The Arts Books

Book SynopsisGame Design Critic and expert Josh Bycer is back with another entry in the Game Design Deep Dive series for a look at one of the most popular, and confusing, genres out there. Metroidvania is a genre of high-highs and low-lows, and Josh is taking up the task to explain what a metroidvania is, the very long history and variety of it, and what you need to do to create one yourself. A look at the history of metroidvania design A primer on 2D platforming UI/UX Explaining the design and specific elements that make a metroidvania, or could be applied to other genres Perfect for designers and students alike

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Book SynopsisReveals the rewards of exploring the relationship between art and religion in the first millennium, and the problems of comparing the visual cultures of emergent and established religions of the period in Eurasia - Buddhism, Hinduism, Zoroastrianism, Islam, Judaism, Christianity, and the pagan religions of the Roman world.Table of Contents1. Introduction Jaś Elsner; Part I. The Imperial Context: 2. The Gandharan problem Robert Bracey; 3. Writing the art, archaeology and religion of the Roman Mediterranean Philippa Adrych and Dominic Dalglish; 4. Mystery cult and material culture in the Graeco-Roman world Philippa Adrych and Dominic Dalglish; 5. The Viennese invention of late antiquity: between politics and religion in the forms of late Roman art Jaś Elsner; 6. The rise of Byzantine art and archaeology in late Imperial Russia Maria Lidova; 7. Ferdinand Piper's Monumentale Theologie (1867) and Schleiermacher's legacy: the attempted foundation of a Protestant theology of art Stefanie Lenk; Part II. After Imperialism: Orientalism and its Resistances; 8. The road from decadence: agendas and personal histories in the rise of early Islamic art Nadia Ali; 9. Connecting art and Zoroastrianism in Sasanian studies Rachel Wood; 10. 'Hindu' art and the primordial Śiva Robert Bracey; Part III. Post-colonialist, Old Colonialist and Nationalist Fantasies: 11. Jewish art: before and after the Jewish state (1948) Jesse Lockard and Jaś Elsner; 12. Whose history is it anyway? Contests for India's past in the twentieth century Robert Bracey; 13. Acculturated natives who rebel: revivalist, Ottomanist and Pan-Arabist engagements with early Islamic art (1876–1930s) Nadia Ali; 14. Barbarians at the British Museum: Anglo-Saxon art, race and religion Katherine Cross.

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Book SynopsisInside Track for Independent Filmmakers is your roadmap to getting your movie made, seen, and distributed. With 11 Inside Tracks and 99 step-by-step tips, you''ll discover insider secrets, step-by-step instructions, and time-saving shortcuts - everything you need to approach financiers, actors, agents, and distributors like a savvy professional.

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Book SynopsisThis book advances an environmental approach to enhancing creativity in schools, by interweaving educational creativity theory with creative industries environmental approaches.Table of ContentsPreface.- Chapter 1. Research.- Chapter 2. Find Patterns.- Chapter 3. Ideate.- Chapter 4. Prototype.- Chapter 5. Iterate.

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Book SynopsisIrene Guenther is Instructional Professor of 20th-century European and American History at The Honors College, University of Houston, USA and recipient of the University of Houston's Provost Teaching Excellence Award and The Honors College Student Board's Distinguished Teaching Award. She is also the author of Nazi Chic? Fashioning Women in the Third Reich.Trade Review[Guenther] pursues the larger project of rescuing a German expressionist painter from oblivion … The book recounts [Schubert’s] life and reproduces artwork from its many phases (at considerable cost and to great effect). * Times Literary Supplement *Postcards from the Trenches comprises Guenther’s exhaustive research and Schubert’s extraordinary art ... A hundred years on from the Armistice, these intimate and exquisite mementoes stand as a testament to what Schubert saw and heard, experienced and endured. They showcase his talent, demonstrate his love and enlarge our understanding of a war that was supposed to end all wars. * The Herald *This beautifully produced book is a unique addition to research on the art of the Great War. While there is much to dwell upon here for both the general and specialist reader, the book’s restoration of Schubert’s art among discussions of the war’s visual legacy makes it a valuable resource on the history and history of art of the Great War. * Los Angeles Review of Books *Irene Guenther’s moving and beautifully illustrated book is superb in every way. It will excite the interest of historians of the First World War. It should be read by anyone interested in twentieth-century Germany. Schubert suffered immense misfortune. Irene Guenther has now done him justice and secured his place in the history of modern German art. * Journal of European Studies *Without doubt, Irene Guenther enjoys the ability to impart detailed research readably and informatively. This is a very special memorial; one which I can do no other than highly recommend to all with an interest in the art of the Great War. * Stand To!: The Journal of the Western Front Association *[An] accomplished author … using powerfully descriptive and illustrative language ..., Guenther provides an interesting analytical perspective on the individual and psychological expression conveyed through the use of postcards during World War I. She persuasively presents a survey of historical artwork and evaluates the primary sources while humbly acknowledging the limited scope of this work in the context of World War I. This is an excellent read for anyone interested in a World War I individual perspective, military history, or early twentieth-century art. * H-German *Guenther provides an interesting analytical perspective on the individual and psychological expression conveyed through the use of postcards during World War I. She persuasively presents a survey of historical artwork and evaluates the primary sources while humbly acknowledging the limited scope of this work in the context of World War I. This is an excellent read for anyone interested in a World War I individual perspective, military history, or early twentieth-century art. * H-Net *A universal story of young lovers separated by war ... The postcards are strikingly beautiful and intimate, and describe sentiments which existed in every combatant army on every single front of the war. -- Jay M. Winter, author of 'War Beyond Words,' and Charles J. Stille Professor of History, Yale University, USIrene Guenther has brought good luck and careful research to lay bare the artistic achievement of an ordinary man in extraordinary times. -- Hew Strachan, author of 'The First World War', and Emeritus Fellow, All Souls College, University of Oxford, UKThese works speak to the universal issues of war and remembrance. A critical art historical and cultural intervention into 20th century German art - and a superb tour de force! -- Marion F. Deshmukh, author of 'Max Liebermann: Modern Art and Modern Germany' and Robert T. Hawkes Professor of History, emerita, George Mason University, USThis book – on the wartime postcards of a German artist who served on the battlefield – deals with a compelling but under-researched subject in art-historical scholarship … [An] intimate, personal account of the Great War frontline experience. The postcards themselves are poignantly beautiful objects, and this work will finally bring to a wider readership the work of a key German war artist. -- Ann Murray, University College Cork, IrelandTable of ContentsAcknowledgments Preface 1. The Great War and the Uses of Art 2. German Artists and the Great War 3. The Life and Art of Otto Schubert Postscript The Artworks List of Illustrations Endnotes Bibliography Index

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Book Synopsis2020 was a year in which global politics radically shifted, catalyzed by the Covid-19 pandemic and the #BlackLivesMatter movement. This book is a response to that year, asking: was it a moment or is it a movement, and what fundamental changes within the arts industry need to come out of this time? The book includes over 20 interviews with some of the most pioneering Black cultural leaders from a wide range of senior executive positions in the arts within the UK, Europe, US and Africa. It documents the sea of change in arts leadership at the height of the #BlackLivesMatter movement, the pressure on organizations to confront and change their racial and ethnic make-up, and shines a light on the guiding ambitions, strategic plans and visions for the future to support the ongoing decolonization of arts organizations across the world. Learn from those who have walked the walk to support your vision for the future.Trade ReviewA resounding testimony of best practices for staying grounded in spaces that cross the color line. * Kamilah Forbes, Director and Executive Producer, Apollo Theater, USA *Table of ContentsThe Act of Decolonisation is this book, THIS Conversation Olivia Poglio-Nwabali interviews Simeilia Hodge-Dallaway and Kwame Kwei-Armah Chapter One: We’ve Been Leading! LEADERSHIP IN OUR DNA Quotes: Sade Lynthcott, Robert Barry Fleming -Always Willing to Leave - Timothy Bond -It’s the Board’s Responsibility to Find the Plenty of Overqualified Black Candidates - Patrick Bradford Chapter Two: Becoming the First Quotes: Timothy Bond, Lydia Idakula-Sobogun-Sobogun, Yvonne Hepburn-Foster, Julia Wissert, Marc Bamuthi Joseph, Deborah Sawyerr, Samora Bergtop, James Ngcobo, Stella Kanu, Hana Sharif -If I Can’t Do The Job, I Don’t Want the Title - Hana Sharif -I Can’t Not Apply, I Can Do The Job! - Nataki Garrett -Are You Going To Be An Nostalgic Leader Or One That Challenges and Upgrades? - James Ngcobo -They Said, “WE DIDN’T HIRE YOU BECAUSE YOU WERE BLACK’ I was like, “That’s the BONUS. That’s the BONUS” - Marc Bamuthi Joseph -Leadership is Making Mistakes and Getting Back Up Again - Julia Wissert -A Lonely Road But A Position of Authority And Trust - Yvonne Hepburn-Foster Chapter Three: First 100 Days Quotes: Jonathan McCrory, Marc Bamuthi Joseph, Robert Barry Fleming, Deborah Sawyerr, Nike Jonah, Roy Alexander Weise, Patrick Bradford, David Bryan, Stella Kanu Interviews -An Unapologetic Maverick in the Workplace - Nike Jonah -Every Board Needs New Energy And Voice To Shift The Focus And Direction Of The Organisation - David Bryan -I Bring My Own Structure for Safety and Survival - Stella Kanu -Asking the Hard Questions - Robert Barry Fleming Chapter Four: Inheriting a Challenging Staff and Board Quotes: Robert Barry Fleming, Stella Kanu, Hana Sharif, Suzann McLean -Leaning In When They Lean Out - Stella Kanu -Money Talks - Hana Sharif -Board Support Matters - Patrick Bradford Chapter Five: Overcoming Imposter Syndrome Quotes: Maria Oshodi, Lydia Idakula-Sobogun, Deborah Sawyerr, Suzann McLean, Jonathan McCrory Interviews -Allies Are The Greatest Vaccination - David Bryan -I Doubt The Work Environment NOT My Abilities! - Stella Kanu -I Am A Warrior But I Am Human Too! - Hana Sharif -Be The Best Servant Leader For Nobody But Yourself - Robert Barry Fleming Chapter Six: Leading in a Pandemic at the Height of The Black Lives Matter Movement Quotes: Marc Joseph Bamuthi, Timothy Bond, Roy Alexander Weise -Artistic Director Role Turned Into A Crisis Manager Role Overnight - Julia Wissert -Whose Fight is Racism - Yvonne Hepburn-Foster -We Took Care Of Our People First - A Mass Redundancy Was Never An Option - Hana Sharif -STAND On A New Foundation - Gregory Maqoma -Letting Go, Making Cuts & Evolving Into a Transmedia Leader - Robert Barry Fleming -A Perspective On Tokenism - Taiwo Afolabi Chapter Seven: Leading From the Front and The Power of Intuition Quotes: Marc Bathumi Joseph, Gregory Maqoma, Timothy Bond, Asiimwe Deborah Kawe, James Ngcobo, Patrick Bradford, David Bryan -Our North Star is Black Liberation - Sade Lythcott -The Juggling Act: Leading From The Front AND The Back - David Bryan Chapter Eight: Transforming the Culture and The Art of Negotiation Quotes: Timothy Bond, Gregory Maqoma, Samora Bergtop, Taiwo Afolabi -Funders Cannot Dictate Our Artistic Programming - Asiimwe Deborah Kawe -To Make Art That Matters, You Must Be A Rebel - Lydia Idakula-Sobogun -We See You White America, In Action! - Timothy Bond -A world Stage in Africa: Centering Diverse Voices and Indigenous Languages - James Ngcobo Chapter Nine: Recovering from a Setback Quote: Robert Barry Fleming, Deborah Sawyerr -No More Appeasing The White Gaze - Samora Bergtop -Knowing When It’s Time to Let Go - David Bryan -The Impossible Rubik’s Cube - Hana Sharif Chapter Ten: The Importance of Wellbeing Quotes: Lydia Idakula-Sobogun, Natasha Bucknor, Robert Barry Fleming, Jonathan McCrory, Sade Lythcott -Learning To Speak To Myself With Kindness - Asiimwe Deborah Kawe -Leaders Are Readers - David Bryan -Setting Healthy Boundaries - Stella Kanu -Solo Vacations - Hana Sharif Chapter Eleven: Succession & Legacy Quotes: Nataki Garrett, James Ngcobo, Nike Jonah -Mentorship Is Legacy - Asiimwe Deborah Kawe -Building Something That Survives Long After You - Patrick Bradford -The Legacy Is The Village and Building Institutions For The Future - David Bryan -Succession of Skills - Stella Kanu -Opening Doors and Holding Space - Hana Sharif -A Model of Anti-Racist Multicultural Theatre - Timothy Bond

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Book SynopsisTable of ContentsList of Illustrations 1. Introduction I New Materials in Artistic Applications 2. Making Lemonade out of Lemons: Merz and Material Property, Maria Makela 3. Experimentation and Invention at Weaving at the Bauhaus, Isabel Wünsche 4. Paper Promises: Inflation and the Insufficiency of Ersatz in Weimar Germany, Erin Sullivan Maynes 5. Abject Objects: Til Brugman, Evidentiary Representation, and Sexology’s Celluloid Fixation, Thomas O. Haakenson II New Chemicals and Reprographic Processes 6. Visual Explosion in the Weimar Era’s Print Media, Andres Mario Zervigon 7. Lazlo MoholyNagy: Adventures in Light, Space and Time, Donna West Brett III Traditional Materials in New Applications 8. The Emperor’s New Glass: Transparency as Substance and Symbol in Interwar Design, Freyja Hartzell 9. Inverted Cubism or the Spatial Painting: Adolf Rading’s House Dr. Rabe, Deborah Ascher Barnstone 10. Renee Sintenis, Wendt & Kühn, Lotte Pritzel: Modes, Markets, and Materials in Domestic Objects, 1910-1930, Nina Lübbren Contributors Index

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Book SynopsisHerbert Bayer was one of the most extraordinary artists associated with the Bauhaus school. A true multimedia artist, he united graphic design, art, and architecture in a unique style that came to represent the bold aesthetic approach of the movement. A teacher with the school until 1928, Bayer went on to become a highly successful graphic designer in Germany, and later one of the most prominent figures in the 20th-century art scene of the United States.This broad biographical account, which presents previously unseen archival photographs and episodes from the life of Bayer and other influential Bauhaus artists such as Walter Gropius, Marcel Breuer and László Moholy-Nagy, follows Bayer through the Weimar Republic, Nazi Germany and finally to his exile in the United States. Specifically, Patrick Rössler reveals for the first time Bayer's unique experience of 1930s Germany, where, with his commercial and artistic life shattered by terror and censorship, he distracted himself with leadingTrade ReviewShining a new light on the life and work of Herbert Bayer, this insightful book makes a vital contribution to our understanding of modernism and the 20th century events that shaped its practitioners, and how this extraordinary designer navigated those complex times. * Robin Schuldenfrei, Reader in 20th Century Modernism, The Courtauld Institute of Art, University of London, UK *Extensively researched, Rössler’s lively text analyzes Bayer’s artistic, personal, and political journey from the Bauhaus to the US and hits issues head on—addressing difficult questions regarding history, emigration, politics, and biography * Gwen F. Chanzit, Curator Emerita, Denver Art Museum, and Professor Emerita, University of Denver, USA *Gorgeously illustrated and rigorously researched, this book lays bare the crucial missing decade in the life and work of this innovative, influential, and often misunderstood artist. Patrick Rössler’s engaging and unflinching account is a must read for anyone interested in design history and the contradictions of creative life in Nazi Berlin. * Elizabeth Otto, Professor of Modern & Contemporary Art History, the University at Buffalo (SUNY), USA *Table of ContentsList of Plates List of Figures Introduction 1. Biographical fragments: Family, friends and companions 2. Commercial artist under National Socialism: “my advertising purgatory” 3. Shifting networks: “I'm here for love” 4. Road to emigration: “when the Nazis came to steal the land” 5. New beginnings among old friends: “i don't risk starting here without any money” 6. Progress in the USA and a look back: “I am personally struck by their success” Conclusion: “a useful and effective member of our society“ Bibliography Index

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Book SynopsisHerbert Bayer was one of the most extraordinary artists associated with the Bauhaus school. A true multimedia artist, he united graphic design, art, and architecture in a unique style that came to represent the bold aesthetic approach of the movement. A teacher with the school until 1928, Bayer went on to become a highly successful graphic designer in Germany, and later one of the most prominent figures in the 20th-century art scene of the United States.This broad biographical account, which presents previously unseen archival photographs and episodes from the life of Bayer and other influential Bauhaus artists such as Walter Gropius, Marcel Breuer and László Moholy-Nagy, follows Bayer through the Weimar Republic, Nazi Germany and finally to his exile in the United States. Specifically, Patrick Rössler reveals for the first time Bayer's unique experience of 1930s Germany, where, with his commercial and artistic life shattered by terror and censorship, he distracted himself w

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Book SynopsisCamilla Smith is Associate Professor in Art History in the Department of Art History, Curating and Visual Studies at the University of Birmingham, UK, where she specialises in modern art, architecture and design in Germany and Austria. Her research into aspects of German modernism is published in leading journals such as New German Critique, Oxford Art Journal and Art History, and she has contributed to international exhibitions held in London, Berlin and Vienna.Trade ReviewIn this study, Camilla Smith wrests Jeanne Mammen from narratives of a sexually liberated Weimar culture and its fall to reveal a more compelling and complex artist. With both sensitivity and precision, Smith illuminates the complexities of Mammen’s ‘inner emigration’—the fine lines between non-conformism and dissent, camouflage and accommodation—followed by the risks and possibilities of post-war culture in Berlin. * Frederic J. Schwartz, Emeritus Professor of History of Art and Architecture, University College London, UK *Beautifully illustrated and compulsively readable, Jeanne Mammen: Art Between Resistance and Conformity in Germany, 1916–1950 explores the dramatic life and multifaceted work of one of Europe’s most innovative artists. Moving beyond the dazzling “Glitter and Doom” of Mammen’s Weimar-era illustrations, Camilla Smith thematizes Mammen as an observer, artist, and translator, a woman alive to the possibilities of her age who lived through two world wars and negotiated her own inner immigration under the Nazi dictatorship. The is a thrilling new examination of an essential modernist artist whose significance has too long escaped scrutiny. * Elizabeth Otto, Professor of Modern & Contemporary Art History, University at Buffalo (SUNY), USA *Table of ContentsList of Illustrations List of Abbreviations Acknowledgments Introduction Chapter 1: Forging a Career Chapter 2: Berlin 1947 – Going Solo Chapter 3: National Socialism and Private Dissent Chapter 4: Propaganda, War and the Home Front Chapter 5: Beginning Again: Post-War Berlin Chapter 6: Bathtubs and Jellyfish: Mammen and Post-War Cabaret Conclusion Epilogue Notes Bibliography Appendices

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Book SynopsisLaura Wade's plays include Home, I'm Darling (National Theatre), Posh (Royal Court Theatre and West End), Tipping the Velvet (Lyric Theatre, Hammersmith), Alice (Crucible Theatre, Sheffield), Kreutzer vs. Kreutzer (Globe Theatre, Sydney Opera House and Australian tour), Other Hands (Soho Theatre), Colder Than Here (Soho Theatre and MCC Theatre New York), Breathing Corpses (Royal Court Theatre), Catch (Royal Court Theatre, written with four other playwrights), Young Emma (Finborough Theatre), 16 Winters (Bristol Old Vic Basement) and Limbo (Crucible Studio Theatre, Sheffield). Films include The Riot Club. Awards include the Critics' Circle Award for Most Promising Playwright, the Pearson Best Play Award and the George Devine Award. Laura Wade's plays have been performed in the UK, USA, Australia, Ireland, Sweden, Norway, Germany, the Netherlands and Mexico.Trade Review'The tension, the emotions and the sense of absurdity and fear are brilliantly handled... A terrifying tour de force.' * Sunday Times *'[A] powerful new play… The clash between the tone of sadness and the tricksiness of the play’s structure gives the evening its undeniable edge.' * The Stage *'A highly intriguing new play' * The Independent *

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Book Synopsis''That is the story of our beginning. And this is the story ofthe end' Lovesong is the story of one couple, told from two different points in their lives as young lovers in their 20s and as worldly companions looking back on their relationship. Their past and present selves collide in this haunting and beautiful tale of togetherness. All relationships have their ups and downs; the optimism of youth becomes the wisdom of experience. Love is a leap of faith.

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Book SynopsisJuniper is looking for love, Robert is trying to avoid it, Ollie doesn't know what it is and Meg has resigned herself to never having it. As these four people move through a July day in London, they orbit each other, unaware that they are hurtling towards one moment that could devastate them all.Many Moons opened at groundbreaking Theatre 503 in summer 2011.

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Book SynopsisThe White Rabbit is late for the Duchess. The Cheshire Cat won't stop grinning. And the Hatter is, well, mad. In the middle of it all is Alice, a young girl with a vivid imagination and a family life that's less than perfect.In this new adaptation by renowned playwright and Sheffield native, Laura Wade, you can follow Alice as she escapes her bedroom to find adventure in a topsy-turvy world. Based on Lewis Carroll's classic tale, Wade's adaptation breathes fresh life into a much-loved story about rabbit holes, pocket watches and talking caterpillars.Trade ReviewFabulous fun, as Laura Wade grabs hold of Lewis Carroll's classic and runs with it. Furiously inventive and wonderfully designed. Lyndsey Turner's production is as mad as a bag of trifle * Sunday Times Culture Magazine *In Laura Wade's engaging new version of Lewis Carrol's Alice in Wonderland a classic is given a wonderfully ingenious twist. -- Lynne Walker * The Independent *Laura Wade grabs hold of Lewis Carrol's classic and runs in this furiously inventive adaptation -- David Jays * Sunday Times *

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Book SynopsisI could fly to New York and back every day for seven years and still not leave a carbon footprint as big as if I have a child. Ten thousand tonnes of CO2. That's the weight of the Eiffel Tower. I'd be giving birth to the Eiffel Tower.'In a time of global anxiety, terrorism, erratic weather and political unrest, a young couple want a child but are running out of time. If they over think it, they'll never do it. But if they rush, it could be a disaster.They want to have a child for the right reasons. Except, what exactly are the right reasons? And what will be the first to destruct the planet or the relationship?Trade Review“Duncan Macmillan’s distinctive, off-kilter love story is brutally honest, funny, edgy and current. It gives voice to a generation for whom uncertainty is a way of life… bravely written, startlingly structured” * Guardian *Macmillan’s play is at once harrowing and blisteringly funny, bleak and redemptive...It combines hyper-real dialogue with a quirky form that expands and contracts time before our eyes, creating the almost physical sensation of being hurtled towards an uncertain future. The piece’s furious pace lives up to its title, leaving audience, and no doubt actors, feeling the need to pause for breath in a world that does not allow it. * What's On Stage *“Both uproariously funny … and unbearably poignant… an engaging and poignant piece" * Exeunt Magazine *Duncan Macmillan’s distinctive, off-kilter love story is brutally honest, funny, edgy and current. It gives voice to a generation for whom uncertainty is a way of life… bravely written, startlingly structured” -- Lyn Gardner * Guardian *

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Book SynopsisA brand-new collection of original audition pieces written by and for actors of colour, commissioned by Tamasha Theatre Company and edited by Titilola Dawudu, with a foreword by Noma Dumezweni. Hear Me Now is a unique collection of over eighty original audition monologues, expressly created by a range of award-winning writers brought together by producer Titilola Dawudu and Tamasha Theatre Company. They're ideal for actors of colour searching for speeches for auditions or training, writers, teachers, and theatre-makers who are passionate about improving diversity.The book provides varied, nuanced stories that expand beyond the range of existing material available from a cross-dressing Imam, to the first Black Prime Minister, the British Indian girl with dreams of becoming a country music star, or the young Black boy who loves baking as much as football Hear Me Now is an essential tool for actors of colour to showcase their range, and seeks to inspire, empower, and

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Book SynopsisBringing Forth the New provides a headlong introduction into the world of Chinese contemporary visual art, opening from the art world onto the political, technological and economic vectors of recent Chinese history. Each chapter reads an important facet of recent Chinese history through the work of a significant artist. From examining trade war and intellectual property through the work of political pop painters such as Yu Youhan, to the development of gendered constructs in China through the work of Cui Xuiwen.Trade ReviewIn a series of dazzling close readings, Bringing Forth The New offers a non-stop stream of brilliant insights and historical elaborations. It is comparative scholarship of the best kind—moving with grace and trenchant analysis across vast realms of visual experience. Forging connections at every turn, Maizels turns what might at first seem like an arbitrary series of visual examples into an impressive dance of analytic virtuosity, articulating the complexities of “East” and “West” as remediated in Chinese art during the past several decades. No matter where one is situated in relation to its many themes, one will inevitably learn a great deal from this book. * R. John Williams, Yale University, USA *Table of Contents1. Our Own Arrows 2. One Way Glass 3. Half of Heaven 4. Degrees of Separation 5. Muted Situations 6. Survival Robot

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Book SynopsisAnn Murray is an independent scholar from Ireland. She is the editor of Constructing the Memory of War in Visual Culture since 1914: The Eye on War (2018).Trade ReviewBased on an impressive collection of archival material, this study explores critical responses to Dix's work, including National Socialist views and post-war memorialisation. * Nina Lübbren, Associate Professor in Art History and Film, Anglia Ruskin University, UK *Murray’s deeply researched analysis reveals Dix as a trenchant critic of Weimar-era and wartime Germany. Paying close attention to the artist’s critical reception, Murray demonstrates Dix’s profound engagement with the politics of war commemoration and the memory of trauma. * Matthew Biro, Professor of Modern and Contemporary Art, University of Michigan, USA *Table of ContentsList of Illustrations Note on Translations List of Abbreviations Acknowledgements Introduction 1. 1914-1918 2. The War Amputee as Anti-Icon 3. Disenchanting Mars: The Trench and The War 4. Metropolis as War Memorialisation 5. War at the Prussian Academy of Arts 6. The Fate of the War Pictures in the Early Years of the Third Reich Conclusion Sources and Bibliography Index

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Book SynopsisThis interdisciplinary anthology examines the relationship between developments in biotechnology and both artistic and literary innovation, focussing in particular on how newfound molecular technologies and knowledge regimes, such as CRISPR gene editing, alter conceptions of what it means to be human.The book presents 21 essays, split across four parts, from a coterie of artists, theorists, historians and scientists which examine the symbiotic relationship between humans, animals, and viruses as well as the impossibility of germ-free existence.The essays in this volume are urgent in their topicality, embodying the exhilarating yet alarming zeitgeist of contemporary nonhuman-to-human viral transmission and gene editing technologies. Ultimately, Art and Biotechnology reveals how art and biotechnology influence each other and how art has shaped the discussion around gene editing and the socio-cultural aspects of the Covid-19 pandemic. It is essential reading for

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Book SynopsisAlthough the horror genre has been embraced by filmmakers around the world, Japan has been one of the most prolific and successful purveyors of such films. From science fiction terrors of the 1950s like Godzilla to violent films like Suicide Circle and Ichi the Killer, Japanese horror film has a diverse history. While the quality of some of these films has varied, others have been major hits in Japan and beyond, frightening moviegoers around the globe. Many of these filmssuch as the Ringu movieshave influenced other horror productions in both Asia and the United States. The Encyclopedia of Japanese Horror Films covers virtually every horror film made in Japan from the past century to date. In addition to major and modest productions, this encyclopedia also features entries on notable directors, producers, and actors. Each film entry includes comprehensive details, situates the film in the context and history of Japanese horror cinema, and provides brief suggestions for further readinTrade ReviewMurguia, along with more than 50 international academic contributors, presents an A–Z reference guide highlighting Japanese horror (J-horror) cinema. Various aspects of the genre are considered, such as ero guru nansensu (erotic grotesque nonsense), tokusatsu (live-action special effects), and anime. This encyclopedia seeks to provide a 'perspective on the intersection between popular culture and the commercial production of horror' that is 'accessible for general audiences and academics alike.' Films (Ringu; Tokyo Gore Police), directors (Takashi Miike, Kiyoshi Kurosawa), and series ('Ju-on,' 'Tetsuo,' 'Daimajin') are examined. Entries on films include information such as date, director, and screenwriter along with graphically detailed synopses and brief analysis, in order to give scholarly credence to these works. Many of the movies are disturbing in theme and involve scenes of rape, mutilation, and torture. Splatter, slasher, and 'pink' films (those with sex or nudity) are discussed. This comprehensive source will benefit those looking for material on these films in a single volume and be of value to film students researching the topic. Some articles offer helpful bibliographies for further exploration. VERDICT: For J-horror enthusiasts and academic libraries with film collections. * Library Journal *For film aficionados, Japanese horror is a well-known genre, influencing horror productions in the U.S. as well as in other Asian countries. Varying widely from monster films, like the iconic Godzilla, to violence-and death-obsessed works, science-fiction-influenced tales, and ghost stories, these films appeal to differing demographics. Designed for both general readers and those in academic venues, this alphabetically organized work covers most of the Japanese horror films made in the past 100 years, both in film-specific entries and those for notable writers, actors, directors, and producers as well as film festivals. Articles, written by approximately 45 international contributors, most with academic affiliations, are accessibly written essays. . . .[T]he essays are generally interesting reading, and many are followed by cross-reference notations and short bibliographies. The contents give film titles and names in both English and Japanese, and the index is comprehensive and accurate. . . .[T]his volume is a sound inclusion for collections at colleges and universities supporting film studies. * Booklist *This offbeat encyclopedia edited by Murguia seeks to fill a niche as the only English-language work on ‘J-horror.’ More than 50 international contributors—mainly scholars—provide write-ups, treating horror broadly, including genres such as hyper-violence, erotic grotesque, or anime horror. The bulk of the work focuses on an admirably wide range of specific films; it also offers entries on important directors, actors, and general themes…. [T]his volume belongs on the bookshelves of aficionados and libraries collecting comprehensively in film…. Upper-level undergraduates through researchers/faculty; general readers. * CHOICE *Once opened, The Encyclopedia of Japanese Horror Movies unleashed wriggly, rubbery tentacles of film analysis and biography and historical context and cultural insight onto the hapless reviewer’s initial cursory interest of the topic and infused it with an irradiated concoction of well-written essays, until the reviewer found himself morphing and transforming and mutating into...an ardent appreciator of J-Horror. . . .According to Murguia, in his two-page introduction, The Encyclopedia of Japanese Horror Movies stands alone as the only encyclopedia in the English-speaking market focusing on J-Horror. . . .While the essays about the movies provide the reader with the expected summary and analysis of the film or film series, the contributors’ expertise add unexpected textures to the content. . . .Does Godzilla lurk within these pages? Yes. Will your library’s patrons—J-Horror connoisseur or curious novice—find themselves ensnared by the content of The Encyclopedia of Japanese Horror Movies? Place the book on your shelves and walk away. * American Reference Books Annual *

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Book SynopsisThis is the first general book to present a coherent, broad analysis of the numerous images of women in Roman art.Trade Review‘Well-researched ... accessible to anyone interested in Roman women or art’ -- Minerva

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Book SynopsisDrawing on international examples, this book interrogates the relationship between the arts, culture and community development. Contributors from six continents, reimagine community development as they consider how aesthetic arts contribute to processes of peacebuilding, youth empowerment, participatory planning and environmental regeneration.Trade Review"This is a very important book that can help us to be more transgressive against our present conditions. In my opinion, too many books about the arts and culture focus solely on the individual act of creation, so this volume is an exception as it emphasises collectivity." ConceptTable of ContentsCulture and Community Development – Introductory Essay ~ Rosie R. Meade and Mae Shaw Section 1: Making and Sharing Collective Meanings Reflections on the Decolonizing Dance Praxis of Grupo Bayano ~ Antonia Darder and Sharon Cronin The Power of Song ~ Leon Rosselson The People Awoke Awake - Observations from Beirut's Walls in the October 17 Moment ~ Arek Dakessian, Célia Hassani and Sarah Shmaitilly Muralism, Disputes, and Imaginaries of Community Resistance: Case-studies from Settlements in Santiago de Chile and Rio de Janeiro ~ Alexis Cortés, Palloma Menezes and Apoena Mano Contemporary expressions of arts and culture as protest: Consonance, dissonance, paradox and opportunities for community development? ~ Daniel H. Mutibwa Queering Community Development in DIY punk spaces ~ Kirsty Lohman and Ruth Pearce Section 2: Negotiating Practice and Policy Access to Communication as Resistance and Struggle in the 21st Century ~ Pradip Ninan Thomas Unholy Alliance or Way of the Future? The intertwinements of community development, cultural planning and cultural industries in municipal and regional cultural strategies in Finland ~ Miikka Pyykkönen Frameworks for Assessing and Reconsidering Empowerment in Community Arts ~ Samson Kei Shun Wong Maintaining a critical approach to collaborative art and youth work practice in neoliberal times ~ Fiona Whelan and Jim Lawlor The Kinaesthetics of Community: social circus, corporeal aesthetics and the balancing act of a development practice in (post)neoliberal conditions ~ Jennifer Beth Spiegel Building peaceful communities: Collaboration and co-creation through theatre ~ Nilanjana Premaratna Afterword

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Book SynopsisDrawing on international examples, this book interrogates the relationship between the arts, culture and community development. Contributors from six continents, reimagine community development as they consider how aesthetic arts contribute to processes of peacebuilding, youth empowerment, participatory planning and environmental regeneration.Table of ContentsCulture and Community Development – Introductory Essay ~ Rosie R. Meade and Mae Shaw Section 1: Making and Sharing Collective Meanings Reflections on the Decolonizing Dance Praxis of Grupo Bayano ~ Antonia Darder and Sharon Cronin The Power of Song ~ Leon Rosselson The People Awoke Awake - Observations from Beirut's Walls in the October 17 Moment ~ Arek Dakessian, Célia Hassani and Sarah Shmaitilly Muralism, Disputes, and Imaginaries of Community Resistance: Case-studies from Settlements in Santiago de Chile and Rio de Janeiro ~ Alexis Cortés, Palloma Menezes and Apoena Mano Contemporary expressions of arts and culture as protest: Consonance, dissonance, paradox and opportunities for community development? ~ Daniel H. Mutibwa Queering Community Development in DIY punk spaces ~ Kirsty Lohman and Ruth Pearce Section 2: Negotiating Practice and Policy Access to Communication as Resistance and Struggle in the 21st Century ~ Pradip Ninan Thomas Unholy Alliance or Way of the Future? The intertwinements of community development, cultural planning and cultural industries in municipal and regional cultural strategies in Finland ~ Miikka Pyykkönen Frameworks for Assessing and Reconsidering Empowerment in Community Arts ~ Samson Kei Shun Wong Maintaining a critical approach to collaborative art and youth work practice in neoliberal times ~ Fiona Whelan and Jim Lawlor The Kinaesthetics of Community: social circus, corporeal aesthetics and the balancing act of a development practice in (post)neoliberal conditions ~ Jennifer Beth Spiegel Building peaceful communities: Collaboration and co-creation through theatre ~ Nilanjana Premaratna Afterword

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Book SynopsisThis Separated Isle explores how concepts of Britishness' reveal an inclusive range of understandings about our national character. Featuring a diverse range of photographic portraits and narrative stories from across the UK, this landmark book examines the relationship between identity and nationhood, revealing the ties that bind us together.Table of ContentsForeword ~ Kit de Waal; Introduction; 1-40 Portraits of a Diverse Britain.

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Book SynopsisThrough stories and visual vignettes, it presents a range of stakeholders involved in the design, construction, management and habitation of third-age housing in the UK, highlighting the importance of design decisions for the everyday lives of older people.Table of ContentsForewords Bringing Design Research into Gerontology - Judith Phillips Architectural Intelligence, for Older People - Adam Sharr Introduction Part 1: Ageing 1. Ageing Context 2. Specialist Accommodation 3. Baby Boomers 4. Vulnerable Friend Part 2: Villas 5. Villa Context 6. Developer Director 7. Resident Owner 8. Villa Manager Part 3: Professionals 9. Professional Context 10. Architecture Student 11. Company Architect 12. Town Planner Part 4: Reflections 13. Design Tweaks 14. Retirement Reviewed 15. Global Outlook

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Book Synopsis

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Book SynopsisCRISIS! Dog and Cat find out the family is moving. Dog freaks out. He does NOT want to move. He goes through all the classic stages: denial, anger, bargaining, and depression. Cat tries to get him to acceptance. But Cat is fine—really she is—or is she? Dog and Cat plow through the days until moving. They eat. They nap. They argue. They take care of their owners. But can they figure out how to stop this terrible move? Dog & Cat is told in a series of funny concrete (shape) poems and hilarious conversations. Perfect for any kid, age 9 and up. Or anyone who just wants a fun book.

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Book SynopsisThe biggest Flip-Mats in history just got bigger! Introducing Pathfinder Flip-Mat: Enormous Forest, a brand-new amazingly giant Flip-Mat bigger than any Paizo has produced before! Measuring a titanic 30 by 46 when unfolded, this exciting new map presents a sprawling section of forest on each sideone side dense and primeval, and the other cut through with a shaded road just perfect for ambushing player characters. Spread this woodland across your tabletop and watch your players' eyes pop out at the enormity of it all! Your player character's biggest problems just got even bigger!A special coating on each Flip-Mat allows you to use wet erase, dry erase, AND permanent markers with ease! Removing permanent ink is easysimply trace over any permanent mark with a dry erase marker, wait 10 seconds, then wipe off both marks with a dry cloth or paper towel. Each Enormous Flip-Mat measures 30 x 46 unfolded, and 8 x 10 folded.On tabletops across the world, the Flip-Mat Revolution i

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Book Synopsis

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