Poetry anthologies (various poets)

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Book SynopsisDuring the 1979 revolution, Iranians from all walks of life, whether Muslim, Jewish, Christian, socialist, or atheist, fought side-by-side to end one tyrannical regime, only to find themselves in the clutches of another. When Khomeini came to power, freedom of the press was eliminated, religious tolerance disappeared, women's rights narrowed to fit within a conservative interpretation of the Quran, and non-Islamic music and literature were banned. Poets, writers, and artists were driven deep underground and, in many cases, out of the country altogether. This moving anthology is a testament to both the centuries-old tradition of Persian poetry and the enduring will of the Iranian people to resist injustice. The poems selected for this collection represent the young, the old, and the ancient. They are written by poets who call or have called Iran home, many of whom have become part of a diverse and thriving diaspora.

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Book SynopsisFocusing on contemporary issues, this text showcases a large collection of regional poets laureate writing on subjects critical to understanding social justice as it relates to the Great Lakes region.Undocumented: Great Lakes Poets Laureate on Social Justice includes writing by seventy-eight poets who truly represent the diversity of the Great Lakes region, including Rita Dove, Marvin Bell, Crystal Valentine, Kimberly Blaeser, Mary Weems, Karen Kovacik, Wendy Vardaman, Zora Howard, Carla Christopher, Meredith Holmes, Karla Huston, Joyce Sutphen, and Laren McClung, among others.City, state, and national poets laureate with ties to Illinois, Indiana, Michigan, Minnesota, New York, Ohio, Ontario, Pennsylvania, and Wisconsin appear in these pages, organized around themes from the Southern Poverty Law Center’s “Ten Ways to Fight Hate: A Community Response Guide”, calling on readers to act on behalf of victims of social injustice.

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Book SynopsisWhile there have been countless books written about Detroit, none have captured its incredible musical history like this one. This collection of poems and lyrics covers numerous genres including jazz, blues, doo-wop, Motown, classic rock, punk, hip-hop, and techno. Detroit artists have forged the paths in many of these genres, producing waves of creative energy that continue to reverberate across the country and around the world.While documenting and celebrating this part of Detroit’s history, this book captures the emotions that the music inspired in its creators and in its listeners. The range of contributors speaks to the global impact of Detroit’s music scene - Grammy winners, Pulitzer Prize winners, Rock and Roll Hall of Fame inductees, and poet laureates all come together in this rich and varied anthology, including such icons as Eminem, June Jordan, Fred “Sonic” Smith, Rita Dove, Jack White, Robbie Robertson, Paul Simon, Nikki Giovanni, Philip Levine, Sasha Frere-Jones, Patricia Smith, Billy Bragg, Andrei Codrescu, Toi Derricotte, and Cornelius Eady.

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Book SynopsisPoems can teach us in ways that surpass other forms of understanding, especially when the subject concerns matters of the heart. When the heart’s whispers are too faint for us to hear in ordinary ways, poetry can speak to us with another kind of eloquence. From the leap of joy that a couple takes on their wedding day to a fiftieth wedding anniversary that acknowledges the deep connection that a life together can bring, marriage takes us on a journey that passes through seasons and stages, peaks and valleys. This book honors that journey through twenty poems that celebrate and illuminate some of these major stages and provides not only inspiration for the journey but also solace and wisdom. Roger Housden, the author of Ten Poems to Change Your Life, provides essential insights into the poems, creating a collection of reflective prose and poetry that makes this an inspirational guidebook as much as a volume of poetry. In Twenty Poems to Bless Your Marriage, Roger Housden offers poems and essays that will give voice to your heart, offering up words and wisdom not just for special occasions but to act as friends and guides to refer to throughout the life of a marriage.

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Book SynopsisA showcase of poetry from some of the darkest and most lyrical voices of women in horror. A follow-up to the award-winning poetry showcase Under Her Skin, UNDER HER EYE features the best in never-before-published dark verse and lyrical prose from the voices of Women in Horror, themed on domestic horror and the terror women too often experience in their own homes. Edited by Lindy Ryan and Lee Murray, UNDER HER EYE celebrates women in horror from cover to cover. In addition to poems contributed by over one hundred poets worldwide, the collection features poems from Stephanie M. Wytovich, Jessica McHugh, and Marge Simon, with cover art by noted horror artist Lynne Hansen and an introduction by Bram Stoker Award®-winning poet Sara Tantlinger. This showcase is produced in partnership with The Pixel Project, a global non-profit organization focused on ending violence against women globally.

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Book SynopsisIBPA Benjamin Franklin Award™ gold winner, poetry category Sierra Leone’s devastating civil war barely caught the attention of Western media, but it raged on for over a decade, bringing misery to millions of people in West Africa from 1991 to 2002. The atrocities committed in this war and the accounts of its survivors were duly recorded by international organizations, but they run the risk of being consigned to dusty historical archives. Derived from public testimonies at a UN-backed war crimes tribunal in Freetown, this remarkable poetry collection aims to breathe new life into the records of Sierra Leone’s civil war, delicately extracting heartbreaking human stories from the morass of legal jargon. By rendering selected trial transcripts in poetic form, Shanee Stepakoff finds a novel way to communicate not only the suffering of Sierra Leone’s people, but also their courage, dignity, and resilience. Her use of innovative literary techniques helps to ensure that the voices of survivors are not forgotten, but rather heard across the world. This volume also includes an introduction that explores how the genre of “found poetry” can serve as a uniquely powerful means through which writers may bear witness to atrocity. This book’s unforgettable excavation and shaping of survivor testimonies opens new possibilities for speaking about the unspeakable.Trade Review“When politics invades lives in the most brutal of ways, what can be fashioned from the aftermath? In these found poems Shanee Stepakoff has taken the testimonies of those upon whom the violence was committed and turned them into a work of witness, Nadine Gordimer’s ‘inward testimony’ that it is the task of artists to deliver. Outwardly the poems in this collection stand as monument to remembrance and commemoration, a stay against oblivion for the people of Sierra Leone whose lives were marked by the civil conflict of 1991-2002. They are a significant contribution to the literature of that country and of conflict.” -- Aminatta Forna * author of Happiness *“Of the many forms of human suffering, ethical loneliness—the experience of enduring atrocity only to be confronted with the annihilating cruelty and injustice of remaining unheard—sheds a radiant, hurt light on the very nature and power of language itself. In stark, beautifully calibrated lines, Shanee Stepakoff reaches into that silence to serve and bring forth these necessary voices. Here, the plainest words—‘I saw,’ ‘I heard,’ ‘I walked,’—take on an almost shocking and devastating dignity. As the survivors recount their stories, it is as if each syllable, each word, is a bone stripped bare. ‘He was burning,’ ‘I used to be,’ ‘I was born,’ ‘he was cutting the child.’ At once unsparing and informed by a deep tenderness and care, this darkly luminous work implicitly interrogates the nature of authorship and poetic form, and like all seminal works, helps to question, expand, and re-define their boundaries.” -- Laurie Sheck * Pulitzer Prize nominated author of The Willow Grove *“These ‘found poems’ are unquestionably harrowing to read and painful to absorb. Eight survivors of the murderous cruelty and atrocities committed during the civil war in Sierra Leone tell their own stories, and in their own words. Every one of these words is drawn from transcripts of the war crimes tribunals that came with the end of that war. Shanee Stepakoff—a psychologist who has long worked with survivors of torture—brings to these transcript accounts her poet’s sense of lineation, stanzaic structure, pauses, refrains, and repetitions. Thus, she creates a ceremonial space in which we as readers might begin to hear and bear witness to the unbearable degree of violence, suffering, and loss that these women and men endured." -- Fred Marchant * author of Said Not Said: Poems *“With this collection, Shanee Stepakoff finally breaks the veil of silence that surrounds the unspeakable horrors of Sierra Leone’s long civil war. She has recomposed the official accounts to offer us both the intimacy and eternality of survivor stories.” -- Remi Raji * author of A Harvest of Laughers * “The incredible horrors painfully recited herein, including the mutilation of children, mass rapes and torture by rival revolutionary groups makes us wonder whether humans are really human. Shanee Stepakoff’s documented testimonies illustrate the continuing crying need for effective international controls and binding laws to deter such atrocities everywhere.” -- Benjamin Ferencz * investigator of Nazi war crimes after World War II and the last surviving prosecutor at the Nuremberg War Crimes Trials *"At once astonishing and devastating, these poems attest to poetry’s ability to bear witness to atrocity, while the poignant cover image by Liberian American artist and war refugee Papay Solomon reminds us of those whose voices have been silenced for too long." * Poetry Foundation *“When politics invades lives in the most brutal of ways, what can be fashioned from the aftermath? In these found poems Shanee Stepakoff has taken the testimonies of those upon whom the violence was committed and turned them into a work of witness, Nadine Gordimer’s ‘inward testimony’ that it is the task of artists to deliver. Outwardly the poems in this collection stand as monument to remembrance and commemoration, a stay against oblivion for the people of Sierra Leone whose lives were marked by the civil conflict of 1991-2002. They are a significant contribution to the literature of that country and of conflict.” -- Aminatta Forna * author of Happiness *“Of the many forms of human suffering, ethical loneliness—the experience of enduring atrocity only to be confronted with the annihilating cruelty and injustice of remaining unheard—sheds a radiant, hurt light on the very nature and power of language itself. In stark, beautifully calibrated lines, Shanee Stepakoff reaches into that silence to serve and bring forth these necessary voices. Here, the plainest words—‘I saw,’ ‘I heard,’ ‘I walked,’—take on an almost shocking and devastating dignity. As the survivors recount their stories, it is as if each syllable, each word, is a bone stripped bare. ‘He was burning,’ ‘I used to be,’ ‘I was born,’ ‘he was cutting the child.’ At once unsparing and informed by a deep tenderness and care, this darkly luminous work implicitly interrogates the nature of authorship and poetic form, and like all seminal works, helps to question, expand, and re-define their boundaries.” -- Laurie Sheck * Pulitzer Prize nominated author of The Willow Grove *“These ‘found poems’ are unquestionably harrowing to read and painful to absorb. Eight survivors of the murderous cruelty and atrocities committed during the civil war in Sierra Leone tell their own stories, and in their own words. Every one of these words is drawn from transcripts of the war crimes tribunals that came with the end of that war. Shanee Stepakoff—a psychologist who has long worked with survivors of torture—brings to these transcript accounts her poet’s sense of lineation, stanzaic structure, pauses, refrains, and repetitions. Thus, she creates a ceremonial space in which we as readers might begin to hear and bear witness to the unbearable degree of violence, suffering, and loss that these women and men endured." -- Fred Marchant * author of Said Not Said: Poems *“With this collection, Shanee Stepakoff finally breaks the veil of silence that surrounds the unspeakable horrors of Sierra Leone’s long civil war. She has recomposed the official accounts to offer us both the intimacy and eternality of survivor stories.” -- Remi Raji * author of A Harvest of Laughers * “The incredible horrors painfully recited herein, including the mutilation of children, mass rapes and torture by rival revolutionary groups makes us wonder whether humans are really human. Shanee Stepakoff’s documented testimonies illustrate the continuing crying need for effective international controls and binding laws to deter such atrocities everywhere.” -- Benjamin Ferencz * investigator of Nazi war crimes after World War II and the last surviving prosecutor at the Nurember *"At once astonishing and devastating, these poems attest to poetry’s ability to bear witness to atrocity, while the poignant cover image by Liberian American artist and war refugee Papay Solomon reminds us of those whose voices have been silenced for too long." * Poetry Foundation *Table of ContentsForeword by Ernest D. Cole Notes on the Text Introduction: Silence, Language, and the Making of Art The Amputee’s Mother The Child Soldier The Grieving Father The Rape Survivor The Blinded Farmer The Widower The Gravedigger The Beggar The Victim of War Further Resources Acknowledgments About the Cover Artist About the Author

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Book SynopsisIBPA Benjamin Franklin Award™ gold winner, poetry category Sierra Leone’s devastating civil war barely caught the attention of Western media, but it raged on for over a decade, bringing misery to millions of people in West Africa from 1991 to 2002. The atrocities committed in this war and the accounts of its survivors were duly recorded by international organizations, but they run the risk of being consigned to dusty historical archives. Derived from public testimonies at a UN-backed war crimes tribunal in Freetown, this remarkable poetry collection aims to breathe new life into the records of Sierra Leone’s civil war, delicately extracting heartbreaking human stories from the morass of legal jargon. By rendering selected trial transcripts in poetic form, Shanee Stepakoff finds a novel way to communicate not only the suffering of Sierra Leone’s people, but also their courage, dignity, and resilience. Her use of innovative literary techniques helps to ensure that the voices of survivors are not forgotten, but rather heard across the world. This volume also includes an introduction that explores how the genre of “found poetry” can serve as a uniquely powerful means through which writers may bear witness to atrocity. This book’s unforgettable excavation and shaping of survivor testimonies opens new possibilities for speaking about the unspeakable.Trade Review“When politics invades lives in the most brutal of ways, what can be fashioned from the aftermath? In these found poems Shanee Stepakoff has taken the testimonies of those upon whom the violence was committed and turned them into a work of witness, Nadine Gordimer’s ‘inward testimony’ that it is the task of artists to deliver. Outwardly the poems in this collection stand as monument to remembrance and commemoration, a stay against oblivion for the people of Sierra Leone whose lives were marked by the civil conflict of 1991-2002. They are a significant contribution to the literature of that country and of conflict.” -- Aminatta Forna * author of Happiness *“Of the many forms of human suffering, ethical loneliness—the experience of enduring atrocity only to be confronted with the annihilating cruelty and injustice of remaining unheard—sheds a radiant, hurt light on the very nature and power of language itself. In stark, beautifully calibrated lines, Shanee Stepakoff reaches into that silence to serve and bring forth these necessary voices. Here, the plainest words—‘I saw,’ ‘I heard,’ ‘I walked,’—take on an almost shocking and devastating dignity. As the survivors recount their stories, it is as if each syllable, each word, is a bone stripped bare. ‘He was burning,’ ‘I used to be,’ ‘I was born,’ ‘he was cutting the child.’ At once unsparing and informed by a deep tenderness and care, this darkly luminous work implicitly interrogates the nature of authorship and poetic form, and like all seminal works, helps to question, expand, and re-define their boundaries.” -- Laurie Sheck * Pulitzer Prize nominated author of The Willow Grove *“These ‘found poems’ are unquestionably harrowing to read and painful to absorb. Eight survivors of the murderous cruelty and atrocities committed during the civil war in Sierra Leone tell their own stories, and in their own words. Every one of these words is drawn from transcripts of the war crimes tribunals that came with the end of that war. Shanee Stepakoff—a psychologist who has long worked with survivors of torture—brings to these transcript accounts her poet’s sense of lineation, stanzaic structure, pauses, refrains, and repetitions. Thus, she creates a ceremonial space in which we as readers might begin to hear and bear witness to the unbearable degree of violence, suffering, and loss that these women and men endured." -- Fred Marchant * author of Said Not Said: Poems *“With this collection, Shanee Stepakoff finally breaks the veil of silence that surrounds the unspeakable horrors of Sierra Leone’s long civil war. She has recomposed the official accounts to offer us both the intimacy and eternality of survivor stories.” -- Remi Raji * author of A Harvest of Laughers * “The incredible horrors painfully recited herein, including the mutilation of children, mass rapes and torture by rival revolutionary groups makes us wonder whether humans are really human. Shanee Stepakoff’s documented testimonies illustrate the continuing crying need for effective international controls and binding laws to deter such atrocities everywhere.” -- Benjamin Ferencz * investigator of Nazi war crimes after World War II and the last surviving prosecutor at the Nuremberg War Crimes Trials *"At once astonishing and devastating, these poems attest to poetry’s ability to bear witness to atrocity, while the poignant cover image by Liberian American artist and war refugee Papay Solomon reminds us of those whose voices have been silenced for too long." * Poetry Foundation *“When politics invades lives in the most brutal of ways, what can be fashioned from the aftermath? In these found poems Shanee Stepakoff has taken the testimonies of those upon whom the violence was committed and turned them into a work of witness, Nadine Gordimer’s ‘inward testimony’ that it is the task of artists to deliver. Outwardly the poems in this collection stand as monument to remembrance and commemoration, a stay against oblivion for the people of Sierra Leone whose lives were marked by the civil conflict of 1991-2002. They are a significant contribution to the literature of that country and of conflict.” -- Aminatta Forna * author of Happiness *“Of the many forms of human suffering, ethical loneliness—the experience of enduring atrocity only to be confronted with the annihilating cruelty and injustice of remaining unheard—sheds a radiant, hurt light on the very nature and power of language itself. In stark, beautifully calibrated lines, Shanee Stepakoff reaches into that silence to serve and bring forth these necessary voices. Here, the plainest words—‘I saw,’ ‘I heard,’ ‘I walked,’—take on an almost shocking and devastating dignity. As the survivors recount their stories, it is as if each syllable, each word, is a bone stripped bare. ‘He was burning,’ ‘I used to be,’ ‘I was born,’ ‘he was cutting the child.’ At once unsparing and informed by a deep tenderness and care, this darkly luminous work implicitly interrogates the nature of authorship and poetic form, and like all seminal works, helps to question, expand, and re-define their boundaries.” -- Laurie Sheck * Pulitzer Prize nominated author of The Willow Grove *“These ‘found poems’ are unquestionably harrowing to read and painful to absorb. Eight survivors of the murderous cruelty and atrocities committed during the civil war in Sierra Leone tell their own stories, and in their own words. Every one of these words is drawn from transcripts of the war crimes tribunals that came with the end of that war. Shanee Stepakoff—a psychologist who has long worked with survivors of torture—brings to these transcript accounts her poet’s sense of lineation, stanzaic structure, pauses, refrains, and repetitions. Thus, she creates a ceremonial space in which we as readers might begin to hear and bear witness to the unbearable degree of violence, suffering, and loss that these women and men endured." -- Fred Marchant * author of Said Not Said: Poems *“With this collection, Shanee Stepakoff finally breaks the veil of silence that surrounds the unspeakable horrors of Sierra Leone’s long civil war. She has recomposed the official accounts to offer us both the intimacy and eternality of survivor stories.” -- Remi Raji * author of A Harvest of Laughers * “The incredible horrors painfully recited herein, including the mutilation of children, mass rapes and torture by rival revolutionary groups makes us wonder whether humans are really human. Shanee Stepakoff’s documented testimonies illustrate the continuing crying need for effective international controls and binding laws to deter such atrocities everywhere.” -- Benjamin Ferencz * investigator of Nazi war crimes after World War II and the last surviving prosecutor at the Nurember *"At once astonishing and devastating, these poems attest to poetry’s ability to bear witness to atrocity, while the poignant cover image by Liberian American artist and war refugee Papay Solomon reminds us of those whose voices have been silenced for too long." * Poetry Foundation *Table of ContentsForeword by Ernest D. Cole Notes on the Text Introduction: Silence, Language, and the Making of Art The Amputee’s Mother The Child Soldier The Grieving Father The Rape Survivor The Blinded Farmer The Widower The Gravedigger The Beggar The Victim of War Further Resources Acknowledgments About the Cover Artist About the Author

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Book SynopsisEvery year during the Christmas season, holiday themed poems are read aloud or enjoyed silently to help usher in that special time of year. It may be a family tradition passed down from one generation to another or a new one just starting. In this beautifully bound book assembled by The Old Mill Press, readers of all ages will find a delightful collections of Christmas poems to enjoy throughout the season. Some of the poems are familiar classics like A Visit from St. Nicholas, better known as 'Twas the Night Before Christmas, by Clement Clarke Moore and The Road Not Taken, by Robert Frost to lesser known but poignant poems like Wartime Christmas by Joyce Kilmer and the lovely A Nativity by Rudyard Kipling. Poetry is an art-form that has many facets. It is the beauty of words that express feelings, emotions and thoughts through carefully selected words. One poet called a poem "a thought, caught in the act of dawning." Another said a poem is a means of bringing the wind in the grasses into the house. Still another stated, even more simply: "Poetry is a pheasant disappearing in the brush". If you ask many different people what poetry is you'll get many different answers. That's because poetry affects each of us differently with its focus on words, how they sound, the textures, verse patterns, word choice and interpretations. All of that creates a verbal music-a rhythm, a cadence, a beat-that creates an emotional response in each of us, deep within our soul. A Treasury of Christmas Poems is sure to delight and evoke the warm emotions associated with the holiday season.

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Book SynopsisPoets attribute an array of roles and capacities to the involuntary muscle and catalyst of our storied lives. The heart becomes a repository of erotic and familial love and a sanctuary for memory. In this collection, poets explore the flux of the heart's responses and instigations: the heart's tender overtures, its joyous pulse, its mating call for the other, its changeable temperament, its final tick in freeze-frame. Among the poets featured: Kenneth Sherman, Lorna Crozier, Marilyn Bowering, Roo Borson, Patrick Lane, Charles Bukowski, Rita Dove, Eugénio de Andrade, John Barton, Robyn Sarah, and Mary di Michele.

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Book SynopsisLaunched as Poetry Nation, a twice-yearly hardback, in 1973, PN Review in A4 paperback format began quarterly publication in 1976 and has appeared six times a year since PN Review 21 in 1981.Each issue includes an editorial, letters, news and notes, articles, interviews, features, poems, translations, and a substantial book review section. Poetry Nation was founded by Michael Schmidt and Professor Brian Cox at the Victoria University of Manchester. Cox and Schmidt were joined on the editorial board by Professor Donald Davie and C.H. Sisson. The magazine has been under the General Editorship of Michael Schmidt since his colleagues retired some decades ago.Through all its twists and turns, responding to social, technological and cultural change, PN Review has stayed the course. While writers of moment, poets and critics, essayists and memoirists, and of course readers, keep finding their way to the glass house, and people keep throwing stones, it will have a place.Table of ContentsChristopher Middleton (1926 - 2015): A CelebrationGraham Pechey's The-ology: The definitive article in English verse Simon Armitage's Pearl: from a new translation with poetry from Caoilinn Hughes, David Wheatley, Vidyan Ravinthiran, Judith Willson, R.F. Langley, Vahni Capildeo, Eleanor Hooker, Eric Langley, Siriol Troup, Eva Grubin & others

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Book SynopsisThe latest edition of PN Review, one of the outstanding literary journals of our timeTable of ContentsEmily Grosholz: Encounters with BashoClaire Crowther on syllabic poetry Peter McDonald: The PN Review LecturePoems fromSinead Morrissey, Elaine Feinstein, Thomas A. Clark, C.K. Stead, Vahni Capildeo, Carol Mavor, Andrew Wynn Owen, Richard Scott, Thomas Kinsella & others

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Book Synopsis• PN REVIEW PRIZE: featuring the winning and commended poems; • Peter Scupham at 85: celebrating a great poet, humourist and long-time contributor; • Poet, translator and MPT editor Sasha Dugdale in conversation; • Vahni Capildeo on sexual violence; • More on the controversy surrounding Rebecca Watts’s essay in PNR 239 on the Twitter poets; • New poems in English and translation by Marilyn Hacker, Samira Negrouche, Angela Leighton, Ned Denny and othersTrade Review'The most informative and entertaining poetry journal in the English-speaking world' - John Ashbery; 'The most engaged, challenging and serious-minded of all the UK's poetry magazines' - Simon Armitage

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Book SynopsisAn anthology of poems by members of Trinity College, Cambridge from the sixteenth to the twenty-first century. This landmark anthology celebrates six centuries of poetry from Trinity College, Cambridge. Over the years, Trinity may have harboured more great poets than any other comparable institution: Herbert, Marvell, Dryden, Byron, Tennyson, Housman, and Nabokov all feature in these pages. In the modern period the college has welcomed poets including Thom Gunn and Sophie Hannah, Rebecca Watts and Jacob Polley. Readers will find here old favourites ('To His Coy Mistress', 'She Walks in Beauty', 'Rubaiyat of Omar Khayyam', 'In Memoriam', poems from Winnie-the-Pooh) and much that is startling - old and new.

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Book SynopsisThe May-June 2019 issue. Memoirs of Brodsky in Leningrad and Ginsberg in Prague; News: Colombia arrests man for trafficking in poetry; Andy Croft deconstructs the poetry industry; East meets West in `A New Divan’; Vahni Capildeo considers shipwrecks; New poetry from Lisa Kelly, Sean O’Brien, Joe Carrick-Varty and others; New to PN Review this issue: Charles Bernstein, Jennifer Edgecombe, Michael Farrell and Samira Negrouche; and more...Trade Review'The most informative and entertaining poetry journal in the English-speaking world' - John Ashbery; 'The most engaged, challenging and serious-minded of all the UK's poetry magazines' - Simon Armitage

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Book SynopsisThe September-October 2019 issue; New poem sequence by Kei Miller about names of places; Don Share’s controversial lecture about Whitman and politics; New poems by Tara Bergin; Anthologist of Black-American poetry, Anthony Walton, looks back 20 years and measures the changes for Black-American writers; Kyoo Lee and Marjorie Perloff in discussion about the nature of identity in poetry; New to PN Review this issue: Jason Allen-Paisant, Jo Davis, Andrew Jordan and Petra White; and more...Trade Review'The most informative and entertaining poetry journal in the English-speaking world' - John Ashbery; 'The most engaged, challenging and serious-minded of all the UK's poetry magazines' - Simon Armitage

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Book SynopsisThe November-December 2019 issue The celebratory 250th issue of PN Review Sinéad Morrissey's StAnza lecture exploring Denise Riley's 'A Part Song' Elaine Feinstein's last poems Richard Price creates a compelling sequence of Inuit tales New poems by Sujata Bhatt, Jane Yeh, Angela Leighton, and Parwana Fayyaz, winner of the 2019 Forward Prize for Best Poem New to PN Review this issue: Yu Xiuhua, Petrus Borel, David Hackbridge Johnson, and Bernhard Fieldsend and more...Trade Review'The most informative and entertaining poetry journal in the English-speaking world' - John Ashbery; 'The most engaged, challenging and serious-minded of all the UK's poetry magazines' - Simon Armitage

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Book SynopsisThe January-February 2020 issue; New poems by Sasha Dugdale, Sinéad Morrissey, Nina Bogin, and Mina Gorji; Two posthumous poems by Brigit Pegeen Kelly; Selections from two unpublished notebooks by R.S. Thomas; Nyla Matuk tackles diversity in poetry; Alex Wylie critiques contemporary takes on poetry in ‘Democratic Rags’; New to PN Review this issue: Eugene Ostashevsky, Heather Treseler, Hugh Thomson, Annie Fan, and Deirdre Hines; and more...Trade Review'The most informative and entertaining poetry journal in the English-speaking world' - John Ashbery; 'The most engaged, challenging and serious-minded of all the UK's poetry magazines' - Simon Armitage

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Book SynopsisThe March-April 2020 issue New sequence of poems about climate change from New Zealand’s greatest living poet, Bill Manhire Frederic Raphael, (Eyes Wide Shut, screenwriter) discusses being a Jewish intellectual John Clegg on a new source for Keat’s ‘Nightingale’ New poems from major Welsh poet Gwyneth Lewis Sasha Dugdale translates Maria Stepanova New to PN Review this issue: Maria Stepanova, Leeanne Quinn, and Francesca A. Bratton and more...Trade Review'The most informative and entertaining poetry journal in the English-speaking world' - John Ashbery; 'The most engaged, challenging and serious-minded of all the UK's poetry magazines' - Simon Armitage

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Book SynopsisThe May-June 2020 issue. Tributes to the great Nicaraguan poet Ernesto Cardenal. Phoebe Power’s (Forward Prize winner) National Trust commissioned ‘Once More the Sea’ sequence in full. Walter Bruno’s controversial essay on Value Judgement. Tara Bergin reviews Poetry of the Holocaust: An Anthology. New poetry from Vahni Capildeo, Carol Rumens, Laura Scott, and Zohar Atkins. New to PN Review this issue: Jenny King, Suzannah V. Evans, Leo Boix, and Christina Roseeta Walker. And more...Trade Review'The most informative and entertaining poetry journal in the English-speaking world' - John Ashbery; 'The most engaged, challenging and serious-minded of all the UK's poetry magazines' - Simon Armitage

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Book SynopsisThe July-August 2020 issue. Robyn Marsack celebrates Edwin Morgan's centenary. Frederic Raphael's polemic about the pandemic. Kirsty Gunn on Lockdown. Interviews with the great American poet Douglas Crace, with Forward Prize 2020 shortlisted poet Caroline Bird, and the major Irish poet John McAuliffe. New poetry by Sean O'Brien, Jane Draycott, and John Birtwhistle. New to PN Review this issue: Rachel Spence, Edmund Keeley, Maya C. Popa, and Hugh Haughton. And more...Trade Review'The most informative and entertaining poetry journal in the English-speaking world' - John Ashbery; 'The most engaged, challenging and serious-minded of all the UK's poetry magazines' - Simon Armitage

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Book SynopsisThe September-October 2020 issue. Rachel Hadas explores connections between literature and the pandemic. Jena Schmitt on ekphrasis (the description of artwork in writing), from Virgil to Tolstoy to Rilke. First published poem 'Elaine' by Katriona Feinstein, granddaughter of Elaine Feinstein. Sharron Hass on Sophocles' Farewell to Poetry, translated from the Hebrew. New poetry by Jee Leong Koh, Nyla Matuk, and Joe Carrick-Varty. New to PN Review this issue: Matthias Fechner, Rachel Hadas, Paul Stephenson, and Katriona Feinstein. And more...Trade Review'The most informative and entertaining poetry journal in the English-speaking world' - John Ashbery; 'The most engaged, challenging and serious-minded of all the UK's poetry magazines' - Simon Armitage

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Book SynopsisThe November-December 2020 issue. Vahni Capildeo’s Letter from Quarantine and Andrew Fitzsimons’ poetry from ‘Bashō in Lockdown’. Essays by David Rosenberg and Ricardo Nirnberg on the effect and implications of Lockdown for poetry, literature, and the human imagination. Michael Freeman’s reflections on Boethius writing his great philosophical poem ‘The Consolation of Philosophy’ while in “lockdown” in ancient times. New poetry by Andrew Mears, Victoria Kennefick, Wong May, and Maryam Hessavi. New to PN Review this issue: Andrew Fitzsimons, Jennifer Wong, and Nilton Santiago. And more...Trade Review'The most informative and entertaining poetry journal in the English-speaking world' - John Ashbery; 'The most engaged, challenging and serious-minded of all the UK's poetry magazines' - Simon Armitage

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Book SynopsisThe January-February 2021 issue.; Editorial considers the British Library's controversial Printed Heritage Provenance Research report and its negative impact on their welcome anti-racism policy.; Jason Allen-Paisant considers blackness and landscape.; Vahni Capildeo on trees and the poetry of ecology.; John Clegg's 'Marianne Moore Buys Some Bananas'.; Jonathan E. Hirschfeld sculpts Czeslaw Milosz (illustrated).; New poetry by Tara Bergin, Miles Burrows, and Nina Bogin.; New to PN Review this issue: Colm Tóibín, Daisy Fried, Alexey Shelvakh, and Camille Ralphs.; And more...Trade Review'The most informative and entertaining poetry journal in the English-speaking world' - John Ashbery; 'The most engaged, challenging and serious-minded of all the UK's poetry magazines' - Simon Armitage

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Book SynopsisThe March-April 2021 issue; The last interview with the poet John Ash; Major new talent featured: Michael Brett; Novelist Kirsty Gunn reads Henry James during lockdown; Reem Abbas, the young Palestinian poet, explores the Ghazal; Tony Roberts examines the Publisher/Poet relationship (Giroux and Berryman); New poetry by Jane Duran, Yeow Kai Chai, Rebecca Perry & Shane McCrae; New to PN Review this issue: Reem Abbas, Francis O'Hare, John Fitzgerald & Maurice Riordan; And more...Trade Review'The most informative and entertaining poetry journal in the English-speaking world' - John Ashbery; 'The most engaged, challenging and serious-minded of all the UK's poetry magazines' - Simon Armitage

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Book SynopsisThe May-June 2021 issue; Major new sequence of poems by Jamaican Poet Laureate Lorna Goodison; Opening essay in new eco-essay series by Brian Morton, about living rough in the remote Hebrides; Conversation with great New Zealand poet Bill Manhire; Philip Terry's huge supplement on experimental poetry, OuLiPo, with first contributions from a huge range of European, American and other poets; New to PN Review this issue: Ariane Dreyfus, Naush Sabah, Devin Johnston and Silis MacLeod; and more...Trade Review'The most informative and entertaining poetry journal in the English-speaking world' - John Ashbery; 'The most engaged, challenging and serious-minded of all the UK's poetry magazines' - Simon Armitage

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Book SynopsisThe July-August 2021 issue; Major account by Poet of Europe Sinead Morrissey of her experiences in Gdansk, with reflections on the Belfast troubles among which she grew up; Sujata Bhatt breaks a long poetic silence with a suite of new poems; Rory Waterman and Poetry London editor Andre Naffis-Sahely converse, and sparks fly; Caitlion Stobie's amazing tribute to Tony Harrison's V, a new poem entitled W, bridges the gap between his politics and ours; New to PN Review this issue: Padraig Regan, Jordi Sarsanedas, Nuash Sabah and Kare Caoimhe Arthur; and more...Trade Review'The most informative and entertaining poetry journal in the English-speaking world' - John Ashbery; 'The most engaged, challenging and serious-minded of all the UK's poetry magazines' - Simon Armitage

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Book SynopsisGrand Larcenies features generous selections from the work of ten classic modern Dutch poets: Eva Gerlach, Gerrit Kouwenaar, Hester Knibbe, Hans R. Vlek, Rob Schouten, Willem van Toorn, J. Eijkelboom, H.H ter Balkt, K. Michel, and Esther Jansma. The translator, a notable Welsh poet and writer now living in the Netherlands, takes his bearings from Robert Minhinnick's seminal Welsh anthology The Adulterer's Tongue, which attempts by means of experiment rather than rigid linguistic fidelity to approach the imaginative core of the original. 'These versions take risks,' Evans declares; 'they are no black-and-white photocopy, but they honour the originals' forms and intentions, making audible a wide array of individual styles and voices, and a Dutch sensibility that is both familiar and alien to us.' A dual-language edition.

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Book SynopsisThis set of poems is a well-crafted display of current children's poetry combining beautiful words, fantastic pictures and lovely sounds. It emphasises the world's beauty and opens the imagination of children appreciating the world and the stars beyond.This book provides a wonderful insight into poems for children that will appeal to parents, teachers and children from around the world.

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Book SynopsisThe poems selected for this collection are dreams of childhood, stories of childhood, and fantasies of childhood. The scenes in the poems are memories of childhood. It emphasises the world's beauty and opens the imagination of children appreciating the world and the stars beyond.This book provides a wonderful insight into poems for children that will appeal to parents, teachers and children from around the world.

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Book SynopsisThe poems selected for this collection are dreams of childhood, stories of childhood, and fantasies of childhood. The scenes in the poems are memories of childhood. It emphasises the world's beauty and opens the imagination of children appreciating the world and the stars beyond.This book provides a wonderful insight into poems for children that will appeal to parents, teachers and children from around the world.

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Book SynopsisLaunched in 1979 by Anthony Astbury and Geoffrey Godbert, with the support of Harold Pinter, the Greville Press has quietly established itself as indispensable to those who love poetry. Its pamphlets have built a reputation for discoveries of the new and recoveries of the neglected; for championing translations of great world poets and delighting in the classics of English literature - above all, for their manifest enthusiasm for the enriching pleasures of poetry in all its variety. "A Field of Large Desires" offers a sampler of poems that have been published by the Greville Press: it is both a treasure trove and a celebration of a remarkable venture.Trade ReviewThat the Greville Press should simultaneously publish a first collection by Kate Ellis, a sixteen-year-old schoolgirl from Derby, and the first translations of the poems of Arseny Tarkovsky, father of the filmmaker Andrey Tarkovsky, is typical of the small firm's exhilarating eclecticism. - The Independent

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Book SynopsisFor two decades "New Poetries" has been a proving-ground for new poets in English from around the world. Here readers first encountered, in generous selections, work by, among others, Caroline Bird, Stephen Burt, Sophie Hannah, Emma Jones, Nicole Krauss, Patrick McGuinness, Kei Miller, David Morley, Sinead Morrissey, Togara Muzanenhamo, Matthew Welton and Jane Yeh. Published from Manchester, the anthologies overlook national borders, instead providing vistas across a worldscape. This fifth "New Poetries" anthology presents twenty-two new writers, organised in such a way as to highlight their variety, the 'irreducible plural' of poetry today. It includes work by poets ranging from their early twenties to their late sixties, and harking from Canada, England, Iran, New Zealand, the Philippines, Scotland, Singapore, South Africa, the United States and Wales. Their forms and themes are wonderfully various. What they have in common is intelligence, curiosity and a willingness to take risks. This book's surprises remain fresh, the writers promise major things.Trade Review'There is still an abundance of poetic talent out there, and people vigilant enough to notice it. Give it a go. You'll like it.' - Nicholas Lezard, the Guardian '...an opportunity to sample the dynamic range and variety of carefully wrought forms that modern poetry can, and will continue, to be capable of.' - Independent on Sunday 'New Poetries...puts on show poets who've come good relatively young with older ones whose fame is yet to grow...bringing new English from another continent or other tongue.' - Daily Telegraph

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Book SynopsisA paperback reissue of a beautiful anthology. A diverse collection of poetry which celebrates both England and all that it means to be English – from the rolling hills, to those lost in battle over the centuries, to London’s bustling streets and a nation obsessed with the weather. Ode to England encompasses a breadth of poetry from our most renowned writers – such as William Wordsworth, D. H. Lawrence and William Blake – alongside verses from less prestigious names which equally capture many inspiring visions of our ‘sceptered isle’. The poems are accompanied by stunning illustrations which pay further tribute to the beauty of this green and pleasant land. The perfect gift for any Englishman or Anglophile, this wonderful collection captures all the beauty and eccentricities of England and Englishness.

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Book SynopsisCelebrates the distinctiveness and diversity of poetry in English. This book looks at eleven poets who are variously rooted in Europe, America, the Caribbean, Africa, Asia, Australasia; who write with the imaginative energies less of world travellers than of world citizens.

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Book SynopsisWhat, then, for the work of poetry? It’s at the very periphery of popular speech, niche even among the arts, yet it’s also rooted in the most ancient traditions of oral storytelling, no matter where your ancestors originate from. And, as we were reminded by an audience member at the New Zealand Young Writers Festival in 2020, who are we to say poetry cannot change the world? A poem may not be a binding policy or strategic investment, but poems can still raise movements, and be moving in their own right. And there is no movement in our behaviours and politics without a shift in hearts and minds. Whether the poems you read here are cloaked in ironic apathy or bare their hearts in rousing calls to action, they all arise from a deep sense of care for this living world and the people in it. Our poets are eulogists and visionaries, warriors and worriers. Most of all, they’re ordinary people prepared to sit and stare at a blank page, trying to do something with the bloody big troubles looming over our past, present and future. (from the introduction by the editor)

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