Popular music Books

Book SynopsisTom Waits in his own words: a collection of three decades' worth of interviews with Tom Waits

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Book SynopsisGorgeously illustrated and authoritatively written, Fender 75 Years is the officially licensed celebration of the legendary brand's landmark anniversary, covering all of Fender's iconic guitars, amps, and basses.Trade Review"...a concise yet thorough and visually stunning celebration of Fender...a fantastic read for guitarists of all likes from beginners to collectors." * Spill Magazine *"What stands out about this book, besides the tweed dust cover, is the great job Hunter did on keeping the book entertaining throughout and the impressive behind-the-scenes photos of Fender staffers back in the beginning." * American Songwriter *

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Book SynopsisOzzy at 75 celebrates the anniversary of the gonzo rock icon’s birth with a beautifully produced retrospective of 75 key achievements and life events.Trade Review"OZZY@75 is well done at every level I couldn’t help but love this book, despite an overarching of familiarity with the source material...there are several Ozzy books on the market and this is one of the best!" * Metal-Rules.com *"...so fun...Daniel has a really fun, dry sense of humor and that permeates throughout this book...when talking about someone like Ozzy, a good sense of humor is neccessary to put him accross." * The Hustle Podcast *Table of ContentsContents Part 1 Ozzy Zig Seeks Gig, 1948–1969 Part 2 Behind the Wall of Sleep, 1970–1979 Part 3 Flying High Again, 1979–1989 Part 4 Retirement Sucks, 1990–1998 Part 5 “Shaaaaaaron!!!!”, 2001–2007 Bibliography Image Credits Index Aknowledgments About the Author

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Book SynopsisContains three companion sets of trading cards - Heroes of the Blues, Early Jazz Greats, and Pioneers of Country Music - in book form. This work provides the biography of each musician, along with a full colour original illustration.

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Book Synopsis33 1/3 is a new series of short books about critically acclaimed and much-loved albums of the last 40 years. Focusing on one album rather than an artist's entire output, the books cut to the heart of the music on each album. Joy Division only released two albums but they led the way out of punk rock and towards Madchester.Trade ReviewChris Ott writes about the record with a chilly elegance that evokes the austerity of the music itself. The Boston Phoenix, 7/8/04 -- Mike Miliard * The Boston Phoenix, 7/8/04 *Once Ott forgoes the facts and gives in to his passion, he brings the reader closer to the band's 'unparalleled gravity and grandeur. * San Francisco Bay Guardian, 5/19/04 *New fans will find it to be a useful introduction to the band as it details their story from the very beginning to the tragic end. Even the more dedicated fan might be interested in reading another person's opinions about the different songs, the importance of JD's music, and why the band still plays an important role in the history of alternative music." * Joy Division website, 5/24/04 *Compelling and so despairing that at one point I had to stop reading it for a bit. * Alternative Weekly, 6/10/04 *Joy Division's gestation period is competently recounted in the narrative and each important individual is dealt with fairly. Including Hannett and Wilson. Ott's approach and reaction to his subject is commendably unflinching. Well written. -- Jason Dropor * Record Collector, October 2004 *Though the recording of the album is naturally the centerpiece of the book, (Ott) delves enough into the evolution of the band and background events leading up to the recording of said album (as well as certain post-album events leading up to Ian's suicide) to properly provide context for said rekkid....you don't have to be a regular gear-rag reader to understand what he's talking about....overall recommended. -- David Hill * Shredded Paper Magazine *Throwing format to the wind, "Pleasures" goes to town on the ban's entire oeuvre. Ott is admiring, but his love for the group doesn't keep him from letting them look the fool when appropriate--and it's his way into the head of bandleader Ian Curtis, who might have survived his all-great-artists-die-young illusions if some concrete afflictions (epilepsy and the drugs required to tame it, for instance) didn't piggyback onto the ones he invented for himself. A- * Austin American-Statesman, 10/17/04 *

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Book SynopsisDavid Bowie is holed up in his Bel-Air mansion, drifting into paranoia and confusion. Bowie has long been haunted by the emotional work of the Die Brucke movement and the Expressionists. Berlin is their spiritual home, and Bowie adopts this city as his new sanctuary. Immediately he sets to work on "Low", his own expressionist mood-piece.Trade Review"'A brilliant series of pocket-sized books focussing on a classic album. Each one a work of real love.' NME"

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Book SynopsisKim Cooper is the editrix of Scram, an occasional journal of unpopular culture dedicated to celebrating unjustly neglected artists in the worlds of music, literature, film/TV, comics and bohemia. With fellow 33 1/3 scribe David Smay, she is co-editor of the anthologies Bubblegum Music is the Naked Truth and Lost in the Grooves: Scram's Capricious Guide to the Music You Missed. A third generation Angeleno, Kim offers offbeat bus tours of the city's crimes, literature and architectural gems through Esotouric, and blogs at the crime-a-day 1947project.Trade Review"'A brilliant series of pocket-sized books focussing on a classic album. Each one a work of real love.' NME"

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Book SynopsisTalks about Josh Davis's (DJ Shadow) early years in California, the friends and mentors who helped him along the way, his relationship with Mo'Wax and James Lavelle, and the genesis and creation of his masterpiece, "Endtroducing" (released in 1996). This book includes several long conversations with him.Trade Review"'A brilliant series of pocket-sized books focussing on a classic album. Each one a work of real love.' NME"

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Book Synopsis"Daydream Nation" is the kind of gorgeous monstrosity that can crush the will of the most resilient, well-intentioned listener if the necessary preparations haven't been made. This book explores the album from a range of angles, with input from the band members themselves.Trade Review"'A brilliant series of pocket-sized books focussing on a classic album. Each one a work of real love.' NME"

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Book SynopsisThe Pixies have had a career unlike any other in alternative rock. "Doolittle" is their knotty masterpiece, the embodiment of the Pixies' abrasive, exuberant, enigmatic pop. Informed by interviews with the band, this book looks at the making of the album and its place in rock history, and studies its influence in light of the Pixies reunion.Trade Review"'A brilliant series of pocket-sized books focussing on a classic album. Each one a work of real love.' NME"

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Book SynopsisExplores a key hip hop album marking the cross over point where the streets and the charts collided.Trade Review"It was only a matter of time before a clever publisher realized that there is an audience for whom Exile on Main Street or Electric Ladyland are as significant and worthy of study as The Catcher in the Rye or Middlemarch... freewheeling and eclectic, ranging from minute rock-geek analysis to idiosyncratic personal celebration-- The New York Times Book Review Ideal for the rock geek who thinks liner notes just aren't enough-- Rolling Stone One of the coolest publishing imprints on the planet--Bookslut These are for the insane collectors out there who appreciate fantastic design, well-executed thinking, and things that make your house look cool. Each volume in this series takes a seminal album and breaks it down in startling minutiae. We love these. We are huge nerds. - Vice A brilliant series...each one a word of real love - NME Religious tracts for the nock 'n' roll faithful - Uncut"

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Book SynopsisSlayer's Reign in Blood remains the gold standard for extreme heavy metal: a seamless procession of ten blindingly fast songs in just twenty-eight minutes, delivered in furious bursts of instrumental precision, with lyrics so striking that Tori Amos was moved to record a cover. This book explores the creation of this album.Trade ReviewI can tell you this- if you hold Slayer's Reign in Blood in your holy trinity of album releases that would go with you to your metal desert island, then this is definitely your new favorite book. * addictedtovinyl.com *Overall, 33 1/3: Reign in Blood will thrill those who've carved SLAYER into their skin (it's more common among fans than you'd think), as well as pique the interest of hard-rock aficionados curious about Slayer but who've not taken the sanguinity plunge yet. * OC Weekly *Reign in Blood' is notable for its brutality, but as the defining manifesto of thrash metal, it is transcendent for its purity. To love rock & roll is to love subcultures, and D.X. Ferris has explained, in stunning detail, how one subculture was defined and galvanized by that single album, and why that definition will never need to be written again. -- David GiffelsA short, intense, meticulous history of Reign In Blood and really, the whole band... The result is an authorized, damn perfect look at this one album. * Martin Popoff, editor in chief of Brave Words Bloody Knuckles *D.X. Ferris has written an academic and thought-provoking book while at the same time presenting it as a general reader. Ferris does not give in to the tendency of 'dumbing down' metal; instead, he puts forth a very well argued statement that Slayer's 'Reign In Blood' is a classic album and should be treated as such. -- Laura Kowalewski and Andrew Carpenter * Ballet Deviare *If you don't learn something from this book then you are a liar. * Sage Francis *Ferris interviewed everyone who's anyone so he could deliver the last word on Slayer's first metal masterpiece. Rock-solid rock joürnalism that deserves its umlauts. * Dan LeRoy, author of 33 1/3: Paul's Boutique and The Greatest Music Never Sold: Secrets of Legendary Lost Albums by David Bowie, Seal, Beastie Boys, Chicago, Mick Jagger *D.X. Ferris breaks it all down person-by-person and track-by-track to separate fact from fiction, retracing the origins, occasional pitfalls and eventual triumph that brought forth in his words, 'the greatest heavy metal album ever.'... The book untangles a number of assumptions related to the band that should surprise even longtime fans.... The book provides not only a good introduction to the band, but capably answers on all fronts regarding the album in question.... Ferris pens a clean and even story; flashes his bona fides outright and is passionate enough about the work to sustain that fervor through to the end. -- Todd DePalma, The Left Hand PathD.X. Ferris's recent 33 1/3 book devoted to Reign In Blood is excellent. -- Joel McIver, author of Slayer biography The Bloody Reign of SlayerDeclares Ferris, 'I wanted to present the story in a way that's compelling to both rabid Slayer fans and to NPR listeners who love pop music but have never lost a shoe in a mosh pit' -- and he largely succeeds. -- Dave Segal * OC Weekly *Writer D.X. Ferris pulls off an admirable tightrope walk. As both a fan and a critic, Ferris manages to convey a sense of excitement about the album even as he pulls the reader headfirst into the world of Slayer. By talking to band members, other musicians, friends and other people around the band at the time, hardcore fans..even respected studio engineer Andy Wallace...Ferris pulls together as complete a picture of the making of Reign in Blood as you'll likely ever read. * Trademark of Quality Blog *… in writing one of the few 33 1/3 books on a metal album, Ferris knows he must argue persuasively for their inclusion. Toward that end, he conducted a raft of original interviews for the book (everyone from Slayer frontman Tom Araya to Tori Amos) to tell their story as clearly and as vividly as possible. -- Stephen M. Deusner * Pitchfork *Table of ContentsAcknowledgments Reign in Blood, featuring original commentary from... Introduction The Argument: F*****' Slayer Talkin' Thrash "Metalstorm: Face the Slayer" Slayer Guitarist Jeff Hanneman Drummer Dave Lombardo Singer-Bassist Tom Araya Guitarist Kerry King DJ-RR: The Producer, Rick Rubin. And the Label, Def Jam. Engineer Andy Wallace Recruiting New Blood Writing Blood Recording Blood Illustrating Blood Bad Day at Black Rock Def Metal: Slayer in the House Reviewing Blood The Reign Reign in Blood: The Songs and Their Impact Reign in Blood, in Summary The Legacy Notes, Asides, and Works Cited

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Book SynopsisBob Gendron is a longtime contributor to the Chicago Tribune and a veteran Music Editor. He co-authored Nirvana: The Complete Illustrated History and has written for DownBeat, Rolling Stone, TONEAudio, and other outlets. In his spare time, he enjoys visiting craft breweries, playing hockey, and exploring neighborhoods. An avid fan of the White Sox and the Blackhawks, he lives in his hometown of Chicago with his wife and two dogs.Trade Review"In the absence of love, there is loneliness, sorrow and desperation. And that's where I come in."--Greg Dulli, introducing "When We Two Parted" onstage in San Francisco It was only a matter of time before a clever publisher realized that there is an audience for whom Exile on Main Street or Electric Ladyland are as significant and worthy of study as The Catcher in the Rye or Middlemarch...The series, which now comprises 29 titles with more in the words, is freewheeling and eclectic, ranging from minute rock-geek analysis to idiosyncratic personal celebration--The New York Times Book Review Ideal for the rock geek who thinks liner notes just aren't enough--Rolling Stone One of the coolest publishing imprints on the planet - Bookslut These are for the insane collectors out there who appreciate fantastic design, well-executed thinking, and things that make your house look cool. Each volume in this series takes a seminal album and breaks it down in startling minutiae. We love these. We are huge nerds. - Vice A brilliant series...each one a word of real love - NME (UK) Passionate, obsessive, and smart - Nylon Religious tracts for the nock 'n' roll faithful - Uncut (UK) We...aren't naive enough to think that we're your only source for reading about music (but if we had our way...watch out). For those of you who really like to know everything there is to know about an album, you'd do well to check out Continuum's "33 1/3" series of books." - Pitchfork"

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Book SynopsisLester Young fading away in a hotel room; Charles Mingus storming down the streets of New York on a too-small bicycle; Thelonius Monk creating his own private language on the piano... In eight poetically charged vignettes, Geoff Dyer skilfully evokes the embattled lives of the players who shaped modern jazz. He draws on photos and anecdotes, but music is the driving force of But Beautiful and Dyer brings it to life in luminescent and wildly metaphoric prose that mirrors the quirks, eccentricity, and brilliance of each musician''s style.Trade ReviewRemarkable...there can be few books on jazz written with such tenderness and care. -- Adam Lively * * Times Literary Supplement * *But Beautiful is just that. A moving and highly original tribute to Black American Music. -- Bryan FerryAs intricate a mixture of biographical essay and make-believe as is likely to be written. * * New York Times * *The only book about jazz that i have recommended to my friends. It is a little gem. -- Keith Jarrett

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Book Synopsis''Can''t Be Satisfied is that rare thing in musical biographies: a book that maps out not just a single, extraordinary life but the cultural forces that shaped it'' Sean O''Hagan, Observer Muddy Waters was the greatest blues musician ever, and the most influential. He invented electric blues, inspired the Rolling Stones and created the template for the rock ''n'' roll band and its wild lifestyle. Robert Gordon''s definitive biography vividly chronicles the extraordinary life and personality of the musical legend who changed the course of modern popular music.Trade ReviewA superb compendium of scholarship . . . this book is likely to remain the definitive Muddy study. -- Michel Faber * * Scotland on Sunday * *Can't Be Satisfied is that rare thing in musical biographies: a book that maps out not just a single, extraordinary life but the cultural forces that shaped it and the cultural changes which that same life then helped to bring about. -- Sean O'Hagan * * Observer * *Gordon gets the deep lowdown on the original Rolling Stone. A major feat of research and a fascinating read. -- Jay McInerneyThe strenghts of Can't Be Satisfied lie in Robert Gordon's broad knowledge of the blues scene. He deftly puts each song and incident into its context. His exceptional understanding of the genre is best shown in his treatment of its ultimate irony - the creation of wealth through the depiction of poverty. -- Charlie Campbell * * Literary Review * *Robert Gordon has produced an immensely readable biography, as rowdy and dangerous as its subject. . . There'll be no need for another Muddy Waters biography, this will do handsomely. -- Neil Slaven * * Blues & Rhythm * *A blues tome to be treasured ... an unrepeatable feat of scholarship -- Michael Heatley * * Record Collector * *

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Book Synopsis

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Book Synopsis

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Book Synopsis

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Book SynopsisLegendary wordsmith Raekwon the Chef opens up about his journey from the staircases of Park Hill in Staten Island to sold-out stadiums around the world with the Wu-Tang Clan in this revealing memoir - perfect for fans of The Autobiography of Gucci Mane and Hustle Harder, Hustle Smarter. There are rappers that everyone loves, and there are rappers that every rapper loves, and Corey Woods, a.k.a. Raekwon the Chef, is one of the few who is both. His versatile flow, natural storytelling and evocative imagery has inspired legions of fans and a new generation of rappers. As one of the founding members of Wu-Tang Clan, Raekwon’s voice and cadence is synonymous with the inimitable sound that has made the group iconic since 1991. Now, for the first time, Raekwon tells his full story, from struggling through poverty to make ends meet to turning a hobby into a legacy. The W

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Book SynopsisA lavish book celebrating 50 years of Rolling Stone magazine--one of the most iconic and influential voices in American music and cultureTrade Review" Rock out and read this landmark book celebrating Rolling Stones 50th birthday. Documenting the magazine's rise from humble beginnings in a tiny office in San Francisco, the book includes interviews with artists such as Bob Dylan, the Beastie Boys and Adele, images from iconic photographers including Annie Leibovitz and sparking prose from the likes of Hunter S. Thompson. Each page makes it easy to see why every budding musician dreams of gracing its cover." * Daily Mail *

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Book SynopsisOne of the greatest artists our country has is Benny Golson. He is not only a great musician, but an original and fabulous composer. He is inventive and creative and his work is loved the world over. Benny is a rare, creative genius. All I would like to say is THREE CHEERS for Benny Golson!Tony BennettComposer supreme, tenor man supreme, jazz man supreme, good guy supreme: that's BENNY GOLSON!Sonny RollinsBorn during thede factoinaugural era of jazz, saxophonist Benny Golson learned his instrument and the vocabulary of jazz alongside John Coltrane while Golson was still in high school in Philadelphia. Quickly establishing himself as an iconic fixture on the jazz landscape, Golson performed with dozens of jazz greats, from Sonny Rollins, Coleman Hawkins, and Jimmy Heath to Dizzy Gillespie, Freddie Hubbard, and many others. An acclaimed composer, Golson also wrote music for Hollywood films and television and composed such memorable jazz standards as Stablemates, Killer Joe, and Whisper NTable of ContentsPreface, by Jim Merod IntroductionPart I John Coltrane Chapter 1 One of a Kind: John Coltrane Chapter 2 John and I Meet Diz and Bird Chapter 3 John Becomes a Dynamo Part II The ’Hood and Youthful Reckonings Chapter 4 Uncle Robert and the Man Chapter 5 Two Heroes and a Night at Minton’s Chapter 6 Early Tragedies and Victories Chapter 7 Welfare Days, Hard TimesPart III Great People Chapter 8 No One Else: Bobbie Hurd Chapter 9 Moose and Bostic Chapter 10 Art Blakey’s Neophytes and Tadd Dameron’s Luck Chapter 11 Further Adventures with Tadd and an Evening with Louis Armstrong Chapter 12 The Duel: Clifford Brown and Fats Navarro Chapter 13 Wonder and Beauty: Betty Carter and Art Farmer Chapter 14 Genius Squared: Jimmy and Percy Heath Chapter 15 Unrivaled Aces: Sarah Vaughan and Bill Evans Chapter 16 Four "Brothers": Mulgrew Miller, Woody Herman, Henry Brant, and George RussellPart IV Hollywood Chapter 17 Starting Over Chapter 18 Gettin’ My Mojo Workin’ Chapter 19 M*A*S*H Chapter 20 Movie Stars Like Jazz, TooPart V Amazing Friendships Chapter 21 Quincy Jones Chapter 22 Sweets and Diz Chapter 23 Philly Joe Jones Chapter 24 Monk, Max, and Dinah Chapter 25 Curtis Fuller and The JazztetPart VI Music and Writing Chapter 26 Writing Chapter 27 Lessons Chapter 28 "Stablemates": My First Recorded Song Chapter 29 "Along Came Betty" Chapter 30 "I Remember Clifford" Chapter 31 The Ballad and "Weight"Part VII Icons Chapter 32 Steven Spielberg and Tom Hanks Chapter 33 Duke and Strayhorn Chapter 34 Coleman Hawkins Chapter 35 Art Blakey and Thelonious Monk Chapter 36 Blakey and The Jazz Messengers Chapter 37 Kenny Dorham and Lee Morgan Chapter 38 Sonny Rollins Chapter 39 Great Performances: Oscar Pettiford, Ron Carter, Billy Higgins, Billy Taylor, and Walter Davis, Jr. Chapter 40 Charles Mingus, Benny Goodman, Gigi Gryce, and Horace Silver Chapter 41 Peggy Lee and Diana Ross Chapter 42 Milt "Bags" Jackson, Larry Young, Joe Farrell, and Tony Williams Chapter 43 Wynton Kelly and Chick Corea Chapter 44 Miles Davis and Geoffrey Keezer Chapter 45 Mickey Rooney, Redd Foxx, Jersey Joe Walcott, and Muhammad AliPart VIII Verses and a Coda Chapter 46 Notes on Starting Over Chapter 47 The Blues Chapter 48 Brielle Coda: A New Way of Life Acknowledgments Index

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Book SynopsisFrom the award-winning country/pop star Shania Twain comes an in-depth look at her difficult childhood and rise to worldwide fame.

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Book Synopsis ‘This book will delight both New Order-ites and general rock readers’ MojoA ROLLICKING, NO-HOLDS-BARRED ACCOUNT OF NEW ORDER'S ENTIRE HISTORY. Two acclaimed albums and an upcoming US tour – Joy Division had the world at their feet. Then, on the eve of that tour, the band’s troubled lead singer, Ian Curtis, killed himself. The next time they got together, they were a new band. That band was New Order – their label was Factory Records, their club The Haçienda. Their distinctive sound paved the way for the dance music explosion that followed, earning them the reputation as one of the most influential bands of their generation, and changing the course of popular music. Following on from his bestselling titles The Haçienda and Unknown Pleasures, Peter Hook has written a rollicking, no-holds-barred account of the band's entireTrade Review‘Rock writing rarely tells us properly what a band treading water or in slow decline feels like from the inside. Hook does so memorably.’ * Guardian *‘The 768 pages will delight both New Order-ites and general rock readers, revealing the astonishing human bathos behind this group's godly future-rock […] The way Joy Division and New Order combined high art with base behaviour is well established but this book rides that tandem to new dimensions […] there's much more than carnage’ * Mojo *‘Set against a lurid backdrop of orgiastic tours, awash with drink, drugs, and a debauched retinue of dealers, hookers and mad roadies, Hook drawing from a seemingly bottomless well of outrageous anecdotes, many of them hilarious and told with the same droll voice that delighted readers of The Haçienda: How Not to Run a Club’ * Uncut *‘Epic rock tale of sex, drugs and jealousy … A must for fans, it's wildly funny and revelatory' * The Sun *‘A rollicking read’ * Record Collector *‘You don’t have to be an ardent fan of Manchester music to enjoy this doorstopper … engrossing’ * Cheshire Life *‘Substance chronicling the original four-piece’s history is as mammoth and downright idiotic as the band deserves … something hilariously daft happens on nearly all of Substance’s 750 pages’ * Classic Pop *

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Book SynopsisThis is the definitive autobiography of John Lydon, one of the most recognizable icons in the annals of music history. As Johnny Rotten, he was the lead singer of the Sex Pistols - the world''s most notorious band, who shot to fame in the mid-1970s with singles such as ''Anarchy in the UK'' and ''God Save the Queen''. Via his music and invective he spearheaded a generation of young people across the world who were clamouring for change - and found it in the style and attitude of this most unlikely figurehead.With his next band, Public Image Ltd (PiL) Lydon expressed an equally urgent impulse in his make-up - the constant need to reinvent himself. From their beginnings in 1978 he set the template for a band that continues to challenge and thrive in the 2010s. He also found time for making innovative new dance records with the likes of Afrika Baambaata and Leftfield. Following the release of a solo record in 1997, John took a sabbatical from his music career into other me

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Book Synopsis'Genuinely funny; indeed, the story will keep you entertained for a very long time' Sunday Times   Joy Division changed the face of music. Godfathers of the enduring alternative scene, they reinvented rock in the post-punk era, creating a sound – dark, hypnotic, intense – that would influence U2, Morrissey, R.E.M., Radiohead and many others. This is the rollercoaster story of Joy Division – the friendships, fights, fall-outs; the rehearsals and recording sessions; the larger than life characters – told by the band’s legendary bassist, Peter Hook.   'Hook has restored a flesh-and-blood rawness to what was becoming a standard tale. Few pop music books manage that' Guardian   'An honest, enthusiastic account . . . it’s a window like no other into the reality of life in this most aloof of bands' Metro  

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Book SynopsisFrom the platinum selling recording artist and New York Times bestselling author of The Autobiography of Gucci Mane comes THE GUCCI MANE GUIDE TO GREATNESS - an unprecedented look at Gucci Mane’s secrets to success, health, wealth and self-improvement.From Gucci: 'I live by the principles in this book. I wanted to write this book to give you a tool set. This book should touch people who are going through something. It’s not going to be easy. But study these words, and put them into action. I want this book to keep you motivated. I want you to keep coming back to it for guidance and inspiration. You can put it on your shelf and keep going to TheGucci Mane Guide to Greatness. This book is a challenge. Don’t underestimate yourself. Don’t think that what you’re saying is not important. Don’t think you can’t achieve the impossible. Everyone needs some game, so here i

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Book SynopsisThe definitive history of Pink Floyd, one of the world''s great bands, by founder member Nick Mason.One of the most fascinating rock bands ever, Pink Floyd was formed in 1965. After a year in the London ''underground'' experimenting with revolutionary techniques such as lights that matched their music, they released their first single in 1966. Their breakthrough album, The Dark Side of the Moon, was released in 1973 and stayed in the charts until 1982, the longest a record has ever been continuously in the charts, becoming one of the best-selling albums of all time.In 1975 they released Wish You Were Here, which reached iconic status, then in 1979 The Wall went to number 1 in almost every country in the world. The movie version of The Wall starring Bob Geldof was released in 1982, becoming a cult favorite. In the 1980s a rift developed between the band members which culminated in law suits. Only recently have there been reconciliati

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Book SynopsisA literary and visual exploration of the songs of Steely Dan.Trade ReviewWeird and wondrous...Quantum Criminals fairly drips with information…and I have drunk it in eagerly...The writing in Quantum Criminals is often arresting and always engaging pop-music journalism...Quantum Criminals is a reminder that one can be massively fulfilled by language one doesn’t fully comprehend. * New York Times *Quantum Criminals is one of the sharpest, funniest, and best books ever about any rock artist. * Rolling Stone *Pappademas offers a lively series of ruminations about individual songs, loosely pegged to the characters who populate those songs and who are rendered in playfully detailed and colorful portraits by LeMay. The result is both a celebration and an artifact of the current Steely Dan moment...In sharp and funny chapters, Pappademas riffs on [Steely Dan's] cast of characters in ways that capture the band’s cultural context and musical debts. * The Atlantic *[Quantum Criminals] uncovers the vast constellation of lyrical references, artistic influences and social and political contexts surrounding the band and its music. * NPR Music *Wry, playful but deeply incisive...Fagen, Becker...and Pappademas are kindred spirits, smartass, sharp-eyed observers of life’s El Supremos—a description that suits other Dan fans as well. Quantum Criminals is like a secret handshake between two covers. The best part is that it illuminates details the rest of us may have glossed over for years. * Los Angeles Times *In one fell swoop, [Quantum Criminals] has become the essential Steely Dan book. And you should absolutely be reading it right now...Pappademas and LeMay leave no stones unturned in their quest to unlock every mythological quadrant of Steely Dan’s immense, decades-long artistic conceptions. * Paste *A whimsical plunge into one of America’s most unconventional rock bands...[A] delicious deep dive into the many protagonists in the 'Steely Daniverse'...LeMay’s vibrant paintings—more than 100 of which are included in the book—provide yet another kaleidoscopic lens through which to consider the duo’s wild imaginations. Any major dude will tell you that this is a solid and highly entertaining take on Fagen and Becker’s 'platonic love story.' * Kirkus *[An] engaging and illuminating way to tell the band's history...Quantum Criminals is undoubtedly the best thing I’ve ever read about this endearingly strange and endlessly fascinating band. * The Forward *An engrossing series of essays that innovatively chart the cosmology of Donald Fagen and Walter Becker’s musical universe…[A] terrific and irresistible book. * Talkhouse *Remarkable...we finally have a book about Steely Dan in which the writing and art fully measure up to the sophistication and beauty of Becker and Fagen’s music...Pappademas’s incisive, elegant prose poetry pairs perfectly with LeMay’s colorful hand-painted portraits that offer humorous and empathetic glimpses of the Dan’s menagerie of luckless pedestrians. * Expanding Dan *Wonderfully weird and insightful...the Steeliest of all the Steely Dan books out there. And it’s wholly refreshing...There have been a number of fine books on Steely Dan, but Quantum Criminals is the one whose spirit, vivacity, and off-kilterness matches its subjects and their body of work. * Houston Press *Steely Dan fans should love this book. And if you’re not a fan of that non-band band, but love good writing about rock music, Quantum Criminals is still worth reading. * Milwaukee Shepherd Express *These song-based essays are part band biography, trenchant culture criticism, poignant ‘70s history, and psychedelic tone poems. Like Steely Dan’s tunes, they toe the line between an unbridled reverence for the music and esoteric sensibilities. I read it in a day and came out with an even deeper respect for their catalog. * No Expectations *This is the finest piece of rock journalism that I have read in a long time. * Religion News Service *Alex Pappademas reveals the stories behind many of [Steely Dan's] songs and, in the process, gives us a book that shows what the right kind of obsession leads to—joyful, contagious passion. Featuring terrific illustrations by Joan LeMay, this is a fascinating, fun, and deep dive into the stories behind the music and the men who created it...After you read this book, you’ll never be able to forget the genius of these two writers. * Air Mail *For those who are anywhere from casual listeners to hardcore Dan Fans, this book is an unceasing delight from cover to cover…Engrossing, well-written, with vivid, whimsical illustrations, Quantum Criminals is the literary equivalent of a Steely Dan album: vibrant, a little strange, and nearly perfect. * Spectrum Culture *Writer Alex Pappademas and painter Joan Lemay...go beyond explanation to produce the definitive Danomicon with this expansively argued and vibrantly illustrated survey of the songs, lyrics and characters populating the whole Steely Dan catalog. * Tertulia *Whether you count the current Danaissance as something entirely new or another turn in a recurring cycle, and even if you’re among those who find the band too weird or jazzy, it’s undeniable the Dan endures. Quantum Criminals is an entertaining and insightful account of why. * The Washington Free Beacon *The book is as smooth and intriguing as Gaucho, a combination of sophisticated thinking, clear language, and a calm view of the dark interior of this band. All of it is told through a series of connected biographies that are based on each song that the band recorded . . . and that give the musicians involved, the cultural views accumulated, and Pappademas’s own journey, significant roles in what is a great and complex story. The book will be terrifically satisfying to any and all Dan fans in the way that having one’s own experiences and perceptions acknowledged and validated is, but it goes far beyond hagiography. * The Brooklyn Rail *The new book, Quantum Criminals: Ramblers, Wild Gamblers, and other Sole Survivors From the Songs of Steely Dan, is the delightful result of an author not only understanding their subject, but emotionally bonding with it. In this case, it’s the two co-authors, Alex Pappademas (who writes the words) and Joan LeMay (who paints the pictures). . . Quantum Criminals understands the paradoxical nature of Steely Dan, and the book embraces that chaos. It’s not a paean to “great men” of classic rock, nor is it a fan service love letter. But it is most definitely the right book about the correct band. * The Daily Beast *There have been a number of fine books on Steely Dan, but Quantum Criminals is the one whose spirit, vivacity, and off-kilterness matches its subjects and their body of work. * Classic Rock Bob *[An] ultra-cool hybrid of music criticism and pop art...For older fans, who remember when 'Rikki Don't Lose That Number' owned the airwaves in spring 1974, Quantum Criminals is like a tour guide with a music geek friend whose fresh outlook about songs you've heard hundreds of times enables you to experience elements of their greatness for the first time. * New Hampshire Union Leader *The best music book of 2023…From Rikki to Hoops McCann to Kid Charlemagne, Pappademas’ prose and LeMay’s paintings pair together to give Donald Fagen and Walter Becker’s band the vivid, unforgettable context it has always deserved. It’s an essential mapping of Steely Dan’s wild and wonderful world, told straight from two Danheads. * Paste Magazine *Steely Dan’s stock is even higher today than it was in the 1970s, when they were having hit records. Critic Alex Pappademas and illustrator Joan LeMay deliver the perfect celebration of Donald Fagen and Walter Becker’s unique hermetic grandeur, honoring their oblique mystique while also getting at the real human beings lurking beneath the pristine tunes and cynical worldview. Each chapter is a revelatory riff on a different character in a Dan song — from Peg to Rikki to Mr. LePage to the Gaucho — with LeMay’s artwork just as smart and fun as the writing. They get into topics like the band’s secret hip-hop influence, their ‘famously overdetermined guitar solos,’ and the dialectical nature of their relationship with fellow El Lay rock royals the Eagles. People have been trying to untangle the riddle of Steely Dan’s greatness for decades. No one’s ever done it better. -- Jon Dolan * Rolling Stone *Quantum Criminals is such an unusual, funny, and creative work of criticism that it should inspire anyone who loves pop music but feels tired of the forms into which the market hems writers who want to tell its stories. * Slate *Quantum Criminals: Ramblers, Wild Gamblers and Other Sole Survivors from the Songs of Steely Dan (University of Texas Press) by Alex Pappademas and Joan LeMay has been described as the quintessential Steely Dan book. As part of the project, LeMay, a native Houstonian, created 109 whimsical portraits of characters that sprang from the musicians’ lyrics and legends. In a review, fellow artist Melissa Messer wrote: 'Looking at Joan’s oeuvre makes me feel tipsy, or like I’ve drunk Wonka’s Fizzy Lifting Drink and I’m swimming through the air after her, searching for the same vision.' * Texas Observer *This book not only dissects Steely Dan’s lyrics and dives deep into the imagery of their discography, it also steps back and provides helpful context about how the band’s music was written. * New York Magazine: The Strategist *Table of Contents 1. Jack 2. Walter 3. Donald 4. King Richard/King John 5. Lady Bayside 6. Chino & Daddy Gee 7. Michael/Jesus 8. The Charmer 9. The Fella in the White Tuxedo 10. Dan 11. David 12. Mr. Whatever 13. Louise 14. Cathy 15. The El Supremo 16. The King of the World 17. Rikki 18. The Major Dude 19. Mr. Parker 20. Buzz 21. Napoleon 22. The Archbishop 23. Dr. Wu 24. Mr. Lapage 25. Owsley 26. A Bookkeeper’s Son 27. The Eagles 28. Babs & Clean Willie 29. The Old Man 30. Pepe 31. A Wooly Man without a Face 32. Peg 33. Sayoko 34. The Expanding Man 35. Broadway Duchess 36. Josie 37. The Babylon Sisters 38. Hoops McCann/The Dread Moray Eel 39. The Dandy of Gamma Chi 40. The Gaucho 41. A Jolly Roger 42. Third World Man 43. Abbie/Dupree 44. Franny from NYU 45. Lizzie 46. Jill 47. Gina 48. Dave from Acquisitions 49. Daddy Acknowledgments Notes

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Book SynopsisIncludes a code for free CD download of many of the bands featured in this book!Nirvana, the White Stripes, Hole, the Hives all sprang from an underground music scene where similarly raw bands, enjoying various degrees of success and hard luck, played for throngs of fans in venues ranging from dive bars to massive festivals, but were mostly ignored by a music industry focused on mega-bands and shiny pop stars. We Never Learn: The Gunk Punk Undergut, 1988-2001 tracks the inspiration and beautiful destruction of this largely undocumented movement. What they took, they fought for, every night. They reveled in ''50s rock ''n'' roll and ''60s garage rock while creating their own wave of gut-busting riffs and rhythm.The majority of bands that populate this book the Dwarves, the Gories, the Supersuckers, the Mummies, Rocket from the Crypt, Jon Spencer Blues Explosion, the Muffs, and the Donnas among them gained little long-term reward from their nonstop touri

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Book SynopsisThe New York Times bestselling memoir from the legendary Gucci Mane spares no detail in this “cautionary tale that ends in triumph” (GQ). For the first time Gucci Mane tells his extraordinary story in his own words. It is “as wild, unpredictable, and fascinating as the man himself” (Complex). The platinum-selling recording artist began writing his remarkable autobiography in a federal maximum security prison. Released in 2016, he emerged radically transformed. He was sober, smiling, focused, and positive—a far cry from the Gucci Mane of years past. A critically acclaimed classic, The Autobiography of Gucci Mane “provides incredible insight into one of the most influential rappers of the last decade, detailing a volatile and fascinating life...By the end, every reader will have a greater understanding of Gucci Mane, the man and the musician” (Pitchfork).

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Book SynopsisWill Hagle is a writer from Champaign who lives in Los Angeles.Trade ReviewHagle’s Madvillainy is one of the best of the series because it jettisons the stale rules of music writing (no forced canonization needed here!) in favor of a narrative structure that echoes the album’s aesthetics. * Southwest Review *Table of Contents1. The Daily Daily vs. Music Journalism 2. Preface 3. MF DOOM 4. Madlib 5. Like a Folklore Legend 6. Madvillain 7. The Next Decade(s) Acknowledgments Notes

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Book Synopsis'Honest and moving' Independent on Sunday Freddie Mercury was a rock superstar like no other. Recently the focus of the Academy Award-winning film Bohemian Rhapsody, he generated over £1 billion worth of sales in a career spanning two decades. But for all his riches, Mercury could not buy the thing he sought most: the love of one particular man. Jim Hutton was a modest gentleman’s barber when the two met in 1983. After many fiery false starts, they became lasting lovers. From the moment they lived together, wherever Mercury went, Hutton went too. And whoever Mercury met, Hutton met too – from Phil Collins to Elton John, David Bowie to the other members of Queen. They laughed together, fought together and, in Mercury’s final years, they often cried together. Freddie Mercury was forty-five when he died from AIDS in Hutton’s arms. No one can tell the story of the last few years of Mercury’s private life - the ecstasies and the agonies - more accurately or honestly than Jim Hutton.

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Book SynopsisA brash and dazzling celebration of the instruments that created the sounds of rock and roll from the 1940s to the present dayPlay It Loud celebrates the musical instruments that gave rock and roll its signature sound—from Louis Jordan’s alto saxophone and John Lennon’s Rickenbacker to the drum set owned by Metallica’s Lars Ulrich, Lady Gaga’s keytar, and beyond. Seven engrossing essays by veteran music journalists and scholars discuss the technical developments that fostered rock’s seductive riffs and driving rhythms, the thrilling innovations musicians have devised to achieve unique effects, and the visual impact their instruments have had. Abundant photographs depict rock’s most iconic instruments—including Jerry Lee Lewis’s baby grand piano, Chuck Berry’s Gibson ES-350T guitar, Bootsy Collins’s star-shaped bass, Keith Moon’s drum set, and the white Stratocaster Jimi Hendrix played at Woodstock—as works of art in their own right. Produced in collaboration with the Rock & Roll Hall of Fame, this astounding book goes behind the music to offer a rare and in-depth look at the instruments that inspired the musicians and made possible the songs we know and love.Published by The Metropolitan Museum of Art/Distributed by Yale University PressExhibition Schedule:The Metropolitan Museum of Art, New York (04/08/19–09/15/19)The Rock & Roll Hall of Fame, Cleveland (11/20/19–09/13/20)

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Book SynopsisFrom a Los Angeles hospital bed, equipped with little more than a laptop and a stack of records, James “J Dilla” Yancey crafted a set of tracks that would forever change the way beatmakers viewed their artform. The songs on Donuts are not hip hop music as “hip hop music” is typically defined; they careen and crash into each other, in one moment noisy and abrasive, gorgeous and heartbreaking the next. The samples and melodies tell the story of a man coming to terms with his declining health, a final love letter to the family and friends he was leaving behind. As a prolific producer with a voracious appetite for the history and mechanics of the music he loved, J Dilla knew the records that went into constructing Donuts inside and out. He could have taken them all and made a much different, more accessible album. If the widely accepted view is that his final work is a record about dying, the question becomes why did he make this record about dying? Drawing from philosophy, critical theory and musicology, as well as Dilla’s own musical catalogue, Jordan Ferguson shows that the contradictory, irascible and confrontational music found on Donuts is as much a result of an artist’s declining health as it is an example of what scholars call “late style,” placing the album in a musical tradition that stretches back centuries.Trade ReviewThis intelligent book uses the records and insights of Dilla's contemporaries to examine his approach to production, his relationships within the genre, love of records and how Donuts can be seen as a piece of music attuned to its creator's failing health. An insightful and emotive read. -- James Griffin * Bonafide Magazine *Jordan Ferguson’s book on Donuts provides a trove of information about what was clearly one of the albums of the last decade of any genre […]Ferguson offers a cogent reading of the album. Others have speculated that Jay Dee buried “secret messages” within the tracks. I don’t know how secret they are but it is clear that there were major preoccupations, life-death-relationships and, of course, music. What he produced was a brilliant, multi-layered, sonically exhilarating work and Ferguson has done the album justice with this slim volume. -- Robert Iannapollo * ARSC Journal *Excerpted * Stones Throw *That such a lively collection of beats and samples—as cerebral as they are physical—was created by a dying man ensures that Jordan Ferguson’s book will be poignant, but his clear storytelling and direct prose allows producer James Yancey to emerge as a complicated, contradictory character. The first half is the most extensive biography we have of the man, from his childhood in Detroit to his death in Los Angeles, just three days after the release of Donuts. The second half grapples with the album as a meditation on mortality, which only shows what an immense talent the world lost. -- Stephen M. Deusner * Pitchfork *Table of Contents1. Welcome to the Show 2. The Diff’rence 3. Hi. 4. Waves 5. Stop! 6. The Twister (Huh, What) 7. Workinonit 8. Two Can Win 9. Geek Down 10. The New 11. Bye.

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Book SynopsisFollowing hard on the explosion of British punk, in 1979 Gang of Four produced post-punk’s smartest record, Entertainment! For the first time, a band wedded punk’s angry energy to funk’s propulsive beats—and used that music to put across lyrics that brought a heady mixture of Marxist theory and situationism to exposing the cultural politics of everyday life. But for an American college student from the suburbs—and, one expects, for many, many others, including British youth—Jon King’s and Andy Gill’s mumbled lyrics were often all but unintelligible. Political rock ‘n’ roll is always something of an oxymoron: rock audiences by and large don’t tune in to be lectured to. But what can it mean that a band that made pop songs as political theory actively resisted making that theory legible? Coming to terms with the impact of Entertainment! requires us to take the mondegreen—the misunderstood lyric—seriously. The old joke has it that the title of R.E.M.’s debut album should have been not Murmur, but Mumble: true, so far as it goes. But that’s the title, too, of rock ‘n’ roll’s Greatest Hits compilation—and that strategic inarticulateness itself, which creates such an important role for the listener, has an important politics.Trade ReviewKevin Dettmar, having been an American college student in the '70s, is-in an odd way-the ideal author to write the 33 1/3 series volume #91 about British post-punk band Gang of Four's album Entertainment! (1979). In addition to being well-versed to discuss the cultural and musical implications of such a band steeped in leftist and “Situationist” political theory, in the book's introduction, he also proclaims the band to be his “favorite of all time.” This is the kind of mixture of knowledge and fervor that has made the series a great addition to the literature about pop music. Dettmar tends to beat us over the head with the Marxism and Situationism in the British band's lyrics and approach, the way their lyrics make sharp social commentary in counterpoint to their equally jagged yet seductive dance rhythms. It's a bit of a stretch, the case he makes for each of the songs as a “think piece,” but it may help the casual listener to give the band another spin to listen for what is hidden subversively in their sound. * SLUG Magazine *There are not many great Marxist/feminist rock bands, but Gang of Four have a strong claim of being among them. Entertainment was their first album, released in 1979, is innovative both musically and with its lyrics; it was a time of many great albums … Kevin Dettmar aims to address the power of the Gang of Four in his short book on their album Entertainment … The text refers to many different figures and ideas, including Emerson, Don Delillo, James Joyce and Engels. Mostly, his approach is plausible and clever, although he is occasionally eccentric … this book is worthwhile. -- Christian Perring, Dowling College, USA * Metapsychology Online Reviews 19:8 *Words are at the very heart of Kevin Dettmar’s affectionate retrospective of the Leeds quartet’s first and best-known album, 1979’s Entertainment! - not only because Dettmar is a professor of English but because Gang of Four’s debut is a veritable treasure trove of punning, word play and semantic dissonance. -- Houman Barekat * The Quietus *Table of ContentsIntroduction Keywords Ideology Nature Theory Alienation Consumer Sex Back to the Gutters

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Book SynopsisIn the first decade of the twenty-first century, Kanye West created the most compelling body of pop music by an American artist during the period. Having risen from obscurity as a precocious producer through the ranks of Jay Z's Roc-A-Fella records, by the time he released My Beautiful Dark Twisted Fantasy (MBDTF) in late 2010, West had evolved into a master collagist, an alchemist capable of transfiguring semi-obscure soul samples and indelible beats into a brash and vulnerable new art form. A look at the arc of his career, from the heady chipmunk soul exuberance of The College Dropout (2004) to the operatic narcissism of MBDTF, tells us about the march of pop music into the digital age and, by extension, the contradictions that define our cultural epoch. In a cloud-based and on-demand culture – a place of increasing virtualization, loneliness, and hyper-connectivity – West straddles this critical moment as what David Samuels of The Atlantic calls "the first true genius of the iPhone era, the Mozart of contemporary American music." In the land of taking a selfie, honing a personal brand, and publicly melting down online, Kanye West is the undisputed king. Swallowing the chaos wrought by his public persona and digesting it as a grandiose allegory of self-redemption, Kanye sublimates his narcissism to paint masterstroke after masterstroke on MBDTF, a 69-minute hymn to egotistical excess. Sampling and ventriloquizing the pop music past to tell the story of its future – very much a tale of our culture's wish for unfettered digital ubiquity – MBDTF is the album of its era, an aesthetic self-acquittal and spiritual autobiography of our era’s most dynamic artist.Trade ReviewIn Graves' book, he not only breaks down each track on the record, but he also effectively lays out the context of the album's release, explaining why Kanye is deserving of an investigative book like this one (and hopefully soon, others), and what about Mr. West makes him the biggest and most off-putting rock star on the planet. -- Dan Buyanovsky * Revolt TV *Kanye West is the millennial generation incarnate, or at least that's what Kirk Walker Graves would have us all think. Throughout the 150 or so pages of this book, Graves unpacks the enigma that is Kanye West's personality and art. This book isn't so much about the musical qualities of My Beautiful Dark Twisted Fantasy as it is about how Kanye's ego and public persona can be used to explain modern 20-somethings. Graves finds meaning in West's music that I never would have picked out on my own. His fandom is clear, but he never steps into hyperbole in his praise of the music. Though, at times, it feels like his discussion of this album can get a bit too academic, I appreciate the thought that he has put into his analysis of Kanye's work. This book is some serious next-level music criticism-I never realized how much Kanye's Gucci line meant to my life before this guy told me about it. -- Alex Gilvarry * SLUG Magazine *West may be divisive enough to not win over his detractors, but Graves’ mix of fanboy marvel and critical detachment is persuasive enough to convince even detractors to give My Beautiful Dark Twisted Fantasy a close listen. At the end of its 132 pages, Graves makes a convincing argument that this four-year-old deserves a spot in the 33 1/3 series. But perhaps more important, he does something that great criticism should do: he makes you want to listen to the album. -- Sean McCarthy * PopMatters *Kanye West’s fifth album is only a few years old, but that didn’t stop Kirk Walker Graves from writing a book proclaiming it an instant classic that perfectly captures the spirit of its era. Graves unpacks the cultural meaning and significance of West’s famous ego and chaotic public persona, and examines the music both in the context of the rapper’s brilliant body of work, and how it fits into the social media era. * Buzzfeed *Table of ContentsAcknowledgements Seven Virtues of Yeezus, Pop Christ Portrait of the Monster as a Young Masterpiece The Narcissistic Personality of Our Time Five Uneasy Pieces Art as Atonement University as Universe: The College Dropout A (Very) Brief Aside Re: 808s & Heartbreaks MBDTF Dark Fantasy Gorgeous POWER (sic transit gloria Kanye) All of the Lights Monster So Appalled Devil in a New Dress Runaway Hell of a Life Blame Game Lost in the World The Yeezus Singularity: A Religion of the Self

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Book SynopsisExtravagantly opaque, willfully vaporous — Aphex Twin’s Selected Ambient Works Volume II, released by the estimable British label Warp Records in 1994, rejuvenated ambient music for the Internet Age that was just dawning. In the United States, it was Richard D. James's first full length on Sire Records (home to Madonna and Depeche Mode) under the moniker Aphex Twin; Sire helped usher him in as a major force in music, electronic or otherwise. Faithful to Brian Eno’s definition of ambient music, Selected Ambient Works Volume II was intentionally functional: it furnished chill out rooms, the sanctuaries amid intense raves. Choreographers and film directors began to employ it to their own ends, and in the intervening decades this background music came to the fore, adapted by classical composers who reverse-engineered its fragile textures for performance on acoustic instruments. Simultaneously, “ambient” has moved from esoteric sound art to central tenet of online culture. This book contends that despite a reputation for being beatless, the album exudes percussive curiosity, providing a sonic metaphor for our technologically mediated era of countless synchronized nanosecond metronomes.Trade ReviewMarc Weidenbaum packs a lot into these 130 pages: a mini-biography of a ground-breaking artist, a capsule history of ambient music, and an example of how digital technology determines how we hear and interpret music. -- Stephen M. Deusner * Pitchfork *Weidenbaum ... is a lucid listener. His book offers deep insights into what makes the individual tracks so startling. * The Wire *Weidenbaum avoids an obvious track-by-track breakdown, instead focussing on creating a narrative of the album’s history and reception through the book’s seven chapters. Nevertheless there are several highly compelling accounts of tracks from the album, providing the attentive and imaginative readings that form the book’s backbone. ... Weidenbaum is at his best when he writes about the non-musical issues of the album ... [His] journalistic tone leads the reader effortlessly through his carefully constructed narratives, always respectful of Aphex’s artistry without ever falling into uncritical hagiography. ... One of the biggest appeals of SAW II lies in the invitation to find meaning in it and Weidenbaum’s account is the perfect vehicle to do this, helping the listener to connect up the disentangled sonic fragments and re-assemble them in a personal way. * Dancecult: Journal of Electronic Dance Music Culture *It's not easy writing about ambient music. It is hard to describe how it sounds, and it is also hard to describe how it makes you feel. Weidenbaum avoids these problems by writing about the track listing, the names of the songs, the circumstances of the creation of the album, the reception of the album, and how it was used in movies...Some of Weidenbaum's approaches to discussing the album are illuminating. He explains how SAW Vol II was developed for chill out rooms at raves when people were coming down from long hours of dancing and drugs, and they needed something both restful and energizing. -- Christian Perring * Metapsychology Online Reviews *Mentioned on LineOut. * The Stranger.com *If you're already a fan of Aphex Twin, you'll revel in Weidenbaum's deep dive into one of the artist's signature works. If not, you'll be surprised to learn that you've likely already heard his music in one form or another. -- S.T. Vanairsdale * The City (SacTownMag.com) *the ‘extravagantly opaque, willfully vaporous’ chillout room masterpieces of electronic composer Richard D. James, aka Aphex Twin -- basically what everyone in the 1990s listened to as they swept up/came down after the rave -- get the business from incisive SF writer and archivist Marc Weidenbaum. And really, the pairing couldn't be any more delicious. -- Marke B. * San Francisco Bay Guardian *Like all good critical studies, Aphex Twin’s Selected Ambient Works Volume II doesn’t provide the illusion of closure; rather, it expands minds, fostering the creation of textual meaning. I can offer no higher praise. -- Caught in the Carousel * Paul Gleason *Table of ContentsThere Is No Volume I Background Beats A Chill-out Room of One's Own Synesthetic Codex Transcribing Vapor Embedding Vapor Selected Ambient Works Volume III Thanks and Acknowledgments

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Book SynopsisThe Jesus and Mary Chain’s swooning debut Psychocandy seared through the underground and through the pop charts, shifting the role of noise within pop music forever. Post-punk and pro-confusion, Psychocandy became the sound of a generation poised on the brink of revolution, establishing Creation Records as a tastemaking entity in the process. The Scottish band’s notorious live performances were both punishingly loud and riot-spurring, inevitably acting as socio-political commentary on tensions emergent in mid-1980s Britain. Through caustic clangs and feedback channeling the rage of the working-class who’d had enough, Psychocandy gestures toward the perverse pleasure in having your eardrums exploded and loudness as a politics within itself. Yet Psychocandy’s blackened candy heart center – calling out to phantoms Candy and Honey with an unsettling charm – makes it a pop album to the core, and not unlike the sugarcoated sounds the Ronettes became famous for in the 1960s. The Jesus and Mary Chain expertly carved out a place where depravity and sweetness entwined, emerging from the isolating underground of suburban Scotland grasping the distinct sound of a generation, apathetic and uncertain. The irresistible Psychocandy emerged as a clairvoyant account of struggle and sweetness that still causes us to grapple with pop music’s relation to ourselves.Trade ReviewAn interesting and eminently readable study of one of the most significant albums of the 1980s ... The book is a welcome addition to a consistently excellent series. * The Kelvingrove Review *Table of ContentsIntroduction: Taste the Floor Chapter One: Never Understand Chapter Two: Just Like Honey Chapter Three: In a Hole Chapter Four: Sowing Seeds Chapter Five: Taste of Cindy Chapter Six: Some Candy Talking Chapter Seven: My Little Underground Chapter Eight: The Living End Chapter Nine: Cut Dead Chapter Ten: Inside Me Chapter Eleven: It's So Hard Chapter Twelve: Something's Wrong Chapter Thirteen: The Hardest Walk Chapter Fourteen: You Trip Me Up

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Book Synopsis"The new Chris Cornell biography is the book his legacy deserves." —Kerrang!"Reiff unearths plenty of unexpected details and novel anecdotes…but the book is perhaps most valuable for the way it rounds out and humanizes this man who managed to keep so many of his cards close to the vest despite decades in the spotlight." —Variety “Total F*cking Godhead brings Chris Cornell, the voice of a generation, alive on the page. Impressively researched and compulsively readable, Godhead pulls no punches in recounting Cornell’s remarkable life and prolific career. It’s an inspired chronicle of an impassioned soul. Read it!”—Greg Renoff, author of Van Halen Rising With input from those who knew and worked with him—together with his own words—Total F*cking Godhead recounts the rise of Chris Cornell and his immortal band Soundgarden as they emerged from the 1980s post-punk underground to dominate popular culture in the ’90s alongside Pearl Jam, Alice In Chains, and Nirvana. “From his days as a struggling Seattle musician at the forefront of the grunge scene to becoming a global icon, Total F*cking Godhead thoroughly chronicles the life story and prolific output of one of the greatest and most influential singers of all time. You will discover the man and his music all over again.”—David de Sola, author of Alice in Chains: The Untold Story Seattle resident and rock writer Corbin Reiff also examines Cornell’s dynamic solo career as well as his time in Audioslave. He delves into his hard-fought battle with addiction, and the supercharged reunion with the band that made him famous before everything came to a shocking end. “For those of us still trying to sort out the tragedy of Chris Cornell's death comes this loving look back at the man's life and music. I wrote my own book about grunge, and I still learned a lot from this excellent biography." —Mark Yarm, author of Everybody Loves Our Town: An Oral History of Grunge

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Book SynopsisWhen it comes to New York City hardcore, its community proudly boasts Lou and Pete Koller—brothers who have dominated the scene worldwide since 1986 with the aurally devastating Sick of It All as their vehicle.“One the best books ever written about hardcore, period…” —Decibel Magazine For Flushing, Queens natives Lou and Pete Koller, hardcore has become a lifestyle as well as an unlikely career. From the moment these siblings began applying their abilities to punk’s angrier, grimier sub-genre, they quickly became fifty percent of one of the most intense and compelling quartets to ever claim the movement—the legendary New York hardcore band, Sick of it All. Contrary to popular belief, Lou and Pete are proof positive that you don’t need to have lived a street life, or come from a fractured, chaotic home in order to produce world-class hardcore. If Agnostic Front are the godfathers of New York hardcore, then vocalist Lou and guitarist Pete are its grand masters. The Blood and the Sweat is the no-holds-barred autobiography of two brothers who have never wavered, as well as an unrelenting depiction of the American dream, and the drive and determination required to live it—regardless of whatever obstacles appear before you. Featuring commentary from family, friends, bandmates past and present, and their peers, including Gary Holt (Exodus, Slayer), Kurt Brecht (D.R.I.), Barney Greenway (Napalm Death), and more…Trade Review"It's not that I didn't notice that Lou and Pete were different, I just didn't care. There was no, 'They don't have long hair, what's wrong with this picture?' They were just in a ferocious band. They were badass, and they're still badass." -- Gary Holt, Exodus, Slayer"When we took them on tour after their first album came out, those guys really got the crowd going with their New York Hardcore sound. They were young, but very professional. Eventually they took US on tour in Europe because they'd gotten so big there. I think they referred to D.R.I. as 'the band that taught them to thrash.'" -- Kurt Brecht, D.R.I."Whenever I spend time with those guys, there's always a smile. It's always light-hearted, yet I have this feeling that it's us against the world. Lou and Pete have a grasp on reality which, unfortunately, most guys don't have. They don't expect things to be handed to them. They've worked hard to gain the respect people have for them." -- Barney Greenway, Napalm Death

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Book SynopsisAn alphabetical history of one of rock’s heaviest bands…Metallica! Featuring hard-rocking rhymes and bold illustrations, The ABCs of Metallica looks back at the remarkable history of one of rock ‘n’ roll’s most celebrated groups. Each letter of the alphabet highlights a significant moment along the band’s journey, from their humble Garage Days, to their numerous classic albums such as ...And Justice for All and Master of Puppets, to biographical information on the band members themselves. The book is sure to entertain young readers as well as diehard fans of all ages. A portion of the proceeds will benefit Metallica’s All Within My Hands Foundation, which is dedicated to creating sustainable communities by supporting workforce education, the fight against hunger, and other critical local services.

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