Description
Book SynopsisAlthough children have proliferated in Spain’s cinema since its inception, nowhere are they privileged and complicated in quite the same way as in the films of the 1970s and early 1980s, a period of radical political and cultural change for the nation as it emerged from almost four decades of repressive dictatorship under the rule of General Francisco Franco. In Inhabiting the In-Between: Childhood and Cinema in Spain’s Long Transition, Sarah Thomas analyses the cinematic child within this complex historical conjuncture of a nation looking back on decades of authoritarian rule and forward to an uncertain future.
Examining films from several genres by four key directors of the Transition Carlos Saura, Antonio Mercero, Víctor Erice, and Jaime de Armiñán Thomas explores how the child is represented as both subject and object, and self and other, and consistently cast in a position between categories or binary poles. She demonstrates how the cinematic child
Trade Review
"Thomas has crafted a meticulously documented study that is theoretically sound, insightful, and nimbly written. This monograph will be of great interest to a wide readership, especially those interested in Iberian Studies and film criticism. As such, Thomas’s monograph on in-betweenness and childhood in selected films from the Long Transition is a welcome contribution to the field." -- John Margenot * Hispania *
"The innovative and convincing interpretations of Inhabiting the In-Between recommend themselves to the reader with an insistence upon the narrative and psychological complexity of these films. Beyond its substantial contribution to Spanish film studies, this book urges one to be aware that the liminality of childhood and adolescence is brief, irretrievable, and when neglected, can amount to a missed opportunity." -- Elizabeth Scarlett * Revista de Estudios Hispánicos *
"Sarah Thomas’ Inhabiting the In-Between is a beautifully written study of a still under-examined period in Spain’s recent history, the Transition to Democracy, that trains its focus on the emergent figure of the child protagonist in the lesser-known works by art house and lesser-studied popular cinema directors. Thomas grounds the child in national moments of import as she follows film scholars Vicky LeBeau, Karen Lury, and Emma Wilson in exploring this figure in filmic and philosophical inquiry that inflects, in varying degrees, the bildungsfilm, the haptic and the gaze, biopolitics, historical memory, queer studies, and cultural geography beyond the bounds of Iberian film and history. As this list suggests, Inhabiting the In-Between exhibits a productive interdisciplinary, or fluid theoretical inbetweenness." -- Erin K. Hogan, University of Maryland Baltimore County * Ciberletras *
"Inhabiting the In-Between is perceptive, original, clearly written, and a welcome addition to the slim collection of innovative studies of Spanish films during the transition from Dictatorship to Democracy." -- Soledad Fox Maura, Williams College * The Seminary Co-op *
"Beyond its substantial contribution to Spanish film studies, this book urges one to be aware that the liminality of childhood and adolescence is brief, irretrievable, and when neglected, can amount to a missed opportunity." -- Elizabeth Scarlett, State University of New York at Buffalo * Revista de Estudios Hispánicos *
"Thomas builds on already existing scholarship in the field of childhood in cinema to provide a valuable contribution to the study of the child in Spanish cinema." -- Gemma Haigh, University of Birmingham * Bulletin of Spanish Visual Studies *
Table of Contents
Acknowledgements Note on Translation and Dates Introduction: Inhabiting the In-Between 1. Impossible Returns: The Child as Self and Other in Carlos Saura’s El jardín de las delicias (1970) and La prima Angélica (1974) 2. Innocent Creatures: Child as Commodity and Animal in Mercero’s La guerra de papá (1977) and Tobi, el niño con alas (1978) 3. Oscillating Encounters: Alignment and Foreclosure in Víctor Erice’s El espíritu de la colmena (1973) and El sur (1983) 4. Betwixt and Between: Liminal Adolescence in Jaime de Armiñán’s El amor del capitán Brando (1974) and El nido (1980) Coda Bibliography Notes
