Techniques of music Books
Indiana University Press Ricci on Glissando The Shortcut to Violin
Book SynopsisA book on left-hand violin technique that addresses common problems in shifting by advocating the study of the glissando technique. It asserts that re-incorporating this technique will not only aid violinists in developing a better-trained ear, but also provide them with "shortcuts" to playing some of Paganini's most difficult passages.Trade ReviewGiven that the legendary Ricci 'has played more concerts and made more recordings than any [other] violinist, past or present,' anything he has to say concerning violin playing should be of interest to every string player. May 2010 * American String Teacher *Table of ContentsPreface1. The Old and New Systems of Violin Playing2. One-finger, or Glissando, Technique Introduction Glissando Scales Guidelines for Practicing Glissando Scales3. Exercises, Études, and Cadenzas Glissando Scales Flexibility Studies Ear-training Studies Coordination Studies Crawling Studies Étude in Thirds Étude in Sixths Étude in Octaves Cantabile and Waltz Cadenza to Brahms Concerto Cadenza to Paganini Concerto No. 4 Cadenza to Paganini Concerto No. 64. Miscellaneous Aspects of Technique Fingering Guidelines Vibrato Tone Production Bowing Articulation and Evenness in Slurred Passages Grouping Tuning Ear Training Practicing Instrument Setup Hand Development Holding the Violin Hand Position Shoulder Rests Shifting GuidelinesNotesIndex
£999.99
John Wiley & Sons Inc Trumpet For Dummies
Book SynopsisHow to get a good sound, read music, and master a variety of styles-including classical, pop, jazz, and LatinListening to a trumpet trilla series of high notes during a military march or wail longingly during a blues rendition-is a pleasure second to none.Table of ContentsIntroduction 1 Part I: Ta-Da! A Prelude to Trumpet Playing 7 Chapter 1: The Instrument of Royalty 9 Chapter 2: How the Trumpet Works 23 Chapter 3: Choosing Your Weapon 35 Chapter 4: A Primer on Music Notation 51 Part II: The Noble Sound of the Trumpet 69 Chapter 5: Making Buzzing Beautiful 71 Chapter 6: Sound the Trumpet! 83 Chapter 7: Adding More Notes, Making More Music 99 Chapter 8: Becoming Articulate on the Trumpet 113 Chapter 9: Warming Up for Greater Success 125 Part III: Developing Your Technique 139 Chapter 10: Lower! Slower! 141 Chapter 11: Higher! Faster! 153 Chapter 12: Arpeggios: Leaps of Faith 167 Chapter 13: Developing Strength and Endurance 177 Chapter 14: Becoming More Articulate 191 Chapter 15: The Different Characters of the Trumpet 217 Part IV: The Complete Trumpeter: Knowledge and Skills for the Advancing Player 231 Chapter 16: A Practice Routine for Success 233 Chapter 17: Becoming More Versatile 269 Chapter 18: Valves, Slides, and Leadpipes: The Greasy Side of Trumpet Playing 293 Chapter 19: Collecting Stuff for Your Trumpet 309 Chapter 20: Studying with a Teacher 325 Chapter 21: Get ting in the Game 333 Part V: The Par t of Tens 345 Chapter 22: Ten Trumpet Kings and Queens 347 Chapter 23: Ten Bad Habits to Avoid 353 Chapter 24: Ten Ways You Can Be Your Best 357 Appendix: About the CD 361 Index 369
£15.29
Mel Bay Publications,U.S. 20 Easy Fingerstyle Studies For Ukulele
Book Synopsis
£16.14
Mel Bay Publications,U.S. Grappelli Licks
Book Synopsis
£18.04
Mel Bay Publications,U.S. Complete Anthology Of Medieval
Book Synopsis
£25.19
Oxford University Press Cello Time Joggers Piano Accompaniment Book
Book SynopsisContains all the piano accompaniments for Cello Time Joggers. Characterful and easy to play, these piano parts provide the perfect stylish accompaniment to the cellist's first tunes, and help capture the spirit and mood of the pieces.Table of ContentsAlgy met a bear ; Ally bally ; Bow down, O Belinda ; C string boogie ; Calypso time ; Cattle ranch blues ; Cello Time ; Chinese garden ; Chopsticks for two ; City lights ; Clare's song ; Copy cat ; Distant bells ; Down up ; Fast lane ; Happy go lucky ; Here it comes! ; Hill an' gully rider ; In flight ; In the groove ; Jim along Josie ; Katie's waltz ; Knock, knock! ; Lazy scale ; Lift off ; Listen to the rhythm ; Off to Paris ; On the prowl ; Patrick's reel ; Phoebe in her petticoat ; Ready, steady, go now! ; Rhythm fever ; Rocking horse ; Rowing boat ; Runaway train ; Scaley Things ; So there! ; Stamping dance ; Summer sun ; Tap dancer ; The old castle ; Tiptoe, boo! ; Travellin' slow ; Under arrest! ; Walking bass
£12.08
Oxford University Press Enjoy Playing Guitar Tutor Book 2 CD Next steps
Book SynopsisThis exciting revised edition of Enjoy Playing Guitar: Tutor Book 2 picks up where Book 1 left off, guiding students to the next level in their musical development. Using the same clear approach and careful pacing, it introduces new positions (2nd, 5th, 7th), techniques (left-hand slurs, harmonics, the barré), and musical ideas, supported by tailored solos, duets, and trios. With extension activities to advance musicianship, a repertoire section for concert pieces, and a CD with over 60 play-along tracks, this is an ideal one-stop resource for the developing classical guitarist.Table of ContentsOver 50 pieces in a wide range of styles, including original compositions and arrangements of well-known tunes; Supporting exercises and activities; Accommodates one-to-one or group teaching; Detailed illustrations showing best hand/finger positions and other technical points; Longer repertoire pieces with study notes; Fun quizzes to reinforce learning
£14.75
Hal Leonard Corporation Fingerpicking Pop 15 Songs Arranged For Solo
Book Synopsis(Guitar Solo). The arrangements in this book are carefully written for intermediate-level guitarists. Each solo combines melody and harmony in one superb fingerpicking arrangement. The book also includes an easy introduction to basic fingerstyle guitar. Songs include: Can You Feel the Love Tonight * Don''t Know Why * Endless Love * Every Breath You Take * I''ll Be * Imagine * Leader of the Band * Let It Be * My Heart Will Go On * Piano Man * Stand by Me * Wonderful Tonight * and more.
£15.19
Oxford University Press Inc The Jazz Standards A Guide to the Repertoire
Book SynopsisAn introduction for new fans, a useful handbook for jazz enthusiasts and performers, and an important reference for students and educators, this second edition of Ted Gioia's The Jazz Standards--now updated by popular demand-- belongs on the shelf of every serious jazz lover or musician.Trade ReviewGioia brings his deep knowledge of jazz to bear when comparing how a wide variety of artists approached a given tune and does not shy away from voicing his opinions about the good, the bad, and the ugly. * J Farrington, CHOICE *If you look up just one title in The Jazz Standards, before you realize it you will have spent an intriguing hour or two learning fascinating and new things about old songs that you have known most of your life. * Dave Brubeck *Which is best: interpretation or song? In any case, jazz and standards are forever locked in loving embrace. A finely researched work. * Sonny Rollins *Mr. Gioia's is the first general-interest, wide-ranging and authoritative guide to the basic contemporary jazz canon. * Will Friedwald, Wall Street Journal *In virtually every instance, Gioia delivers. * The Atlantic Monthly *One man's repertoire may be another man's B-list, but when the man is Ted Gioia, one tends to listen - in both senses. Gioia, among the most lauded of jazz writers, has chosen more than 250 songs. He tells the story behind each....Compulsively readable, and belongs on the shelves of every jazz lover, or jazz-lover wannabe. * Toronto Globe and Mail *This book should be in the library of every gigging jazz musician and every serious jazz fan. * Library Journal *What a useful and informative book The Jazz Standards is! Explaining the jazz repertory in a way that is accessible for the jazz beginner yet stimulating for the aficionado, Ted Gioia shows once again why he is one the best jazz writers around today. * Gerald Early, Editor of Miles Davis and American Culture *Warning: This book is addictive....Putting together a compendium like this must involve prodigious research and an encyclopaedic memory. Fortunately Gioia...wears his learning lightly and conveys it with wit and insight, and a minimum of musicological jargon. * Dallas Morning News *The book is wise, often funny—and it always accomplishes the highest mission of writing about music, which is to send you back to the music with wide-open ears. * Kansas City Star *Ted Gioia's The Jazz Standards is an interactive joy. It's a book you can have fun with while learning from it and it can also serve a companion anthology and reference guide. * Steven Cerra, Jazz Profiles *Table of ContentsAcknowledgements Introduction After You've Gone Ain't Misbehavin' Airegin Alfie All Blues All of Me All of You All the Things You Are Almost Like Being in Love Alone Together Along Came Betty Angel Eyes April in Paris Autumn in New York Autumn Leaves Bags' Groove Basin Street Blues Beale Street Blues Bemsha Swing Billie's Bounce Birdland Blue Bossa Blue in Green Blue Monk Blue Moon Blue Skies Blues in the Night Bluesette Body and Soul But Beautiful But Not for Me Bye Bye Blackbird C Jam Blues Cantaloupe Island Caravan Chelsea Bridge Cherokee A Child is Born Come Rain or Come Shine Come Sunday Con Alma Confirmation Corcovado Cotton Tail Darn That Dream Days of Wine and Roses Desafinado Dinah Django Do Nothin' Till You Hear from Me Do You Know What It Means to Miss New Orleans Dolphin Dance Donna Lee Don't Blame Me Don't Get Around Much Anymore East of the Sun (and West of the Moon) Easy Living Easy to Love Embraceable You Emily Epistrophy Everything Happens to Me Evidence Ev'ry Time We Say Goodbye Exactly Like You Falling in Love with Love Fascinating Rhythm Fly Me to the Moon A Foggy Day Footprints Gee, Baby, Ain't I Good to You? Georgia on My Mind Ghost of a Chance Giant Steps The Girl from Ipanema God Bless the Child Gone with the Wind Good Morning Heartache Goodbye Pork Pie Hat Groovin' High Have You Met Miss Jones? Here's That Rainy Day Honeysuckle Rose Hot House How Deep Is the Ocean? How High the Moon How Insensitive How Long Has This Been Going On? I Can't Get Started I Can't Give You Anything but Love I Cover the Waterfront I Didn't Know What Time It Was I Fall in Love Too Easily I Got It Bad (and That Ain't Good) I Got Rhythm I Hear a Rhapsody I Let a Song Go Out of My Heart I Love You I Mean You I Only Have Eyes for You I Remember Clifford I Should Care I Surrender, Dear I Thought about You I Want to Be Happy If I Should Lose You If You Could See Me Now I'll Remember April I'm in the Mood for Love Impressions In a Mellow Tone In a Sentimental Mood In Your Own Sweet Way Indiana Invitation It Could Happen to You It Don't Mean a Thing (If It Ain't Got That Swing) It Had to Be You It Might As Well Be Spring It Never Entered My Mind I've Found a New Baby The Jitterbug Waltz Joy Spring Just Friends Just One of Those Things Just You, Just Me King Porter Stomp Lady Bird The Lady is a Tramp Lament Laura Lester Leaps In Like Someone in Love Limehouse Blues Liza Lonely Woman Lotus Blossom Love for Sale Love is Here to Stay Lover Lover, Come Back to Me Lover Man Lullaby of Birdland Lush Life Mack the Knife Maiden Voyage The Man I Love Manhã de Carnaval Mean to Me Meditation Memories of You Milestones Misterioso Misty Moanin' Moment's Notice Mood Indigo Moonlight in Vermont Moose the Mooche More Than You Know Muskrat Ramble My Favorite Things My Foolish Heart My Funny Valentine My Heart Stood Still My Old Flame My One and Only Love My Romance Naima Nardis Nature Boy The Nearness of You Nice Work If You Can Get It Night and Day Night in Tunisia Night Train Now's the Time Nuages Oh, Lady Be Good! Old Folks Oleo On a Clear Day On Green Dolphin Street On the Sunny Side of the Street Once I Loved One Note Samba One o'Clock Jump Ornithology Out of Nowhere Over the Rainbow Peace The Peacocks Pennies from Heaven Perdido Poinciana Polka Dots and Moonbeams Prelude to a Kiss Rhythm-a-ning 'Round Midnight Royal Garden Blues Ruby, My Dear St. James Infirmary Blues St. Louis Blues St. Thomas Satin Doll Scrapple from the Apple Secret Love The Shadow of Your Smile Skylark Smile Smoke Gets in Your Eyes So What Softly, as in a Morning Sunrise Solar Solitude Some of These Days Someday My Prince Will Come Someone to Watch Over Me Song for My Father The Song Is You Sophisticated Lady Soul Eyes Speak Low Spring Can Really Hang You Up the Most Spring Is Here Star Dust Star Eyes Stella by Starlight Stolen Moments Stompin' at the Savoy Stormy Weather Straight, No Chaser Struttin' with Some Barbecue Summertime Sweet Georgia Brown 'S Wonderful Take Five Take the A Train Tea for Two Tenderly There Is No Greater Love There Will Never Be Another You These Foolish Things (Remind Me of You) They Can't Take That Away from Me Things Ain't What They Used to Be Tiger Rag Time after Time Tin Roof Blues The Very Thought of You Waltz for Debby Watermelon Man Wave The Way You Look Tonight Well, You Needn't What Is This Thing Called Love? What's New? When the Saints Go Marching In Whisper Not Who Can I Turn To? Willow Weep for Me Yardbird Suite Yesterdays You Don't Know What Love Is You Go to My Head You Stepped Out of a Dream You'd Be So Nice to Come Home To
£35.14
Trinity College London Press Trinity College London Violin Exam Pieces From
Book Synopsis
£6.39
Oxford University Press Inc A Notebook for Viola Players
Book SynopsisIn A Notebook for Viola Players, Ivo-Jan van der Werff offers a guide to playing the viola with the greatest freedom, dexterity, and ease. It includes right and left hand exercises to build a sound technique, sections on how to practice them, how to hold the viola and bow, how to think about good posture, how to create a good sound, how to play with the least amount of tension, how to deal with anxiety, and thoughts on wellness and practice techniques. Alongside these are photographs and a companion website of video demonstrations of the exercises played by the author, as if in a lesson. Interspersed throughout the book are lively and illuminating anecdotes of van der Werff''s own experiences as a student and as a professional musician, as well as a number of blank pages and staff paper for the student to literally ''make notes'' and write down their own ideas, offering a space for creative expression using the skills they learn in reading and playing along with the text. Bringing togeTrade ReviewA highly recommended book for supporting ambitious secondary school viola students, tertiary viola students, viola professionals at every stage, and teachers. * Helen Tuckey, Stringendo *A Notebook for Viola Players is a wonderful addition to the world of viola technique. Expertly offered with clarity, wit and elegance, it is eminently practical and compassionate! * James F. Dunham, Professor of Viola, Rice University, Shepherd School of Music *This is such a valuable fund of exercises, thoughtfully devised to build and maintain a foundation of technical security and quality. Players at all stages of their development will find both useful warm-ups and technique-enhancing challenges, presented in Ivo-Jan van der Werff's articulate, reassuring style. * Roger Tapping, Professor of Viola, Juilliard School *This book gives a truly grounded and open approach to viola technique, imparting wisdom without unnecessary fuss. There is a balance between individual needs and the fundamentals of a strong string player's technique. The conclusion gives every instrumentalist food for thought: basics that all players should think of every day. * Edward Vandespar, Principal Viola, London Symphony Orchestra *Ivo-Jan van der Werff has cleverly and clearly set out his ideas about basic technique in a way that can relate to many kinds of violists- unique achievement. I am certain the Notebook will become an important and useful resource for many players. * Simon Rowland-Jones, violist and composer *Table of ContentsAcknowledgments Introduction How to Practice Performance Anxiety Wellness Perfection? Posture Right Hand Left Hand Conclusion Afterword
£24.49
Mel Bay Publications,U.S. Essential Flamenco Guitar: Volume 1
Book Synopsis
£27.89
Trinity College London Press Trinity College London Piano Exam Pieces Plus
Book Synopsis
£14.20
Trinity College London Press Trinity College London Violin Exam Pieces From
Book Synopsis
£27.48
Alfred Publishing Co Inc.,U.S. Martha Mier Jazz Rags And Blues Book One Sheet
Book Synopsis
£8.50
Oxford University Press Preparatory Exercises in Score Reading
Book Synopsis124 short excerpts using a mixture of treble, alto, tenor and bass clefs and various common transpositions. The book concentrates on diatonic harmonic study (including diminished sevenths) and harmonic counterpoint in up to three parts. The exercises train students to take in many staves at once, to see where the principal melody is, to understand harmonies and modulations, to read various clefs, and transpose as necessary.
£35.39
Oxford University Press Creative Saxophone CD
Book SynopsisBL Clear and systematic progression BL For beginners of all ages BL Teaches with reference to jazz and contemporary music styles throughout BL First steps towards confident improvisation BL Covers all relevant elements of technique BL Lots of idiomatic practice material BL Authentic and varied CD backing for many of the pieces BL CD includes versions for alto and tenor instrumentsTrade ReviewAt the last count there are about 150 sax tutor books out there, so why bother with this one? Because it teaches a lot about the saxophone and music in a fun, well-paced and modern manner. The book gets you up and playing but is mindful of important things needed to make a good sound on sax. The accompanying CD is brilliant - 15 cool tunes - in a variety of styles (you're playing rock from track one) . . . Another great feature is that improvisation skills are developed, with heaps of help given by the authors . . . It is ideal for a sax teacher as well, because it's all there and both children and adult pupils wanting to learn will get into it . . . Highly recommended. * Jazzwise online store Summer 05 *If I could give awards for sheer value it would have to go to Creative Saxophone . . . with a 72-page book and play-along CD, the book is a real bargain. * Gerard McChrystal, Music Teacher, July 04 *
£19.24
Oxford University Press Creative Clarinet Improvising CD An introduction
Book SynopsisThe third book in the series, Creative Clarinet Improvising uses the techniques encountered in Creative Clarinet to develop new and exciting improvisational skills. Each of the 16 pieces is presented with a range of warm ups, scales, and solo ideas or melodic variations, to be used as a basis for improvising.Trade ReviewGood books on improvisation are very hard to come by, largely because the subject itself does not lend itself to book form. However, Creative Clarinet Improvising should be an excellent starting place if used in conjunction with an experienced teacher. * Helen Paskins, Music Teacher, October 07 *
£21.80
Oxford University Press Solo Time for Violin Book 1
Book SynopsisSolo Time for Violin is a three-volume series of concert pieces for the intermediate to more advanced violinist. Featuring arrangements and original pieces by the authors of the award-winning Fiddle Time series, these graded collections provide sophisticated repertoire from the Baroque to the modern age and introduce styles and techniques for the developing performer.Trade ReviewKathy and David Blackwell need no introduction to string teachers and students; their Fiddle Time series has gained universal appeal ... All 48 pieces are carefully chosen for their educational value as well as musical appeal. Helpful fingering and bowing suggestions together with informative notes, stylish piano accompaniments and a CD with backing tracks as well as full performances provide an admirable follow-up to the Blackwells' considerable achievements. Mary Nemet, Stringendo (AUSTA), October 15 With the introduction of this latest addition to the Fiddle Time family of publications [Solo Time], it would now theoretically be possible to go from complete beginner to ABRSM Grade 8 using only one series of books. That this is the case is a testament to the vast accumulated experience of the Blackwells, which they have so generously shared with their violin teaching colleagues ... Pieces are not arranged in chronological order, which invites a more playful exploration. There are some real gems: my choice from Book 1 would be Joshua fit the battle of Jericho and also Bohm's Little Hungarian Rhapsody - one of those pieces that sound harder than they actually are to play, worth their weight in gold for concert situations ... these carefully crafted arrangements and editions give pupils access to some interesting and occasionally challenging new repertoire. The Strad, September 2015 I love the new Solo Time books - my students are giving great feedback too. Great pieces to learn in between grades - love 'Sunayama' and its pentatonics. The pieces are pushing my students in a positive way to explore new music and create a thirst to learn new techniques to be able to play these pieces. Thanks for helping us teachers on the front line; these books will definitely be a lovely addition for my students. Sian Phillips, music teacher and performer, June 2015 Super!! A lovely collection of 16 unhackneyed and varied pieces, well presented and well thought through ... The print is beautifully clear, there is information about each piece printed on the page and a good variety of styles are represented. Anne Inglis, ESTA Arco, Summer 2015Table of ContentsGavotte: from Cello Suite No. 6, BWV 1012 ; Watkins Ale: from The Fitzwilliam Virginal Book ; Daydream: from Album for the Young, Op.39 ; Cantabile: from Requiem ; No Man's Jig ; Presto: from Six Sonatinas for violin and keyboard ; La diva de l'Empire ; Minuets 1 and 2: from Piano Sonata, Hob. XVI/43 ; Sunayama ; Passepieds 1 and 2: from English Suite No. 5, BWV 810 ; Joshua fit the battle of Jericho ; Rondeau: from Piano Sonata, K309 ; Yellow Bird ; Little Hungarian Rhapsody ; Groovin' like Grappelli ; Russian Dance: from Danse caracteristique
£19.95
Oxford University Press Graded Keyboard Musicianship Book 1
Book SynopsisGraded Keyboard Musicianship provides graded and integrated exercises for developing five core skills at the keyboard: figured bass, score-reading, transposition, harmonization, and improvisation. Book 1 assumes keyboard ability of Grade 1 ABRSM standard and covers up to Grade 5, while Book 2 covers Grades 6 to 8.Trade ReviewAll the usual disciplines - figured bass, score-reading, transposition and harmonisation - are treated from the earliest stages as interlinked, fluency in one informing fluency in another (often taking in some early-stages organ technique along the way). Each book is organised into levels - five in the first, three in the second - and each level is divided into five lessons, with new concept summarised and analysed as they are encountered. The material offered helpfully incorporates familiar hymns and melodies, and editorial material is succinct and cogent. A number of appendices and glossaries add to the usefulness of the books. Every teacher and student of keyboard harmony will find helpful material and fresh perspectives in these thoughtful volumes, and the compilers' holistic approach to the development of these skills is invaluable. * Stephen Farr, Choir & Organ, November 2017 *There have been many keyboard musicianship tutors over the years, and here now is one for the 21st century. The areas covered are not new - the core skills of figured bass, score-reading, harmonizing, transposing and improvising remain as ever. But the language used, the examples chosen and above all the structure of each book are imaginatively rethought. The eight levels, corresponding to ABRSM grades and therefore ranging from pre-grade 1 to pre-diploma, have five lessons in each, and each lesson includes the five skills - presented in an integrated way. So, as each key is introduced, the transposing and harmonizing examples utilize these, leading at the end of each lesson to improvising exercises derived from the preceding tasks. The structure makes the books suitable for private as well as directed study, and either used alongside conventional organ or piano lessons, or as an intensive keyboard musicianship course. * Stephen Patterson, rsmc.com *
£19.95
Oxford University Press Inc The Naked Voice A Wholistic Approach to Singing
Book SynopsisFocusing not only on the most important technical, but also on the often overlooked psychological and spiritual elements of learning to sing, The Naked Voice allows readers to develop their own full and individual identities as singersTrade ReviewFor the person delving into comparative pedagogies of the twenty-first century this book is interesting and has much to offer... * Dr Karen Sell, Singing *
£50.72
Oxford University Press Inc A Performers Guide to Transcribing Editing and
Book SynopsisA Performer''s Guide to Transcribing, Editing, and Arranging Early Music provides instruction on three important tasks that early music performers often undertake in order to make their work more noticeable and appealing to their audiences. First, the book provides instruction on using early sources-manuscripts, prints, and treatises-in score, parts, or tablature. It then illuminates priorities behind basic editorial decisions-determining what constitutes a version of a musical piece, how to choose a version, and how to choose the source for that version. Lastly, the book offers advice about arranging both early and new music for early instruments, including how to consider instruments'' ranges and various registers, how to exploit the unique characteristics of period instruments, and how to produce convincing textures of accompaniment. Drawing on methods based on early models (for example, how baroque composers arranged the music of their contemporaries), Alon Schab pays tribute to thTrade ReviewA comprehensive and insightful examination of the origins of the historical performance phenomenon, what it has become today, and where it might be going in the future. Highly recommended. * Mark Kroll, Harpsichordist and Fortepianist; Professor Emeritus, Boston University; Editor, The Cambridge Companion to the Harpsichord *Alon Schab urges performers of early music to cultivate a 'historic curiosity.' His book should inspire many to do so. With well-chosen examples and lucid explanations, Schab gets readers into the inner workings of processes often taken for granted to the detriment of truly knowledgeable and committed music-making. No one who follows him on the paths he sets forth will fail to come out with greater enlightenment * whether playing Van Eyck's recorder solos, recapturing the spirit of Ortiz's glosadas, reading critical editions critically, or mediating between new and old with arrangements and even original compositions.Joshua Rifkin, Director, The Bach Ensemble *Table of ContentsAcknowledgements Introduction 1. Historical Sources on the Concert Stage 2. The Musical Text as a Point of Departure 3. Different Works, Different Versions, Neither or Both? 4. "The ear must be chief umpire" (Intuition and Critical Editing) 5. Historically Informed Arrangement 6. Writing for Early Instruments Today Bibliography
£24.49
Oxford University Press Inc Playing Teaching the Saxophone
Book SynopsisPlaying & Teaching the Saxophone: A Modern Approach provides a method for teaching the saxophone that is specific enough to use as a textbook in a collegiate saxophone methods class, simple enough for a band director to use in guiding their saxophone sections, clear enough for adult beginners to teach themselves the instrument, and deep enough for professionals to use as a resource in teaching private lessons at any level.The first sections of this book, Getting Started and Learning the Notes, take a student in a collegiate methods class or other adult beginner through the fundamental concepts of playing the saxophone. The In-Depth section then lays out critical concepts that are essential to the further development of any saxophonist. As a contemporary guide for teaching the musicians and music educators of the 21st century, this method addresses the pedagogy of not only the instrument, but of the whole student. It includes a diverse array of musical examples that celebrate communitieTable of ContentsForeword Introduction Getting Started 1. The Saxophone 2. Parts of the Saxophone 3. Saxophone Assembly 4. Saxophone Disassembly 5. First Sounds on the Neck/Mouthpiece 6. Embouchure 7. Basic Voicing 8. Breathing 9. AIR-ticulation 10. Saxophone Posture and Hand Position 11. Basic Tuning 12. The Saxophone Family Learning the Notes 13. The First Notes: BAG FED 14. Middle C and Low C 15. Voicing and Overtones for Low Notes 16. The Octave Key 17. New Notes: F#, C#, Bb 18. Flawless Fingers 19. Low C# and D#, G# 20. Filling in the Gaps: One Octave Chromatic Scale 21. The Chromatic Scale: Second Octave 22. Palm Keys 23. The Lowest Notes: Bb and B 24. The Many Fingerings of Bb 25. Alternate Fingerings for F# and C 26. Final Performance In-Depth 27. Introduction to In-Depth Concepts 28. Articulation 29. Vibrato 30. Voicing & Overtones: The First Overtone 31. Voicing & Overtones: The Second Overtone 32. Overtone Practice Routine: ROVR 33. Intonation Training 34. Reed Storage and Adjustment 35. Developing Musicality 36. Introduction to Jazz Concepts 37. Soprano, Tenor, and Baritone Saxophone 38. Altissimo 39. Extended Techniques Teaching Tools 40. Introduction to Teaching Tools 41. First Lesson Planning Guide 42. Troubleshooting 43. Saxophone Pitch Tendency Guide 44. Saxophone Equipment 45. Saxophone Maintenance 46. Wellness for the Young Musician 47. Suggested Practice Routine and Warm-ups 48. Saxophone Resource Guide: Listening, Repertoire, and Further Reading Appendix A: Major Scale Reference Sheet Appendix B: Transposition Appendix C: Teacher's Guide to Saxophone Methods Appendix D: Chamber Music Acknowledgements About the Authors
£22.99
Oxford University Press Inc Chasin the Sound
Book Synopsis
£24.69
Oxford University Press Inc Improvising Fugue A Method for Keyboard Artists
Book SynopsisImprovising Fugue: A Method for Keyboard Artists is a guide for those who aspire to the highest levels of fluency as inventors of spontaneous music at the piano, fortepiano, harpsichord, organ, or digital keyboard.Trade ReviewMortensen has done it again! As in The Pianist's Guide to Historical Improvisation, he wryly de-mystifies the process of historically informed musical creation, and provides a richly informed, yet practical and step-by-step guide to understanding and improvising music, this time confronting the apex of musical forms: the fugue. Full of examples from the repertoire, and inventive, practical, progressive exercises and helpful explanations, this is a perfect present-day guide for students, teachers, and musicians who want to roll up their sleeves and get inside the art and craft of fugal creation. * Yi-heng Yang, Faculty of Keyboard Studies and Improvisation, The Juilliard School *Improvising music is one thing. Improvising a fugue is quite another, so remarkable as to be thought of as being possible only by such musical gods as J. S. Bach, even in his own day. And yet, musicians of the past aspired towards it through study and exercise, knowing that the insights and abilities thus gained would be invaluable—and many, more than we know, were actually able to do it. John Mortensen has shown a path in Improvising Fugue that makes this pinnacle visible and even reachable. This book will be your constant companion in this ultimate endeavor. * Peter Sykes, Faculty, Boston University, University of Michigan, The Juilliard School *It's a well-known fact. Many old masters, such as J.S. Bach, Händel, Mozart, Haydn, Durante, Beethoven, or Liszt, all learned and taught keyboard improvisation. Dr. John Mortensen's Improvising Fugue: A Method for Keyboard Artists will greatly contribute to the revival of these skills, once so essential to the art of piano playing. * Peter van Tour, author of Counterpoint and Partimento *Table of ContentsAcknowledgements Dedication Prelude Chapter 1 Introduction to Furno Chapter 2 Furno's Ten Partimenti Chapter 3 Bass Diminution Chapter 4 After Furno Chapter 5 Partimento Practice Chapter 6 Partimento Imitation and Fugue Chapter 7 Bicinium Chapter 8 Bass Motions in Invertible Counterpoint Chapter 9 Introduction to Improvised Fugue Chapter 10 Improvising a First Fugue on Handel Chapter 11 Exposition Chapter 12 Episode Chapter 13 Presentation Chapter 14 Stretto Chapter 15 Pedal Point, Cadenza, Ending Chapter 16 Improvising Fugue Glossary of Persons and Terms Index
£21.84
Oxford University Press Great Songwriting Techniques
Book SynopsisIn Great Songwriting Techniques, veteran composer and teacher Jack Perricone shares years of experience in the art, science, and pedagogy of songwriting to teach readers the craft.Trade ReviewThis book is nothing short of an in-depth depth instruction manual for writing great songs. Both newbies and diehard songwriting nerds will be delighted by the wealth of concepts and practical exercises for internalizing those techniques which will no doubt lead to some great songs. The examples from across popular music history make it easy and fun to understand even the most complex ideas. * Bleu, Songwriter and Producer of Demi Lovato, Selena Gomez, Michelle Branch, Disney's Legend of the Neverbeast *Jack Perricone is the greatest songwriting teacher I've met in my 30+ years in the music business. This book is a masterpiece that every serious songwriter needs to read. The crucial craft taught here will help people instantly love and remember your songs. And every technique you learn inspires you to write another song to use it. * Derek Sivers *There's something for every level of songwriter here, from novice to hit writer. Go as deep as you dare, then Jack Perricone will lead you down a path you were afraid to take, and you'll become a better, more inventive writer for the trip. Of course, read it through, but then use its sections as co-writers and reference resource to make your songs even better. Also, be sure to do the activities he suggests. You'll be amazed at what happens next. Thanks, Jack. * Pat Pattison, Professor, Berklee College of Music, and author of Writing Better Lyrics: The Essential Guide to Powerful Songwriting *Table of ContentsINTRODUCTIONTHE BASICS________________________________________________Chapter 1. BEGINNING A SONGChapter 2. INTRODUCTION TO MELODYChapter 3. RHYTHM AND RHYMEChapter 4. TONE TENDENCIESChapter 5. SETTING LYRICS TO MUSIC/SETTING MUSIC TO LYRICSChapter 6. SIMPLE BUT INTERESTING TONAL ENVIRONMENTS________________________________________________________________Chapter 7. TRADITIONAL MAJOR/MINOR ENVIRONMENTChapter 8. The BLUES, ROCK, R&B AND MODAL ENVIRONMENTS LARGE CONSIDERATIONS________________________________________________________________Chapter 9. DEVEOPMENTAL TECHNIQUESChapter 10. THE MELODIC OUTLINE AND THE MELODIC STEP PROGRESSION
£35.49
University of Illinois Press The Arithmetic of Listening
Book SynopsisTrade Review"Not only explains the materials and history of this music in great detail, but also—and probably most importantly—illustrates how these scales and harmonies are used in actual, living, breathing music. What has always been missing from the literature is an overarching guide to the field that is clearly written for both the amateur and professional. This is that book."--John Schneider, Grammy Award-winning producer"There is no other book that comes close to what Kyle Gann has accomplished here. The Arithmetic of Listening combines materials from ancient treatises and complex mathematical discussions of tunings with an artist's eye toward their expressive, musical use. It reads as though you are in a master class with a teacher who is patiently opening your eyes to a hidden history and your ears to hidden musical possibilities."--S. Andrew Granade, author Harry Partch: Hobo Composer"A lot of fun . . . this is indeed a practical book, not just for its instructions, but also in the interludes." --The Wire
£25.19
MIT Press Ltd The SuperCollider Book second edition
Book SynopsisA comprehensive update of the essential reference to SuperCollider, with new material on machine learning, musical notation and score making, SC Tweets, alternative editors, parasite languages, non-standard synthesis, and the cross-platform GUI library.SuperCollider is one of the most important domain-specific audio programming languages, with wide-ranging applications across installations, real-time interaction, electroacoustic pieces, generative music, and audiovisuals. Now in a comprehensively updated new edition, The SuperCollider Book remains the essential reference for beginners and advanced users alike, offering students and professionals a user-friendly guide to the language?s design, syntax, and use. Coverage encompasses the basics as well as explorations of advanced and cutting-edge topics including microsound, sonification, spatialization, non-standard synthesis, and machine learning. Second edition highlights: ?New chapters on musical notation and score making, machine learning, SC Tweets, alternative editors, parasite languages, non-standard synthesis, SuperCollider on small computers, and the cross-platform GUI library?New tutorial on installing, setting up, and running the SuperCollider IDE?Technical documentation of implementation and information on writing your own unit generators?Diverse artist statements from international musicians?Accompanying code examples and extension libraries
£130.50
Yale University Press Notes from the Pianists Bench
Book SynopsisA master class on piano performance and pedagogy from the world-renowned concert pianistTrade Review“As always, Mr. Berman combines sage advice with an approach to teaching which is the opposite of Procrustean. He is interested in helping the student to improve his particular personality rather than apply one particular method to all students. This is the most difficult and yet the essential dimension of inspired teaching, and Mr. Berman has always been a distinguished exponent.”—Emanuel Ax
£21.85
WW Norton & Co Workbook for The Study of Orchestration Fourth
Book SynopsisThe Study of Orchestration Workbook features a wide variety of exercisesmany new to this editionfor any orchestration class and students of all skill levels. Test Yourself activities test factual information presented in the text, Worksheets offer opportunities to practice orchestrating short passages, and Listen and Score activities challenge students to identify and notate instrumentation aurally.
£38.00
Faber Music Ltd Scales And Arpeggios For Violin
Book Synopsis
£15.19
Faber Music Ltd 80 Graded Studies for Saxophone Book One
Book Synopsis
£8.50
Faber Music Ltd Rock Jazz and Pop Arranging
Book SynopsisThis practical guide is designed for aspiring amateur and professional musicians. The book covers every aspect of jazz, rock and pop arranging, from a basic lead sheet to scoring for full ensemble with voices. The book includes tips and hints, presented in an easy-to-use format.
£22.50
Faber Music Superstudies Viola Book 1
Book SynopsisTrade ReviewThe great benefit of these studies is that they are short, musically simple and have relatively undemanding left-hand parts. This allows players to develop various bowing skills, become familiar with different rhythmic patterns, move freely up and down the fingerboard and enjoy producing special violin effects. For example, a scale or an arpeggio, using a particular rhythm and two accented notes repeated three or four times can be the basis of a study as in 'Blast off'. Only two pieces in this book 'Toffee nut fudge cake' and ‘Banana bounce’ use finger pattern 2 as well as l. The titles give both an idea of the character of the study, and suggest the movement required (for example, 'Wave machine' for string crossing); there are also helpful directions above each piece on how to play it (in this case 'Let your right arm bob along with the waves’). Music Teacher Magazine, February 1994 This is a very useful collection of studies, working through many technical and rhythmical problems. All the studies are well laid out and carefully printed and each one indicates the technical points covered, useful for jogging the memory of the child. All have original, snappy titles which help to indicate the style of the piece, and the temp is given with a metronome mark and an Italian or English term. Harmonics, semi-quaver moment, pizzicato, slurred and legato bowings, string crossings, various other bowings, syncopated rhythms, etc., are all covered in the first volume…..A very pleasant, appealing, fun set of studies which children would enjoy. European String Teachers Association, Spring 1994Table of ContentsBlast Off!; Operation Space Station; Rockets to the Rescue; Space Walk; Robots Rocking at the Microchip Ball; Rocking Rowboats; Floating in the Swimming Pool; Wave Machine; Gliding Along at the Octopus Ball; Hear that Whistle!; Hurry if you want to see the Engine!; Strawberry Milk Shake; Toffee Nut Fudge Cake; Rum-Bah Ba!; Vanilla Ice Cream; Cuckoo? Where’s that Cuckoo?; Let’s all go to the Grizzly Bear’s Grump; Tawny Owl Blues; Banana Bounce
£7.50
Faber Music Ltd Clarinet Basics Teachers book
Book SynopsisThis Teacher's book contains piano and clarinet accompaniments for the pieces in Clarinet Basics (Pupil's book) along with a general introduction and guidance for teachersTrade ReviewI have used this book for many years and always found it excellent. It combines warm ups, technical exercises and musical literacy in an accessible way, and I have yet to find it bettered by any other tutor book. Andrew Mason, Music Teacher Magazine, February 2014
£10.44
Faber Music Ltd Superstart Cello
Book SynopsisIntroduces cello technique from the start, taking the player up to grade one level. This title takes an imaginative child-orientated approach throughout, encouraging interaction and the exploration of new sound worlds through a variety of music.Trade ReviewMary Cohen's Superstart Violin concept adapted for the cello under consultant editor William Bruce's watchful eye. Aimed at the complete beginner, it successfully combines a lively and entertainingly informal approach with sensible advice presented in a carefully ordered sequence. Development of pitch, rhythm and general musical knowledge is fully integrated into a process in which mind, ear and body are stimulated and developed at an equal pace. There is a separate book well-crafted and often amusing piano accompaniments, part-written by Robert Spearing... Music Teacher 2007 This book for beginner cellists contains a lot of information on different levels. It incorporates adaptations of well known pieces alongside original compositions which can be enjoyed right from the very first lesson. Alongside the pieces are useful technical tips which avoid being over instructive and some theoretical facts. Also included are the brainteasers which will make students think about the written music and playing techniques. There are also some challenges along the way which test general musicianship and aural skills, such as working out the missing notes in well known pieces, memorisation and simple transposition. Rhythmic patterns and values are introduced using words, which may not suit teachers with more traditional teaching styles. Basic first position is introduced in a logical manner and there is a brief introduction to harmonics and fourth position which is to be applauded. The aspect I personally find most attractive is the witty and humourous lyrics which accompany some of the pieces. One of them, The Good Sound Guide, which instructs students on how to produce a good sound, is a mini-masterpiece. The nature of the brainteasers really set the age range for this publication. I would say it works best for 7-10 year olds. The layout is easy to read and there is plenty on each page to interest and engage the student. I can imagine that this publication will work particularly well in group teaching situations, but it is clearly suited to individual tuition as well. Superstart is an engaging and imaginative publication which deserves to do well. ESTA News and Views 32 No.1 I recommend this excellent new cello tutor from Faber! Mary Cohen has teamed up with British cellist William Bruce, who is a passionate and experienced music educator to produce a book full of fun and varied activities in well-sequenced lessons that will stimulate the young player. This book would provide a great start for young players before commencing on AMEB grade material. Aimed at the young beginner, it is child-orientated, with engaging illustrations and encourages exploration of a variety of techniques and musical styles. Suitable for individual lessons and group lessons, most of the pieces are compatible with Superstart Violin and/or Superstart Viola. Forty of the pieces have piano accompaniment; some have duet cello part; other are unaccompanied. The book has plenty of activities on every page. Throughout, there are four categories of information: Technical Tips dealing wit the practical aspects of playing; Fact Files building up the students theoretical knowledge, while Brain Teasers test the pupil’s understanding. The Challenges stretch the student’s musicianship in practical ways, such as playing ostinato patterns, playing the tune on a different string, filling in missing notes. The creative and experienced teacher will use these as a springboard to further enhance the learning experience, while they are useful teaching tips for the less skilled teacher. Stri
£9.49
Faber Music Ltd Superstart Violin
Book SynopsisSuitable for beginner violinists, this title features music and fun activities to inspire and stimulate pupils and teachers. It introduces violin techniques, taking players up to grade one level.Trade ReviewAimed at those from beginner to Grade 1 level, this is one of the most wide-ranging, clever, imaginative and child-friendly books I’ve encountered. I like the physical approach, 'floating with your gravity-defying violin’, introducing sliding up and down the fingerboard in harmonics very early and taking your bow into space orbit. From the earliest stages, plucking simple rhythms on open strings, the child is involved, via the CD or piano accompaniment, in playing real pieces of music by composers such as Albeniz, Bizet and Grieg, cunningly arranged by the author. As with other beginners books, new techniques are brought in section by section, but there is much more besides like brain-teasers that connect rhythms with words of one or more syllables, fact files, technical tips and challenges all arranged in a visually exciting way. Music Teacher Magazine, May 2007
£9.49
Faber Music Ltd On Piano Teaching and Performing
Book SynopsisOffers insights into the fundamentals of piano playing technique. This title offers advice for musicians. It includes a chapter about the world of competitions (local, national and international).
£10.44
Faber Music Ltd The Ultimate Guitar Tutor
Book SynopsisOffers a comprehensive introduction to playing the guitar. Suitable for acoustic or electric guitar, this title features an introduction to TAB and standard notation; guitar techniques including tuning, power chords, barre chords, hammer-ons, string bending, sliding and left-hand damping; and classic songs from legendary artists.Trade ReviewSuitable for both acoustic and electric guitar, this step-by-step approach needs no prior knowledge of music. Indeed, the book covers all the areas expected from a good tutor, clearly illustrated, and with plenty of extra help and "top tips"! …… School Music Association, Spring 2008 Judged on its avowed intention of getting you started - nothing more, nothing less - we'd say this is as good a guide as any to begin tackling the fundamentals of guitar, and to have some fun into the bargain. As with any good beginner's guide, author Tom Fleming wants to get you into good habits from the off (hence the info on posture, correct hand position, the importance of tuning, guitar notation and so on). Guitarist, January 2008 Starting off on the road to playing guitar well is daunting, not least regarding what tutorial sources are worth your time and pennies. Try this then - Tom Fleming's The Ultimate Guitar Tutor. It's a bold title, but it does do a good job at priming you from posture to strumming rhythm exercises, and chord shapes to string bends. Throughout there are short examples to hone your skills and a generous amount of songs to learn by Elvis Presley, Nirvana and REM. As a tenner would rarely get you an hour's tuition with a guitar teacher these days, we reckon even if you have a few beginner books already this one should be added to the pile! Guitar Techniques, November 2007 Table of ContentsAll Shook Up (Elvis Presley); Stand By Me (Ben E. King); Brown Eyed Girl (Van Morrison); You Really Got Me (The Kinks); Smells Like Teen Spirit (Nirvana); Wade in the Water (Eva Cassidy); Days (Ray Davis); Wake Me Up When September Ends (Green Day); Lyin' Eyes (Eagles); Evetbody Hurts (R.E.M.); Teenage Dirtbag (Wheatus); Faith (George Michael)
£10.44
Faber Music Ltd 101 Exercises For Piano
Book SynopsisIncludes 101 exercises that cover a wide range of piano techniques, focusing on strengthening fingers, developing stylistic awareness and improving technical control. This title also includes practice notes. It is suitable for different pianists, whether beginners or returning to piano study.Trade ReviewAll these Op 261 studies are short (from one page down to four bars), forming a handy bite-sized task in a welcome variety of keys for pianists with limited practice time. Purpose-of-exercise descriptions (like 'For rotation and to equalise hand') are helpfully preserved... Music Teacher Magazine, October 2010 …pupils can once again explore the plethora of technical conundrums with these enjoyable, melodious and, always short studies. No example is longer than 32 bars and the majority are a mere eight bars in length. They are a pleasurable way of developing even fingers in chord laying, double thirds, Alberti bass, arpeggios, scales, acciaccaturas, trills, repeated notes, shared melodies between hands and may more technical tricks. They are an absolute ‘must’ for enthusiastic Intermediate students who will be able to work at many of these studies, and for advanced students to use as daily exercises. Piano Professional, Autumn 2008
£999.99
Faber Music Ltd Keyclub Pupils Book 1
Book SynopsisA fun packed tutor for beginner pianists. Introducing young players to the rudiments of piano playing, it is packed full of great pieces as well as animated charaters such as the Mud Monsters and the Wizards of the White Wishing Well. It is also jam packed with activities and sticker fun for children.
£8.50
Faber Music Ltd Jazz Technique Takes Off Violin
Book SynopsisPresents intermediate level jazz studies for solo violin and violin duet. This book concentrates on a specific jazz style, and has practice and performance tips to guide the student and outline technical and musical goals.Trade ReviewJazz Technique Takes Off follows a successful technique series by leading string teacher Mary Cohen. It comprises 15 studies, ten of which are orginal Cohen, the remaining five by Porter, Gershwin and Joplin (The Entertainer). Styles include rumba, rag, blues, jazz, waltz and tango; three of the more famous pices are in duet form, with the tune shared between the players. Most have meticulous dynamics, though occasonally the student is encouraged to experiment, and Cohen has written excellent practical, historical or musical tips for each piece. Music Teacher, September 2010 Witty, rhythmical and fun, Jazz Technique Takes Off! takes the intermediate string player on a journey of love, adds a fusion of invigorating jazzy dances and sweeps you up in a rhythmical fantasy. The variety of jazzy techniques included rumba rhythms, mixed time signatures, slides, syncopation, harmonics and chromaticism that all melt into a melodic hotpot to keep young violinists engaged. Vivid descriptions and suggested performance and practice ideas accompany each piece in both German and English. Three enticing duets arranged by Cohen (I’ve got Rhythm, The Entertainer, and Summertime) allows students to double their fun by playing with a friend. The focus on a specific jazz style in each piece gives students the opportunity to gain skills and valuable insights into the world of jazz music. This will have you dancing as you play! Stringendo, April 2010 This is another excellent publication by Mary Cohen in the same high quality format as ‘Technique takes off!’. The 15 intermediate jazz studies each concentrate on a specific jazz style, with brief background information and helpful practice and performance tips. Mary uses several jazz classic (I got Rhythm, Who wants to be a Millionaire, Summertime) as well as own compositions to explore varying jazz rhythms and styles......this is a good way of familiarising oneself with the style and jazz rhythms whilst improving technique. European String Teachers Association, Autumn 2009Table of ContentsLet’s Do It (Let’s Fall In Love); Carnival Parade Rumba; I Got Rhythm (Duet); Tattered Blue Jeans Rag; Who Wants To Be A Millionaire?; Tuesday, Bluesday; That Dance… That Dance…; A Cappuccino At The Ice Rink; The Entertainer (Duet); Tango At Midnight; On The Run!; Summertime (Duet); Charleston, Let’s Charleston!; Tip Top Tap Dancer; Doin’ My Head In!
£8.50
Faber Music Ltd The Foundations of Technique
Book SynopsisThe Foundations of Technique is about putting into practice everything that you wish to do at the instrument. This new and innovative approach to technique is for everyone interested in improving their piano playing and teaching.
£12.34
Faber Music Ltd Improve your sightreading Piano Grade 8
Book SynopsisHelps the player overcome problems, by building up a picture of each piece, through rhythmic and melodic exercises related to specific technical issues, then by studying prepared pieces with associated questions, and finally 'going solo' with a series of sight-reading pieces.Trade ReviewThis series of very practical and productive workbooks, one per grade, was published several years ago and has been updated, according to the cover blurb, 'to support the revised ABRSM sight-reading criteria' in the 2009 syllabus. With hundreds of fascinating, short character pieces it is an inexhaustible resource for lessons - and delightful music in its own right. Helpful tips and tricks will improve pupils' chances of gaining more marks in this bit of the exam, and this is an honest, well-designed, reasonably priced package. I would recommend its use outside the exam preparation period rather than at the last minute, because the skills picked up will help in every aspect of piano playing, aural perception and general musical awareness. Piano Magazine, January 2009
£8.99
Faber Music Ltd Jazzin About Piano
Book SynopsisTable of ContentsTake it from here;Summer Song;Why?;The Stranger;Pink Lady;Never let go;Just passing by;Jack in a Juke Box;Laid-back Blues;Back to the Wall;Wheels of Time
£9.49
Faber Music Ltd Really Easy Jazzin About Piano
Book SynopsisTable of ContentsTrack 1; Ping-Pong; In The Eyes Of A Tiger; Dual Control; Hot Chilli; Hip-Hop; Garage Sale; Wise Guy; Night Patrol; Popcorn; Your First Hit Single; Big Chief Little Foot; Moonlight Shadows; The Jumping Bean; Jammy Dodger; Washing-Up Blues; The Swinging Sisters; A Sad Little Tale; Spell It Out For Me Baby!
£9.49
Faber Music Ltd Improve your aural Grade 1
Book SynopsisImprove your Aural! Is designed to take the fear out of aural. Through fun listening activities, boxes to fill in and practice exercises, this workbook with CD focuses on all the elements of the aural test. This new edition of this popular series supports new ABRSM syllabus requirements from 2010, ensuring success in the aural test of graded exams.Trade ReviewFor anyone taking exams (of which aural tests are an integral part) these books are an invaluable resource as the downloadable online audio enables the student to ‘self-administer’ the exercises and listening activities…an added advantage is that students can practise the test in the order in which they come in the examination and become familiar with the routines involved…The layout of the books is admirable (answers are at the back) and the spoken instructions are clear and friendly….. European String Teachers Association Magazine.
£8.21
Faber Music Ltd Ukulele Basics
Book SynopsisUkulele Basics is a landmark ukulele method for young beginners. Carefully designed for use in both individual and group-learning contexts, Ukulele Basics supports players and teachers through the early stages of learning, providing the ideal foundation for budding musicians. Suitable for absolute beginners aged 6+.Trade Review'At last! A children's ukulele method that's fun, musically interesting, motivating and practical. Simple without being simplistic, it's an invaluable resource for specialist and non-specialist teachers ... You could use it every day without getting bored!' Katherine Zeserson, Director of Learning and Participation - The Sage Gateshead A landmark method for those wanting to begin to play the ukulele. It starts at absolute beginner level and progresses to Initial/Preparatory Grade. The method is set out in concise and easy-to-understand stages and contains original pieces and traditional tunes in an array of styles including classical, folk and world music, as well as some well-known favourite film and TV. MiPro Magazine, June 2012Table of ContentsThe Strings Song; Strum Song; See my C!; Row, Row, Row Your Boat; A Sailor Went to Sea; Drunken Sailor (2 versions); Sail Us Away; Hot Cross Buns; Frère Jacques (2 versions); London Bridge is Falling Down; I Can Play My Ukulele; Time To Strum!; He’s Got The Whole World in His Hands; Swing Low;When the Saints Go Marching In; I’m Gonna Sing; Blue Moon; Banana Boat Song; How Much Is That Doggie In The Window; Daisy Bell; Clementine; I’m Gonna Be (500 Miles); Creepy Fingers!; Scale the Ladder; The Ukulele Alphabet
£9.49
