Description
Book Synopsis33 1/3 is a new series of short books about critically acclaimed and much-loved albums of the last 40 years. Focusing on one album rather than an artist's entire output, the books cut to the heart of the music on each album. Joy Division only released two albums but they led the way out of punk rock and towards Madchester.
Trade ReviewChris Ott writes about the record with a chilly elegance that evokes the austerity of the music itself. The Boston Phoenix, 7/8/04 -- Mike Miliard * The Boston Phoenix, 7/8/04 *
Once Ott forgoes the facts and gives in to his passion, he brings the reader closer to the band's 'unparalleled gravity and grandeur. * San Francisco Bay Guardian, 5/19/04 *
New fans will find it to be a useful introduction to the band as it details their story from the very beginning to the tragic end. Even the more dedicated fan might be interested in reading another person's opinions about the different songs, the importance of JD's music, and why the band still plays an important role in the history of alternative music." * Joy Division website, 5/24/04 *
Compelling and so despairing that at one point I had to stop reading it for a bit. * Alternative Weekly, 6/10/04 *
Joy Division's gestation period is competently recounted in the narrative and each important individual is dealt with fairly. Including Hannett and Wilson. Ott's approach and reaction to his subject is commendably unflinching. Well written. -- Jason Dropor * Record Collector, October 2004 *
Though the recording of the album is naturally the centerpiece of the book, (Ott) delves enough into the evolution of the band and background events leading up to the recording of said album (as well as certain post-album events leading up to Ian's suicide) to properly provide context for said rekkid....you don't have to be a regular gear-rag reader to understand what he's talking about....overall recommended. -- David Hill * Shredded Paper Magazine *
Throwing format to the wind, "Pleasures" goes to town on the ban's entire oeuvre. Ott is admiring, but his love for the group doesn't keep him from letting them look the fool when appropriate--and it's his way into the head of bandleader Ian Curtis, who might have survived his all-great-artists-die-young illusions if some concrete afflictions (epilepsy and the drugs required to tame it, for instance) didn't piggyback onto the ones he invented for himself. A- * Austin American-Statesman, 10/17/04 *
