The Arts: art forms Books
Set Margins' publications Fair Kin Arts Almanac
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£20.90
Libraryman Co., Ltd. June
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£40.50
Sharada Publishing House Pottery in South India
Book SynopsisCeramics play an important role in the study of archaeological sites and cultures. Pottery is one of the most abundantly produced material by the ancient communities. Pottery helps us in understanding the state of economy, food habits, technological advancement, trade and contacts, rituals and beliefs, etc. Much of the reconstruction of the history of any archaeological site depends to a great extent on study of its ceramic residues. The data on the pottery is scattered in numerous sources, which makes it difficult to have a synoptic view of the pottery traditions of a region in a particular period. The present work is aimed at filling this gap, and presenting the data in a single source in a comprehensive manner. The book has data on pottery assignable to different cultural periods starting from Neolithic period (from 2500 bce) to Early historic period upto 300 ce, from the states of Andhra Pradesh and Telangana in South India.
£91.19
Lannoo Publishers Homes for Collectors: Interiors of Art and Design
Book SynopsisCollectors design their homes with their prized objects in mind. In this book 20 art and design collectors open the doors to their homes, many for the first time. You will be amazed at what you'll see: from a Giacometti sculpture to a garbage bag by Gustav Metzger, from an iconic Eames lounge chair to the Living Tower by Verner Panton. This successor to the successful book Homes for Nomads (9789401477437) offers pages and pages of inspiration for all those who love beautiful and real-life interiors, and who perhaps live with, and love, their own collections.
£45.00
Museum of Fine Art, Budapest / Hungarian National Gallery Habitat
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£24.00
Magali Duzant The Dry Garden
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£14.25
Massey University Press Artists in Antarctica
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£52.69
Edition Patrick Frey Orlando
Book SynopsisKlodin Erb's Orlando series is based on the eponymous novel by Virginia Woolf, in which a poet lives for over five centuries and mysteriously changes sex. So far the series comprises nearly two hundred mostly small painted portraits in a wide range of different styles. The subjects are male, female or of undefined gender. The series is, on the one hand, a study in portrait painting that also explores the history of art and the time inherent in and associated with it, as the artist explains. It's also an investigation of her own identity as a painter, on the other hand. The sheer quantity of images makes it possible to immerse oneself, even lose oneself, in the faces, writes Erb, transforming the viewer into a universal being in a timeless existence. Paradigms of demarcation and identification are dissolved as a result and reworked into a larger context (I am many, I am you, etc. ). Klodin Erb's artistic exploration of identity was fleshed out during a conversation over dinner in a pavilion by Lake Zurich. The object of this event was to dispense with everyday egos by donning costumes and make-up and, in the experimental setting of a performance-art dinner, tap into a meta-ego in order to discuss the themes of the Orlando series: identity, gender and role models, the construct of time, ageing and the longing for eternal life/youth, humanoids and artificial intelligence, the last human. The transcript of this conversation runs through the book and ties it all together. With an interview between the artist and Kathleen Bühler, Jacqueline Burckhardt, Finn Canonica, Gregory Hari, Susanna Koeberle, Nina Kunz, Katarina Lang, Chris Luebkeman, and Romeo Koyote Rosen.
£55.80
Apartamento Publishing S.L.v All the Things I Know
Book Synopsis
£40.50
ZE Books Cellophane Bricks
Book SynopsisA rapturous, ravenous celebration of visual art and storytelling from one of our most innovative writers and critical minds.
£22.50
Princeton University Press Opt Art
Book SynopsisBosch provides a lively and accessible introduction to the geometric, algebraic, and algorithmic foundations of optimization. He presents classical applications, such as the legendary Traveling Salesman Problem, and shows how to adapt them to make optimization art--opt art. art.Trade Review"The writing is inviting, and Bosch gives motivated students and other readers the tools they will need to jump right in and start creating their own mosaics or other images using his ideas."---Evelyn Lamb, Scientific American"Bosch provides a careful, thorough, and accessible discussion of linear programming. . . . An interesting addition to the growing literature on mathematical art."---C. A. Gorini, Choice"Opt Art serves as an inviting introduction to a curious corner where art and mathematics intersect. Bosch projects equal enthusiasm for both. The artwork is not just an ornament meant to attract a broader readership, and the math is not just a tool for producing pictures. For Bosch it’s clear they both hold deep intrinsic interest, and he communicates this to the reader."---Brian Hayes, American Scientist"With the dynamic, flexible artistic tool of optimization, equations take the place of oil or gouache. With calculation, ingenuity, and insightful uses of mathematics, Bosch teaches readers how to create art pieces that include collages, labyrinths, and continuous line drawings. Not only can a reader be prepared to create artistic pieces, Bosch’s book places an artistic master, the author himself, next to the reader, sharing wisdom and insight to make one’s imaginations into artistic realizations."---Tim Chartier, The American Mathematical Monthly"This is a great book, for those interested in mathematics, that captures both linear optimisation and art. . . this will be a bookshelf favourite for a number of readers."---Kenny Green, Mathematics Today
£22.50
Metropolitan Museum of Art Sleeping Beauties Reawakening Fashion
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£54.00
Headline Publishing Group Rush
Book SynopsisAs seen on TikTok, from Samantha Towle, the New York Times bestselling author of Ruin, comes a the next dramatically powerful and passionate novel in the Gods series.Readers are raving about Rush!''Epic. Loved every word, and Sam Towle proves yet again a true veteran in the art of contemporary romance''''Her characters are always amazing and her stories leave you wanting more.....enjoy the read!!''''Every expectation was surpassed and I devoured this book in a day''''A phenomenal book''..............................................................................''With the first pick in the 2015 NFL Draft, the New York Giants select . . .''It''s been three years since quarterback Ares Kincaid''s NFL dream came true, and he''s living the high life. The days of cleaning up after his drunk of a father are long gone, and he has no intention of going ba
£10.44
Manchester University Press Albrecht DüRer’s Material World
Book SynopsisThe painter and printmaker Albrecht Dürer is one of the most important figures of the German Renaissance. This book accompanies the first major exhibition of the Whitworth art gallery’s outstanding Dürer collection in over half a century. It offers a new perspective on Dürer as an intense observer of the worlds of manufacture, design and trade that fill his graphic art.Artworks and artefacts examined here expose understudied aspects of Dürer’s art and practice, including his attentive examination of objects of daily domestic use, his involvement in economies of local manufacture and exchange, the microarchitectures of local craft and, finally, his attention to cultures of natural and philosophical inquiry and learning.Table of ContentsForeword 1 Introducing Albrecht Dürer’s material world – Jennifer Spinks and Edward H. Wouk 2 The Thomas D. Barlow collection: a fait accompli –Imogen Holmes-Roe 3 Perilous possessions: Kachelöfen in Renaissance Nuremberg –Sasha Handley 4 Objects in motion: Albrecht Dürer’s Nemesis – Jennifer Spinks 5 The nature of lines: enviromateriality and ingenuity in Albrecht Dürer’s material world – Stefan Hanß 6 Objects of devotion and instruments of memorialisation: The Mass of Saint Gregory – Charles Zika 7 Measure and the material world of Dürer’s Melencholia I – Matthew Champion 8 The material and the immaterial: Saint Jerome in his Study – Dagmar Eichberger 9 Albrecht Dürer’s Landscape with a Cannon of 1518: the matter of etching – Edward H. Wouk 10 Dürer’s armour – Larry Silver 11 The Whitworth’s sculpted Pietà from Renaissance Germany – Holly Fletcher 12 The home – Sasha Handley and Charles Zika 13 The workshop – Stefan Hanß, Jennifer Spinks and Edward H. Wouk 14 The study – Edward H. Wouk and Dagmar Eichberger Index
£23.75
CRC Press Lighting for Animation
Book SynopsisLighting for Animation is designed with one goal in mind - to make you a better artist. Over the course of the book, Jasmine Katatikarn and Michael Tanzillo (Senior Lighting TDs, Blue Sky Studios) will train your eye to analyze your work more critically, and teach you approaches and techniques to improve your craft. Focusing on the main philosophies and core concepts utilized by industry professionals, this book builds the foundation for a successful career as a lighting artist in visual effects and computer animation. Inside youâll find in-depth instruction on:â Creating mood and storytelling through lightingâ Using light to create visual shapingâ Directing the viewerâs eye with light and colorâ Gathering and utilizing reference imagesâ Successfully lighting and rendering workflowsâ Render layers and how they can be used most effectivelyâ Specific lighting scenarios, including character lighting, environment lighting, and lighting an animated sequenceâ Material properties and their work with lightingâ Compositing techniques essential for a lighterâ A guide on how to start your career and achieve success as a lighting artistThis book is not designed to teach software packagesâthere are websites, instructional manuals, online demos, and traditional courses available to teach you how to operate specific computer programs. That type of training will teach you how to create an image; this book will teach you the technical skills you need to make that image beautiful. Key Features Stunning examples from a variety of films serve to inspire and inform your creative choices. Unique approach focuses on using lighting as a storytelling tool, rather than just telling you which buttons to press. Comprehensive companion website contains lighting exercises, assets, challenges, and further resources to help you expand your skillset. Table of ContentsAcknowledgmentsIntroductionChapter 1: Why We LightThe Role of LightingCreating Visual ShapingDirecting the Viewer’s EyeInterview with Chris Wedge – Director :: Blue Sky Studios Chapter 2: Observing the World Around UsGathering ReferenceProcessing Reference Utilizing ReferenceInterview with Sharon Callahan - Lighting Director of Photography :: Pixar Animation StudiosChapter 3: The Lighter’s ToolboxCommon CG LightsBasic Properties of LightShadowsInterview with Andrew Beddini – Technical Supervisor of Imaging :: Blue Sky StudiosChapter 4: The Lighter’s WorkflowPre-LightingUnderstanding the Roles of Each LightLet There Be Light!Render LayersRender WorkflowInterview with Mike Knapp – Art Director :: Blue Sky StudiosChapter 5: Dissecting a Well-Lit ShotTelling the Story By Emphasizing the MoodDirecting the Viewer’s EyeVisual ShapingInterview with Josh Staub – Visual Effects Supervisor & Lighting Supervisor :: Walt Disney Animation StudiosChapter 6: Lighting ScenariosCharacter Lighting EyesInterior LightingExterior LightingInterview with Haji Uesato :: Blue Sky StudiosChapter 7: Materials and CompositingMaterialsSimulating Specific MaterialsCompositing Layering The Final TouchesInterview with Brian Hill – Materials Supervisor :: Blue Sky StudiosChapter 8: Honing the Artistic EyeImage BreakdownsInterview with Gabriel Portnoff – CG Supervisor :: Dreamworks AnimationChapter 9: Lighting WalkthroughsLighting Scenario One :: Character Beauty LightingLighting Scenario Two :: Character and EnvironmentLighting Scenario Three :: Multiple CharactersInterview with Yann Mabille – Creative Director/Partner :: InterstateChapter 10: Master LightingLook Development and Master LightingCreating a Clean RigInterview with Eldar Cholich– Lighting Lead :: Blue Sky StudiosInterview with Kurt Kaminski – Lighter :: Walt Disney Animation StudiosChapter 11: Closing StatementsGetting Started as a Lighting ArtistThriving in the IndustryInterview with Deb Stone – Manager, Talent Development :: Blue Sky Studios
£44.64
Taylor & Francis Encountering Craft
Book SynopsisThis book reflects on the methodological challenges and possibilities encountered when researching practices that have been historically defined and classified as âcraft.â It fosters an understanding of how methodology, across disciplines, contributes to analytical frameworks within which the subject matter of craft is defined and constructed. The contributions are written by scholars whose work focuses on different craft practices across geographies. Each chapter contains detailed case study material along with theoretical analysis of the research challenges confronted. They provide valuable insight into how methodologies emerge in response to particular research conditions and contexts, addressing issues of decolonization, representation, institutionalization, and power. Informed by anthropology, art history and design, this volume facilitates interdisciplinary discussion and touches on some of the most critical issues related to craft research today.Table of Contents1. IntroductionChandan Bose and Mira Mohsini2. Critical Cloth: The Contemporary Toile de Jouy Print as Postcolonial Critique in Art and DesignStephanie Sabo3. On crafting history in a time without craftinessSarah Teasley4. Narrating indigo: Telling and re-telling subjectivities of craft in IndiaAarti Kawlra5. Disentangling history and practice in the weaving and dyeing course at Kyoto City University of ArtsElena Cinelli6. Prolegomena for World War I craft therapy for American injured soldiers and Reconstruction AidesJennifer Way7. Theorising Indigenous art practice, practicing Indigenous art theories: Māori weaving as research methodologyHinekura Smith 8. Encountering gendered sociality on field: People and objects in KashmirNikita Kaul 9. "Writing Practices" and Writing "Practices": Observation and struggle in fieldnotes about artisanal workAlanna Cant10. CodaChandan Bose and Mira Mohsini
£125.00
Taylor & Francis Ltd Visual and Cultural Identity Constructs of Global
Book SynopsisThis collection brings together the ideas of key global scholars focusing on the lives of youth and young adults, examining their visual and cultural identity constructs.Embracing an international perspective encompassing the Global North and Global South, chapters explore expressions and performances of youth and young adults as shifting and entangled, in and through the clothed body, gender, sexuality, race, artistic and pedagogical making practices, in spaces and places, framed by new materialism, social media, popular and material culture. The overarching emphasis of the collection is on youth and young adults' strategies for engaging in and with the world, becoming a someone, and belonging, in settings that include a juvenile arbitration program, an artist community, high schools, universities, families and social media.This truly interdisciplinary and international collection will have resonance not just within cultural and media studies, but also in education, aTrade Review"Fiona Blaikie has assembled and edited an excellent international collection. The book highlights how youth navigate tensions between marginalities, lived realities, and the demands of school, work and family; how they ‘story’ their everyday lives, including through place-, meme-, and video-making; and their experiences of profound exclusions around race, gender and sexuality. This book feels fresh and urgent as Blaikie has ensured that diverse young people’s viewpoints and experiences figure prominently, discussed through cutting-edge critical and new materialist theorizing. The prominence of arts-based methodologies is also exciting; the art is innovative, moving, instructive and often enmeshed in the entire fabric of a chapter. I love this collection and I highly recommend it to anyone interested in current youth studies."- Rebecca Raby, Brock University, Canada"This collection has multiple dimensions. It contributes to debates about the geopolitics of knowledge-production by attending closely to the importance of contexts around the world. It engages with the gendered interest in subjectivities and meaning-making by introducing non-human elements and the theoretical encouragements of postmaterialism to add further complexity and angle to our understanding. It invites readers to use new concepts such as worlding to expand their appreciation of the narratives that people develop to explain themselves. It expands a lexicon of gender and of ways of seeing and looking and asks us to embrace senses, celebrating as it does, creativity, difference, light and colour."- Robert Morrell, University of Cape Town, South Africa"This wisely edited volume brings together a distinguished, visionary and international group of scholars engaging with some of the most significant and pressing social and cultural questions of our time. The contributors to this volume boldly orient readers to environments and expressive forms shaping people’s everyday lives within a global context. I am confident that this collection of essays will inform current and future thinking by those concerned with the creation, interrogation and dissemination of expressive culture."Doug Blandy, University of Oregon, USA"Fiona Blaikie’s edited anthology takes us into contemporary youth cultures through humanistic research across international contexts. These research narratives embody the voices of young people who speak about nuanced sites of engagement and belonging on their own terms from emic true-to-life perspectives. Simultaneously, these chapters also create new spaces for research and researchers, pioneering sites of reflexivity and representation which engender respect and communion rather than "othering." Blaikie’s keen insights and choices in the curation of these poignant accounts reveal young adult perspectives of authentic being, providing entry into participant worlds heretofore unexplored."- Christine Staikidis, University of Northern Illinois, USA"Visual and Cultural Identity Constructs of Global Youth is an anthology of the world worlding, such as youth (re)enacting with/in social media sites, schools for boys in Canada and young women in India navigating how to dress in the male-dominated engineering classrooms or girls redressing themselves in U.S. juvenile arbitration—all blending the material/physicality of embodied affect and the semiotics (sign systems of language and images) of being in and of the world. Visual and Cultural Identity Constructs of Global Youth explores what matters today to youth and young adults in the process of fostering new ontological dispositions of being and belonging in the world that counter the current socio-political agendas of hate, bullying, sexism, racism, and religious persecution. The stories matter because they attend to specific experience, place, encounters, and active engagement with the materiality of context inseparable from semiotic constructs. The anthology is a must-read primer on non-representational new materialism theory to consider how the world is affecting youth and how youth are affecting the world, and to generate speculative fabulations of possible ethical futures."- Karen Keifer-Boyd, The Pennsylvania State University, USA"Dr. Blaikie is to be congratulated for bringing together such a thoughtful collection of diverse voices, revealing the complexities and nuances of youth life and learning in a global context. Surprisingly, little research has been done pertaining to the communities of youth given attention in this book. Dr. Blaikie and her colleagues bring marginalized youth to the center of the discussion, which could push such research forward in important ways. The collection has some absolute gems, like O’Donoghue’s and Ringrose’s investigations of masculinities, Ivashkevich’s chapter on adjudicated girls, and McLaughlin-Alcock’s look at artists in Jordan among others. After conducting decades of youth research inside schools and out, this collection caused me to think about potential new projects, which is my criterion for the best thing a book can do for a researcher."- Kerry Freedman, Northern Illinois University, USA"This wonderful collection of international and inter-disciplinary chapters offer youth researchers new ways of doing situated, ethical, political and response-able research on mediated youth cultures. From re-storying belonging via poetic inquiry with refugee youth to addressing the embodied traumas of idealised classed and racialised femininity through digital media making with young women in a first-time offender programme, each chapter moves and transports the reader to engage with some complex micro-assemblages of youth culture across diverse spaces and places. Collectively the chapters also powerfully illustrate the necessity and challenge of weaving critical post-theories with art-ful methodologies that make the more-than of how research praxis can build to in-form more equitable worldings of a youth justice to come. This is a volume to learn from, become-with and make matter."- EJ Renold, Cardiff University, United KingdomTable of ContentsIntroduction Part One: Contextualizing Embodiments in Space and Place 1. Becoming Somebody in Boys’ Schools: The Significance of Place 2. Worlding Youth: Visual and Narrative Vignettes Embodying Being, Becoming, and Belonging 3. About Facing the Other: The Impression Management of Young LGBTQ Adults in Contemporary Vietnam 4. Reconciling Divergent Realms in the Lives of Marginalized Students Part Two: Making and Engaging 5. Boys and Their Memes: Exploring Networked Homosocial Masculinity 6. Race, Gender, Sexuality in South African Teenage Girls’ Construction of ‘Porn Stars’ 7. A TikTok Assemblage: Girlhood, Radical Media Engagement, and Parent-Child Generativity 8. Storied Matter: Research on Young People’s Felt, Sensed and Storied Designs 9. "I Love My Body": Adjudicated Girls Confront Their Embodied Traumas and Idealized Female Representations Through Digital Media Making Part Three: Becoming and Belonging 10. Becoming Professional, Being Respectable: The Politics of College Dressing in South India 11. Living a Queer Life in Vietnam 12. Politics of Belonging Among Young Public Artists in Amman, Jordan 13. Trans-Languaging and Wonder: A Poetic Inquiry into Newcomer Belonging.
£37.04
Taylor & Francis Ltd Active Landscape Photography
Book SynopsisDiverse Practices, the third book in the Active Landscape Photography series, presents a set of unique photographic examples for site-specific investigations of landscape places. Contributed by authors across academia, practice and photography, each chapter serves as a rigorous discussion about photographic methods for the landscape and their underlying concepts. Chapters also serve as unique case studies about specific projects, places and landscape issues.Project sites include the Miller Garden, Olana, XX Miller Prize and the Philando Castile Peace Garden. Landscape places discussed include the archeological landscapes of North Peru, watery littoral zones, the remote White Pass in Alaska, Sau Paulo and New York Cityâs Chinatown. Photographic image-making approaches include the use of lidar, repeat photography, collage, mapping, remote image capture, portraiture, image mining of internet sources, visual impact assessment, cameraless photography, transect walking and interviewing.These diverse practices demonstrate how photography, when utilized through a set of specific critical methods, becomes a rich process for investigating the landscape. Exploring this concept in relationship to specific contemporary sties and landscape issues reveals the intricacy and subtlety that exists when photography is used actively.Practitioners, academics, students and researchers will be inspired by the underlying concepts of these examples and come away with a better understanding about how to create their own rigorous photographic practices.Table of ContentsIntroduction: Diverse PracticesAnne C GodfreyPractice, Methods and Process: Photographic Representation is a VerbAnne C GodfreyPart I: Systems1. Cameraless Photography at the Water’s Edge: Rethinking Collaboration and Exchange in the Littoral ZonePhoebe Lickwar2. Looking Through the Trees: Lidar, Archaeology, and the Possibility of Seeing OtherwiseParker VanValkenburgh3. Between the Rendered and the Real: Photography as a Comparative Analysis ToolAidan Ackerman, Robin Hoffman4. Taking Strolls in Virtual Space: Finding the Stranger’s Path in Google Streetview Context Photography Deni RuggeriPart II: Histories5. Engaged Photography: Revealing the Miller GardenMark R. Eischeid6. Photographs as Tools for Restoring the Historic Landscape of OlanaCharlotte Barrows7. Revealing Landscapes Beyond the Monuments: Matching Past to Present Using Remote Repeat Photography Anna Suet Tiburzi Part III: Narratives8. Repeat Photography's Practical Applications in Contemporary Landscape Planning and DesignRachel Edmonds, Casey Howard, and Laurie Matthews9. XX Miller Prize: Centering Women’s Stories Through PortraitureSahar Coston-Hardy, Rhiannon Sinclair10. Photography and a Dramaturgical Approach to SitesBrian KatenPart IV: Moments11. OverdrawingLiska Chan12. Ways of Seeing; Documenting LandscapeHannah Durham13. Serial Process: Serial photography as Critical PracticeMaura Rockcastle and Ross Altheimer
£33.99
Taylor & Francis Ltd The Psychology of Art The Psychology of
Book SynopsisWhy do we enjoy art? What inspires us to create artistic works? How can brain science help us understand our taste in art?The Psychology of Art provides an eclectic introduction to the myriad ways in which psychology can help us understand and appreciate creative activities. Exploring how we perceive everything from colour to motion, the book examines art-making as a form of human behaviour that stretches back throughout history as a constant source of inspiration, conflict and conversation. It also considers how factors such as fakery, reproduction technology and sexism influence our judgements about art.By asking what psychological science has to do with artistic appreciation, The Psychology of Art introduces the reader to new ways of thinking about how we create and consume art.Table of ContentsPreface1. Art and psychology2. The neuroscience of art3. Why do we engage in art?4. Depicting space, contour and form in art5. Depicting colour and motion in art6. What makes great art?7. Creativity in art and scienceFurther readingBibliography
£16.40
Taylor & Francis ArtBased Research in the Context of a Global
Book SynopsisLiving through the Covid-19 global pandemic has changed the way that we experience our lives, the way that we relate to one-another, and the way that we engage with the world. Focusing contextually on the initial lockdowns of the pandemic in 2020, this book proposes that art-based research has a central, illuminative role to play in our understanding of unfolding crises.The changes brought on by the global event may not be readily accessible or expressible through traditional academic research. Art-based research offers the opportunity to explore, document, and reflect on the emerging and often ineffable qualities of transformed lives by drawing on emotional, bodily, and interactive aspects of experience. Such an approach allows for meaning-making that makes room for reflexive, interpersonal, and dialogical engagement. The contributions aim to capture and explore lived experiences of the pandemic, as well as begin a discussion about how meaning-making is changing through and
£37.99
Taylor & Francis Ltd Transmissibility
Book SynopsisThis book examines transmissibility to remind us why the vitality and epistemic significance of an artwork is anachronistic and futural. Transmissibility: Writing Aesthetic History performs a transdisciplinary philosophy of aesthetic history via the work of Gilles Deleuze and Félix Guattari, Cy Twombly, Marina Abramovic, Paul Celan, Cecil Taylor, Italo Calvino, Candida Höfer, and others by focusing on the?artistic and historiographic labor that differentiates artworks from other modes of creation.Trade Review Transmissibility: Writing Aesthetic History is an exuberant inquiry into the moment—better still, the movement—of transmissibility that pushes aesthetic form over the edge of political praxis, and vice versa. How does art-work survive transitional life-worlds? How are we to think and write about ontological and historical immanence within aesthetic history? Jae Emerling accompanies his reader every step of the way in this exciting and erudite text: he works side-by-side with you to face the challenge of making sense of what it means to encounter art.Homi Bhabha, Harvard UniversityVery occasionally a writer will come along who changes what it might mean to write about art and culture, giving us the permission to take new liberties. In this dazzling, innovative and courageous book, Jae Emerling enacts a radical approach to thinking the intersections of the history and ontology of art. Proposing the concept of ‘transmissibility’ for an ‘aesthetic history’ that complicates the history of art and the history of aesthetics, he demonstrates a new way of thinking artworks as ontological-historiographical configurations, or ‘sense-events’. Rather than the presentation of a new discourse or manifesto, Emerling offers transmissibility as a concept kept in tension, refracted through aesthetic figures and conceptual personae, and continually recreated within the experience of creative acts. Here, experimental historiography meets experimental writing. Crossing an astonishing breadth of references and interlocutors across philosophy, the history of art, literature and critical theory, visual and material culture, Emerling inspires the field by which we think with art. In luminous prose, the book plays, tests, and even betrays its multiple sources, performing the anachronisms and transdisciplinary provocations it describes, deftly moving between modes and genres of writing – the aphoristic, the meditation, the dialogic, the confessional, the fictional – whilst keeping us within the singular thickness of ideas. What must writing do to affirm the becoming of art? How can we extract the virtual from the historical? Emerling addresses such issues as memory, time, destruction, imagination, love and failure whilst drawing us into the folds and intimacies of his thought, and the ceaseless ebbs and flows of an intellectual journey. Transmissibility is a paean to how truly vital scholarship begins with the raw and unmediated experience of an author's real encounters; a love letter to reading without boundaries. Provocative, impassioned, searingly creative, this a book to help us envision the future of writing and thinking about art, its histories and theories, and its multifarious effects. Kamini Vellodi, University of EdinburghJae Emerling has done the remarkable. He argues convincingly that transmissibility is both of and for aesthetics (where aesthetics is critical and transformative thinking), but that it is also of and for history too; which is to say, that it is attentive to both the ontological and the experimental-creative historiographic properties of art. In all this, transmissibility is feral—as is Emerling in the shape of his thinking, his use of language’s materiality, and the rhythm of his writing, and thus what it does—as it (and he) cuts across fields and practices, problematising them, and our affective experiences of them too. How is it possible for Emerling to do all this? Read the book, it’ll blow your bloody doors off! Marquard Smith, University College LondonTable of ContentsI. Introduction: "Visions and Auditions" II. Twenty-first Series of Aesthetic History III. Twenty-first Series of Aesthetic History: Hypomnemata IV. Sybil of Cumae, or Indiscernibility V. From Oceanic Chaos…A Luminous Wave VI. Imperceptibility, or The Ear of the Future VII. To Transmit and Receive Vibrations and Waves VIII. Impersonality, or Bob Dylan as a Column of Air
£35.99
Taylor & Francis Ltd Differencing the Canon Feminism and the Writing
Book SynopsisIn this major book, Griselda Pollock engages boldly in the culture wars over `what is the canon?` and `what difference can feminism make?` Do we simply reject the all-male line-up and satisfy our need for ideal egos with an all women litany of artistic heroines? Or is the question a chance to resist the phallocentric binary and allow the ambiguities and complexities of desire - subjectivity and sexuality - to shape the readings of art that constantly displace the present gender demarcations?Trade Review'The flow of the book is wondrous, as Pollock buils each new idea onto the next, rounded out with rigorous research.' - Elizabeth Millard, ForeWardo'If you like psychoanalytic feminism accompanied by committed, sensitive writing, then you will enjoy this read.' - Professor Gen Doy, The Art BookTable of ContentsPreface PART I Firing the canon 1 About canons and culture wars 2 Differencing: feminism's encounter with the canon PART II Reading against the grain: reading for ... 3 The ambivalence of the maternal body: re/drawing Van Gogh 4 Fathers of modern art: mothers of invention: cocking a leg at Toulouse-Lautrec PART III Heroines: setting women in the canon 5 The female hero and the making of a feminist canon: Artemisia 6 Feminist mythologies and missing mothers: Virginia Woolf, Charlotte Bronte, Artemisia Gentileschi and Cleopatra 7 Revenge: Lubaina Himid and the making of new narratives for new histories PART IV Who is the other? 8 Some letters on feminism, politics and modern art: when Edgar Degas shared a space with Mary Cassatt at the Suffrage Benefit Exhibition, New York 1915 9 A tale of three women: seeing in the dark, seeing double, at least, with Manet
£36.99
Taylor & Francis Photographs Objects Histories
Book SynopsisThis innovative volume explores the idea that while photographs are images, they are also objects, and this materiality is integral to their meaning and use. The case studies presented focus on photographs active in different institutional, political, religious and domestic spheres, where physical properties, the nature of their use and the cultural formations in which they function make their ''objectness'' central to how we should understand them.The book''s contributions are drawn from disciplines including the history of photography, visual anthropology and art history, with case studies from a range of countries such as the Netherlands, North America, Australia, Japan, Romania and Tibet. Each shows the methodological strategies they have developed in order to fully exploit the idea of the materiality of photographic images.Table of ContentsList of illustrations, List of contributors, Acknowledgements, 1 Introduction: photographs as objects, 2 Un beau souvenir du Canada: object, image, symbolic space, 3 Ere the substance fade: photography and hair jewellery, 4 Mixed box: the cultural biography of a box of ‘ethnographic’ photographs, 5 Making meaning: displaced materiality in the library and art museum, 6 Making a journey: the Tupper scrapbooks and the travel they describe, 7 Photographic playing cards and the colonial metaphor: teaching the Dutch colonial culture, 8 ‘Under the gaze of the ancestors’: photographs and performance in colonial Angola, 9 The photograph reincarnate: the dynamics of Tibetan relationships with photography, 10 ‘Photo-cross’: the political and devotional lives of a Romanian Orthodox photograph, 11 Print Club photography in Japan: framing social relationships, 12 Photographic materiality in the age of digital reproduction, References, Index
£128.25
Taylor & Francis Ltd (Sales) Post Critical Museology
Book SynopsisPost-Critical Museology considers what the role of the public and the experience of audiences means to the everyday work of the art museum. It does this from the perspectives of the art museum itself as well as from the visitors it seeks. Through the analysis of material gathered from a major collaborative research project carried out at Tate Britain in London the book develops a conceptual reconfiguration of the relationship between art, culture and society in which questions about the art museumâs relationship to global migration and the new media ecologies are examined. It suggests that whilst European museums have previously been studied as institutions of collection, heritage and tradition, however âmodernâ their focus, it is now better to consider them as distributive networks in which value travels along transmedial and transcultural lines.Post-Critical Museology is intended as a contribution to progressive museological thinking and practice and calls for a new alignment of academics and professionals in what it announces as post-critical museology. An alignment that is committed to rethinking what an art museum in the twenty-first century could be, as well as what knowledge and understanding its future practitioners might draw upon in a rapidly changing social and cultural context. The book aims to be essential reading in the growing field of museum studies. It will also be of professional interest to all those working in the cultural sphere, including museum professionals, policy makers and art managers. Table of ContentsPart 1: Practices of Exhibition Practices 1. Practices of Objects 2. Identity and Difference 3. The Organizational Body 4. Practices of Audience and the Limits of Gallery Education Part 2: Practices of Collection and Display: The National Collection of British Art 5. Identity, Diasporic Narratives and Spectatorship 6. Canonical Practices, Modernism and Globalization 7. The Space of the Museum 8. Media Practices and the Museum Part 3: Post-Critical Museology 9. Research Practices and Policy Formation 10. Critical and Historical practices: The Academy and the Art Museum 11. Reflexive Positions and Institutional Conditions Part 4: Critical Audience 12. The Distributed Museum 13. Productive Practices
£39.99
Taylor & Francis Ltd (Sales) The Photography Cultures Reader Representation
Book SynopsisThe Photography Cultures Reader: Representation, Agency and Identity engages with contemporary debates surrounding photographic cultures and practices from a variety of perspectives, providing insight and analysis for students and practitioners. With over 100 images included, the diverse essays in this collection explore key topics, such as: conflict and reportage; politics of race and gender; the family album; fashion, tourism and surveillance; art and archives; social media and the networked image. The collection brings together essays by leading experts, scholars and photographers, including Geoffrey Batchen, Elizabeth Edwards, Stuart Hall, bell hooks, Martha Langford, Lucy R. Lippard, Fred Ritchin, Allan Sekula and Val Williams. The depth and scope of this collection is testament to the cultural significance of photography and photographic study, with each themed section featuring an editorâs introduction that sets the ideas and debates in context. Along with its companion volume â The Photography Reader: History and Theory â this is the most comprehensive introduction to photography and photographic criticism. Includes essays by: Jan Avgikos, Ariella Azoulay, David A. Bailey, Roland Barthes, Geoffrey Batchen, David Bate, Gail Baylis, Karin E. Becker, John Berger, Lily Cho, Jane Collins, Douglas Crimp, Thierry de Duve, Karen de Perthuis, George Dimock, Sarah Edge, Elizabeth Edwards, Francis Frascina, Andrà Gunthert, Stuart Hall, Elizabeth Hoak-Doering, Patricia Holland, bell hooks, Yasmin Ibrahim, Liam Kennedy, Annette Kuhn, Martha Langford, Ulrich Lehmann, Lucy R. Lippard, Catherine Lutz, Roberta McGrath, Lev Manovich, Rosy Martin, Mette Mortensen, Fred Ritchin, Daniel Rubinstein, Allan Sekula, Sharon Sliwinski, Katrina Sluis, Jo Spence, Carol Squiers, Theopisti Stylianou-Lambert, Ariadne van de Ven, Liz Wells, Val Williams, Judith Williamson, Louise Wolthers and Ethan Zuckerman.Table of ContentsGeneral IntroductionPart OneThe Photographic GazeIntroduction1 Roberta McGrathRe-Reading Edward Weston: Feminism, Photography and Psychoanalysis 2 Jan AvgikosCindy Sherman: Burning Down the House 3 Sarah Edge and Gail BaylisPhotographing Children: The Works of Tierney Gearon and Sally Mann 4 Lucy R. LippardDoubletake: The Diary of a Relationship with an Image 5 Catherine Lutz and Jane CollinsThe Photograph as an Intersection of Gazes: The example of National Geographic 6 Ariadne van de VenThe Eyes of the Street Look Back: In Kolkata with a Camera Around My Neck 7 Theopisti Stylianou-Lambert Tourists with Cameras: Reproducing or Producing 8 Louise WolthersSurveilling Bodies: Photography as Control, Critique and Concern Part TwoReportage – Image as AgentIntroduction9 John BergerPhotographs of Agony 10 Fred RitchinOf Them, and Us 11 Francis FrascinaFace to Face: Resistance, Melancholy and Representations of Atrocities 12 Liam KennedyFraming Compassion 13 Sharon SliwinskiOn Photographic Violence 14 Ariella AzoulayThe Ethic of the Spectator: The Citizenry of Photography 15 Elizabeth Hoak-DoeringA Photo in a Photo: The Optics, Politics and Powers of Hand-held Portraits in Claims for Justice and Solidarity 16 André GunthertDigital Imaging Goes to War: The Abu Ghraib Photographs 17 Ethan ZuckermanCurating Participation 18 Mette MortensenWhen Citizen Photojournalism Sets the News Agenda: Neda Agha Soltan as a Web 2.0 Icon of Post-Election Unrest in IranPart ThreeImage and IdentityIntroduction19 David A. Bailey and Stuart HallThe Vertigo of Displacement 20 Rosy Martin and Jo SpencePhoto-Therapy: Psychic Realism as a Healing Art?21 George Dimock"The Negro As He Really Is": W. E. B. Du Bois and Arthur Radclyffe Dugmore22 bell hooksIn Our Glory: Photography and Black Life 23 Annette KuhnPhotography and Cultural Memory: a Methodological Exploration 24 Lily ChoCitizenship, Diaspora and the Bonds of Affect: The Passport Photograph Part FourSnapshot Culture and Social MediaIntroduction25 Pat HollandFamily Snaps, Introduction: History, Memory, and the Family Album26 Martha LangfordStrange Bedfellows: Appropriations of the Vernacular by Photographic Artists 27 Geoffrey BatchenObserving by Watching: Joachim Schmid and the Art of Exchange 28 Lev ManovichWatching the World 29 Daniel Rubenstein and Katrina SluisA Life More Photographic: Mapping the Networked Image Part FiveMedium and MeditationsIntroduction30 Roland BarthesOrnamental Cuisine and The New Citroën 31 Judith WilliamsonTiffany, Porsche Panamera and Microsoft Cloud 32 Yasmin IbrahimThe Pornography of Food Imaging: The Aesthetics of Capturing Food Online33 Karin E. BeckerPhotojournalism and the Tabloid Press 34 Carol SquiersClass Struggle: The Invention of Paparazzi Photography and the Death of Diana, Princess of Wales35 Karen de PerthuisThe Synthetic Ideal: The Fashion Model and Photographic Manipulation 36 Ulrich LehmannChic Clicks: Creativity and Commerce 37 Val WilliamsA Heady Relationship: Fashion Photography and the Museum, 1979 to the Present Part SixContexts: Art, Archives, EducationIntroduction38 Douglas CrimpThe Museum’s Old, the Library’s New Subject 39 Thierry Du DuveArt in the Face of Radical Evil 40 Allan Sekula Reading an Archive: Photography Between Labour and Capital 41 Elizabeth EdwardsPhotographs: Material Form and the Dynamic Archive 42 Liz WellsWords and Pictures: On Reviewing Photography43 David BateArt, Education, Photography
£35.99
Taylor & Francis Ltd An Introduction to NineteenthCentury Art
Book SynopsisUsing the tools of the new art history (feminism, Marxism, social context, etc.) An Introduction to Nineteenth-Century Art offers a richly textured, yet clear and logical, introduction to nineteenth-century art and culture. This textbook will provide readers with a basic historical framework of the period and the critical tools for interpreting and situating new and unfamiliar works of art.Michelle Facos goes beyond existing histories of nineteenth-century art, which often focus solely on France, Britain, and the United States, to incorporate artists and artworks from Scandinavia, Germany, and Eastern Europe.The book expertly balances its coverage of trends and individual artworks: where the salient trends are clear, trend-setting works are highlighted, and the complexity of the period is respected by situating all works in their proper social and historical context. In this way, the student reader achieves a more nuanced understanding of the way in which the Table of ContentsAcknowledgements Illustrations Introduction 1. A Time of Transition 2. Classical Influences and Radical Transformations 3. Re-presenting Contemporary History 4. Romanticism 5. Shifting Focus: Art and the Natural World 6. Colonialism, Imperialism, Orientalism 7. New Audiences, New Approaches 8. Photography as Fact and Fine Art 9. Realism and the Urban Poor 10. Imagined Communities: Views of Peasant Life 11. Crisis in the Academy 12. Impressionism 13. Symbolism 14. Individualism and Collectivism Epilogue: Looking Toward the Twentieth-Century Bibliography Glossary Index
£46.99
Taylor & Francis Light for Arts Sake
Book SynopsisConservation scientists in museums and galleries have a clear understanding of the damage that light can inflict on an object, but what of the designers that create exhibitions to display these precious items? Light for Arts Sake provides a basis for a level of professional expertise for lighting practice in museums. Rather than portraying conservation and display as having diametrically opposed objectives, the central concept is that the interaction of light and art media is the source for both the visual experience and the degradation of the artwork. Optimal solutions derive from understanding and controlling the interaction process, and the need is for the level of understanding among lighting professionals to be brought closer to that found among conservation scientists.Trade Review"Light for Art's Sake is a well thought, through publication and it will form a valuable element for museum and art gallery designers. But it will also be a valuable text for all students of lighting - young and old."David Loe, Lighting Research & TechnologyTable of ContentsPrefaceAcknowledgmentsIntroductionChapter One: PhilosophyChapter Two: Visual attributes Chapter Three: DamageChapter Four: Daylighting typologiesChapter Five: Daylighting controlsChapter Six: Electric lighting typologiesChapter Seven: Electric lighting controlsChapter Eight: Lighting strategiesChapter Nine: Procedures for practiceReferencesBibliographyIndex
£128.25
Taylor & Francis Ltd Cinema and Surveillance
Book SynopsisCinema and Surveillance: The Asymmetric Gaze shows how key modern filmmakers challenge and disturb the relation between film and surveillance, medium and message. Assembling readings of films by Harun Farocki, Michael Haneke, and Fritz Lang, the book considers surveillance in such different domains as urban life, religious doctrine, and law enforcement.With surveillance present in the modern world as both a technological phenomenon and a social practice, the author shows how cinema, as a visual medium, presents highly sophisticated analyses of surveillance. He suggests that surveillance is less an issue to be tackled from a secure spectatorial position than an experience to be rendered, an event to be dealt with. Far from offering a general model of spectatorship, the book explores how narrative moments of surveillance are complicated by specific spectatorial responses.In its intersection of well-known figures and a highly topical issue, this book will have broa
£46.54
Taylor & Francis The Routledge Companion to Literature and Art
a huge range and FREE tracked UK delivery on ALL orders.
£45.59
Taylor & Francis Contemporary Art Systems and the Aesthetics of
Book SynopsisUsing five case studies of contemporary art, this book uses ideas of systems and dispersion to understand identity and experience in late capitalism.This book considers five artists who exemplify contemporary art practice: Seth Price; Liam Gillick; Martin Creed; Hito Steyerl; and Theaster Gates. Given the diversity of materials used in art today, once-traditional artistic mediums and practices have become obsolete in describing what artists do today. Francis Halsall argues that, in the face of this obsolescence, the ideas of system and dispersion become very useful in understanding contemporary art. That is, practitioners now can be seen to be using whatever systems of distribution and display are available to them as their creative mediums. The two central arguments are first that any understanding of what art is will always be underwritten by a related view of what a human being is; and second that these both have a particular character in late capitalism or, as is nTable of ContentsIntroduction: Systems Everywhere! The Age of Dispersion 1. The Aesthetics of Dispersion 2. Seth Price and the Stuff of Systems 3. Liam Gillick and the Aesthetics of Disappointment 4. Martin Creed, the Anti-Readymade and the Dispersed Art Object 5. Theaster Gates and Systems of Improvisation and Entrepreneurship 6. Hito Steyerl: In Defence of the Poor Manifest Image 7. Envoi: The End of Art, Again
£49.99
Taylor & Francis Filmmaking in Academia
Book SynopsisEvaluating the existing position of film as research, Filmmaking in Academia offers clear guidance and practical advice from the planning and conception of research films to the making, evaluation, dissemination and impact of practice-based research.This book aspires to serve as a guide for new and current researchers in screen-based media and creative practice. It seeks to explore the scope, definitions, methodologies, and interdisciplinary (and post-disciplinary) nature of film research projects. Author Agata Lulkowska focuses on how to manage potential challenges when artistic creativity meets research requirements, emphasising how finding the middle ground that serves both purposes often requires redesigning brand-new methodological approaches. Looking specifically at the publication routes for research films, the book highlights current dissemination practices and raises the question of impact throughout to re-contextualise current publication methodologies for pr
£49.99
Taylor & Francis Creative Design and Innovation
Book SynopsisUsing many real-world examples and cases, this book identifies key factors and processes that have contributed to the creation of successful new products, buildings, and innovations, or resulted in some failures. Such factors include the creativity of individuals and groups, their sources of inspiration, the processes of creative design and innovation, and the characteristics of the products, buildings, and innovations themselves.Much has been written about creativity and innovation, but what helps to foster creativity, enable creative ideas to be translated into practical designs, and ensure those new products or buildings succeed as innovations on the market or in use? This book discusses these elements through the author's origination and analysis of examples and case studies ranging from the revolutionary innovation of the smartphone, through radical innovations in domestic appliances and sustainable housing, to creative designs of contemporary jewellery. The broad range Trade Review“In Creative Design and Innovation, Robin Roy provides an in-depth critical, contemporary analysis of some familiar and less familiar product and architectural designs. Roy illustrates the origins of creativity and the critical elements and lessons for innovation success.”Rachel Cooper (OBE), Distinguished Professor of Design Management and Policy, Lancaster University“No-one is better qualified than Robin Roy to write this book. It includes engaging case studies on innovations such as the smartphone, pneumatic tyres, sustainable housing, and many more, with clear explanations of why they succeeded or proved unsuccessful in practice.”Vivien Walsh, retired Professor of Innovation, Alliance Manchester Business School“Robin Roy is a master of drawing fundamental lessons from case studies of designers. This book unpacks the mysteries of the design and innovation process underpinning a broad range of disciplines. It provides practical guidance for aspiring innovators and a template for design researchers exploring case studies of designing.” Peter Lloyd, Professor of Design Methodology, TU Delft“There are many books on creativity, design and innovation, but what intrigues me about this one are the extensive case studies that bring its insights to life. Particularly valuable are the built environment examples, not often included in books on innovation.”Bettina von Stamm, Innovation Philosopher, Founder Innovation Leadership Forum“Drawing on multiple case studies, Creative Design and Innovation provides grounded insights on design and innovation which should be of immense value to a wide audience, including most notably, practitioners, academics and students.”Matthew Cook, Professor of Innovation, School of Engineering and Innovation, The Open UniversityTable of Contents1. Creativity, design, and innovation: Introduction and framework 2. Creativity and innovation in engineering, design, architecture, arts, and media 3. Revolutionary innovation: The smartphone 4. Radical product and building innovations 5. Major product and building innovations 6. Innovative products and buildings 7. Creative product designs 8. Guidelines for successful creative design and innovation
£33.99
Taylor & Francis Ltd Photography Curation Criticism
Book SynopsisThis unique collection brings together the work of photography writer, curator, and lecturer, Liz Wells, reflecting on key themes of landscape, place, nationhood and environmental concerns.Trade Review'Liz Wells is one of our most sincere, intelligent, and respected scholars and curators of photography. Her edited anthologies are touchstone texts for all of us researching, teaching, and creating photographic histories. Photography, Curation, Criticism presents us with a real gift: a collection of career-spanning essays devoted solely to her distinct voice on the pressing socio-political, epistemic, and aesthetic issues that traverse the history of photography. A voice that will resound into the future of our complex field.' Jae Emerling, College of Arts + Architecture, University of North Carolina, CharlotteTable of ContentsSECTION ONE Critical Reflections 1. Introduction: Photography, Curation, Criticism 2.Speaking of this Collection: A Conversation Between Martha Langford and Liz Wells, 2022 SECTION TWO On Curation and Residency 3. Curatorial strategy as critical intervention - The Genesis of Facing East, 2007 4. Landscapes of Exploration, 2012 5. On Being Out of Place, 2018 SECTION THREE Phenomena 6. Icy Prospects’, 2003. 7. Light Touch, 2014. 8. No Man’s Land: Antarctica and the Contemporary Sublime’, 2011. SECTION FOUR Place 9. Points of Departure: currencies of the post-industrial sublime, 2012 10. Questions of Distance, 2011. 11. Photography, Nation, Nature’, 2012. 12. A Man of the North’, 2014. 13. Hidden Histories and Landscape Enigmas, 2019. 14. Histories and Imagination: narrative and metaphor in the work of John Kippin’, 2018. 15. Silent Witness, 2013 SECTION FIVE Critical Spaces 16. Seeing Beyond Belief: Cultural Studies as an Approach to Analysing the Visual’, 2001. Co-author, Martin Lister. 17. The Critical Forum’, 2000. 18. Then and Now, some notes on photography and theory’, 2002. 19. Modes of Investigation: on photography and environment, 2014.
£34.19
Taylor & Francis Ltd The Golden Age of Data Visualization
Book SynopsisWe are living in the Golden Age of Data Visualization. The COVID-19 pandemic has demonstrated how we increasingly use data visualizations to make sense of the world. Business analysts fill their presentations with charts, journalists use infographics to engage their readers, we rely on the dials and gauges on our household appliances, and we use mapping apps on our smartphones to find our way.This book explains how and why this has happened. It details the evolution of information graphics, the kinds of graphics at the core of data visualizationmaps, diagrams, charts, scientific and medical imagesfrom prehistory to the present day. It explains how the cultural context, production and presentation technologies, and data availability have shaped the history of data visualization. It considers the perceptual and cognitive reasons why data visualization is so effective and explores the little-known world of tactile graphicsraised-line drawings used by people who are blind. The bo
£44.99
Taylor & Francis Ltd The Practical Zone System for Film and Digital
Book SynopsisThis sixth edition of The Practical Zone System by Chris Johnson updates the classic manual on Ansel Adams''s landmark technique for the digital age. For photographers working digitally or with film, in color or black and white, in the studio or on the go, this simple visual language helps to control contrast and, through a process called Previsualization, provides photographers with the power of free creative expression. This new edition discusses recent advances in technology and potentials for their use in zone photography, including HDR, smartphone cameras that shoot in raw format and smartphone light meters. Johnson demonstrates how the Zone System is a universal visual and conceptual language that dramatically simplifies the problem of creating and rendering complex lighting setups.Table of Contents1. "Will It Come Out?"2. Print Quality, Negative Contrast, and Dynamic Range3. The Control of Negative Contrast4. The Zone5. Exposure6. Development7. An Overview of the Zone System8. Zone System Testing: Method 19. Zone System Testing: Method 210. The Zone System and Digital Photography11. The Zone System and Studio PhotographyAppendix A. Color Management, Profiles, and Color SpacesAppendix B. A Primer on Studio Lighting PhotographyAppendix C. What is a Pixel?Appendix D. Bit DepthAppendix E. Exposure and the Digital Linear EffectAppendix F. Digital Light Meters and the Zone System.Appendix G. A Primer on Basic Film PhotographyAppendix H. Films, Developers, and ProcessingAppendix I. The Practical Zone System Film and Developer Testing MethodAppendix J. Film and Developer Commentary by Iris DavisAppendix K. Alternative Methods for Extreme Expansion and Contraction DevelopmentAppendix L. Contrast Control with Paper GradesAppendix M. Developer DilutionAppendix N. Compensating DevelopersAppendix O. Inspection DevelopmentAppendix P. Condenser and Diffusion EnlargersAppendix Q. ASA/ISO NumbersAppendix R. Filter Factors, the Reciprocity Effect, and Bellows Extension FactorsAppendix S. A Compensation Method for Inaccurate MetersAppendix T. Zone System Metering FormAppendix U. Exposure Record and Checklist for Zone System TestingAppendix V. Examples: Zone System ApplicationsAppendix W. Suggested ReadingAppendix X. A Brief Directory of Online Digital and Photography-Related ResourcesAppendix Y. A Brief Glossary of Zone System and Digital Terminology.
£43.99
Bloomsbury Publishing PLC Bringing Forth the New
Book SynopsisBringing Forth the New provides a headlong introduction into the world of Chinese contemporary visual art, opening from the art world onto the political, technological and economic vectors of recent Chinese history. Each chapter reads an important facet of recent Chinese history through the work of a significant artist. From examining trade war and intellectual property through the work of political pop painters such as Yu Youhan, to the development of gendered constructs in China through the work of Cui Xuiwen.Trade ReviewIn a series of dazzling close readings, Bringing Forth The New offers a non-stop stream of brilliant insights and historical elaborations. It is comparative scholarship of the best kind—moving with grace and trenchant analysis across vast realms of visual experience. Forging connections at every turn, Maizels turns what might at first seem like an arbitrary series of visual examples into an impressive dance of analytic virtuosity, articulating the complexities of “East” and “West” as remediated in Chinese art during the past several decades. No matter where one is situated in relation to its many themes, one will inevitably learn a great deal from this book. * R. John Williams, Yale University, USA *Table of Contents1. Our Own Arrows 2. One Way Glass 3. Half of Heaven 4. Degrees of Separation 5. Muted Situations 6. Survival Robot
£18.99
Edinburgh University Press Craftworkers in Nineteenth Century Scotland
Book SynopsisExplores how artisans and hand skills evolved against a background of technical and commercial modernisation in Scotland
£85.50
Texas A & M University Press Daddy-O's Book of Big-Ass Art
Book SynopsisRecipient of three National Endowment for the Arts grants and with works exhibited at the prestigious Biennale de Paris, New York's Whitney Museum, the de Menil Collection in Houston, and other venues, Bob 'Daddy-O' Wade has been 'keeping it weird' since 1961 when he arrived in Austin with his '51 custom Ford hot rod and his slicked-back hair. Primed to study art at the University of Texas, Wade's coif and dragster earned him his trademark moniker, and the abstract, welded sculptures he fashioned from automobile bumpers in his frat house basement laid the foundations for the distinctive, larger-than-life art pieces that would eventually make him famous.Daddy-O is the creator of the forty-foot iguana that perched atop the Lone Star CafÉ in New York City, the immense cowboy boots (entered in the Guinness Book of World Records) outside San Antonio's North Star Mall, and Dinosaur Bob, who graces the roof of the National Center for Children's Illustrated Literature in Abilene, Texas. He is widely recognized as one of the progenitors of the 'Cosmic Cowboy Culture' that emerged in Texas during the 1970s.Daddy-O's Book of Big-Ass Art features images of more than a hundred of Wade's most famous pieces, complete with the wild tales that lie behind the art, told in brief essays by both Wade and more than forty noted artists and writers familiar with Wade's work.Trade ReviewDaddy-O is the perfect guy to watch out for. I will drink this man’s Kool-Aid, even though it might be flavored with chili pepper or other hot things."—Ed Ruscha, American Pop Artist
£33.20
Hachette Elements et theorie de larchitecture vol. 3
Book Synopsis
£26.60
Hirmer Verlag Magyar Modern: Hungarian Art in Berlin 1910–1933
Book SynopsisImportant artists of Hungarian Classical Modernism lived and worked temporarily on the Spree and were present in the Berlin avant-garde. The publication presents a brilliant overview of the close links between the culture of the Weimar Republic and the creative powers of Hungary, which ended with the seizure of power by the National Socialists. The city of Berlin has played a very special role in the history of Hungarian art and culture. Even before the First World War, the expanding metropolis provided artists with a stage for exhibitions in which they could present themselves within an international context. After the end of the political reshaping of Hungary through the Hungarian Soviet Republic and the victory of reactionary forces, from 1919 cosmopolitan Berlin became a place of creative freedom for Hungarian artists in exile. The result was a display of artistic fireworks that can now be explored in texts and images.
£38.40
Nieves Dennis and Denise
Book Synopsis
£11.40
Nieves Infinite Recognition
Book Synopsis
£11.40
Nieves Suffering Vehicles
Book Synopsis
£10.00
Nieves Agglorhythmus
Book Synopsis
£10.00
Nieves Bodies in Scattered Light
Book SynopsisI asked Andriu Deplazes if he had always wished to be a painter. No, he said. For a time, he had trained to be a classical musician, but turned away from music because there was something repellent about the need to demonstrate virtuosity. To be a virtuoso, as the moral world depicted in these paintings clearly shows, is not the same as having virtue. And yet, at the same time, there are still traces of virtuosity in Deplazes' practice: in the idealised landscapes that he renders, and in the easy depiction of animal life. It is only humans that he will not denigrate with such perfection. Their overpainted faces do not allow them to be captured as things, but rather present them as subjects. They elude categorisation because they are responding, in real time, to what they see in us. Adam JasperThe work of Andriu Deplazes has been exhibited throughout Europe since 2015. Recent solo exhibitions have been presented at K?nstlerhaus S11, Solothurn (2020), B?ndner Kunstmuseum, Chur (2020), Kunstverein Friedrichshafen (2018) and in the context of the Caravan series at Aargauer Kunsthaus, Aarau (2018). Major group exhibitions include: Perspectives: La Collection d'art Helvetia, Mus?e Pully (2020); Werkschau, Haus Konstruktiv, Zurich; The Land of the Sun, Center for Contemporary Art Futura, Prague (2020); Fellowship Vordemberge- Gildewart, Alte Fabrik Rapperswil (2019), Plattform17, Kunsthaus Glarus (2017) and Hortus Botanicus, Helvetia Art Foyer, Basel.
£13.30
Skira Conrad Marca-Relli (Bilingual edition): Il
Book Synopsis
£24.00
Niyogi Books Shuvaprasanna: A Man for All Seasons
Book SynopsisShuvaprasanna: A Man for all Seasons attempts to bring together the complete oeuvre of the versatile modern Indian artist Shuvaprasanna Bhattacharya, in a single volume. The book also traces his life and career and the significant events that shaped his artistic sensibilities. This volume features Shuvaprasanna's multifaceted work, be it painting, drawing, portraiture, printmaking, illustrations, installations, sculpture and murals, through his artistic timeline, and his contributions as a socio-political activist in building cultural institutions. Shuva-da, as he is popularly known, was actively involved with the Calcutta Painters Group in the 1970s; he founded the College of Visual Arts in 1975 and thereafter the vibrant and internationally known Arts Acre Foundation in 2008. The in-depth textual description of the artist's creative evolution is accompanied by images of over 80 of Shuvaprasanna's impactful artworks from different phases of his career, including paintings of the city of Kolkata, to his signature charcoal drawings of birds, to his latest collection, The Mystique of the Epic', which comprises striking depictions of characters and episodes from the Mahabharata.
£113.99
Jean Boite editions Are you Here?
Book Synopsis
£23.75
