Other performing arts Books
Skira The Magic Nut: A Prologue to the Nutcracker
Book SynopsisMulti-disciplined artist Mihail Chemiakin's exquisitely drawn costume sketches, stage sets and production design come to life in this extraordinary record of the two-act ballet premiered in St. Petersburg's Mariinsky Theater in 2005. Based on "The Story of a Hard Nut" from the Nutcracker and the Mouse King by E.T.A. Hoffmann, "The Magic Nut" is a ballet conceived by artist Mihail Chemiakin as a prologue to "The Nutcracker" in which we learn how the Nutcracker comes to be. Here Chemiakin tells the story of The Nutcracker's origins creating a fairy tale with a cast of bird-people, sea monsters, satyrs, cats, jellyfish, and, of course, a whole society of rats. In this phantasmagorical interpretation of Hoffman's tale the audience discovers the kind and heroic qualities of young Drosselmeyer, fated to be turned into a Nutcracker for his virtuous deeds. The story contains many of the elements of the classic fairy tale but the anticipated happy ending is ultimately postponed - until the story continues in the Tchaikovsky ballet. The book leads the reader through the ballet, scene by scene, with detailed sketches of the sets, costumes, masks and props created for the production. A virtuoso of invention, of expression through color and unexpected interpretation, the work of Chemiakin could not be better fitted to fairytales. Humorous and engaging, the colorful drawings featured here will delight ballet fans, costume designers, students of theater and art lovers alike.
£27.20
Amsterdam University Press Dutch Mime
Book SynopsisThis is the first full-length monograph on the history of Dutch mime. Dutch mime is a vibrant and innovatory branch of contemporary theatre which evolved in the margins of the theatre establishment from the early 1960s, leaving far behind its origins in literal pantomime. Mime in this Dutch tradition challenges the audience’s perception and experience by centring on the bodies and movement of the performers and audience in relation to scenography, time and space. Dutch mime performers and makers are inventors, inclined to start from zero, an empty space in which nothing is fixed and no laws have been established. Since the 1960s, interdisciplinarity has been at the core of its development: it is a theatre practice that defines itself through connections with visual arts, sculpture, music, installation, land-art, literature, architecture, technology and film. Dutch mime has generated innovation and upheaval in Dutch and international theatre over the decades. However, until now, its history has not been written. This book fills the gap. It examines and articulates specific embodied knowledge that has been characteristic of the Dutch mime tradition since the 1960s.
£52.24
Amsterdam University Press The Last Great American Picture Show: New Hollywood Cinema in the 1970s
Book SynopsisThe Last Great American Picture Show brings together essays by scholars and writers who chart the changing evaluations of the American cinema of the 1970s, sometimes referred to as the decade of the lost generation, but now more and more recognized as the first New Hollywood, without which the cinema of Francis Coppola, Steven Spielberg, Robert Zemeckis, Tim Burton or Quentin Tarantino could not have come into existence.Identified with directors such as Sam Peckinpah, Arthur Penn, Peter Bogdanovich, Monte Hellman, Bob Rafelson, Hal Ashby, Robert Altman and James Toback, American cinema of the 1970s is long overdue for this re-evaluation. Many of the films have not only come back from oblivion, as the benchmark for new directorial talents. They have also become cult films in the video shops and the classics of film courses all over the world.Table of ContentsTable of Contents - 6 Part One Introductions - 8 The Impure Cinema: New Hollywood 1967-1976 - 10 ”The Last Good Time We Ever Had”: Remembering the New Hollywood Cinema - 20 American Auteur Cinema: The Last – or First – Great Picture Show - 38 Part Two Histories - 72 The Decade When Movies Mattered - 74 A Walking Contradiction (Partly Truth and Partly Fiction) - 84 The Exploitation Generation. or: How Marginal Movies Came in from the Cold - 108 New Hollywood and the Sixties Melting Pot - 132 Part Three People and Places - 154 Dinosaurs in the Age of the Cinemobile - 156 ”The Cylinders Were Whispering My Name”: The Films of Monte Hellman - 166 Nashville contra Jaws, or “The Imagination of Disaster” Revisited - 196 For Wanda - 224 Everybody Knows This Is Nowhere: The Uneasy Ride of Hollywood and Rock - 250 Auteurism and War-teurism: Terrence Malick’s War Movie - 268 Part Four Critical Debates - 278 The Pathos of Failure: American Films in the 1970s: Notes on the Unmotivated Hero [1975] - 280 Trapped in the Affection Image: Hollywood’s Post-traumatic Cycle (1970-1976) - 294 Grim Fascination: Fingers, James Toback and 1970s American Cinema - 310 Allegories of Post-Fordism in 1970s New Hollywood: Countercultural Combat Films, Conspiracy Thrillers as Genre Recycling - 334 Bibliography - 360 List of Contributors - 372 Pictures (with credits) - 376 Index of Film Titles - 378
£50.21
Onomatopee Min Oh: 'How Things Genuinely Speak and Sing...'
Book Synopsis
£9.50
Amsterdam University Press Building Musical Culture in Nineteenth-Century
Book SynopsisWhen people attend classical music concerts today, they sit and listen in silence, offering no audible reactions to what they're hearing. We think of that as normal-but, as Darryl Cressman shows in this book, it's the product of a long history of interrelationships between music, social norms, and technology. Using the example of Amsterdam's Concertgebouw in the nineteenth century, Cressman shows how its design was in part intended to help discipline and educate concert audiences to listen attentively - and analysis of its creation and use offers rich insights into sound studies, media history, science and technology studies, classical music, and much more.Table of ContentsList of Illustrations Acknowledgements Chapter One: The Concert Hall as a Medium of Musical Culture Chapter Two: Listening, Attentive Listening, and Musical Meaning Chapter Three: Patronage, Class, and Buildings for Music: Aristocratic Opera Houses and Bourgeois Concert Halls Chapter Four: Acoustic Architecture Before Science: Designing the Sound of the Concertgebouw Chapter Five: Frisia Non Cantat: The Unmusicality of the Dutch Chapter Six: Listening to Media History References Index
£91.20
Niyogi Books K.n. Panikkar: The Theatre Of Rasa
Book Synopsis
£14.99
Manohar Publishers and Distributors Odissi and the Geeta Govinda
Book SynopsisThe book attempts to trace an overview of the different components that define the cultural landscape of the state of Odisha in relation to its history, religious cults, art, and literature and to link the development of the various aspects to the role played over the centuries by the Geeta Govinda poem in its different manifestations. From being an important component of the rituals performed in the Jagannath Temple to becoming an essential part of the people's daily lives and artistic expressions, this immortal poem has exercised its influence on the cultural landscape of the state from its early inception in the twelfth century until present times. Religious beliefs, visual representations, performative expressions, and literary compositions have been influenced by the strong emotional appeal contained in its verses.
£53.19
Roli Books Motherland: Pushpamala N.'s Woman and Nation
Book SynopsisThis interdisciplinary scholarly catalogue examines Motherland, an important series of photo-performances by the acclaimed artist Pushpamala N. on the Indian nation personified as woman, mother, and goddess. The series shows Pushpamala taking on Mother India's myriad personifications: nubile beauty and saintly renunciant; militant goddess wearing a garland of skulls or receiving the ultimate sacrifice of a warrior's head; the mother-surgeon activating the birth of model citizens; and destitute widow, bent from years of abject labour. As she does so, she reveals that nations are invented, as are national embodiments. The artist's burden is to reveal the ingredients of such inventions.
£23.70
Blue Moon Publishing Joys of Parenting
Book Synopsis
£10.44
The American University in Cairo Press Alif 39: Transnational Drama: Theater and
Book SynopsisThis issue of Alif explores drama in its many manifestations-—textual plays, performances, folk drama, choreographed story-telling, staged poetry recitals, and protest songs—as well as presenting modes of directing and production, comparative dramaturgy, specialized theater journals, experimental and independent troupes, testimonies and interviews. The issue covers dramatic works from eighteenth-century France to twenty-first century Britain and covers geographically Senegal to Lebanon, the US to China, while highlighting major dramatists from Egypt, Syria, and Morocco. The translations in this issue cover manifestos towards a new Arab Theater and an introduction to the recently published plays of Frantz Fanon.
£67.50
NUS Press Innovation, Style and Spectacle in Wayang: Purbo
Book SynopsisA richly illustrated study of wayang, the traditional puppet theater form of Java, based on unprecedented decades-long participatory research. Wayang, the traditional puppet theater form of Java, fascinates and endures thanks to the many ways it works as a medium—bearing the weight of Javanese culture and tradition as a key component of rites of passage, as a medium of ritual and spiritual practice, as public spectacle, and as entertainment of the broadest sort, performed live, broadcast, or streamed. Over the past forty years, the form has been subject to a great deal of experimentation and innovation, pulled in many directions within an ever-changing media landscape. In this book, Kathryn Anne Emerson outlines both significant contributions by a number of key figures and the social and political influences propelling such innovations. She also describes deeper and more lasting changes in wayang, based on what the art form's most accomplished practitioners have to say about it. At the core of the book is one pivotal figure, Purbo Asmoro of the Indonesian Institute of the Arts in Surakarta, who, Emerson argues, has taken the individual and singular innovations of the era and integrated them into a new system of performance practice, one that has shaped the key Surakarta school of performance. Grounded in an unprecedented, decades-long participatory research project involving hundreds of interlocutors, the book is beautifully illustrated and will be of considerable interest in Indonesian studies.Table of Contents List of Illustrations, Tables, and Charts Acknowledgements Basic Terminology Guide to Illustrative Audio-Video Clips Variant Spellings Map of Java Introduction Part One: Historical Perspective Classical Style Condensed Style Birth of an Idea: All-Night Interpretive Style or Garapan Rise to Fame in the Age of the Entertainment Interlude Part Two: All-Night Interpretive (Garapan) Style A New Vocabulary for Wayang Accompaniment The Prologue Creating Dramatic Hierarchy: a New Level of Intensity Multi-Episode Constructions In the Hands of Other Practitioners Passing on the Art Going Virtual Amid a Pandemic: An Unexpected Third Rail Conclusion Bibliography Index
£26.06
Kite Group Ltd Navigating the Maltese Mediascape
Book Synopsis
£27.00
Nova Science Publishers Inc Contemporary Topics in Movement Arts - Theories
Book Synopsis
£113.59
Colliver Communications Wink: Transforming Public Speaking with Clown
Book Synopsis
£12.88
