Theatre studies Books

Book SynopsisThere's nae power on earth can crush the men who can sing on a day like this.A powerful re-imagining of Joe Corrie's neglected classic about a Fife mining community during the General Strike. To raise funds for the soup kitchens feeding the miners and their starving families, Corrie wrote In Time O'' Strife in 1926 whilst on strike himself, exposing the brutal lives of a family staring hunger and defeat in the face. Some 87 years later, Graham McLaren has adapted, designed and directed this rarely performed classic play.Created by Graham McLaren (Men Should Weep, A Christmas Carol), the production uses fragments of Corrie's other plays, poems and songs, celebrating his ability as a writer and his contribution to Scottish culture.This edition pairs Corrie''s original text with the script created by McLaren''s adaptation process.Trade ReviewGraham McLaren has adapted the original text and interwoven fragments of Corrie’s other plays, poems and songs to create a celebration of his oeuvre * Courier *A memorably angry, vivid and theatrical retelling of a vital story in Scottish history . . . It's an exhilarating experience, this In Time O' Strife, and not to be missed. * Scotsman *The meeting of music, dance and drama is frequently exhilarating . . . the production has a rare political anger. * Guardian *Corrie's characters personify the stark dilemma faced by the striking miners . . . an intensely powerful production, though, brilliantly performed by a fine ensemble. * The Times *

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Book Synopsis''This is the biography - truthful, sympathetic and thorough - that Coward deserves''DAILY TELEGRAPHThe voice, the dressing-gown, the cigarette in its holder, remain unmistakable. There is rarely a week when one of Private Lives, Hay Fever, and Blithe Spirit is not in production somewhere in the world. Phrases from Noël Coward''s songs - Mad About The Boy, Mad Dogs and Englishman - are forever lodged in the public consciousness. He was at one point the most highly paid author in the world. Yet some of his most striking and daring writing remains unfamiliar. As T.S. Eliot said, in 1954, there are things you can learn from Noël Coward that you won''t learn from Shakespeare.Coward wrote some fifty plays and nine musicals, as well as revues, screenplays, short stories, poetry, and a novel. He was both composer and lyricist for approximately 675 songs. Louis Mountbatten''s famous tribute argued that, while there were greater comedian

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Book Synopsis'Impressive' Financial Times 'Terrific' Guardian'Elegant' Laura SheppersonBy night, Vivian Parry performs the role of Manhattan's sharpest literary critic, immersing herself fully in every show she sees. By day, she uses work, sex and psychotropic drugs to keep her comfortably numb. Desperate for a promotion and at the urging of her editor, she agrees to an interview with David Adler, an enigmatic graduate student. When he later disappears, Vivian soon learns from his devastated fiancée that she was the last person to have seen him alive. The police refuse to investigate his disappearance and Vivian finds herself obsessed with what happened, assuming the role of amateur investigator. But as she gets closer to the truth about David Adler, she finds that the boundaries between theatre and reality are more tenuous than even she could have believed.

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Book SynopsisIn 2022, my first book, ‘Fire! Fire! The Theatre’s on Fire’, was published. It focused on the devastating effect of theatres impacted by fire. It was nominated for ‘The STR Theatre Book Prize 2022’ which is awarded each year by the Society for Theatre Research. I was delighted with the compliments I received from the many people who bought my first book. Hopefully they will be just as complimentary about my second book! The chosen subject for this book are theatres which are still standing, (just!), but are extremely vulnerable. The majority of these theatres are identified in the official ‘Theatres at Risk Register’ published annually. This was created in 2006 and it records theatres that are in need of considerable help, effort and support from many organisations. If they do not receive this they will be lost forever. Thankfully, having had the much needed support, some theatres are no longer on this list. My first experience of a theatre closure was the sudden demise of my local theatre, ‘Dewsbury Empire’ in March 1955 and the life long effect it had on me, my family, the community, the town and the theatre world in general. As a tribute to all the hard work that the numerous theatre appreciation societies are carrying out, I have selected fifteen theatres and have completed extensive research on their history as well as including the now infamous ‘Did You Know…?’ gossip section! I sincerely hope that the members of the ‘Save the Theatre’ societies are successful in their magnificent efforts and that we see many more ‘Theatres At Risk’ saved for posterity. Thank you to you all for the marvellous efforts you are making in preserving these theatres and I would ask readers of this book to join me in assisting or donating to these good causes whenever possible.Table of ContentsBRIGHTON - HIPPODROME, BURNLEY - EMPIRE, DERBY - HIPPODROME, DONCASTER - GRAND, DUNDEE - KINGS, GREAT YARMOUTH - REGENT, HALIFAX - THEATRE ROYAL, MANCHESTER - THEATRE ROYAL, MORECAMBE - WINTER GARDENS, PLYMOUTH - PALACE, SALFORD - VICTORIA, SOUTHPORT - OPERA HOUSE, STREATHAM HILL THEATRE, SWANSEA - PALACE, WALSALL - IMPERIAL

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Book SynopsisWritten by highly respected authors and suitable for a wide range of abilities, this practical and engaging Students’ Book offers students complete support.   

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Book SynopsisThe classic manifesto on popular theatre by the founder of the 7:84 Theatre Companies. John McGrath's manifesto is as relevant today as it was when first published in 1981. Looking at the ways different classes take their entertainment, he puts the case for what theatre could be doing for the populace instead of walling itself up in subsidised fortresses for the well-to-do.Trade Review'The classic statement of the aims of the counter-theatre movement in this country' * Financial Times *'Ebullient, provocative and, above all, life-enhancing' -- Michael Billington

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Book SynopsisDrama Menu is a brand new concept for planning and delivering dynamic, progressive drama lessons and workshops. Packed with over 150 tried-and-tested theatre games, exercises and improvisation ideas, it’s an essential resource for any drama teacher or workshop leader – guaranteed to deliver delicious drama sessions every time. Simply make a selection from each of the three courses, and your whole drama session will come to life with new-found energy and focus: Appetisers are fast-paced warm-up exercises to energise and enthuse the group; Starters are the intermediary course to challenge the players and encourage creativity; Main Courses provide the central part of the session, culminating in a final performance piece; And a few Desserts are also provided, if you have some space at the end of your session for something sweet. Drama Menu is the recipe book that will relieve the stress of planning lessons and workshops. Now you can get on with what you do best: delivering creative drama sessions that will have your groups hungry for more. Join the online Drama Menu community, browse and share other recommended menus, and download a comprehensive Resource Pack and selection of sound effects, providing everything you need to start playing straight away.Trade Review'Well organised and easy to use… a useful and relevant tool for anyone involved with facilitating drama sessions' * Drama Magazine *'An essential resource for anyone teaching drama to children of all ages... with catchy titles, clear numbering and individual exercise summaries, Drama Menu is an easily accessible, flexible and creative resource useful for any dramatic platform. A must have for all teachers wanting to give their students the very best!' * Word Matters *'Easy to navigate... definitely something for everyone... a really useful collection' * Teaching Drama *'Ideal... [the author's] knowledge and experience are apparent in his writing and this book will provide a great deal of varied and inspiring material for sessions with secondary-aged or older students, although many activities could be used with or adapted for younger age-groups' * Drama Resource *'Unbelievably useful... every reader will find something new and of absolute hands-on usefulness... Drama Menu will become your companion' * ReviewsGate.com *

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Book SynopsisTable of ContentsPart I: THE FABRIC OF INTERPERSONAL COMMUNICATION. 1. A First Look at Interpersonal Communication. 2. Communication and Personal Identity. 3. Perception and Communication. 4. The World of Words. 5. The World Beyond Words. 6. Mindful Listening. Part II: WEAVING COMMUNICATION INTO RELATIONSHIPS. 7. Emotions and Communication. 8. Communication Climate: The Foundation of Personal Relationships. 9. Managing Conflict in Relationships. 10. Friendships in Our Lives. 11. Committed Romantic Relationships. 12. Communication in Families. Epilogue: Continuing the Conversation. Glossary. References. Index.

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Book Synopsis160 all-new games and exercises from the author of the bestselling companion for drama teachers and workshop leaders, offering more than one million unique and tasty combinations, ready to be put into action! Simply make a selection from each of the four complementary courses, and your whole drama session will come to life with clarity, intensity and focus: Appetisers are fast-paced warm-up exercises to energise and enthuse; Starters are the intermediary course to challenge and kickstart creativity; Main Courses provide the central part of the session, culminating in a final performance piece; Desserts are there for when you have space at the end of your session for something sweet. Every exercise has been devised, tested and selected for its ability to ignite creativity and develop the performing potential of each player. There's also a downloadable Resource Pack stuffed with a huge range of new stimuli to engage your students and encourage deeper participation. Drama Menu: Second Helpings has everything you need to spice up your sessions with a variety of new challenges that will invigorate and inspire your students, and ensure that every session is fresh, dynamic and relevant. Bon appétit! Praise for Drama Menu: 'An easily accessible, flexible and creative resource useful for any dramatic platform. A must-have for all teachers wanting to give their students the very best!' Word Matters 'Easy to navigate... definitely something for everyone... a really useful collection' Teaching Drama 'Ideal... will provide a great deal of varied and inspiring material for drama sessions' Drama Resource 'Unbelievably useful... every reader will find something new and of absolute hands-on usefulness... Drama Menu will become your companion' ReviewsGate.comTrade Review'An excellent way to have a ready-made session to pull off the shelf... This book is well worth adding to your exercises and activities collection, helpful to those new to teaching drama, as well as those more experienced practitioners' * Drama & Theatre Magazine *

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Book Synopsis Kristin Stultz Pressley, PHD, is a musical theatre historian and nationally-recognized lecturer at theatres and universities. Known for a presentation style that is equal parts engaging and informative, Stultz Pressley is also an author. Her first book, I Can't Give You Anything But Love, Baby: Dorothy Fields and Her Life in the American Musical Theater, was published by Applause Books in January of 2021. Connect with Kristin online at http://www.DrBroadway.com or via Instagram: @DrBway.

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Book SynopsisIn How Plays Work, distinguished playwright David Edgar examines the mechanisms and techniques which dramatists throughout the ages have employed to structure their plays and to express their meaning. Written for playwrights and playgoers alike, Edgar's analysis starts with the building blocks of whole plays – plot, character-creation, genre and structure – and moves on to scenes and devices. He shows how plays share a common architecture without which the uniqueness of their authors' vision would be invisible. How Plays Work is both a masterclass for playwrights and playmakers and a fascinating guide to the anatomy of drama. In this revised edition, Edgar brings the book right up to date with analyses of many recent plays, as well as explorations of emerging genres and new innovations in playwriting practice. 'A brilliantly illuminating, bang-up-to-date, unmissable read' April De Angelis 'A book of real theoretical heft written by a major working playwright' Steve Waters 'An essential accompaniment for anyone fascinated by the craft of dramatic storytelling' John Yorke 'Every theatremaker should read this book' Pippa Hill, Literary Manager, Royal Shakespeare Company 'Even if you've read the book before, it demands to be reread' Simon Callow 'Combines theoretical acumen with the assured know-how of a working dramatist' Terry Eagleton, Times Literary SupplementTrade Review'Fascinating... read it. You will learn a lot' * The Stage *'Lucid, deeply intelligent... combines theoretical acumen with the assured know-how of a working dramatist' * Terry Eagleton, TLS *

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Book SynopsisYOU, THE CHOREOGRAPHER, Creating and Crafting Dance offers a synthesis of histories, theories, philosophies, and creative practices across diverse genres of concert dance choreography. The book is designed for readers at every stage of creative development who seek to refine their artistic sensibility.Through a review of major milestones in the field, including contributions to choreography from the humanities, arts, and modern sciences, readers will gain new perspectives on the historical development of choreography. Concise analyses of traditional fundamentals and innovative practices of dance construction, artistic research methods, and approaches to artistic collaboration offer readers new tools to build creative habits and expand their choreographic proficiencies.For learners and educators, this is a textbook. For emerging professionals, it is a professional-development tool. For established professionals, it is a companion handbook that reinvigorates insTrade Review"…a lovely and useful resource for anyone interested in the timeless art of choreography." — Christopher Wheeldon, The Royal Ballet, UK"…a cumulative reference for understanding the craft of choreography." — Hans van Manen, Dutch National Ballet, The Netherlands"…a practical guide to a supremely impractical endeavor: dancemaking." — Septime Webre, Hong Kong Ballet, Hong Kong"…inspiration to finding your individuality as a choreographer." — Jennifer Archibald, Cincinnati Ballet, and Faculty, Yale School of Drama, USA"…a meticulous and thoughtful handbook for anyone interested in choreography." — Neil Ieremia, Black Grace, New Zealand "…advice on how to begin, which is the most important part of the work." — Annabelle Lopez Ochoa, Choreographer, The Netherlands "…an elegantly composed and comprehensive companion book with techniques of dance making." — Amelia Rudolph, BANDALOOP, USA"…a thoroughly researched manual to understanding choreographic skills." — Pontus Lidberg, Danish Dance Theatre, Denmark "…an opportunity for emerging choreographers to study the rules so they can stretch the rules." — Yuanyuan Wang, Beijing Dance Theater, China"…insight into the complexities of the creative process and a roadmap for direction." — Rafael Bonachela, Sydney Dance Company, Australia"…dance helps you to discover yourself and this book helps you discover how." — David Dawson, Dutch National Ballet, The Netherlands, and Semperoper Ballett, Germany"…a compass to explore choreography and direct dance." — Sidi Larbi Cherkaoui, Ballet of the Grand Théâtre de Genève, Switzerland, and Eastman, BelgiumTable of ContentsPart 1: Time Travel – Choreographing Through the Ages 1: Stone Age: The Dawn of Dance – Choreographing Ritual 2. Ancient Age: Gods and Muses in Motion – Choreographing Art 3. Medieval Age: Leaping into Group Identity – Choreographing Symbol 4. Renaissance and Baroque Age: Waltzing Kingdoms – Choreographing Culture 5. Industrial Age: Dancing the Self – Choreographing Expression 6. Information Age: Turning Against the Norm – Choreographing Experimentation 7. Integral Age: Conceiving Progressive Coherency – Choreographing Integration Part 2: Mind and Muscle – The Body, Intellect, and Creative Spirit 8. The Moving Body as a Work of Art – Corpus Cognitus 9. Inside the Brain of the Choreographer – Dissection of a Glorious Mind 10. Handling Perfect Imperfections – Intuitive Craftsmanship Part 3: Concept and Context – Innovation, Intentionality and Individuality 11. Inventive Creativity – In Art, Everything is Possible 12. Framing Content and Sorting Concepts – Logistics of the Unlimited 13. Choreographic Individuality and Artistic Identity – The Search for Who I Am Part 4: Form and Formlessness - Generating Movement Material 14. The Emergence of Movement – First Crawl and Walk, then Run 15. Dance Improvisation – Embracing Choreographic Adventures 16. Choreographic Phrase – Diving into the Movement Flow Part 5: Process and Progress – Developing Movement Material 17. Choreographic Devices and Operations – Growing A Dance Garden 18. Structure and Restructure, Construct and Deconstruct – Architecting A Dance 19. Physical Dramaturgy – Making A Monument Out Of Movement Part 6: Sonic Swing – Dance the Music, Music the Dance 20. Are Music And Dance Best Friends Forever? – Melody In Motion 21. Seeking, Choosing and Working with the Music – Attract and Retract 22. Dancing Silence, Noise, Soundscape and Spoken Word – Body of Sound Part 7: Picture Perfect - Venture Follows Vision 23. Nurturing Semantics – Naming a Newborn Dance and Raising a Brand 24. Think Costumes, Lights, and Scenic Design – Piecing A Production 25. A Career in Choreography – Dancing Decisions Moving Forward

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Book SynopsisA beautifully designed celebration of the 40th birthday of the Barbican Arts Centre, in the heart of the City of London. It is the largest multi-arts centre in Europe, encompassing an art gallery, theatres, concert halls, cinemas and a much-loved conservatory, and regular collaborators include the London Symphony Orchestra and the Royal Shakespeare Company. Compiled by Nicholas Kenyon, the Barbican Centre's Managing Director 2007–2021, this is an in-depth exploration of the centre, drawing on the vast array of material available in its archives, much of which has never been seen before. It includes plans and photographs from the centre’s design and construction, original signage and branding, and brochures and programmes. All this is accompanied by a wealth of photographs of the huge range of performances and exhibitions that have taken place over the years, from early RSC performances to the popular Rain Room installation of 2012 to today’s impressive programme of events put together in conjunction with schools and the local community. The book's authoritative and evocative text includes: ·Foreword by Fiona Shaw ·Introduction by Sir Nicholas Kenyon ·Cultural historian Robert Hewison on how the centre came into being ·Architectural historian Elain Harwood on its architecture ·Music critic Fiona Maddocks on music ·Writer and theatre critic Lyn Gardner on theatre ·Editor and creative director Tony Chambers on visual art ·Author and film critic Sukhdev Sandhu on film With listings of Barbican events from 1982 to the present day, and snippets of oral history from some of the many people associated with the centre over the years, this sumptuous book is an invaluable companion to one of the world's most important cultural spaces.Trade Review‘A visual delight’ -- Helen Barrett * Spectator *‘A thoughtful take on the radical vision that its architects laid out for the culture and the arts’ * Monocle *‘[A] beautiful mix of illustration and photography, which captures the story of the [Barbican]’. * Mr Porter *'A massive, lavish book’ * Tribune *‘Handsome’ -- Oliver Wainwright * The Guardian *‘A comprehensive and sympathetic presentation of one of modern Britain’s most iconic buildings’ * Time Out *‘Ample and beautifully produced’ -- Keith Miller * Times Literary Supplement *

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Book Synopsis1606: William Shakespeare and the Year of Lear traces Shakespeare''s life and times from the autumn of 1605, when he took an old and anonymous Elizabethan play, The Chronicle History of King Leir, and transformed it into his most searing tragedy, King Lear.1606 proved to be an especially grim year for England, which witnessed the bloody aftermath of the Gunpowder Plot, divisions over the Union of England and Scotland, and an outbreak of plague. But it turned out to be an exceptional one for Shakespeare, unrivalled at identifying the fault-lines of his cultural moment, who before the year was out went on to complete two other great Jacobean tragedies that spoke directly to these fraught times: Macbeth and Antony and Cleopatra.Following the biographical style of 1599, a way of thinking and writing that Shapiro has made his own, 1606: William Shakespeare and the Year of Lear promises to be one of the most significant and accessible works on Shakespeare in the decade to come

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Book SynopsisIn this revised and updated biography, Maureen Paton encompasses the private, professional and political life of this most enigmatic, charismatic and intensely private of actors.Trade Review'An illuminating profile' Premiere

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Book SynopsisLearn first-rate techniques and tips from some of the best makeup artists in the business in the new edition of The Makeup Artist Handbook. Renown makeup pros Gretchen Davis and Mindy Hall bring an impressive set of experience in all areas to the book, including work on Teenage Mutant Ninja Turtles, Steve Jobs, The Wolf of Wall Street, Blue Jasmine, Star Trek, Pearl Harbor, HBO's Looking and many other films and TV shows. This full-color, comprehensive new edition offers brand new photographs and on-the-job examples to demonstrate makeup techniques and fundamentals on topics such as beauty, time periods, black and white photography and up-to-date information on cutting-edge techniques like computer-generated characters, makeup effects, mold-making, air brushing, and plenty of information on how to work effectively on set.Table of ContentsCONTENTSPreface Acknowledgments/Dedications Chapter 1 Shapes Chapter 2 The Body Chapter 3 Color Chapter 4 Lighting Chapter 5 Technology Chapter 6 Foundations Chapter 7 Basics Chapter 8 Beauty Chapter 9 Design Chapter 10 Hair Chapter 11 Airbrush Chapter 12 Effects Chapter 13 How to Be a Pro Cosmetics, Tools, Labs, and Effects The Crew Glossary Professional Library The Pros Unions Index

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Book SynopsisTable of ContentsEditor’s Note by Jesse Feiler xiii Foreword by Katie Finneran xv Foreword by David Hyde Pierce xix Acknowledgments xxiii Part One The Actor Introduction 3 1 Concept 11 2 Identity 22 3 Substitution 34 4 Emotional Memory 46 5 Sense Memory 52 6 The Five Senses 60 7 Thinking 65 8 Walking and Talking 69 9 Improvisation 73 10 Reality 75 Part Two The Object Exercises Introduction 81 11 The Basic Object Exercise 91 12 Three Entrances 95 13 Immediacy 102 14 The Fourth Wall 106 15 Endowment 112 16 Talking to Yourself 119 17 Outdoors 124 18 Conditioning Forces 129 19 History 134 20 Character Action 139 Part Three The Play and the Role Introduction 145 21 First Contact with the Play 147 22 The Character 152 23 Circumstances 158 24 Relationship 165 25 The Objective 174 26 The Obstacle 180 27 The Action 184 28 The Rehearsal 192 29 Practical Problems 201 30 Communication 213 31 Style 217 Epilogue 222 The Studio Story, by Uta Hagen 224 Address to the Austrian Academy, by Herbert Berghof 239 Sources, by Uta Hagen 244 About Uta Hagen 252 About Haskel Frankel 254 Index 255

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Book SynopsisA definitive new account of the professional and personal life of one of Hollywood''s most unforgettable, influential stars.Archie Leach was a poorly educated, working-class boy from a troubled family living in the backstreets of Bristol. Cary Grant was Hollywood''s most debonair film star--the embodiment of worldly sophistication. Cary Grant: The Making of a Hollywood Legend tells the incredible story of how a sad, neglected boy became the suave, glamorous star many know and idolize. The first biography to be based on Grant''s own personal papers, this book takes us on a fascinating journey from the actor''s difficult childhood through years of struggle in music halls and vaudeville, a hit-and-miss career in Broadway musicals, and three decades of film stardom during Hollywood''s golden age. Leaving no stone unturned, Cary Grant delves into all aspects of Grant''s life, from the bitter realities of his impoverished childhood to his trailblazing role in Hollywood as a film star who defied the studio system and took control of his own career. Highlighting Grant''s genius as an actor and a filmmaker, author Mark Glancy examines the crucial contributions Grant made to such classic films as Bringing Up Baby (1938), The Philadelphia Story (1940), Notorious (1946), An Affair to Remember (1957), North by Northwest (1959), Charade (1963) and Father Goose (1964). Glancy also explores Grant''s private life with new candor and insight throughout the book''s nine sections, illuminating how Grant''s search for happiness and fulfillment lead him to having his first child at the age of 62 and embarking on his fifth marriage at the age of 77. With this biography--complete with a chronological filmography of the actor''s work--Glancy provides a definitive account of the professional and personal life of one of Hollywood''s most unforgettable, influential stars.Trade ReviewScrupulously researched... Interweaving Grant's personal life with his career, Glancy provides the kind of detailed production histories and nuanced close readings of Grant's performances that will appeal to die-hard Cary Grant fans and film studies academics alike. * Charlotte Crofts, Open Screens *The volume is well indexed and the text fully supported by endnotes and a generous bibliography... Glancy's account is full, readable and scholarly. * John Stevens, Transactions *As a star biography it sets new standards of scholarship... It will become a definitive account of Grant, providing a judiciously balanced and peceptive evaluation of his intervowen personal and professional life, elucidated in pellucid prose whose elegance mirrors its subject. * Andrew Spicer, Archives *Glancy's account is full, readable and scholarly and it is confidently predicted that this particular quarry is now closed. * Josh Stevens, Bristol & Gloucestershire Archaeological Society *Offering glimpses of Grant both inside and outside of studio walls, Glancy succeeds in culling together a cohesive book based upon Grant's personal papers ...if the reader is not familiar with the breath of Grant's filmography, Glancy's book steps in as a guide through Grant's many works. * Annette Bochenek, Hometowns to Hollywood *The definitive biography: forensic, myth-busting, and psychologically fine-tuned. Both a well-written work of scholarship and an entertaining ride through the life and work of one of Hollywood's most fascinating stars. * Mark Kidel, filmmaker and writer *Mark Glancy's detailed biography carefully pieces together the actor's early life, from the day-dreaming teenager's expulsion at school to his life in music hall and his early struggles in New York... before his cinema stardom... a first-rate study of a star of cinemas golden age. * Martin Chilton, Independent *[an] exemplary biography * David Thomson, London Review of Books *Cary Grant has been the subject of so much gossip over the years so it is pleasant to read a book that takes an unsensational look at a Hollywood great. * Paul Donnelley, Daily Express *Glancy's years of research reveal themselves not just in the exceptionally detailed retelling of the Grant story, but in the scrupulous examination of conflicting sources... first-rate biography * Pamela Hutchinson, Sight & Sound *No other Grant biography has probed beneath the actor's tuxedo elegance with the urgency, critical acumen and basic common sense that are on display in Cary Grant: The Making of a Hollywood Legend. It's exceptional book. * Tom Ryan, Senses of Cinema *In contrast to typical celebrity biographies which take the tone of a gossipy exposé, Glancy's book feels balanced, well-researched... The author treats his subject with polite respect and admiration. * Lani Gonzalez, Book and Film Globe *It's a good, thorough read and may hint at a change in the winds of how we look at this famously private, famously gorgeous and underrated movie star. * Roger Moore, Movie Nation *Glancy is a good writer and storyteller... [his] approach is measured and illuminating. * Tom Ryan, The Australian *an exceedingly well-researched book... riveting throughout... This is certainly one of the best books about the golden era of Hollywood that I have ever read, and I recommend it to anyone interested in films. * Mel Cooper, Plays to See *By contrast with some of his predecessors, Glancy does a superb job of shining light on as much of Grant's life as can be understood without bogging down in unnecessary detail. * Dave Luhrssen, Shepherd Express *A solid biography * David Pitt, Booklist *A thorough and thoughtful biography... An excellent portrait that emphasizes the man more than the movie star. * Peter Thornell, Library Journal *Mark Glancy has given the beloved star a deservedly respectful treatment. He offers a detailed and interesting biography which does not shy away from the controversies in Grant's life. However, the information is presented in a factual, non-salacious manner that is very readable. * Booked Solid with Virginia C *Most biographies of Hollywood Slebs are usually hagiographies or a collection of salacious stories... So it was with relief that I found Glancy's book does not fall into this trap but takes time to explore and research Cary Grant as a serious subject for a biographer... I so enjoyed reading this book and found it totally absorbing. Mark Glancy goes into detail about Cary's acting and role in all of his films, leaving nothing out and so the reader can appreciate and follow his film career alongside his personal life. * Elaine Simpson-Long, Random Jottings *Table of ContentsPreface Part One: Archie Chapter 1 Chapter 2 Chapter 3 Part Two: Tumbler Chapter 4 Chapter 5 Chapter 6 Part Three: Matinee Idol Chapter 7 Chapter 8 Chapter 9 Chapter 10 Chapter 11 Chapter 12 Part Four: Cary Chapter 13 Chapter 14 Chapter 15 Chapter 16 Part Five: American Chapter 17 Chapter 18 Chapter 19 Part Six: Movie-Made Man Chapter 20 Chapter 21 Chapter 22 Part Seven: Truth Seeker Chapter 23 Chapter 24 Chapter 25 Part Eight: Survivor Chapter 26 Chapter 27 Part Nine: Legend Chapter 28 Chapter 29 Chapter 30 Sources Notes Filmography

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Book SynopsisJOE KELLEHER is Professor of Theatre and Performance at Roehampton University, UK.He co-edited Contemporary Theatres in Europe: A Critical Companion (2006)andis the co-author of The Theatre of Societas RaffaelloSanzio (2007).

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Book SynopsisTrade Review“[A] gorgeous book”—Roger Lewis, Daily Mail (Book of the Week)“[An] extensive commentary”—Clive Davis, The Times“an intimidating marvel of scholarship. . . . The Letters of Cole Porter amounts to the last word [on Porter], a work as disjointed and delightful as any of Porter’s unforgettable songs.”—David Kirby, Washington Post“Porter’s ghost could not ask for better care than he has been given in The Letters of Cole Porter . . . . Laid out with a meticulous scholarly apparatus, as though this were the correspondence of Grover Cleveland, every turn in the songwriter’s story is deep-dived for exact chronology, and every name casually dropped by Porter gets a worried, explicatory footnote.”—Adam Gopnik, New Yorker “The letters [. . .] reveal previously hidden details about the life and work of Cole Porter. [. . .] This extensive collection of letters uncovered by the researchers – most of which are being published for the first time – feature Cole’s correspondence with stars such as Irving Berlin, Ethel Merman and Orson Welles, as well as his friends and lovers”—Bigstamp“It is a thought-provoking portrait of a brave, well-intentioned, if often misguided queen”—Gareth Russell, The Times“Suavely edited by Cliff Eisen and Dominic McHugh [. . .] so detailed and precise that anyone wanting to write the story of Porter’s life could start here”—Christopher Bray, Spectator“This is an amazing feat of collation [. . .] brilliant scholarship”—Oliver Soden, Literary Review “Cole Porter was considered one of the greatest songwriters of his time, and the originality, wit, and artistry, of both his music and his lyrics, have lost none of their lustre in the ensuing years. Yet his personal life has been clouded in mystery and gossip, much of it exaggerated or simply untrue. This new book offers the perfect solution: by reproducing a rich selection of Porter's letters from across his life and activities, the editors have allowed him to speak in his own words.”—Kevin Kline, actor and singer“‘Well, did you evah!’ Cole Porter’s letters are full not just of delightful gossip but of the detail of working on Broadway and in Hollywood during the golden age of the American musical. ‘What a swell party it is!’—or at least was for Porter moving through high society across several continents. His words read as gloriously as his music sounds.”—Tim Carter, author of “Oklahoma!” The Making of an American Musical“The considerable legacy of Cole Porter remains a powerful force in American music and this new collection of his letters is revelatory. It’s the closest we’ll ever get to an autobiography and is fascinating how a group of letters, sometimes written casually, collectively unmask previously hidden details about the man.”—Michael Feinstein, singer and Ambassador of The Great American Songbook“A magnificently researched, compulsively readable, and delightfully “de-lovely” volume.”—Geoffrey Block, author of Richard Rodgers“Essential to understanding the private man behind the public myths Porter himself so persistently perpetuated.”—Kim H. Kowalke, editor of Speak Low: The Letters of Kurt Weill and Lotte Lenya

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Book SynopsisA unique collection of stories, stand-up routines, sketches and interviews from comic legend Dave Allen, drawn together with the full co-operation of his family. 'A wonderful anthology of Allen's very best material.' JACK DEETrade Review'The Essential Dave Allen does exactly what it says on the tin, taking all his best material from the last four decades and collating them into pertinent sections. A great man is sorely missed, The Essential Dave Allen reminds us what a unique brain we had in our midst for so long.' * Irish Independent *'I thought the jokes would fall flat without that mellow Irish delivery and impeccable timing, but they fly off the page like candy-coated barbs. McCann's book offers interesting observations, too, about the man himself.' * Daily Telegraph *'He was an original. He carved his own path ... and he was a torchbearer for all the excellent Irish comics who have followed in recent years.' Eddie Izzard * Eddie Izzard *'He was the uncle to end all uncles, childlike yet oracular and possessed of a ravenous appetite for human folly. When he adjusted his waistcoat or shot his cuffs, dragons of unreason gasped and died at his feet.' Dylan Moran

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Book SynopsisA comprehensive step-by-step guide to deconstructing screenplay fundamentals, this book will allow readers to understand the elements, functions, and anatomy of a screenplay. Not only will this book enable readers to accomplish a thorough analysis of a screenplay and understand the dramatic elements and their functions, but screenwriters will be able to apply these steps to their own writing. The book explores theme and premise, provides an in-depth study of character development, and breaks down the dramatic elements needed to construct a solid screenplay. It provides examples of the three-act structure, the heroâs journey, and the sequence method. Furthermore, it explores how the main plot and subplots are used in a storyline and discusses the importance of setting. Finally, it reveals screenwriting techniques and tools used by professional screenwriters, such as dramatic irony, reversal, and setup/payoff. To connect with a broad range of readers, the case studies used in tTable of ContentsPart I. Introduction; Screenplay; Analysis; Script Analysis; Script Breakdown; Part II. Deconstructing Screenplay Fundamentals; Chapter 1: Theme & Premise; Chapter 2: Character; Chapter 3: Story; Chapter 4: Structure; Chapter 5: Setting; Chapter 6: Techniques & Tools; Part II. Script Analysis; Case Study 1: The Apartment; Case Study 2: Toy Story; Case Study 3: The Dark Knight; Case Study 4: Whiplash; Case Study 5: Get Out; Case Study 6: Lady Bird; Case Study 7: Parasite; References

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Book SynopsisWhat is the relationship between performance and play? Between performance and technology? Between performance and death?Certain Fragments is an extraordinary exploration of what lies at the heart of contemporary theatre. Written by the artistic director of Forced Entertainment, acknowledged to be Britains most brilliant experimental theatre company (Guardian), Certain Fragments investigates the processes of devising performance, the role of writing in an interdisciplinary theatre, and the influence of the city on contemporary art practice.Tim Etchells unique and provocative voice shifts from intimate anecdote to critical analysis and back again. And as in his theatre-making so in his book: with Certain Fragments Etchells disrupts traditional notions of creative, academic, and intellectual work. The book is an exciting and radical fusion of story-telling and criticism. It also makes available, for the first time, four seminal Forced EntertainmTrade Review'Certain Fragments . . . illuminate[s] . . . the more interesting aspects of contemporary British theatre.' - David Pattie, New Theatre QuarterlyTable of ContentsForeword, Introduction, Section I Essays, Section II Performance Texts

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Book SynopsisWilliam Shakespeareâs Macbeth is a timeless tale of love, greed and power, which has given rise to heated debates around such issues as the representation of gender roles, political violence and the dramatisation of evil.Taking the form of a sourcebook, this guide to Shakespeareâs play presents: extensive introductory comment on the contexts, critical history and performance of the text, from publication to present annotated extracts from key contextual documents, reviews, critical works and the text itself cross-references between documents and sections of the guide, in order to suggest links between texts, contexts and criticism suggestions for further reading. Part of the Routledge Guides to Literature series, this volume is essential reading for all those beginning detailed study of Macbeth and seeking not only a guide to the play, but a way through the wealth of contextual and critical material that surrounds Shakespeareâs text.Table of ContentsIntroduction Part 1: Contexts, Introduction, Chronology, Source Part 2: Interpretations, Critical History, Early Critical Reception Part 3: Key Passages Part 4: Further Reading Recommended Editions of Macbeth. Contexts. The Play in Performance. Film Versions. Criticism

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Book SynopsisCombining theory and application, A Practical Guide to Stage Lighting provides a comprehensive analysis of lighting systems along with examples and illustrations of the technical tools and methods used in the industry. An entertaining and educational read, author Steven Louis Shelley draws from his 35+ years of diverse experience to explain how to get the job done along with real-life examples of projects from start to finish. Learn why some techniques are successful while others fail with 'Shelley's Notes' and 'Shelley's Soapbox,' all with a humor that guides you through complex problems and concepts.Highlights include:-Over 100 new topics, including analysis and application of the three categories of collaboration; a detailed examination of production meetings and one-on-one meetings; and meeting checklists with management and the creative team.-Over 50 new illustrations, including Shelley's Periodic Table of Fundamental Lighting Systems; groundplans, sections, and front elevations that illustrate basic system wash configurations for each direction of light. -Analysis, calculation, and step-by-step technical construction of each lighting system in the Hokey light plot.-Explanation of a manufacturer's cut sheet, and how to apply basic formulas to determine the beam size, footcandles, and gel transmission for lighting instruments.-Updated process of pre-programming computer lighting consoles prior to the load-in.-Comprehensive overview of archiving paperwork and softcopy for a production.Students and professionals will benefit from experience-based tips and techniques to prepare and execute a lighting design, along with learning how to avoid common traps.Trade ReviewAny student or professional seeking to work as a lighting designer in theater or dance should read this book. I've been using this book since the first edition, as it's a wonderful tool for education. This book goes into the details behind the creation of a lighting design. The knowledge you gain by studying this text will free you to create art with your lighting, instead of being caught up in the mundane tasks required to execute a design.--Stephen Ellison, Lighting Systems Design Consultant Steven L Shelley has done it again. After reading the second edition of "A Practical Guide to Stage Lighting" (the only one of its kind), I didn't think there was anything else to say about technically creating a lighting design.Mr. Shelley has done it! He found more information and better and clearer ways to communicate his ideas. The added graphics help the reader to understand the writing, and they alone are worth the price of the book. He's gone into more depth -- when the reader is finished, they have a greater and clearer understanding of the process involved in creating a lighting design.They'll also have an easier time working through the process than anyone did before this book was written.The time Shelley spends with his own stories helps the reader understand why things are done a certain way. They make the reader understand he's a professional and not just someone who is writing a textbook for tenure.Overall, the third edition of "A Practical Guide to Stage Lighting" is a book that anyone interested in the process of lighting design must have on their bookshelf.David Griffith, Educator and professional lighting designer'Any student or professional seeking to work as a lighting designer in theater or dance should read this book. I've been using this book since the first edition, as it's a wonderful tool for education. This book goes into the details behind the creation of a lighting design. The knowledge you gain by studying this text will free you to create art with your lighting, instead of being caught up in the mundane tasks required to execute a design.'Stephen Ellison, Lighting Systems Design Consultant'Steven L Shelley has done it again. After reading the second edition of "A Practical Guide to Stage Lighting" (the only one of its kind), I didn't think there was anything else to say about technically creating a lighting design.Mr. Shelley has done it! He found more information and better and clearer ways to communicate his ideas. The added graphics help the reader to understand the writing, and they alone are worth the price of the book. He's gone into more depth -- when the reader is finished, they have a greater and clearer understanding of the process involved in creating a lighting design.They'll also have an easier time working through the process than anyone did before this book was written.The time Shelley spends with his own stories helps the reader understand why things are done a certain way. They make the reader understand he's a professional and not just someone who is writing a textbook for tenure.Overall, the third edition of "A Practical Guide to Stage Lighting" is a book that anyone interested in the process of lighting design must have on their bookshelf.'David Griffith, Educator and professional lighting designer'...the book presents further value in the latest incarnation. However, be warned...the sheer volume of professional gold within is more than one person can shovel in a sitting...This book could be subtitled "Everything Mr Shelley has ever experienced and thought about lighting in his long and illustrious career."...the whole book is an avalanche of practical advice, notes, tips, pro tips, detail, So much detail. This is the value right here, folks.'Rob Sayer, On Stage Lighting'The beauty of A Practical Guide to Stage Lighting has always been that it takes the designer and brings them down to the nitty gritty. The wonder of the third edition is that you now have expanded resources to communicate not only to the beginning lighting student, but to the 201, 301, and 401 levels as well. I have students that carry this book through multiple levels of courses and by the end come out with an understanding that is unmatched in terms of executing a comprehensive design from top to bottom. The expanded sections help clarify complicated concepts seamlessly. I require this text in all of my lighting classes and the students get so excited to go to conferences and meet "the REAL STEVE SHELLEY" in person. He's like a super-star to them and this insightful textbook is the reason.'Ruth Hutson'Several months ago, I received a call from a university student wanting advice on a career in stage lighting...We discussed approaches to design and useful software, but when she asked what she should read to learn more, I recommended Steve Shelley's A Practical Guide to Stage Lighting, second edition. It was the best book I knew about how to light the stage and earn a living as a lighting designer. Now there is a better book: A Practical Guide to Stage Lighting, third edition...I would recommend it for any instructor teaching stage lighting at any level. There is a lot in this book that can stimulate thoughts about what a lighting design should be, how one goes about practically realizing a design, and about working as part of an artistic team in a venture that has to fit a budget...it would be a great gift any time of the year, whether for an ambitious student or for yourself.' Karl G. Ruling, Protocol'The scope and breadth of the A Practical Guide to Stage Lighting, Third Edition make it equally useful for the emerging young designer needing reference material, the experienced professional looking for new perspectives, and the seasoned designer looking for new tips, reminders of shortcuts, or inspiration to be a little more organized and prepared for the task at hand. The examples of plots, sections, paperwork, cue masters, magic sheets, focus charts, and working drawings are excellent resources. The updates and expansions make A Practical Guide to Stage Lighting, Third Edition a valuable addition to your theatre library, even if you have a previous version of the book.'Ellen E. Jones, Lighting & Sound America"A Practical Guide to Stage Lighting (Third Edition), by Steven Louis Shelley, has long been a standard text and reference on preparing lighting designs and creating the paperwork needed to mount a production. In the latest edition, Shelly...zeroes in on communication skills, adding ideas (and checklists) for efficient and productive meetings with both management and creative teams. Also new are 'Shelley's Periodic Table of Fundamental Lighting Systems, ' plus ground plans, sections and front elevations that demonstrate basic system wash configurations for each direction of light. Particularly useful is his explanation of a manufacturer's information sheet and how to determine the beam size, foot candles and gel transmission for various lighting instruments." Stephen Peithman, Stage DirectionsTable of ContentsChapter 1: A ReviewChapter 2: Paperwork OverviewStage 1: Research and AnalysisChapter 3: Background Preparations and Preliminary Design PaperworkChapter 4: The ParametersStage 2: Preliminary DocumentsChapter 5: Create the Preliminaries and Send Out the Shop OrderChapter 6: The Shop OrderChapter 7: Cuts and ChangesStage 3: Preparation: The Production PackersChapter 8: The Light Plot, Section, and Support Paperwork PacketChapter 9: The Load-In and Focus PacketChapter 10: The Cue Construction PacketChapter 11: Prior to the Load-InStage 4: Application: Using the PacketsChapter 12: The Load-In and SetupChapter 13: The Focus SessionChapter 14: The Light Cue Level Setting Session and Technical RehearsalsChapter 15: The Performance

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Book SynopsisBringing the iconic plays of Stan Lai to an English-language readership

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Book SynopsisDescribed by The Times as ''the national children''s dramatist'', David Wood has been writing, adapting, directing and acting in plays for children for more than twenty-five years. His best known work, from his play The Gingerbread Man to his adaptations of Roald Dahl''s The BFG and The Witches have enjoyed national and international professional success and entered the repertory of amateur companies and school dramatic societies. Now David has written the definitive book on theatre for children. He analyses the skills involved in entertaining audiences of children everywhere and reveals his special techniques for catching and holding a child''s attention. This practical, step-by-step comprehensive guide is essential reading for professionals and amateurs alike, and anyone wanting to be involved in theatre for children.

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Book SynopsisIn About Kane, Graham Saunders offers an important study of one of the most controversial and talented playwrights of recent times. His survey includes a concise biography, in-depth analysis of Sarah Kane''s work, and interviews with Kane and those who helped to put her work on stage. With Kane''s reputation still growing, this book is an essential guide for the student and theatregoer.

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Book SynopsisLEWISTON: Alice and Connor sit by their roadside stand selling cheap fireworks while developers swallow the land around them. Promised a condo in the new development, their future is secure. Enter Marnie, Alice’s long-lost granddaughter, proposing to buy the land to save her family’s legacy. Marnie and Alice will become reacquainted with each other’s deeply held secrets, uncertain pasts, and hopeful futures. Hunter, a 2014 MacArthur Fellowship recipient, explores the emotional frontiers of a family struggling to make a home in the vastness of the American landscape with affection, poignancy, and a profound sense of empathy.CLARKSTON: Jake meets Chris when they are assigned to the same night shift at Costco in Clarkston, Washington. Chris has a hard life; his mom is a meth addict, and living in Clarkston has forced him down a dead-end road. He has promise, but he’s “stuck.” Jake went to a liberal arts school, is gay a

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Book SynopsisIn this richly illustrated and information-packed celebration of Broadway set design, Tony Award–winning designer Derek McLane explores the craft while reflecting on some of the greatest stage productions of the past few decades.Together with other leading set design and theatre talents, McLane invites us into the immersive and exhilarating experience of building the striking visual worlds that have brought so many of our favorite stories to life. Discover how designers generate innovative ideas, research period and place, solve staging challenges, and collaborate with directors, projectionists, costume designers, and other artists to capture the essence of a show in powerful scenic design.With co-writer Eila Mell, McLane and contributors discuss Moulin Rouge!, Hamilton, Hadestown, Beautiful, and many more of the most iconic productions of our generation. Among the Broadway luminaries who contribute are John Lee Beatty, Danny Burstein, Cameron Crowe, Ethan Hawke, Moisés Kaufman, Carole King, Kenny Leon, Santo Loquasto, Kathleen Marshall, Lynn Nottage, David Rabe, Ruben Santiago-Hudson, Wallace Shawn, John Leguizamo, and Robin Wagner.Filled with personal sketches and photographs fromthe artists’ archives, this stunningly designed book is truly a behind-the-scenes journey that theatre fans will love.

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Book SynopsisFrom the authors of the successful Grand-Guignol and London’s Grand Guignol - also published by UEP – this book includes translations of a further eleven plays, adding significantly to the repertoire of Grand-Guignol plays available in the English language. Trade Review From reviews of Grand-Guignol: The French Theatre of Horror (UEP, 2002) ‘Richard J. Hand and Michael Wilson . . . manage in a number of telling ways to make the subject their own. . . . Hand and Wilson’s main interest in Grand Guignol is . . . that of present-day theatre practitioners seeking to understand how these pieces might be able to work for fresh audiences. . . . they also prove themselves to be highly astute when it comes to examining these works in the light of contemporary (especially post-Freudian) critical theory. . . . performance practice is continually interrogated by critical and historical insight.’ (Gothic Studies, August 2003) ‘… the genre has left more of a mark on British and American culture than we may imagine.’ (Gothic Studies, May 2004) From reviews of London’s Grand Guignol and the Theatre of Horror (UEP, 2007) ‘...Richard J. Hand and Michael Wilson, who have previously written on the French Grand Guignol for this excellent series from the University of Exeter Press, now turn to the English variant...’ ‘...London’s Grand Guignol is a fine introduction to a neglected corner of the twentieth-century arts world.’ (Times Literary Supplement, 18 April 2008) ‘...London’s Grand Guignol allows Hand and Wilson to make a persuasive case for Grand Guignol’s place not only in modern theatre history, but also in the film history of thrillers and horror films. This book will be useful as a hands-on theatre history and practice text for programs where one might imagine offering students an opportunity to apply their creativity to the same challenges Jose Levy faced.’ (Theatre Survey, Vol. 50/2, November 2009) Table of ContentsPreface A note on the scripts Section I: A Brief History of the Théâtre du Grand-Guignol Section II: The Grand-Guignol Laboratory Section III: Prefaces and Plays First Programme The Haunted House (La Maison hantée) by Marc Bonis-Charancle The Kama Sutra or Never Play with Fire… (Kama Soutra, ou Il ne faut pas joer avec le feu) by Régis Gignoux Blind Man’s Buff by Charles Hellem and Pol d’Estoc The Light in the Tomb (Gott mit uns! (La Lumière dans la tombeau))by René Berton Second Programme Progress by St. John Ervine A Silk Dress (Une Robe de Soie) by Henriette Charasson The Great Terror (La Grande épouvante) by André de Lorde and Henri Bauche Third Programme The Wax Museum (Figures de Cire) by André de Lorde and Georges Montignac The Lovers (Les Amants) by Octave Mirbeau The Man Who Met the Devil (L’homme qui a vu le diable) by Gaston Leroux The Man Who Killed Death (L’homme qui a tué la mort) by René Berton

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Book Synopsis

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Book SynopsisThis is the first book to critically explore international leisure during the COVID-19 pandemic. It analyses the ways in which the pandemic has impacted upon our leisure practices and our leisure lives, focusing on three key spaces public, private, and digital.The book seeks to understand how changes in leisure have led to transformations in the ways we have had to do' and redo' activities, such as incorporating digitalisation and distancing measures, as well as dealing with restrictions on social interaction, gatherings, and cultural activities. It presents a series of case studies covering topics as diverse as music festivals, theatre on-screen, walking, static cycling, smartphone use, holidays, and the lockdown leisure' of preschool children, including people across the life course, from young children to older retired people. The book discusses changes in patterns of behaviour, leisure experiences, and leisure environments worldwide and critically re-evaluates whaTable of ContentsList of contributors. Introduction. PART I Transformations in public spaces. 1 Nightlife leisure activities during COVID-19: Restrictions, spatial transformations, and social changes in clubbing space in the examples of Polish cities. 2 The ritualistic nature of pandemic leisure. 3 The impact of COVID-19 on travel behaviour and holiday intentions: Evidence from Greece. 4 Exploring African American college student experiences of leisure-time physical activity and psychological wellbeing during COVID-19. 5 How did music festival stakeholders face pandemic uncertainty? Two case studies: Bachfest in Leipzig and BAM Festival in Barcelona. PART II Transformations in private spaces. 6 Toddler and pre-school children’s physical activity during a pandemic. 7 Children’s and families’ changing everyday geographies: Playing, learning, and exercising outdoors during COVID-19. 8 Bridge during a time of disruption: Pandemic playing, everyday habits, and situated writing. 9 Rhythms in home-based leisure during the COVID-19 lockdown. PART III Transformations in digital spaces. 10 Changing "theatre-going" behaviours during COVID-19: Theatre on the screen. 11 Digital leisure as sites of diasporic solidarity. 12 COVID-19’s impact on leisure coping and smartphone use. 13 Stories of older adults’ resilience in adapting leisure behaviours due to COVID-19 restrictions. Index.

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Book SynopsisLeadership as Performance: Developing Leadership Skills through Acting is based on the premise that leadership is a performance, a role played by leaders to inspire followers to achieve a shared goal. The book explores how acting techniques can facilitate the development of leadership skills. For this purpose, it introduces the SPACE model of leadership development, which is based on five key leadership skills: self-awareness, presence, authenticity, communication, and emotional intelligence.The book is divided into three parts. The first part explores the metaphor of leadership as a performance and the fundamentals of both leadership and acting. The second part elaborates on the SPACE model by showing how each of the five key leadership skills can be developed with acting techniques. The final part explores how improvisation can help leaders adapt to change, work with teams, and foster creativity and innovation. It also discusses the role of visionary leadership in

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Book SynopsisHarold Pinter provides an up-to-date analysis and reappraisal concerning the work of one of the most studied and performed dramatists in the world.Drawing extensively from The Harold Pinter Archive at the British Library as well as reviews and other critical materials, this book offers new insights into previously established views about his work. The book also analyses and reappraises specific key historical and contemporary productions, including a selection of Pinter's most significant screenplays. In particular, this volume seeks to assess Pinter's critical reputation and legacy since his death in 2008. These include his position as a political writer and political activist from disassociation and neutrality on the subject until relatively late in his career when his drama sought to explicitly address questions of political dissent and torture by totalitarian regimes. The book revisits some familiar territories such as Pinter's place as a British absurdist and tTable of ContentsPart 1: Life, Career, Critical Reputation 1. Life & Career: From Hackney to Holland Park 2. Pinter’s Critical Reputation, Legacy, and Afterlife 3. Intruders & Rooms 4. Gender Trouble 5. Memory & Politics Part 2: Key Plays/Productions 6. The Birthday Party 7. The Caretaker 8. The Homecoming

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