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Book SynopsisExplores the effect of race, gender, and nationality in the long struggle for economic justice by men and women of the Pullman Company.Trade Review"This densely argued and richly documented study demands much of the reader, but it also yields substantial rewards that prod us to rethink what once seemed a familiar story."--American Historical Review"Hirsch's close analysis of payroll and employee service records. . .provides concrete evidence often missing from larger-scale studies of how management carefully manipulated the social division of labor in its quest to control the workplace."--Enterprise & Society"Hirsch covers broad topics so thoroughly, weaves them together with such skill, and supports her conclusions with such exhaustive research in primary and secondary sources, that the book stands as a remarkable achievement."--Maryland Historical Magazine"A solid case study that deserves readership."--Business History Review"Examining the developments within the Pullman Company before and especially after the events of 1894, this book constitutes an important case study in changing industrial relations in the United States."--David Montgomery, author of The Fall of the House of LaborTable of ContentsAcknowledgments ix Introduction 1 1. Working for a Monopoly in Formation 7 2. Two Roads to the Open Shop 42 3. The State and Pullman Workers 70 4. Restoring the Open Shop 100 5. A New Deal for Pullman Workers! 128 6. The War at Home 156 7. The Last Pullman Workers 186 Conclusion 207 Appendix: The Pullman Repair Shop Databases 213 Notes 221 Index 287 Illustrations follow page 112

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Book SynopsisPero Gaglo Dagbovie examines the lives, works, and contributions of two of the most important figures of the early black history movement, Carter G. Woodson and Lorenzo Johnston Greene. Drawing on the two men''s personal papers as well as the materials of the Association for the Study of Negro Life and History (ASNLH), Dagbovie probes the struggles, sacrifices, and achievements of the black history pioneers and offers the first major examination of Greene''s life. Equally important, it also addresses a variety of overlooked issues pertaining to Woodson, including the historian''s image in popular and scholarly writings and memory, the democratic approach of the ASNLH, and the pivotal role women played in the association.Trade Review"Dagbovie . . . draws on the personal papers of these two seminal historians, along with materials from the Association for the Study of Negro Life and History (ASNLH), to chronicle the growth of the modern black history movement. . . . Recommended for all black history and historiography collections."--Multicultural Review "As scholar-activists, Carter G. Woodson and Lorenzo J. Greene used their professional historical training not only to establish and further the subdiscipline of African American history, but also to help African Americans understand the importance and significance of their role in U.S. development. . . . Dagbovie has done well to highlight their careers and contributions. . . . Recommended."--Choice "Dagbovie contributes benchmark research to US historiography. . . . [He] provides an unprecedented analytical account of two central black history innovators."--Journal of American History “In addition to a careful assessment of the personalities and motivations of Woodson and Greene, Dagbovie’s work provides a solid foundation and model for future work on black historians.”--The Journal of Southern History"Dagbovie's dual biography of two giants of the black history movement is an important work. . . . The Early Black History Movement gives deeper insight on iconic figures of the early black history movement while simultaneously serving as a rebuke to disinterested black scholars in the present."--Afro-Americans in New York Life and History"A welcome reminder of a period when scholars strove to advance knowledge and social justice. . . . Pero Dagbovie has recovered a vital chapter in that intellectual struggle, offering insight into the African American past and a reminder of roads not taken today."--A.M.E. Church Review"A vital study of black American intellectual life and black professional historians."--American Studies"Well-written and original, this dual biography of Carter G. Woodson and one of his leading disciples in the Black History Movement, Lorenzo Greene, allows historian Pero Dagbovie to explore new paths and places touched by Woodson's expansive vision of the importance of history to the overall social, economic, political, and psychological well-being and advancement of people of African descent. This is a major contribution to an overlooked and under-theorized area of African American intellectual history."--V. P. Franklin, editor of The Journal of African American History "This book brilliantly illuminates the early black history movement through the lives and scholarship of two of its pioneers. Dagbovie expertly helps us to understand and to appreciate the nature of that 'movement' for truth and social justice."--Robert L. Harris Jr., coeditor of The Columbia Guide to African American History since 1939

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Book SynopsisTrade Review"[A] moving and frequently comical memoir."--The Tennessean"Co-author Ellen Wright has skillfully assembled and corroborated Stoneman's narratives. . . . Stoneman's story is crammed with her personality, full of funny anecdotes about her family and other performers with whom she worked, all wrapped in her hillborn cussedness."--No Depression"It is a gripping and well-told tale, and Stoneman's can-do spirit, which helped her rise above daunting personal and professional challenges, should inspire all readers."--Library Journal"[An] engrossing narrative [that retains] all of Roni's personality, humor, and compassion. Roni conveys emotion powerfully, and there were some parts of the book that were so painfully sad I had to stop reading. But I couldn't stay away long, wanting to get back to the parts where she made me laugh out loud."--Bluegrass Unlimited"[For country music fans] it's another eye-opener. Praise goes to [Stoneman and Wright] for their excellent input on this latest volume in the University of Illinois Press series Music in American Life."--Nashville Musician“Pressing On is an Appalachian Angela’s Ashes told from a female perspective. It tells the story of Roni Stoneman’s private and public life with remarkable and appealing candor. It is a book full of unfolding revelations, told with a sense of humor, and without an ounce of self-pity. Her story is entertaining at times, heartbreaking at others, but always compelling.”--Sandy L. Ballard, editor of Appalachian Journal“This is a unique book: the authentic story, in her own voice, of a woman who was once one of America’s most widely known entertainers. There will never be another Roni Stoneman, and there will never be another book like this one.”--Elinor Langer, author of Josephine Herbst"We already knew Roni as a first-rate banjo player and comic. This book reveals her as a sharp, observant, thinking woman, and a captivating storyteller."--Murphy Henry, banjo player and columnist for Banjo Newsletter and Bluegrass Unlimited "Told in a no-holds-barred, earthy style, Pressing On is a remarkable read."--Country Music People "Ellen Wright lets Stoneman's raw voice and warm personality come through in every paragraph of the kaleidoscope, and the result is a memorable journey through back stages and bars, recording studios, bedrooms and TV soundstages, from the Appalachian mountains to Alaska and back, from joy to grief and back."--Blue Ridge Country

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Book Synopsis Examining the impact of American Cold War politics on disparate local arenas,Labor''s Cold Warreveals that anticommunist challenges reshaped local political cultures and set the stage for new rounds of political debate. The contributors demonstrate that the anticommunist movement was more diverse, more pervasive, and more sharply and creatively contested than historians have realized. Yet workers and their allies defended ongoing progressive politics at the local level. Examples include fights for fair employment and public housing; the expansion of New Deal-style regional development; the abolition of racial and ethnic discrimination policies; and workplace policies from the right to organize to a voice in wage and price controls. Local political stories from New Mexico, California, occupied Japan, Milwaukee, Detroit, St. Louis, and Schenectedy provide important alternative perspectives on the transformative power of anticommunism in the postwar period and contribTrade Review "Labor's Cold War provides a valuable and timely historical reinterpretation that goes to the roots of the Cold War as it affected the American labour movement and its allies."--Labour/Le Travail "The emphasis on the interconnections between local and national themes makes this book a genuinely unique and compelling addition to labor literature. As such, it removes issues related to labor and the left from the internecine workplace and union struggles and moves them to the more interesting arena of local social and economic policies."--Stephen Meyer, author of Stalin over Wisconsin: The Making and Unmaking of Militant Unionism, 1900-1950Table of ContentsContributors include Kenneth Burt, Robert W. Cherny, Rosemary Feurer, Eric Fure-Slocum, Christopher Gerteis, Lisa Kannenberg, David Lewis-Colman, James J. Lorence, Shelton Stromquist, and Seth Wigderson

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Book SynopsisKaren Pastorello''s pathbreaking biography of Bessie Abramowitz Hillman places this remarkable labor leader and Progressive Era activist at the center of the founding of the Amalgamated Clothing Workers of America. Bridging the gap between Progressive social feminism and the labor feminists of the post-World War II period, Hillman worked to end race and class injustice and improve the quality of life for working women, even as she was overshadowed by her husband, union leader Sidney Hillman. Interweaving Hillman''s experiences as an Eastern European Jewish immigrant with a rich historical account of the founding and development of a key garment union, Pastorello reveals the prominent role of women labor activists in both the workplace and union leadership.Trade Review"The book is written with such craft that it reads almost like entertaining historical fiction. . . . A great resource for labor history and women's studies collections. Highly recommended."--Choice “Valuable in its focus on a figure underappreciated even in other literature on the ACWA. . . . A real contribution to the scholarship on the struggle of labor women to merge class and gender identities in finding meaningful work and building productive lives.”--American Jewish History"A lively account of the life of Bessie Hillman, a woman who has previously not received enough attention given the important role she played in improving rights for women, immigrants, African Americans, and the working class in the United States."--Labour/Le Travail"A carefully researched and engaging biography that makes vivid the many changes affecting union women in the twentieth century."--Enterprise and Society"Pastorello's vigorous chronicle of the tumultuous, eventful life of Bessie Abramowitz Hillman recognizes Hillman as a major contributor to American social reform and restores her to her rightful place in the historical narrative. Readers will be captivated by Pastorello's skillful rendering of the exhilarating world of Chicago Hull-House social reformers; the Amalgamated Clothing Workers of America campaigns to organize Philadelphia sweatshops, teenagers in rural Pennsylvania shirt factories, and African American laundry workers in New York; the restiveness of working-class women in the post-World War II decades; and the emergence of labor feminism on the national stage."--Dorothy Sue Cobble, author of The Other Women's Movement: Workplace Justice and Social Rights in Modern America"This compelling life story of an immigrant woman factory worker adds to our understanding of the founding and development of an important union, the Amalgamated Clothing Workers of America, and illuminates the emerging concept of labor feminism."--Brigid O'Farrell, coeditor of Rocking the Boat: Union Women's Voices, 1915-1975

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Book SynopsisA detailed account of labor corruption in the 1930s and the zealous journalist who railed against itTrade ReviewWinner of Labor History's Prize for the best book on labor history, 2010. "An engaging and illuminating work on a crucial episode in the development of the image of organized labor in the U.S."--EH.Net"Through creative use of FBI and court records, Witwer carefully peels open the intricate layers of several high profile labor scandals that Westbrook Pegler exposed in the World War II era, exploring how organized crime came to control two important unions. Well conceived and judiciously argued."--Elizabeth Fones-Wolf, author of Waves of Opposition: Labor and the Struggle for Democratic Radio"David Witwer is a remarkably energetic and insightful historian, and his study of Westbrook Pegler and the role he played in the construction of a New Deal era discourse of corruption and racketeering within the house of labor is an extremely provocative and path-breaking book."--Nelson Lichtenstein, author of State of the Union: A Century of American LaborTable of ContentsAcknowledgments vi Introduction: "Peglerized" 1 1. The Columnist: A Crusading Jouranlist 15 2. The Outfit: Organized Crime and Labor Racketeering 37 3. Browne, Bioff, and Scalise: The Dynamics of Union Corruption 59 4. The Hollywood Case: Racketeering in the 1930s from a Business Perspective 83 5. Union Members and Corruption: Exploitation and Disillusionment 103 6. Union Members and Corruption: The Potential for Reform 119 7. The Newsmen: "Molders of Public Opinion" 147 8. The Scandal's Political Impact: Pegler and Antiunionism 175 9. "Labor Must Clean House": The Challenge of Responding to Pegler 205 Conclusion: Opportunities Lost and Opportunities Taken 233 Notes 255 Index 319

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Book SynopsisA broad, historical appraisal of the evolution of work safety and health regulation in the U.S.Trade Review"A first-rate political and legal history. . . . Recommended."--Choice"A wonderfully interesting book. Making Capitalism Safe is full of new information on the woefully overlooked and understudied state-level industrial safety apparatus of the twentieth-century United States. This study will be required reading for scholars in fields ranging from business and political history to law, political science, and more."--John Fabian Witt, author of The Accidental Republic: Crippled Workingmen, Destitute Widows, and the Remaking of American LawTable of ContentsAcknowledgments vii Introduction 1 1. From Common Law to Factory Laws 11 2. The Administrative Transformation of Work Safety and Health Law 31 3. Selling the Safety Spirit 52 4. The First Safety Codes 68 5. The Club of the Law 85 6. Politics and Work Safety Education in the Interwar Economy 103 7. The Technocrats Take Command 119 8. The Limits of Law Enforcement 136 9. The Troubled Campaign against Occupational Disease 152 Epilogue: The Road to OSHA 172 Appendix 183 Notes 187 Bibliography 243 Index 265Illustrations follow page 84

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Book SynopsisExposing the corporate structures behind exploitative migrant labour programsTrade ReviewBest Book Award for 2011-2012, United Association for Labor Education (UALE), 2013. "Immanuel Ness's Guest Workers and Resistance to U.S. Corporate Despotism offers an important intervention in the immigration debate by offering a much-needed, critical examination of the existing US guest worker programs. . . . A timely and important read for migration scholars and students alike."--Social Forces"Relevant to anyone with an interest in the labour movement today."--Socialism and Democracy"The topics of guest worker programs, internal and international labor migration, and worker organizing are fundamental to understanding today's economy and labor market. Immanuel Ness's argument that business is actively involved in creating the notion of labor shortages while pushing programs to meet their interests is a crucial addition to the immigration policy debate."--Stephanie Luce, author of Fighting for a Living Wage"Incisive, scholarly yet accessible, but always uncompromising, this invaluable new contribution to migration studies exposes ways in which conservative and Republican officials, trade unions, corporations, and federal government policies collude and conspire against labor and, indeed, human rights."--Saër Maty Bâ, author of Film and Migration: Africa in Global ContextsTable of ContentsPreface and Acknowledgements 1. Introduction: Guest Workers of the World; 2. Migration and Class Struggle; 3. Political Economy of Migrant Labor in US History: Fabricating a Migration Policy for Business; 4. India's Global and Internal Labor Migration and Resistance: A Case Study of Hyderabad; 5. Temporary Labor Migration and U.S. and Foreign-born Worker Resistance; 6. The Migration of Low-Wage Jamaican Guest Workers; 7. Who Can Organize? Trade Unions, Worker Insurgency, Labor Power Bibliography; Index

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Book SynopsisTrade ReviewEmily Toth Award for Best Single Work by One or More Authors in Women's Studies, Popular Culture Association/American Culture Association (PCA/ACA), 2016 Finalist, 28th Annual Lambda Literary Awards, LGBT Studies, 2016 Alan Bray Memorial Book Award, GL/Q Caucus of the Modern Language Association, 2016 "Funk the Erotic opens a new avenue in black thought and feeling, one dis/oriented by the sensorium rather than the cerebrum."--Feminist Wire"Funk the Erotic is a groundbreaking work in its scope, its methodological breadth, and the creativity and originality of the ideas in introduces into several discourses. In theorizing funk as a specifically erotic, bodily, and embodiable hermeneutic for understanding sexuality across mediums and genres, Stallings proposes exciting shifts in black feminist, performance studies, sexuality studies, and literary studies methodologies."--American Quarterly "Stallings reframes Black (female) sexualities for us in a fashion that moves us closer to recognizing and thinking it as a form of freedom in its practice."--Rinaldo Walcott, author of Black Like Who?: Writing Black Canada"Where Toni Morrison theorized 'eruptions of funk' in African American literature, this book funks the erotic taking up trans politics, nineteenth-century freaks, funky beats, and other queerly sexed subjects that make up 'profane sites of memory.'"--Jennifer Brody, author of Punctuation: Art, Politics, and Play"Funk the Erotic is a passionately delivered and urgently necessary analysis of black sexuality, literature, and popular culture. By reading the 'funky erotixxx' of black sexual cultures against the dominant trends in black studies, L. H. Stallings offers us an alternative archive of African American literature, one composed of forgotten novels, sex manuals, YouTube videos, adult magazines, and so much more. Funk the Erotic is a bold, brilliant, unapologetically superfreaky text."--Erica R. Edwards, author of Charisma and the Fictions of Black Leadership

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Book Synopsis Against Labor highlights the tenacious efforts by employers to organize themselves as a class to contest labor. Ranging across a spectrum of understudied issues, essayists explore employer anti-labor strategies and offer incisive portraits of people and organizations that aggressively opposed unions. Other contributors examine the anti-labor movement against a backdrop of larger forces, such as the intersection of race and ethnicity with anti-labor activity, and anti-unionism in the context of neoliberalism. Timely and revealing, Against Labor deepens our understanding of management history and employer activism and their metamorphic effects on workplace and society. Contributors: Michael Dennis, Elizabeth Esch, Rosemary Feurer, Dolores E. Janiewski, Thomas A. Klug, Chad Pearson, Peter Rachleff, David Roediger, Howard Stanger, and Robert Woodrum.Trade Review"Boldly challenges the scholarship that considers employers as a malleable force that often compromises when social movements forge political environments that are inimical to their interests. Contributes enormously to our understanding of business tactics and strategy."--Immanuel Ness, author of Guest Workers and Resistance to U.S. Corporate Despotism"At a time when public sector unions are under renewed attack and private-sector union membership hovers near levels not seen since the early twentieth century, Against Labor offers a potent, powerful reminder that, as Feurer and Pearson put it, 'People, not faceless markets, shaped this story.'" --The Journal of Southern History"An excellent volume. The standard of scholarship and writing is very high, and the editors have worked hard to produce a cohesive collection of essays that shed much light on a still-understudied phenomenon in US and labor history more broadly."--Australasian Journal of American Studies"These essays make one thing quite clear: the existential threat that US unions currently face has been building for decades"--Social History"Recommended."--Choice"The respective chapters make for interesting reading. They raise fundamental issues concerning the long arc of industrial relations or labour history in America; of the long, unrelenting class-based campaign of employers and the various strategies and methods they have used to keep unions at bay and counter their attempts to improve the wages and working conditions of American workers."--Labour History"The decline of organized labor in recent decades is often attributed to globalization, financialization, and right-wing politics. But the compelling essays in this important volume show that the limits to workers’ collective power stem more basically from the concerted anti-union efforts of their employers dating back to the nineteenth century. Chronicling how capitalists have effectively forged a class-conscious social movement 'against labor,' these critical case studies make a vital contribution to the history of capitalism while illuminating the challenges facing workers today."--Jeffrey Sklansky, author of The Soul's Economy: Market Society and Selfhood in American Thought, 1820–1920

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Book SynopsisTrade Review"Sharp and filled with knowledge. . . . The book shines a light on the Florida studio's legacy within the wider Disney history and its impact during the Disney Renaissance can't be undersold." --Boardwalk Times"Lescher’s admiring narrative, which incorporates her firsthand experience and interviews with fellow artists, illuminates the talent of Disney animators. Readers who cherish all things House of Mouse will find much to appreciate." --Publishers Weekly"An academic monograph that is also accessible to Disney animation and parks fans. . . . Animation fans will lock onto the history of the films that the studio contributed to making. Parks fans cannot help but be fascinated by the evolution of the attraction and the perceptions of the animators behind the glass. And most of all, the work shows how serious academic studies on animation endeavors can provide us with valuable lessons about business, technology, innovation, and culture. " --Between Disney"Utilizing personal interviews and vast repositories of documents in Disney archives, Lescher’s analysis and research is thorough. . . . An intriguing piece of Disney lore." --Library Journal"Adds significantly to the canon of Disney commentary. Mary Lescher was part of an interesting experiment--the creation of a working animation studio that doubled as a theme park attraction--and she was there at a crucial point in the history of animation, when the industry was on the brink of a technological revolution thanks to the development of 3-D digital tools. She chronicles that experiment, as well as the various changes swirling around animation, in an effective and even fond manner, letting us see behind the scenes."--J. P. Telotte, author of The Mouse Machine: Disney and TechnologyTable of ContentsAcknowledgments Introduction A Theme Park Attraction (1989-1990) Traditional or Digital: It’s All Hand-Drawn (1989-1990) B Unit to the Blockbusters (1991-1997) The Little Studio That Could (1998-1999) Shutting Down the Studio (2000-2004) Conclusion NotesAnimation GlossaryFilmographyBibliographyIndex

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Book SynopsisTrade ReviewPraise for past volumes of the Diary “This indispensable volume offers a panorama of Beauvoir's intellectual preoccupations. The translators and editors are to be applauded for producing such a valuable contribution to Beauvoir studies.”--French Studies “This diary increases our admiration for Beauvoir's heroic determination to make something of herself. A precious document.”--Bookforum “This is a truly remarkable book, and a significant contribution to Beauvoir scholarship. Barbara Klaw’s excellent translation provides unique access to the formative years of one of the twentieth century's great philosophers, authors, and public intellectuals.”--Tove Pettersen, President of the International Simone de Beauvoir Society Table of ContentsForeword to the Beauvoir Series Sylvie Le Bon de Beauvoir Preface Margaret A. Simons Acknowledgments Reading Beauvoir’s 1926–30 Student Diary as Adventures in Literary Creation Barbara Klaw Beauvoir and #MeToo Margaret A. Simons Third Notebook: December 7, 1926–April 15, 1927 Simone de Beauvoir Fifth Notebook: October 31, 1927–August 30, 1928 Simone de Beauvoir Seventh Notebook: September 15, 1929–October 31, 1930 Simone de Beauvoir Bibliography Index

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a huge range and FREE tracked UK delivery on ALL orders.

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a huge range and FREE tracked UK delivery on ALL orders.

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a huge range and FREE tracked UK delivery on ALL orders.

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a huge range and FREE tracked UK delivery on ALL orders.

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Book SynopsisExplains why the working class was largely missing from the 1989-90 revolution which led to the fall of socialism in Germany. This book documents workers' day-to-day experience of the labor process, workplace union politics, and class. It shows how three factors led most workers to withdraw from politics.Trade Review"Clearly written, crisply argued, and accessible not only to sociologists but also to historians and political scientists." - Choice "Fuller tells her central story elegantly and persuasively... A valuable contribution to the emerging story of the fall of the Berlin Wall." -- Frederick D. Weil, Contemporary Sociology ADVANCE PRAISE "Where Was the Working Class? is a fascinating and highly readable account of the process of unification from the perspective of ordinary workers in the former East Germany. Fuller is unrelenting in her insistence on viewing this historic upheaval from below, arguing persuasively that most workers were spectators rather than active participants in the drama."-Ruth Milkman, author of Gender at Work: The Dynamics of Job Segregation by Sex during World War II "This is what we've been waiting for-a book that looks at the fall of communism from the standpoint of workers and their daily lives."-Michael Burawoy, coauthor of The Radiant Past: Ideology and Reality in Hungary's Road to Capitalism "A fresh and revealing look at one of the most significant events of our time, as seen from the perspective of the 'forgotten class'-those ordinary wage earners in East Germany whose experiences under the former 'worker's state' shaped their varying patterns of participation in the revolutionary movements of 1989...Ethnographically rich and theoretically compelling, Where Was the Working Class? offers important lessons, far and wide, for students of workplace politics and class formation."-Howard Kimeldorf, author of Reds or Rackets? The Making of Radical and Conservative Unions on the Waterfront

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Book SynopsisMore than a contest of wills representing professional and economic interests, the animal rights debate is also an enduring topic in normative ethical theory. This book addresses the key issues in this sometimes acrimonious debate. It defends the inherent value of all individuals who are "subjects of a life".Trade Review"Regan's expertise in animal rights and moral philosophy, combined with the advocacy roles he has assumed over the years, provide a clear presentation of a[n] . . . animal rights position."--Perspectives on Science and Christian Faith

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Book SynopsisAn anthropological analysis of Sarajevo and its cultural complexities that examines contemporary issues of social divisiveness, pluralism, and intergroup dynamics in the context of national identity and state formation.Trade Review"Markowitz dispels widely held myths that Sarajevo has become a purely Muslim city. . . . The author's many insights into Sarajevo and its kaleidoscope of inhabitants are welcome and valuable."Slavic Review"A warm and well-written portrait of Sarajevo during its first post-war decade."--Journal of the Royal Anthropological institute"Markowitz has succeeded in combining a solid work of scholarship with a personal take on her subject which she explores in a very thorough and balanced way. This is a rich contribution to the scholarship on the issue of identify in present-day Bosnia & Hercegovina and deserves a wide audience, appealing to both the academic and general reader."--Europe-Asia Studies"A stunningly fresh and invigorating analysis. Markowitz's inspired approach offers multiple possibilities for envisioning the city and for recasting Bosnian identity."--Michael Herzfeld, author of Evicted from Eternity: The Restructuring of Modern Rome"Recommended."--ChoiceTable of ContentsList of Illustrations; Acknowledgments; Pronunciation Guide Introductions 1.Meeting and Greeting the City; 2. Practices of Place: Living in and Enlivening Sarajevo Bosniacs, Croats, and Serbs: The Constituent Nations of Bosnia-Herzegovina 3. National Legibility: Lines of History, Surges of Ethnicity; 4. Census and Sensibility: Confirming the Constitution Ostali: The Other People(s) of Bosnia-Herzegovina 5. Where Have All the Yugoslavs, Slovenes, and Gypsies Gone?; 6. Sarajevo's Jews: One Community among the Others; 7. Insisting on Bosnia-Herzegovina: Bosnian Hybridity Conclusion 8. After Yugoslavia, after War, after All: Sarajevo's Cultural Legacies Glossary; Notes; References; Index

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Book SynopsisTrade ReviewBest Blues Book of 2016, Readers Poll in Living Blues magazine, 2017 ASCAP Foundation Deems Taylor/Virgil Thomson Award in the Pop category, ASCAP Foundation, 2017 "Harper’s book, packed with interviews with club owners, musicians and magazine editors, and illuminated throughout by his own thoughtful and sensitive reactions to the many gigs he attends all over the city, is as enlightening as it is racy, as much an unblinking (and often engagingly self-deprecating) eyewitness account, full of telling detail, as an intriguing social history, dealing with such burning issues as authenticity, racial politics, music-industry practices, the difficulties of making a living as a blues player in an increasingly rock-dominated world."-- London Jazz News"Part memoir, part history and part. . . bluesological lament for a time and place that we will never see again."--Goldmine"Harper's memoir is beautifully wrought, and populated with an array of vivid and memorable characters… Flecked with insight, wit and warmth, it proves to be an evocative portrait of a bygone era."--MOJO"Like a great concert that makes you want the owner to leave the bar open for one more round, one more encore. A tip of the pork pie hat to Alan Harper."--American Blues Scene"Waiting for Buddy Guy, Harper's journal of three visits to Chicago, provides a vivid illustration of the 1980s music scene in a city which has fostered the urban blues like no other."--Times Literary Supplement"Harper absorbed Chicago blues utterly and wholly, and in this gem of a book, he imparts his passion and knowledge in a witty, intelligent, revealing and honest manner. It's a real page-turner."--Record Collector"A terrific book. Being from Chicago, it brought back a lot of memories."--Nick Digilio, WGN radio"Harper shares his stories of searching for the blues in Chicago in his crisply told, energetic, and vibrant memoir."--No Depression "The author has captured many encounters with black bluesmen and club owners which give the reader a good sense of the ambiance of the time. This book is a good primer on the modern evolution of blues in America.--Blues News "A page-turning memoir."--Journal of the Illinois State Historical Society "The author has provided a painstakingly detailed glimpse into an almost forgotten era of the Chicago Blues scene. Reading this book filled in some personal lapses of memory, reminding me of the wonderful musical moments that I shared with some of the greatest musicians that I've ever known."--Billy Branch "An absorbing book, combining narrative flair with expertise lightly worn. Alan Harper deals with important subjects, such as the question of authenticity, in a highly readable style."--Dave Gelly, jazz critic, The Observer "It captures an era . . . when the blues scene was about midway through its descent. He profiles the players, the promoters, the clubs, the record labels, the disc jockeys, and much more that went into the early 1980s Chicago Blues scene."--Steve Cushing, author of Pioneers of the Blues Revival "There is a kind of Kerouacian feel to the storytelling. . . . The stories are vivid and well-drawn . . . and they inevitably generate a feeling of nostalgia in a reader, such as myself, who was on that scene at the time."--David Whiteis, author of Chicago Blues: Portraits and Stories

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Book SynopsisWerner Herzog''s protean imagination has produced a filmography that is nothing less than a sustained meditation on the modern human condition. Though Herzog takes his topics from around the world, the Americas have provided the setting and subject matter for iconic works ranging from Aquirre, The Wrath of God and Fitzcarraldo to Grizzly Man. Joshua Lund offers the first systematic interpretation of Werner Herzog''s Americas-themed works, illuminating the director''s career as a political filmmaker—a label Herzog himself rejects. Lund draws on materialist and post-colonial approaches to argue that Herzog''s American work confronts us with the circulation, distribution, accumulation, application, and negotiation of power that resides, quietly, at the center of his films. By operating beyond conventional ideological categories, Herzog renders political ideas in radically unfamiliar ways while fearlessly confronting his viewers with questions of world-hiTrade Review"This thoughtful study offers a worthwhile critical perspective on Werner Herzog, one of the world's great living film artists." --The Arts Fuse”From the fascinating films of Werner Herzog, Joshua Lund crafts a striking book that sheds light on the political significance of a range of aesthetic issues. Behind Herzog's films stands the ghost of America, confronting us with the tragic powerlessness of her heroes and meditating on the historical failure of her cultural-economic model. We have never seen Herzog's films with greater clarity.”—Luc Vancheri, author of Psycho: La leçon d'iconologie d'Alfred Hitchcock"This is a book that was written to be read. With a view to shedding light on Herzog’s notoriously hard-to-pin-down politics, Lund focuses on the idea of “America” as it figures in Herzog’s oeuvre, treating it as a broad and privileged category for reflecting on capitalist modernity. Each of the main chapters of Werner Herzog centers on a single film, tracing the arc of its plot, elegantly interweaving observations about other Herzog films, unusual historical and literary material, and commentary on the growing critical literature. It does all this without devolving into an easily forgotten scholasticism. Lund’s concerns go to the heart of what is so powerful and disorienting about Herzog’s work. By the end of each chapter, one has been expertly led along an unpredictable path to a fresh apprehension of the films. The book has everything what one wants from film criticism: excellent writing; suspense and surprise; erudition; and most of all, a strong and irreverent critical voice, worthy of Herzog’s own renegade sensibility."—Salomé Aguilera Skvirsky, author of The Process Genre: Cinema and the Aesthetic of Labor

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Book SynopsisIn 2019, the United States' trade war with China expanded to blacklist the Chinese tech titan Huawei Technologies Co. Ltd. The resulting attention showed the information and communications technology (ICT) firm entwined with China's political-economic transformation. But the question remained: why does Huawei matter? Yun Wen uses the Huawei story as a microcosm to understand China's evolving digital economy and the global rise of the nation's corporate power. Rejecting the idea of the transnational corporation as a static institution, she explains Huawei's formation and restructuring as a historical process replete with contradictions and complex consequences. She places Huawei within the international political economic framework to capture the dynamics of power structure and social relations underlying corporate China's globalization. As she explores the contradictions of Huawei's development, she also shows the ICT firm's complicated interactions with other political-economic forcesTrade Review"Recommended." --Choice "With The Huawei Model, Yun Wen has written a superb book on the complex relationship between Huawei and China as well as the implications of their simultaneous rises, albeit in different roles, with regard to the information and communications technology (ICT) industry and geopolitics." --Chinese Journal of Communication "Yun Wen's book The Huawei Model provides a detailed and useful account of the evolution and global expansion of Huawei Technologies." --China QuarterlyTable of ContentsList of Illustrations Abbreviations Acknowledgments Introduction {Introductions and conclusions don’t typically have chapter numbers} Chapter 1. Huawei’s Domestic Accumulation: A Path Intertwining with China’s ICT Development Chapter 2. Going Global: Outward Expansion into the Global South Chapter 3. March into the Global North: Opportunity or Peril? Chapter 4. From Path-Dependent to Path-Breaking? Huawei’s Technological Capability Development Chapter 5. Ownership, Management, and Labor Discipline Conclusion Notes Index

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Book SynopsisImages of Japanese and Japanese American women can teach us what it meant to be visible at specific moments in history. Elena Tajima Creef employs an Asian American feminist vantage point to examine ways of looking at indigenous Japanese Ainu women taking part in the 1904 Louisiana Purchase Exposition; Japanese immigrant picture brides of the early twentieth century; interned Nisei women in World War II camps; and Japanese war brides who immigrated to the United States in the 1950s. Creef illustrates how an against-the-grain viewing of these images and other archival materials offers textual traces that invite us to reconsider the visual history of these women and other distinct historical groups. As she shows, using an archival collection's range as a lens and frame helps us discover new intersections between race, class, gender, history, and photography. Innovative and engaging, Shadow Traces illuminates how photographs shape the history of marginalized people and outlines a method fTrade Review"A tour de force. Creef provides nothing less than a visual pedagogy for Asian American feminism. She mines the dark gaze of imperial power and blank spots of gender history as well as its secrets. When she engages the family album (and story of a hapless Japanese pet dog, Butch) as a site of memory and memorialization, you cannot put the book down."--Leslie Bow, author of “Partly Colored”: Asian Americans and Racial Anomaly in the Segregated South"In this carefully researched book, Elena Tajima Creef offers compelling feminist readings of archival photographs from the first half of the 20th century. . . . The important questions this book raises will no doubt stimulate further discussion and analysis of not only the historic representation of Japanese/American and Ainu women, but more broadly, some visual traces of power and resistance yet to be uncovered and witnessed." --Visual AnthropologyTable of ContentsAcknowledgments . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ixIntroduction . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11 Those “Mysterious Little Japanese Primitives” . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 152 Looking at Japanese Picture Brides . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 413 Beauty behind Barbed Wire . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 694 Filling in the Blank Spot in an Incomplete War Bride Archive . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 103Epilogue . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 127Notes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 135Bibliography . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 157Index . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 165

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Book SynopsisA Century of Repression offers an unprecedented and panoramic history of the use of the Espionage Act of 1917 as the most important yet least understood law threatening freedom of the press in modern American history. It details government use of the Act to control information about U.S. military and foreign policy during the two World Wars, the Cold War, and the War on Terror. The Act has provided cover for the settling of political scores, illegal break-ins, and prosecutorial misconduct.Trade Review"A timely and compelling “biography” of the Espionage Act, vividly told through the harrowing stories of whistleblowers, government employees, policy consultants and journalists, from prominent socialist Eugene Debs to whistleblower Edward Snowden. " --Los Angeles Review of Books"Engelman and Shenkman’s compelling history should inform deliberations about the roles of secrecy and publicity in our digital world for some time to come." --American Journalism"An impressive piece of both legal and journalistic history." --Reporters Committee for Freedom of the Press"Carey Shenkman and Ralph Engelman's study of the history, law, and implications of these recent abuses of the Espionage Act is needed urgently, if we are to remain truly a democratic republic."--Daniel Ellsberg"This book could not be more timely. . . . This comprehensive look at its history is an enlightening read for students of journalism history, and, in fact, anyone who wants to understand what is at stake for journalists." --National Journal of Communication“A wonderful, detailed history of developments around the Espionage Act and the attempt by government to control expression within a democratic society. Of interest to anyone who is interested in government’s attempt to control information.”--David S. Allen, author of Democracy, Inc.: The Press Law in the Corporate Rationalization of the Public Sphere

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Book SynopsisIn the mid-twentieth century, corporations consolidated control over agriculture on the backs of Mexican migrant laborers through a guestworker system called the Bracero Program. The National Agricultural Workers Union (NAWU) attempted to organize these workers but met with utter indifference from the AFL-CIO. Andrew J. Hazelton examines the NAWU''s opposition to the Bracero Program against the backdrop of Mexican migration and the transformation of North American agriculture. His analysis details growers’ abuse of the program to undercut organizing efforts, the NAWU''s subsequent mobilization of reformers concerned by those abuses, and grower opposition to any restrictions on worker control. Though the union''s organizing efforts failed, it nonetheless created effective strategies for pressuring growers and defending workers’ rights. These strategies contributed to the abandonment of the Bracero Program in 1964 and set the stage for victories by the United Farm Workers andTrade Review"A much-needed examination of two intertwined institutional histories: the effort to unionize farmworkers from the New Deal era to the eve of the UFW set alongside the growth and evolution of the Bracero Program. Labor’s Outcasts exhibits a remarkable depth of archival research into the actions of officials in the labor movement and the government."--John Weber, author of From South Texas to the Nation: The Exploitation of Mexican Labor in the Twentieth Century"Why are farmworkers so poor? It’s not because they pick crops or get dirty, Andy Hazelton reveals in this important book. It’s because farmworkers--“Labor’s Outcasts”--were left out of the protections of American labor law. When farmworkers tried to organize anyway, they were crushed by a government-run labor supply system known as the Bracero Program. Long before Cesar Chavez and the United Farm Workers appeared on the scene, a fierce little farm labor union led by a southern socialist and a Mexican farmworker turned academic took on the agribusiness industry to battle the Bracero Program and organize farmworkers on both sides of the US-Mexican border. This is a story you don’t know and you won’t forget."--Cindy Hahamovitch, author of No Man’s Land: Jamaican Guestworkers in America and the Global History of Deportable Labor"Labor's Outcasts shows how labor migration was a transnational phenomenon that benefitted growers and governments while it exploited the labor power of migrants and ignored the protests of citizen workers." --Pacific Historical Review

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Book SynopsisTrade Review"Sharp and filled with knowledge. . . . The book shines a light on the Florida studio's legacy within the wider Disney history and its impact during the Disney Renaissance can't be undersold." --Boardwalk Times"Lescher’s admiring narrative, which incorporates her firsthand experience and interviews with fellow artists, illuminates the talent of Disney animators. Readers who cherish all things House of Mouse will find much to appreciate." --Publishers Weekly"An academic monograph that is also accessible to Disney animation and parks fans. . . . Animation fans will lock onto the history of the films that the studio contributed to making. Parks fans cannot help but be fascinated by the evolution of the attraction and the perceptions of the animators behind the glass. And most of all, the work shows how serious academic studies on animation endeavors can provide us with valuable lessons about business, technology, innovation, and culture. " --Between Disney"Utilizing personal interviews and vast repositories of documents in Disney archives, Lescher’s analysis and research is thorough. . . . An intriguing piece of Disney lore." --Library Journal"Adds significantly to the canon of Disney commentary. Mary Lescher was part of an interesting experiment--the creation of a working animation studio that doubled as a theme park attraction--and she was there at a crucial point in the history of animation, when the industry was on the brink of a technological revolution thanks to the development of 3-D digital tools. She chronicles that experiment, as well as the various changes swirling around animation, in an effective and even fond manner, letting us see behind the scenes."--J. P. Telotte, author of The Mouse Machine: Disney and TechnologyTable of ContentsAcknowledgments Introduction A Theme Park Attraction (1989-1990) Traditional or Digital: It’s All Hand-Drawn (1989-1990) B Unit to the Blockbusters (1991-1997) The Little Studio That Could (1998-1999) Shutting Down the Studio (2000-2004) Conclusion NotesAnimation GlossaryFilmographyBibliographyIndex

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Book SynopsisAs the United States transformed into an industrial superpower, American socialists faced the vexing question of how to approach race. Lorenzo Costaguta balances intellectual and institutional history to illuminate the clash between two major points of view. On one side, white supremacists believed labor should accept and apply the ascendant tenets of scientific theories of race. But others stood with International Workingmen’s Association leaders J. P. McDonnell and F. A. Sorge in rejecting the idea that racial and ethnic division influenced worker-employer relations, arguing instead that class played the preeminent role. Costaguta charts the socialist movement’s journey through the conflict and down a path that ultimately abandoned scientific racism in favor of an internationalist class-focused and racial-conscious American socialism. As he shows, the shift relied on a strong immigrant influence personified by the cosmopolitan Marxist thinker and future IWW cofounder Trade Review"Costaguta’s findings torpedo the familiar notion that nineteenth-century socialists were indifferent toward race, and the interracial internationalism he recovers should be recognized as part of early socialism’s enduring legacy." --Jacobin“Lorenzo Costaguta has produced an important book that reimagines the history of labor, racism and antiracism, socialism, and the post-Civil War United States. An extraordinary work.” --Angela Zimmerman, author of Alabama in Africa: Booker T. Washington, the German Empire, and the Globalization of the New SouthTable of ContentsAcknowledgments Introduction. A Racialized History of the Origins of American Socialism Chapter One. “Freedom for All”: German American Socialism and Race before 1876 Chapter Two. “Geographies of Peoples”: Ethnicity and Racial Thinking in the Early SLP Chapter Three. Must They Go? American Socialism and the Racialization of Chinese Immigrants, 1876-1890 Chapter Four. “Regardless of Color”: The SLP and African Americans, 1876-1890 Chapter Five. Savage Capitalists, Civilized Indians: The SLP and Native Americans, 1876-1890 Chapter Six. The SLP in the 1890s: Americanization and Socialist Evolutionism Conclusion. The Past and the Future of Racial Socialism Notes Index

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Book SynopsisTrade Review"As the public, scholars, writers, and creatives continue to engage with Hurston through ongoing book releases, studies, documentaries, and festivals, Freeman Marshall’s work provides an important intervention that calls us to think about how we reconstruct and deploy Hurston as not only a talented storyteller and incisive ethnographer but also a consummate intellectual." --Another Chicago"Freeman Marshall makes clear that Hurston’s reputation as an anthropologist has been undermined by the glamour of her rediscovery and subsequent literary 'canonization' . . . . Freeman Marshall also compellingly argues that 'Hurston’s anthropological work has not been more fully recognized within the field of anthropology in part due to the marginalization of American folklore and in, in particular, African American folklore within the discipline.' Hopefully, with this new study, Hurston’s contributions to anthropology will finally be recognized." --Southern Review of Books"Doomed to obscurity, Zora Neale Hurston was then resurrected as a 'founding mother' of Black literature and folklore. Yet her pioneering work in African diaspora ethnography and anthropology, especially her work in Haiti, remains little-known. . . . Marshall concludes that Hurston’s refusal to be defined as 'tragically colored' formed her genius as she 'embraces . . . the right to feel and be herself, idiosyncratic and sometimes puzzling, like any member of the human race.'" --Booklist starred review"An insightful read about how academic obscurity can pigeonhole the legacy of Black women thinkers. Hurston’s fascination, esteem, and passion to capture, preserve and return to the African diaspora their new world folk traditions used academic methods and Africana means to share our interior selves. . . . Freeman Marshall contends that 'contextualization and a commitment to interdisciplinarity remain central' to excavating Hurston. This excavation serves as a prism through which collective literary and cultural works can contribute to transformative ways of reading and understanding the hybrid Black feminist agency and legacy crafted by Zora Neale Hurston by her people for her people and humanity writ large." --Black Perspectives"A fascinating examination into the work of Zora Neale Hurston as an anthropologist, which has been all but forgotten, especially in comparison to her work as a writer and cultural icon. " --Ms. Magazine“Jennifer Freeman Marshall combines razor sharp analysis and clear prose that compel the reader to think carefully and critically about why Zora Neale Hurston is lionized in literature and marginalized in anthropology. Like a quilt, Freeman Marshall’s book has a strong frame, an aesthetically pleasing design, and an impeccable yet creative logic.”--Lee D. Baker, author of Anthropology and the Racial Politics of Culture"Freeman Marshall unfolds a Hurston whose anthropological work contributed to her ramified sense of difference and variegation in the lived world. Hurston emerges as situated simultaneously in her selfhood and her experience as a Black woman. As an anthropologist, Hurston tells stories that are 'multiple and ... grounded by ... diverse communities.’ Recommended." --Choice"Undoubtedly, Ain't I an Anthropologist should be essential reading for students and scholars of anthropology, as well as African American literature and folklore studies. With its careful and exhaustive documentation of the Black feminist literary and anthropological scholarship on Hurston's oeuvre, this book is both an archive and a treasure trove of information about Zora Neale Hurston that teaches us how to approach her work in new ways." --American AnthropologistTable of ContentsAcknowledgments Introduction: “Twice as Much Praise or Twice as Much Blame” On Firsts, Foremothers, and “The Walker Effect” Signifying “Texts”: The Race for Hurston Deconstructing an Icon: Tradition and Authority “Ain’t I an Anthropologist?” Mules and Men: “Negro folklore [. . .] is still in the making” The author arrives at no conclusion”? Reading Tell My Horse Notes Works CitedIndex

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Book SynopsisWinner of the2024 BFE Book Prize (British Forum for Ethnomusicology) Older people negotiating dance routines, intimacy, and racialized differences provide a focal point for an ethnography of danzón in Veracruz, the Mexican city closely associated with the music-dance genre. Hettie Malcomson draws upon on-site research with semi-professional musicians and amateur dancers to reveal how danzón connects, and does not connect, to blackness, joyousness, nostalgia, ageing, and romance. Challenging pervasive utopian views of danzón, Malcomson uses the idea of ambivalence to explore the frictions and opportunities created by seemingly contrary sentiments, ideas, sensations, and impulses. Interspersed with experimental ethnographic vignettes, her account takes readers into black and mestizo elements of local identity in Veracruz, nostalgic and newer styles of music and dance, and the friendships, romances, and riTrade Review“Malcomson provides a superb ethnographic study of ambivalence in lived experience: danzón is disciplinary and jealously competitive, yet it gives aficionados room to be creative and convivial, and to weave identities around narratives of blackness and race mixture, local histories, and personal trajectories. A brilliant exploration of how people navigate the contradictions of everyday life.”--Peter Wade, coeditor of Against Racism: Organizing for Social Change in Latin AmericaTable of ContentsVignette 1. Gerardo, Elena, and Miguel [Fiction] Introduction. Danzón, Veracruz, and Ambivalence Vignette 2. Teresita [Fiction] Chapter 1. Racial Ambivalence: Veracruz, Blackness, and Danzón Vignette 3. Pancho [Fiction] Chapter 2. Ambivalent Nostalgia: Histories and Memories of the Port and Its Danzón Vignette 4. Renata [Fiction] Chapter 3. Elegant Moves: Modernist Aesthetics and Danzón in Veracruz Vignette 5. Lulú and Antonio [Fiction] Chapter 4. Moves to Rescue: Reviving the Dance, State Sponsorship, and Power Vignette 6. Hettie and Uriel Chapter 5. United in a Viper’s Nest: Group Dynamics, Conviviality, and Rivalry Vignette 7. Carmen and Ernesto [Fiction] Chapter 6. Loving Ambivalence: Dance Groups, Amorous Encounters, and Ageing Bodies Vignette 8. Diana [Fiction] Acknowledgments Notes Glossary Select Discography Select Filmography Bibliography Index

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Book SynopsisTrade Review"Russell has positioned her concise, structurally adventurous contribution to 'Stanwyck studies' to reflect the expanding range of cultural approaches to women in media published during the past decade. . . . The twenty-six bite-sized essays cover themes of work, gender, sexuality, ageing, misogyny, class and race." --Times Literary Supplement"Catherine Russell's The Cinema of Barbara Stanwyck adds illuminating dimension to the actress's complex life story and equally vaunted career. Her meticulously researched and thoughtful analysis brings a fresh perspective to Stanwyck' s legacy, and captures the enduring power and charm of the classical Hollywood movie star." --Cineaste"The Cinema of Barbara Stanwyck makes the choice to refuse to simplify Stanwyck’s career. It underscores Stanwyck’s importance, but it doesn’t pretend like she, the films, or the era that created them are something they’re not. As a result, Russell has put together an unflinching work of criticism that must be acknowledged as the definitive work on the subject. It’s essential reading for anyone interested in Stanwyck or the era of film she headlined." --NewCity“Catherine Russell’s inventive study of Barbara Stanwyck’s long, fascinating career as a ‘working star’ offers a tantalizing model for other feminist histories of women’s work in the film industry. Achronological and essayistic, Russell’s approach weaves back and forth between Stanwyck’s onscreen roles, her star persona, and her working life to document what Russell calls ‘the structural misogyny of the industry.’”--Shelley Stamp, author of Lois Weber in Early Hollywood and Movie-Struck Girls“A deeply creative and insightful critical study of Barbara Stanwyck’s agency and labor as a performer, The Cinema of Barbara Stanwyck is a stunning blend of feminist historiography, archival research, star-studies, biography, and film analysis--a rewarding and immensely pleasurable read.”--Julie Grossman, author of The Femme FataleTable of ContentsAcknowledgments Introduction to Stanwyck Studies A All I Desire: Pastiche and Performance B The Barbara Stanwyck Show: Everyday Melodrama C Crimes of Passion: A Destructive Character D Dion the Son, and Barbara the Bad Mother E Edith Head: Clothing Makes the Woman a Woman F Forty Guns and The Furies: Angry Women G Gambling Ladies: Playing Games H William Holden: Making Men I Illicit: How to be Ultramodern J Jungle Films/White Women K Kate Crawley: Cross-Dressing in the Archive L The Lady Eve: Performativity and Melancholia M Fred MacMurray: Kissing and Playing N No Man of Her Own: Double Women and the Star O Annie Oakley: A Girl and a Gun P Paranoia, Abjection, and Gaslighting Q The Queen R Riding, Falling, and Stunts S The Stella Dallas Debates T Theresa Harris: Black Double U Union Pacific: Unmaking History V Voice, Body, Identity W Working Women and Cultural Labor X Exotica and Bitter Tears Y You Belong to Me: Archives and Fans Z Zeppo Marx: Comedy and Agency Notes Bibliography Index

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Book SynopsisTrade Review"Shadow of the New Deal is an ideal introduction for scholars new to the study of radio. . . . The book has an obvious appeal to media historians; indeed, it will no doubt become the standard reference work on this phase in radio history, though it offers fruitful information for scholars of other areas as well." --H-Net Reviews“Equipped with a wealth of archival research and a fresh perspective, Shepperd reshapes the history of public broadcasting convincingly and with great respect for the practitioners, researchers, and reformers responsible for its development and influence.”--Deborah L. Jaramillo, author of The Television Code: Regulating the Screen to Safeguard the Industry"Well researched and documented." --ChoiceTable of ContentsAcknowledgments Introduction Chapter 1. Advocacy: Media Reform, from Activism to Advocacy: Before and After the Communications Act of 1934 Chapter 2. Funding: The Philanthropic Mandate for Collaboration between Educational and Commercial Broadcasters Chapter 3. Distribution and Facilities: America’s Public Media Industry: From the Rocky Mountain Radio Council to the National Bicycle Network Chapter 4. Research and Development: The Emergence of Communication: Reception Research as a Strategic Tool of Media Reform Chapter 5: Policy: Public Media Policy, 1934-1967--Lessons from Reform History Conclusion Notes Index

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Book SynopsisTrade Review“A uniquely valuable intervention. Those of us--and I would say that is the majority of us who live our lives ‘in freedom’--are importuned by the book’s address, to wake up, to care, because what we perceive as our ‘freedom’ made available, so we think, as a consequence of living in the crucible of liberal ideals and beliefs--is inextricably bound up with the logics of incarceration.”--Fawzia Afzal-Khan, author of Siren Song: Understanding Pakistan Through its Women SingersTable of ContentsForeword Demita Frazier Acknowledgments Introduction Shreerekha Pillai Part One: Carceral Narratives and Fictions Poems: Honorée Fanonne Jeffers, “Pantoum for a Black Man on a Greyhound Bus” and “Lost Letter #27: John Peters, Boston-Gaol to Phillis Wheatley Peters, Boston, December 3, 1784″ 1. Carceral Trauma at the Intersections of Race, Class, Gender, Sexuality, and Maternity Cassandra D. Little 2. Prisons and Politics: Conceptualizing Prison Memoirs Shailza Sharma 3. Seeing Orange: Mediatizing the Prison Empire Shreerekha Pillai 4. Emptied Chairs and Faceless Inmates: A Critical Analysis of the Texas Prison Museum Beth Matusoff Merfish Poems: Ravi Shankar, “Against Innocence” and “Sunday School” The Stories that will not be Confined Poems: Solmaz Sharif, “Reaching Guantánamo” Part Two: Carceral Bodies and Systems Poem: Jeremy Eugene, “Space” 5. These Stories Will Not Be Confined Joanna Eleftheriou 6. Cornered: Day Laborers, Criminalization and Rituals of Democracy in Texas Francisco Argüelles Paz y Puente, aka Pancho 7. Resisting Criminalization: Principles, Practicalities, and Possibilities of Alternative Justices Beyond the State Autumn Elizabeth, Zarinah Agnew, D Coulombe 8. Going Carceral? Analyzing Written and Visual Representations of Prison Yoga Programs Tria Blu Wakpa and Jennifer Musial 9. Vacant Refuge, Unfinished Resettlement: Gendered Nativism and the Experience of Ambivalence among Displaced Syrian Iraqi and Women and Children in Houston, Texas Maria F. Curtis 10. Gendered Punishment and Social Control: Silenced Memories of Women in Wartime Peru Marta Romero-Delgado 11. Bad Girls of Pindra Tod Alka Kurian Poem: Javier Zamora, “Citizenship” Contributors Index

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Book SynopsisA new translation of Heidegger's monumental workTrade Review[This book is] an impressive achievement. * Notre Dame Philosophical Reviews *Table of ContentsTranslators' IntroductionI. ProspectII. The ReasoningIII. The InterplayIV. The LeapV. The Groundinga. Da-sein and the projection of beingb. Da-seinc. The essence of truthd. Time-space as the abyssal grounde. The essential occurrence of truth as a shelteringVI. The Future OnesVII. The Last GodVIII. BeyngEditor's AfterwordGerman-English GlossaryEnglish-German GlossaryGreek-English GlossaryLating-English GlossaryBibliography

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Book SynopsisWhat is the effect of light as it measures the seasons? How does light leave different traces on the terrain - on a Pacific Island, in the Aegean Sea, high in the Alps, or in the forest? This book considers the expansiveness of nature and the range of human vision in essays about the effect of light and luminosity on place.Trade Review"Beautifully conceived and written. Sallis engages the elemental interplay of earth and sky, translucence and obscurity, airiness and density, height and depth, wet and dry, gods and mortals, storms and clouds, rivers and fog, plains and mountains-nature in its expansive, indefinable materiality and ephemeral intangiblity." -Charles E. Scott, Vanderbilt University "A profound and exceptionally nuanced piece of writing that brings philosophy and art into close proximity. Decades of Sallis's remarkable philosophical thinking are at work and play." -Jason M. Wirth, Seattle UniversityTable of ContentsList of IllustrationsAnagoge1. Clouds2. Caves3. Exorbitant Points4. Poseidon5. Blues6. City of Lights7. Time's Shadow8. The Light Spread of Time9. Heights10. Summer Snow11. Dark Light12. At Sea13. Seacoves14. Sunspots15. Visible Time16. Wild17. Quiet18. White

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Book SynopsisTrade Review"Anyone interested in the phenomenon of migration, particularly the gender dynamics of international migration and the politics of 'trafficking' in an era of globalization, will find this book an invaluable contribution... This is ethnography at its best." -Kristen Ghodsee, Bowdoin CollegeTable of ContentsIntroduction1. The "Returns" of Mobile Mothers2. Uplift in Gagauz Yeri3. Desiring a New Domestic4. Working in Istanbul5. Managing MigrationConclusion: Driven Women

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Book SynopsisTrade ReviewSuperb! Very inspired material eloquently written. Stanley Ritchie explains each movement of Bach's solo violin Sonatas and Partitas with such clarity and understanding in the thought process without being in any way 'dry'. * Stringendo AUSTA *For any violinist, this book is a practical delight. It deserves to join the great works by Leopold Mozart, Editha Knocker, Leopold Auer, Pierre Baillot, Joseph Szigeti, and their peers, which are on every serious player's shelf. * Fontes Artis Musicae *Table of ContentsForeword / Mauricio FuksAcknowledgementsIntroduction1. Principles of InterpretationNotationPolyphonyHarmonyMetreDynamicsInequalityFingeringNote LengthBow DirectionArticulationsOrnamentation2. Dance FormsAllemandaBourée/BoreaCiacconaCorrenteGavotteGigue/GigaLoureMenuetSarabanda/SarabandeSicilianaDoublePreludio3. Analytical Methods and ExercisesG-Minor AdagioG-Minor FugaD-Minor Allemanda4. The Improvisatory MovementsG-Minor Sonata: AdagioA-Minor Sonata: Grave 5. The FuguesG-MinorA-MinorC-Major6. The Ostinato MovementsPartita II: Ciaccona Sonata III: Adagio7. The Dance-like MovementsBourée and BoreaTempo di BoreaB-Minor CorrenteD-Minor CorrenteGavotte en RondeauThe GigaThe GigueThe LoureThe MenuetsThe Sarabande and SarabandaThe B-Minor Sarabande The D-Minor Sarabanda8. The Virtuoso MovementsG-minor Sonata: PrestoB-Minor Corrente - DoubleThe A-Minor FinaleThe C-Major Allegro assaiThe E-Major Preludio9. The Philosophical MovementsThe AllemandaB-Minor PartitaD-Minor Partita10. The Lyrical MovementsThe SicilianaA-Minor Sonata: Andante The C-Major Sonata: Largo11. Right-hand TechniquePolyphonyChordal TechniqueMartelé and SpiccatoSautilléBariolageOndeggiando12. Left-hand TechniqueThe Role of VibratoHalf-PositionChoice of FingeringsIntonationTuningLast Words Bibliography

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Book SynopsisTrade Review"In Atomic Tunes, Tim and Joanna Smolko have written a long-overdue analysis of Cold War popular music which combines insightful analysis of individual songs and popular musical genres expertly embedded within their political and historical contexts. Their discussions of women's voices, of novelty songs, country and gospel music and other categories are balanced in a way that accommodates many different perspectives, both left wing and right. If you lived through the Cold War or approach it from a historical and musicological perspective, the Smolkos, along with the songs they explore, provide what they call a 'visceral sense of what it was like to live through the Cold War.' A very important work."—Russell Reising, University of Toledo professor emeritus of American culture and Asian studies"Tim and Joanna Smolko's book is a welcome and well-researched study on the role that the Cold War played in American and British popular music. The Smolkos take on topics such as communism and the Red Scare, civil defense, and nuclear fear in a study that places popular and folk music at the center of its contemporary social history in a way no other book has done before. They consider society, politics, race, and place are at the core for understanding the composition and performance of Cold War popular music, from satire to serious. Their book probes the essential questions we likely didn't know we had about the role of music in one of the most fraught eras in world history."—Reba Wissner, author of Music and the Atomic Bomb on American Television, 1950-1969, Columbus State University"In this immaculately researched book, Tim and Joanna Smolko examine how Cold War anxieties shaped songs by an incredibly diverse range of musicians—from earnest folkies and jokey rock 'n' rollers, to long-haired metalheads and political punks. The book's scope and thematic range is impressive, and even the biggest fan of this music will discover new insights—and tunes!—through the authors' in-depth discussions of the musical and social significance of these songs. In addressing a major gap in the burgeoning literature on Cold War-era music-making, Atomic Tunes should be essential reading for historians, musicologists, and fans alike."—Nicholas Tochka, author of Audible States: Socialist Politics and Popular Music in Albania, Head of Musicology and Ethnomusicology at the Melbourne Conservatorium of Music"Richly detailed and meticulously researched, Atomic Tunes provides an invaluable contribution to our understanding of Anglo-American popular music in the Cold War era. The book's sweeping survey of songs, ranging from country and comedy to punk and heavy metal, captures all the vivid anxiety, paranoia, fear, fantasy, and dark humor of this vital period of global history, and makes for an endlessly fascinating read."—Theo Cateforis, author of Are We Not New Wave: Modern Pop at the Turn of the 1980s, Associate Professor and Director of Undergraduate Studies in Fine Arts and Music History at Syracuse University"Atomic Tunes is unparalleled as a sweeping inquiry into popular music's response to the Cold War and the arms race. Tim and Joanna Smolko deftly combine social and political history with musical analysis, stressing that the words and music mattered as artists and listeners tried to make sense of an anxious and confusing time in world history."—Steve Waksman, author of This Ain't the Summer of Love: Conflict and Crossover in Heavy Metal and PunkTable of ContentsAcknowledgmentsIntroduction: Cold War History in Music and Lyrics1. Folk: From Paul Robeson to Bob Dylan2. Folk: Women's Voices3. Country: The Conservative Stance4. Novelty and Comedy Songs: The Cold War as a Big Joke5. Early Rock and Other Styles: Rocking the Bomb6. Mainstream Rock: Bowie, U2, Sting, Billy Joel, and Springsteen7. Hard Rock and Heavy Metal: The Electric Guitar as the Bomb8. Punk Rock: Three Chords and the Apocalypse9. Electronic and New Wave: The Cold War in a Synthesizer10. Wind of Change: The Fall of the Wall and the End of the Cold WarConclusionBibliography, Discography, VideographyIndex

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Book SynopsisHow to Measure a World? examines the vastness of the Jewish philosophical record and the full intellectual scope and range of Emmanuel Levinas's claim that Judaism is best understood as an anachronism.Trade ReviewAn introductory study that will have enormous appeal for both students and non-specialist general readers, How to Measure a World?: A Philosophy of Judaism is as informative as it is thought-provoking, and very highly recommended * Midwest Book Review *Overall, this book is a valuable contribution to not only modern Jewish studies, but also the broader field of continental philosophy of religion. With a clear mastery of his sources, Shuster carefully weaves his thesis through deeply complicated figures in a way that is both artful and textually sound. -- Josiah Solis * Reading Religion *Table of ContentsAcknowledgmentsIntroductionHaving a World1. Wonder and World: Maimonides's Phenomenology2. Suffering and World: Adorno's NegativityPreconditions of Having a World3. History and World: Benjamin and Adorno on Ethical Depth4. Language and World: Levinas and Cavell on Ethical FoundationsConclusionWorks CitedIndex

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