Poetry anthologies (various poets)

Book SynopsisOn 15 August 778, Charlemagne’s army was returning from a successful expedition against Saracen Spain when its rearguard was ambushed in a remote Pyrenean pass. Out of this skirmish arose a stirring tale of war, which was recorded in the oldest extant epic poem in French. The Song of Roland, written by an unknown poet, tells of Charlemagne’s warrior nephew, Lord of the Breton Marches, who valiantly leads his men into battle against the Saracens, but dies in the massacre, defiant to the end. In majestic verses, the battle becomes a symbolic struggle between Christianity and paganism, while Roland’s last stand is the ultimate expression of honour and feudal values of twelfth-century France.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplin

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Book SynopsisTrade Review"A pretty dandy candy jar. The range of poets is wide, the tone is unpretentious, and the poems are all . . . good." (San Francisco Chronicle)"These are poems to live in comfort with all one's life." (Booklist)"[Keillor is] Will Rogers with grammar lessons, Aesop with no ax to grind, the common man's MoliFre." (The Houston Chronicle)Table of ContentsGood PoemsIntroduction1. O LordPoem in Thanks—Thomas LuxHow Many Nights—Galway KinnelWelcome Morning—Anne SextonPsalm 23—from The Bay Psalm BookAt Least—Raymond CarverAddress to the Lord—John BerrymanO Karma, Dharma, pudding and pie—Philip ApplemanPsalm—Reed WhittemorePsalm 121—Michael WigglesworthWhen one has lived a long time alone—Galway KinnellHome on the Range—AnonymousWhat I Want Is—C. G. Hanzlicek2. A DaySummer Morning—Charles SimicOtherwise—Jane KenyonPoem About Morning—William MeredithLiving—Denise LevertovAnother Spring—Kenneth RexrothMorning Person—Vassar MillerRoutine—Arthur GuitermanThe Life of a Day—Tom HennenFor My Son, Noah, Ten Years Old—Robert BlyI've known a Heaven, like a Tent—Emily DickinsonLetter to N.Y.—Elizabeth BishopDilemna—David Budbillfrom Song of Myself—Walt WhitmanNew Yorkers—Edward FieldSoaking Up Sun—Tom HennenLate Hours—Lisel Mueller3. MusicScrambled Eggs and Whiskey—Hayden CarruthMehitabel's Song—Don MarquisNightclub—Billy CollinsAlley Violinist—Robert LaxCradle Song—Jim SchleyHer Door—Mary LeaderThe Pupil—Donald JusticePiano—D. H. LawrenceInsrument of Choice—Robert PhillipsHomage: Doo-Wop—Joseph StroudThe Persistence of Song—Howard MossOoly Pop a Cow—David HuddleElevator Music—Henry TaylorThe Grain of Sound—Robert MorganI Will Make You Brooches—Robert Louis StevensonThe Dance—C. K. WilliamsThe Investment—Robert FrostThe Dumka—B. H. FairchildThe Green Street Mortuary Marching Band—Lawrence Ferlinghetti4. ScenesPoem to Be Read at 3 A.M.—Donald JusticeThe Swimming Pool—Thomas LuxDostoevsky—Charles BukowskiAfter a Movie—Henry TaylorSummer Storm—Dana GioiaWoolworth's—Mark IrwinWorked Late on a Tuesday Night—Deborah GarrisonThe Farmhouse—Reed Whittemorewrist-wrestling father—Orval LundYorkshiremen in Pub Gardens—Gavin EwartNoah—Roy Daniells5. LoversA Red, Red Rose—Robert BurnsWhen I Heard at the Close of Day—Walt WhitmanFirst Love—John ClareHe Wishes for the Cloths of Heaven—W. B. YeatsSonnet—C. B. TrailPolitics—W. B. YeatsMagellan Street, 1974—Maxine KuminAnimals—Frank O'HaraLending Out Books—Hal SirowitzThe Changed Man—Robert PhillipsThe Constant North—J. F. HendryOn the Strength of All Conviction and the Stamina of Love—Jennifer Michael HechtThe Loft—Richard JonesThis Is Just to Say—William Carlos WilliamsThis Is Just to Say—Erica-Lynn GambinoVenetian Air—Thomas MooreSummer Morning—Louis SimpsonComin thro' the Rye—Robert BurnsTopograhy—Sharon OldsSaturday Morning—Hugo WilliamsFlight—Louis JenkinsAt Twenty-Three Weeks She Can No Longer See Anything South of Her Belly—Thom WardFor the Life of Him and Her—Reed WhittemoreRomantics—Lisel MuellerDown in the Valley—AnonymousThe Middle Years—Walter McDonaldWinter Winds Cold and Blea...—John Claresince feeling is first—e. e. cummingsVergissmeinnicht—Keith DouglasSonnet XLIII What lips my lips have kissed—Edna St. Vincent MillayAfter the Argument—Stephen DunnThe Orange—Wendy CopeSusquehanna—Liz RosenbergFarm Wife—R. S. ThomasAfter Forty Years of Marriage, She Tries a New Recipe for Hamburger Hot Dish—Leo DangelThose Who Love—Sara TeasdaleQuietly—Kenneth RexrothFor C.W.B.—Elizabeth BishopShorelines—Howard MossPrayer for a Marriage—Steve ScafidiThe Master Speed—Robert FrostBonnard's Nudes—Raymond Carver6. Day's WorkHappiness—Raymond CarverHoeing—John UpdikeSome Details of Hebridean House Construction—Thomas A. ClarkRelations—Philip BoothWhat I Learned from My Mother—Julia KasdorfTo be of use—Marge PiercyNo Tool or Rope or Pail—Bob ArnoldOx Cart Man—Donald HallGirl on a Tractor—Joyce SutphenSoybeans—Thomas Alan OrrLanding Pattern—Philip ApplemanMae West—Edward FieldHay for the Horses—Gary Snyder7. Sons and DaughtersMasterworks of Ming—Kay RyanBess—Linda PastanA Little Tooth—Thomas LuxSonnet XXXVII—William ShakespeareEgg—C. G. HanzlicekRolls-Royce Dreams—Ginger AndrewsMy Life Before I Knew It—Lawrence RaabAfter Work—Richard JonesI Stop Writing the Poem—Tess GallagherFranklin Hyde—Hilaire BellocManners—Elizabeth BishopSeptember, the First Day of School—Howard NemerovFirst Lesson—Philip BoothChildhood—Barbara RasWaving Good-Bye—Gerald SternFamily Reunion—Maxine Kumin8. LanguageA Primer of the Daily Round—Howard NemerovThe Possessive Case—Lisel MuellerThe Icelandic Language—Bill HolmThe Fantastic Names of Jazz—Hayden CarruthOde to the Medieval Poets—W. H. AudenSweater Weather—Sharon Bryan9. A Good LifeWe grow accustomed to the Dark—Emily DickinsonA Ritual to Read to Each Other—William StaffordCourage—Anne SextonSometimes—Sheenagh PughLeisure—W. H. Daviesthe way it is now—Charles BukowskiA Secret Life—Stephen DunnLost—David WagonerSonnet XXV—William ShakespeareThe Eel in the Cave—Robert BlyWild Geese—Mary OliverFrom the Manifesto of the Selfish—Stephen DunnHope—Lisel MuellerThe Three Goals—David BudbillVermeer—Howard NemerovRepression—C. K. WilliamsWeather—Linda PastanModeration Is Not a Negation of Intensity, But Helps Avoid Monotony—John TagliabueTell all the Truth but tell it slant—Emily DickinsonThe Props assist the House...—Emily Dickinson10. BeastsLittle Citizen, Little Survivor—Hayden CarruthHer First Calf—Wendell BerryBats—Randall JarrellRiding Lesson—Henry TaylorWalking the Dog—Howard NemerovThe Excrement Poem—Maxine KuminStanza IV from Coming of Age—Ursula LeguinDestruction—Joanne KygerHow to See Deer—Philip BoothDog's Death—John UpdikeNames of Horses—Donald HallBison Crossing Near Mt. Rushmore—May Swenson11. FailureSuccess is counted sweetest...—Emily DickinsonSolitude—Ella Wheeler WilcoxThe first time I remember—Wendell BerryOur Lady of the Snows—Robert HassThe British Museum Reading Room—Louis MacNeiceThe Bare Arms of Trees—John TagliabueThe Sailor—Geof HewittA Place for Everything—Louis JenkinsThe Feast—Robert HassNobody Knows You—Jimmie Coxthe last song—Charles Bukowski12. ComplaintThe Forsaken Wife—Elizabeth ThomasConfession—Stephen DobynsLiving in the Body—Joyce SutphenTired As I Can Be—Bessie JacksonThe Iceberg Theory—Gerald LocklinManifesto: The Mad Farmer Liberation Front—Wendell BerryA Bookmark—Tom Dischpoetry readings—Charles BukowskiPublication—is the Auction...—Emily Dickinson13. TripsOnce in the 40s—William Staffordlines from Moby Dick—Herman MelvilleRain Travel—W. S. Merwinwhere we are—Gerald LocklinExcelsior—Henry Wadsworth LongfellowOn a Tree Fallen Across the Road—Robert FrostA Walk Along the Old Tracks—Robert KinsleyPassengers—Billy CollinsThe Walloping Window-Blind—Charles Edward CarrylThe Vacation—Wendell BerryDirections—Joseph StroudPostscript—Seamus HeaneyNight Journey—Theodore RoethkeWaiting—Raymond Carver14. SnowNew Hampshire—Howard MossTo fight aloud...—Emily DickinsonDecember Moon—May SartonYear's End— Richard WilburThe Snow Man—Wallace StevensJanuary—Baron Wormserin celebration of surviving—Chuck MillerHer Long Illness—Donal HallRequiescat—Oscar WildeThe Sixth of January—David BudbillNot Only the Eskimos—Lisel MuellerBoy at the Window—Richard WilburWinter Poem—Frederick MorganLester Tells of Wanda and the Big Snow—Paul ZimmerOld Boards—Robert BlyMarch Blizzard—John Tagliabue15. YellowElvis Kissed Me—T. S. KerriganStepping Out of Poetry—Gerald SternI shall keep singing!—Emily DickinsonSong to Onions—Roy Blount, Jr.O Luxury—Guy W. LongchampsComing—Kenneth RexrothA Light Left On—May SartonThe Yellow Slicker—Stuart DischellFirst Kiss—April LindnerThe Music One Looks Back On—Stephen Dobyns16. LivesIn a Prominent Bar in Secaucus One Day—X. J. KennedyWho's Who—W. H. AudenThe Portrait—Stanley KunitzParable of the Four-Poster—Erica JongEd—Louis SimpsonMemory—Hayden CarruthLazy—David LeeTestimonial—Harry Newman, Jr.Cathedral Builders—John OrmondThe Village Burglar—AnonymousThe Scandal—Robert BlyAt Last the Secret Is Out—W. H. AudenNight Light—Kate BarnesSir Patrick Spens—Anonymous17. EldersI Go Back to May 1937—Sharon OldsThose Winter Sundays—Robert HaydenThe Old Liberators—Robert HedinTo My Mother—Wendell BerryWorking in the Rain—Robert MorganBirthday Card to My Mother—Philip ApplemanYesterday—W. S. MerwinNo Map—Stephen DobynsMy Mother—Robert MezeyWhen My Dead Father Called—Robert BlyAugust Third—May SartonTerminus—Ralph Waldo Emerson18. The EndAuthorship—James B(al) NaylorYoung and Old—Charles KingsleyShifting the Sun—Diana Der-HovanessianMy Dad's Wallet—Raymond CarverWhen I Am Asked—Lisel MuellerDirge Without Music—Edna St. Vicent MillayMy mother said...—Donald HallDepartures—Linda PastanAs Befits a Man—Langston HughesSunt Leones—Stevie SmithPerfection Wasted—John UpdikeEleanor's Letters—Donald HallDeath and the Turtle—May SartonFour Poems in One—Anne PorterTitanic—David R. SlavittThe Burial of Sir John Moore after Corunna—Charles WolfeKaddish—David IgnatowTwilight: After Haying—Jane KenyonFor the Anniversary of My Death—W. S. Merwinfrom The Old Italians Dying—Lawrence FerlinghettiStreet Ballad—George BarkerLet Evening Come—Jane Kenyon19. The ResurrectionForty-Five—Hayden CarruthA Blessing—James WrightHoly Thursday—William Blakelines from Walden—Henry David ThoreauThe Peace of Wild Things—Wendell BerryFrom Blossoms—Li-Young LeeThe First Green of Spring—David BudhillHere—Grace PaleyThe Lives of the Heart—Jane HirshfieldSpring—Gerard Manley HopkinsFishing in the Keep of Silence—Linda GreggBiographiesName IndexTitle Index

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Book SynopsisThe book is full of strong, memorable poems that stick with readers like a friend during a long, hard night. - The Christian Science MonitorHere, readers will find solace in works that are bracing and courageous, organized into such resonant headings as Such As It Is More or Less and Let It Spill. From William Shakespeare and Walt Whitman to R. S. Gwynn and Mary Oliver, the voices gathered in this collection will be more than welcome to those who've been struck by bad news, who are burdened by stress, or who simply appreciate the power of good poetry.

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Book SynopsisAnthology of Contemporary American Poetry contains poems by over 115 American poets, including many who have not been anthologized before. This collection is the first to review the twentieth century comprehensively, and is the first anthology to give full treatment to American long poems and poem sequences.Trade ReviewThe Anthology of Contemporary American Poetry is an impressive collection, ranging in style - from traditional to experimental-and in content-from private to public concerns. It provides poetic sustenance for a variety of student hungers. * Rhonda Pettit, University of Cincinnati *Table of ContentsTopical Table of Contents ; Preface ; Acknowledgements ; MARY CORNELIA HARTSHORNE (c. 1910-) ; --Fallen Leaves ; --Hills of Doon ; --Wind in Mexico ; CHARLES HENRI FORD (1910-2002) ; --Plaint ; --Flag of Ecstasy ; --Pastoral for Pavlik ; CHARLES OLSON (1910-1970) ; --Variations Done for Gerald Van De Wiele ; --Maximus, to himself ; --Cole's Island ; ELIZABETH BISHOP (1911-1979) ; --The Fish ; --The Man-Moth ; --At the Fishhouses ; --Filling Station ; --Questions of Travel ; --The Armadillo ; --In the Waiting Room ; --Pink Dog ; --Crusoe in England ; --One Art ; WILLIAM EVERSON (1912-1994) ; --The Making of the Cross ; --A Canticle to the Waterbirds ; TILLIE LERNER OLSEN (1912-2007) ; --I Want You Women Up North To Know ; ROBERT HAYDEN (1913-1980) ; --Middle Passage ; --Runagate Runagate ; --A Letter from Phillis Wheatley ; --Those Winter Sundays ; --Night, Death, Mississippi ; --Aunt Jemima of the Ocean Waves ; --from Elegies for Paradise Valley ; --No. 1 ; --The Dogwood Trees ; --O Daedalus, Fly Away Home ; WELDON KEES (1914-1955) ; --June 1940 ; --Travels in North America ; RANDALL JARRELL (1914-1965) ; --The Death of the Ball Turret Gunner ; --A Front ; --Losses ; --Second Air Force ; --Protocols ; JAPANESE AMERICAN CONCENTRATION CAMP HAIKU (1942-1944) ; --Shiho Okamoto (Being arrested-) ; --Sadayo Taniguchi (Hand-cuffed and taken away) ; --Kyotaro Komuro (Lingering summer heat-) ; --Taro Katay, (Shouldering) ; --Komuro (Passed guard tower) ; --Okamoto (In the shade of summer sun) ; --Shonan Suzuki (Withered grass on ground) ; --Hakuro Wada (Young grass red and shriveled) ; --Hyakuissei Okamoto (Dandelion has bloomed) ; --Shizuku Uyemaruko (On certain days) ; --Wada (Released seagull) ; --Ryokuin Matsui (Sprinkling water outside) ; --Komuro (Want to be with children) ; --Wada (Even the croaking of frogs) ; --Hangetsu Tsunekawa (Sentry at main gate) ; --Shokoshi Saga (Thin shadow of tule reed) ; --Tokuji Hirai (Looking at summer moon) ; --Suzuki (Moon shadows on internment camp) ; --Hirai (Early moon has set) ; --Suiko Matsushita (Rain shower from mountain) ; --Kyokusui (Thorns of the iron fence) ; --Neiji Ozawa (Desert rain falling) ; --Senbinshi Takaoka (Frosty morning) ; --Oshio (Stepping through snow) ; --Jyosha Yamada (Black clouds instantly shroud) ; --Takaoka (Winter wind) ; --Hekisamei Matsuda (Doll without a head) ; --Sei Sagara (Suddenly awakened) ; --Hyakuissei Okamoto (Jeep patrolling slowly) ; --Shizuku Uyemaruko (Grieving within) ; --Okamoto (In the sage brush) ; --Matsushita (Oh shells-) ; JOHN BERRYMAN (1914-1972) ; --from The Dream Songs ; --1 Huffy Henry ; --4 Filling her compact & delicious body ; --5 Henry sats ; --14 Life, friends ; --22 Of 1826 ; --29 There sat down, once ; --40 I'm scared a lonely ; --45 He stared at ruin ; --46 I am, outside ; --55 Peter's not friendly ; --76 Henry's Confession ; --382 At Henry's bier ; --384 The marker slants ; WILLIAM STAFFORD (1914-1993) ; --Traveling Through the Dark ; --At the Bomb Testing Site ; --At the Un-National Monument along the Canadian Border ; --The Indian Cave Jerry Ramsey Found ; DUDLEY RANDALL (1914-2000) ; --Ballad of Birmingham ; --A Different Image ; JOY DAVIDMAN (1915-1960) ; --This Woman ; --For The Nazis ; MARGARET WALKER (1915-1998) ; --For My People ; RUTH STONE (1915-2011) ; --In an Iridescent Time ; --I Have Three Daughters ; --Pokeberries ; --American Milk ; --From the Arboretum ; --Drought in the Lower Fields ; --Some Things You'll Need to Know/ Before You Join the Union ; THOMAS McGRATH (1916-1990) ; --Deep South ; --Crash Report ; --First Book of Genesis According to the Diplomats ; --Ars Poetica: Or: Who Lives in the Ivory Tower? ; --A Little Song About Charity ; --Against the False Magicians ; --After the Beat Generation ; --Ode for the American Dead in Asia ; --Poem at the Winter Solstice ; ROBERT LOWELL (1917-1977) ; --Inauguration Day: January 1953 ; --A Mad Negro Soldier Confined at Munich ; --Commander Lowell ; --"To Speak of Woe That Is in Marriage" ; --Man and Wife ; --Memories of West Street and Lepke ; --Skunk Hour ; --For the Union Dead ; --The Mouth of the Hudson ; --July in Washington ; --The March I ; --The March II ; --Central Park ; --Epilogue ; GWENDOLYN BROOKS (1917-2000) ; --A song in the front yard ; --Of De Witt Williams on his way to Lincoln Cemetery ; --Gay Chaps at the Bar ; --We Real Cool ; --The Ballad of Rudolph Reed ; --The Blackstone Rangers ; --Malcolm X ; --Young Afrikans ; --The Boy Died in My Alley ; --To Those of My Sisters Who Kept Their Naturals ; --To the Diaspora ; WILLIAM BRONK (1918-1999) ; --At Tikal ; --The Mayan Glyphs Unread ; --I Thought It Was Harry ; --Where It Ends ; --Left Alone ; ROBERT DUNCAN (1919-1988) ; --Often I Am Permitted to Return to a Meadow ; --My Mother Would Be a Falconress ; --The Torso (Passages 18) ; --Up Rising (Passages 25) ; BARBARA GUEST (1920-2006) ; --from Quilts ; ---"Couch of Space" ; --Words ; --Twilight Polka Dots ; AARON KRAMER (1921-1997) ; --Denmark Vesey ; RICHARD WILBUR (b. 1921) ; --The Pardon ; --A Baroque Wall-Fountain in the Villa Sciarra ; --Beasts ; --Love Calls Us to the Things of This World ; --Advice to a Prophet ; --Children of Darkness ; MONA VAN DUYN (1921-2004) ; --Toward a Definition of Marriage ; JACK KEROUAC (1922-1969) ; --The Perfect Love of Mind Essence ; -- Haiku ; JAMES DICKEY (1923-1997) ; --The Sheep Child ; --Falling ; DENISE LEVERTOV (1923-1997) ; --The Ache of Marriage ; --Olga Poems ; --What Were They Like? ; --Life at War ; ANTHONY HECHT (1923-2004) ; --A Hill ; --"More Light! More Light!" ; --The Book of Yolek ; BOB KAUFMAN (1925-1986) ; --The Biggest Fisherman ; --Crootey Songo ; --No More Jazz at Alcatraz ; --from Jail Poems, Nos. 1-3 ; MAXINE KUMIN (b. 1925) ; --Voices from Kansas ; --Saga ; --Oblivion ; --Pantoum, With Swan ; --With William Meredith in Bulgaria ; DONALD JUSTICE (1925-2004) ; --An Old Fashioned Devil ; --The Wall ; --Early Poems ; --Presences ; --Absences ; PAUL BLACKBURN (1926-1971) ; --At the Crossroad ; --At the Well ; FRANK O'HARA (1926-1966) ; --from Alma ; --Poem (The eager note on my door) ; --A Step Away From Them ; --The Day Lady Died ; --Why I Am Not a Painter ; --A True Account of Talking to the Sun at Fire Island ; --On Seeing Larry Rivers' Washington Crossing the Delaware at the Museum of Modern Art ; --Thinking of James Dean ; JAMES MERRILL (1926-1995) ; --An Urban Convalescence ; --The Broken Home ; --Willowware Cup ; --Lost in Translation ; ALLEN GINSBERG (1926-1997) ; --Love Poem on Theme By Whitman ; --Howl ; --A Supermarket in California ; --Who to Be Kind To ; --Rain-wet asphalt heat, garbage curbed cans overflowing ; --Father Death Blues ; --Sphincter ; ROBERT CREELEY (1926-2005) ; --After Lorca ; --I Know a Man ; --The Flower ; --For Love ; --America ; --Age ; ROBERT BLY (b. 1926) ; --Counting Small-Boned Bodies ; --Hearing Gary Snyder Read ; A.R. AMMONS (1926-2001) ; --Corsons Inlet ; --Gravelly Run ; --Coon Song ; JAMES WRIGHT (1927-1980) ; --Saint Judas ; --Beginning ; --Autumn Begins in Martins Ferry, Ohio ; --Lying in a Hammock at William Duffy's Farm in Pine Island, Minnesota ; --A Blessing ; --A Centenary Ode: Inscribed to Little Crow, Leader of the Sioux Rebellion in Minnesota, 1862 ; JOHN ASHBERY (b. 1927) ; --"They Dream Only of America" ; --Farm Implements and Rutabagas in a Landscape ; --Mixed Feelings ; --Street Musicians ; --Syringa ; --Daffy Duck in Hollywood ; --Paradoxes and Oxymorons ; --The Problem of Anxiety ; --Dull Mauve ; --A Kind of Chill ; --Spooks Run Wild ; --Marine Shadow ; --Words to That Effect ; GALWAY KINNELL (b. 1927) ; --The Porcupine ; --The Bear ; --The Vow ; W.S. MERWIN (b. 1927) ; --The Drunk in the Furnace ; --It Is March ; --Caesar ; --The Room ; --December Among the Vanished ; --For the Anniversary of My Death ; --When The War Is Over ; --The Asians Dying ; --For a Coming Extinction ; --Looking For Mushrooms at Sunrise ; --The Gardens of Zuni ; --Beginning ; --The Horse ; --Sun and Rain ; --Berryman ; --Daylight ; --The Name of the Air ; --Far Along in the Story ; --Worn Words ; ANNE SEXTON (1928-1974) ; --Her Kind ; --The Truth the Dead Know ; --And One for My Dame ; --Jesus Asleep ; --Jesus Raises up the Harlot ; --The Room of My Life ; PHILIP LEVINE (b. 1928) ; --For Fran ; --The Horse ; --Animals Are Passing From Our Lives ; --Belle Isle, 1949 ; --They Feed They Lion ; --Francisco, I'll Bring You Red Carnations ; --Fear and Fame ; --On the Meeting of Garcia Lorca and Hart Crane ; ADRIENNE RICH (1929-2012) ; --Aunt Jennifer's Tigers ; --From Shooting Script ; --Trying to Talk With a Man ; --Diving into the Wreck ; --Twenty-One Love Poems ; --Power ; --from An Atlas of the Difficult World ; ---XIII. (Dedications) I know you are reading this poem ; --Behind the Motel ; --Hotel ; DEREK WALCOTT (b. 1930) ; --A Far Cry from Africa ; --Laventille ; --The Fortunate Traveller ; --from Omeros ; ---Book One, Chapter 1 ; GARY SYNDER (b. 1930) ; --Riprap ; --Beneath My Hand and Eye the Distant Hills. Your Body ; --I Went Into the Maverick Bar ; --Straight-Creek-Great Burn ; --Axe Handles ; GREGORY CORSO (1930-2001) ; --Marriage ; --Bomb ; ETHERIDGE KNIGHT (1931-1991) ; --Haiku 1, 4, 9 ; --Hard Rock Returns to Prison from the Hospital for the Criminal Insane ; --The Idea of Ancestry ; --A Poem for Myself ; --For Malcolm, a Year After ; --Television Speaks ; --For Black Poets Who Think of Suicide ; SYLVIA PLATH (1932-1963) ; --The Colossus ; --The Bee Meeting ; --The Arrival of the Bee Box ; --Stings ; --The Swarm ; --Wintering ; --Daddy ; --Ariel ; --Lady Lazarus ; HENRY DUMAS (1934-1968) ; --Son of Msippi ; --Kef 24 ; --Kef 16 ; --Fish ; --Knees of a Natural Man ; --Low Down Dog Blues ; --Black Star Line ; --Peas ; --Yams ; AMIRI BARAKA (Leroi Jones) (b. 1934) ; --SOS ; --Black Art ; --When We'll Worship Jesus ; N. SCOTT MOMADAY (b. 1934) ; --Plainview: 3 ; --Buteo Regalis ; --Crows in a Winter Composition ; --Carriers of the Dream Wheel ; --Rings of Bone ; --The Stalker ; -- from The Colors of Night ; ---Purple ; --The Burning ; --December 29, 1890 ; --The Shield That Came Back ; --The Snow Mare ; --To an Aged Bear ; --A Benign Self-Portrait ; MARK STRAND (b. 1934) ; --The Prediction ; --Where Are the Waters of Childhood? ; AUDRE LORDE (1934-1992) ; --From Coal ; --Sisters in Arms ; --Outlines ; --Call ; KATHLEEN FRASER (b. 1935) ; --In Commemoration of the Visit of Foreign Commercial Representatives to Japan, 1947 ; CHARLES WRIGHT (b. 1935) ; --Spider Crystal Ascension ; --Clear Night ; --Homage to Paul Cezanne ; MARY OLIVER (b. 1935) ; --Morning Walk ; --At Great Pond ; --Black Snake This Time ; JAYNE CORTEZ (1936-2012) ; --I Am New York City ; --Do You Think ; LUCILLE CLIFTON (1936-2010) ; --I Am Accused of Tending To the Past ; --At the cemetery, Walnut grove plantation, South Carolina, 1989 ; --Reply ; --The Message of Crazy Horse ; --Poem to My Uterus ; --To My Last Period ; --Brothers ; SUSAN HOWE (b. 1937) ; --From Articulation of Sound Forms in Time: ; --The Falls Fight ; --Hope Atherton's Wanderings ; MICHAEL S. HARPER (b. 1938) ; --Song: I Want a Witness ; --Blue Ruth: America ; --Brother John ; --American History ; --We Assume: On the Death of Our Son, Reuben Masai Harper ; --Reuben, Reuben ; --Deathwatch ; --Dear John, Dear Coltrane ; ISHMAEL REED (b. 1938) ; --I am a Cowboy in the Boat of Ra ; --Oakland Blues ; LAWSON FUSAO INADA (b. 1938) ; -- Listening Images ; ROBERT PINSKY (b. 1940) ; --Dying ; --The Unseen ; --Shirt ; --Veni, Creator Spiritus ; WELTON SMITH (1940-2006) ; --Malcolm ; WILLIAM HEYEN (b. 1940) ; --Riddle ; --from Crazy Horse in Stillness: ; --Forces ; --White & Gold ; --One World ; --Bone & Velvet ; --Mother ; --The Count ; --Surveyors ; --Rot ; --V ; --Resolve, 1876 ; --Treaty ; --Snowbirds ; --The Slowing ; --The Paper It's Written On ; --The Tooth ; --Wakan Tanka ; --Disequilibrium ; --Eclipse ; JUDY GRAHN (b. 1940) ; --I Have Come to Claim Marilyn Monroe's Body ; --Vietnamese Woman Speaking to an American Soldier ; --Carol ; --Plainsong ; --The Woman Whose Head is On Fire ; CAROLYN M. RODGERS (1941-2010) ; --How I Got Ovah ; --And When the Revolution Came ; --Mama's God ; ROBERT HASS (b. 1941) ; --Rusia En 1931 ; --A Story About the Body ; --Forty Something ; --Sonnet ; LYN HEJINIAN (b. 1941) ; --from My Life ; --A pause, a rose, Something on paper ; --from The Distance ; --Nos. III, XIX, XXIV, XXX, XXXII, XXXVII ; SHARON OLDS (b. 1942) ; --The Pope's Penis ; --Ideographs ; --Photograph of the Girl ; --Things That Are Worse Than Death ; --The Waiting ; --His Father's Cadaver ; --Known to Be Left ; --Left-Wife Goose ; LOUISE GLUCK (b. 1943) ; --The Drowned Children ; --Vespers (You thought we didn't know) ; --Vespers (More than you love me, very possibly) ; --The Wild Iris ; --from Meadowlands: ; --Penelope's Song ; --Quiet Evening ; --Parable of the King ; --Parable of the Hostages ; --Circe's Power ; --Circe's Grief ; --Reunion ; --Telemachus' Burden ; --Before the Storm ; --A Village Life ; MICHAEL PALMER (b. 1943) ; --Song of the Round Man ; --All those words ; --I Have Answers to All of Your Questions ; --Fifth Prose ; --Autobiography ; PAUL VIOLI (1944-2011) ; --Index ; --Tanka ; --A Moveable Snack ; THOMAS JAMES (1946-1974) ; --Mummy of a Lady Named Jemutesonekh XXI Dynasty ; --Dissecting a Pig ; RON SILLIMAN (b. 1946) ; --from Ketjak ; --from Sunset Debris ; --The Chinese Notebook ; --from Toner ; ADRIAN C. LOUIS (b. 1946) ; --Dust World ; --Wakinyan ; --Without Words ; --Coyote Night ; --How Verdell and Dr. Zhivago Disassembled the Soviet Union ; --Wanbli Gleska Win ; --Looking for Judas ; --A Colossal American Copulation ; --Petroglyphs of Serena ; --Jesus Finds His Ghost Shirt ; YUSEF KOMUNYAKAA (b. 1947) ; --Tu Do Street ; --Prisoners ; --Communique ; --The Dog Act ; --The Nazi Doll ; --Fog Galleon ; --Work ; Ai (1947-2010) ; --The Root Eater ; --Twenty-Year Marriage ; --The German Army, Russia, 1943 ; --The Testimony of J. Robert Oppenheimer ; WENDY ROSE (b. 1948) ; --Truganinny ; TIMOTHY STEELE (b. 1948) ; --Daybreak, Benedict Canyon ; --April 27, 1937 ; ALBERT GOLDBARTH (b. 1948) ; --Swan ; --Coinages: A Fairy Tale ; --1400 ; C. D. WRIGHT (b. 1949) ; --Obedience of the Corpse ; --from Just Whistle: ; --THE BODY, ALIVE, NOT DEAD BUT DORMANT ; --BECAUSE CONDITIONS ARE IDEAL FOR CROWING ; --AND NOTHING ; --THE CORPSE WAS IN THE BED ; --ON THE MORN OF ; --A PARTITION SEPARATES IT FROM OTHER BODIES ; --OVER EVERYTHING ; --Song of the Gourd ; --From Cooling Time: ; --Only the crossing counts ; --Until words turn to moss ; --What Would Oppen Say, ; --DEAR DYING TOWN ; JESSICA HAGEDORN (b. 1949) ; --Ming the Merciless ; CHARLES BERNSTEIN (b. 1950) ; --You ; --from Foreign Body Sensation ; --The Kiwi Bird in the Kiwi Tree ; --Riddle of the Fat Faced Man ; --The Boy Soprano ; JORIE GRAHAM (b. 1950) ; --History ; --From the New World ; RAY A. YOUNG BEAR (b. 1950) ; --In Viewpoint: Poem for 14 Catfish and The Town of Tama, Iowa ; --It is the Fish-faced Boy Who Struggles ; CAROLYN FORCHE (b. 1950) ; --The Colonel ; --The Museum of Stones ; --The Lightkeeper ; --Morning on the Island ; ANDREW HUDGINS (b. 1951) ; --At Chancellorsville: The Battle of the Wilderness ; --The Summer of the Drought ; --He Imagines His Wife Dead ; GARRETT KAORU HONGO (b. 1951) ; --Ancestral Graves, Kahuku ; --Kubota to Miguel Hernandez in Heaven, Leupp, Arizona, 1942 ; RITA DOVE (b. 1952) ; --Parsley ; --Receiving the Stigmata ; JIMMY SANTIAGO BACA (b. 1952) ; --Mi Tio Baca El Poeta De Socorro ; --The Painters ; ALBERTO RIOS (b. 1952) ; --Madre Sofia ; --What Happened to Me ; ANITA ENDREZZE (b. 1952) ; --Return of the Wolves ; --Birdwatching at Fan Lake ; --La Morena and Her Beehive Hairdo ; ANA CASTILLO (b. 1953) ; --Seduced by Natassja Kinski ; --Hummingbird Heart ; MARK DOTY (b. 1953) ; --Homo Will Not Inherit ; --The Embrace ; HARRYETTE MULLEN (b. 1953) ; --from Trimmings ; --from S*PeRM**K*T ; LOUISE ERDRICH (b. 1954) ; --Indian Boarding School: The Runaways ; --Dear John Wayne ; --The Fence ; LORNA DEE CERVANTES (b. 1954) ; --Refugee Ship ; --Poema para los Californios Muertos ; --Starfish ; SANDRA CISNEROS (b. 1954) ; --Little Clown, My Heart ; THYLIAS MOSS (b. 1954) ; --Fullness ; --There Will Be Animals ; --The Lynching ; --Interpretation of a Poem by Frost ; --Ambition ; --Crystals ; PATRICIA SMITH (b. 1955) ; --Blond White Women ; --Skinhead ; --From Blood Dazzler: ; --from Tankas ; --(Never has there been) ; --(Go, they said. Go. Go.) ; --Man on the TV Say ; --Company's Coming ; --Voodoo II: Money ; --Voodoo V: Enemy Be Gone ; --from What to Tweak ; --(Stifle the Stinking, shut down the cameras) ; --Back Home ; --Motown Crown ; MARILYN CHIN (b. 1955) ; --How I Got That Name ; --Altar ; JANICE N. HARRINGTON (b. 1956) ; --Falling ; --If She Had Lived ; SESSHU FOSTER (b. 1957) ; --We're caffeinated by rain inside concrete underpasses ; --You'll be fucked up ; --Look and look again, will he glance up all of a sudden ; --I'm always grateful no one hears this terrible racket ; --The Japanese man would not appear riding a horse ; --Life Magazine, December, 1941 ; --I try to pee, but I can't ; --Game 83 ; LI-YOUNG LEE (b. 1957) ; --Persimmons ; --Little Father ; MARTiN ESPADA (b. 1957) ; --Bully ; --Revolutionary Spanish Lesson ; --Niggerlips ; --The New Bathroom Policy at English High School ; --Fidel in Ohio ; --Federico's Ghost ; --The Saint Vincent de Paul Food Pantry Stomp ; --Imagine the Angels Of Bread ; --Blues for the Soldiers Who Told You ; --The Trouble Ball ; --Hard-Handed Men of Athens ; --The Right Foot of Juan de Onate ; ATSURO RILEY (b. 1960) ; --From Romey's Order ; --Picture ; --Skillet ; --Bell ; --Roses ; CLAUDIA RANKINE (b. 1963) ; --from Don't Let Me Be Lonely: An American Lyric ; --pp. 7, 23, 47-48, 71, 82-83, 113 ; D. A. POWELL (b. 1963) ; --[the cocktail hour finally arrives: whether ending a day at the office] ; --[dogs and boys can treat you like trash. And dogs do love trash] ; --[came a voice in my gullet: rise up and feast. thunderous] ; HEID E. ERDRICH (b. 1963) ; --True Myth ; --The Theft Outright ; --Some Elsie ; NATASHA TRETHEWAY (b. 1966) ; --Native Ground ; --Providence ; --Believer ; --Liturgy ; SHERMAN ALEXIE (b. 1966) ; --Indian Boy Love Song (#2) ; --from The Native American Broadcasting System: Evolution ; --Scalp Dance by Spokane Indians ; --How to Write the Great American Indian Novel ; --Tourists ; RICHARD SIKEN (b. 1967) ; --Visible World ; --A Primer for the Small Weird Loves ; GRAPHIC INTERPRETATIONS: ; CHARLES HENRI FORD ; --Serenade to Leonor ; --28 ; GWENDOLYN BROOKS ; --We Real Cool ; ALLEN GINSBERG ; --Kraj Majales ; --Moloch ; --Consulting I Ching Smoking Pot Listening to the Fugs Sing Blake ; William Everson ; --A Canticle to the Waterbirds ; DAVID IGNATOW ; --The Form Falls in On Itself ; W. S. MERWIN ; --When The War is Over ; GARY SNYDER ; --O Mother Gaia ; RICHARD WILBUR ; --A Difference ; Index of Poem Titles ; Index of Poets ; About the Editor

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Book SynopsisTrade Review"Norman Shapiro, a flute, harp, and violoncello of cat song, tells the crafty musical tale of the cat from medieval France until today. Shapiro, at his artistic apogee, created an English masterpiece in his Selected Lyrics of Théophile Gautier. But now with his Fe-Lines, he has invented a new genre, as T. S. Eliot did with Old Possum's Book of Practical Cats. The world is his pen. Who knows where the next Everest awaits him?"--Willis Barnstone, author of Moonbook and Sunbook"What makes a cat poem appealing to the reader? One of the salient features that I took from Fe-Lines is the constant desire to finish a poem with a 'menschliche Weisheit' (human insight of wisdom) that activates the reader's imagination and keeps the reader inside the movement of the poem. A major contribution to the field of letters and world literature."--Rainer Schulte, author of The Geography of Translation and Interpretation: Traveling between Languages“With beautiful illustrations and poems of every age and form, this book will please everyone (except dog lovers).”--World Literature Today

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Book SynopsisA captivating anthology that celebrates one of nature’s most majestic creatures and the age-old bond between humans and horses.All kinds of equine characters grace these pages, from magnificent warhorses to cowboys’ trusty steeds, from broken-down nags to playful colts, from wild horses to dream horses. We encounter the famous Trojan horse in Virgil’s Aeneid, and then see it from a wholly different perspective in Matthea Harvey’s whimsical “Inside the Good Idea.” Longfellow’s Paul Revere defies an empire on the back of a horse, while Shakespeare’s Richard III vainly offers his kingdom for one. Robert Burns’s “Auld Farmer” dotes affectionately on his aging mare, while the mares of the king of Corinth in Paul Muldoon’s “Glaucus” devour their owner. Robert Frost’s little horse stopping by the woods is gently puzzled by human behavior, and Ted Hughes is dazzled by a stunning vision of h

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Book SynopsisA new translation of a beloved anthology of poems from the golden age of Chinese culture—a treasury of wit, beauty, and wisdom from many of China’s greatest poets.These roughly three hundred poems from the Tang Dynasty (618-907)—an age in which poetry and the arts flourished—were gathered in the eighteenth century into what became one of the best-known books in the world, and which is still cherished in Chinese homes everywhere. Many of China’s most famous poets—Du Fu, Li Bai, Bai Juyi, and Wang Wei—are represented by timeless poems about love, war, the delights of drinking and dancing, and the beauties of nature. There are poems about travel, about grief, about the frustrations of bureaucracy, and about the pleasures and sadness of old age.Full of wisdom and humanity that reach across the barriers of language, space, and time, these poems take us to the heart of Chinese poetry, and into the very heart and soul of a nation.

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Book SynopsisChristian Wiman braids poetry, memoir, and criticism to create an inspired, career-defining work.

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Book SynopsisTo honor FSG''s 75th anniversary, here is a unique anthology celebrating the riches and variety of its poetry listpast, present, and futurePoetry has been at the heart of Farrar, Straus and Giroux''s identity ever since Robert Giroux joined the fledgling company in the mid-1950s, soon bringing T. S. Eliot, John Berryman, Robert Lowell, and Elizabeth Bishop onto the list. These extraordinary poets and their successors have been essential in helping define FSG as a publishing house with a unique place in American letters. The FSG Poetry Anthology includes work by almost all of the more than one hundred twenty-five poets whom FSG has published in its seventy-five-year history. Giroux''s first generation was augmented by a group of international figures (and Nobel laureates), including Pablo Neruda, Nelly Sachs, Derek Walcott, Seamus Heaney, and Joseph Brodsky. Over time the list expanded to includes poets as diverse as Yehuda Amichai, John Ashbery, Frank B

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Book SynopsisThe urban and pastoral poetry of the Roman republic, and of the empire that succeeded it, was both the culmination of the magnificent classical tradition of the Mediterranean and the seedbed for almost all the subsequent poetic traditions of Western and Central Europe. The stateliness of Virgil's Eclogues and the grandeur of his epic line, the unsurpassable lyricism - by turns tender, incisive, and scabrous - of Catullus's elegies and satires, the philosophical splendor of Lucretius's meditations, the relentless imaginative energy of Ovid's narratives, and the sonorous beauty of the odes of Horace have been for two millennia a source of endless delight and instruction, and the work of these writers has given to Europe its frames of literary reference and its enduring canons of taste.

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Book SynopsisThe appreciation of Zen philosophy and art has become universal, and Zen poetry, with its simple expression of direct, intuitive insight and sudden enlightenment, appeals to lovers of poetry, spirituality, and beauty everywhere. This collection of translations of the classical Zen poets of China, Japan, and Korea includes the work of Zen practitioners and monks as well as scholars, artists, travelers, and recluses, ranging from Wang Wei, Hanshan, and Yang Wanli, to Shinkei, Basho, and Ryokan.

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Book Synopsis'A sonnet is a moment's monument,' said Dante Gabriel Rossetti in a sonnet about sonnets.The sonnets in this collection—whether they capture moments of perception, recognition, despair, or celebration—reveal how great an amount of feeling, insight, and experience can be concentrated into a mere fourteen lines.Here are classics such as Milton's 'On His Blindness,' Yeats's 'Leda and the Swan,' and Frost's 'The Oven Bird,' juxtaposed with the mischievous wit of Rupert Brooke's 'Sonnet Reversed,' the lyric defiance of Mona Van Duyn's 'Caring for Surfaces,' and the comic poignancy of Philip Larkin's 'To Failure.' From the lovelorn laments of Dante and Petrarch to the artful heights of Sidney, Spenser, and Shakespeare, from the masterpieces of Wordsworth and Keats to the innovations of Elizabeth Bishop, Wallace Stevens, and James Merrill, the sonnet has proved both versatile and enduring. This delightful anthology displays the incredible range and power of the verse form that has inspired poets across the centuries.

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Book SynopsisMonster Verse: Poems Human and Inhuman brings to life a colorful menagerie of fantastical creatures from across the ages. Humans have always defined themselves by imagining the inhuman; the gloriously gruesome monsters that enliven our literary legacy haunt us by reflecting our own darkest possibilities. The poems gathered here range in focus from extreme examples of human monstrousness—murderers, cannibals, despotic Byzantine empresses—to the creatures of myth and nightmare: dragons, sea serpents, mermaids, gorgons, sirens, witches, and all sorts of winged, fanged, and fire-breathing grotesques. The ghastly parade includes Beowulf’s Grendel, Homer’s Circe, William Morris’s Fafnir, Lewis Carroll’s Jabberwock, Robert Lowell’s man-eating mermaid, Oriana Ivy’s Baba Yaga, Thom Gunn’s take on Jeffrey Dahmer, and Shakespeare’s hybrid creature Caliban, of whom Prospero famously concedes, “This thing of da

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Book SynopsisThis one-of-a-kind collection of poems about the American South ranges over four centuries of its dramatic history. The arc of poetry of the South, from slave songs to Confederate hymns to Civil War ballads, from Reconstruction turmoil to the Agrarian movement to the dazzling poetry of the New South, is richly varied and historically vibrant. No other region of the United States has been as mythologized as the South, nor contained as many fascinating, beguiling, and sometimes infuriating contradictions. Poems of the American South includes poems both by Southerners and by famous observers of the South who hailed from elsewhere. These range from Herman Melville, Walt Whitman, Edgar Allan Poe, and Francis Scott Key through Langston Hughes, Robert Penn Warren, Wallace Stevens, Elizabeth Bishop, James Dickey, and Donald Justice, and include a host of living poets as well: Wendell Berry, Rita Dove, Sandra Cisneros, Yusef Komunyakaa, Naomi Shihab Nye, C. D. Wright, Natasha Trethewey, and many more. Organized thematically, the anthology places poems from past centuries in fruitful dialogue with a diverse array of modern voices who are redefining the South with a verve that is reinvigorating American poetry as a whole.

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Book SynopsisThis comprehensive and joyous celebration of metered verse brings together some of the best rhythmic lines in literature.After a century dominated by free verse, there is a new excitement about rediscovering poetry’s ancient musical and performative roots. Iambic pentameter is the most familiar meter for most readers, but it only scratches the surface of the extraordinary diversity of rhythmic patterns that poets have employed over the ages. That astonishing variety is fully explored in this one-of-a-kind anthology, packed with great poems that beg to be read aloud. Measure for Measure is organized by meter, with brief explanatory headnotes covering accentual meter, trochees, anapests, dactyls, iambs, ballad meter, and more exotic species like amphibrachs, dipodics, hendecasyllabics, sapphics, and more. The entrancing examples of each meter are drawn from a wide range of poetic traditions, from Ovid and Sappho to Shakespeare and Milton, encompassing the Romantics, the Victorians, ballads, folk songs, poets of the Harlem Renaissance, and modern-day poets. Whether performed aloud or enjoyed in silence, Measure for Measure is a treat for the ear, the heart, and the mind.

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Book SynopsisIn time for Halloween: a one-of-a-kind hardcover collection of poems from ancient times to the present about ghosts, zombies, and vampires. EVERYMAN'S LIBRARY POCKET POETS.This selection of poems from across the ages brings to life a staggering array of zombies, ghosts, vampires, and devils. Our culture's current obsession with zombies and vampires is only the latest form of a fascination with crossing the boundary between the living and the dead that has haunted humans since we first began writing. The poetic evidence gathered here ranges from ancient Egyptian inscriptions and the Mesopotamian epic Gilgamesh to the Greek bard Homer, and from Shakespeare and Milton and Keats to Emily Dickinson and Edgar Allan Poe. Here too are terrifying apparitions from a host of more recent poets, from T. S. Eliot and Sylvia Plath to Rita Dove and Billy Collins, from Allen Ginsberg and H. P. Lovecraft to Mick Jagger and Shel Silverstein. The result is a delightfully entertaining volume of spine-tingling poems for fans of horror and poetry both.

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Book SynopsisEdith Grossman again demonstrates that she indeed is the Glenn Gould of translators.Harold BloomTrade Review"A well-chosen selection... Edith Grossman's translations are impressive acts of ventriloquism, preserving the distinctively Renaissance tone of the verse." London Review of Books"

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Book SynopsisThis wide-ranging collection of inspirational poetry and prose offers readers solace, perspective, and the courage to persevere.In times of personal hardship or collective anxiety, words have the power to provide comfort, meaning, and hope. The past year has seen a resurgence of poetry and inspiring quotes—posted on social media, appearing on bestseller lists, shared from friend to friend. Honoring this communal spirit, How Lovely the Ruins is a timeless collection of both classic and contemporary poetry and short prose that can be of help in difficult times—selections that offer wisdom and purpose, and that allow us to step out of our current moment to gain a new perspective on the world around us as well as the world within. The poets and writers featured in this book represent the diversity of our country as well as voices beyond our borders, including Maya Angelou, W. H. Auden, Danez Smith, Rumi, Emily Dickinson, Naomi Shihab Nye, Alice Wal

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Book SynopsisIn 1915, Edgar Lee Masters published a book of dramatic monologues written in free verse about a fictional town called Spoon River, based on the Midwestern towns where he grew up. The shocking scandals and secret tragedies of Spoon River were immediately recognized by readers as authentic. Masters raises the dead “sleeping on the hill” in their village cemetery to tell the truth about their lives, and their testimony topples the American myth of the moral superiority of small-town life. Spoon River, as undeniably corrupt and cruel as the big city, is home to murderers, drunkards, crooked bankers, lechers, bitter wives, abusive husbands, failed dreamers, and a few good souls. The freshness of this masterpiece undiminished, Spoon River Anthology remains a landmark of American literature.With an Introduction by John Hollander and an Afterword by Ronald Primeau

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Book SynopsisHomer''s epic chronicle of the Greek hero Odysseus'' journey home from the Trojan War has inspired  writers from Virgil to James Joyce. Odysseus  survives storm and shipwreck, the cave of the Cyclops  and the isle of Circe, the lure of the Sirens'' song  and a trip to the Underworld, only to find his  most difficult challenge at home, where treacherous  suitors seek to steal his kingdom and his loyal  wife, Penelope. Favorite of the gods, Odysseus  embodies the energy, intellect, and resourcefulness  that were of highest value to the ancients and that  remain ideals in out time.In this  new verse translation, Allen  Mandelbaum--celebrated poet and translator of Virgil''s  Aeneid and Dante''s Divine Comedy  --realizes the power and beauty of the original  Greek verse and demonstrates why the epic tale of  

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Book SynopsisPoets from around the world celebrate the universal appeal of the comforts of home in this unique anthology.Whether inhabited or remembered, whether solitary or teeming with family, whether a refuge from the world or a connection to a community, home is essential to the self. The poems in this anthology invite us into urban apartments and cozy cottages, stately mansions and hermits’ huts. We watch a medieval housewife explain how she has spent her day; we join with Robert Herrick as he gives thanks for his “humble roof . . . weatherproof”; we peep in on Amy Lowell in the bath and John Donne in his bed, and join Joy Harjo at the kitchen table. Home can mean many things: from Horace’s rural farm to Billy Collins’s favorite armchair, from Milton’s “blissful bower” in Paradise to Imtiaz Dharker’s “Living Space” in the slums of Mumbai. Mary Oliver imagines her dream house, Emily Dickinson dwells in possibility—a fairer House than Prose, and a wide range of displaced poets long for their home countries: Ovid, Joachim du Bellay, Kapka Kassabova, Mahmoud Darwish, and even Jules Supervielle feeling “Homesick for the Earth.” Wherever you happen to dwell or whatever your idea of domestic bliss, you are sure to find visions that resonate in No Place Like Home.Everyman''s Library pursues the highest production standards, printing on acid-free cream-colored paper, with full-cloth cases with two-color foil stamping, decorative endpapers, silk ribbon markers, European-style half-round spines, and a full-color illustrated jacket.

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Book SynopsisA wide-ranging and appealingly fairy-sized treasury of fantastical poems from across the centuries and around the world, in a gorgeously jacketed small hardcoverFascination with fairies spans centuries and cultures. With ancient roots in pagan belief, fairies have long populated mythology, folklore, and oral and written poetry. They have seen repeated surges of renewed popularity from the Renaissance to the present fantasy-besotted moment.Elves, changelings, mermaids, pixies, and sprites, England’s Queen Mab, France’s Morgana, Scandinavian nixies, and Irish banshees: these magical creatures are sometimes mischievous, sometimes dangerous, but always enchanting. This collection brings together a diverse array of literary fairies: here are Spenser’s Faerie Queene, Shakespeare‘s Titania, and Keats’s “La Belle Dame Sans Merci,” but also Arthur Rimbaud’s “Fairy,” Goethe''s Erlking, Claude McKay’s “

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Book SynopsisA unique anthology of poems from around the world and through the ages that celebrate magic and magiciansNo matter how modern or scientifically advanced our societies become, human beings remain perpetually enthralled by the idea of magic, from our daily superstitions to our choices of entertainment. Magic has long been a central subject of poetry, and the poems in this collection are evocative evidence that the poet’s art depends on a form of wizardry—the ability to conjure enchantment from a particular combination of words.Venerable literary wizards such as Shakespeare's Prospero, Tennyson's Merlin, and T. S. Eliot's Mr. Mistoffelees make appearances here alongside illusionists and prestidigitators in Kay Ryan's Houdini, Ted Kooser's Card Trick, Charles Simic's My Magician, and Richard Wilbur's The Mind-Reader. Here is a treasury of poetic spells, charms, and incantations, from Elise Paschen's Love Spell, Robert Graves's Love and Black Magic, and Lu Yu's The Pedlar of Spells, to a Cherokee Spell to Destroy Life. And here, too, are all sorts of sorcerers, conjurers, enchantresses, and witches, as captured in Emily Dickinson's Best Witchcraft is Geometry, Michael Schmidt's Nine Witches, and H. D.'s Circe, keeping company with magical poems from cultures around the world.  Everyman's Library's Pocket Poets are pocket-sized hardcovers that feature acid-free cream-colored paper bound in a full-cloth case with two-color foil stamping, decorative endpapers, a silk ribbon marker, a European-style half-round spine, and a full-color illustrated jacket.

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Book SynopsisPresents a collection of poems, rap lyrics, short stories, essays, interviews, and artwork about Chicago, the city that came to be known as Chiraq (Chicago + Iraq), and the people who live in its vibrant and occasionally violent neighbourhoods. This literary mixtape unpacks the meanings of Chiraq as both a vexed term and a space of possibility.

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Book SynopsisSince its founding at Northwestern University in 1964, TriQuarterly has remained one of the widely admired and important literary magazines in the country. This title features Lee Upton on purity, Donna Seaman on Lousie Nevelson and David Kirby on rock lyrics and magic spells; and, fiction by Stephen O'Connor, Justin Quarry, and Murzban Shroff.

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Book SynopsisThis handsome gift edition will appeal to anyone who is a dog lover, or a poet, or a poetry lover: in short, just about anyoneTable of Contents Linda Pastan, “The New Dog” William Carlos Williams, “Stormy” Lucille Clifton, “dog’s god” Hayden Carruth, “The Primavera” Alicia Ostriker, “The Dogs at Live Oak Beach, Santa Cruz” Lawrence Ferlinghetti, “Dog” Ioanna Carlsen, “Over and Over Tune” James Schuyler, “Oriane” John Brehm, “If Feeling Isn’t in It” Stevie Smith, “O Pug!” Mary Oliver, “Every Dog’s Story” Cathryn Essinger, “My Dog Practices Geometry” Siegfried Sassoon, “Man and Dog” John Updike, “Dog’s Death” Pablo Neruda, “A Dog Has Died” Robinson Jeffers, “The House-Dog’s Grave” Cecil Day-Lewis, “Sheepdog Trials in Hyde Park” Amy Lowell, “Roads” Dorothy Parker, “Verse for a Certain Dog” Dylan Thomas, “The Song of the Mischievous Dog” William Cowper, “On a Spaniel . . . & Beau’s Response” James Laughlin, “The Hunting Dog” Bernadette Mayer, “Introduction to Killing” Clarice Lispector, “A Dialogue” Gavin Ewart, “Pi-Dog and Wish-Cat” Louis MacNeice, “Dogs in the Park” Henry Dumas, “Hunt” Homero Aridjis, “Precolumbian” Robert Lax, “are you a visitor?” Denise Levertov, “Kindness” Paul Zimmer, “Dog Music” Muriel Spark, “Mungo Bays the Moon” Vincent Starrett, “Oracle of the Dog” Jose´ Emilio Pacheco, “A Dog’s Life” Diogenes, “Fragment 30” Kazuko Shiraishi, “Dog and Man” Sakutaro Hagiwara, “Unknown Dog” Elizabeth Bishop, “Pink Dog” Robert Lax, “Dog Act” Michael Ondaatje, “A Dog in San Francisco” George Oppen, “The Dog” Paul Muldoon, “Beagles” W. G. Sebald, from “Unrecounted” Denise Levertov, “Grey August” Emily Dickinson, “I Started Early – Took My Dog” May Swenson, “Scroppo’s Dog” Eugenio Montale, “In my early years” Joy Harjo, “Nine Below” Lars Gustafsson, “The Dog” Kate Northrop, “Unfinished Landscape with a Dog” Delmore Schwartz, “ Dogs Are Shakespearean, Children Are Strangers” Denise Levertov, “The Dog of Art”

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Book SynopsisThis act inspired a group of gifted artists, the Affrilachian Poets, to begin working together and using their writing to defy persistent stereotypes of Appalachia as a racially and culturally homogenized region. After years of growth, honors, and accomplishments, the group is acknowledging its silver anniversary with Black Bone.Trade ReviewBlack Bone: 25 Years of the Affrilachian Poets is a beautiful collection of both old and new work."" - USA Today""The Affrilachian Poets continue to be a groundbreaking literary force.... In celebration of their decades-long collaboration, the group has published its first anthology, Black Bone."" - Detroit Free Press

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Book SynopsisPresents ten outstanding poets from Britain, and beyond.

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Book SynopsisFor 30 years Anvil championed the idea of poetry as a free space for the imagination and spirit. In the process the press has gained recognition as one of the liveliest publishers of British and international poetry. This book celebrates that endeavour with the author's selection of the most memorable poetry he has encountered since 1968.

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Book SynopsisThe brilliant Aztec poetic tradition would have all but vanished after the Spanish Conquest in 1521 without the friars who painstakingly transcribed and preserved the poems in the years that followed. This title gives us echoes of the lyrical and philosophical songs, the songs of rejoicing, sorrow, ritual and war, and the epics of myth and legend.

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Book SynopsisPresents a collection in which Iraqis themselves depict the bombing of Baghdad, the fall of Saddam Hussein, the invaders, the sectarian violence - and in the midst of it all, the hardships, loves, and hopes of the Iraqi people. This title includes poems that represent Shias, Sunnis, Kurds, those who remain in Iraq, and those who fled.Trade Review"The startlingly fresh poems gathered here, which range from the grim to the ecstatic, stand as a crucial reminder that the country of Iraq cannot be reduced to a place of terrorism, for it is populated by real people, some of them poets with real voices." -Billy Collins, Poet Laureate of the United States, 2001-2003"

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Book SynopsisAn anthology of coming-of-age poems written by women born between 1945 and 1964. The poems are by unknown, emerging and established writers, women who particpated in the second wave of feminism. They speak with diverse voices and embody a wide range of experiences.

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Book SynopsisPoets to come! Arouse! For you must justify me! Answering the challenge that Whitman issued nearly 150 years ago, this book has gathered together 100 poems by 100 poets, bearing witness to Whitman's enormous influence on American and global literature.

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Book SynopsisThis collection features emerging poets who combine a commitment to innovation and experimentation with a love for the lyric tradition, whose poetry transcends ""mainstream"" and avant garde practice to create new and exciting poetic territories.

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Book SynopsisIn Sweeping Beauty, a number of poets illustrate how housekeeping's repetitive motions can free the imagination and release the housekeeper's muse.

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