionary Space 3: Character and Design Method 4: The Neoclassical Interlude 5: The System of the Home 6: Landscapes of Eternity 7: The Space of Absence Notes Index

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Book SynopsisBuilding Theories speaks to the value of words in architecture. It addresses the author's fascination with the voices of architects, engineers, builders, and craftspeople whose ideas about building have been captured in text. It discusses the content of treatises, essays, articles, and letters by those who have been, throughout history, committed to the art of building. In this, Building Theories argues for the return of a practice of architectural theory that is set amongst building, buildings, and builders. This journey of close reading reinterprets the words of Vitruvius, Alberti, de L'Orme, Le Camus de Mézières, Boullée, Laugier, Rondelet, Semper, Viollet-le-Duc, Hübsch, Bötticher, Berlage, Muthesius, Wagner, Behrendt, Gropius, and Arup. With chapters dedicated to texts from antiquity, the Renaissance, and the nineteenth century, and with a critical eye on architectural theory popularized in the Anglo-Saxon world post-1968, readers are introduced to a wider,Trade Review"Trubiano reminds us that it is precisely the serial historic identity crisis of the architect around the irreconcilable meeting of thought and material that is architecture’s shapeshifting impetus for renewal. In a moment when architectural imagination around the becoming-of-things is more critical than ever, she navigates the minefield of past moralism, zealotry, despair and naïve hope with not another disciplinarian rappel a l’ordre, but an inspired coaxing of every architect, no matter how estranged from matter, back into the fray of the building site where materials feature as nature’s protagonists in the drama of construction. With cunning and rigour Trubiano exposes the opposition of text and material as false in order to harness anew the transformative power of making and its mutuality."Francesca Hughes, author of The Architecture of Error: Matter, Measure and the Misadventures of PrecisionTable of Contents1. Thinking through Building 2. Building and the Treatise 3. Architect as Builder and Thinker 4. Matter(s) Hidden in Plain Sight 5. Lost in Translation 6. From Aesthetics to Ethics, and back 7. Design and Construction - Walter Gropius and Ove Arup 8. The Composite Mind Re-Builds Theory Bibliography Index

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Book SynopsisThe first art book containing the work of Spanish photographers Anna Devís and Daniel Rueda. For Anna and Daniel, every unique story needs a unique location to be told in. Luckily for them, there are plenty of beautiful places on our planet waiting to be discovered. Set in all sorts of real-life environments, their images do not only celebrate constructions all over the world but also the cities they were built in. In ‘Happytecture’, Anna and Daniel challenge us to look at the immediate world around us in a way we’ve never seen it before, unfolding the hidden beauty of street elements such as doors, windows and other urban vernacular to which we might tend not to give a second look. The result is a visual love letter to architecture and urban design that is both personal and relatable.

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Book SynopsisThis collection of essays by architect Mario Gooden investigates the construction of African American identity and representation through the medium of architecture. These five texts move between history, theory, and criticism to explore a discourse of critical spatial practice engaged in the constant reshaping of the African Diaspora. African American cultural institutions designed and constructed in recent years often rely on cultural stereotypes, metaphors, and cliches to communicate significance, demonstrating "Africanisms" through form and symbolism-but there is a far richer and more complex heritage to be explored. Presented here is a series of questions that interrogate and illuminate other narratives of "African American architecture," and reveal compelling ways of translating the philosophical idea of the African Diaspora's experience into space.

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Book SynopsisExplores the unexpected perceptual consequences of architecture.Trade Review"Arnheim was the best kind of romantic. His wisdom, his patient explanations and lyrical enthusiasm are those of a teacher." * New York Times *

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Book SynopsisDesign thinking is a powerful process that facilitates understanding and framing of problems, enables creative solutions, and may provide fresh perspectives on our physical and social landscapes. Not just for architects or product developers, design thinking can be applied across many disciplines to solve real-world problems and reconcile dilemmas. It is a tool that may trigger inspiration and the imagination, and lead to innovative ideas that are responsive to the needs and issues of stakeholders.Design Thinking: A Guide to Creative Problem Solving for Everyone will assist in addressing a full spectrum of challenges from the most vexing to the everyday. It renders accessible the creative problem-solving abilities that we all possess by providing a dynamic framework and practical tools for thinking imaginatively and critically. Every aspect of design thinking is explained and analyzed together with insights on navigating through the process.Application of designTrade Review"Andrew Pressman’s exemplary new book is an accessible, readable, and eminently usable introduction to design thinking. The book encourages individual experimentation and flexibility, empowering readers to make the design thinking process their own." — Marilys R. Nepomechie, FAIA, ACSA Distinguished Professor, Florida International UniversityTable of ContentsPart 1: Processes 1. Design Thinking Overview 2. Building Blocks of Design Thinking 3. Tools and Strategies Part 2: Applications 4. Politics and Society 5. Business 6. Health and Science 7. Law 8. Writing Index

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Book SynopsisBuilding is one of very few endeavours that are physically connected to the surface of the earth, fixed and enduring. Nevertheless, for centuries, especially in the West, we have considered ourselves separate and above nature, drifting away, defining our own systems and order, and using the ground as a nothing more than a passive foundation. Other times we sought connection, drawing on nature for ritual and religion, fortified protection, and ecological balance. This global compendium of nearly 1,400 pages brings architecture back in harmony with Earth’s surface. For years, Bjarne Mastenbroek and his architectural firm, SeARCH, have delved into the relationship architecture has, had, and will have with its surroundings, seeing buildings as landscapes that fit into their site without dominating or disturbing it. For Dig It!, they have dug deep into the history of building culture and brought to light fascinating examples of this philosophy—some well known, some previously overlooked. From African churches chiseled from rock and Chinese villages dug into terrains to Parisian housing vibrantly overgrown and a villa built into the cliffs of Capri (famously featured in the film Le Mépris starring Brigitte Bardot), this book dissects structures from the past millennia. Part atlas, part encyclopedia, it highlights traditional vernacular practices, reconsiders all-time favorites, and celebrates contemporary examples across the globe. Designed by Mevis & Van Deursen, the extensive collection features analytical drawings from SeARCH and photo essays by Iwan Baan. Dig It! acknowledges an effort to reconnect architecture and landscape and merge building with ground. Separated into six chapters (or “strategies”)—Bury, Embed, Absorb, Spiral, Carve, and Mimic—this remarkable survey reveals humanity’s connection to the earth through building culture: clever and utterly relevant for the challenges that we have and will face in both urban and natural environments.Trade Review“A global tour of buildings that have a strong relationship to the earth.” * canadianarchitect.com *“Explores past and present examples of how humans have interacted with and lived on the ground.” * designweek.co.uk *“Dig it! Building Bound to the Ground explores innovative, sustainable, and technically stunning approaches to architecture.” * thisiscolossal.com *“Mankind destroys the skin of the earth at an unprecedented scale. The time has come for a fundamental reset.” * Bjarne Mastenbroek *

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Book SynopsisThis update of a classic text folds the new field of neuroscience for design into well-established environment-behavior (E-B) methods and approaches.Trade Review"I have rarely read a more fascinating book. Zeisel manages to provide easy-to-understand explanations of novel applications and familiar concepts." -- The Fulcrum"What John Zeisel does better than anyone else is to link social science research to design practice." -- Dr Francis Duffy, RIBA, founder, DEGW Architects and Planners"This book’s emphasis on the emerging connection between neuroscience, physical environment, and health improvement provides environmental designers with new and important keys to creating better supportive environments for everyone, including people living with Alzheimer’s." -- Elizabeth Brawley, author of Design Innovations in Aging"The design community is ripe for a revival of research, especially for ideas and practices that inform design’s contribution to human experience. Zeisel invites us into the tent to inspire us with the biggest idea of all: that neuroscience can help us create places that enhance the performance of our brains." -- Valerie Fletcher, Executive Director, Adaptive Environments"This extremely readable yet profound book provides every architect, building client, and policy maker with the practical steps needed to create buildings that ‘work’ and then to learn from both their successes and their mistakes to create even better buildings in the future. Illustrated case studies clearly demonstrate the constructive impact that Zeisel’s approach can have in design practice." -- Victor Regnier FAIA, professor of architecture and gerontology, University of Southern California

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Book SynopsisNow in its fifth edition, Analysing Architecture has become internationally established as the best introduction to architecture. Aimed primarily at those studying architecture, it offers a clear and accessible insight into the workings of this rich and fascinating subject. With copious illustrations from his own notebooks, the author dissects examples from around the world and all periods of history to explain the underlying strategies in architectural design and show how drawing may be used as a medium for analysis.In this new edition, Analysing Architecture has been revised and expanded. Notably, the chapter on How Analysis Can Help Design' has been redeveloped to clearly explain this crucially important aspect of study to a beginner readership. Four new chapters have been added to the section dealing with Themes in Spatial Organisation, on Axis', Grid', Datum Place' and Hidden'. Material from the ''Case Studies'' in previous editions has been redistributed aTrade Review"Probably the best introductory book on architecture."Andrew Higgott, Lecturer in Architecture, University of East London, UK"A truly amazing book on how to analyze a building. A must read for all young architects."Fatema, Goodreads.comTable of ContentsPreface to this New Edition. Introduction. Architecture as Intellectual Structure and Identification of Place. Basic Elements of Architecture. Modifying Elements of Architecture. Elements Doing More Than One Thing. Using Things That Are There. Primitive Place Types. Architecture as Making Frames. Geometries of Being. Ideal Geometry. Themes in Spatial Organisation: 1. Space and Structure. 2. Parallel Walls. 3. Axis. 4. Grid. 5. Datum Place. 6. Stratification. 7. Transition, Hierarchy, Heart. 8. In-between. 9. Inhabited Wall. 10. Hidden. 11. Refuge and Prospect. Temples and Cottages. How Analysis Can Help Design. Postscript. Acknowledgements. Bibliography and References. Index.

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Book SynopsisOne of the greatest and most in uential architects of Japan's postwar generation, Shinohara Kazuo (1925-2006) has remained virtually unknown outside the small community of devoted followers. As one of the leaders of architectural movement Metabolism, Shinohara achieved cult- gure stature with sublimely beautiful, purist houses that break away from Japan's postwar suburban architecture.Perhaps the most iconic of Shinohara's works, House of White (1964-66), rearranges a familiar design palette-a square plan, a pointed roof, white walls, and a symbolic heart pillar-to give the almost oceanic spaciousness through abstraction. The underlying formalism in Shinohara's architecture-its basic explorations of geometry and color-lends his work a poetic quality that fuses simplicity and surprise, the ordered and the unexpected.This volume brings together new scholarship from the foremost specialists on Shinohara and Japan's modern architecture. New perspectives and historical frameworks range from the develop- ment of the small house as a building type in postwar Japan to Shinohara's engagement with French critical theory. Hitherto unpublished archival drawings and personal travel photographsby Shinohara complement the essays.

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Book SynopsisTrade Review"[Bo Bardi's] drawings of buildings are freer and more colourful than is customary in architectural sketches, and are well reproduced here alongside street scenes, posters and magazine illustrations, and designs for furniture and theatrical costumes." * A Magazine *"This beautifully illustrated anthology is the . . . first publication to offer a glimpse of [Bo Bardi’s drawings] and it does so with thoughtful insight into the woman who created them." * Architectural Record *"This slim, beautifully produced selection of drawings by Bo Bardi (1914–1992), a modernist architect who emigrated from Italy to Brazil after World War II, suggests a playful, endlessly inventive intelligence (the drawing chosen for the cover is a perfect example). A delight!"---John Wilson, First Things

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Book SynopsisThe problem of creating affordable, adequate housing for a growing population is not a new one. This book, aimed at anyone with a professional or personal interest in improving housing provision everywhere, aims to inspire by offering in-depth studies of London's housing past and seeks to provide sustainable solutions for the future by linking to wider contemporary historical and social contexts.This book will influence today’s housing debates through showcasing lessons from the past and highlights examples that inform the present. The buildings assessed in these case studies will be measured in terms of their longevity, sustained popularity, livability, average densities and productivity.The research and case studies from the book provide an invaluable resource for academics of architecture, urban design, sociology, history and geography as well as professionals, policy makers and journalists.Table of ContentsForeword - Owen HatherleyPreface - Andrew SaintIntroduction - Peter Guillery and David KrollChapter 1: Urban Design in Victorian London: The Minet Estate in Lambeth 1870 to c. 1910 - David KrollChapter 2: Miles of Silly Little Dirty Houses: The Lessons of Victorian Battersea - Colin ThomChapter 3: Renewable Principles in H A Darbishire's Peabody Estates 1864-1885 - Irina DavidoviciChapter 4: Residential Flats: Densification in Victorian and Early 20th-Century London - Richard DennisChapter 5: South Acton Unsustained - Peter GuilleryChapter 6: High Social Housing in London c.1940-1970 - Simon PepperChapter 7: ‘We felt magnificent being up there’: Ernő Goldfinger's Balfron Tower and the campaign to keep it public - David RobertsChapter 8: Out-of-Sync Estates - Ben CampkinChapter 9: Gentrification: The Case of Canonbury - Tanis HinchcliffeChapter 10: Victorian Houses: Recent Approaches to Sustainable Retrofit - Sofie Pelsmakers and David Kroll

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Book SynopsisPublished 100 years ago, Le Corbusier's Vers une Architecture was conceived as a way of making sense architecturally of a moment of profound social and technological change. Today, we live at another pivotal moment for architecture and for the wider world. The climate emergency alone requires us to rethink everything we have previously taken for granted about how we conceive and construct buildings. One of the great ironies of Le Corbusier's messianic vision is that the very thing he so celebrated unbridled industry has led us to the climate emergency. Yet, moments of crisis and transformation are also opportunities for overturning conventions, facing uncomfortable truths and forcing disciplinary and societal reset'. What we need is not a new architecture, as Le Corbusier was popularly mistranslated as advocating, but another one: an architecture that is not bound to a single vision or future, but is diverse, pluralist and sustains multiple conversations about the active role that

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Book SynopsisBuilding on the success of the first edition, an engaging and reader-friendly work on complex ideas, Introducing Architectural Theory: Expanding the Disciplinary Debate, broadens the range of themes, voices, and geographies represented to provide a more comprehensive and contemporary theory book.This book presents major discourses in architectural theory and design in a debate-like format, integrating a series of edited texts across architectural history with context and newly written commentaries by the authors. This new edition has been fully revised, updated, and expanded to include long-standing debates, such as simplicity vs. complexity or the relationship between form and function, as well as newer discussions on innovation, globalization, and social equity. Authors Smith and Guitart provide a comprehensive means and conceptual framework for readers to compare multiple points of view. The chapter structure, discussion questions, and additional resources allow tTrade Review'More than yet another synoptic overview of architectural theory this is an exemplary pedagogical record of an on- going course in architectural theory & criticism as given to graduate students of architecture in a major university. As such it is without parallel.'Kenneth Frampton, Emeritus Professor of Architecture. Graduate School of Architecture, Planning, and Preservation, Columbia University, New York'With their international experience as educators, Korydon Smith and Miguel Guitart offer an engaging text for both beginning architecture students and established architects. It is a useful tool for broadening our knowledge of architectural design and better understanding the decisions that architects make.'Rafael Moneo, Josep Lluis Sert Professor in Architecture, Emeritus, Harvard University Graduate School of Design'Advocating for the centrality and vitality of theory in design discourse, Introducing Architectural Theory: Expanding the Disciplinary Debate offers young architecture students a compendium of texts and strategies for developing a critical position for their work through thematically organized texts of historical and contemporary theory. Neither canon nor anthology, it asks its audience to reflect on and respond to the diversity and complexity of this moment in the discipline and practice of architecture. Smith’s and Guitart's book is a must-read for architecture students and educators alike pursuing an interest in architectural theory necessity for the discipline and profession today.'Sharon Haar, FAIA, NOMA, Professor. Taubman College of Architecture and Urban Planning, University of MichiganTable of ContentsPart 1: Debate in Architecture Introduction: To Students: Why Architectural Theory is Vital to Your Education and Your Career Part 2: Dialectical Readings in Architecture 1. Space and Structure 2. Function and Form 3. Exterior and Interior 4. Simplicity and Complexity 5. Honesty and Illusion 6. Material and Immaterial 7. Body and Building 8. Cognition and Emotion 9. Natural and Constructed 10. Local and Global 11. Tradition and Innovation 12. Exclusivity and Inclusivity

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Book SynopsisThis book brings together Kenneth Frampton's essays from the 1960s to today which epitomize his reflections on the historicaltheoretical entanglements of architecture with place, the public realm, cultural identity, urban landscape and environment, and the political question of the predicament of architecture in the new Millennium. The essays explore Frampton's contention that architecture's imperative is to assume a significant responsibility for the edification and stewardship of the Arendtian public world.' One of the most theoretically sophisticated and politically committed architectural thinkers, Frampton's work breaks emphatically with the limits and norms of much contemporary practice and restores a sense of richness and social consequence of architecture's unfinished project,' while offering abiding lessons not only for architecture but for social, cultural, and design criticism alike.

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Book SynopsisThe renowned architectural historian and critic, beloved Yale professor, and outspoken public activist Vincent Scully (19202017) emerged in the 1950s as a guiding voice in American architecture. This intellectual biography of Scully's life and career traces the formative moments in his thinking, mapping his relationships with a constellation of architects, artists, and cultural personalities of the past one hundred years. Scully charted an unlikely course from postwar modernism to postmodernism and New Urbanism, overturning outdated beliefs and changing the face of the built environment as he went. A teacher for more than 60 years and a figure of immense importance in the field, he was central to an expansive network of associations, from Frank Lloyd Wright, Louis Kahn, and Robert Venturi to Robert Stern, Harold Bloom, and Norman Mailer. Scully's extensive body of work, with its range spanning centuries and civilizations, coalesced around the core beliefs that archit

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Book Synopsis"These are just a few highlights amongst the 43 projects featured in Architects at Home, but each is certain to reveal both the pleasures and challenges of designing a home for oneself." — Canadian Interiors This stunning revised and updated edition takes you on a thrilling tour through the fascinating, eclectic and stylish abodes of some of the world’s best-known architects. Not only do these pages offer a rare glimpse into each architect’s personal, private environment, but each uniquely designed project provides insight into how each architect marries trends with their own personal philosophy, and how they inject interior design flair into their own contemporary domain. Combining rich photography and spectacular imagery with an incisive summary by a leading architecture specialist, Architects at Home provides a rich source for those keen to delve into the design aesthetics, concepts and innovations of prominent architects from around the globe.Trade Review"When architects design their own family getaways; two upstate homes - one modern, one cozy." - Curbed Magazine"It offers an enticing look through the keyholes of remarkable properties designed by the architects that live in them." - Daily Mail"These are just a few highlights amongst the 43 projects featured in Architects at Home, but each is certain to reveal both the pleasures and challenges of designing a home for oneself." - Canadian InteriorsTable of ContentsIntroduction Next Level Living Perfect Balance Over and Across Integrated with Site A Natural Affinity Razzle Dazzle Modern Resilience Hidden Among the Woods Ramble On Forest Lookout Building Family Connections Courting in Style Light and Bright Island Adventures Corten with Character Crystalline Form Bird's-Eye Views Countryside Charm Maker's Mark Growing Together Bound in a Grid For the Love of Art Changing the Mood Stacking Up Wooloowin Wonder Nestled in the Landscape Planting New Roots Romance in the Dunes Complete Contrast Box of Tricks Home Made Rustic Modernist Concrete Ambience Transparent Intentions Salvaged for the Future Solar Canopy Reflecting the Environment Abstracted Forms Connecting Environments Desert Reflections Clearly Connected Slipping into Place Harnessing the Views Credits

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Book SynopsisColour is architecture’s sharpest tool in the box. It has indexed everything from the feminine, cosmetic and vulgar to the pure, intrinsic and embodied. Attitudes to colour are constantly shifting. They have played a central role in the history of architecture: from the polychromy of the ancients to the great white interiors of high modernism; the figurative flourishes of postmodernism to the embodied sublime of contemporary building systems and facades. In contemporary architecture, colour has emerged as a powerful mode of working and an impactful political proposition. The second digital age has ushered paradigmatic shifts in how architects engage it. Employing the full spectrum of colour requires a projective mode of action – one that anticipates nascent futures. It aids in the democratisation of visual culture, opening the field to enable a multiplicity of identities by introducing new references and embracing new voices. This book explores the operative role of colour in current practice by proffering visions not of idealised other worlds, but rather radical reimaginings of our present one. Features: 100 Architects, Maya Alam, David Batchelor, Galo Canizares, Courtney Coffman, Fala Atelier, Marcelyn Gow, Louisa Hutton, Sam Jacob, Carolyn Kane, Guto Requena, Javier González Rivero, Paulette Singley, Amanda Williams and Mimi Zeiger.Table of ContentsArticles Arch-White by Carolyn Kane Collective Palettes: On Colour and Identity by Courtney Coffman Digital Colour: A Semi-Technical Reflection by Galo Canizares Clouds of Colour by Maya Alam Prismatic by Marcelyn Gow Colour is a Place as Well as a Thing by Sam Jacob When Grass is Not Green: Botanising the Asphalt by Paulette Singley Profiles Working with Colour by Louisa Hutton Colour is a Sufficient Material by fala Notes on the Velocity of Colours by David Batchelor Colour as Activism by Guto Requena Case studies Colouring the Public Realm by Javier González Rivero ‘What Black is This, You Say?’ A conversation between Amanda Williams and Jasmine Benyamin Final Word: Uncolour by Mimi Zeiger

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