Other performing arts Books

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Book SynopsisAll the world loves a clown and whether you want to clown around at parties or make a living as a standup comic, comedian Judy Carter can show you how to do comedy.

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Book SynopsisUnabridged audiobook of legendary comedian and actor Steve Martin's memoir of his early years in showbusiness, read by the author.

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Book SynopsisExamines the lives and careers of twelve entertainers whose comedic styles were distinctly eccentric: Milton Berle, Ed Brendel, Bobby Clark, Phyllis Diller, the Duncan Sisters, Edward Everett Horton, Alice Howell, Franklin Pangborn, Old Mother Riley, Margaret Rutherford, Colonel Lemuel Q. Stoopnagle, and Ernest Thesiger.Trade ReviewThis well-researched book is sure to fascinate and entertain, and is highly recommended for any film buff. * Filmfax Magazine *As the author or editor of more than sixty books on the history of popular entertainment, A. Slide is at ease for dividing comedy in a variety of subgenres... * International Theatre Informations *Given the nature of the book, reading it is a hop-skip-jump eccentric experience...I hope people will take a look at this one which offers many valuable insights. * Communication Booknotes Quarterly *The collection of basic raw material on perfomers who have been little researched or discussed will appeal more to archivists and historians than to critics and theorists. * CHOICE *

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Book SynopsisTrade Review"What an awesomely comprehensive book! You really take nothing for granted in that you cover all aspects of teaching ballet." --Afua Hall, Dance teacher, Miami Conservatory

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Book SynopsisPresents informative, entertaining listings of the most noteworthy situation comedies ever to cross the pond.Trade ReviewWhat do you do when you have almost 100 videos full of British comedy threatening to take over your living room and kitchen, not to mention your life? Well, if you’re self-confessed Anglophile Garry Berman, you take what’s on those videos and create a new book, Best of the Britcoms. And for comedy fans everywhere, there is much rejoicing. * The Insider *Thanks to his interviews with 20 of the genre’s most prolific writers, Berman has also gleaned insights into the shows’ creative beginnings. The result: a book compiled with such intelligence and care that you could call its author a telly visionary. * Entertainment Weekly *A must for the growing legions of Britcom fans. * Midwest Book Review *It is a splendid production and I am honored to have done the foreword. -- Richard Briers, star of Good Neighbors (The Good Life) and other BritcomsA thoroughly entertaining book. -- Harold Snoad, Britcom producer (Are You Being Served?, Keeping Up Appearances, and Dad’s Army)It is a gold mine of information...I only wish it were longer. * The Keene Sentinel *

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Book SynopsisThe unvarnished life story of standup comedian Russell Peters: up close and personal, poignant and entertainingRussell Peters performs to sellout stadium crowds around the world, poking fun at race, culture, his immigrant family, and anything else he sets in his sights on.

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Book SynopsisDiscover your truth and let it be your guide.The struggle to uncover who you are and what you are meant to do begins with listening to your own thoughts and accepting yourself, flaws and all. Let Purpose, Not Perfection take you on a confidence-building journey of self-discovery so you can live authentically and take the world by storm. Use the pages within to clear mental blocks like self-doubt, unwanted pressure, and people-pleasing behaviors while heading boldly in the direction of your dreams. Dig deep with daily questions that help you unearth your truth Glean inspiration from the beautiful art and encouraging quotes Enjoy a judgment-free space to release negativity and nurture self-love With Aimee Chase''s Purpose, Not Perfection, you can embrace what's good in your life, let go of what's not, and design a future full of meaningful and satisfying pursuits.

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Book SynopsisTrade Review"Exquisitely crafted…[S]harp and succinct…Kiki Man Ray rescues its protagonist from the dustbin of history and advocates eloquently for the vitality and importance of the world she helped to forge." -- Hamilton Cain - Wall Street Journal"Absorbing and insightful…[Braude] has written a biography worthy of [Kiki de Montparnasse], alive with anecdote and incident…You just become so glad to know her." -- Charles Finch - Boston Globe"[A] heady romp through the galleries and nightclubs of interwar France." -- Vogue"[An] exuberantly entertaining biography." -- Joanna Scutts - New York Times Book Review"Braude’s biography argues that the pair’s long love affair was mutually galvanizing, and that Kiki was not just a muse but an artist in her own right." -- The New Yorker"Splendid…Braude brings [Kiki de Montparnasse] vividly to life and argues that she deserves to be remembered as a significant cultural figure in her own right." -- Ann Levin - Associated Press"If the only 'Kiki de Montparnasse' you are aware of is a lingerie brand, please check out this top-notch, highly readable nonfiction from cultural historian Mark Braude right now." -- Cat Auer - A.V. Club"[A] comprehensive page-turner." -- Sloane Crosley - Departures Magazine"[An] affectionate biography…As irresistible as it is overdue." -- Chicago Review of Books"Spirited and thoroughly researched…Braude's colourful evocation captures the heady atmosphere of a Paris still traumatized by the First World War." -- Elza Adamowicz - Times Literary Supplement (UK)"With vibrant prose as beguiling as Kiki herself…Braude's exuberant, absorbing biography stands Kiki at the 'white-hot center' of 1920s Montparnasse, reclaiming her rightful place." -- Janet Somerville - Toronto Star"[Kiki is] a vibrant force in a colorful world—and the heart of Braude’s history. A rich, affectionate look at bohemian Paris." -- Kirkus Reviews"Kiki Man Ray is a thoroughly researched and gracefully written life of the (until now) underestimated model, performer, painter, actress, and influencer known as Kiki de Montparnasse. Mark Braude’s biography brings her out of the wings and sets her firmly center stage in this evocative portrait of artistic life in the Paris of the 1920s." -- Carolyn Burke, author of Foursome and Lee Miller"Finally, a detailed and entertaining account of Alice Prin, a/k/a Kiki de Montparnasse, and her artistic and romantic relationship with Man Ray. Best known as a popular (and usually nude) artists’ model, Kiki was a singer and performer, a painter, a writer, and the central female instigator for the avant-garde demimonde of Paris in the 1920s. Mark Braude’s writing and subject make this book irresistible, as was Kiki herself." -- Jim Jarmusch"Kiki de Montparnasse was more than a muse—she was a vivacious, independent woman whose talent and magnetism helped make Paris the center of the art world in the 1920s. In Mark Braude’s riveting cultural history, the Queen of Montparnasse rises again. This is a lively and compassionate tribute to the chanteuse, model, and portraitist who held center stage in her life, and who inspired some of the finest Surrealist art of the twentieth century." -- Heather Clark, author of Pulitzer Prize–finalist Red Comet: The Short Life and Blazing Art of Sylvia Plath"A delightful, marvelously readable, meticulously researched romp of a book, Kiki Man Ray brings to life not just the kaleidoscopically talented Kiki herself, but the endlessly fascinating Montparnasse milieu over which she reigned." -- Whitney Scharer, author of The Age of Light"Man Ray captured 1920s Paris in his photographs, especially those of a singular muse: Kiki de Montparnasse, a hostess, a celebrity, a cabaret performer, a woman whose bawdy, heartfelt songs were the pulse of Paris. Mark Braude turns the tables—and the lens—and gives us a unique portrait: Man Ray from the perspective of that celebrated muse and her ephemeral art of performance." -- Tilar J. Mazzeo, New York Times best-selling author of The Hotel on Place Vendôme: Life, Death, and Betrayal at the Hotel Ritz in Paris"Kiki de Montparnasse—model, muse, artist—is the sole realist in a room of Surrealists. Unafraid of contradiction, she lived the fast life in the stillness of a pose, the intimacy of a public dream. Beautifully written, with a light touch and a wise eye, Mark Braude’s Kiki Man Ray arranges the elements of Kiki’s life, letting radiant patterns emerge." -- Alexander Nemerov, author of Fierce Poise: Helen Frankenthaler and 1950s New York

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Book SynopsisDaphne P. Lei is Professor of Drama at the University of California, Irvine, USA. She is internationally known for her work on Chinese opera, Asian American theatre, intercultural theatre, and diasporic and transnational performance. She is the author of many scholarly articles, both in English and Chinese. She has published two books: Operatic China: Staging Chinese Identity across the Pacific (2006) and Alternative Chinese Opera in the Age of Globalization: Performing Zero (2011), and her articles can be seen in many scholarly journals. She is the president of American Society for Theatre Research (ASTR, 2015-2018).Charlotte McIvor is Lecturer in Drama and Theatre Studies at NUI Galway, Ireland. She is the author of Migration and Performance in Contemporary Ireland: Towards A New Interculturalism (2016), and the co-editor of Staging Intercultural Ireland: Plays and Practitioner Perspectives (with Matthew Spangler, 2014) and Devised PerfoTable of ContentsKeywords List of Illustrations Notes on Contributors Daphne P. Lei (University of California, USA), ‘Chapter One: Introduction’ Section I: HIT (Hegemonic Intercultural Theatre)’s Counter-Currents Marcus Cheng Chye Tan (Nanyang Technological University, Singapore), ‘Chapter Two: (Re)Sounding Universals: The Politics of Listening to Peter Brook’s Battlefield’ Emily Sahakian (University of Georgia, USA), ‘Chapter Three: The Intercultural Politics of Performing Revolution: Maryse Condé’s Inter-theatre with Ariane Mnouchkine’ Arnab Banerji (Muhlenberg College, USA) ‘Chapter Four: What lies beyond Hattamala?: Badal Sircar and his Third Theatre as an Alternative Trajectory for Intercultural Theatre’ Section II: Networking New Interculturalisms Bi-qi Beatrice Lei (National Taiwan University, Taiwan), ‘Chapter Five: Decentering Asian Shakespeare: Approaching Intercultural Theatre as a Living Organism’ Diana Looser (Stanford University, USA), ‘Chapter Six: Connecting the Dots: Performances, Island Worlds, and Oceanic Interculturalisms’ Roaa Ali (University of Manchester, UK) ‘Chapter Seven: Subversive Immigrant Narratives in the In/visible Margin: Performing Interculturalism on Online Stages’ Section III: Interculturalism as Practice Jennifer Goodlander (Indiana University, USA), ‘Chapter Eight: Beyond HIT: Towards Regional Interculturalism through Puppetry in Southeast Asia’ SanSan Kwan (University of California, Berkeley, USA), ‘Chapter Nine: Acts of Loving: Emmanuelle Huynh, Akira Kasai, and Eiko Otake’ Angeline Young (Arizona State University, USA), ‘Chapter Ten: reORIENTing interculturalism in the academy: An Asianist Approach to teaching Afro-Haitian dance’ Section IV: Testing the Limits of New Interculturalism Ketu H. Katrak (University of California, USA), ‘Chapter Eleven: Mamela Nyamza and Dada Masilo: South African Black Women Dancer-Choreographers Dancing ‘New Interculturalism’’ Min Tian (University of Illinois, USA), ‘Chapter Twelve: The ‘Dis/De-’ in the Hyphen: The Matrix and Dynamics of Displacement in Intercultural Performance’ Lisa Jackson-Schebetta (Skidmore College, USA), ‘Chapter Thirteen: Interculturalidad: (How) Can Performance Analysis Decolonize?’ Section V: Interculturalism(s): Mapping the Past, Reflecting on the Future Charlotte McIvor National (University of Ireland, Ireland) with Justine Nakase (National University of Ireland, Ireland), ‘Chapter Fourteen: Annotated Bibliography’ Charlotte McIvor (National University of Ireland, Ireland), ‘Chapter Fifteen: Conclusion’ Bibliography Index

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Book SynopsisFor fans of Tina Fey, Amy Poehler, Amy Schumer—and every other “funny woman”—comes a candid feminist comedy manifesto exploring the sisterhood between women’s comedy and women’s liberation.“I’m not funny at all. What I am is brave.” —Lucille BallFrom female pop culture powerhouses dominating the entertainment landscape to memoirs from today’s most vocal feminist comediennes shooting up the bestseller lists, women in comedy have never been more influential.Marking this cultural shift, The Girl in the Show provides an in-depth exploration of how comedy and feminism have grown hand in hand to give women a stronger voice in the ongoing fight for equality. From I Love Lucy to SNL to today’s rising cable and web-series stars, Anna Fields’ entertaining retrospective combines amusing and honest personal narratives with the historical, political, and cultural contexts of the feminist movement.With interview subjects like Abbi Jacobson, Molly Shannon, Mo Collins, and Lizz Winstead among others—as well as actresses, stand-up comics, writers, producers, and female comedy troupes—Fields shares true stories of wit and heroism from some of our most treasured (and under-represented) artists. At its heart, The Girl in the Show captures the urgency of our continued struggle towards equality, allowing the reader to both revel in—and rebel against—our collective ideas of “women’s comedy.”

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