Television screenplays and scripts Books
Manchester University Press Sound / Image: Moments in Television
Book SynopsisAn exciting new strand in The Television Series, the ‘Moments in Television’ collections celebrate the power and artistry of television, whilst interrogating key critical concepts in television scholarship.Each ‘Moments’ book is organised around a provocative binary theme. Sound / image reassesses the synergy between televisual images, and sounds and music, as a key creative interaction warranting closer attention. Through close scrutiny of visual and sonic elements, the book’s chosen programmes are persuasively illuminated in new ways.The book explores an eclectic range of TV fictions, dramatic and comedic. Contributors from diverse perspectives come together to expand and enrich the kind of close analysis most commonly found in television aesthetics. Sustained, detailed programme analyses are sensitively framed within historical, technological, institutional, cultural, creative and art-historical contexts.Table of ContentsIntroduction: sound/image – Jonathan Bignell, Sarah Cardwell and Lucy Fife Donaldson1 Alien or familiar: sounds and images in The Twilight Zone, ‘The Invaders’ – Jonathan Bignell2 Investigating Morse: detecting innovations in sound and vision – Richard Hewett3 Discordant vocals and blinding light: the moment of petrification in Children of the Stones – Peter Hughes Jachimiak4 ‘Anything is possible now’: jazz music and images of the past in Stephen Poliakoff’s Dancing on the Edge– Will Stanford Abbiss5 Non-naturalist realism: sound and image in Alan Clarke’s Road – Paul Elliott6 Feeling sound: audiovisuality and the multisensory in David Lynch’s Twin Peaks: The Return – Caroline L. Eastwood7 Bodyguard: the rush of the ride – Maike Helmers and Christa van Raalte 8 Tableaux at the end of the world: living pictures in The Walking Dead – Tim Butler Garrett9 Silence and faces in Mad Men – Elliott LoganIndex
£81.00
Manchester University Press Doctor Who – New Dawn: Essays on the Jodie
Book SynopsisDoctor Who – new dawn explores the latest cultural moment in this long-running BBC TV series: the casting of a female lead. Analysing showrunner Chris Chibnall and Jodie Whittaker’s era means considering contemporary Doctor Who as an inclusive, regendered brand. Featuring original interview material with cast members, this edited collection also includes an in-depth discussion with Segun Akinola, composer of the iconic theme tune’s current version. The book critically address the series’ representations of diversity, as well as fan responses to the thirteenth Doctor via the likes of memes, cosplay and even translation into Spanish as a grammatically gendered language. In addition, concluding essays look at how this moment of Who has been merchandised, especially via the ‘experience economy’, and how official/unofficial reactions to UK lockdown helped the show to further re-emphasise its public-service potential.Table of ContentsIntroduction: new dawn, new moment – Brigid Cherry, Matt Hills and Andrew O’DayPart I: Creating Thirteen 1 Variations on a theme: temporal and cultural diversity in Segun Akinola’s music for Doctor Who – David Butler2 ‘She is wise and unafraid’: writing the first female Doctor and a diverse universe for her to protect – Rosanne Welch3 Shooting stars: modes of TV spectacle in the Jodie Whittaker era of Doctor Who – Dene October4 About time: addressing intersectionality in the casting and performance of Chris Chibnall/Jodie Whittaker era Doctor Who– Christopher HoggPart II: Diversifying Doctor Who5 Casual queerness and desire lines in Doctor Who– Lorna Jowett6 Postracial amnesia: Doctor Who in the Brexit era – Susana Loza7 All in the ‘fam’: interrogating kinship networks with the thirteenth Doctor – Hannah HamadPart III: Fan responses8 Doctor Whumour: internet meme culture, Chris Chibnall’s Doctor Who and fan mockery – Brigid Cherry9 Braces, culottes and coloured stripes: constructing and characterizing Doctor Who’s Thirteen in fashion design and cosplay – Nicolle Lamerichs 10 Regendering and the chaos of translation: fan practices and reception of the female Doctor in Spanish fandom – Saida HerreroPart IV: Beyond the text11 By any other name: gender and Doctor Who Barbie dolls, adventure dolls and 1:6 scale figures– Victoria L. Godwin12 Outside the box in the Chris Chibnall/Jodie Whittaker era: Doctor Who’s experience economy and tourism – Paul Booth13 The thirteenth Doctor during UK lockdown: paratexts of hope and care – Matt HillsIndex
£81.00
Manchester University Press You’Re Nicked: Investigating British Television
Book SynopsisYou’re nicked is the first comprehensive study of television police series in the UK. It reveals how British television’s most popular genre has developed stylistically, politically and philosophically from 1955 to the present.Each chapter focuses on a particular decade, investigating how the most-watched series represent the inner workings of the police station, the civilian life of criminals and the private lives of police officers. This new approach unearths the complex ideology underpinning each series and discerns the key insights the genre can provide into the breakdown of the post-war settlement.Offering insightful readings of police series from Dixon of Dock Green to Happy Valley via The Sweeney, The Bill and Cracker, the book is a must-read for crime-drama enthusiasts worldwide. This new paperback edition features an extensive epilogue on Line of Duty and other Jed Mercurio creations.Trade Review‘His book is a fascinating read, and should be read by all aspiring crime writers and academics interested in the genre.’ Jackie Malton, retired DCI and the real-life inspiration for DCI Tennison in Prime Suspect‘The way in which Lamb links representations of crime to criminological theory could be a valuable resource to anyone teaching courses on media and crime, as a means of exploring with students how criminological theory is not only produced in the academy, but also through popular culture.’The Howard Journal of Crime and Justice‘One could not hope for a more comprehensive treatment of the subject.’British Journal of Criminology‘Its perspective is generally innovative, and it covers a lot of ground in writing a genre history that simply did not exist before.’New Review of Film and Television Studies‘Lamb’s account is insightful and engaging, providing an invaluable contribution to our understanding of this most significant of television genres and its connection to the wider landscape of British socio-political history.’Historical Journal of Film, Radio and Television‘The book manages to cover a huge amount of ground, in detail, and with reference to a repertoire of relevant series and iconography, to offer an insightful commentary on political and social change in the United Kingdom.’Journal of Popular Television'The scholarship in the book is impressive’Screen 'You’re Nicked could be used either as the core textbook for a module on UK police drama or as the source of further readings on any television histories course. Lamb’s monograph makes a valuable intervention, offering a fresh perspective on the analysis of small screen crime drama, while also filling asizeable gap in the history of the genre.'Critical Studies in Television: The International Journal of Television Studies'My favorite element of the book is the way in which Lamb shows how these police shows come to adopt traits of other genres at specific historical moments’. Journal of Popular film and Television -- .Table of ContentsIntroduction: defining a genre 1 The 1950s and 1960s: a genre comes into its own2 The 1970s: an action-fuelled filmic decade?3 The 1980s: emergent feminist thought and resurgent video cameras4 The 1990s: transitioning from film to digital5 The 2000s: looking to the past6 The 2010s: looking to pastures newConclusion: good evening, allEpilogue: Jed Mercurio thrillers, pandemic policing and populismIndex
£19.00
Hodder & Stoughton Inside No. 9: The Scripts Series 4-6
Book Synopsis'The finest writing in the land. Limitless, joyous and terrifying' - RUSSELL T. DAVIESSteve Pemberton and Reece Shearsmith's darkly comedic creations are an endlessly dazzling masterclass in storytelling. Inside No. 9: The Scripts features every episode from Series 4-6 of the award-winning BBC2 anthology, including the live Halloween special and an original foreword for each series from the show's creators.'One of the best pieces of British television in years' - INDEPENDENT
£16.14
Rowman & Littlefield A Guide to Screenwriting Success: Writing for
Book SynopsisA Guide to Screenwriting Success, Second Edition provides a comprehensive overview of writing—and rewriting—a screenplay or teleplay and writing for digital content. Duncan's handy book teaches new screenwriters the process of creating a professional screenplay from beginning to end. It shows that inspiration, creativity, and good writing are not elusive concepts but attainable goals that any motivated person can aspire to. Duncan includes sections on all aspects of screenwriting—from character development to story templates—and breaks down the three acts of a screenplay into manageable pieces. A Guide to Screenwriting Success contains dozens of exercises to help writers through these steps. The second half of Duncan's practical book covers another, often overlooked, side of screenwriting—the teleplay. Aspiring writers who also want to try their hand at writing for television will need to learn the specifics of the field. The book breaks down this area into two parts, the one-hour teleplay and the situation comedy. There is a section on writing and producing digital content that embraces the “Do It Yourself” attitude to approaching a career in the entertainment industry. Success in screenwriting is no longer a dream but an achievable goal for those who pick up Duncan's guide.
£72.90
Rowman & Littlefield A Guide to Screenwriting Success: Writing for
Book SynopsisA Guide to Screenwriting Success, Second Edition provides a comprehensive overview of writing—and rewriting—a screenplay or teleplay and writing for digital content. Duncan's handy book teaches new screenwriters the process of creating a professional screenplay from beginning to end. It shows that inspiration, creativity, and good writing are not elusive concepts but attainable goals that any motivated person can aspire to. Duncan includes sections on all aspects of screenwriting—from character development to story templates—and breaks down the three acts of a screenplay into manageable pieces. A Guide to Screenwriting Success contains dozens of exercises to help writers through these steps. The second half of Duncan's practical book covers another, often overlooked, side of screenwriting—the teleplay. Aspiring writers who also want to try their hand at writing for television will need to learn the specifics of the field. The book breaks down this area into two parts, the one-hour teleplay and the situation comedy. There is a section on writing and producing digital content that embraces the “Do It Yourself” attitude to approaching a career in the entertainment industry. Success in screenwriting is no longer a dream but an achievable goal for those who pick up Duncan's guide.
£36.90
Newmarket Press,U.S. Shawshank Redemption: The Shooting Script
Book Synopsis
£16.83
Newmarket Press,U.S. American Beauty: The Shooting Script
£13.99
Newmarket Press,U.S. Magnolia: The Shooting Script
Book SynopsisThe only companion book to Paul Thomas Anderson''s acclaimed 1999 film, Magnolia: The Illustrated Screenplay includes the complete shooting script, introduction and script notes by Anderson, an interview with the writer/director, and complete cast and crew credits.Anderson deliberately withheld information about his new film during production because “I feel lately as if I know everything about a movie before I see it, and I really want the audience to discover this purely.” Featuring an ensemble cast and, in an unbilled role, Tom Cruise (who called Anderson to express interest in working with him), the film is now described by New Line as follows:There are stories of coincidence and chance and intersections and strange things told. There is the story of a Dying Father, the Young Wife, his Lost Son, the Caretaker, the Boy Genius, his Father, the Game Show Host, the Daughter, the Mother, the Ex-Boy Genius and the Police Officer in Love.There are nine plots that tell one story, set in the San Fernando Valley on a day full of rain with no clouds.Along with the story of a pharmacist in London, a scuba diver and an accidental suicide, this is the story of “Magnolia.” This is a story about family relationships and bonds that have been broken and need to be mended in one day.
£19.80
Newmarket Press,U.S. Erin Brockovich: The Shooting Script
£14.24
Newmarket Press,U.S. Eternal Sunshine of the Spotless Mind: The Shooting Script
£14.24
Newmarket Press,U.S. Juno : The Shooting Script
Book SynopsisMeet Juno MacGuff (Ellen Page), a confidently frank teenage girl who calls the shots with a nonchalant cool and an effortless attitude as she journeys through an emotional nine-month adventure into adulthood. Quick-witted and distinctively unique, Juno walks Dancing Elk High''s halls to her own tune—preferably anything by The Stooges—but underneath her tough, no-nonsense exterior is just a teenage girl trying to figure it all out.While most girls at Dancing Elk are updating their MySpace page or shopping at the mall, Juno is a whip-smart Minnesota teen living by her own rules. A typically boring afternoon becomes anything but when Juno decides to have sex with the charmingly unassuming Bleeker (Michael Cera). Faced with an unplanned pregnancy, she and best friend Leah (Olivia Thirlby) hatch a plan to find Juno''s unborn baby the perfect set of parents courtesy of the local Penny Saver.They set their sights on Mark and Vanessa Loring (Jason Bateman and Jennifer Garner), an affluent suburban couple longing to adopt their first child. Luckily, Juno has the support of her dad and stepmother (J. K. Simmons and Allison Janney). Juno''s physical changes mirror her personal growth while the veneer of Mark and Vanessa''s idyllic life starts to show signs of cracking. With a fearless intellect far removed from the usual teenage angst, Juno conquers her problems head-on, displaying a youthful exuberance both smart and unexpected.
£16.65
Newmarket Press,U.S. King's Speech: The Shooting Script
£14.24
Theatre Communications Group Inc.,U.S. Marigolds in August /The Guest: Two Screenplays
Book Synopsis
£9.41
Penguin Putnam Inc Now Write! Screenwriting: Screenwriting Exercises
Book Synopsis
£14.45
SMK Books Agamemnon
£8.97
BearManor Media House of Dracula
Book Synopsis
£20.71
Rockridge Press The Creative Screenwriter: 12 Rules to
Book Synopsis
£13.59
AuthorHouse The Gate to the Magic Kingdom
Book Synopsis
£14.95
Bicep Books The Lost Films Fanzine #3
Book Synopsis
£12.34
Fantom Films Limited The Daemons
Book Synopsis
£14.03
Fantom Films Limited Shooting the Pilot
Book Synopsis
£17.99
Intellect Books Television Antiheroines: Women Behaving Badly in
Book SynopsisWith a foreword by Diane Negra and Jorie Lagerway As television has finally started to create more leading roles for women, the female antiheroine has emerged as a compelling and dynamic character type. Television Antiheroines looks closely at this recent development, exploring the emergence of women characters in roles typically reserved for men, particularly in the male-dominated genre of the crime and prison drama. The essays collected in Television Antiheroines are divided into four sections or types of characters: mafia women, drug dealers and aberrant mothers, women in prison, and villainesses. Looking specifically at shows such as Gomorrah, Mafiosa, The Wire, The Sopranos, Sons of Anarchy, Orange is the New Black, and Antimafia Squad, the contributors explore the role of race and sexuality and focus on how many of the characters transgress traditional ideas about femininity and female identity, such as motherhood. They examine the ways in which bad women are portrayed and how these characters undermine gender expectations and reveal the current challenges by women to social and economic norms. Television Antiheroines will be essential reading for anyone with a serious interest in crime and prison drama and the rising prominence of women in nontraditional roles.Trade Review'This vital collection profitably meditates on the intersections of crime studies, feminist and postfeminist studies and television studies, and shines a light on the expanding representational possibilities for women that are taking place in global television production. [...] I suspect that Television Antiheroines will enjoy widespread adoption as a text in a number of university courses for differing constituencies of students. The essays all feature clear and accessible prose and, further, the breadth and array of the texts, and detailed bibliography for each essay, will make the collection interesting for media studies scholars (feminist or otherwise) working on a spectrum of contexts.' -- Ellen Nerenberg, Journal of Italian Cinema & Media Studies'Thanks to its cultural approach, Television Antiheroines depicts in an original way the possibilities opened up by ‘bad’ behaviours in mainstream images of femininity. Each chapter analyses characters’ everyday lives, underlining how micropolitics questions conventional gender roles. Such a subversive process is also sustained by the idea that the representation of moral and behavioural contradictions undermines the hegemonic positions still dominant in television series. In doing so, the volume also shows how television can produce alternative identity models for women, thus contributing to a redefinition of current gender paradigms.' -- Ilaria De Pascalis, European Journal of Women’s Studies'I began this review by querying whether the antiheroine exists; after spending time with Television Antiheroines, and becoming well acquainted with Rosy Abate, Imma Savastano, Sandra Paoli, Carmela Soprano, Carmen van Walraven, Nancy Botwin, Gemma Teller, Mags Bennett, Teresa Mendoza, Big Boo, Nicky Nichols, Livia Marine, Kate Leigh, Tillly Devine, and others, I have no doubt of the socio-cultural richness and transcultural purchase of the TV antiheroine. In identifying a significant new trend in the transnational televisual depiction of gender, power, crime, and identity, Television Antiheroines sets high standards for future feminist media scholarship on female antihero TV.' -- Tanya Horeck, Feminist Media Studies'The television series examined make for good television and the chapters in this volume make for an interesting read, both individually and taken together. With its unprecedented collective focus on anti-heroines in the business of crime, the edited volume offers critical insights in largely well written articles that will allow readers to discover or perhaps reevaluate how women behaving badly contribute to an expanded realm of possibility for female characters in popular culture.' -- Claudia Schippert * Queer Studies in Media & Popular Culture *'[T]his collection of high-minded studies aims to examine how women have been allowed to travel in the same trajectory (the new “golden age of television” started by show-runners like David Chase and Vince Gilligan) gave way to equally strong visionaries like Jenji Kohan (Weeds, Orange Is the New Black) and numerous telenovelas in Brazil, Colombia, and New Zealand.' -- Popmatters, Christopher John Stevens'Television Antiheroines: Women Behaving Badly in Crime and Prison Drama is a strong collection of academic scholarship, and is a required purchase for scholars whose research relates to gender roles and female agency, particular in television. The book will undoubtedly serve graduate students and established professionals in the fields of critical, cultural and media studies very well. These 13 essays are highly detailed and effortlessly engaging. Through examination of antiheroines such as The Sopranos’ Carmela Soprano and Weeds’ Nancy Botswin, as well as foreign protagonists such as Penoza’s Carmen Walraven and the Spanish-language La Reina del Sur’s Teresa Mendoza, Television Antiheroines: Women Behaving Badly in Crime and Prison Drama raises intriguing and timely questions regarding feminism and female identity.' -- Graeme Wilson, Critical Studies in Media Communication'The contributors to the book successfully manage to ‘explore atypical portrayals of femininity’ (p. 4) from an international perspective, which is their joint goal as outlined in the Editor’s Introduction. Written for a wide contemporary readership, the book will be of practical use to students of communication and media studies and must not be overlooked by academic philosophers inasmuch as the authors’ discussions contribute to debates on the ontological and existential structures of human existence.' -- Elena Fell, European Journal of Communication'With so many television series circulating the airwaves and beyond, it can be challenging to find those worthy enough to fill our precious leisure time. Thankfully Milly Buonanno’s edited collection of essays not only draws our attention to the contemporary television landscape’s changing typography, but it is also a useful resource for those looking for their next binge-worthy programme. The book’s emphasis on ‘female-centred forms with a particular focus on the liminality of women associated with criminality’ (xi) historicises the range of unconventional portrayals of womanhood in the 21st century, defines these depictions in terms of their antiheroine aspects and investigates some specific international instantiations.' -- ichael P Young, Critical Studies in Television: The International Journal of Television Studies'Italian scholar Milly Buonanno of Rome’s La Sapienza University has often complained that, in this second Golden Age of TV, academic attention is focused almost exclusively on the United States. Even in a country like Spain, newspa- pers dutifully recap each episode of American premium- cable and streaming-service series while ignoring their own local productions. Hence, the importance of Buonanno’s new collection Television Antiheroines: Women Behaving Badly in Crime and Prison Drama, which tracks its female figures on screens from Italy and France to Australia and Brazil.' -- Paul Julian Smith, Film Quarterly'Milly Buonanno’s anthology, Television Antiheroines: Women Behaving Badly in Crime and Prison Drama, explores depictions of unconventional womanhood in twenty-first-century television. It investigates how heteronormative ideologies of gender are challenged as female characters transgress feminine norms of passivity, purity, motherhood, goodness and caring. Split into four sections with thirteen contributions, the book sets out to analyse the figure of the antiheroine in international programming by investigating the transgressive possibilities enabled when characters refuse to socially conform to the laws of society, gender and the criminal underworld.' -- Katherine Whitehurst, Journal of Popular TelevisionTable of ContentsPart I: Mafia Women Buonanno, Villez, Akass and McCabe Chapter 1: Godmothers in Italian Mafia Story: Or 'Something Else Besides a Mother' Milly Buonanno Chapter 2: Mafiosa, Monstruous Beauty: Power and Loneliness of a Female Mob Leader Barbara Villez Chapter 3: Adieu Carmela Soprano! Lessons from the HBO Mobster Wife on TV Female Agency and Neo-Liberal (Narrative) Power Kim Akass and Janet McCabe Part II: Drug Dealers and Aberrant Mothers Hermes, Giomi, Lotz and Rivero Paying the Price: Penoza – Combining Motherhood anf a Career (in Crime) Joke Hermes 'Really Good At It': The Viral Charge of Nancy Botwin in Weeds (and Popular Culture's Anticorps) Elisa Giomi Really Bad Mothers: Manipulative Matriarchs in Sons of Anarchy and Justified Amanda D. Lotz La reina del sur: Teresa Mendoza, a New Telenovela Protagonist Yeidy M. Rivero Part III: Women in Prison Ball, Turnball and Walters Chapter 8: Blurred Lines: The Queer World of Bad Girls Vicky Ball Chapter 9: Top Dogs and Other Freaks: Wentworth and the Re-imaging of Prisoner Cell Block H Sue Turnball Chapter 10: Lesbian Request Approved: Sex, Power and Desire in Orange is the New Black Suzanna Danuta Walters Part IV: Villainesses and Anti-antiheroines Joyce, La Pastina, Williams, Press and Redhead Chapter 11: Women and Criminality in Brazilian Telenovelas: Salve Jorge and Human Trafficking Samantha Joyce and Antonio Las Pastina 'Your Turn, Girl': The (Im)Possibility of African American Antiheroines in The Wire Bruce A. Williams and Andrea L. Press Taming Pussytown: How Post-feminism Domesticated Underbelly: Razor Leigh Redhead
£33.26
Anthem Press Truth and Storytelling: Scripting the Visual
Book SynopsisThe goal of this book is to guide writers toward creating more authenticity in visual storytelling. One of the needs for art is the mirror, a reflection of human existence and what is glorious, tragic, wonderful, and funny about life. In an age of “post-truth,” where derivative and grotesquely bogus stories are abundant, globally networked, and digitally streamed, this book examines what it means to both artists and audiences when the mirror is consistently distorted, inaccurate, and biased. The book offers a guide for finding authenticity in fictional narrative, regardless of genre or form. The book is intended as a compass for writers to better understand and confront the truths they want to reveal through narrative stories and how to find legitimacy in the fictional characters and situations they create. One element that sets this book apart from others is the use of storyboarding to explain ideas. There are many books that teach fundamentals of writing and producing for the screen, promising the reader great success through formula. This book is a guide for writers in finding their unique creative voice. While the emphasis of this book is on creating scripts intended for production of moving image media, the guide can be adapted to the creativity of various types of storytellers working in a variety of media fields. Trade Review“Emily Edwards offers a fresh approach to ideation and the development of screenplays, laying out existing character types and genres and suggesting ways to mix them up in unique and interesting ways. She also emphasizes the pursuit of truth in fiction that can be more truthful than the recitation of facts.” — Paul Gulino, Professor, Lawrence and Kristina Dodge College of Film and Media Arts, Chapman University, US“This is a smartly written, comprehensive book that includes many nuances of screenwriting that other guides ignore.” —Evan Smith, Newhouse School at Syracuse University, US“The overriding thesis of bringing truth to the writing experience, and having that truth reside in someone’s experience, or life, makes this book a valuable contribution to the field.”—Bob Arnett, Old Dominion University, USTable of ContentsList of Illustrations; 1. Truth and the Search for Story; 2. Creating Authentic Characters; 3. The Shapes of Visual Narrative; 4. The Structures of Time and Perspective; 5. Outlines and the Spines of Stories; 6. The Truths of Style and Format; 7. Guarded Dialogue and Candid Silence; 8. The Scene and the Story; 9. Honest Revisions; Index.
£72.00
Anthem Press Truth and Storytelling: Scripting the Visual
Book SynopsisThe goal of this book is to guide writers toward creating more authenticity in visual storytelling. One of the needs for art is the mirror, a reflection of human existence and what is glorious, tragic, wonderful, and funny about life. In an age of “post-truth,” where derivative and grotesquely bogus stories are abundant, globally networked, and digitally streamed, this book examines what it means to both artists and audiences when the mirror is consistently distorted, inaccurate, and biased. The book offers a guide for finding authenticity in fictional narrative, regardless of genre or form. The book is intended as a compass for writers to better understand and confront the truths they want to reveal through narrative stories and how to find legitimacy in the fictional characters and situations they create. One element that sets this book apart from others is the use of storyboarding to explain ideas. There are many books that teach fundamentals of writing and producing for the screen, promising the reader great success through formula. This book is a guide for writers in finding their unique creative voice. While the emphasis of this book is on creating scripts intended for production of moving image media, the guide can be adapted to the creativity of various types of storytellers working in a variety of media fields. Trade Review“Emily Edwards offers a fresh approach to ideation and the development of screenplays, laying out existing character types and genres and suggesting ways to mix them up in unique and interesting ways. She also emphasizes the pursuit of truth in fiction that can be more truthful than the recitation of facts.” — Paul Gulino, Professor, Lawrence and Kristina Dodge College of Film and Media Arts, Chapman University, US“This is a smartly written, comprehensive book that includes many nuances of screenwriting that other guides ignore.” —Evan Smith, Newhouse School at Syracuse University, US“The overriding thesis of bringing truth to the writing experience, and having that truth reside in someone’s experience, or life, makes this book a valuable contribution to the field.”—Bob Arnett, Old Dominion University, USTable of ContentsList of Illustrations; 1. Truth and the Search for Story; 2. Creating Authentic Characters; 3. The Shapes of Visual Narrative; 4. The Structures of Time and Perspective; 5. Outlines and the Spines of Stories; 6. The Truths of Style and Format; 7. Guarded Dialogue and Candid Silence; 8. The Scene and the Story; 9. Honest Revisions; Index.
£31.50
Ebury Publishing Talking Heads
Book SynopsisAlan Bennett sealed his reputation as the master of observation with this series of 12 groundbreaking monologues, originally filmed for BBC Television. At once darkly comic, tragically poignant and wonderfully uplifting, Talking Heads is widely regarded as a modern classic. This edition, which contains the original complete collection of Talking Heads, as well as his earlier monologue, A Woman of No Importance, is a celebration of Alan Bennett's finest work.Trade ReviewTalking Heads places Alan Bennett in the highest tier of English dramatic writers * New York Times *His finest achievement - indeed masterpiece wouldn't be too strong a word * The Daily Telegraph *Bennett's genius is his ability to satirize humanely. [His] prose is like stained glass: if you stare at it, you see things you missed * New York Times Book Review *It's hardly a revelation to say that Alan Bennett has proved himself a master of the modern dramatic monologue... One of the finest dramatic achievements of the past few decades. * Scotsman *
£12.99
Headline Publishing Group Monty Python's Flying Circus: 50 Years of Hidden
Book SynopsisThis book delves into the official archives and recounts the history of the men who changed the face of comedy. The story is told through photographs, text, props and memorabilia, including hand-scribbled scripts, never-before-published cue sheets, artwork, unused presentation material, and more, offering the reader a unique peek into the world of these comic geniuses. The "Dead Parrot" sketch. "The Lumberjack Song". "Argument Clinic". "Spam". Monty Python's Flying Circus was packed with famous skits and classic one-liners, many of which are still globally recognized, from the Hollywood Bowl to the University of Woolloomooloo. Their irreverent humour is the yardstick by which others are judged and the adjective "Pythonesque" has been part of the English language for years. And 50 years after first broadcast, Monty Python's Flying Circus is still attracting and amusing audiences around the world.
£21.25
Unbound Clangers: The Complete Scripts 1969-1974
Book SynopsisThe Clangers memorably spoke in a language played on swannee whistles.No one expected them to have scripts.But they did.Within an ancient barn nestled in the heart of the Kent countryside, Smallfilms founders Oliver Postgate and Peter Firmin created one of the most beloved BBC children’s series of the twentieth century: Clangers.Clangers: The Complete Scripts 1969–1974 is the ultimate compendium of scripts from the original two series of the show in one lavishly illustrated volume. These previously unseen scripts sit alongside original writing from Daniel Postgate – son of the original creator Oliver Postgate – exploring the inspiration for and lasting cultural impact of the show, new and historical photographs, Peter’s original illustrations, Oliver’s handwritten musical notations and more.The joyful revelation that the Clangers’ often colourful words were scripted in English brings an exciting new dimension to the Smallfilms legacy.
£14.99
Headline Publishing Group The Little Guide to Frasier: Tossed salads and
Book Synopsis'I'm listening.' For 11 seasons, that's how Dr. Frasier Crane answered the callers to his radio show, and viewers all around the world.Dr. Crane may not have been the most popular character on Cheers, nor would Kelsey Grammer have been the most likely of the show's stars to get his own series, yet between 1993 and 2004, Frasier was one of the most successful sitcoms in an era of all-time great shows.Frasier is still beloved by millions today, whether they're just discovering the radio shrink, his snooty brother, cranky father, kooky housekeeper, and sassy producer on streaming services, or whether they've tuned in to the Crane family's Shakespearean mayhem for the best part of almost 30 years.SAMPLE QUOTES: 'It may be an unwise man who doesn't learn from his own mistakes, but it's an absolute idiot that doesn't learn from other people's.' Frasier dispenses his best advice in 11 years while off the air.'I used to think there was some sort of mix-up at the hospital when Frasier was born. Of course, when Niles came along, it shot that theory all to hell.' - Martin Crane.Table of ContentsDr. Frasier Crane – 'It is the magic that is me' Dr. Niles Crane – 'A man of the great al fresco 'Martin Crane & Eddie – 'We call him Eddie Spaghetti' Daphne Moon – 'I must confess - I'm a bit psychic' Roz Doyle – 'She's smart and beautiful, moral and totally independent' KACL – 'Yakkety-yak, we talk back'
£6.93
Headline Publishing Group Thank You For Being A Friend: The Little Guide to
Book SynopsisThe Golden Girls: the show that changed American TV, found an audience all around the world, and made a global legend out of Betty White. 1985 was the year of Live Aid, Back to the Future and the Nintendo. It also saw the start of one of the most well-known and well-loved sitcoms of all time: The Golden Girls. With a cast comprising women over 50, the show was as groundbreaking as it was hilarious. Averaging 25 million viewers an episode – and counting the Queen Mother among them – the show is still ranked among the best US sitcoms ever. And it continues to find a new audience today in younger generations on streaming, with merchandise as popular as ever.Packed with quotes and facts, this little book is perfect for any Golden Girls fan.Table of ContentsThank You For Being A Friend - Learn how the show and characters came to be • 1651 Richmond Street - The girls never acted their age, as these quotes and facts show • Vänskapskaka - Exploring the girls' friendship • Once Upon a Time in Sicily - Quotes and facts about the characters before their lives in Shady Pines • Senioritis - A collection of the girls' finest senior moments • Golden Oldies - A celebration of each of the women.
£6.93
Bedford Square Publishers Who Me
£22.02
Andrews UK Limited Mind of Stone
Book Synopsis
£17.99
Oldcastle Books Ltd Short Films: Writing the Screenplay
Book SynopsisEvery award-winning short film begins life with a clever idea, a good story and a screenplay. Patrick Nash analyses the process of writing short film screenplays and gives advice on: Story and structure Ideas generation Plot and pace Screenplay format Dos and don'ts Eliciting emotion Dialogue and subtext Character design Protagonists and antagonists Character motivation and goals Conflict, obstacles and stakes Clichés and Stereotypes Beginnings, middles and ends Hooking the viewer Screenplay competitions Loglines, outlines and synopses Rewriting and length Practicalities and budgets The book also includes a number of award-winning scripts and interviews, advice and contributions from their award-winning screenwriters and a discussion of the benefits to writers of writing short screenplays.Trade ReviewI would definitely recommend this book . . . (it is) a very thorough look at all aspects of being a writer of short scripts -- Michelle Goode * Writesofluid *Straight talking tome bursting with practical advice * Total Film *A helpful book for anyone interested in screenwriting -- Tom Farr * Tom Farr Reviews *
£16.99
Oldcastle Books Ltd Web TV Series
Book SynopsisToday, people can watch television shows, feature films, live sporting events, and just about anything they want on their computers, tablets or phones. As the new media marketplace continues to grow, so does demand for original content and opportunities for filmmakers. Online distributors - such as YouTube, Hulu, and Funny or Die - are interested in acquiring web series (episodic digital entertainment, like mini-TV shows) that attract audiences and appeal to advertisers. Web TV Series... How to Make and Market Them provides advice and expertise to help readers create their own original, successful online shows - projects that can be profitable, potentially developed into film or television properties, and help to start a career in the industry. Readers will learn how to develop characters and stories designed for new media platforms, and find tips for planning, shooting, and editing that are tailored specifically to web series production. This book also extensively covers the latest distribution platforms and social media marketing strategies, as well as examples of how to find financial sustainability through advertisers, branded content, and sponsorship partners. Web Series has all of the tools necessary for both aspiring and experienced filmmakers to make the most of this growing new medium.Trade ReviewDan Williams provides the background and information you need to start a Web TV series, whilst encouraging you to develop your own individuality and creative processes -- Leo White * Kamera Film Salon *This book encourages quality work, and does a quality job of instructing it * Write So Fluid *
£15.29
Oldcastle Books Ltd Writing and Selling Romantic Comedy Screenplays
Book SynopsisWhat happens when 'happy ever after' isn't quite so simple? Today's attitudes to love and romance are as varied and diverse as individuals, and audiences want and need more sophisticated, authentic films that show how we live and love now. So what does this mean for the screenwriter developing a romcom? And how do they write heart-warming stories for a genre that is constantly evolving, from bromcom to zomcom to famcom? Writing and Selling Romantic Comedy Screenplays offers a fresh approach to creating narratives for this ever-changing genre. Moving away from rigid and limited definitions that have evolved out of mainstream genre films, the book embraces a working definition that crosses cultural and national boundaries to give screenwriters around the world a truly international perspective on writing comedic love stories. It will be the first screenwriting guide to reflect the diversity of approaches in today's films that deal with the human need for emotional and physical intimacy using humour - the contemporary romantic comedy. Features of the book include: Illuminating, challenging and provocative about the state of the rom-com genre. Why do some films feel so dated, while others are perennially relevant? Explores and defines all subgenres of romcom, such as zomcom, bromedy, soromcom and famcom. Uniquely draws on creativity, screenwriting genre theory and film industry practice. Stimulating creative exercises at the end of every chapter, and 'hot tips' throughout. Adaptable concepts that can be applied to both feature films and short films. Encourages screenwriters to define their own values about love to ensure their voice and message is original - and commercial. Case studies and analyses of produced screenplays, including Dostana, Due Date, I Give it a Year, I love You, Man, Midnight in Paris, Ruby Sparks, Tamara Drewe, Ted and Warm Bodies. Interviews with writers, directors and producers. Genuine international perspective. Indispensible guide for both the student and the professional writer or filmmaker.
£17.09
Oldcastle Books Ltd The Art of Screenplays - A Writer's Guide
Book SynopsisThe Art of Screenplays is a working handbook for writers with stories to tell. Addressing the key issues of creativity and craft, its aim is to connect with our natural understanding of story, to demystify the screenwriter's art, and to enable fresh, original and authentic writing. Working on the central premise that drama reflects nature, and screenplays simply echo life as we know it, the areas Mukherjee discusses include: The Writer's eye. How to gather, ferment and communicate story. The art of action. Understanding structure through observation. Who am I? Exploring the levels of characters. Vertical structure. Say what you mean. Mean what you say. Speak the speech. The art of not writing dialogue. Trade ReviewRM comes across as what he is: a screenwriter of real experience who has the confidence and knowledge of having worked extensively at the industry coal-face with a lot of really good credits in TV and feature films. Unlike many screenwriting books, he writes from a position of authority - and it shows -- Philip Shelley * Script Consultant *an insightful guide that prompts readers to think for themselves -- Dominic Carver * The Scriptwriter *'a really interesting mix of theoretical study and practical experience...Highly recommended for both beginners and experienced writers' * Write So Fluid *Brilliant and original...far and away the best writing guide I've read. It should become must reading for all of us, students and tutors alike -- Paul Bryers - award winning writer, filmmaker and producerone of the most beautifully written books about screenwriting that I've ever read * Scriptangel *
£18.69
Oldcastle Books Ltd Writing for Television: Series, Serials and Soaps
Book SynopsisA no-nonsense, direct down-the-lens look at the television industry written from the point of view of a television drama producer who's been there, done it, fought some battles and won the odd award. Written in an engaging, anecdotal tone, Writing for Television provides advice on: Getting an agent The type of writer television's looking for The tool kit a television writer needs The writer /script editor relationship How to structure a storyline How to write good treatments and outlines Packed full of useful insights, links and information, the book includes interviews with successful television writers working today, pointers on how to work collaboratively in the industry and how to make good contacts with the people who can further your career.Trade ReviewYvonne delivers a practical, accessible, no-nonsense guide to the world of writing for popular TV -- Mal Young - Producer, writer and former BBC Controller of Drama SeriesA very comprehensive and informative book on TV script writing. Yvonne covers every conceivable point that will help writers wanting to break into writing for the small screen, whilst at the same time creating a very accessible read -- Tony McHale * Sanctuary Films *A great read and a great guide. Learn from Yvonne Grace who's done it, is still doing it and has now written the book -- Gail Renard * The Writers' Guild of Great Britain *offers valuable insight, sage advice and a wealth of information -- Dominic Carver - Screenwriter
£17.09
Ebury Publishing Talking Heads
Book SynopsisAlan Bennett sealed his reputation as the master of observation with this series of 12 groundbreaking monologues, originally filmed for BBC Television. At once darkly comic, tragically poignant and wonderfully uplifting, Talking Heads is widely regarded as a modern classic. This edition, which contains the complete collection of Talking Heads, as well as his earlier monologue, A Woman of No Importance, is a celebration of Alan Bennett's finest work.Trade ReviewTalking Heads places Alan Bennett in the highest tier of English dramatic writers * New York Times *His finest achievement - indeed masterpiece wouldn't be too strong a word * The Daily Telegraph *Bennett's genius is his ability to satirize humanely. [His] prose is like stained glass: if you stare at it, you see things you missed * New York Times Book Review *It's hardly a revelation to say that Alan Bennett has proved himself a master of the modern dramatic monologue... One of the finest dramatic achievements of the past few decades. * Scotsman *
£10.44
The Play Press Wheeler's Luck: A Rural Comedy
Book Synopsis
£11.48
UEA Publishing Project UEA MA Scriptwriting Anthology 2022
Book Synopsis2022 edition of the UEA MA Scriptwriting creative writing course anthology
£9.49
Tallfellow Press Write Screenplays That Sell: The Ackerman Way:
Book Synopsis
£20.85
Black Coat Press Gentlemen of the Night - Captain Phantom
Book Synopsis
£12.34
Inventory Press LLC Get out: The Complete Annotated Screenplay
Book SynopsisJordan Peele's powerful thriller Get Out debuted in 2017 to enormous public and critical acclaim, a Guess Who's Coming to Dinner? for the age of Obama and Trump that scared audiences and skewered white liberal pieties at the same time. Rather than rely on popular archetypes, Peele weaves together the material realities and daily manifestations of horror with sociopolitical fears and elements of true suspense, and combines them with pitch-perfect satire and a timely cultural critique. This companion paperback to the film presents the Peele's Oscar-winning screenplay alongside supplementary material. Featuring an essay by author and scholar Tananarive Due and in-depth annotations by the director, this publication is richly illustrated with more than 150 stills from the motion picture and presents alternate endings, deleted scenes and an inside look at the concepts and behind-the-scenes production of the film. Continuing in the legacy of 1960s paperbacks that documented the era's most significant avant-garde films such as Akira Kurosawa's Rashomon, Jean-Luc Godard's Masculin/Feminin and Michelangelo Antonioni's L'Avventurra Get Out is an indispensable guide to this pioneering and groundbreaking cinematic work.Jordan Peele (born 1979) is an American actor, comedian, writer, producer and director. Peele's directorial debut, Get Out (2017), earned him an Academy Award for Best Original screenplay as well as nominations for Best Picture and Best Director. In 2012, Peele founded Monkeypaw Productions, which amplifies marginalized voices and cultivates artistic, thought-provoking projects across film, television and digital platforms, including Peele's follow-up to Get Out, the thriller Us (2019).Trade ReviewNamed 'Best Screenplay of the 21st Century (So Far!)' * Writer's Guild of America *This svelte, softcover, pocket-sized volume memorializes Peele’s Oscar-winning script for the first time in print. Proceeding from a new foreword by Peele, 150 gorgeous black-and-white stills thread through the screenplay and into an appendix rich with brand-new material, including cut dialogue, deleted scenes, and Peele’s annotations on the whole production. But the Annotated Screenplay’s most ingenious intervention into the dense critical discourse around Get Out was to tap Tananarive Due to author its proper introduction, an essay titled “Get Out and the Black Horror Aesthetic.” Due is a leading scholar in the emerging study of Black horror, and even teaches a course at UCLA on the subject called “The Sunken Place.” [...] This new framing unlocks a deeper level of engagement with the film... -- Ryan Coleman * Los Angeles Review of Books *Blending horror and dark humour, the director’s multi award-winning screenplay reveals the terrifying realities of racism in America. Famously, Peele has described his directorial debut as a “documentary”. Now, the annotated version gives fans the opportunity to learn more about Peele’s screenwriting process. -- Vivian Yeung * Crack *Peele’s 2017 thriller made the director’s name and won the Oscar for best original screenplay. Now the script is available in book form, illustrated with stills. -- Keith Bradsher * New York Times *Reading the notes, which are extracted from a thoughtful but very conversational interview Peele did for the book...makes you feel like you’re watching the movie with Peele himself. -- Naomi Elias * Film School Rejects *[In Get Out: the Annotated Screenplay,] Peele uncovers additional subtle clues and allusions in the flm that may not be essential knowledge but give insight on the construction of the characters, their psyches, and ultimately their interactions. -- Ina Archer * Film Comment *Dive deeper into the Sunken Place with this dissection of Jordan Peele’s Oscar-winning screenplay, including dialogue from deleted scenes and an essay on the black horror aesthetic. -- Mekado Murphy * New York Times: 2019 Holiday Gift Guide *
£15.75
Fayetteville Mafia Press A Screenwriter's Companion: Instruction, Opinion,
Book Synopsis“I was a writer before I knew what a writer was.” —Joseph Dougherty Joseph Dougherty has been a successful playwright and television writer, producer, and director for more than thirty years. He’s written for breakthrough series that have changed the way we look at television drama, from thirtysomething to Pretty Little Liars, winning everything from Emmys to Teen Choice Awards along the way. Dougherty’s voice comes off the page with anecdotes about the writing process, hard-learned tips for survival in “the business,” and reflections on the influences that have led him to a successful career. Honestly, entertainingly, without cynicism, he gives readers permission to embrace the writer they want to be, so they can experience the rewards and satisfactions of writing. Beyond an insider’s take on story and structure, dialogue, action and outlining, A Screenwriter’s Companion is as much mentor as it is manual. With every insider observation about how to keep a potential producer reading till the last page of a script, there’s encouragement to explore your thoughts and memories, things a writer needs to embrace in order to become more than “a pro.”
£16.16
University Press of Kentucky The Herridge Style
Book Synopsis
£57.00
University Press of Kentucky The Herridge Style
Book Synopsis
£28.50
Dis Voir Cook, the Thief, His Wife and Her Lover
Book Synopsis
£15.00
Rainer Hampp Fuhrung Und Management in Den Unendlichen Weiten:
Book Synopsis
£29.52
