Description

Book Synopsis
“This book is a fascinating cri de coeur and made me question
everything I think about musicals”
Alan Cumming

A book for those who can’t stand musicals, those who love them, and every theatregoer, academic, practitioner and student in between. Breaking Into Song explores theatre’s most divisive genre, and asks the fundamental questions:

  • What makes a musical?

  • Why are they so polarising?

  • And why have we allowed a form so full of possibility to become so repetitive and restrictive?

Through a series of essays, London-based director, dramaturg and musical theatre specialist Adam Lenson asks what audiences can do to stay open minded and what creatives can do to make new musicals better. Examining both sides of the divide, he explores how those who both love and hate musicals can expand the possibilities of this misunderstood medium.

Dive in and discover the political foundations of the form, the difficulties in pinning down exactly what it is, the connections between musicals, video games, opera and comic books, and why a musical is, actually, a lot like a poopy baby.

“A passionate and cogently argued call to arms and a very enjoyable read”
Lyn Gardner

This book is really brilliant. If you care about/enjoy/work in/struggle with/want to understand/have concerns for the state of musical theatre, it is essential reading. Hugely recommended”
Howard Goodall

I would advise anyone who… hates musicals… to read this book
Musical Theatre Review

Bold, inclusive and willing to adapt, Adam Lenson’s blueprint for musical theatre
above all looks at sustainability.

The Reviews Hub

Contents:

Breaking Into Song
The Wound
On Hating Musicals
Cash Machines
Musicals and Comic Books
Superpowers
Musicals are Political
Poopy Babies
When Words Are No Longer Enough
Collaboration
Time and Memory
Photocopying a Photocopy
I’m Not a Genre, Not Yet a Medium
Expertise
What’s The Point?
Definitions
Audiences
Musicals and Video Games
Can Musicals Ever Be Cool?
The Triangle
Tiny Bowls
Musicals and Opera
Digging vs Telescopes
The Musical
Cardboard Cities
Musicals Cost Too Much
Autobiography
Opposites
Build it and They Will Come
What’s in a Name?
Replicas
Stacks
Making Space



Trade Review

'This book is a fascinating cri de coeur and made me question everything I think about musicals.' Alan Cumming


'A passionate and cogently argued call to arms and a very enjoyable read.' Lyn Gardner



Table of Contents

Breaking Into Song

The Wound

On Hating Musicals

When Words Are No Longer Enough

Cash Machines

Musicals Are Political

Superpowers

Poopy Babies

Collaboration

Photocopying A Photocopy

I’m Not A Genre, Not Yet A Medium

What’s The Point?

Definitions

Can Musicals Ever Be Cool?

Audiences

Musicals and Video Games

Time and Memory

The Triangle

Tiny Bowls

Stacks

Musicals and Opera

Digging vs Telescopes

The Musical

Musicals Cost Too Much

Build It And They Will Come

Autobiography

Cardboard Cities

Musicals and Comic Books

Opposites

What’s In A Name?

Replicas

Making Space

Breaking into Song: Why You Shouldn't Hate

Product form

£12.52

Includes FREE delivery

Order before 4pm today for delivery by Fri 19 Dec 2025.

A Paperback / softback by Adam Lenson

1 in stock


    View other formats and editions of Breaking into Song: Why You Shouldn't Hate by Adam Lenson

    Publisher: Salamander Street Limited
    Publication Date: 02/09/2021
    ISBN13: 9781914228025, 978-1914228025
    ISBN10: 1914228022

    Description

    Book Synopsis
    “This book is a fascinating cri de coeur and made me question
    everything I think about musicals”
    Alan Cumming

    A book for those who can’t stand musicals, those who love them, and every theatregoer, academic, practitioner and student in between. Breaking Into Song explores theatre’s most divisive genre, and asks the fundamental questions:

    • What makes a musical?

    • Why are they so polarising?

    • And why have we allowed a form so full of possibility to become so repetitive and restrictive?

    Through a series of essays, London-based director, dramaturg and musical theatre specialist Adam Lenson asks what audiences can do to stay open minded and what creatives can do to make new musicals better. Examining both sides of the divide, he explores how those who both love and hate musicals can expand the possibilities of this misunderstood medium.

    Dive in and discover the political foundations of the form, the difficulties in pinning down exactly what it is, the connections between musicals, video games, opera and comic books, and why a musical is, actually, a lot like a poopy baby.

    “A passionate and cogently argued call to arms and a very enjoyable read”
    Lyn Gardner

    This book is really brilliant. If you care about/enjoy/work in/struggle with/want to understand/have concerns for the state of musical theatre, it is essential reading. Hugely recommended”
    Howard Goodall

    I would advise anyone who… hates musicals… to read this book
    Musical Theatre Review

    Bold, inclusive and willing to adapt, Adam Lenson’s blueprint for musical theatre
    above all looks at sustainability.

    The Reviews Hub

    Contents:

    Breaking Into Song
    The Wound
    On Hating Musicals
    Cash Machines
    Musicals and Comic Books
    Superpowers
    Musicals are Political
    Poopy Babies
    When Words Are No Longer Enough
    Collaboration
    Time and Memory
    Photocopying a Photocopy
    I’m Not a Genre, Not Yet a Medium
    Expertise
    What’s The Point?
    Definitions
    Audiences
    Musicals and Video Games
    Can Musicals Ever Be Cool?
    The Triangle
    Tiny Bowls
    Musicals and Opera
    Digging vs Telescopes
    The Musical
    Cardboard Cities
    Musicals Cost Too Much
    Autobiography
    Opposites
    Build it and They Will Come
    What’s in a Name?
    Replicas
    Stacks
    Making Space



    Trade Review

    'This book is a fascinating cri de coeur and made me question everything I think about musicals.' Alan Cumming


    'A passionate and cogently argued call to arms and a very enjoyable read.' Lyn Gardner



    Table of Contents

    Breaking Into Song

    The Wound

    On Hating Musicals

    When Words Are No Longer Enough

    Cash Machines

    Musicals Are Political

    Superpowers

    Poopy Babies

    Collaboration

    Photocopying A Photocopy

    I’m Not A Genre, Not Yet A Medium

    What’s The Point?

    Definitions

    Can Musicals Ever Be Cool?

    Audiences

    Musicals and Video Games

    Time and Memory

    The Triangle

    Tiny Bowls

    Stacks

    Musicals and Opera

    Digging vs Telescopes

    The Musical

    Musicals Cost Too Much

    Build It And They Will Come

    Autobiography

    Cardboard Cities

    Musicals and Comic Books

    Opposites

    What’s In A Name?

    Replicas

    Making Space

    Recently viewed products

    © 2025 Book Curl

      • American Express
      • Apple Pay
      • Diners Club
      • Discover
      • Google Pay
      • Maestro
      • Mastercard
      • PayPal
      • Shop Pay
      • Union Pay
      • Visa

      Login

      Forgot your password?

      Don't have an account yet?
      Create account