Description

Book Synopsis
“This book is a fascinating cri de coeur and made me question
everything I think about musicals”
Alan Cumming

A book for those who can’t stand musicals, those who love them, and every theatregoer, academic, practitioner and student in between. Breaking Into Song explores theatre’s most divisive genre, and asks the fundamental questions:

  • What makes a musical?

  • Why are they so polarising?

  • And why have we allowed a form so full of possibility to become so repetitive and restrictive?

Through a series of essays, London-based director, dramaturg and musical theatre specialist Adam Lenson asks what audiences can do to stay open minded and what creatives can do to make new musicals better. Examining both sides of the divide, he explores how those who both love and hate musicals can expand the possibilities of this misunderstood medium.

Dive in and discover the political foundations of the form, the difficulties in pinning down exactly what it is, the connections between musicals, video games, opera and comic books, and why a musical is, actually, a lot like a poopy baby.

“A passionate and cogently argued call to arms and a very enjoyable read”
Lyn Gardner

This book is really brilliant. If you care about/enjoy/work in/struggle with/want to understand/have concerns for the state of musical theatre, it is essential reading. Hugely recommended”
Howard Goodall

I would advise anyone who… hates musicals… to read this book
Musical Theatre Review

Bold, inclusive and willing to adapt, Adam Lenson’s blueprint for musical theatre
above all looks at sustainability.

The Reviews Hub

Contents:

Breaking Into Song
The Wound
On Hating Musicals
Cash Machines
Musicals and Comic Books
Superpowers
Musicals are Political
Poopy Babies
When Words Are No Longer Enough
Collaboration
Time and Memory
Photocopying a Photocopy
I’m Not a Genre, Not Yet a Medium
Expertise
What’s The Point?
Definitions
Audiences
Musicals and Video Games
Can Musicals Ever Be Cool?
The Triangle
Tiny Bowls
Musicals and Opera
Digging vs Telescopes
The Musical
Cardboard Cities
Musicals Cost Too Much
Autobiography
Opposites
Build it and They Will Come
What’s in a Name?
Replicas
Stacks
Making Space



Trade Review

'This book is a fascinating cri de coeur and made me question everything I think about musicals.' Alan Cumming


'A passionate and cogently argued call to arms and a very enjoyable read.' Lyn Gardner



Table of Contents

Breaking Into Song

The Wound

On Hating Musicals

When Words Are No Longer Enough

Cash Machines

Musicals Are Political

Superpowers

Poopy Babies

Collaboration

Photocopying A Photocopy

I’m Not A Genre, Not Yet A Medium

What’s The Point?

Definitions

Can Musicals Ever Be Cool?

Audiences

Musicals and Video Games

Time and Memory

The Triangle

Tiny Bowls

Stacks

Musicals and Opera

Digging vs Telescopes

The Musical

Musicals Cost Too Much

Build It And They Will Come

Autobiography

Cardboard Cities

Musicals and Comic Books

Opposites

What’s In A Name?

Replicas

Making Space

Breaking into Song: Why You Shouldn't Hate

    Product form

    £999.99

    Includes FREE delivery

    A Paperback / softback by Adam Lenson

    Out of stock

      Trusted by thousands of customers. See 2,385+ Customer Reviews

      View other formats and editions of Breaking into Song: Why You Shouldn't Hate by Adam Lenson

      Publisher: Salamander Street Limited
      Publication Date: 02/09/2021
      ISBN13: 9781914228025, 978-1914228025
      ISBN10: 1914228022

      Description

      Book Synopsis
      “This book is a fascinating cri de coeur and made me question
      everything I think about musicals”
      Alan Cumming

      A book for those who can’t stand musicals, those who love them, and every theatregoer, academic, practitioner and student in between. Breaking Into Song explores theatre’s most divisive genre, and asks the fundamental questions:

      • What makes a musical?

      • Why are they so polarising?

      • And why have we allowed a form so full of possibility to become so repetitive and restrictive?

      Through a series of essays, London-based director, dramaturg and musical theatre specialist Adam Lenson asks what audiences can do to stay open minded and what creatives can do to make new musicals better. Examining both sides of the divide, he explores how those who both love and hate musicals can expand the possibilities of this misunderstood medium.

      Dive in and discover the political foundations of the form, the difficulties in pinning down exactly what it is, the connections between musicals, video games, opera and comic books, and why a musical is, actually, a lot like a poopy baby.

      “A passionate and cogently argued call to arms and a very enjoyable read”
      Lyn Gardner

      This book is really brilliant. If you care about/enjoy/work in/struggle with/want to understand/have concerns for the state of musical theatre, it is essential reading. Hugely recommended”
      Howard Goodall

      I would advise anyone who… hates musicals… to read this book
      Musical Theatre Review

      Bold, inclusive and willing to adapt, Adam Lenson’s blueprint for musical theatre
      above all looks at sustainability.

      The Reviews Hub

      Contents:

      Breaking Into Song
      The Wound
      On Hating Musicals
      Cash Machines
      Musicals and Comic Books
      Superpowers
      Musicals are Political
      Poopy Babies
      When Words Are No Longer Enough
      Collaboration
      Time and Memory
      Photocopying a Photocopy
      I’m Not a Genre, Not Yet a Medium
      Expertise
      What’s The Point?
      Definitions
      Audiences
      Musicals and Video Games
      Can Musicals Ever Be Cool?
      The Triangle
      Tiny Bowls
      Musicals and Opera
      Digging vs Telescopes
      The Musical
      Cardboard Cities
      Musicals Cost Too Much
      Autobiography
      Opposites
      Build it and They Will Come
      What’s in a Name?
      Replicas
      Stacks
      Making Space



      Trade Review

      'This book is a fascinating cri de coeur and made me question everything I think about musicals.' Alan Cumming


      'A passionate and cogently argued call to arms and a very enjoyable read.' Lyn Gardner



      Table of Contents

      Breaking Into Song

      The Wound

      On Hating Musicals

      When Words Are No Longer Enough

      Cash Machines

      Musicals Are Political

      Superpowers

      Poopy Babies

      Collaboration

      Photocopying A Photocopy

      I’m Not A Genre, Not Yet A Medium

      What’s The Point?

      Definitions

      Can Musicals Ever Be Cool?

      Audiences

      Musicals and Video Games

      Time and Memory

      The Triangle

      Tiny Bowls

      Stacks

      Musicals and Opera

      Digging vs Telescopes

      The Musical

      Musicals Cost Too Much

      Build It And They Will Come

      Autobiography

      Cardboard Cities

      Musicals and Comic Books

      Opposites

      What’s In A Name?

      Replicas

      Making Space

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