Other performing arts Books
Design Studio Press Cinematics Storyboard Workshop: Filmmaking
Book Synopsis
£12.59
Anness Publishing Magical Illusions, Conjuring Tricks, Amazing
Book SynopsisThis comprehensive book contains everything the budding magician needs to put on a dazzling show at home. Expert guidance from a professional magician reveals how to perform more than 200 illusions, ranging from party tricks, close-up magic and stage magic to confounding puzzles and awe-inspiring stunts. It reveals how you can make a coin vanish, have x-ray vision, read an audience member's mind and cut a volunteer in two. Whatever your previous experience and skill level, this exciting and inspiring book will enable you to confound and impress friends and family, providing hours of enjoyment for both performer and audience alike.
£7.59
Intellect Books Dance, Somatics and Spiritualities: Contemporary
Book SynopsisThis anthology negotiates the influential, yet silent educational presence of spiritualities within the field of somatic movement dance education internationally. The expressive and integral nature of spiritual experience remains academically undefined and peripheral to our understanding of creative practice. Lack of theoretical rigour, as well as a lack of a substantive definitional and methodological competency, has resulted in spirituality being marginalised. To date, important questions about how diverse spiritualities shape professional practice in the somatic movement and dance arts remain unanswered. This cutting-edge collection fills that void, providing greater creative and discursive clarity.Trade Review'What makes this anthoplogy so unique and fascinating to read is not only the tremendous openness with which the editors approached the subject, thus inviting and allowing for such a diverse collection of individual sacred narratives to emerge; it abounds with mulit-faceted gems. It is also the variety of presentation styles, ranging from personal narratives interwoven with articulated scholarship, philosophical reflections, various research approaches, imaginary dialogues and interview conversations that turns this work into a rich and colourful fabric woven by the hands and hearts of its 33 contributors from across various cultures. ' -- Maria Luise Oberem, Ph.D. in Psychology, MA in Dance/ Movement Therapy (USA), (BC-‐‑ DMT), MA in American Studies and Political Science'Finally exists a book that offers a range of perspectives that looks academically at the numinous in dance without belittling or aggrandizing the subject. With a preface by Don Hanlon Johnson, editors Amanda Williamson, Glenna Batson, Sarah Whatley, and Rebecca Weber have pulled together an impressive anthology of essays on a topic often overlooked. Questions considered by dancers, somatic therapists, dance scholars, and anthropologists include the following: What is spirituality? How does it manifest in a body atuned to the nuances of movement? How does a dancer reclaim the sacred from a culture that marginalizes it in favor of secularization? Linda Hartley writes about Authentic Movement. Daria Halprin writes on the body as entry to embodied knowing. Sondra Fraleigh looks at the actions of consciousness. Bradford Keeney discusses N/om and Bushman healing dances. Twenty substantive narratives on embodiment, mindfulness, Balinese dance and more make a juicy collection and a significant contribution to a field largely neglected.' -- Cheryl Pallant, teacher at University of Richmond, Virginia, and author of Contact Improvisation: an Introduction to a Vitalizing Dance FormTable of ContentsIntroduction Amanda Williamson, Glenna Batson and Sarah Whatley Part I: Moving Spiritualities – Amanda Williamson Chapter 1: Embodiment of Spirit: From Embryology to Authentic Movement as Embodied Relational Spiritual Practice – Linda Hartley Chapter 2: The Alchemy of Authentic Movement: Awakening Spirit in the Body – Tina Stromsted Chapter 3: Dancing in the Spirit of Sophia – Jill Hayes Chapter 4: Body Ensouled, Enacted and Entranced: Movement/Dance as Transformative Art – Daria Halprin Chapter 5: Dancing on the Breath of Limbs: Embodied Inquiry as a Place of Opening – Celeste Snowber Chapter 6: ‘Can They Dance?’: Towards a Philosophy of Bodily Becoming – Kimerer L. LaMothe Part II: Reflections on the Intersections of Spiritualities and Pedagogy – Sarah Whatley Chapter 7: Reflections on the Spiritual Dimensions of Somatic Movement Dance Education – Martha Eddy, Amanda Williamson and Rebecca Weber Chapter 8: Postmodern Spirituality? A Personal Narrative – Jill Green Chapter 9: Working Like a Farmer: Towards an Embodied Spirituality – Helen Poynor Chapter 10: Intimate to Ultimate: The Meta-Kinesthetic Flow of Embodied Engagement – Glenna Batson Chapter 11: Permission and the Making of Consciousness – Sondra Fraleigh Chapter 12: Conversations about the Somatic Basis of Spiritual Experiences – Sylvie Fortin, Ninoska Gomez, Yvan Joly, Linda Rabin, Odile Rouquet and Lawrence Smith Chapter 13: Inner Dance—Spirituality and Somatic Practice in Dance Technique, Choreography and Performance – Kathleen Debenham and Pat Debenham Chapter 14: This Indivisible Moment: A Meditation on Language, Spirit, Magic and Somatic Practice – Ray Schwartz Chapter 15: Global Somatics™ Process: A Contemporary Shamanic Approach – Suzanne River, interviewed by Kathleen Melin Part III: Cultural Immersions and Performance Excursions – Glenna Batson Chapter 16: Dancing N/om – Hillary Keeney and Bradford Keeney Chapter 17: Dancing with the Divine: Dance Education and the Embodiment of Spirit, from Bali to America – Susan Bauer Chapter 18: The Sacrum and the Sacred: Mutual Transformation of Performer and Site through Ecological Movement in a Sacred Site – Sandra Reeve Chapter 19: Dancing and Flourishing: Mindful Meditation in Dance-Making and Performing – Sarah Whatley and Naomi Lefebvre Sell Chapter 20: ‘What You Cannot Imagine’: Spirituality in Akram Khan’s Vertical Road – Jayne Stevens
£53.06
Andrews UK Limited From Blitz to Glitz: The Autobiography of Jess
Book Synopsis
£22.94
Birlinn General The Bachelors
Book SynopsisSpiritualist and extortionist Patrick Seton is coming up for trial. He’s been accused of forgery, and suddenly West London’s bachelors are all in a tizzy. Described by Evelyn Waugh as the ‘cleverest and most elegant of all Mrs Spark’s clever and elegant books’, The Bachelors is a biting comedy of English manners. This is one of the 22 novels written by Muriel Spark in her lifetime. All are being published by Polygon in hardback Centenary Editions between November 2017 and September 2018.Trade Review'As I entered my teens, I developed a taste for more arch, snappy writing and discovered the joys of Muriel Spark. Wisdom and wit — ideal for an impressionable youth finding his way in the world' -- Julian Clary * Daily Mail *
£9.49
The Crowood Press Ltd Costume and Design for Devised and Physical
Book SynopsisCostumes designed and made for devised or physical drama, for contemporary circus or for dance, differ radically from the more traditional costume work produced for naturalistic performance. For those working in the field - whether professional or student - these differences present challenges that this book seeks to highlight and explain while offering effective solutions to overcome them.
£14.24
MX Publishing Performance Strategies for Musicians: How to
Book SynopsisHow to overcome stage fright and performance anxiety and perform at your peak -using NLP and visualisation.
£11.99
Transworld Publishers Ltd Confessions of a Conjuror
Book SynopsisThe inside of Derren Brown's head is a strange and mysterious place. Now you can climb inside and wander around. Find out just how Derren's mind works, see what motivates him and discover what made him the weird and wonderful person he is today. Obsessed with magic and illusions since childhood, Derren's life to date has been an extraordinary journey and here, in Confessions of a Conjuror, he allows us all to join him on a magical mystery tour - to the centre of his brain... Taking as his starting point the various stages of a conjuring trick he's performing in a crowded restaurant, Derren's endlessly engaging narrative wanders through subjects from all points of the compass, from the history of magic and the fundamentals of psychology to the joys of internet shopping and the proper use of Parmesan cheese. Brilliant, hilarious and entirely unlike anything else you have ever read before, Confessions of a Conjuror is also a complete and utter joy.Trade ReviewWeird, whimsical and, at times, uproarious... Brown takes us on a meandering pleasure cruise downriver. It is worth the journey * The Sunday Times *It combines a playfully baroque prose style with pinpoint observation and almost excruciating levels of self-examination, if not loathing. It's a fascinating experience -- AL Kennedy * Guardian, Books of the Year *A fantastic voyage into Derren Brown's intensely sharp brain... A deeply funny and eccentric triumph * Heat *Closer to the work of someone like Malcolm Gladwell than to the... reminiscences of Brown's memoirs-writing contemporaries * Word *A lovely kind of magic trick in book form * Boing Boing *
£10.79
Triarchy Press Body and Performance
Book Synopsis12 contemporary approaches to the human body that are being used by performers or in the context of performance training. The second in a series of books entitled: Ways of Being a Body. Following on from Sandra Reeve's Nine Ways of Seeing a Body (which offered a historical perspective on different key approaches to the body over time), this new edited collection brings together a wide range of contemporary approaches to the body that are being used by performers or in the context of performance training. The intention is for students, dancers, performers, singers, musicians, directors and choreographers to locate their own preferred approach(es) to the body-in-performance amongst the lenses described here. The collection is also designed to facilitate further research in that direction as well as to signpost alternatives that might enrich their current vocabulary. All 12 approaches represent the praxis and research of their authors. The chapters reveal a wide variety of different interests but they share the common framework of the notion of 'body as flux', of 'no fixed or determined sense of self' and of supporting the performer's being-becoming-being as a skilful creative entity, emphasising the intelligence of the body at work.Table of ContentsThe Ontogenetic Body - makes us aware of developmental processes and gives us a way to embody the forms, mind states and movement patterns of our cellular histories. The Intersubjective Body - explores the inter-relationship between dancing bodies and the environment in the context of site-responsive performance practice. The Autobiographical Body - examines somatic performance practices that explore autobiography as a fluid experience based on relationships with other people and places. The Resonant Body - considers 'cellular-body-mindfulness' through site-responsive sound dance improvisation, paying particular attention to temporality. The Dwelling Body - sees the practitioner as a conduit: experiencing body and place as continually in process and recognising the vital inter-relationship of place and identity. The Vocal Body - moves beyond the idea of the body as a 'homebase' of vocal emission and offers an integrative approach to physiovocal unity. The Musical Body - re-intepreting Stockhausen's Tierkreis offers a physical approach to performance where the body is the driving force behind musical interpretation. The Resilient Body - through the adaptive capacity of the human body the performer can develop resilience and potential. The Imaginal Body - rooted in the Alexander technique, this approach uses anatomical images, specific thinking, touch and visualisations to let go of habitual restrictive patterns and release imaginative potential. The Learnt Body - proposes a training of the performer's body that can consciously transcend socially coded habits and movement patterns. The Kinetic Body - through Kudiyattam dance training, this approach demonstrates how, underpinning the kinetics of breathing, 'foot' produces temporality, which is the fundamental source of the presence of the body. The Cognitive Body - uses Damasio's body-minded brain and 'somatic marker hypothesis' to articulate methods of physical devising for performance
£18.00
Triarchy Press Ways to Wander
Book Synopsis'Ways to Wander' is your invitation to experiment with a whole range of different ways to 'go for a walk'. Rather than picking up a map and following a footpath, the book offers 54 intriguingly different suggestions, tactics and recollections, all submitted by artists (most of them involved with the Walking Artists Network). There are plenty of ideas you can just go out and try, but others are more performative or explore the psychological, cultural and philosophical aspects of walking Pop the book in your back pocket, leave it in your rucksack, share it with friends and take them on a walk, use it in creative workshops, read it as if each instruction were poetry, engage with each page as visual art or as a performance activity, let it remind you of places you've been or walks you'd like to do. When the moment takes you, be inspired by the variety of inventive and reflective ideas mapped out here and then simply...wander.
£11.08
Triarchy Press Guidebook for an Armchair Pilgrimage: 2019
Book SynopsisPhil Smith (Crabman/Mythogeography) and Tony Whitehead join forces with master photographer John Schott to lead readers on a `virtual’ journey to explore difference and change on their way to an unknown destination. “What is most real is what you have still to discover.” “Relax in your seat. Allow the train to take you along the water’s edge to the beginning point of your walking pilgrimage… When the train pulls into the platform, step off. Hidden behind the platform is a broken machine; a mechanised fortune teller – the `voice of truth’ – discarded from the nearby arcade of slot machines. Propped against the side of a building, its mouth is silent, its pronouncements have ceased; any truths you find today will be your own.” Pilgrimages – real and imagined - are always popular, sometimes compulsory. Bodh Gaya, Santiago, Mecca, Jerusalem, Puri: a few of the sites that beckon. The pilgrimage to the authentic self takes a similar path in an interior landscape. In the 15th century, Felix Fabri combined the two, using his visits to Jerusalem to write a handbook for nuns wanting to make a pilgrimage in the imagination, whilst confined to their religious houses. For Guidebook for an Armchair Pilgrimage, the authors followed Fabri’s example: first walking together over many weeks – not to reach a destination but simply to find one – then, in startling words and images, conjuring an armchair pilgrimage for the reader… along lanes and around hills, into caves and down to the coast. “We arrived again and again at what we assumed would be a final `shrine’, only to be drawn onwards and inwards towards another kind of finality… rather than reaching a destination, the pilgrimage was repeatedly reborn inside us, until its most recent rebirth in this book.” Over the course of the 19-day Armchair Pilgrimage, they invite us to experience the world around us just as they did as they walked. So, over the first three days, they suggest that we contemplate, among other things: • Our habit of generalising – acquired 40-50,000 years ago, when our `chapel’ mind of specialisms became a `cathedral’ mind • Our tendency to let one thing remind us of another thing • What it might be like to be an ocean where fish swim through us • How the world experiences us just as we experience it: `gently feel for the feelers feeling for you’ • A world where we tend to `add’ meaning and intensity • A world where we let go (without the aid of dementia) of memory, imagination, desire and wild fancy. And, as the pilgrimage concludes: “Returning is never going back to the same place.” “A brilliant idea, inviting us to `be present’ to a reality that is imagined and recorded, mediated by words and images. The feelings and emotions are no less `real’ than if we were actually standing in and experiencing that reality. I love the genius of words and images displayed here -- no less than the reality itself.” Carol Donelan, Professor of Cinema and Media Studies, Carleton College, MinnesotaTrade Review“A brilliant idea, inviting us to `be present’ to a reality that is imagined and recorded, mediated by words and images. The feelings and emotions are no less `real’ than if we were actually standing in and experiencing that reality. I love the genius of words and images displayed here -- no less than the reality itself.” Carol Donelan, Professor of Cinema and Media Studies, Carleton College, Minnesota
£14.25
Sandstone Press Ltd The Electric Woman: A Memoir in Death-Defying
Book SynopsisFeatured in Amazon.com's Best Books of 2018. ‘Every day we put fire and swords and electricity into our bodies, throw knives at them, contort them, wrap them in snakes, and every day we wake up sure those things won’t harm us but also sure that there is so much else that will.’ When her mother had a series of strokes, Tessa Fontaine couldn’t stand to watch her mother disappear. The Electric Woman tells Tessa’s story of joining America’s last travelling freak show, and learning to perform death-defying acts in order to come to terms with her mother’s illness. In her life-affirming memoir, Tessa finds hope and companionship among sword swallowers and snake charmers.Trade Review‘This remarkable, beautifully written memoir explores the depth of mother-daughter love and the courageous acts of overcoming fear and accepting change. ’ * Publishers Weekly *‘This is an assured debut that doesn’t shy away from the task of holding the ordinary and otherworldly in its hand, at once. It’s herein that the book’s power lies... The quiet beauty of this book lies in its ordinary, enigmatic human feats of interpersonal connection.’ * The New York Times *‘A glorious, sequinned affirmation of life and vitality... a genuinely touching denouement to this original debut.’ * The Spectator *‘Fascinating and heartfelt, Fontaine's memoir brushes with death but, more important, finds life and light in unexpected places, giving value to otherness in an unpredictable world.’ * Booklist *‘Astounding, amazing, inspiring and a little bit terrifying.’ * StarTribune *‘Come for the carnie life, stay for the courageous account of facing fear.’ * BookPage *‘Fontaine smashes together two distinct memoirs, one focused on grieving her mother's prolonged illness and death, the other her unlikely, brave'n'crazy season as a small-time carnival performer ... As exciting as the snake handling, card tricks, and ‘secret rituals’ of the carnival's insides are, it is the grinding journey of mom-grief that will resonate with readers ... Take a walk on the wild side, why dontcha?’ * Library Journal *‘Her story about the marvels and heartbreaks of carnival life is thrilling and captivating, and you won't be able to stop talking about it.’ * Bustle *‘Somewhere between knives and fire beats the heart of a young woman daring herself to live. In her memoir, The Electric Woman, Tessa Fontaine weaves her way through a mother-death story and a daughter-coming-alive story against the backdrop of America's last traveling sideshow. There are so many ways to bring ourselves back to life. So many people along the way who become our secular guardian angels. This story is a breathtaking, fire-eating, heart-stopping, death-defying thrill.’‘This book is absolutely a must-read for everyone! Mesmerising...’‘In a word: wow. I read The Electric Woman in a hallucinatory fever filled with hospital beds and carnival rides, gray eyes and biting boa constrictors, brain bleeds and headless bodies, fire eaters and electrified women. Tessa Fontaine is a real-life snake charmer--her writing hooked and hypnotized me from page one. I had to read just one more chapter, just one more until I reached the end of her extraordinary memoir, dismayed that it was over but so grateful for the unforgettable ride.’‘This is a memoir like no other. One in which reinvention means starting out as a heartbroken girl and becoming a fire eater, a snake charmer, an escape artist, an electric woman. These are not metaphors, and yet again they are: expertly developed, sustained, and revealed in intensifying and sometimes terrifying complexity, as Tessa Fontaine enters, embraces, and finally allows herself to be transformed by the carnival's World of Wonders and the unforgettable cast of characters who calls the sideshow home.’‘Yes, I have done it. I have run away to the circus, a realm of wonder, harsh reality, and colorful characters, vividly described by a remarkable writer who pulls off her own high-wire act with honesty and abandon, moving from loss to delight. In The Electric Woman, Tessa Fontaine is an escape artist determined to detonate the grim reality of mere existence, taking us on the most original journey I can remember in a recent memoir. As she moves through guises and adventures, she learns how to become the woman her mother loves and the person she didn't think she could be: her own marvelous self.’‘The Electric Woman is a fascinating behind-the-scenes peek at carnival life, and an ode to unconditional love.’‘The Electric Woman is a love story, a coming-of-age, a brilliant exploration of discovery by a young woman ultimately set free by the flames of fire.’‘With fearless grace and piercing intensity, The Electric Woman delivers us to the potent mercy of unmitigated love, the passion of shared suffering, the resilience of the spirit, and the ecstasies of our transfigurations.’‘A beautiful and ferocious book… I loved every page.’
£8.54
Hawthorn Press Seven Secrets of Spontaneous Storytelling
Book Synopsis?Here in this unique book is the inside story of a supreme storyteller. Here you can discover how the magic of storytelling is made.? Michael Morpurgo, Foreword The tale of a family brought together through the power of storytelling. When Darinka and Adam Dale meet Dorothy unexpectedly by an old windmill, they embark on a roller coaster journey that transforms their family through the power of spontaneous storytelling. Dorothy?s seven storytelling secrets are the tools they need for connecting more deeply in everyday life - from playing to shopping, tidying, mealtimes, bedtimes and resolving conflict. There are fifteen simple, fun games for making up stories with children. These games, tips and tricks will encourage the telling of spontaneous tales with children and friends - any time, any season and anywhere.
£13.49
Triarchy Press How to be feral
Book SynopsisChallenges our preconceived notionsof how our body should move. Uses a series ofpractices and reflections to disrupt our usual shape and movement and our beliefsabout our place in the natural world.91 movement practices that any reader can use to question and come to understand our conditioning and our biases.
£17.10
Hachette Books How to Talk Dirty and Influence People
Book SynopsisDuring the course of a career that began in the late 1940s, Lenny Bruce challenged the sanctity of organized religion and other societal and political conventions he widened the boundaries of free speech. Critic Ralph Gleason said, So many taboos have been lifted and so many comics have rushed through the doors Lenny opened. He utterly changed the world of comedy.Although Bruce died when he was only forty, his influence on the worlds of comedy, jazz, and satire are incalculable. How to Talk Dirty and Influence People remains a brilliant existential account of his life and the forces that made him the most important and controversial entertainer in history.Trade ReviewPraise for How to Talk Dirty and Influence People "I read this book for the first time when I was twelve years old. It made me want to be in showbiz, have a lot of sex, and be Jewish. I've rethought that last one."--Penn Jillette, author of God No! "If there was a God, then he sent down Lenny Bruce to create the art form of modern stand-up comedy. He sought the truth fearlessly and hilariously until his tragically muffled First Amendment rights surely enabled his dying for our sins."--Richard Lewis, author of The Other Great Depression Playboy, 8/3/16 "Outside every American comedy club there ought to be a statue of Lenny Bruce--the type of big bronze statue that commemorates and immortalizes heroes...Bringing Bruce's ideas and stories to a new generation might just be the next best thing to erecting those bronze statues." Spectrum Culture, 10/11/16 "Sheds light on the mind behind some of the most controversial comedy routines of the mid-20th century."
£14.39
Semiotext (E) Halsted Plays Himself: Revised and Expanded
Book Synopsis
£23.40
Columbia University Press Kill the Documentary A Letter to Filmmakers
Book SynopsisIn Kill the Documentary, the award-winning director Jill Godmilow issues an urgent call for a new kind of nonfiction filmmaking. In place of the conventional documentary, she advocates for a postrealist cinema.Trade ReviewKill the Documentary is a brilliant, angry book. An honest book. A brave book. Guggenheim Fellow and award-winning filmmaker Jill Godmilow has written a stirring call to arms. -- Cynthia Close * Documentary Magazine *Creatively curious pages -- Ezra Winton * Cineaste *Jill Godmilow marshals a pantheon of hard-hitting, tough-minded films that refuse to be herded into the realist corral. Godmilow’s letter, or manifesto, like most manifestos, draws a line in the sand. Which side are you on becomes the question. Stay put and miss the point, or step on through to the other side and restore for yourself some of the nuance and subtlety that is foreign to the spirit of a manifesto. -- Bill Nichols, from the ForewordThis provocative and engaging book by acclaimed filmmaker Jill Godmilow raises important questions for anyone concerned about the future of political documentary. She maps out an original approach to “postrealist” documentary that champions moral engagement, social activism, aesthetic daring, historical grounding, and intersectional participation for bold twenty-first-century filmmaking. -- Deirdre Boyle, author of Ferryman of Memories: The Films of Rithy PanhIn her captivating and original Kill the Documentary, filmmaker and critic Jill Godmilow offers a plea—in the form of a letter, which is a manifesto, and forty propositions, and a tool kit—for making postrealist nonfiction, for making film useful and fruitful. In her scathing critique of “great” documentaries, and her offering up of her own counter-canon, she insists that filmmakers and viewers can begin again by refusing the pedigree, pornography, and cultural imperialism of the real, and by supporting postrealist strategies: interventionist and interactive, performative and formal. Honestly, I don’t agree with all she says, or every one of the 144 films she honors, and that’s her urgent book’s point and purpose: I can and should make my own. -- Alexandra Juhasz, Brooklyn College, CUNYKill the Documentary is a provocative manifesto for rethinking the documentary. Godmilow provides a shield against the tear-soaked sentimentality and nostalgia of the Ken Burns style of packaging history. A new tool in the film teacher's kit, this book is useful beyond discussions of documentary. The passion of her prose is infectious—a welcome relief for student reading assignments. -- DeeDee Halleck, professor emerita, University of California, San DiegoThis book will be a gold mine for any instructors putting together an “Introduction to Documentary Filmmaking” syllabus or for cinematic autodidacts hungry to experiment with alternative modes of nonfictional filmmaking. -- Jaimie Baron * Film Quarterly *Herein lies the specificity and refreshing nonconformity of [this] book: it pushes the reader not only to see through the ideological premises of conventional formats, but also to delve into the multiple configurations that generate subversive experiences . . . [Godmilow's] persistent faith in the importance of developing critical awareness and in the agency of art to intervene into reality despite the omnipresent ‘capitalist realism’ in the global neoliberal society radiates a compelling force. -- Stefanie Baumann * Radical Philosophy *Table of ContentsManifestly Radical: A Foreword, by Bill NicholsAcknowledgmentsI Call This Book a LetterIntroduction—a Letter to Filmmakers1. Abandon the Conventional Documentary—Reject Realism as the Only Authentic Nonfiction Form2. Take Action—Make Useful Postrealist Films3. Forty Postrealist Strategies to Learn from and Borrow4. The ToolkitNotes BibliographyIndex
£22.50
Nick Hern Books The Improviser's Way: A Longform Workbook
Book SynopsisAn inspiring and interactive workbook to help you develop skills for longform improvisation, by one of the UK’s top improv performers and teachers. Structured as a twelve-week course, this book provides techniques, advice and exercises that can be done on your own or in groups – with activities to complete as you go – for learning faster and becoming (more) amazing at improvisation. It draws on the author’s own experience of performing and teaching improv around the world, with added gems of wisdom from key experts. Starting with the basics of improvisation, it moves on to explore areas of the craft such as rehearsals, character, editing, form and style; plus career advice including how to cope with bad gigs, jealousy, fear of missing out and your Inner Critic. The Improviser’s Way is ideal for improvisers at any level – from those new to improv entirely, through those familiar with shortform who are looking to extend their reach, to experienced longform performers and teachers looking to refresh their approach and embrace new ideas. It is also invaluable to anyone looking to discover more about this popular, thrillingly creative and empowering form of performance. By the end, you won’t just be a better improviser – you’ll be a better person!Trade Review'Concise and easy to follow… highly recommended for both budding artists and old-hats alike, as it really does have something for everyone' * Drama Magazine *'An interactive tool that will challenge the reader's perceptions... witty and concise' * Drama & Theatre magazine *
£999.99
Hawthorn Press Healing Storytelling: The Art of Imagination and
Book SynopsisIn this step by step companion guide, Nancy Mellon explores the secrets of what makes a good story and how to become a confident storyteller from scratch. The healing power of stories is a strong antidote to today's electronic screen world. Storytelling is an engaging, meaningful way of sharing our thoughts and feelings. As a path of self-development, storytelling awakens archetypal experiences, symbols and forces within for healing oneself and others
£13.50
The Squeeze Press Every Trick in the Book
Book Synopsis
£12.34
Duke University Press Juggling
Book SynopsisIn Juggling, Stewart Lawrence Sinclair explores the four-thousand-year history and practice of juggling as seen through his life as a juggler. Sinclair—who learned to juggle as a child and paid his way through college by busking—shares his experiences of taking up juggling after an episode of suicidal ideation, his time juggling on the streets, and ultimately finding comfort in juggling during the COVID-19 pandemic. In many ways, this is a book about loss and recovery. From his own juggling story to clowns braving military checkpoints in Bosnia and Rwanda to perform in refugee camps to contemporary avant-garde performances, Sinclair shows how the universal language of juggling provides joy as well as a respite from difficulties during hard times.Trade Review"Juggling is a powerful book about the practice of juggling—and about the benefits of perseverance." -- Arianna Rebolini * Foreword Reviews *"Will jugglers find it interesting? They already know the basics. Why go over it again? Because an eloquently written paragraph, featuring your favorite subject is exactly what you do want to read. To hear about your own experience from someone else’s point of view is compelling and entertaining. Especially in the context of the pandemic, a moment unique in world history. . . . A fascinating read for anyone." -- Raphael Harris * e-Juggle *"This book is packed with tips, tricks, and techniques to take your juggling skills to the next level. It's a big deal that Duke University Press is publishing a book about juggling. . . ." -- Martin Kalwill * Flow Juggle *Table of ContentsAcknowledgments xi 1. Cirque du Covid 1 2. The Three-Body Problem 9 3. La Strata 19 4. Historical Arcs 31 5. Isla Vista 44 6. 441 60 7. Makeup 65 8. Cascade 74 9. Lodi 90 10. Improvising 100 11. Mardi Gras World 103 12. Light-Hearted Humans 114 13. Cirque du Kabul 124 References 133
£12.34
Cornerstone Im Sorry I Havent a Clue The Best of Forty Years
Book SynopsisBarry Cryer (Author) In 1958 Barry Cryer had a Number 1 hit record in Finland with the song 'Purple People Eater' by Sheb Wooley. Over his 50-year career he has written for, among many, Morecambe and Wise, Bruce Forsyth, Tommy Cooper, Frankie Howerd, Bob Hope and Richard Pryor. He is a comedy legend.Graeme Garden (Author) Graeme Garden is one third of the Goodies. He is a comedy legend.Tim Brooke-Taylor (Author) Tim was born in Buxton, Derbyshire, and studied at various schools in Buxton and Winchester before beginning an Economics and Law degree course at Cambridge University. In 1963, he became President of Footlights, the revue club in which he wrote and performed with Bill Oddie, Graeme Garden, John Cleese, Graham Chapman, Eric Idle, Jonathan Lynn and others. He toured extensively with the revue, Cambridge Circus, before moving into television.Jack Dee (Author) Writer, stand-up comedian and actor, JacTrade ReviewThe funniest comedy quiz show of them all -- Sue Arnold * Observer *The most genuinely and infallibly cheering programme on radio. -- Nigel Andrew * Daily Mail *The national theatre of fun. -- Gillian Reynolds * Daily Telegraph *
£8.54
Oxford University Press Inc The Politics of the Musical Theatre Screen
Book SynopsisHollywood''s conversion to sound in the 1920s created an early peak in the film musical following the immense success of The Jazz Singer. The opportunity to synchronize moving pictures with a soundtrack suited the musical in particular, since the heightened experience of song and dance drew attention to the novelty of the technological development. Until the near-collapse of the genre in the 1960s, the film musical enjoyed around thirty years of development, as landmarks such as The Wizard of Oz, Meet Me in St. Louis, Singin'' in the Rain, and Gigi showed the exciting possibilities of putting musicals on the silver screen. The first of three volumes, The Politics of the Musical Theatre Screen Adaptation: An Oxford Handbook traces how the genre of the stage-to-screen musical has evolved, starting with early screen adaptations such as the Fred Astaire-Ginger Rogers movie Roberta and working through to Into the Woods (2014). Many chapters examine specific screen adaptations in depth, while others deal with broad issues such as realism or the politics of the adaptation in works such as Li''l Abner and Finian''s Rainbow. Together, the chapters incite lively debates about the process of adapting Broadway for the big screen and provide models for future studies.Volume I: The Politics of the Musical Theatre Screen AdaptationVolume II: Race, Sexuality, and Gender and the Musical Screen AdaptationVolume III: Stars, Studios, and the Musical Theatre Screen AdaptationTable of ContentsIntroduction 1. 'And I'll Sing Once More': A Historical Overview of the Broadway Musical on the Silver Screen 2. Refashioning Roberta: From Novel to Stage to Screen 3. Getting Real: Stage Musical versus Filmic Realism in Film Adaptations from Camelot to Cabaret 4. The Party's Over: On the Town, Bells Are Ringing, and the Problem of Adapting Postwar New York 5. Into the Woods from Stage to Screen 6. Li'l Abner from Comic Strip to Hollywood 7. Fidelity versus Freedom in Milos Forman's Film Version of Hair 8. 'An Elegant Legacy?': The Aborted Cartoon Adaptation of Finian's Rainbow 9. Little Shop of Horrors: Breaking the Rules All the Way to the Big (Enormous, Twelve-inch) Screen 10. The Fascinating Moment of Godspell: Its Cinematic Adaptation in the Shadow of Jesus Christ Superstar and Leonard Bernstein's Mass
£29.38
Oxford University Press Inc The Art of Collaboration
Book SynopsisThis book is an invitation for all who aspire to the highest level of ensemble artistry and wish to work more productively and joyfully within a musical ensemble. The concepts and techniques included help artists find their own unique vocabulary and tools to refine their music making process and learn how as a team to direct their group endeavors. The book offers a systematic approach to individual preparation for rehearsal, score study, planning and implementing a constructive and effective rehearsal, and the interpretive process. The authors address tension and conflict within groups, including strategies for working well together and creating an empathetic and healthy environment for rehearsals and performances. Approaches are highlighted for researching and discovery regarding the context, character and meaning of musical works and as well as cultivating vital collaboration with living composers. The final chapters include proven practical techniques, organized by their intended purpose for everyday use in rehearsals and teaching. Based on more than 35 years of rehearsing, performing, and teaching by the Cavani Quartet, and inspired by the authors'' mentors, teachers and students, these essential techniques are designed to give each ensemble member an equal voice in the interpretive process while solving technical issues. Topics include cueing and breathing, rhythmic alignment and ensemble, intonation, sound production, projecting expression, strategic listening, and balance. The final chapter includes a capstone technique called LBAD (Live, Breathe, and Die) that heightens the connection between ensemble members through nonverbal communication. Video demonstrations of selected techniques are included on the companion website.
£19.99
Oxford University Press Who Listens
£22.99
Lulu.com Feather Mysteries
Book Synopsis
£76.50
Yale University Press Billy Waters is Dancing
Book Synopsis
£23.75
Hachette Books Jazz Dance
Book SynopsisThe Story of American Vernacular DanceTable of Contents* Marshall Winslow Stearns: An Appreciation by James T. Maher * Prologue Prehistory * Africa and the West Indies * New Orleans and the South * The Pattern of Diffusion Beginnings * From Folk to Professional * Early Minstrelsy * Minstrel Dances and Dancers * Late Minstrelsy The Vernacular * Medicine Shows and Gillies * Carnivals, Circuses, and Negro Minstrels * Roadshows, T.O.B.A., and Picks * The Witman Sisters Tin Pan Alley and Song Lyrics * Ballroom Origins * The Song Writer: Perry BradfordI * The Song Writer: Perry BradfordII Broadway and the Reviewers * Williams and Walker and the Beginnings of Vernacular Dance on Broadway * Early Harlem * Shuffle Along * Broadway: The Early Twenties * Broadway: The Late Twenties * Choreography: Buddy Bradley Technique: Pioneers, Innovators, and Stylists * King Rastus Brown and the Time Step * Bill Robinson: Up on the Toes * Frank Condos: Wings and the Expanding Repertory * James Barton: Versatility * Harland Dixon and Character Dancing * John W. Bubbles and Rhythm Tap * Fred Astaire Specialties * Eccentric Dancing * Comedy Dancing * Russian Dancing Acrobatics * Straight Acrobatics * The New Acrobatics * The Flash Acts The Class Acts * The Original Stylists * The First Class-Act Team: Greenlee and Drayton * Pete Nugent and the Class Acts * Coles and Atkins: The Last of the Class Acts The Jitterbug * Harlem Background * The Savoy Ballroom * From Coast to Coast Requiem * Baby Laurence and the Hoffers Club * Groundhog * The Dying Breed * Epilogue
£15.29
Taylor & Francis Ltd Popular Film and Television Comedy
Book SynopsisSteve Neale and Frank Krutnik take as their starting point the remarkable diversity of comedy''s forms and modes - feature-length narratives, sketches and shorts, sit-com and variety, slapstick and romance. Relating this diversity to the variety of comedy''s basic conventions - from happy endings to the presence of gags and the involvement of humour and laughter - they seek both to explain the nature of these forms and conventions and to relate them to their institutional contexts. They propose that all forms and modes of the comic involve deviations from aesthetic and cultural conventions and norms, and, to demonstrate this, they discuss a wide range of programmes and films, from Blackadder to Bringing up Baby, from City Limits to Blind Date, from the Roadrunner cartoons to Bless this House and The Two Ronnies. Comedies looked at in particular detail include: the classic slapstick films of Keaton, Lloyd, and Chaplin; HollyTrade Review`Few books have been written about comedy, and this one sets out to redress the balance, defining comedy and trying to understand what makes a particular comedy popular. From sitcoms to stand-up, all types of comedy come under scrutiny by Neale and Krutnik.' - Press and JournalTable of ContentsIntroduction 1 Section 1 1 Definitions, genres, and forms 2 Comedy and narrative 3 Gags, jokes, wisecracks, and comic events 4 Laughter, humour, and the comic 5 Verisimilitude Section 2 6 Hollywood, comedy, and The Case of Silent Slapstick 7 The comedy of the sexes Section 3 8 Comedy, television, and variety 9 Broadcast comedy and sit-com
£35.99
Taylor & Francis Ltd Philosophy of the Film
Book SynopsisExamines the overlap between film and philosophy in three distinct ways: epistemological issues in film-making and viewing; aesthetic theory and film; and film as a medium of philosophical expression. Trade Review`Essential reading for any teacher of philosophy.' - British Journal of AestheticsTable of ContentsPreface, Acknowledgments, Introduction: On the Very Idea of a Philosophy of the Film: Casablanca, 1. Philosophy of the Film, 2. Film as Philosophy, 3. Casablanca as Philosophy, 4. Conclusion, Part One. Movies as a Philosophical Problem, 1. Knowledge and Existence, 2. Plato and the Cave, 3. TheGoldenMountain, USD A Approval and Realism, 4. Films and Academic Philosophy, Part Two. Movies as an Aesthetic Problem, 5. Art and Science, 6. Aesthetics and Essentialism, 7. Arguments Against Films as Art, 8. Films as Art, Part Three. Philosophical Problems on Film, 9. Philosophy, 10. Popular Philosophy, 11. On Interpretation, 12. Citizen Kane and the Essence of a Person, 13. Rashomon: Is Truth Relative?, 14. Persona: The Person as a Mask, 15. Woody Allen and the Search for Moral Integrity, Conclusion, Notes, Bibliography, Index of Subjects, Index of Names
£46.79
Taylor & Francis Ltd (Sales) Judson Dance Theater Performative Traces
Book SynopsisTable of ContentsList of illustrations, Acknowledgements, 1 Introduction: transatlantic crossings, 2 Cunningham, Judson, and the historical avant-garde, 3 Minimalism, theory, and the dancing body, 4 Allegories of the ordinary and particular, 5 Before and after 1968: dance, politics, and the avant-garde, 6 Repetition: Brown, Bausch, and De Keersmaeker, 7 Traces of intimacy and relationless relations, 8 The Judson tradition at the start of a new century, Notes, Bibliography, Index
£36.99
Pluto Press Scenes from the Revolution
Book SynopsisAn exploration of radical political theatre in Britain from 1968 to present day.Trade Review'This is an indispensable archive of resistant performance practice, combining memoir, dramatic and critical writing. Wiltshire, Cowan, and their collaborators confront Project Austerity's culture of contempt and despair by recovering and asserting British theatre's history of critical refusal' -- Victor Merriman, author of ' 'Because We are Poor': Irish Theatre in the 1990s''Believe that 1960s theatre making is dead duck pass? Reader, best start re-thinking. Editor/authors Kim Wiltshire and Billy Cowan forge an original and powerfully mind-bending take across 50 years of radicalised performing. Essential territory for driving future performance toward politicised hope' -- Baz Kershaw, Emeritus Professor of Theatre and Performance, University of Warwick'Recommended' -- CHOICETable of ContentsIntroduction: A Very Brief History of Political Theatre in the Twentieth Century up to 1968 - Kim Wiltshire and Billy Cowan Prologue by Lyn Gardner Scene 1: Agitprop and Political Theatre Introduction - Kim Wiltshire Interview with Rod Dixon (Red Ladder) and Kathleen McCreery (Red Ladder and Broadside Mobile Workers' Theatre) - Kim Wiltshire Apartheid: The British Connection (Extract), Broadside Mobile Workers' Theatre - Kathleen McCreery Contemporary Protest Theatre in South Africa - David Peimer The Lost Art of Agitprop and the Return of Socialist Praxis - Rebecca Hillman Scene 2: Working-Class Theatre Introduction - Kim Wiltshire Blood Red Roses at the Liverpool Everyman - Bob Eaton Ways of Seeing: Class, Gender and the Universal, from Blood Red Roses to The Sum - Lizzie Nunnery Plugging into History: Time Travel with John McGrath and 7: 84 - Lindsay Rodden Scene 3: Theatre in Education Introduction - Anthony Jackson Farewell to Erin (Extract), Belgrade TIE Company Interview with Tony Hughes (M6 Theatre Company) and Justine Themen (Belgrade TIE Company) - Billy Cowan Everyone's Got a Story to Tell ... and Their Own Way of Telling It - Julia Samuels (20 Stories High) Scene 4: Women's Theatre Introduction - Kim Wiltshire Interview with Sue Parrish (Sphinx) and Mica Nava (Women's Theatre Group) - Kim Wiltshire Work To Role (Extract), Women's Theatre Group The Work of Open Clasp and Why Women-centred Theatre is Still Relevant Today - Catrina McHugh (MBE) and Jill Heslop Forty Years of Women-centred Theatre-Making - Anna Hermann with Kim Wiltshire A Conversation on Sexual Assault in Theatre - Mighty Heart and Kim Wiltshire Scene 5: Queer Theatre Introduction - Billy Cowan Men (Extract), Don Milligan and Nol Greig Interview with Julie Parker (Drill Hall, 1981-2011) - Billy Cowan Interview with Ruth McCarthy (Outburst Queer Arts Festival, Belfast) - Billy Cowan We Who are Here Together: (Re-)making Queer Theatre - Chris Goode Scene 6: Theatre and Race Introduction - May Sumbwanyambe A Tainted Dawn (Extract) - Sudha Bhuchar and Kristine Landon-Smith The Personal is Always Political - Sudha Bhuchar Pokfulam Road Productions: A Political Theatre Company? - Jingan Young Epilogue: Where Next for Political Theatre? - Billy Cowan and Kim Wiltshire Further Reading Notes on Contributors Index
£22.49
Running Press,U.S. Game of Thrones The Noble Houses of Westeros
Book SynopsisAn essential guide to Games of Thrones seasons 1-5, profiling the noble houses of Westeros through their history, family tree, character profiles, photos, and much more.Game of Thrones: The Noble Houses of Westeros Seasons 1-5 serves as a guide to the key houses as their constant struggle for power persists and as the hierarchical structure of the kingdom evolves. The book is filled with essential information including each house''s sigil, history, home, family tree, character profiles, and is fully illustrated with series photography throughout.Trade Review"The simmering tensions between Starks and Lannisters alike are outlined in detail, covering the events of the HBO show through its first five seasons. It's a helpful tool for fans aiming to brush up their knowledge of the legacies left behind by fallen houses and the legends in the making from those who are still alive -- and it provides insight into some of the show's most game-changing twists, too." --Hollywood Reporter
£999.99
Vanderbilt University Press Transnational Desires
Book SynopsisMigrant sex workers are commonly cast as victims, moved by desperation to flee poverty and hopelessness in their home country. The Brazilian erotic dancers Suzana Maia presents in Transnational Desires, however, are women from the Brazilian middle class--some of them well-educated professionals--who migrated to the United States not just to better themselves economically but also to realize their personal dreams. Their motivation to migrate and to work as erotic dancers can also be understood in the context of a representational system, inaugurated in colonial times, that emphasizes the exoticism of Brazilian women--their bodies, their skin tone, their sexuality. These stereotypes are the props that Brazilian women use to construct their performances in Manhattan and Queens gentlemen''s bars and the language through which they negotiate their relationships to society at large.Transnational Desires focuses on the lives of nine Brazilian dancers with whom the author,
£32.25
Cambridge University Press The Revue in TwentiethCentury Budapest
Book Synopsis
£17.00
John Wiley & Sons Inc Musical Theatre For Dummies
Book SynopsisTable of ContentsIntroduction 1 Part 1: Getting Started with Musical Theatre 5 Chapter 1: Before the Curtain Rises: Just the Basics about Musical Theatre 7 Chapter 2: The History of Musical Theatre (in “only” 100 pages!) 19 Chapter 3: Finally the Anatomy of a Musical 123 Chapter 4: Oklahoma, Chicago, Avenue Q: Where Musical Theatre Takes Place 139 Chapter 5: Experiencing the Magic of Musical Theatre 167 Part 2: The People Who Make Musical Theatre Happen 189 Chapter 6: Making the Musical — The Creators 191 Chapter 7: Creating the Big Picture — “The Room Where It Happens” 217 Chapter 8: Delivering the Details — The Creatives 231 Chapter 9: “Being Alive” — The Performers 249 Chapter 10: Introducing the People Who Work the Show Night after Night 271 Part 3: The Blood, Sweat, and Tears of Theatre Life 295 Chapter 11: Understanding How an Idea Becomes Broadway Gold 297 Chapter 12: “Hi-Ho, the Glamorous Life” (of a Broadway Performer) 319 Chapter 13: Landing a Role (Paying or Not!) 339 Part 4: The Part of Tens 363 Chapter 14: Ten (Plus) Songs You Didn’t Realize Came from Musical Theatre 365 Chapter 15: Ten Celebs Who Started in Musical Theatre 369 Index 375
£16.19
Palgrave Macmillan Sexuality and the Gothic Magic Lantern Desire
Book SynopsisThis fascinating study explores the multifarious erotic themes associated with the magic lantern shows, which proved the dominant visual medium of the West for 350 years, and analyses how the shows influenced the portrayals of sexuality in major works of Gothic fiction. Trade Review"A compelling (and - why not?) sexy addition to the burgeoning scholarship on the true underpinnings of Gothic fiction, theater, and film. This book also helps elucidate the history of cinematic forms, the filiations of Romanticism across the nineteenth century, and the history of sexuality and its deployment in changing symbols. In addition, as a contribution to the ongoing development of New Historicist/Cultural Studies, it juxtaposes different media from the same era to show how each affects and is affected by the other in "associations" that enable the modern reader "to discover a forgotten intermedial world of allusion"." - Jerrold E. Hogle, Review 19 (2015) "Focusing on the Gothic magic lantern and its associations with the erotic, there is much more here which serves to provide an improved understanding of the responses of contemporary writers, artists and other commentators to the magic lantern show. Similarly the author interconnects with the erotic content to be found in a great deal of early lantern imagery [ ] It provides a refreshingly different view of lantern history, and is therefore highly recommended." - Mervyn Heard, The Magic Lantern Society Journal (2015)Table of ContentsList of Figures List of Tables Acknowledgements Preface Introduction 1. Sex and the Ghost-Show: the Early Ghost Lanternists, Friedrich Schiller's Die Geisterseher /Ghost-seer , Matthew Lewis's The Monk and E-G Robertson's Convent Fantasmagori e 2. Byron: Incest, Voyeurism and the Phantasmagoria 3. Charlotte Brönte's Villette , Forbidden Desire and Lanternicity in the Domestic Gothic 4. Sheridan Le Fanu's Carmilla (1872), 'Ambiguous Alternations': Lesbian Desire in the Lanternist Novella 5. Lanternist codes and Sexuality in Dracula and The Lady of the Shroud Conclusion
£98.99
Palgrave MacMillan UK Performance and the Global City Performance Interventions
Book SynopsisThis volume, now available in paperback, explores what it means to create and experience urban performance - as both an aesthetic and a political practice - in the burgeoning world where cities are built by globalization and neoliberal capital.Trade Review“In Performance and the Global City, editors D. J. Hopkins and Kim Solga compile a selection of essays that tackle the complex relationship between spatiality and performance in the global world. … With a consistently high quality of theoretical rigour and critical analysis, this text offers valuable insights for both geographers and performance studies scholars interested in performance’s capacity to contribute to and spur change in urban spaces.” (Laine Zisman Newman, Theatre Research International, Vol. 41 (1), 2016)“The book is divided into three parts, with four essays in each, thematically linked around attention to border zones, bodily movement in the city … . It is a very coherent structure, which places the contributions into a productive dialogue with one another. … make a strong case for the richness of performance practice as an ideal lens through which to consider the politics of place.” (Fiona Wilkie, Theatre Journal, Vol. 67, December, 2015)“This is a book that speaks to our present while also anchoring its many discussions in careful historical, theoretical, and practice-based contexts. Ultimately, then, Performance and the Global City proves well written and accessible, rigorous and substantial, ethical and engaged, and truly global in both reach and impact.” (Patrick Lonergan, Contemporary Theatre Review, Vol. 25 (4), 2015)'Following on from Performance and the City, a well-curated collection of essays exploring performance's role in renegotiating urban space in the industrialized West post-9/11, editors D. J. Hopkins and Kim Solga have published a formidable follow-up. Performance and the Global City builds on its predecessor through a range of essays that explore performance's role in the process of global city mobilization the level of scholarship in Performance and the Global City is consistently high, including further contributions from Melissa Bucher, Philip Hager, Simon Jones and Paul Rae, and the cities covered represent an international cross-section of urban centres.' Performance ResearchTable of ContentsList of Illustrations Acknowledgements Notes on Contributors Introduction: Borders, Performance, and the Global Urban Condition; D.J. Hopkins with Kim Solga PART I: MOBILITIES AND (IN)CIVILITIES: THE GLOBAL URBAN BORDERLANDS 1. The Drama of Hospitality: Performance, Migration and Urban Renewal in Johannesburg; Loren Kruger 2. Performing Survival in the Global City: Theatre ISÔKO's The Monument; Jennifer H. Capraru and Kim Solga 3. Eva / Nacha / Cristina and the Argentine Trinity of Local, National, and Global Urban Politics; Jean Graham-Jones 4. China's Global Performatives: 'Better City, Better Life'; Susan Bennett PART II: TRANSACTING BODIES / EMBODIED CURRENCIES: SUBJECTS AND CITIES 5. Losing Venice: Conversations in a Sinking City; Nicolas Whybrow 6. The Urbanization and Transnational Circulation of the Peruvian Scissors Dance; Jason Bush 7. Commuting Performance ? Working the Middle Ground; Paul Rae and Simon Jones 8. Cultures of Commuting: The Mobile Negotiation of Space and Subjectivity on Delhi's Metro; Melissa Butcher PART III: CITIZEN STAGES: ACTS OF DISSENT IN THE GLOBAL CITY 9. Distrito Federal: 'Global City, Ha, Ha, Ha!'; Ana Martinez 10. Sarajevo: A World City Under Siege; Silvija Jestrovic 11. Cairo: My City, My Revolution; Nesreen Hussein 12. Dramaturgies of Crisis and Performances of Citizenship: Syntagma Square, Athens; Philip Hager Bibliography Index
£40.49
Bloomsbury Publishing PLC Kattaikkuttu
Book SynopsisThis is the first book to offer a clear introduction to Kattaikkuttu (or Terukkuttu), a vibrant, vocal and physical outdoor Tamil theatre tradition from India. It describes the theatre's characteristic heroic nature as expressed through its principal, male kattai characters, explores its history, social status and ritual context, and examines the production of all-night plays. After placing Kattaikkuttu in the wider, competitive context of the performing arts in India, Hanne M. de Bruin introduces readers to some of the debates about the form and provides an overview of the different elements that make up a Kattaikkuttu performance. It considers its performance spaces and the way the form has changed, such as its transition towards an independent and more professional theatre genre, as well as the opening up of the form to different castes and to women. It covers the production and frameworks of all-night performances, uses the Mahabharata play Karna MokTrade ReviewThis is an extraordinary introduction to an invisibilized theatre tradition. De Bruin skillfully highlights the complex social history, spectacular technique and cultural politics around the Tamil kuttu theatre. This book marks an immense contribution to the study of subaltern theatres from South Asia by one of the most significant scholars on the subject. Few studies of Indian theatre glide so seamlessly between theoretical propositions and the affective and material dimensions of practice. This book is bound to become a classic for the study of theatre in modern South Asia. * Davesh Soneji, University of Pennsylvania, USA *Table of ContentsList of Illustrations Series Preface Acknowledgements Notes on Transliteration Introduction What’s in a Name? Tamil Theatre Histories Discourse of Contempt Alternative Views Personal Note Chapter 1. Kattaikkuttu: Aesthetic Characteristics and Historical and Socio-economic Contexts What is Kattaikkuttu? The Elements Performance Spaces Performances Performers Art as Labour Theatre Companies Emergence of Kattaikkuttu as a Distinct Genre Summary Chapter 2. Producing an All-night Performance Performance Texts Framework of a Performance Building Blocks and Modes of Production Performance Conventions and Recall Strategies The Play Karna Moksam Shifting Repertories Summary Chapter 3. Transmission, Interpretation and Innovation Kattaikkuttu’s Embodied Performance Knowledge Interpretation The Kattaikkuttu Gurukulam Pakatai Tukil Validation and Aesthetics Notes References Index
£37.50
Pearson Education Limited Revision Express AS and A2 Drama
Book SynopsisIf you're looking for a fast, focussed and effective way to revise for your AS or A2 exams, Revision Express is the answer. Now fully updated for the new A-levels, Revision Express covers everything you need for success in your exams. Each chapter is broken down into two-page topic sessions, packed with information, top tips and unique features to help you carefully organise your revision and gain vital extra marks. All the information is presented in short, memorable chunks for quick and simple revision and you can check your understanding and progress as you proceed with checkpoint questions. Develop and practice your exam techniques with sample exam-style questions (and answers luckily!) and get some inside information as A-level examiners reveal the secrets to getting top grades.
£14.24
Headline Publishing Group Its Not Me Its Them
Book SynopsisEffortless humour and bucketloads of charm. It''s impossible not to be bowled over by the ending. Most definitely my favourite celebrity memoir in a long time. Brilliant. - The SunThe **Sunday Times bestselling** memoir from the star of I''m a Celebrity and Extra Camp As a 17-year-old virgin working . . . for Virgin, Joel Dommett has grand ambitions. Firstly, he is going to swap suburbia for the bright lights of Showbiz. Secondly, he is going to find ''the one'' - and sets himself the very achievable target of finding her in the first fifty people he''s definitely going to sleep with. What follows is a series of disastrous romantic encounters, including carpets mistaken for toilets, futile grand gestures and the catfishing to end all catfishing. Featuring genuine teenage diary entries and told in Joel''s trademark self-deprecating style, this is the brilliant first book from the UK''s most exciting comedian.Trade ReviewEffortless humour and bucketloads of charm. It's impossible not to be bowled over by the ending. Most definitely my favourite celebrity memoir in a long time. Brilliant. - The Sun
£10.99
Createspace Independent Publishing Platform Shakespeares Richard III for Kids 3
Book Synopsis
£9.36
Golgotha Press, Inc. The Two Gentlemen of Verona in Plain and Simple
Book Synopsis
£8.99
Boydell & Brewer Ltd The Kecak and Cultural Tourism on Bali
Book SynopsisExamines the history of one of the best known dramatic dance performance practices on Bali and its connection with cultural tourism. The kecak is one of the best-known dramatic dance performance practices on Bali. Based on the ancient Indian Ramayana epic, it is performed by an ensemble of male and female solo dancers and accompanied by a hundred men who function as both musicians and living scenery. Since its creation in the 1930s, the kecak has been primarily a tourist performance. Drawing on over twenty years of fieldwork and meticulous archival study, Kendra Stepputat provides here a comprehensive study of the history, form, and cultural significance of the kecak. The first part of the book focuses on the kecak in its present form, including musical, choreographic, and dramatic elements. The connection between cultural tourism on Bali and kecak performance practice is analyzed in detail, including the dependency between tourism professionals and artists and ways of promoting the kecak. Tourists' perspectives on the kecak are addressed separately. The second part deals with the genesis and development of the kecak from the 1930s onward, exploring how it became and stayed a tourist genre for more than eighty years.Table of ContentsIntroduction Part 1: the Presence Chapter 1. Kecak -- The Music Rhythmic structures: juru klempung, juru gending (first part), pola cak Intermission: scales in kecak Melodic elements: juru gending (second part), juru tembang, and pangalang The lead: juru tarek and dalang Use of stage space by the jurus and pengecaks Chapter 2. Kecak -- The Dance Movements of the pengecak group Genre influences on the solo characters' movements Balinese dance characterization: halus, keras, and kasar The solo characters' individual dance styles Choreomusical interrelations between pengecaks and soloists in music and dance Chapter 3. Kecak -- The Drama Ramayana kakawin Ramayana adaptations in Balinese performing arts The kecak compromise: stage design, story, entrances The Kecak Ramayana "Kepandung Sita" kecak performance Chapter 4. The Social Organization of Kecak Aims and structures of kecak organizations and groups The members of a kecak group Teaching a kecak group Performance quality and performance quantity Chapter 5. Kecak -- The Tourist Performance The study of tourism and culture The development of cultural tourism on Bali Kecak in cultural tourism Tourists' perspectives The authenticity issue Some concluding remarks on kecak in tourism Part 2: The History Chapter 6. From Sanghyang Dedari to Kecak Ritual structures Musical structures Dance structures Sanghyang dedari in the early twenty-first century Performing sanghyang dedari on film and on stage Sanghyang dedari in performance at the end of the twentieth century Chapter 7. The First Kecak 1931: Kecak in "Insel der Dämonen"? 1926 to 1931: Changes in setting, choreography, and music Related kecak experiments in the 1920s and 1930s: Janger 1935: Kecak documented by Vicki Baum Villages and organizations: Bedulu and Bona Balinese artists: I Wayan Limbak and I Nengah Mudarya Expatriates: Walter Spies and Katharane Mershon Colonial power structures Who created the kecak? Chapter 8. Almost a Century of Kecak 1930s-1940s: Kecak becomes a tourist attraction Development in Bona and Bedulu Early tourists' conceptions of the kecak During and after the Second World War: Kecak deadlocked After the coup d'état and political persecution: Kecak standardization The early twenty-first century: The Bali bombings An alternative kecak approach: Kecak kreasi Some concluding remarks: Does the kecak have a future? Appendixes 1. Kecak dan Wisata Budaya di Bali (Indonesian Summary) 2. Kecak Groups of Bali in 2000-2001 (Badung and Gianyar) 3. Facsimile of a letter from Walter Spies to Leo Spies, 1932 Glossary Bibliography Index
£99.00
Mark O'Connor Musik International A Musical Childhood in Pictures
Book Synopsis
£34.84
Mark O'Connor Musik International A Musical Childhood in Pictures
Book Synopsis
£44.64
Upfront Publishing Sing From Within
a huge range and FREE tracked UK delivery on ALL orders.
£999.99
Mortons Media Group BY RAIL TO THE MUSIC HALLS: Recollections of the
Book Synopsis
£21.25
