Social and cultural history Books

Book SynopsisIt is said that the skull is the only human body part that is as powerful dead as it was when living. Skulls takes the reader on an eerie journey through history seen through the hollow eye sockets of this crown jewel of the human skeleton. The book is made up of a series of short illustrated stories laced with fascinating facts, historical and medical references and compelling anecdotes. The testimonials of thirty-plus skull collectors reveal what is known of – or speculated about – the often gruesome history of the skulls, as well as how they were acquired and what makes them so highly prized.

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Book Synopsis______________________A richly illustrated and wonderfully eclectic collection of THE WORLD'S GREATEST SPEECHES - THE OLD, THE NEW AND THE UNSPOKEN - from the author of the international bestseller, Letters of Note. Discover speeches that altered the course of history, like NELSON MANDELA’s on the day he became South Africa’s first black President, and outpourings of much-needed change, such as the impassioned, impromptu appeal for women’s rights from SOJOURNER TRUTH, an African-American woman born into slavery. Expect the gloriously unexpected, as KERMIT THE FROG takes to the podium, and celebrate lives well-lived, including TILDA SWINTON’s tribute to ‘every alien’s favourite cousin’, DAVID BOWIE. While some speeches are heard by millions, some remain unspoken: the secret draft prepared for QUEEN ELIZABETH II during a military exercise for World War III, and PRESIDENT NIXON’s chilling public announcement should NEIL ARMSTRONG and BUZZ ALDRIN become stranded on the Moon. Surprising, inspiring and shocking; moving, comforting and enlightening. SPEECHES OF NOTE: seventy-five extraordinary ways to step into someone else’s shoes. FEATURING: Malala Yousafzai * Tilda Swinton * Albert Einstein * Nick Cave * Queen Elizabeth II * Kermit the Frog * Pablo Picasso * Harvey Milk * J. M. Barrie * General Dwight D. Eisenhower * Meghan Markle * Sojourner Truth * Salman Rushdie * Panti Bliss * Nelson Mandela * Robert F. Kennedy * Virginia Woolf * Richard Nixon * Socrates * Nelson Mandela * Mark Twain * Marie Curie * George Bernard Shaw * Susan Sontag AND MANY, MANY MORETrade ReviewAnguish, hope, inclusivity, questioning, grief, love – and seemingly all the parameters of human feeling – are quite brilliantly represented. It’s a lovely dip-in collection that’ll leave you both weepy and inspired. * Scotsman *Wonderful and inspirational... [There are] many oratorical delights within this fascinating and well-presented volume... a collection of many efforts that arose emotion, mirth or wonder.... Readable and enlightening. -- WILLIAM HAGUE * Spectator *

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Book SynopsisKnown the world over as a symbol of the United Kingdom, the Union Jack is an intricate construction based on the crosses of St George, St Andrew and St Patrick. Nick Groom traces its long and fascinating past, from the development of the Royal Standard and seventeenth-century clashes over the precise balance of the English and Scottish elements of the first Union Jack to the modern controversies over the flag as a symbol of empire and its exploitation by ultra-rightwing political groups. The Union Jack is the first history of the icon used by everyone from the royalty to the military, pop stars and celebrities.Trade ReviewEnterprising and challenging... engaging and interesting history - history as seen from a specific and highly appropriate vantage. -- Peter Ackroyd * The Times *Fascinating... works well as a potted history of Britain right back to the days when warriors carried dragon standards, and also as a pot pourri of useful trivia. -- James Delingpole * Mail on Sunday *'Masterly.' -- Julia Keay * Literary Review *Groom is an illuminating essayist in various aspects of British culture; humour and flashes of historical oddity make the book immensely readable... Groom explores this history with an unfailing inquisitiveness... Union Jack establishes itself as essential reading in the background to current debates about British identity. -- Mike Phillips * Guardian *Vivid, fascinating and carefully researched history... Groom enters a robust, positive and wholly persuasive defence of the retention of the Union Jack as a symbol of coherence and unity in a multiracial society and what has become a federal kingdom... Bravo. -- Jeffrey Richards * Times Higher Education Supplement *A pertinent contribution to the enduring conversation about what it means to be British. -- Claire Allfree * Metro *A wonderfully exuberant book... marvellously rich... Groom's scope is formidable and this, together with the acuity of his judgements and the brio of his deployment of a vast wealth of resources, makes the work a model of cultural history for our time. -- Hugh Lawson-Tancred * The Liberal *Fascinating -- Paul Callan * Daily Express *

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Book SynopsisThe New York Times BestsellerA ground-breaking history of the class system in America, which challenges popular myths about equality in the land of opportunity.In this landmark book, Nancy Isenberg argues that the voters who boosted Trump all the way to the White House have been a permanent part of the American fabric, and reveals how the wretched and landless poor have existed from the time of the earliest British colonial settlements to today's hillbillies.Poor whites were central to the rise of the Republican Party in the early nineteenth century and the Civil War itself was fought over class issues nearly as much as it was fought over slavery. Reconstruction pitted white trash against newly freed slaves, which factored in the rise of eugenics - a widely popular movement embraced by Theodore Roosevelt that targeted poor whites for sterilization. These poor were at the heart of New Deal reforms and Lyndon B. Johnson's Great Society; they are now offered up as entertainment in reality TV shows, and the label is applied to celebrities ranging from Dolly Parton to Bill Clinton. Marginalized as a class, white trash have always been at or near the centre of major political debates over the character of the American identity.Surveying political rhetoric and policy, popular literature and scientific theories over four hundred years, Isenberg upends assumptions about America's supposedly class-free society - where liberty and hard work were meant to ensure real social mobility - and forces a nation to face the truth about the enduring, malevolent nature of class.Trade ReviewMasterly and ambitious * New York Times (Notable Book of the Year) *A bracing surprise * Sunday Times *A bracing reminder of the persistent contempt for the white underclass. * The Atlantic *A gritty and sprawling assault on American mythmaking * Washington Post *Are we supposed merely to laugh at the Spucklers? Or do we not secretly admire their backwoods morality and survivalism? It's one great measure of Isenberg's success that even after 450 detailed pages you keep looking for new examples and new questions... An important book. * The Herald *

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Book SynopsisA captivating journey along the iconic River Po and through Italian history, society and culture. 'Delightful... A wonderful cornucopia of history' TLS 'Uncovers the Po's fascinating history' Guardian The Po is the longest river in Italy, travelling for 652 kilometres from one end of the country to the other. It rises by the French border in the Alps and meanders the width of the entire peninsula to the Adriatic Sea in the east. Flowing next to many of Italy's most exquisite cities – Ferrara, Mantova, Parma, Cremona, Pavia and Torino – the river is a part of the national psyche, as iconic to Italy as the Thames is to England or the Mississippi to the USA. For millennia, the Po was a vital trading route and a valuable source of tax revenue, fiercely fought over by rival powers. It was also a moat protecting Italy from invaders from the north, from Hannibal to Holy Roman Emperors. But as humans radically altered the river's hydrology, those floodplains became important places of major industries and agricultures, the source of bricks, timber, silk, hemp, cement, flour and risotto rice. Tobias Jones travels the length of the river against the current, gathering stories of battles, writers, cuisines, entertainers, religious minorities and music. Both an ecological lament and a celebration of the resourcefulness and resilience of the people of the Po, the book opens a window onto a stunning, but now neglected, part of Italy.Trade ReviewA delightful book that is part history, part travel, part a picture of contemporary Italy... The Po is a wonderful cornucopia of history... Modern history at its most enjoyable * TLS *Travelling its length, Tobias Jones uncovers [the Po's] fascinating history * Guardian *Tobias Jones is the perfect guide to the sweet Po as it runs its course * Spectator *A meditative and evocative account... Like the Po, which has shifted course countless times and is notoriously prone to flooding, the book veers off on enjoyable tangents * Geographical Magazine *This is a bleak tale at times, but compelling reading * Italia *Jones has an eye for the quirky, and a talent for storytelling that keeps the reader engaged, amused, and enlightened. Recommended for all Italophiles, travellers, and lovers of the past * Archaeology Worldwide *

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Book SynopsisThe definitive history of the iconic football club: the glory, the scandal, the stars and its enduring influence on Italian life.Juventus utterly dominates the Italian game. Home to some of the biggest names in sport, it has won title after title, trophy after trophy. However, parallel to the success and myth, there's a murkier reality. For one hundred years the club and its billionaire owners, the Agnelli family, have been synonymous with match-fixing, doping, political chicanery and more. While La Vecchia Signora remains Italy's best-supported team, it's also its most despised.Juve! charts the story of Italy's great sporting dynasty, chronicling the triumphs and tragedies of the Agnellis, and of the icons - Boniperti, Del Piero, Ronaldo - who have been their sporting emissaries for almost a century. The pride of Italy or its dark heart? Footballing colossus or vanity project? With this unique institution, as with so much about life in Italy, things are seldom black and white...'Superbly entertaining and incisive' TLS'A compelling case for a football club encapsulating the entire psyche of Italy' Observer

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Book SynopsisA sweeping history of Athens, telling the three-thousand-year story of the birthplace of Western civilization, from Runciman Award winner Bruce Clark 'A stunning retrospect and beautifully written overview of one of the world's greatest cities' Paul Cartledge 'Courageously grand in scale yet sensitive to the details that make Athens' extraordinary history come alive' Sofka Zinovieff 'Bruce Clark brings an eye for the quirky, human detail, a pithy turn of phrase, and an affection for his subject honed over many decades' Roderick Beaton 'Bruce Clark's enchantingly readable history revealed how little I knew' Literary Review Dominated by the pillars and pediments of the Parthenon, a temple dedicated to Athena, goddess of wisdom, the ancient Greek city of Athens is for many synonymous with civilization itself. Athens: City of Wisdom tells the tale of a city that occupies a unique place in the cultural memory of the West. Each of the book's twenty-one chapters focuses on a critical 'moment' in the city's long history, from the reforms of the lawmaker Solon in the sixth century BCE to the travails of early twenty-first-century Athens, as a rapidly expanding city struggles with the legacy of a global economic crisis. Bruce Clark has a rich and revealing sequence of stories to tell – not only of the familiar golden age of Classical Athens, of the removal from the Acropolis of the Parthenon marbles by agents of the 7th Earl of Elgin in the early nineteenth century, or of the holding of the first modern Olympic Games in 1896; but also of the less fêted later years of antiquity, when St Paul preached on the Areopagus and neo Platonists refounded the Academy that Sulla's legions had desecrated. He also delves into Athens' forgotten medieval centuries, unearthing jewels gleaming in the Byzantine twilight, and tales of Christian fortitude and erratic Turkish governance from the four centuries of Ottoman rule that followed. Few places have enjoyed a history so rich in artistic creativity and the making of ideas as Athens; or one so curiously patterned by alternating cycles of turbulence and quietness. Writing with scholarly rigour and undisguised affection, Bruce Clark brings three thousand years of Athenian history vividly to life.Trade ReviewFrom Pheidias' Parthenon to Calatrava's Olympic Stadium, Bruce Clark has pulled off a stunning retrospect and beautifully written overview of one of the world's greatest cities. Athenophiles of all ages and stripes will find in Athens a cornucopia of city-related treasures -- Paul CartledgeA magnificent tour de force, drawing on the testimony of eye-witnesses across a span of 2,500 years. Bruce Clark brings an eye for the quirky, human detail, a pithy turn of phrase, and an affection for his subject honed over many decades -- Roderick BeatonA remarkable achievement. Courageously grand in scale yet sensitive to the details that make Athens's extraordinary history come alive, right up to the present day -- Sofka ZinovieffBruce Clark's enchantingly readable history revealed how little I knew and, perhaps more importantly, how little I knew of the ways it all fits together * Literary Review *A classic journalistic and academic analysis of the ancient and the modern * Irish News *An exhaustive yet compelling history of the Greek capital... Unmissable and highly informative * Financial Times *A triumph of a book that should be read by those who already know this city's importance and charm and those who want to. It is an extraordinary achievement * Economist *A comfortable, entertaining read which glides seamlessly from one chapter to the next * Kathimerini *

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Book SynopsisIn late May 1918 in Valdosta, Georgia, ten black men and one black woman, Mary Turner, eight months pregnant at the time, were lynched and tortured by mobs of white citizens. Through hauntingly detailed full-color artwork and collage, Elegy for Mary Turner names those who were killed, identifies the killers, and evokes a landscape in which the NAACP investigated the crimes when the state would not, when white citizens baked pies and flocked to see black corpses, and when black people fought to make their lives-and their mourning-matter. With introductions from C. Tyrone Forehand, great grand-nephew of Mary and Hayes Turner, whose family has long campaigned for the deaths to be remembered; abolitionist activist and educator Mariame Kaba, reflecting on the violence visited on black women's bodies; and historian Julie Buckner Armstrong, who opens a window onto the broader scale of lynching's terror in American history.Trade ReviewIn this particular historical moment when young Black people are engaged in a renewed struggle against state violence, Mary Turner's story resonates. She insists that we #SayHerName too. -- Mariame Kaba, founder and director of Project NIA, from the prefaceHarrowing. ... This succinct work confronts readers with atrocity, in a necessary tribute. * Publishers Weekly (Starred Review) *[Elegy for Mary Turner] retells the story [of Mary Turner's murder] in a manner at once unflinching, and, at turns, delicate. The delicacy is owed to Williams' rendering. -- Rosalind Bentley * Atlanta Journal-Constitution *Essential ... Williams doesn't just deplore unspeakable evil or try to argue with it. She confronts it in its own realm - the realm of art. -- Etelka Lehoczky * NPR Books *Elegy for Mary Turner brings America's brutal history of 20th century lynching alive through Mary Turner. -- Bill Berkowitz * BuzzFlash *

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Book SynopsisIn the glorious, boozy party after the first World War, a new being burst defiantly onto the world stage: the so-called flapper. Young, impetuous, and flirtatious, she was an alluring, controversial figure, celebrated in movies, fiction, plays, and the pages of fashion magazines. But, as this book argues, she didn't appear out of nowhere. This spirited, beautifully illustrated history presents a fresh look at the reality of young women's experiences in America and Britain from the 1890s to the 1920s, when the "modern" girl emerged. Linda Simon shows us how this modern girl bravely created a culture, a look, and a future of her own. Lost Girls is an illuminating history of the iconic flapper as she evolved from a problem to a temptation, and finally, in the 1920s and beyond, to an aspiration.Trade Review"To read Simon's social and literary history of flappers is to feel . . . the relief of the loosening of corsets, the excitement of the shimmy and tango in the dance hall, the thrill of smoking, the bliss of escape from detested chaperoning rules, and the swooning effect of watching Rudolph Valentino on the silent screen."--Times "[An] entertaining new book from the front lines of feminism. . . . We think of flappers as flirty, rebellious young women given to snappy one-liners, short dresses, and flat chests. We rarely give credit to these bright young things as the women who shed their mother's Victorian corsetry and prudish notions about sex and scotch. Simon's engaging history explores this seminal postwar moment, exploring the evolution of these radical young girls (Simon calls them 'girls' in a good way) from 'a problem to a temptation, and finally, in the 1920s and beyond, to an aspiration.'"--Sarah Murdoch "Toronto Star " "[A] fascinating study of the phenomenon known as the flapper."--Tony Rennell "Daily Mail, a "Top History Pick" " "[A] deftly written and meticulously researched cultural and experiential history. . . . Simon makes clear that the flappers' quest for agency, influence, and new opportunities remained, at times, 'as chimerical as Neverland.'"--History Today "Simon's new book of flappers seeks to understand their history. She shows that, though often caricatured in the media as frivolous, vain girls, flappers were more likely to be ambitious, modern young women who dreaded that they would end up like their mothers. They wanted the vote, a well-paid and fulfilling job, and sex. Much more sex. Echoing the flappers' joy and exuberance, Simon's history positively sizzles on the page. It is a story of booze, dance, and danger."--BBC History Magazine "Using sources from popular culture and from people of the time, Simon asserts that the image of the flapper did not appear out of a single historical moment but rather was invented over the decades. The flapper did not limit its impact to fashion and women's attitudes, but also intersected with debates about race, immigration, politics, and the like. Simon's book is an excellent and very accessible narrative on the flapper and will be of interest to anyone fascinated with gender and the history of the late-nineteenth to early-twentieth century."--Kyle McMillen "New Books Network " "Social anxieties have a way of coalescing around young women's bodies, Simon demonstrates in Lost Girls, her riveting, deeply-researched counter-history of the flapper. Behind the beads, the bob, the fringe, and the Charleston, there is a much darker story to be told."--Lauren Elkin, author of Fl neuse: Women Walk the City in Paris, New York, Tokyo, Venice, and London "Lost Girls finds an irresistible history of many girls. They longed to be modern, New Women, and in the Jazz Age, transgressive flappers. They wanted to dance, go to the movies, dress freely, work, be independent, and even vote. Arrayed against them were parents, scientists, politicians, and an imprisoning cult of motherhood. Simon, with verve and wit and eloquence, shows us their battles, scars, and victories--a vibrant legacy for the twenty-first century."--Catharine R. Stimpson, New York University "For Simon, the origins of the flapper of the 1920s are to be found in the social constructs and literature of the nineteenth century--as limned by writers such as Mark Twain, who was fascinated with adolescent and sometimes prepubescent girls, whom he dubbed 'angelfish.' Female adolescents fascinated US thinkers and leaders, most notably for their importance as the future wives and mothers of the nation. For nineteenth-century and early-twentieth-century American society, it was critical to control these wonderful young women so they could become the good mothers and wives that the nation needed. Simon sees the flappers of the 1920s as a reaction against the restrictions of the late nineteenth century. The upheaval of the post-WW I period made the existence of the flapper possible. Coupled with Joshua Zeitz's Flapper, Lost Girls provides a complete account of the young women of the 1920s and their origins. . . . Recommended."--Choice "The flapper is famous for her style, not her substance. . . . But the history of the flapper goes back further than such pop narratives would have us believe. In her book Lost Girls, historian Simon traces the prehistory of the term, and positions the eventual emergence of these wild gals as the end of a generation-long cultural wrangling over female adolescence and female power. . . . Simon also deftly illustrates the ways that American and British society created the conundrum represented by the flapper."--Nina Renata Aron "Timeline " "Simon's new book, Lost Girls, is not about this visceral fantasy of loose girls in drop waists. Instead, it's a careful, sometimes gritty look at exactly how British and American women rose from a Victorian world of corsets and social constraints to one in which they could at least imagine they wielded as much power as men. . . . It's clear she is a gifted researcher, and each piece of information she provides seems to bloom with nuance and careful understanding of the time, place, and people she writes about."--Washington Independent Review of Books "Rich in surprise connections and creepy quotes, Lost Girls illuminates a modernist aspiration to blur gender and age that was simultaneously abetted and repressed by a deeply confused society."--Times Literary Supplement "'The iconic, mythic, post-war flapper, ' writes Simon in her involving social history of the phenomenon, 'emerged from a culture obsessed with the adolescent girl: as a problem, a temptation and finally, in the 1920s and beyond, an aspiration.' . . . Lost Girls is a scholarly treatise on what at first glance would seem a frivolous subject. . . . Simon has come up with a great deal of fascinating information and her research is impressive."--Moira Hodgson "Wall Street Journal "

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Book SynopsisThe Great Houses of the prehistoric and early medieval periods were enormous structures whose forms were modelled on those of domestic dwellings. Most were built of wood rather than stone; they were used over comparatively short periods; they were frequently replaced in the same positions; and some were associated with exceptional groups of artefacts. Their construction made considerable demands on human labour and approached the limits of what was possible at the time. They seem to have played specialised roles in ancient society, but they have been difficult to interpret. Were they public buildings or the dwellings of important people? Were they temples or military bases, and why were they erected during times of crisis or change? How were their sites selected, and how were they related to the remains of a more ancient past? Although their currency extended from the time of the first farmers to the Viking Age, the similarities between the Great Houses are as striking as the differences.This study focuses on the monumental buildings of northern and northwestern Europe, but draws on structures over a wide area, extending from Anatolia as far as Brittany and Norway. It employs ethnography as a source of ideas and discusses the concept of the House Society and its usefulness in archaeology. The main examples are taken from the Neolithic and Iron Age periods, but this account also draws on the archaeology of the first millennium AD. The book emphasises the importance of comparing archaeological sequences with one another rather than identifying ideal social types. In doing so, it features a range of famous and less famous sites, from Stonehenge to the Hill of Tara, and from Old Uppsala to Yeavering.Trade ReviewA stimulating review. * British Archaeology *[T]his is wide-ranging and thought-provoking book which should be read by anyone interested in the architecture of European prehistory but equally by early-medieval archaeologists engaged in buildings and their meanings. * Medieval Archaeology *Table of ContentsPART ONE: A PROBLEM SHARED Chapter One ‘Nobody on earth knew of another building like it.’ Chapter Two From Anatolia to Zealand: an A to Z of Great Houses PART TWO: DREAM HOUSES Chapter Three From the foundations Chapter Four Castles in the air PART THREE: SETTING THE HOUSE IN ORDER Chapter Five On a larger scale Chapter Six Social distances Chapter Seven Halls of residence and Halls of Fame Chapter Eight Building societies: a summary and some conclusions

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Book SynopsisSacred Nature: Animism and Materiality in Ancient Religions is the second volume of the series Material Religion in Antiquity (MaReA). The book collects the proceedings of the international online workshop carrying the same title organized by CAMNES, SoRS on 20–21 May 2021. Sacred Nature brings together the perspectives of scholars from different disciplines (archaeology, anthropology, iconography, philology, history of religions) about the notions of nature, sacredness, animism and materiality in ancient religions of the Old and the New World. The contributions highlight various ways of understandings the relationships that occurred between human beings, animals, plants, rivers, deities and the land in the religious life of ancient societies. In particular, each chapter explores entangled aspects of the perception of nature and its other-than-human inhabitants, and contributes to readdress some notions about nature, personhood/agency, divinity/sacrality, and materiality/spirituality in ancient religions and cosmologies. In this line, the book seeks to promote a starkly inter-disciplinary and religious-anthropological approach to the definition of ‘sacred nature’, especially engaging with the analytical category of animism as a fruitful conceptual tool for the investigation of human-environmental relations in the ancient religious conceptions, representations and practices. Dialoguing with animism and drawing upon the question on how an ancient religion happened materially, the volume presents key case studies that explore how nature and its non-human inhabitants were understood, represented, engaged with and interwoven in the sacred and sensuous landscapes of ancients.Table of ContentsIntroduction: Sacred Nature: Animism and Materiality in ancient Religions Anna Perdibon and Nicola Laneri 1. Before Nature: perspectives from new animist world-making Graham Harvey 2. Watercraft as Assemblage in the Western Arctic Erica Hill 3. Between Realms of Being: Signs of Liminality in Ancient Altai Stone Monuments Esther Jacobson-Tepfer 4. In Mantic and Hostile Lands: Surveillance and Mimesis by Divination in the Late Old Babylonian Period Seth Richardson 5. Nymphs or trees? Some remarks on the “animistic” interpretation of Homeric hymn to Aphrodite, vv. 256-272. Doralice Fabiano 6. The dawn of the Potnia. Reception and reinterpretation of an archetypal model in protohistoric peninsular Italy Valentino Nizzo 7. Responsibilities, Obedience, and Righteousness: Other-Than-Human Creatures in the Hebrew Bible Mari Joerstad

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Book SynopsisHow much do you know about the Victorian novelist who outsold Dickens? Or the woman who became the first published poet in America? Do you know what connects Homer’s Iliad to Aesop’s Fables?The Secret Library explores these intriguing morsels of lesser-known history, along with the familiar literary heavyweights we know and love. Bringing together an eclectic literary mix of novels, plays, travel books, science books and joke books, author Oliver Tearle explores how the history of the Western World has intersected with all kinds of books over the last 3,000 years. Delve into this treasure trove of curious literary examples to learn how our history and books are inextricably linked.

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Book SynopsisThe day is 8 August 1963. It is the early hours of the morning, and a group of men are waiting at a railway bridge in Buckinghamshire. They are about to rob a mail train, on its way to London from Glasgow, and they have no idea that on board they will find approximately £2.5 million (over £50 million in today's money) in cash - the largest of its time. Among their number is Ronnie Biggs. He will be remembered long after most of the other names are forgotten, and the money spent or lost. What is it about Ronnie Biggs that fascinates people sixty years on from the crime that made his name? Is it the man or the myth that makes Ron a latter-day Robin Hood - the odd man in the confederation of criminals who held up a train on that fateful day? This is Ronnie Biggs' official autobiography. It tells of one of the most extraordinary lives of the twentieth century. From Ron's daring escape from HMP Wandsworth, to how he managed to outwit and outrun a posse of law enforcement officers as one of the world's most wanted men; from plastic surgery in Paris, and his years on the run in Brazil - complete with two kidnappings and an attempted suicide - to his return to the UK after 13,087 extraordinary days on the run. Published for the sixtieth anniversary of Britain's most famous crime, this is a daring, exciting and often misunderstood life of a man who has seen and done it all, told in his own words.

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Book SynopsisIn the 1880s and 1890s, Walter Besant was one of Britain’s most lionized living novelists. Like many popular writers of the period, Besant suffered from years of critical neglect. Yet his centrality to Victorian society and culture all but ensured a revival of interest. While literary critics are now rediscovering the more than forty works of fiction that he penned or co-wrote, as part of a more general revaluation of Victorian popular literature, legal scholars have argued that Besant, by advocating for copyright reform, played a crucial role in consolidating a notion of literary property as the exclusive possession of the individuated intellect. For their part, historians have recently shown how Besant – as a prominent philanthropist who campaigned for the cultural vitalization of impoverished areas in east and south London – galvanized late Victorian social reform activities. The expanding corpus of work on Besant, however, has largely kept the domains of authorship and activism, which he perceived as interrelated, conceptually distinct. Analysing the mutually constitutive interplay in Besant’s career between philanthropy and the professionalization of authorship, Walter Besant: The Business of Literature and the Pleasures of Reform highlights their fundamental interconnectedness in this Victorian intellectual polymath’s life and work.Trade Review'This dedication to the complex network of ideas and lived practice makes Walter Besant more than a mere love letter to a forgotten Victorian. Rather, it provides an integral contribution to the history of publishing and of literary production, and to studies of libralism and reform as they appeared at the end of the century.' Peter Katz, Victorians Institute Journal‘Kevin A. Morrison’s recent volume of essays, Walter Besant: The Business of Literature and the Pleasures of Reform, offers a timely and important meditation on the restoration of authors who have fallen out of favor or slipped into obscurity… The essays in this volume offer nuanced reflections on Besant’s marginal status, thoughtful speculations about his fall from popularity, and compelling arguments for bringing him back into the Victorian studies.’ Heidi Kaufman, Victorian StudiesTable of ContentsIntroduction1. Walter Besant Now Kevin A. Morrison Part One: Literary Collaborations 2. Besant and Collaboration Kirsty Bunting 3. ‘Another like me’: The Literary Partnership of Walter Besant and James Rice Richard Storer 4. ‘I have altered nothing’: Walter Besant’s Completion of Blind Love Maria K. Bachman and Don Richard Cox Part Two: Reforming Authorship 5. Walter Besant and Copyright Reform Mary Ann Gillies 6. The Author Function in Walter Besant’s Fiction: the Notion of Artistic Value in the Wake of Copyright Law and the Nationalist Restructuring of the Trade Alberto Gabriele 7. Besant, Chatto and Watt: a Literary Income in the 1890s Simon Eliot 8. Workers as Artists: From Copyright to the Palace of Delight in Besant’s Writings Ayşe Çelikkol Part Three: Authoring Reforms 9. Altruism and The Monks of Thelema: Ideals and Realities Geoffrey A.C. Ginn 10. The Ethics of Perception and the Politics of Recognition: Walter Besant’s All Sorts and Conditions of Men Kevin Swafford 11. From Happy Individuals to Universal Sisterhood: Affective Reforms in All Sorts and Conditions of Men and Children of Gibeon Vicky Cheng and Haejoo Kim Part Four: Literary Relations 12. Moral Perfectionism, Optatives, and the Inky Line in Besant’s All in a Garden Fair and Gissing’s New Grub Street Tom Ue 13. Walter Besant: A Latter-Day Dickens? Andrzej Diniejko

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Book SynopsisForging our identities, setting our moods and impacting our culture, any music admirer understands there's a sheer breadth of musical tastes. From the classical era to modern day, here you will discover a curation of lines from composers, musicians and writers. You will find out what music means to those who love it most, the classical musicians, composers and the music devotees around the world.Illuminating, accessible and wholly delightful, this will remind you of the might of music and the importance music holds in our lives.Whether you're looking to be inspired to play, listen or simply to explore new music, A Little Book About Music will hit all the right notes and rock your world.Sample Quotes: 'I would rather write 10,000 notes than a single letter of the alphabet.' - Ludwig Van Beethoven'Music is enough for a lifetime, but a lifetime is not enough for music.' - Sergei Rachmaninoff'Music was my refuge. I could crawl into the space between the notes and curl my back to loneliness.' - Maya Angelou'If you have to ask what jazz is, you'll never know.' - Louis Armstrong'One good thing about music, when it hits you, you feel no pain.' - Bob MarleyTable of ContentsPictures on Silence • The Literature of the Heart • The Modern Era: Part 1 • A Powerful Instrument • The Modern Era: Part 2.

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Book SynopsisMichael Nelson accentuates the discrimination prevalent in the colonial period of Africa, Asia, and America. She highlights how black people suffered under colonization. They were deprived of rights, no fair play, no justice. She regrets on the concept of racism which deprives equality to black people. There was a difference between the white and black community under which the Negroes were victimized.

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Book SynopsisLONGLISTED FOR THE BAILLIE GIFFORD PRIZE FOR NON-FICTION NATIONAL BOOK AWARD WINNER ~ NEW YORK TIMES BESTSELLER ~ WINNER OF THE CUNDILL HISTORY PRIZE 'An astonishing account of love, resilience and survival' Sunday Times 'A remarkable book' New York Times 'An extraordinary tale through the generations' Guardian In 1850s South Carolina, Rose, an enslaved woman, faced a crisis: the imminent sale of her daughter Ashley. Thinking quickly, she packed a cotton bag with a few items. Soon after, the nine-year-old girl was separated from her mother and sold. Decades later, Ashley's granddaughter Ruth embroidered this family history on the sack in spare, haunting language. That, in itself, is a story. But it's not the whole story. How does one uncover the lives of people who, in their day, were considered property? Harvard historian Tiya Miles carefully traces these women's faint presence in archival records, and, where archives fall short, she turns to objects, art, and the environment to write a singular history of the experience of slavery, and the uncertain freedom afterward. All That She Carried gives us history as it was lived, a poignant story of resilience and love passed down against steep odds.Trade ReviewAll That She Carried stands as an astonishing account of love, resilience and survival, one that helps to plug that archival abyss * Sunday Times *All That She Carried finds a way to give voice to the wordless by using a mundane, domestic object - a cloth sack and its contents - to thread an extraordinary tale through the generations * Guardian *A powerful story of love and survival...it takes a visionary mind to do what Miles has done in All That She Carried...a work that stands as a testament to the humanity enslaved people were so brutally denied * Financial Times *A brilliant example of how we can tell the stories of those who have been forgotten or written out of history -- Andrea Wulf * Spectator BOOKS OF THE YEAR *A remarkable book -- Jennifer Szalai * The New York Times *Deeply layered and insightful ... [a] bold reflection on American history, African American resilience, and the human capacity for love and perseverance * Washington Post *Through [Miles's] interpretation, the humble things in the sack take on ever-greater meaning, its very survival seems magical, and Rose's gift starts to feel momentous in scale -- Rebecca Onion * Slate *Deeply and lovingly researched ... a testament to the power of story, witness, and unyielding love * Atlanta Journal-Constitution *Tiya Miles is a gentle genius . . . All That She Carried is a gorgeous book and a model for how to read as well as feel the precious artifacts of Black women's lives -- Imani Perry, author of South to America: A Journey Below the Mason-Dixon to Understand the Soul of a NationA brilliant exercise in historical excavation and recovery ... With creativity, determination, and great insight, Miles illuminates the lives of women who suffered much, but never forgot the importance of love and family -- Annette Gordon-Reed, author of The Hemingses of MonticelloA history told with brilliance and tenderness and fearlessness -- Jill Lepore, author of These Truths: A History of the United StatesAll That She Carried is a moving literary and visual experience about love between a mother and daughter and about many women descendants down through the years. Above all it is Miles's lyrical story, written in her signature penetrating prose, about the power of objects and memory, as well as human endurance, in the history of slavery. The book is nothing short of a revelation -- David W. Blight, author of the Pulitzer Prize–winning Frederick Douglass: Prophet of Freedom[A] powerful history of women and slavery * The New Yorker *[A] brilliant and compassionate account * Kirkus Reviews (starred review) *[A] sparkling tale * Oprah Daily *[An] extraordinary story ... unique and unforgettable * Ms. Magazine *This absorbing, heartfelt and beautifully written book traces the story of one family through a simple cotton sack to reveal the determination of one woman, sold into slavery, to protect the next generations from harm. In researching Rose's life, Tiya Miles uncovers the - too often unheard - voices of Black female slaves; and tells of their appalling suffering and remarkable stoicism. -- Clare Hunter, Sunday Times-bestselling author of Threads of Life: A History of the World Through the Eye of a Needle and Embroidering Her TruthIt is such a small sack, made of such very rough material. Yet as Tiya Miles shows, this textile given by a mother to her child at a time of greatest peril not only holds within it the whole unforgivable history of Transatlantic slavery, it also contains the greatest thing that anything can contain: love -- Victoria Finlay, author of Fabric: The Hidden History of the Material WorldTiya Miles has crafted a powerful, poignant narrative through a single, wondrous, ordinary object. The bag that Ashley carried stands for hope in the bleakest of times and of love. History writing at its best -- Kate Strasdin, author of The Dress Diary of Mrs Anne Sykes: Secrets from a Victorian Woman's WardrobeAshley's Sack, as it is known, with its short and simple message of intergenerational love, becomes a portal through which Tiya Miles views and reimagines the inner lives of Black women. She excavates the history of Black women who face insurmountable odds and invent a language that can travel across time -- Michael Eric Dyson, author of Long Time Coming: Reckoning with Race in AmericaTiya Miles uses the tools of her trade to tend to Black people, to Black mothers and daughters, to our wounds, to collective Black love and loss. This book demonstrates Miles's signature genius in its rare balance of both rigor and care -- Brittney Cooper, author of Eloquent Rage: A Black Feminist Discovers Her SuperpowerAll That She Carried is a masterpiece work of African American women's history that reveals what it takes to survive and even thrive. Read this book and then pass it on to someone you love -- Martha S. Jones, author of Vanguard: How Black Women Broke Barriers, Won the Vote, and Insisted on Equality for AllTiya Miles has written a beautiful book about the tragic materiality of black women's lives across three generations, through slavery and freedom. This book is for anyone interested in learning about black people's centrality to American history -- Stephanie Jones-Rogers, author of They Were Her Property

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Book SynopsisThere had been stars before. There had been films prior to Cleopatra. But in all the cynical, greedy, magical, histrionic history of the movies, there had never been a combination like that of Elizabeth Taylor and Cleopatra.Other films may have taken more money, won more awards or attracted better reviews, but none have come close to the legend that is Cleopatra.What began in 1958 as a remake of the 1917 Theda Bara film, which starred Joan Collins and was projected to cost $2 million, would open five years later, having cost nearly twenty times as much. The budget had skyrocketed enormously as the production went through extravagant sets in two different countries, two directors and six leading men – and this was on top of Elizabeth Taylor’s $1 million fee.But it was the off-screen romance between the two on-screen leads that really cemented Cleopatra’s place in cinema history. Within weeks of Richard Burton’s arrival in Italy, he and Taylor embarked on a tumultuous and passionate love affair that kept the Cuban Missile Crisis off the front pages and was denounced by the Vatican. Cleopatra and the Undoing of Hollywood is a story of lust, excess and hubris – and how one film nearly brought Hollywood to its knees.

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Book Synopsis‘A lively book that captures the essence of a modern monarchy and a new Elizabethan era’ - Lyndsy Spence, The Lady‘Down-to-earth and insightful’ - Daily MailIt is 1952 and Britain is changing. The Second World War is over, but the country is still scarred, recovering from six years of horror and still in the grip of food rationing. The British Empire is crumbling as countries fight for their independence both literally and physically. And George VI, the king who had refused to abandon London, is dead.Thorns in the Crown is the story of a country on the precipice, divided between those who held firm to old values and traditions and those who were fighting for modernity and progression. Featuring memories and reflections of those who were part of the coronation, Barry Turner presents a unique look at Britain as it came to terms with the second Elizabethan age.Trade Review"Down-to-earth and insightful" * Daily Mail *

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Book SynopsisThere is something strangely compelling about the waterways. Isolated places on the edge of society, they have always had their own distinctive way of life and a certain shady reputation. Ever since the earliest days, canals have attracted crime, with sinister figures lurking in the shadows and bodies found floating in the water. When a brutal murder in 1839 created a national outcry, it seemed to confirm all the worst fears about boatmen – a tough breed of men surviving in harsh conditions, who were swiftly branded as outlaws by the press.Drawing on a rich collection of original sources, Dark Side of the Cut brings to life dramatic stories that are gruesome, shocking and tragic. These evocative snapshots of rough justice uncover the secret world of the waterways, revealing the real human cost of the Industrial Revolution.

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Book SynopsisPickup an old stamp album and flick through it. You’ll find a host of exotic and unfamiliar names: Cyrenaica, Fernando Poo, Fiume, North Ingria, Obock, Stellaland, Tuva, – distant lands, vanished territories, lost countries. Do they still exist? If not, where were they? What happened to them?From My Old Stamp Album goes in search of the truth about these and many other amazing places. Stuart Laycock and Chris West unearth stories of many kinds. Some take you to long-disappeared empires; others throw light on the modern era’s most pressing wars. You are invited to enjoy them all, in a collection of historical narratives as broad and enticing as that old stamp album that you’ve just discovered in the attic.

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Book SynopsisThe story of herring is entwined in the history of commercial fishing. For over two millennia, herring has been commercially caught and its importance to the coastal peoples of Britain cannot be measured. At one point tens of thousands were involved in the catching, processing and sale of herring. They followed the shoals around the coast from Stornoway to Penzance and many towns on Britain's east coast grew rich on the backs of the silver darlings'.Fishing historian Mike Smylie looks at the effects of herring on the people who caught them, their unique ways of life, the superstitions of the fisher folk, their boats and the communities who lived for the silver darlings.With a wealth of illustrations, this fascinating book reveals the little-known history of the herring. And for those who've neglected the silver darlings for lesser fish such as cod and haddock, there are a number of mouth-watering recipes to try.

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Book SynopsisLike Paris in the 1920s, New York City in the 1960s was a cauldron of avant-garde ferment and artistic innovation. Boundaries were transgressed and new forms created. Drawing on interviews, memoirs, and the alternative press, Everything Is Now chron­icles this collective drama as it was played out in coffeehouses, bars, lofts, storefront theaters, and, ultimately, the streets.The principals here are penniless filmmak­ers, jazz musicians, and performing poets, as well as less classifiable artists. Most were outsiders at the time. They include Amiri Baraka, Bob Dylan, Allen Ginsberg, Yayoi Kusama, Yoko Ono, Nam June Paik, Carolee Schneemann, Jack Smith, Andy Warhol, and many more. Some were associ­ated with specific movements (Avant Rock, Destruction Art, Fluxus, Free Jazz, Guerrilla Theater, Happenings, Mimeographed Zines, Pop Art, Protest-Folk, Ridiculous Theater, Stand-Up Poetry, Underground Comix, and Underground Movies). But there were also movements of one. Their art, rooted in the detritus and excitement of urban life, was taboo-breaking and confrontational.As J. Hoberman shows in this riveting his­tory, these subcultures coalesced into a counterculture that changed the city, the country, and the world.

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Book SynopsisA Surgery Through Time is the story of one General Practice in Andover, from its birth as a single-handed practice in the front room of the doctorâs house, to a purpose-built health centre with ten GPS.

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Book SynopsisIn 2020 and 2021, at the height of the Covid pandemic, Gwrych Castle was familiar to the British public as the setting of I’m A Celebrity… Get Me Out Of Here! Lesser known is that, at the beginning of the Second World War, this once-grand country house in North Wales became home to around two hundred Jewish refugee children who had been rescued from Europe on the Kindertransport. Under trying conditions, while the families they had been separated from faced the gravest of dangers, these children and their adult guardians established a Hachshara at Gwrych Castle: a training centre intended to prepare them for the dream of establishing a Jewish homeland in Palestine (Eretz Yisrael), where they hoped one day to be reunited with the families they left behind. In this fascinating debut, historian Andrew Hesketh tells the story of these refugees and the community they built, shining a light on a chapter of Jewish history that deserves to be far more widely known. He recounts moving moments of friendship, respect, tension and humour as the new arrivals and local residents came to know each other, while the shadows of war loomed ever closer, and the Hachshara project found itself facing an uncertain future.Table of ContentsAuthor’s Note Prologue ‘Are you from the castle?’ Chapter 1: ‘The young generation of a great people’ 1933–39: The Jews, the Nazis and Abergele Chapter 2: ‘A field in the middle of nowhere’ Summer 1939: The gathering of the Gwrych refugees Chapter 3: ‘On a dark night’ 30 August–6 September 1939: Arrival at Gwrych Castle Chapter 4: ‘I wanted to do something useful’ September 1939 (Part 1): Establishing the Gwrych Hachshara Chapter 5: ‘We had good plans’ September 1939 (Part 2): Developing the Gwrych Hachshara Chapter 6: ‘I didn’t tell them I was German’ October–November 1939: Aliens, football and meeting the neighbours Chapter 7: ‘An old bowler hat’ December 1939–February 1940: Blackouts, winter and The Wizard of Oz Chapter 8: ‘Leck mich am arsch’ March–April 1940: Learning Welsh, fancy dress, the ‘naughty’ boys and girls, and a car crash Chapter 9: ‘A very traumatic experience’ May–June 1940: Spy fever and internment Chapter 10: ‘I couldn’t see any purpose to it’ July–September 1940: Departures, arrivals and divisions Chapter 11: ‘Not quite the haven they anticipated’ October 1940–September 1941: Bombs, weddings and the closing down of the Gwrych Hachshara Epilogue ‘This place gave us a new life’ Appendix I: Nominal roll of those known to have been at Gwrych Castle between 1939 and 1941 Appendix II: Glossary Acknowledgements Notes Sources and Bibliography Index

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Book SynopsisThis innovative collection offers a reappraisal of gender as a category of analysis in modern Welsh history. Beginning with sex work in the eighteenth century and concluding with women’s late twentieth-century anti-nuclear activism, the contributors show how gender has been constructed, represented, performed and experienced by men and women at different times and places throughout Wales’s modern past. Using a variety of approaches, the collection interrogates gender as a concept that encompasses both femininity and masculinity, provides fresh perspectives on familiar themes, and demonstrates the value of gender analysis for our understanding of the political, social, cultural and economic history of modern Wales. Chapters by leading historians and early career academics each set an agenda for exploring the intersection of gender with nationality, race, class, age and sexuality. Table of ContentsAbbreviations List of Contributors Foreword Introduction Angela Muir, ‘Sex Work and Economies of Makeshift in Wales, c. 1750-1830’ Marion Löffler, ‘Family Matters: War-Time Discourses on Women in Wales, 1793–1805’ Paul O’Leary, ‘Masks and Matter: Mining Masculinities in the South Wales Coalfield, 1870-1914’ Steven Thompson, ‘“Can You Look in the Mirror and Say, I See a Man?’ Masculinity and the Labour Movement in South Wales, c.1870-1939’ Neil Evans and Beth Jenkins, ‘Spaces and Places of Women’s Social Movements in Wales, 1890-1914’ Mike Benbough-Jackson, ‘Nation and Gender: St David, St David’s Day and Masculinity during the Great War’ Simon Jenkins, ‘Exploring Race and Gender in Cardiff, c.1900-c.1945’ Stephanie Ward, ‘Heroic Housewives: Political Worlds, Domesticity and the Welsh Mam in Interwar Wales’ Jay Rees, ‘“Beware you free, emancipated girls, your warden wouldn’t like it”: Women’s Activism at Swansea University, 1970-1990’ Elaine Titcombe, ‘Reflections of gender in anti-nuclear politics in Wales 1970-2000’ Endnotes

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Book SynopsisA secluded country house. A rogue Anglican Priest. Ceremonial sex and mislaid fortunes.This is the almost-forgotten story of Victorian Britain''s strangest religious sect and its wealthy, mostly female, followers who believed they could ascend directly to heaven. Henry James Prince was a rogue Anglican Priest with a flare for the dramatic, and the founder of the Agapemone, or ''Abode of Love''. He also claimed to be the immortal conduit of The Holy Spirit and purportedly engaged in free love and ceremonial sex with his mostly female followers. But Prince''s eventual death didn''t mark the end of this strange set... he was promptly replaced by another. John Hugh Smyth-Pigott - otherwise known as the Clapton Messiah.The Abode transformed a sleepy, rural corner of Somerset into one of England''s most notorious locations. While the followers shut themselves away and waited patiently for the end of the world, outrage grew - the word ''Agapemone'' because a byword for licentiousness or idlen

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One 'alone, but not lonely' boy's triumph over adversity, motivated by his dream of becoming a professional footballer and a longing for truth and connection. Street's childhood memoir is a sensitive and honest portrayal, through a poetic autistic lens, of growing up with learning differences and epilepsy in an unconventional family during the 1950s and 60s. A unique and vivid social document of the period, highlighting much of the discrimination still faced by minority and disabled communities today.

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Book SynopsisNo-one gave a second’s thought to the victims of a mining disaster near the small Yorkshire village of Cawthorne in 1821, even though two were children of just eight-years-old. Former MP David Hinchliffe’s exploration of his family history inadvertently led to the discovery of his collier ancestors’ involvement in the barely recorded and long-forgotten pit tragedy, which occurred amidst of the turbulence of the industrial revolution.The exploration of these two intertwined strands – and a passionate interest in local history in Yorkshire – has enabled him finally to reveal the full details of a melancholy event which devastated the families of the ten who were killed - but caused barely a ripple further afield. Using contemporary reports to help piece the jigsaw together, historical context and detailed genealogical research into the backgrounds of those involved, this account offers a fascinating insight into the lives of working class families across the period, when children as young as five were forced to work underground in order to supplement the household income. The research also illustrates how the split between the businessmen operating local pits, and landowners like the Spencer-Stanhopes of Cawthorne's Cannon Hall, led to an apparent disregard for the safety and wellbeing of the local workforce. The unforgiving inhumanity of the time is underlined by the way the local ‘Overseers of the Poor’ endeavoured to eject two of the victims’ families from the area when they had fallen on hard times after the disaster. And, most ironically of all, how the lauded death of Sir Walter Spencer- Stanhope is recorded in the parish register directly opposite that of the young and until now unheralded John Hinchliffe.

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Book SynopsisWhat is heritage? When was it invented? What is its place in the world today? What is its place tomorrow? Heritage is all around us: millions belong to its organisations, tens of thousands volunteer for it, and politicians pay lip service to it. When the Victorians began to employ the term in something approaching the modern sense, they applied it to cathedrals, castles, villages and certain landscapes. Since then a multiplicity of heritage labels have arisen, cultural and commercial, tangible and intangible – for just as every era has its notion of heritage, so does every social group, and every generation. In Heritage, James Stourton focuses on elements of our cultural and natural environment that have been deliberately preserved: the British countryside and national parks, buildings such as Blenheim Palace and Tattershall Castle, and the works of art inside them. He charts two heroic periods of conservation – the 1880s and the 1960s – and considers whether threats of wealth, rampant development and complacency are similar in the present day. Heritage is both a story of crisis and profound change in public perception, and one of hope and regeneration.Trade ReviewA fascinating, erudite, engaging — and much needed — book. * Neil MacGregor *Compelling and thought-provoking, this book not only explores how Britain's rich and diverse heritage has been conserved (and in some cases destroyed) in the past, but offers a ray of hope for its future -- Tracy Borman[A] huge, energetic and tightly written tome on the two-and-half-century history of conservation battles in our homeland... A masterful, dynamic and extremely readable survey of one the major issues of our times. Or all times * Literary Review *It not only covers the conservation and protection of our buildings and landscapes, but also the wider cultural aspects * This England *PRAISE FOR JAMES STOURTON: 'Richly detailed, colourful and astute and it moves at a cracking pace... A resplendent biography' The Sunday Times. 'The deft weaving of architectural, social and contemporary history will reveal unexpected pleasures' Art Quarterly. 'This lavishly illustrated compendium suggests that the age of elegance endures' Mail on Sunday. 'Wonderfully learned, gossipy and instructive... The historical research is formidable... Witty, informative and endlessly fascinating' * Literary Review *

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Book SynopsisWho became Britain's first Prime Minister on 3 April 1721?When was Karl Marx born?Where and when was the first battle of the Wars of the Roses?When did Big Ben first bong?When did the first British woman cast her vote? (Clue: It wasn't 1918.)Find the answers to these questions and many more in this landmark political history.From the first meeting of an elected English parliament on 20 January 1265 to the tabling of the Bill of Rights on 13 February 1689; from the Peterloo massacre of 16 August 1819 to Britain voting to leave the EU on 23 June 2016, there is a growing thirst for knowledge about the history of our constitutional settlement, our party system and how our parliamentary democracy has developed.Writing as an observer of political history, but also as someone with an opinion, acclaimed political broadcaster Iain Dale charts the main events of the last few hundred years, with one event per page, per day.'The indefatigable Iain Dale always cuts to the nub of politics.' Adam BoultonTable of Contentsi: Foreword 1: January 2: February 3: March 4: April 5: May 6: June 7: July 8: August 9: September 10: October 11: November 12: December ii: Acknowledgements iii: Index

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Book SynopsisAlong with her mother Emmeline, and her sister Christabel, Sylvia Pankhurst was one of the leading women's suffrage activists in early twentieth-century England, working with the militant Women's Social and Political Union. Unlike her family, however, who looked to parliament and spoke to elite and middle-class women's concerns, Sylvia consistently looked to working women and the labour movement as central to her feminist politics.In this illuminating political biography, feminist historian Barbara Winslow recovers Sylvia Pankhurst's life and work for a new generation of socialists and feminists. From Pankhurst's organizing with immigrant and working women in London's East End to her revolutionary communism and growing internationalism and anti-fascism, Winslow gives us the story of a brilliantly inspiring unorthodox feminist and unorthodox socialist.With a preface from internationally recognized socialist feminist historian and activist, Sheila Rowbotham.Trade ReviewBarbara Winslow not only gives us an impressive account of Sylvia Pankhurst's feminism and socialism; she reveals a forgotten strand of radical politics, extremely relevant today. -- Sheila Rowbotham * Preface *Winslow offers a valuable perspective on a woman who faced challenges of race and sex as she pushed the agenda for social justice in her long political career. * Booklist (review of Shirley Chisholm book) *

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Book SynopsisIlya Budraitskis, one of the country's most prominent leftist political commentators, explores the strange fusion of free-market ideology and postmodern nationalism that now prevails in Russia, and describes the post-Soviet evolution of its left. He incisively describes the twists and contradictions of the Kremlin's geopolitical fantasies, which blend up-to-date references to "information wars" with nostalgic celebrations of the tsars of Muscovy. Despite the revival of aggressive Cold War rhetoric, he argues, the Putin regime takes its bearings not from any Soviet inheritance, but from reactionary thinkers such as the White émigré Ivan Ilyin. Budraitskis makes an invaluable contribution by reconstructing the forgotten history of the USSR's dissident left, mapping an entire alternative tradition of heterodox Marxist and socialist thought from Khrushchev's Thaw to Gorbachev's perestroika. Doubly outsiders, within an intelligentsia dominated by liberal humanists, they offer a potential way out of the impasse between condemnations of the entire Soviet era and blanket nostalgia for Communist Party rule-suggesting new paths for the left to explore.Trade ReviewBudraitskis magnificently dismantles several myths. This includes the myth that the entire socialist past can be reduced to the idea of 'totalitarianism', and the myth that Russian society is divided in two, between liberals who love freedom and the masses, mired in tradition and thirsting for despotic rule. -- Alexei Yurchak, author of Everything Was Forever Until It Was No MoreA deep analysis of contemporary Russian reality which deftly dismantles the many myths in which that reality is shrouded. Budraitskis's writings deal with several themes and periods, but common to them all is a sensitivity to the details of the context and a capacity to question dogmatic certainties. The texts are beautifully written, in a clear, precise, and stylistically fine-tuned prose. This extremely important collection allows us to look at Russian and many other post-socialist societies from a new standpoint. -- Alexei Yurchak, author of Everything Was Forever, Until It Was No MoreIlya Budraitskis brings immense historical knowledge, moral clarity, and political insight into these crucial essays on twenty-first century Russia. From his critical analyses of Russian culture wars and the "geopoliticization of Russia" to his path-breaking history of socialist dissidence and contemporary Left discontent, Budraitskis proves an adroit guide through the post-Soviet landscape. He directs us not simply to persistent authoritarianism and reaction but also to the unrealized political alternatives that remain to be activated by Left anti-capitalists today. -- Jodi Dean. author of ComradeIlya Budraitskis is a gifted writer- non-conformist, insightful, sharp and polemical. Essays collected in this volume succeed to challenge both liberal and illiberal clichés about Putin's Russia. -- Ivan Krastev, author of Is It Tomorrow Yet?Refusing the neo-Cold War nonsense that depicts Putin's Russia as an anti-imperialist bulwark or a reincarnation of Stalin's empire, Ilya Budraitskis has more important things to think about than this confected Clash of Civilisations. Whether uncovering the forgotten socialists among the Soviet-era dissident movement or tracing the emergence of a true post-Soviet left into the present day, his work is sophisticated, invigorating and ethically rigorous. -- Owen Hatherley

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Book SynopsisThis revised and updated edition of Aileen Smart's best-selling book paints a fascinating picture of those villages north of the Clyde that helped forge Glasgow into one of Britain's most energetic and vibrant cities. Although now subsumed within Glasgow proper, these places nevertheless maintain a tremendous sense of pride and identity. Each has its own story to tell, its own heroes and villains, its own myths and traditions. Packed with intriguing detail and enhanced with numerous maps and photographs, Villages of Glasgow is a stimulating introduction to Glasgow and those communities that have formed its lifeblood over the centuries.

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Book SynopsisIn 1918 Lord Leverhulme bought the island of Lewis with ambitious plans to massively expand its fishing industry and increase its population. In 1923, when his plans had failed, he offered it free of charge to the islanders in two parts. One part, which included impoverished rural areas, was economically unviable. But the other, based around the busy fishing port and administrative centre of Stornoway, was a different matter. In accepting Leverhulme’s offer, the hardheaded, churchgoing business class of Stornoway took on the responsibility of making the radical slogan ‘Land for the People’ a reality. It was an unlikely coupling, but it worked to perfection. The 20th century was a tumultuous time for Lewis. Migration and depopulation were exacerbated by two world wars. Such problems could not be addressed in the lottery of private landownership, but in the stable, democratic government of the Stornoway Trust, town and country alike would weather the storms. Roger Hutchinson tells the story of those storms, and of the people who guided their pioneering estate into the relative security and prosperity of the 21st century. In doing so he paints a vivid portrait of a unique landholding experiment, of Highland land struggle and of the island of Lewis itself.

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Book SynopsisShawn Levy, author of ‘Rat Pack Confidential’ brings alive London in the swinging Sixties with a gripping, groovy story of those who created the scene that changed the world. For a few years in the 1960s, London was the coolest city on earth: a spontaneous, dizzying stew of pop music, fashion, film, scandal, drugs & sex, crime, the avant garde underground and the tabloid obsession with fame. The rest of the world watched in awe. Snaking through it are such eminent swinging Londoners as The Dreamer (actor Terence Stamp), The Chameleon (Rolling Stone Mick Jagger), The Loner (Beatles manager Brian Epstein), The Snapper (photographer David Bailey) and The Blue Blood (art dealer Robert Fraser), as well as such figures as comedian Peter Cook; hairdresser Vidal Sassoon; singer Marianne Faithfull; fashion designer Mary Quant; supermodels Jean Shrimpton and Twiggy; gangsters Ron and Reggie Kray; actor Michael Caine; actresses Catherine Deneuve, Lynn Redgrave and Julie Christie; pop groups The Beatles, The Who and The Kinks; filmmakers Roman Polanski, Richard Lester and Michelangelo Antonioni; as well as the various participants in the Profumo scandal, the Great Train Robbery, the rise of LSD, the radical underground, the heyday of the gambling club and the fashion boutique and various and sundry scandals, scenes and sensations. Due to a combination of massive talent and sheer luck, they dominated the world scene. But the party was to end – after seven short years it seemed that everyone was now a Swinging Londoner and the same vibe was found in Paris, New York and San Francisco. ‘Ready, Steady, Go’ recreates the whole show and contrasts a series of emblematic lives with the great events that shaped the time. Through these stories, Shawn Levy, author of ‘Rat Pack Confidential’, shows how the city reinvented cool and then seemed to lose its swing altogether.

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Book SynopsisThe story of Netley in Southampton – its hospital, its people and the secret history of the 20th-century. Now with a new afterword uncovering astonishing evidence of Netley's links with Porton Down & experiments with LSD in the 1950s. It was the biggest hospital ever built. Stretching for a quarter of a mile along the banks of Southampton Water, the Royal Victoria Military Hospital at Netley was an expression of Victorian imperialism in a million red bricks, a sprawling behemoth so vast that when the Americans took it over in World War II, GIs drove their jeeps down its corridors. Born out of the bloody mess of the Crimean War, it would see the first women serving in the military, trained by Florence Nightingale; the first vaccine for typhoid; and the first purpos- built military asylum. Here Wilfred Owen would be brought along with countless other shell-shocked victims of World War I – captured on film, their tremulous ghosts still haunted the asylum a generation later. In Spike Island, Philip Hoare has written a biography of a building. In the process he deals with his own past, and his own relationship to its history.Trade Review‘“Spike Island” has kept me company these past few days. It is an astonishing book not only for what it contains but also for its synoptic vision and for its wonderful prose style. If 10% of the population read it, the place we live in would be much improved’. W.G.Sebald ‘Philip Hoare’s deeply personal foray into the past is a tour-de-force'.’ Michael Bracewell, Independent on Sunday ‘The story of the Royal Victoria Hospital is a fascinating one, and Mr Hoare’s book extremely valuable.’ Anthony Daniels, Sunday Telegraph ‘Hoare develops a gothic theme that marries glamour with morbidity and runs throughout the work…His literary tones – ghostly, haunting, reminiscent of du Maurier – find their echo is Netley's grim history…’ Nicola McAllister, Observer

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Book SynopsisThis charming little book provides a feast of original recipes from Victorian times, which are still perfectly reliable today. How about spring soup or mayonnaise of chicken in shells to start? Followed by toad in the hole made with steak and kidney, maybe served with asparagus pudding? And for dessert there could be canary pudding with a sweet sauce, or perhaps the exotic pears à l’allemande? Interspersed with delightful illustrations, Victorian Recipes is sure to make a welcome addition to the recipe collection of any keen cook, and a nostalgic and thoughtful gift for those who love all things from the Victorian era.

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Book SynopsisA general introduction to the classical world from its origins to the fall of the Roman Empire. The book focuses on questions of how we know about Classical civilization from archaeology and history; deals with the Mycenaean era and the world of Myth and Epic in Homer's Iliad & Odyssey; gives an outline of Greek history in the 5th & 4th Centuries BC; looks at Greek social life and the alternative model of Sparta, and considers the achievements of the Greeks in their art and architecture, tragedy and comedy. Turning to Rome, it engages with Roman history, the Roman Epic tradition, the fascinating features of Roman social life, analyses Roman satire, explores the urban environment in Pompeii and Herculaneum, and concludes with the End of Rome.

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Book Synopsis'The perfect guide to the hidden history of London's streets.' BBC History MagazineIn Cruickshank's London, Britain's favourite architectural historian describes thirteen walks through one of the greatest cities on earth. From the mysterious Anglo-Saxon origins of Hampstead Heath, via Christopher Wren's magisterial City churches, to the industrial bustle of Victorian Bermondsey, each walk explores a crucial moment in our history - and reveals how it helped forge the modern city. Along the way, Cruickshank peppers the book with vivid photographs, sketches and maps, so you can immediately follow in his footsteps.Every street in London contains a story. This book invites you to hear them.___'An inspiringly illustrated guide to walks across London . . . It proves how much we can miss if we don't pay close attention to our surroundings.' Country Life'All power to Cruickshank and his intrepid and knowledgeable kind. We need them.' Times Literary SupplementTrade ReviewAll power to Cruickshank and his intrepid and knowledgeable kind. We need them. * TLS *An inspiringly illustrated guide to walks across London . . . Proves how much we can miss if we don't pay close attention to our surroundings. * Country Life *There can be few people more passionate about Georgian architecture than Dan Cruickshank . . . A call to explore London. * Daily Telegraph *Such a beautiful book . . . Absolutely fascinating. * Monocle *Reveals the capital . . . Cruickshank finds great stories in the Big Smoke. -- Best Travel Books * Shortlist *Historic walks covering all corners of the city . . . [Cruickshank] tells little known stories including the West Ham churches inscribed with the occult symbols of the Knights Templar, and the features of Tower Bridge that were included to appease Queen Victoria’s temper. * Londonist *A closer look at our magnificent city, under the eagle eye of Dan Cruickshank. -- Robert Elms, BBC Radio LondonFeaturing maps and photographs, this new book is the perfect guide to the hidden history of London’s streets. * BBC History Magazine *For armchair walkers or history buffs wanting a stroll with a headful of interesting facts to share, it’s an excellent guide. * This England *

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Book SynopsisShortlisted for the An Post Irish Book Awards Irish-Published Book of the Year A TREASURE TROVE OF LETTERS TO AND FROM OUR NINE PRESIDENTS FROM 1938 TO THE PRESENT DAY With over 400 letters, memos, cards, telegrams, drawings, notes and photographs, The Presidents’ Letters reveals a personal and unexpected story of Ireland since the inauguration of our first president, Douglas Hyde. Most of these have never been published before and a handful have never been seen by the public. They are letters of congratulations, of resignation, of sympathy. A handwritten note from a president to a queen, a message sent to the moon, a fond farewell from a poet. There are letters of joy and loss, begging letters and threatening ones, sent from palaces, parliaments and prisons, from war zones, refugee camps and homeless shelters. Meticulously researched and hand-picked for this unique book, these correspondences bring to life our presidents, Áras an Uachtaráin and all those who have passed through its doors. The Presidents’ Letters is a beautiful homage to the art of the letter, exploring how each of our presidents defined their eras and how they strengthened the relationship between Ireland and all who identify as Irish. The book is divided into thematic sections, rather than separate chapters on the individual presidencies and featuring contributions in the form of one-page chapter introductions to contextualise the correspondence. Contributors include: David McCullagh Rory Montgomery Martina Devlin Catriona Crowe Samantha Barry Joseph O’Connor Harry McGee Lise Hand Justine McCarthy Paul Rouse Terri Kearney

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Book SynopsisThe nineteenth century was a time of unprecedented transformation, and nowhere was this more apparent than on the streets of London. In only a few decades, London grew from a Regency town to the biggest city the world had ever seen, with more than 6.5 million people and railways, street-lighting and new buildings at every turn.Charles Dickens obsessively walked London's streets, recording its pleasures, curiosities and cruelties. Now, Judith Flanders follows in his footsteps, leading us through the markets, transport systems, sewers, slums, cemeteries, gin palaces and entertainment emporia of Dickens' London. The Victorian City is a revelatory portrait of everyday life on the streets, bringing to life the Victorian capital in all its variety, vibrancy, and squalor. No one who reads it will view London in the same light again.Trade ReviewA quite extraordinary book, which I read with much enjoyment: an intoxicating blend of London, life and literature... I think it's Judith Flanders' best book yet, which is saying something. -- Andrew TaylorMeticulous and gripping... Flanders says that Dickens appealed to contemporaries because he gave them a voyage into the unknown: into parts of London they did not know and where they would not venture. She does something similar for us. The strangeness remains, but the voyage is unforgettable. * Independent *The teeming, bustling, hand-to-mouth and often smelly facts of mid-19th century urban life have seldom been more vividly presented than in this book. * Literary Review *Outstanding * Sunday Times *With infectious enthusiasm Judith Flanders dives into the sights, smells, sounds and grit of what was then the largest city the world had ever known: London * Sunday Telegraph *Flanders captures the variety and colour of 19th-century London, stirring admiration and indignation by turns. To lead us through the Victorian capital, through its hustle and sprawl, its dangers and entertainments, you couldn't hope for a better guide. * New Statesman *Recreates the textures of everyday life with an anthropologist's understanding of human behaviour alongside a storyteller's eye for character. * Daily Telegraph *

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Book SynopsisEver needed tips on how to sleep next to a snoring spouse? How to convalesce in style? Or the etiquette of staying in a haunted house? This humorous book was originally published in the 1930s as an amusing guide for married couples. Poking fun at wives and husbands in an even-handed manner, it is both witty and quaint, giving a glimpse of middle-class life of a bygone era, but also offering up some universal advice which still rings true today. For example, ‘Choose bedside books for their soporific qualities’, or, ‘one whisky-and-soda on retiring... makes the average man forget the dullest dinner and sends him to bed in a glow of good will.’ With sections on hot-water bottles, robes de nuit, breakfast in bed, the best kind of pillow, sneaking home late and night-time readers, this is the perfect, self-improving gift for your favourite bedfellow.Table of ContentsBediquette 1 In Bed with a Teacher of Manners 3 How to Go to Bed 7 Going to Bed Under Difficulties 17 The Seven Great Problems of Marriage 23 The Seven Pillars of Desertion and Divorce 38 How to Get Up 39 In Bed with a Nice Person 44 How to Invite Somebody to Bed 55 Bed Manners in a Haunted House 58 Suzygophobia 64 The Freedom of the Seas 66 How to Be a Charming Convalescent at Home 71 A Woman’s Best Friend is Her Hot-Water Bottle 88 Bed Manners in a Country House 91 So You Don’t Sleep Well! 106 Advice to Those About to Marry 115

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Book Synopsis

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