Product design Books

Book SynopsisThe old, top-down approach to leadership doesn't work any more. What we need is a more flexible, creative approach one that empowers people to do their best work, rather than tells them to do so. In Creative Leadership, Rama Gheerawoo applies the mind of a design expert to the twenty-first-century organisation. In particular, his book shows how success in the future will increasingly be dependent on a mastery of three basic principles: creativity, clarity and empathy. Drawing on his own experience in leading over 100 design projects with government, business and the third sector, it sets out a blueprint for engagement and success that applies to everything from small enterprises, to large multinationals.

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Book SynopsisFrom two of the world's leading experts on watch collecting, this supremely elegant and informative selection of one hundred watches traces the timepiece's evolution as it highlights unusual, important, and beautifully crafted watches of the past half a millennium. For centuries people have been captivated by watches-whether for their technical precision, their unique design, or their historic importance. Each of the one hundred watches profiled in this elegant book stands out for one or more of these qualities. Organized chronologically and divided by century, the watches are presented in spacious, double-page spreads, featuring exquisite photography with engaging, incisive texts. Readers will discover examples of the earliest watch forms; an astonishing Elizabethan-era watch with astrolabic dial; an early 17th century watch encased in a single emerald; two of the earliest watches to incorporate the balance spring-a feature that revolutionized the portable timekeeper; and some of the first repeating and perpetual calendar watches. These are followed by the first lever watch, invented by Thomas Mudge; important precision watches; early 19th century enamel and automaton watches; highly complex watches by Breguet and Patek Philippe; Sir Winston Churchill's yellow gold World Time Victory watch; a Rolex wristwatch made to commemorate Indian Republic Day; an Omega Speedmaster that went into space; and a Roger Smith wristwatch completed in 2023. Featuring exquisitely reproduced photographs that are appearing for the first time together in book form, this historic collection will appeal to sophisticated collectors, amateur watch enthusiasts, and anyone with an interest in the art and science of horology.

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Book SynopsisThis unparalleled and wide-ranging book surveys the history of applied arts and industrial design from the eighteenth century to the present day, exploring the dynamic relationship between design and manufacturing, and the technological, social and commercial contexts in which this relationship has developed.In this extensively revised and expanded third edition, David Raizman addresses international questions more fully with the addition of six Global Inspiration sections that examine the contributions of non-Western traditions, rendering the very notion of a ''national'' design debatable. The text also pays closer attention to issues of gender, race, and climate change, and their impact on design.With over 580 illustrations, mostly in colour, History of Modern Design is an inclusive, well-balanced introduction to a field of increasing scholarly and interdisciplinary research, and provides students in design with historical perspectives of their chosen fields of study.

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Book SynopsisErin B Taylor is the Managing Director of Finthropology based in The Hague, the Netherlands. She specializes in how people's financial behaviour is changing along with innovation in financial services. Anette Broløs is the Director of Finthropology based near Odense, Denmark. She is an experienced fintech leader working on strategic innovation, partnerships, open banking and digital transformation and has held roles as the CEO of Copenhagen FinTech Innovation and Research and the CFO and Head of Development at Fionia Bank.

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Book SynopsisA global survey of 100 of the most creative and innovative product designers working today

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Book Synopsis"…a rare delight; a quite surprising array of oddly–shaped box designs, with a shape for almost every occasion and product." – Art Box"…this book gives the reader an understanding of the underlying principles of package construction and the confidence to have a go at creating ideal product packaging from scratch" – Art BoxUnlike other packaging titles, which simply provide templates to copy, this book enables designers of all packaging types to create 3–D packaging forms that are specific to their needs rather than based on an existing design.It teaches a simple ''net'' construction system – a one–piece 2–D configuration of card seen when a 3–D package is opened out and flattened – which enables the designer to create a huge number of very strong 3–D packaging forms that are both practical and imaginative. Each chapter concludes with photographs and net drawings of 6–10 creative examples of packaging designs made using the principles outlined in the preceding chapter.Structural Packaging gives the reader an understanding of the underlying principles of packaging construction and the technical knowledge and confidence to develop a greater number of their own unusual and innovative designs.Presents a unique system for creating strong 3D packaging • Explains over 70 forms with clear instructions and advice, and gives the reader technical knowledge to create countless others • One of a series of three titles on paper engineering by Paul Jackson: the other titles are Promotional Materials (Spring 2013) and 3D Pop–ups (Spring 2014) • Follow up to the best–selling Folding Techniques for DesignersAlso available from Paul Jackson:Folding Techniques Complete Pleats Cut and Fold Paper Textures Cut and Fold Techniques for Pop–Up Designs Cut and Fold Techniques for Promotional Materials How to Make Repeat Patterns

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Book SynopsisFrom Alvar Aalto to Marco Zanuso, Chairs introduces over 1,000 groundbreaking innovations by the world's greatest designers. Tracing the history of the modern chair from 1800 to the present day, revered experts Charlotte and Peter Fiell comprehensively guide you through the fascinating world of seating design – from the functional office chair to the limited edition art piece.With more than 1,000 exquisite images alongside fascinating insights into the conception, design and production of these masterpieces, this definitive collection includes design classics such as Josef Hoffmann's Sitzmaschine, Robin Day's Polyprop and computer-generated masterworks by Zhang Zhoujie, amongst many more.Table of ContentsIntroduction • 1800s • 1900s • 1910s • 1920s • 1930s • 1940s • 1950s • 1960s • 1970s • 1980s • 1990s • 2000s • 2010s • Index • Bibliography.

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Book SynopsisDesign thinking is the core creative process for any designer; this book explores and explains this apparently mysterious design ability. This new edition is a completely revised, updated and extended version of a classic text.Focusing on what designers actually do when they are designing, the book is structured around a series of in-depth case studies of the work of outstanding and expert designers, interwoven and developed with commentary and comparison. The coverage reflects the breadth of design from architecture to engineering, consumer products to communications, and from individual designing to teamwork and collaborative designing. The scale of designing ranges from Formula One racing cars to city commuting cars, locomotives to bicycles, sewing machines to litter bins and lemon squeezers. The book is based on evidence from observation and investigation of design practice, providing insights into and understanding of design thinking, and the development of design ability from novTrade ReviewI came across the first edition of this book and adopted it immediately for my instructional design course…The second edition is even richer with engaging storytelling and case studies. A must-read for future designers-to-be. * Minjuan Wang, Professor and Chair of Learning Design and Technology, San Diego State University, USA *This is the classic book on how designers think and work. While based on solid research, it is also a compelling read: the interviews, case studies and stories from design practice are lively and very accessible. There still is no better explanation. * Kees Dorst, Professor of Transdisciplinary Innovation, University of Technology Sydney, Australia *Are you looking for a book that can help you advance your ability to be a reflective designer? This straightforward book takes on the complex topic of design thinking and gives you gems to reflect on and incorporate into your own design practice. * Cynthia Atman, Professor of Human Centered Design and Engineering and Director of CELT, University of Washington, USA *Nigel Cross has been at the forefront of research in design thinking for several decades. This book elegantly encapsulates his exceptional knowledge of just what it is that makes designing such a unique and valuable activity. * Peter Lloyd, Professor of Integrated Design Methodology, TU Delft, the Netherlands *This book highlights the core characteristics of design thinking and its processes through empirical case studies on how designers generate creative designs. Nigel Cross, a pioneer in design research and methodology, analyzes design thinking with insights based on his long-standing experience, which can be of great help to design researchers, educators and students. * Kun-Pyo Lee, Dean of the School of Design, The Hong Kong Polytechnic University *Design thinking has radically changed the world. Long before the concept got traction in many disciplines beyond design, Nigel already engaged deeply with the cognitive processes of designers and architects. This book is a much needed refresher on the understanding of these fascinating phenomena. As a design professor with a background in psychology, I am hugely inspired by this book. * Cees de Bont, Dean of the School of Design and Creative Arts, Loughborough University, UK *Table of ContentsIllustration Credits Preface Acknowledgements Introduction The Design of this Book 1. Design Ability Studying Design Ability Asking Designers About What They Do Deconstructing What Designers Do Watching What Designers Do Thinking About What Designers Do Understanding What Designers Do 2. Designing to Win Background: Formula One Designing Radical Innovation Self-adjusting Suspension Pit Stops Designing from First Principles Steering Column Analogical Thinking Integrated Design City Car Modelling Learning from Failure Design Process and Working Methods 3. Designing to Please Background: The Art of Technical Design Looking for Improvement Sewing Machine Constructive Thinking Going Beyond the Brief Locomotive Fixation Learning from Failure Design Process and Working Methods 4. How Designers Think Motivation and Attitude Other Outstanding Designers Common Features Strategic Thinking Creative Thinking Problem Framing Co-evolution 5. Designing to Use The Experiment Design in Action Systems View First Principles Designing for Clients and Users Discussion: Design strategy 6. Designing Together Teamwork in Design Roles and Relationships Planning and Changing Activities Gathering and Sharing Information Generating and Adopting Concepts Plastic Tray Persuasion Avoiding and Resolving Conflicts Discussion: Design Co-operation 7. How Designers Work Creative Working Team Working Team Leadership Design Process Structure Versus Spontaneity Collaborative Designing Creative Designing The Creative Bridge 8. Design Expertise Experts and Novices From Novice to Expert Development of Expertise Developing Design Thinking Expertise in Teamwork Design Intelligence The Designing Brain Glossary References Index

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Book SynopsisPart social history and part design catalogue, this innovative book delves into the sinister history of 19th-century wallpaper.Trade Review'A highly original and beautifully illustrated volume that contrasts alluring, poison-laden wallpapers with thought-provoking narrative' - Town Daily'Like Horrible Histories, but for grown-ups with a keen interest in interior design' - Emerald Street'Lucinda Hawksley explores the fascinating history of the use of arsenic in textiles and wallpapers. The book is beautifully made' - It’s Nice That'In Hawksley's engaging prose, Morris comes across as a contradictory figure - just like the poisonously beautiful wallpaper that adorned so many Victorian homes and like the sumptuous pages of this handsome book, hiding a dark social history within' - World of Interiors'The bible on this topic – and gorgeous to boot' - BBC HistoryTable of ContentsIntroduction: Arsenic & Victorian Paper Hangings • 1. Arsenic Murder & Myth 2. Madness in the Method; Poison in the Process • 3. Arsenic in the Home • 4. The Wallpaper Designers • 5. The Public Debate • 6. Getting Away From It All • 7. The Rise of Arsenic-free Wallpaper • Appendix

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Book Synopsis'One of the only books on the subject and directly applicable across several modules and levels.' - Matt Bassett, Coventry UniversityIn this, the first product design book devoted purely to styling, Peter Dabbs helps students and professionals to understand how to style their own consumer-focused products.Providing a clear and simple breakdown of the stages in the styling process, Product Design Styling is packed with:Annotated illustrationsPhotographs of industry examplesModified images showing proportions, silhouettes and linesThe clear text and visual examples guide you through a structured professional styling process that has been broken down into digestible stages. Each stage examines and illustrates what designers should be focusing on, how to evaluate what has been designed, and how to then optimize it if required. You will also learn how to analyse and critique the styling of competitors, as well as your own work, and use this awareness to confidently produce superior designs in less time.Trade ReviewOne of the only books on the subject and directly applicable across several modules and levels. * Matt Bassett - Coventry University *The book usefully highlights the value and importance of styling within the design process, which is so often viewed negatively. It encourages the reader to practice their skills as they work through the sections - with practical exercises at the end of sections to test out styling ideas. The inclusion of learning objectives and chapter summaries really helps to support the practical nature of the topic well - making the book feel like a guided journey through developing knowledge and skills as you go. Key quotes from leading design practitioners within each section help to lock the subject into real-world-practice. There are some useful links made between functionality, styling, user perception and expectation. These are valuable in clearly placing styling within the framework of 'good' design practice. Towards the end of the book, the slightly shorter sections examining line, surface, colour, materials and finish provides very practical guidance that can be readily applied to any project. * JON SPRUCE - MANCHESTER METROPOLITAN UNIVERSITY *

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Book SynopsisThis publication accompanies the exhibition Transform! Design and the Future of Energy at the Vitra Design Museum. Energy is the central driving force of our society; Energy is political; Energy is invisible. But all buildings, infrastructure and products with which energy is generated, distributed and used are designed. Design must therefore also play a central role in urgently needed energy transition. This publication accompanying the exhibition Transform! Designing the Future of Energy explores the current, radical transformation of the energy sector from a design perspective: from products that harvest renewable energies to the design of solar houses and wind turbines, from intelligent mobility concepts to future visions of self-sufficient cities. It sheds light on the global thirst for energy and asks critical questions: How can design contribute to making greater use of renewable energies and to reducing our energy consumption?

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Book SynopsisTools For Food explores the history of 250 of our most-loved and intriguing kitchen items and how they''ve changed the way we live.From 12th century Mongolian fire pots, to 17th century Chinese scissors, from beloved Tupperware food containers to the iconic Alessi lemon squeezer, this culinary journey covers well-loved designs, as well as lesser known objects.The reader will be taken on a journey around the globe, exploring how and what we cook has changed over the centuries, showing similarities and diversity across times and cultures.From primitive necessities to specialized high-tech equipment, each image is accompanied by a text detailing its origin, as well as interesting facts about its relationship between culture and cooking.

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Book SynopsisA miscellany of actual patents for wonderfully bizarre inventions, Brilliantly Bad is a salute to what the human mind can achieve even if it probably shouldn't.This collection of the strangest ideas ever patented, ranging from the bizarre and baffling to the *oh so close* to genius, is a true celebration of human ingenuity in all its (occasionally) pointless glory.INVENTIONS INCLUDE:A coat that doubles as a urinalA musical condomAn automated pet petterFace-lifting earringsA weight-lifting device for the penis

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Book SynopsisIn The Language of Things Deyan Sudjic, Director of the Design Museum, decodes the things around us: their hidden meanings, our relationship with them, how they shape our lives and why we desire them. Design is everywhere. It seduces, pleases and inspires us. It makes us part with our money. It defines who we think we are. An iPhone, an anglepoise lamp, a Picasso, a banknote, an Armani suit, a William Morris textile, a Lucky Strike packet, a spacecraft - every object tells a story. And understanding their stories offers us a whole new way of seeing the world. ''Articulate and wonderfully knowledgeable ... for anyone who takes an interest in the world around us''   Time Out ''A nightmare vision of a world drowning in objects ... witty, well observed and wide-ranging''   Guardian ''An elegant, witty and free-ranging survey, from Thomas Chippendale''s ponderous 18th-century manor-house furniTrade ReviewAn elegant, witty and free-ranging survey of industrial product design from Thomas Chippendale's ponderous 18th-century manor-house furnishings to Jonathan Ive's sprightly Macintosh iBooks * Telegraph *Sudjic's book rebukes designers for their arrogance and increasing self-importance ... readable, sharp and worthwhile * FT *The Language of Things is a happy trot through the colourful landscape formed by design's eternal alternation between use and allure * Evening Standard *Deyan Sudjic presents us with a nightmare vision of a world drowning in objects ... witty, well observed and wide-ranging * Guardian *As a confessional, the book is witty and honest, and Deyan Sudjic remains one of our most insightful commentators * Royal Academy magazine *Articulate and wonderfully knowledgeable ... a very nice object in itself ... much in here for anyone who takes an interest in the world around us * Time Out *

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Book SynopsisAn exquisite selection of decorated papers dating from the 16th to the 20th century, now available in a compact edition.Trade Review'A useful and inspiring visual reference book' - Creative Review'Marks writes with erudition and passion. An inspiring book for creative types' - The Lady'Showcases one of the largest and most diverse collections of decorated papers in the world' - Cover MagazineTable of ContentsIntroduction • Marbled Papers • Paste Papers • Brocade Papers • Block-Printed Papers • Mass-Produced Papers • Miscellaneous Techniques

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Book Synopsis50 of the world’s most exciting designers and visionary artists have devised simple objects that anyone can make at home.Trade Review"This new book seeks to redefine DIY for the flat-pack generation. With the intention to inspire, the clear instructions and hand-drawn illustrations make it wonderfully easy to assemble items like this Flying Shelf by Matteo Thun." —Absolutely City & Angel"Ever wanted to actually use the drill your aunt bought you three Christmases ago? Try one of these 50 DIY builds from the world's most lauded artists and designers... Mercifully, they're all straightforward, and each project includes hand-drawn step-by-step illustrations, a list of tools you'll need and the necessary materials. Time to break the cellophane." —GQ online"Stylish collection of playful and practical projects." —House & Garden"A highly gift-table book for tinkerers, makers, aspiring industrial designers and expert IKEA furniture assemblers... The designs... are handsome, functional and, most importantly, put together by hand." —Mother Nature Network"aims to elevate DIY from the drudgery of everyday domestic construction and repairs to a creative expression of an art and style" —New Design"the biggest stars on the international design scene to create a piece of furniture that can be replicated by anyone with a keen eye and basic toolkit" —The Sunday Telegraph"If you've been carrying a torch for a great design piece... [this] new book may help fulfill that unrequited love... fun, often quirky projects" —ArchitecturalDigest.com "Beautiful pictures, clear instructions, and elegant design." —Quartz"[A] smart take on the pervasive DIY trend in an increasingly design-conscious world that will give your self-made project a galvanizing back story." —Slate.com"Something of a provocation, challenging us to look beyond the branding and see everyday objects in a whole new light... This is a book about emotional connections to objects, and how the act of alteration or interaction with a thing – however minor – can increase its lifespan and enhance our day-to-day lives."—wallpaper.com"Designers creations you can make by yourself, isn’t it the height of chic? In his book Do It Yourself to be published in October in France, the german journalist Thomas Barnthaler show 50 of those unique pieces."—Grazia France"We don’t often include 'how to' books here, but this one is a little bit different, inviting contemporary designers and artists from Konstantin Grcic and Ai Weiwei to create their own DIY projects."—Crafts"In typically gorgeous Phaidon style, 50 visual designers and artists have pulled together a proper syllabus of simple, sophisticated DIY art and design projects. " —LA Weekly

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Book SynopsisDesign thinking is the core creative process for any designer; this book explores and explains this apparently mysterious design ability. This new edition is a completely revised, updated and extended version of a classic text.Focusing on what designers actually do when they are designing, the book is structured around a series of in-depth case studies of the work of outstanding and expert designers, interwoven and developed with commentary and comparison. The coverage reflects the breadth of design from architecture to engineering, consumer products to communications, and from individual designing to teamwork and collaborative designing. The scale of designing ranges from Formula One racing cars to city commuting cars, locomotives to bicycles, sewing machines to litter bins and lemon squeezers. The book is based on evidence from observation and investigation of design practice, providing insights into and understanding of design thinking, and the development of design ability from novTrade ReviewI came across the first edition of this book and adopted it immediately for my instructional design course…The second edition is even richer with engaging storytelling and case studies. A must-read for future designers-to-be. * Minjuan Wang, Professor and Chair of Learning Design and Technology, San Diego State University, USA *This is the classic book on how designers think and work. While based on solid research, it is also a compelling read: the interviews, case studies and stories from design practice are lively and very accessible. There still is no better explanation. * Kees Dorst, Professor of Transdisciplinary Innovation, University of Technology Sydney, Australia *Are you looking for a book that can help you advance your ability to be a reflective designer? This straightforward book takes on the complex topic of design thinking and gives you gems to reflect on and incorporate into your own design practice. * Cynthia Atman, Professor of Human Centered Design and Engineering and Director of CELT, University of Washington, USA *Nigel Cross has been at the forefront of research in design thinking for several decades. This book elegantly encapsulates his exceptional knowledge of just what it is that makes designing such a unique and valuable activity. * Peter Lloyd, Professor of Integrated Design Methodology, TU Delft, the Netherlands *This book highlights the core characteristics of design thinking and its processes through empirical case studies on how designers generate creative designs. Nigel Cross, a pioneer in design research and methodology, analyzes design thinking with insights based on his long-standing experience, which can be of great help to design researchers, educators and students. * Kun-Pyo Lee, Dean of the School of Design, The Hong Kong Polytechnic University *Design thinking has radically changed the world. Long before the concept got traction in many disciplines beyond design, Nigel already engaged deeply with the cognitive processes of designers and architects. This book is a much needed refresher on the understanding of these fascinating phenomena. As a design professor with a background in psychology, I am hugely inspired by this book. * Cees de Bont, Dean of the School of Design and Creative Arts, Loughborough University, UK *Table of ContentsIllustration Credits Preface Acknowledgements Introduction The Design of this Book 1. Design Ability Studying Design Ability Asking Designers About What They Do Deconstructing What Designers Do Watching What Designers Do Thinking About What Designers Do Understanding What Designers Do 2. Designing to Win Background: Formula One Designing Radical Innovation Self-adjusting Suspension Pit Stops Designing from First Principles Steering Column Analogical Thinking Integrated Design City Car Modelling Learning from Failure Design Process and Working Methods 3. Designing to Please Background: The Art of Technical Design Looking for Improvement Sewing Machine Constructive Thinking Going Beyond the Brief Locomotive Fixation Learning from Failure Design Process and Working Methods 4. How Designers Think Motivation and Attitude Other Outstanding Designers Common Features Strategic Thinking Creative Thinking Problem Framing Co-evolution 5. Designing to Use The Experiment Design in Action Systems View First Principles Designing for Clients and Users Discussion: Design strategy 6. Designing Together Teamwork in Design Roles and Relationships Planning and Changing Activities Gathering and Sharing Information Generating and Adopting Concepts Plastic Tray Persuasion Avoiding and Resolving Conflicts Discussion: Design Co-operation 7. How Designers Work Creative Working Team Working Team Leadership Design Process Structure Versus Spontaneity Collaborative Designing Creative Designing The Creative Bridge 8. Design Expertise Experts and Novices From Novice to Expert Development of Expertise Developing Design Thinking Expertise in Teamwork Design Intelligence The Designing Brain Glossary References Index

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Book Synopsis This accessible and comprehensive book shines a light on the design history of the famous Anglepoise lamp. Starting with the beginnings of the company with George Carwardine, the designer behind the lamp, the book takes you through an illuminating journey of the development and influence of this British icon. In 1932, vehicle suspension engineer George Carwardine designed the spring, crank and lever mechanism that became the blueprint for the first Anglepoise lamp. Enchanting the world with its light-to-the-touch and anthropomorphic design, the unique and characterful form has adorned the worktables of everyone, from writers to engineers, from the Second World War through to the21st century. Cozy as it is utilitarian, the intimately focused pool of light the Anglepoise creates around an individual’s work is as poetic as it is practical. Today, the lamp is a sure sign of quality and has been hailed as a hallmark of British design. Spring Light details a fascinating history of this household item that the armchair architect, designer and engineer will enjoy. Chapters include:Foreword by Sir John HegartyA Question of Balance: An introduction to the designLight Engineering: Designer George Carwardine’s beginningsDarkness Visible: the Anglepoise in the Second World War and industryLamps for Sale: the launch of the Anglepoise Model 1227 through advertisingLighting by Design: the development of the Anglepoise lamp from the 1970s through to the 2000s – with collaborations with Paul Smith and Margaret HowellLights for Sore Eyes: the success of the design and imitationsAnglepoise goes to the Movies: the Anglepoise in filmsUndimmed Light: the future of Anglepoise and new designsIn the Beginning: a ruminative essay on the lamp – the pools of light it creates and its unique lightweight engineering – by Jonathan Glancey.Trade Review‘Jonathan Glancey writes with infectious gusto while releasing impressive deposits of rare information’ - Stephen Bayley -- The Spectator‘A great choice for fans of classic design’ -- Homes & Interiors Scotland

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Book SynopsisA celebration of creativity from Africa, compiled and published by Counter-Print. Featuring 17 creatives & their work including: Vukile Batyi, Blood, Sweat + Polony, Bold Branding, Ahmad Hammoud, Elio Moavero, Mrs + Mr Luke, Thandiwe Muriu, MUTI, Thabiso Ntuli, Sindiso Nyoni, Hust Wilson, Pearly Yon, Studio Onss Mhirsi, Studio PIC, The Ninevites, Daniel Ting Chong & VM DSGN

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Book SynopsisExemplary packaging blends creativity and sustainability with great brand storytelling. The eighth edition of The Package Design Book showcases the winners of the 2023/24 Pentawards competition, the industry's biggest accolades. All groundbreaking designs, many explore new materials, greener no-trace' solutions, and smart and connected packaging.

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Book SynopsisRevised edition: 20 additional methods, three new case studies and a new chapter to introduce life-centred design. This book introduces the reader to the changing role of design as a way of thinking and a framework for solving complex problems and achieving systemic change.This book introduces the reader to the changing role of design as a way of thinking and a framework for solving complex problems and achieving systemic change. It documents 80 methods that cover all stages of a design process, providing actionable guidance for applying the methods across a range of projects. The methods are complemented by seven case studies to demonstrate their application in different domains, from designing interfaces for autonomous vehicles to addressing health and wellbeing. Free templates and resources, available at designthinkmakebreakrepeat.com, make this a great resource for design educators as well as practitioners leading workshops in their organisation or looking for inspiration to transform their practice.In this revised edition, the authors look beyond the human-centred design paradigm and provide an introduction to life-centred design. This extended focus is reinforced through design methods for considering the broader ecosystem in which products and services are used, including the use of natural resources, ethical concerns and the long-term impact of design decisions.

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Book SynopsisA guide to exploring, visualizing and negotiating future scenarios aimed at creative people, activists and decision-makers.

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Book SynopsisThe definitive history of Braun – the pioneering German electronics brand that changed the face of modern designSince 1921, Braun has been shaping the way we live through timeless designs that are simple, useful, beautiful, and designed to keep. Unlike many brands before it, and many more that followed, Braun created a culture of design – underpinned by a set of functional and aesthetic principles – that went on to have worldwide impact. Across 3 sections and more than 500 images, the book charts the company’s defining moments, core identities, and key characters, together presenting the most comprehensive history of Braun ever published. Featuring brand-new photography of Braun’s most iconic products alongside never-before-published archival images, drawings, advertisements, internal documents, and correspondence, in-depth narrative texts interweave the Braun story with the cultural and political history of Germany, providing new context and insight into one of the most famous product design brands in the world. With profiles on key members of the creative and leadership teams that reinforce Braun’s design legacy and the importance of the people behind the process, Braun: Designed to Keep unpacks the brand’s core values – such as simplicity, usefulness, and longevity – that changed the way household products are perceived, designed, and used.Trade ReviewAs featured in The Guardian‘A book you’ll want to keep around as a reference for the next time a new product launches and you think, “Now where have I seen that before?”’ – The Verge‘A showboat of a publication, thanks to the gorgeous glamour shots of Braun’s products.’ – Fast Company‘Makes a incontestable case that the Braun brand values – simplicity, usefulness, longevity – changed the way household products were perceived.’ – Esquire‘A comprehensive and covetable overview of one of the greatest modern manufacturers.’ – Wallpaper* Magazine‘Will serve as an important design reference for any library.’ – Acquire‘With over 500 captivating images, this tome is a must-have for every design enthusiast.’ – Airows‘A comprehensive book on the many iconic products and timeless design principles of [this] German design company.’ – The Bookseller

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Book SynopsisPALETTE––viction:ary’s best-selling colour-themed series––has been one of the most sought-after references for designers around the world. In keeping up with the needs of digital-savvy creative practitioners today, the PALETTE mini series was launched at the end of 2019. Each mini edition is a redesigned version of its original with flip-friendly postcard-sized pages for convenience and includes new work for fresh inspiration. Following the first 4 titles under the series (Black & White, Multicolour, Gold & Silver, Neon), PALETTE mini 05: Pastel contains thoughtful design solutions and visual experiments that inspire with the variety of creative ways that the typically soft and soothing colour range can be featured – whether it is used as a single hue, a palette, or juxtaposed with contrasting tones.

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Book SynopsisThis textbook introduces design students to key principles of three-dimensional form, bridging aesthetics and practical design objectives. It explores how we see and what it is that characterises visually appealing and satisfactory design.Written by an experienced designer, educator and researcher, The Aesthetics of Industrial Design equips students with the knowledge and understanding of how aesthetically superior design is distinct from lesser work. It explains the key principles and concepts they can incorporate into their own designs, encourages readers to investigate and experiment with real design problems and enables them to verbally communicate their design intentions. The book prompts readers to critically reflect on their work and surroundings. Through numerous clear examples and illustrated case studies, which are guided by cognitive science and the application of aesthetic theory, the book brings together the basic aspects of design as form-giving. ITrade Review"This book covers a wide range of issues which are important for the future of design. The fact that the author gives tasks throughout the book is a helpful feature. I appreciate that the author encourages discussions when things don’t easily fall into categories or are more complex so there are no simple answers. I believe this book which attempts to merge theory and practice is important to publish. It gives us all a possibility to discuss the complexity of such an undertaking and start discussions about how we formulate basic aesthetic principles that are free from judgement and when value judgements are made that apply principles in specific design processes." - Cheryl Akner-Koler, Professor, Department of Design, Interior Architecture and Visual Communication / Industrial Design, University of Arts, Crafts and Design, Stockholm, Sweden"A much needed and highly lucid exposition of the thought and technique behind successful industrial design for students of this and allied professions. Endearingly opinionated and idiosyncratic in places, the book offers a path from professional philosophy to thoughtful execution of high class industrial design work. Useful exercises and debating points are provided for the benefit of tutors and students alike." - Peter Barker, Head of School, Design and Communication, Plymouth College of Art, UK"This book is a brilliant example of why Kurt Lewin was right in stating that there is "nothing as practical as a good theory" (1943). Through a row of examples of good, functional, robust, aesthetically appealing and beautiful design as well as "design mistakes" and "bad designs", the author, associate professor Richard Herriott from Design School Kolding takes us through theories about visual perception, constrains, lines, surfaces and curvature, product semantics and craftmanship and discusses the implications of these theories for design. Even if some of the theories are complicated reading, Herriott takes the reader by hand and illustrates the theoretical concepts and terms via reference to examples from real world design, models and drawings. The book covers an impressive number of ideas and invites the reader to think about and re-think design as well as reflecting upon the role of the designer in the contemporary design practice. Doing this, the book is a great vehicle for designers aiming to create and analyse objects that are aesthetically pleasing and for others to understand the science of forms and the building blocks of good design."- Lene Tangaard, Rector of the Kolding Design School, Denmark"Disagreeing with Richard Herriott is a source of great pleasure. Not because standing at the opposing end during an argument lends one a feeling of superiority - far from it - but because few people can make a point the way Richard does. His immense knowledge provides him with references that are, at the very least, curiously entertaining and at best enlightening. His intellect then allows Richard to process these select references in highly original a manner. I’m delighted that this book provides many people with the opportunity to sneak a peek into Richard Herriott’s singular mind. They may agree or disagree with what they find - but they will certainly be all the wiser for it." - Christopher Butt, writer and design critic, founder of Auto-Didakt and Design Field Trip"The human brain is a mystery. Barely developed since mankind evolved itself into this peculiar world, we still react on basic instincts and pre-coded assumptions. We think we know, but we don’t. We think we’re in control, but we’re not. So we need to learn. And of all our senses, our visual perception is our least reliable. Richard Herriot has created a fantastic book that enlightens us and opens our mind to understand better how our brain acts and reacts on our visual surroundings, such as form, function, design and visual perception in general. In a well ridden and richly illustrated piece, he guides us through various elements in modern design such as the human visual system, the complexity in form and function, how we look at and understand shapes and form etc. Starting with the already known theories, Richard Herriot describe and discusses the complexity and compromises we make daily in our visual world. Wisdom and knowledge mixed with simple illustrations and easy to use exercises. It’s a must read for everybody working with visual art forms, teachers, designers, photographers, architects, artists etc, a need to read for everybody interested in how our brain works when it comes to visual perception - and a nice to read for everybody else that just want to know. A welcoming and necessary book in a time where everything runs so fast that we tend to forget what we already know." – Kåre Birk, teacher in Furniture, Space and Products; Scandinavian Design College, Denmark"This book covers a wide range of issues which are important for the future of design. The fact that the author gives tasks throughout the book is a helpful feature. I appreciate that the author encourages discussions when things don’t easily fall into categories or are more complex so there are no simple answers. I believe this book which attempts to merge theory and practice is important to publish. It gives us all a possibility to discuss the complexity of such an undertaking and start discussions about how we formulate basic aesthetic principles that are free from judgement and when value judgements are made that apply principles in specific design processes." - Cheryl Akner-Koler, Professor, Department of Design, Interior Architecture and Visual Communication / Industrial Design, University of Arts, Crafts and Design, Stockholm, Sweden"A much needed and highly lucid exposition of the thought and technique behind successful industrial design for students of this and allied professions. Endearingly opinionated and idiosyncratic in places, the book offers a path from professional philosophy to thoughtful execution of high class industrial design work. Useful exercises and debating points are provided for the benefit of tutors and students alike." - Peter Barker, Head of School, Design and Communication, Plymouth College of Art, UK"This book is a brilliant example of why Kurt Lewin was right in stating that there is "nothing as practical as a good theory" (1943). Through a row of examples of good, functional, robust, aesthetically appealing and beautiful design as well as "design mistakes" and "bad designs", the author, associate professor Richard Herriott from Design School Kolding takes us through theories about visual perception, constrains, lines, surfaces and curvature, product semantics and craftmanship and discusses the implications of these theories for design. Even if some of the theories are complicated reading, Herriott takes the reader by hand and illustrates the theoretical concepts and terms via reference to examples from real world design, models and drawings. The book covers an impressive number of ideas and invites the reader to think about and re-think design as well as reflecting upon the role of the designer in the contemporary design practice. Doing this, the book is a great vehicle for designers aiming to create and analyse objects that are aesthetically pleasing and for others to understand the science of forms and the building blocks of good design."- Lene Tangaard, Rector of the Kolding Design School, Denmark"Disagreeing with Richard Herriott is a source of great pleasure. Not because standing at the opposing end during an argument lends one a feeling of superiority - far from it - but because few people can make a point the way Richard does. His immense knowledge provides him with references that are, at the very least, curiously entertaining and at best enlightening. His intellect then allows Richard to process these select references in highly original a manner. I’m delighted that this book provides many people with the opportunity to sneak a peek into Richard Herriott’s singular mind. They may agree or disagree with what they find - but they will certainly be all the wiser for it." - Christopher Butt, writer and design critic, founder of Auto-Didakt and Design Field Trip"The human brain is a mystery. Barely developed since mankind evolved itself into this peculiar world, we still react on basic instincts and pre-coded assumptions. We think we know, but we don’t. We think we’re in control, but we’re not. So we need to learn. And of all our senses, our visual perception is our least reliable. Richard Herriot has created a fantastic book that enlightens us and opens our mind to understand better how our brain acts and reacts on our visual surroundings, such as form, function, design and visual perception in general. In a well ridden and richly illustrated piece, he guides us through various elements in modern design such as the human visual system, the complexity in form and function, how we look at and understand shapes and form etc. Starting with the already known theories, Richard Herriot describe and discusses the complexity and compromises we make daily in our visual world. Wisdom and knowledge mixed with simple illustrations and easy to use exercises. It’s a must read for everybody working with visual art forms, teachers, designers, photographers, architects, artists etc, a need to read for everybody interested in how our brain works when it comes to visual perception - and a nice to read for everybody else that just want to know. A welcoming and necessary book in a time where everything runs so fast that we tend to forget what we already know." – Kåre Birk, teacher in Furniture, Space and Products; Scandinavian Design College, DenmarkTable of Contents1. How do we see? 2. Resolving the constraints 3. Lines, surfaces and curvature 4. Craftsmanship 5. The meaning of the object and its elements: Product semantics

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Book SynopsisOur globalised world is encountering problems on an unprecedented scale. Many of the issues we face as societies extend beyond the borders of our nations. Phenomena such as terrorism, climate change, immigration, cybercrime and poverty can no longer be understood without considering the complex socio-technical systems that support our way of living. It is widely acknowledged that to contend with any of the pressing issues of our time, we have to substantially adapt our lifestyles. To adequately counteract the problems of our time, we need interventions that help us actually adopt the behaviours that lead us toward a more sustainable and ethically just future. In Designing for Society, Nynke Tromp and Paul Hekkert provide a hands-on tool for design professionals and students who wish to use design to counteract social issues. Viewing the artefact as a unique means of facilitating behavioural change to realise social impact, this book goes beyond the current trend of applying desiTrade ReviewOffering a significant analysis of the social implications of design and the range of products and services that stimulate human behavior, this is a valuable addition to the literature on design of all varieties. * CHOICE *Everything that’s designed has effects on society, and how we live, and designers have a responsibility to understand this, and design with attention to the impacts their work can have, now and for future generations. In Designing for Society, Nynke Tromp and Paul Hekkert give us a thoughtful and well-informed set of ways of approaching this complex and wide-ranging subject, demonstrating the power of designing products, services, and systems with a focus on social value. * Dan Lockton, Chair of Design Studies at Carnegie Mellon University, USA *To the large numbers of students and professionals who want to ‘do good’ and to make a difference in the world, this book offers a wealth of insights and guidelines. The 'society-centred design practice' outlined by the authors is both theoretically exciting and useful in practice. * Erik Stolterman Bergqvist, Professor of Informatics at Indiana University, Bloomington, USA *Table of ContentsPreface Foreword Introduction 1. Building a Viable Society 2. Effect-driven Design 3. A Clash of Concerns 4. The Far-reaching Influence of the Artefact 5. An Imperfect World 6. Social Implication Design 7. Mapping the Social Context 8. Assessing Impact 9. Social Design in Practice References Index

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Book SynopsisInterior Interruptions examines the role of the âpalimpsestâ and its relationship to narrative, sustainability, renovation and adaptive reuse. By exploring storytelling, palimpsestic characteristics and techniques, the book argues that these devices play a central role in the consideration of the designed interior.Narrative has a burgeoning relationship with the palimpsest and this approach embraces an aesthetic of incompleteness and imperfection as a site rich response. It recognises the ongoing âbiographyâ or heritage of a building as a form of transient architectural narrative that encourages reuse through the continual process of writing, rewriting, overwriting and unwriting. This process has sustainable, societal, archaeological and textual connotations that can be interpreted as a process of âlayeringâ whereby the architectural shell is viewed as a container; a rich repository that is âoverlainâ by surface changes, documents architectural and spatial modifications, and is populated by interior fixtures and fittings that all unite to create an ever-changing interior story.Exploring case studies from the UK, Netherlands, Palestine, Belgium, Singapore, Spain, Portugal, France, Germany, Brazil, Japan, USA and China and beautifully illustrated in full colour, this book proposes that the act of interior renovation can be viewed as a perpetual form of revisionary storytelling re-imagined as a series of temporal interior âinterruptionsâ. It is essential reading for students and professionals interested in the built environment, including, but not limited to, interior design, interior decoration, interior architecture and architecture.

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Book SynopsisThis modern compendium of packaging design showcases a selection of the best work from around the world carried out in this field. Compiled by Counter-Print, the casebound book also contains interviews and case studies from some of the world's most renowned agencies, with their work gathered into groupings such as food, drink, cosmetics, confectionery, fashion and home.

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Book SynopsisTechnology has created innovative new prospects for manufacturing industries with Industry 4.0 and has helped further the growth of the manufacturing sector. This book focuses on the next stage, which is Industry 5.0, and the steps in taking automation to that next level by increasing processes and operational efficiency, as well as reducing workforce size.Industry 5.0: The Future of the Industrial Economy discusses the integration of product, process, machine, software, and industrial robots in realizing Industry 5.0. It covers the dual integration of human intelligence with machine intelligence and reviews the results of making use of Industrial Internet of Things (IIoT) and Artificial Intelligence (AI). The creation of a new category of robots named Collaborative Robots (Cobots) specifically designed to speed up the manufacturing process and profitability is explored. This book also explores how to reduce waste in product design through the manufacturing proc

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Book SynopsisThe fully updated single-source guide to creating successful packaging designs for consumer products Now in full-color throughout, Packaging Design, Second Edition has been fully updated to secure its place as the most comprehensive resource of professional information for creating packaging designs that serve as the marketing vehicles for consumer products. Packed with practical guidance, step-by-step descriptions of the creative process, and all-important insights into the varying perspectives of the stakeholders, the design phases, and the production process, this book illuminates the business of packaging design like no other. Whether you''re a designer, brand manager, or packaging manufacturer, the highly visual coverage in Packaging Design will be useful to you, as well as everyone else involved in the process of marketing consumer products. To address the most current packaging design objectives, this new edition offers: Fully uTable of ContentsPreface vii Acknowledgments viii 1 The History 1 The Growth of Trade 3 Emerging Communication 4 Early Commercial Expansion 5 The Industrial Revolution 10 Mass Production 12 Mid-Century Expansion 21 Consumer Protections 29 The Packaging Design Firm 29 New Refinements in Packaging Design 32 Changing Times and Values 35 2 Defining Packaging Design 39 What is Packaging Design? 39 Culture and Values 41 Target Market 42 Packaging Design and Brand 43 Fundamental Principles of Two-Dimensional Design 55 Packaging Design Objectives 58 3 Elements of the Packaging Design 64 The Primary Display Panel 64 Typography 65 Color 83 Imagery 91 Structure, Materials, and Sustainability 104 Production 128 Legal and Regulatory Issues 143 4 The Design Process 148 Predesign 148 Beginning the Assignment 151 Phase 1: Observation, Immersion, and Discovery 153 Phase 2: Design Strategy 158 Phase 3: Design Development 175 Phase 4: Design Refinement 196 Phase 5: Design Finalization and Preproduction 198 Retail Reality 198 Key Points about the Design Process 200 5 The Packaging Design Profession 201 The Stakeholders 201 Managing the Business 213 Entering the Profession 217 Glossary 223 APPENDIX A Consumer Product Categories 230 APPENDIX B Materials And Tools 232 Bibliography 233 Professional Credits 235 Figure Credits 237 Index 239

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Book SynopsisFully revised and with a new chapter and international case studies, this second edition of the best-selling book traces how artists and designers continue to adapt and incorporate 3D printing technology into their work and explains how the creative industries are directly interfacing with this new technology. Covering a broad range of applied art practice from fine art and furniture-design to film-making Stephen Hoskins introduces some of his groundbreaking research from the Centre for Fine Print Research along with an updated history of 3D print technology, a new chapter on fashion and animation, and new case studies featuring artists working with metal, plastic, ceramic and other materials. A fascinating investigation into how the applied arts continue to adapt to new technologies and a forecast of what developments we might expect in the future, this book is essential reading for students, researchers studying contemporary art and design and professionals involved in the creativeTrade Review[Review for the first edition] Overall, the book creates a nuanced picture of what 3D printing currently is and what it has the potential to become in the visual arts community. Hoskins’ . . . clear writing style demonstrates his expertise in the field while enabling readers with no previous knowledge of 3D printing to understand both the technical processes of creation as well as the artistic implications of this new technology. -- Amanda L. Milbourn, Assistant Librarian, Disney Consumer Products, LA, USA * ARLIS/NA *Table of ContentsPreface Introduction 1. The History of 3D Printing in Relation to the Visual Arts 2. An Overview of Current 3D Printing Technologies: What Each Offers and How They Might Develop in the Future 3. Crafts and Craftspeople Case Study: Jack Row Case Study: Marianne Forrest Case Study: Michael Eden 4. The Fine Arts Case Study: Sophie Kahn Case Study: Jonathan Monaghan Case Study: Mat Collishaw Case Study: Sebastian Burdon 5. Design and Designers: Case Studies from Contemporary Designers Case Study: Assa Ashuach Case Study: Laura Alvarado and Vivian Meller Case Study: Lionel Dean Case Study: Dr Peter Walters 6. Hackspaces, Fablabs and Makerspaces, Art Research: The COllaborative and More Public Face of 3D Printing and its Future in the Arts Case Study: Don Undeen 7. Fashion and Animation Case Study: Michael Schmidt 8. Conclusion Glossary Further Reading List Index

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Book SynopsisWhy do some physical products succeed and others fail?When you have an idea for a new product, it’s a pivotal moment. This device of yours will enhance the lives of the people who use it, earn you extra money, and have a significant impact on the world.However, there’s much more to a successful product than the quality of the original idea. Why do some products fly off the shelves and others not even reach the market? That’s what this book will explain.You’ll learn how to decide if your physical product solves the right problem, who to sell it to, and how to protect and fund it. You’ll also explore different business models and manufacturing options and discover the ins and outs of the product design process. By the end, you’ll understand what it takes to be a professional product innovator.Gethin Roberts is an experienced product design engineer and Managing Director of ITERATE, a dynamic product design consultancy that blends creative and technical expertise to develop products from idea all the way through to production.Trade ReviewHas a strong practical aspect on developing a product strategy from scratch. You will find all information on design, manufacturing, selling, business model development, sales channels, go to market strategy and more. The book is well designed from a structure perspective and can be very helpful for startups and entrepreneurs. * Netgalley *If you have ideas for a new product, Gethin Roberts has created the perfect guide to help you... This is a great reference book regardless of your location...If you have an idea I recommend you read this book. You will begin to think strategically about your idea. And the steps you’ll need to take as you embark on your product development journey. * Netgalley *"..an excellent resource.. detailed advice on how to get a product to market, covering topics such as deciding if your physical product solves the right problem, who to sell it to, and how to protect and fund it...His expertise shines through in the book, making it a valuable resource for anyone interested in bringing a product to market." * Amazon *This was a really informative look at the product development process. It was a bit beyond where I’m at in my design process so I’m delighted that I now know what to do when I am finished refining my idea and ready to start the process of bringing it to market. * Netgalley *Table of ContentsIntroduction1. Know Your Why Why do you want to develop a product? What is your personal motivation – to make money; to learn a new hobby; or educate yourself in a different area of expertise? This chapter explores the reasons why you may want to develop a new product and allows you to identify personal characteristics that will be critical to your success. What Problem Are You Solving? This chapter helps you identify an opportunity for a new product? Have you spotted a problem that can be solved through the introduction of a new design? What is the scale of the problem; is it just you that experiences this or is it experienced by many – is this problem worth solving at all; is the scale likely to result in a lucrative product and will it result in you building a scalable business. Who Are You Selling To? Have you identified your target customer? How would you describe them, what is their lifestyle like, what other brand and products do they engage with? This chapter will help you understand the importance of building a niche; understand the value of product features and how this is viewed in the eyes of your customers. Protect Your Product This chapter explains many of the terms related to intellectual property (IP) and demystifies the common misconceptions. Protecting your idea is often the first step in the process that innovators often take, when in fact, it should be one of the last. Understand how IP fits in to your long-term business plans and why it might not be relevant to you at all depending on your aspirations. Fund Your Product Lack of funding is the common reason why new products fail to get to market. This chapter explores the different approaches you could use to fund your project and minimise your personal exposure. Accessing the range of financial mechanisms may require you to engage with groups of people and organisations such as angel investors and government bodies – each have pros and cons that will impact on your business and product development journey differently. What’s Your Business Model? End-customers are increasingly seeking experiences - this chapter explores a range of different business models that enable you to deliver your product into the hands of the user in a frictionless and exciting way. Some concepts explained include razor and blade; subscription selling; renting and leasing; and the hybrid model. Your Manufacturing Strategy The time and complexity involved in preparing your product for manufacture is a critical phase in the process that many underestimate. This chapter outlines some of the challenges and risks that exist and how you can mitigate against them. Events such as Brexit and Covid-19 have dramatically changed the manufacturing landscape. This chapter will help to inform you on how to select a manufacturing partner based on your product requirements and primary market. Your Go to Market Strategy This chapter explains the different ways to get your product in front of the consumer. Selling via high street shops was always the best way to go about this; however, online sales now provide an accessible route to market for many product creators; as well as a number of other possible other routes to market that should be considered depending on the nature of the product. How Your Product is Designed This chapter explains the stages of the product development journey; how the product is created from the point of the idea being conceived; designed; engineered; prototyped and tested. The time and cost associated with this process can vary hugely depending on the technical complexity and scale of your design requirements – understand the likely timescales involved and the phases of the process that can take the longest. How to Choose a Product Designer You are likely to require input from a Product Designer or Design Engineer at some point in your journey. This chapter helps explain ways to identify the skills you need for your project; how to identify a suitable Product Designer, the good points to look out for, as well as the bad points. Your project may require a team of people to deliver it effectively, this is when you should choose to talk with a design consultancy who are able to offer a vast range of skills and help you all the way. Contents ListIntroduction1. Know Your Why2. What Problem Are You Solving?3. Who Are You Selling To?4. Protect Your Product5. Fund Your Product6. What's Your Business Model?7. Your Manufacturing Strategy8. Your Go to Market Strategy9. How Your Product Is Designed10. How to Choose a Product DesignerConclusionThe AuthorAcknowledgements

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Book SynopsisTo advance the subject of design one has to engage in the activity of designing. Sustainable by Design offers a compelling and innovative, design-centred approach that explores both the meaning and practice of sustainable design. Walker explores the design process in the context of sustainability, and challenges conventional ways of defining, designing and producing functional objects. He discusses the personal design process, tacit knowledge, ephemeral design, experimental design, and the relationship between intellectual design criteria, physical expression and aesthetic experience. This book will introduce vital concepts to students and will inspire designers by providing a well-articulated basis for understanding the complexity and potential of sustainable design, and extolling the contribution of design to the creation of a more meaningful material culture.Trade Review'Definitely to be on the booklist of any product design course' Professor Jack Ingram, Birmingham Institute of Art and Design 'A fascinating book that takes the reader on a journey that is both diverse and full of surprise' Jonathan Chapman, Senior Lecturer, University of Brighton 'A sensitive, thought-provoking book that explores fresh possibilities.' Alastair Fuad-Luke, sustainable design facilitator, lecturer, writer and maker 'Sustainable by Design is a key addition to the ... bookshelf' Martin Charter, Director, The Centre for Sustainable Design, UCCA 'At once inspiring and informative ... It offers designers, students, and practitioners alike a journey into the heart of design through philosophical questioning of place, time, materiality, self, society, and meaning, without sacrificing the practical concerns regarding the transition from models of consumption to sustainability. The sophistication of the exploration cannot be overstated and should be required reading for students of design. Summing Up: Highly recommended.' Choice 'With beautiful images to back up his words, Walker tutors, suggests and inspires...this book is a must for students and designers, its thoughtful approach also makes it an interesting read for anyone who's excited by the current shift of play.' Sally White, Resource, 2008. 'Walker presents an investigation of sustainable desgign that is at once inspiring and informative...The sophistication of the exploration cannot be overstated and should be required reading for students of design.' L. Farooque, CHOICE‘This book delves into the mindset and philosophy that should drive sustainable design and not just token gestures in product innovation like 100% recyclable eco efficiency labels, although every little helps. Walker takes you on a journey from the enlightenment period to modern day consumerism and shows how our perception of time, place and aesthetic norms affect our ecosphere. His analysis is deep, insightful and regularly refers to case studies and his own experimentation… Overall this is an inspiring book for design students, academics and professionals. I couldn’t recommend it highly enough and will endeavour to educate myself further on sustainable theory and practice.’ - Alex KimberTable of ContentsIntroduction * Rethinking Material Culture * Sustainable Development in Context * Design Process and Sustainable Development * Enduring Artefacts and Sustainable Solutions * Reassessing 'Good' Design * Design, Sustainability and the Human Spirit * Fashion and Sustainability * The Application of Theory * Tacit Knowledge in Design * Reframing Design for Sustainability * Time and Design * Creating Objects in a Saturated Culture * Ephemeral Objects for Sustainability * Intellectual and Aesthetic Understandings of Design * Bibliography * Index

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Book SynopsisWalking through London's busy streets, you would not imagine that the city boasts one of the world's most diverse manufacturing scenes. But throughout its 32 boroughs, people are making propellers, bicycles, ballet shoes, military uniforms, cardboard packaging, neon signs, umbrellas, chocolate truffles, craft beer and much more. Today there are around 4000 manufacturers based in Greater London, building on the city's rich heritage of making. While producing world-class goods, they are all jostling for space and dealing with familiar challenges, such as rising rents and trying to keep developers at bay. This book provides a fascinating glimpse behind the doors of London's making and manufacturing companies: the processes and spaces that are so often hidden from view, and the people who work there, from sole traders to workforces numbering in the hundreds. The introduction is written by Mark Brearley, an architect and Professor of Urbanism at London Metropolitan Museum who also owns the London-based tray and trolley manufacturer Kaymet. The main part of the book is arranged into chapters grouping similar types of manufacturer. In total, 50 businesses are featured, ranging from the Ford Motor Company in Dagenham, the biggest factory in London; to William Say, third-generation tin-can makers, in Bermondsey; Nichols Brothers, bespoke woodturners, in Walthamstow; Growing Underground, a salad farm in old air-raid shelters under the streets of Clapham; and Jost Haas, Britain's last glass-eye maker, in Mill Hill. Specially commissioned photography by Carmel King captures the making process, the materials, the finished products and the staff at each manufacturer, while concise, engaging descriptions are provided by the design and architecture journalist Clare Dowdy. Made in London is a timely celebration of the vibrant manufacturing scene that contributes so much to the creativity, vitality and economy of the city.Table of ContentsIntroduction by Mark Brearley Furniture & Wooden Items Metalwork Printing, Packaging & Signs Food & Drink Machines, Vehicles & Parts Clothing, Accessories & Leathework Practical Equipment & Tools Sets, Props & Models Materials Electrical Items & Electronics Index

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Book SynopsisBy what means did so much beauty and ingenuity appears in articles of everyday rural life in Portugal? How did the shape of these objects balance necessity and formal perfection so skillfully? This book explores the effect that generations of trial and error, individual craftsmanship, and an instinct to carve out the essential with the slenderest of means brought to objects that made life both livable and meaningful to a pre-industrial society. The objects photographed and described by designer Jasper Morrison may be appreciated both for their beauty and for the example they set of design at its purest.

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a huge range and FREE tracked UK delivery on ALL orders.

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Book SynopsisIn our haste to consume the things we love, we often disregard or discard packaging without a second thought. While many would argue that they bear no significance to our daily lives or should be done away with entirely in our quest to save the environment, there is a lot more to packaging design than meets the eye. On top of conveying a brand’s personality, purpose, or message meaningfully and embodying its contents in ways that catch the eye, a seemingly ordinary bottle or box can become an artist or designer’s canvas for extraordinary creative expression. Packaged for Life: Beer, Wine, & Spirits explores some of the most compelling ways and interesting visuals with which popular spirits are packaged to tantalise you into indulging in your tipples of choice. It serves as a vessel of inspiration through which we can recognise, appreciate, and celebrate the unnoticed or overlooked tactile beauty in everyday product packaging. The book comes with a booklet of fun facts about alcohol, including the different ways to give a toast, and hangover cures around the world!

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